{
  "hub": {
    "slug": "concerts",
    "titleEl": "Συναυλίες στην Αθήνα",
    "titleEn": "Concerts in Athens",
    "answerCapsule": "Η Αθήνα φιλοξενεί ζωντανές συναυλίες κάθε βράδυ — jazz στο Μετς, ρεμπέτικα στην Πλάκα, κλασική μουσική στο Μέγαρο, rock και indie σε σκηνές του Γκάζι. Βρείτε ημερομηνίες, τιμές εισιτηρίων και χώρους για κάθε συναυλία.",
    "faqCount": 4
  },
  "events": [
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "7faebeff3564b44d",
      "title": "Χαλασμένο κουαρτέτο & Νίκος Σιδηροκαστρίτης",
      "description": "",
      "fullDescription": "A \"quartet\" with five players on stage tells you the rules are already bending. Halasmeno Kouarteto — the Broken Quartet — gathers five improvisers around compositions by bassist Giorgos Venturis, with drummer Nikos Sidirokastritis working from behind the kit. The written material is only a starting point; what happens after the downbeat gets decided in the room, in real time.\n\nPoetry Bar is an intimate, jazz-leaning room in central Athens, the kind of place where you hear the brushes as plainly as the cymbals. Expect long stretches of collective playing, sharp turns, and no two passages alike.\n\nThese five meet for one night only — this material, this room, this Thursday.\n\n<!-- timeliness-expires: 2026-06-04 -->",
      "fullDescriptionEn": "A \"quartet\" with five players on stage tells you the rules are already bending. Halasmeno Kouarteto — the Broken Quartet — gathers five improvisers around compositions by bassist Giorgos Venturis, with drummer Nikos Sidirokastritis working from behind the kit. The written material is only a starting point; what happens after the downbeat gets decided in the room, in real time.\n\nPoetry Bar is an intimate, jazz-leaning room in central Athens, the kind of place where you hear the brushes as plainly as the cymbals. Expect long stretches of collective playing, sharp turns, and no two passages alike.\n\nThese five meet for one night only — this material, this room, this Thursday.\n\n<!-- timeliness-expires: 2026-06-04 -->",
      "fullDescriptionGr": "A \"quartet\" with five players on stage tells you the rules are already bending. Halasmeno Kouarteto — the Broken Quartet — gathers five improvisers around compositions by bassist Giorgos Venturis, with drummer Nikos Sidirokastritis working from behind the kit. The written material is only a starting point; what happens after the downbeat gets decided in the room, in real time.\n\nPoetry Bar is an intimate, jazz-leaning room in central Athens, the kind of place where you hear the brushes as plainly as the cymbals. Expect long stretches of collective playing, sharp turns, and no two passages alike.\n\nThese five meet for one night only — this material, this room, this Thursday.\n\n<!-- timeliness-expires: 2026-06-04 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-04",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Jazz",
        "Experimental",
        "Live-band",
        "Intimate",
        "Listening-room",
        "Music-heads",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Poetry Bar",
        "address": "Poetry bar, 2-4",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.985952,
          "lon": 23.733488
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/xalasmeno_kouarteto_kai_nikos_sidirokastritis-10090531/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/xalasmeno_kouarteto_kai_nikos_sidirokastritis-10090531/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-29 05:08:00",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "a89bf4fce6378106",
      "title": "Cycladic Late Night",
      "description": "",
      "fullDescription": "What it is: Cycladic Late Night turns the Museum of Cycladic Art into a music room after hours. For one night only, on 4 June, Venus Volcanism, Anna Vs June with Yannis Angelopoulos, and a closing DJ set from Oko play among the Stathatos Mansion galleries, not on a stage.\n\nWhy it matters: the set is keyed to the museum's current show, \"Jeff Koons: Aphrodite of Lespugue\" — live electronics answering sculpture across the same rooms.\n\nWhat to expect: processed percussion, looped and interrupted voice, and live sampling from Anna Vs June's Mutable Ground, filling a space built for marble antiquities, not amplifiers. Doors 19:30, €10, a short walk from Evangelismos metro.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "fullDescriptionEn": "What it is: Cycladic Late Night turns the Museum of Cycladic Art into a music room after hours. For one night only, on 4 June, Venus Volcanism, Anna Vs June with Yannis Angelopoulos, and a closing DJ set from Oko play among the Stathatos Mansion galleries, not on a stage.\n\nWhy it matters: the set is keyed to the museum's current show, \"Jeff Koons: Aphrodite of Lespugue\" — live electronics answering sculpture across the same rooms.\n\nWhat to expect: processed percussion, looped and interrupted voice, and live sampling from Anna Vs June's Mutable Ground, filling a space built for marble antiquities, not amplifiers. Doors 19:30, €10, a short walk from Evangelismos metro.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "fullDescriptionGr": "What it is: Cycladic Late Night turns the Museum of Cycladic Art into a music room after hours. For one night only, on 4 June, Venus Volcanism, Anna Vs June with Yannis Angelopoulos, and a closing DJ set from Oko play among the Stathatos Mansion galleries, not on a stage.\n\nWhy it matters: the set is keyed to the museum's current show, \"Jeff Koons: Aphrodite of Lespugue\" — live electronics answering sculpture across the same rooms.\n\nWhat to expect: processed percussion, looped and interrupted voice, and live sampling from Anna Vs June's Mutable Ground, filling a space built for marble antiquities, not amplifiers. Doors 19:30, €10, a short walk from Evangelismos metro.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-04T19:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Electronic",
        "Experimental",
        "Live-act",
        "DJ-set",
        "Site-specific",
        "Early-evening",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Museum of Cycladic Art",
        "address": "Μουσείο Κυκλαδικής Τέχνης, 4",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.975697,
          "lon": 23.742307
        },
        "capacity": null,
        "website": "https://cycladic.gr",
        "sameAs": [
          "https://www.wikidata.org/wiki/Q1230253",
          "https://cycladic.gr",
          "https://en.wikipedia.org/wiki/Goulandris_Museum_of_Cycladic_Art"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€10"
      },
      "url": "https://www.athinorama.gr/music/gig/cycladic_late_night-10090526/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/cycladic_late_night-10090526/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-29 05:08:00",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "19:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "1f41ed84ec13e526",
      "title": "Angelika Dusk &amp; POPn’TONIC",
      "description": "",
      "fullDescription": "Up on the Gazarte roof, with the Acropolis lit across the rooftops of Gazi, Angelika Dusk and POPn'TONIC split a bill built for singing back. Dusk brings her own rock-pop-folk material; POPn'TONIC — fronted by vocalists Nikola Raptaki and Dora Geka — turn the second half into an 80s covers set engineered for a full-room sing-along. Mando, a fixture of Greek pop, drops in as the night's surprise guest.\n\nThe Roof Stage is the smallest and highest of Gazarte's three rooms, which makes the early-June timing matter: this is the season the open-air level comes back into rotation. Doors open at 20:00, the music starts around 21:30, and rooftop tables are worth reserving ahead. Consumption isn't mandatory, so you can come for the set alone.\n\nIf you want a seated, reverent gig where the crowd stays quiet, this isn't it. But if you want a warm rooftop night where the room does half the singing, Angelika Dusk and POPn'TONIC pitch the Roof Stage exactly there.\n\n<!-- timeliness-expires: 2026-06-04 -->",
      "fullDescriptionEn": "Up on the Gazarte roof, with the Acropolis lit across the rooftops of Gazi, Angelika Dusk and POPn'TONIC split a bill built for singing back. Dusk brings her own rock-pop-folk material; POPn'TONIC — fronted by vocalists Nikola Raptaki and Dora Geka — turn the second half into an 80s covers set engineered for a full-room sing-along. Mando, a fixture of Greek pop, drops in as the night's surprise guest.\n\nThe Roof Stage is the smallest and highest of Gazarte's three rooms, which makes the early-June timing matter: this is the season the open-air level comes back into rotation. Doors open at 20:00, the music starts around 21:30, and rooftop tables are worth reserving ahead. Consumption isn't mandatory, so you can come for the set alone.\n\nIf you want a seated, reverent gig where the crowd stays quiet, this isn't it. But if you want a warm rooftop night where the room does half the singing, Angelika Dusk and POPn'TONIC pitch the Roof Stage exactly there.\n\n<!-- timeliness-expires: 2026-06-04 -->",
      "fullDescriptionGr": "Up on the Gazarte roof, with the Acropolis lit across the rooftops of Gazi, Angelika Dusk and POPn'TONIC split a bill built for singing back. Dusk brings her own rock-pop-folk material; POPn'TONIC — fronted by vocalists Nikola Raptaki and Dora Geka — turn the second half into an 80s covers set engineered for a full-room sing-along. Mando, a fixture of Greek pop, drops in as the night's surprise guest.\n\nThe Roof Stage is the smallest and highest of Gazarte's three rooms, which makes the early-June timing matter: this is the season the open-air level comes back into rotation. Doors open at 20:00, the music starts around 21:30, and rooftop tables are worth reserving ahead. Consumption isn't mandatory, so you can come for the set alone.\n\nIf you want a seated, reverent gig where the crowd stays quiet, this isn't it. But if you want a warm rooftop night where the room does half the singing, Angelika Dusk and POPn'TONIC pitch the Roof Stage exactly there.\n\n<!-- timeliness-expires: 2026-06-04 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-04T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Rock",
        "Rooftop",
        "Concert-format",
        "Reservation-required",
        "Metro-accessible",
        "Mixed-ages"
      ],
      "venue": {
        "name": "Gazarte",
        "address": "32-34 Voutadon St, Gazi, Athens",
        "neighborhood": "Gazi / Keramikos",
        "coordinates": {
          "lat": 37.9775,
          "lon": 23.7153
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://www.athinorama.gr/music/gig/angelika_dusk_kai_popn%e2%80%99tonic_-10090488/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/angelika_dusk_kai_popn%e2%80%99tonic_-10090488/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "fd40e7021d999a93",
      "title": "Δεν ταξίδεψα ποτέ στην Αυστραλία | The Boy",
      "description": "05.06 — 07.06.2026",
      "fullDescription": "Alexandros Voulgaris has never traveled to Australia. So he built one — and for three nights in June he installs it across every stage, corridor, and foyer of the Onassis Stegi. *Den taxidepsa pote stin Afstralia* (I Have Never Traveled to Australia) is not a country but a rupture: an invented continent assembled from a red-desert film scene, a hangover in a beige Ford Fairlane 500, a dream of green ants, and a journey that never happened.\n\nVoulgaris — the musician and filmmaker who records as The Boy — anchors the work on the Main Stage with what he calls an eco-horror concert, a set that opens out into a layered scenic world built with visual artist Kostas Lambridis and animator Eirini Vianelli. Actress Flomaria Papadaki threads the building together, the connecting figure between a film retrospective, a video installation, a photography exhibition, and the live music. One ticket, the whole takeover.\n\nThe crowd is the kind that follows an artist across disciplines — people who know Voulgaris's film scores and his records equally, who would rather move through a building than sit still in one seat, and who read \"ozploitation car chase\" as an invitation rather than a warning.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Onassis Stegi, all spaces — stages, corridors, foyers |\n| Vibe | Surreal road-movie takeover with an eco-horror edge |\n| Sound | Live concert by The Boy; cinematic, layered |\n| Door | Ticketed; one pass covers the full building |\n\nThe night rewards wandering. Because the work spills out of the auditorium into the in-between spaces, the route is yours to set — arrive with time to drift through the installation and the exhibition before the Main Stage set, rather than rushing the doors at curtain. The 1980s Australian B-movie references — sun-bleached, paranoid, fast — give the whole thing its grammar.\n\nIf you want a conventional sit-down gig with a setlist and an encore, this is the wrong night. But if you want to walk inside one artist's invented country and let the building itself become the map, the Stegi hands you all of it.\n\nOnassis Stegi sits on Leoforos Syngrou and is accessible by metro, a short walk from Syngrou-Fix station, with buses running along the avenue; its rooftop bar, with views toward the Acropolis, is worth the climb before or after. Tickets through the Stegi's own box office.\n\nA new work running three nights only, 5–7 June 2026 — Voulgaris assembles his Australia once, then strikes it.\n\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "fullDescriptionEn": "Alexandros Voulgaris has never traveled to Australia. So he built one — and for three nights in June he installs it across every stage, corridor, and foyer of the Onassis Stegi. *Den taxidepsa pote stin Afstralia* (I Have Never Traveled to Australia) is not a country but a rupture: an invented continent assembled from a red-desert film scene, a hangover in a beige Ford Fairlane 500, a dream of green ants, and a journey that never happened.\n\nVoulgaris — the musician and filmmaker who records as The Boy — anchors the work on the Main Stage with what he calls an eco-horror concert, a set that opens out into a layered scenic world built with visual artist Kostas Lambridis and animator Eirini Vianelli. Actress Flomaria Papadaki threads the building together, the connecting figure between a film retrospective, a video installation, a photography exhibition, and the live music. One ticket, the whole takeover.\n\nThe crowd is the kind that follows an artist across disciplines — people who know Voulgaris's film scores and his records equally, who would rather move through a building than sit still in one seat, and who read \"ozploitation car chase\" as an invitation rather than a warning.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Onassis Stegi, all spaces — stages, corridors, foyers |\n| Vibe | Surreal road-movie takeover with an eco-horror edge |\n| Sound | Live concert by The Boy; cinematic, layered |\n| Door | Ticketed; one pass covers the full building |\n\nThe night rewards wandering. Because the work spills out of the auditorium into the in-between spaces, the route is yours to set — arrive with time to drift through the installation and the exhibition before the Main Stage set, rather than rushing the doors at curtain. The 1980s Australian B-movie references — sun-bleached, paranoid, fast — give the whole thing its grammar.\n\nIf you want a conventional sit-down gig with a setlist and an encore, this is the wrong night. But if you want to walk inside one artist's invented country and let the building itself become the map, the Stegi hands you all of it.\n\nOnassis Stegi sits on Leoforos Syngrou and is accessible by metro, a short walk from Syngrou-Fix station, with buses running along the avenue; its rooftop bar, with views toward the Acropolis, is worth the climb before or after. Tickets through the Stegi's own box office.\n\nA new work running three nights only, 5–7 June 2026 — Voulgaris assembles his Australia once, then strikes it.\n\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "fullDescriptionGr": "Alexandros Voulgaris has never traveled to Australia. So he built one — and for three nights in June he installs it across every stage, corridor, and foyer of the Onassis Stegi. *Den taxidepsa pote stin Afstralia* (I Have Never Traveled to Australia) is not a country but a rupture: an invented continent assembled from a red-desert film scene, a hangover in a beige Ford Fairlane 500, a dream of green ants, and a journey that never happened.\n\nVoulgaris — the musician and filmmaker who records as The Boy — anchors the work on the Main Stage with what he calls an eco-horror concert, a set that opens out into a layered scenic world built with visual artist Kostas Lambridis and animator Eirini Vianelli. Actress Flomaria Papadaki threads the building together, the connecting figure between a film retrospective, a video installation, a photography exhibition, and the live music. One ticket, the whole takeover.\n\nThe crowd is the kind that follows an artist across disciplines — people who know Voulgaris's film scores and his records equally, who would rather move through a building than sit still in one seat, and who read \"ozploitation car chase\" as an invitation rather than a warning.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Onassis Stegi, all spaces — stages, corridors, foyers |\n| Vibe | Surreal road-movie takeover with an eco-horror edge |\n| Sound | Live concert by The Boy; cinematic, layered |\n| Door | Ticketed; one pass covers the full building |\n\nThe night rewards wandering. Because the work spills out of the auditorium into the in-between spaces, the route is yours to set — arrive with time to drift through the installation and the exhibition before the Main Stage set, rather than rushing the doors at curtain. The 1980s Australian B-movie references — sun-bleached, paranoid, fast — give the whole thing its grammar.\n\nIf you want a conventional sit-down gig with a setlist and an encore, this is the wrong night. But if you want to walk inside one artist's invented country and let the building itself become the map, the Stegi hands you all of it.\n\nOnassis Stegi sits on Leoforos Syngrou and is accessible by metro, a short walk from Syngrou-Fix station, with buses running along the avenue; its rooftop bar, with views toward the Acropolis, is worth the climb before or after. Tickets through the Stegi's own box office.\n\nA new work running three nights only, 5–7 June 2026 — Voulgaris assembles his Australia once, then strikes it.\n\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-05",
      "endDate": "2026-06-07",
      "type": "concert",
      "genres": [],
      "tags": [
        "Concert",
        "Premiere",
        "Experimental",
        "Live-Music",
        "Contemporary",
        "Avant-Garde",
        "With-Ticket"
      ],
      "venue": {
        "name": "Onassis Stegi",
        "address": "Leof. Andrea Siggrou 107-109, Athens 117 45",
        "neighborhood": "Neos Kosmos",
        "coordinates": {
          "lat": 37.954,
          "lon": 23.7404
        },
        "capacity": null,
        "website": "https://www.onassis.org",
        "sameAs": [
          "https://www.wikidata.org/wiki/Q43064509",
          "https://en.wikipedia.org/wiki/Onassis_Stegi"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-35"
      },
      "url": "https://www.onassis.org/el/whats-on/i-have-never-traveled-to-australia-alexandros-voulgaris-the-boy",
      "ticketUrl": "https://www.onassis.org/el/whats-on/i-have-never-traveled-to-australia-alexandros-voulgaris-the-boy",
      "ticketUrlStatus": "generated",
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      "source": "onassis",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "7a8de5719e097c6b",
      "title": "Divas Drive Trio",
      "description": "",
      "fullDescription": "What it is: a jazz trio that trades the usual rhythm section for a harp. At Spiti Art Bar — the small Kerameikos room that calls itself a living room more than a club — Divas Drive Trio pairs Liza Lebesi's voice with Sotiris Chouto's guitar and Irene Tabour's harp, working jazz standards in a blues- and ethnic-tinged, post-hard-bop register.\n\nWhy it matters: the harp gives familiar standards a different foundation — plucked and resonant where you would expect an upright bass — and Lebesi teaches jazz voice in Athens.\n\nWhat to expect: a close-quarters Friday night, the front tables an arm's length from the players. Spiti sits on Eupatridon in Kerameikos, minutes from Kerameikos metro.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "fullDescriptionEn": "What it is: a jazz trio that trades the usual rhythm section for a harp. At Spiti Art Bar — the small Kerameikos room that calls itself a living room more than a club — Divas Drive Trio pairs Liza Lebesi's voice with Sotiris Chouto's guitar and Irene Tabour's harp, working jazz standards in a blues- and ethnic-tinged, post-hard-bop register.\n\nWhy it matters: the harp gives familiar standards a different foundation — plucked and resonant where you would expect an upright bass — and Lebesi teaches jazz voice in Athens.\n\nWhat to expect: a close-quarters Friday night, the front tables an arm's length from the players. Spiti sits on Eupatridon in Kerameikos, minutes from Kerameikos metro.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "fullDescriptionGr": "What it is: a jazz trio that trades the usual rhythm section for a harp. At Spiti Art Bar — the small Kerameikos room that calls itself a living room more than a club — Divas Drive Trio pairs Liza Lebesi's voice with Sotiris Chouto's guitar and Irene Tabour's harp, working jazz standards in a blues- and ethnic-tinged, post-hard-bop register.\n\nWhy it matters: the harp gives familiar standards a different foundation — plucked and resonant where you would expect an upright bass — and Lebesi teaches jazz voice in Athens.\n\nWhat to expect: a close-quarters Friday night, the front tables an arm's length from the players. Spiti sits on Eupatridon in Kerameikos, minutes from Kerameikos metro.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-05",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Jazz",
        "Intimate",
        "Listening-room",
        "Music-heads",
        "Seated",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Σπίτι Art Bar",
        "address": "Efpatridon 7, Athens 118 54",
        "neighborhood": "Kerameikos",
        "coordinates": {
          "lat": 37.9799,
          "lon": 23.7128
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/divas_drive_trio-10090532/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/divas_drive_trio-10090532/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-29 05:08:00",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "b648faeb8f77a926",
      "title": "DISMISS",
      "description": "",
      "fullDescription": "What it is: a record-release show. DISMISS — the five-piece Athens rock 'n' roll band working since 2021 — play their debut album Funeral Fund at Ilion Plus, sharing the bill with Grim Puppet and Valeria.\n\nWhy it matters: this is the night Funeral Fund leaves the streaming feed for a stage. The band's sound pulls from 1970s rock 'n' roll, punk's blunt force and an alt-2000s streak — the album its first full document.\n\nWhat to expect: a loud triple bill from 20:30. Ilion Plus sits on Patission in central Athens — not the Ilion suburb its name suggests — accessible by metro. Tickets €10 through more.com.\n\n<!-- timeliness-expires: 2026-09-03 -->",
      "fullDescriptionEn": "What it is: a record-release show. DISMISS — the five-piece Athens rock 'n' roll band working since 2021 — play their debut album Funeral Fund at Ilion Plus, sharing the bill with Grim Puppet and Valeria.\n\nWhy it matters: this is the night Funeral Fund leaves the streaming feed for a stage. The band's sound pulls from 1970s rock 'n' roll, punk's blunt force and an alt-2000s streak — the album its first full document.\n\nWhat to expect: a loud triple bill from 20:30. Ilion Plus sits on Patission in central Athens — not the Ilion suburb its name suggests — accessible by metro. Tickets €10 through more.com.\n\n<!-- timeliness-expires: 2026-09-03 -->",
      "fullDescriptionGr": "What it is: a record-release show. DISMISS — the five-piece Athens rock 'n' roll band working since 2021 — play their debut album Funeral Fund at Ilion Plus, sharing the bill with Grim Puppet and Valeria.\n\nWhy it matters: this is the night Funeral Fund leaves the streaming feed for a stage. The band's sound pulls from 1970s rock 'n' roll, punk's blunt force and an alt-2000s streak — the album its first full document.\n\nWhat to expect: a loud triple bill from 20:30. Ilion Plus sits on Patission in central Athens — not the Ilion suburb its name suggests — accessible by metro. Tickets €10 through more.com.\n\n<!-- timeliness-expires: 2026-09-03 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-05T20:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Rock",
        "Punk",
        "Live-band",
        "Raw",
        "20s-30s",
        "Standing-room",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Ίλιον Plus",
        "address": "Kodrigktonos 17, Athens 104 34",
        "neighborhood": "Victoria / Neapoli",
        "coordinates": {
          "lat": 37.9944,
          "lon": 23.7369
        },
        "capacity": null,
        "website": "https://www.ilionplus.gr"
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€10"
      },
      "url": "https://www.athinorama.gr/music/gig/dismiss_-10090498/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/dismiss_-10090498/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "20:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "35bb0710567b4f1c",
      "title": "Μάγδα Βαρούχα &amp; Χρήστος Αδαμόπουλος",
      "description": "",
      "fullDescription": "What began as a spontaneous meeting between singer Magda Varouha and musician Christos Adamopoulos grew into *Akomplex-Arista*, one of the more talked-about live shows on the Greek circuit. On 5 June it reaches Technopolis in Gazi for the first time.\n\nThe two trade a program of Greek song with no fixed lane — their own material, unexpected covers, and swapped roles between voice and instrument. Guests Fotini Velesiotou, Papazo, Artemis Kyriakopoulou and Mike Vasiliadis join across the night.\n\nExpect a set that moves between tenderness and release rather than a tidy run of hits. Doors at 21:00; tickets €13–15 through more.com.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "fullDescriptionEn": "What began as a spontaneous meeting between singer Magda Varouha and musician Christos Adamopoulos grew into *Akomplex-Arista*, one of the more talked-about live shows on the Greek circuit. On 5 June it reaches Technopolis in Gazi for the first time.\n\nThe two trade a program of Greek song with no fixed lane — their own material, unexpected covers, and swapped roles between voice and instrument. Guests Fotini Velesiotou, Papazo, Artemis Kyriakopoulou and Mike Vasiliadis join across the night.\n\nExpect a set that moves between tenderness and release rather than a tidy run of hits. Doors at 21:00; tickets €13–15 through more.com.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "fullDescriptionGr": "What began as a spontaneous meeting between singer Magda Varouha and musician Christos Adamopoulos grew into *Akomplex-Arista*, one of the more talked-about live shows on the Greek circuit. On 5 June it reaches Technopolis in Gazi for the first time.\n\nThe two trade a program of Greek song with no fixed lane — their own material, unexpected covers, and swapped roles between voice and instrument. Guests Fotini Velesiotou, Papazo, Artemis Kyriakopoulou and Mike Vasiliadis join across the night.\n\nExpect a set that moves between tenderness and release rather than a tidy run of hits. Doors at 21:00; tickets €13–15 through more.com.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-05T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Entechno",
        "Greek-singer-songwriter",
        "Industrial-chic",
        "Greek-locals",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Τεχνόπολη",
        "address": "Pireos 100, Athina 118 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.978226,
          "lon": 23.713648
        },
        "capacity": null,
        "sameAs": [
          "https://www.wikidata.org/wiki/Q174552",
          "https://en.wikipedia.org/wiki/Technopolis_(Gazi)"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 13,
        "currency": "EUR",
        "range": "€13 - €15"
      },
      "url": "https://www.athinorama.gr/music/gig/magda_barouxa_kai_xristos_adamopoulos-10090479/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/magda_barouxa_kai_xristos_adamopoulos-10090479/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "6bcc943c1aec4bba",
      "title": "Κρατική Ορχήστρα Αθηνών",
      "description": "",
      "fullDescription": "The Athens State Orchestra closes its winter season at the Christos Lambrakis Hall on 5 June, with Nikos Chaliasas curating and conducting a program titled *Contemporary Antiquity*. Nineteen hundred and sixty seats rake upward toward a pipe organ that fills the back wall, and the room settles into the held silence that precedes an orchestra's first breath.\n\nChaliasas, a violinist as well as a conductor, built the evening around one thread: Greek composers across three centuries, each pulled toward the ancient world. The oldest voice belongs to Spyros Samaras (1861–1917) — the composer Athens still hears every four years, since he wrote the Olympic Anthem first performed at the 1896 Games — represented here by his *Epinikia*, the victory odes. Alongside him sit Iosif Mastrekinis (1842–1903) and, from the last century, Nikiforos Rotas (1929–2004), whose Concerto Grosso sets an unlikely trio of tuba, viola and piano against the orchestra. The program's living anchor is a commission written for this orchestra: the *Concerto of Corinth* for guitar and orchestra by Cuban composer Leo Brouwer (born 1939).\n\nA closing-night audience at the Lambrakis Hall assembles by intent — subscribers who follow the orchestra's season as a whole, guitarists who came specifically for Brouwer, and listeners after Greek repertoire that concert halls rarely program. It is a formal occasion without being a severe one, the kind of evening the Megaron foyer fills slowly before the doors.\n\nThe night swings between scale and intimacy. Rotas's Concerto Grosso pushes a tuba into solo territory it almost never occupies; Brouwer's concerto asks a single plucked guitar to hold its own against a full symphony orchestra, which means the hall drops to near-silence to let it speak. Samaras and Mastrekinis return the evening to the late-Romantic Greek idiom that predates the rest.\n\nIf you came for the warhorses — the Beethoven and Tchaikovsky that sell themselves — this is not that night. But if you want to hear what Greek composers made of their own mythology across a hundred and fifty years, this program gathers it in one sitting.\n\nThe Megaron sits directly above Megaro Moussikis metro, one stop from Syntagma. Tickets run €8 to €25 through more.com; the upper circle carries the orchestra cleanly and costs the least. The foyer opens well before the 21:00 start, so arrive early enough to cross it, where the glass wall turns toward Lycabettus.\n\nIt is the orchestra's final program before the season closes — the one night this year Athens hears its own composers answer the ancient world.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "fullDescriptionEn": "The Athens State Orchestra closes its winter season at the Christos Lambrakis Hall on 5 June, with Nikos Chaliasas curating and conducting a program titled *Contemporary Antiquity*. Nineteen hundred and sixty seats rake upward toward a pipe organ that fills the back wall, and the room settles into the held silence that precedes an orchestra's first breath.\n\nChaliasas, a violinist as well as a conductor, built the evening around one thread: Greek composers across three centuries, each pulled toward the ancient world. The oldest voice belongs to Spyros Samaras (1861–1917) — the composer Athens still hears every four years, since he wrote the Olympic Anthem first performed at the 1896 Games — represented here by his *Epinikia*, the victory odes. Alongside him sit Iosif Mastrekinis (1842–1903) and, from the last century, Nikiforos Rotas (1929–2004), whose Concerto Grosso sets an unlikely trio of tuba, viola and piano against the orchestra. The program's living anchor is a commission written for this orchestra: the *Concerto of Corinth* for guitar and orchestra by Cuban composer Leo Brouwer (born 1939).\n\nA closing-night audience at the Lambrakis Hall assembles by intent — subscribers who follow the orchestra's season as a whole, guitarists who came specifically for Brouwer, and listeners after Greek repertoire that concert halls rarely program. It is a formal occasion without being a severe one, the kind of evening the Megaron foyer fills slowly before the doors.\n\nThe night swings between scale and intimacy. Rotas's Concerto Grosso pushes a tuba into solo territory it almost never occupies; Brouwer's concerto asks a single plucked guitar to hold its own against a full symphony orchestra, which means the hall drops to near-silence to let it speak. Samaras and Mastrekinis return the evening to the late-Romantic Greek idiom that predates the rest.\n\nIf you came for the warhorses — the Beethoven and Tchaikovsky that sell themselves — this is not that night. But if you want to hear what Greek composers made of their own mythology across a hundred and fifty years, this program gathers it in one sitting.\n\nThe Megaron sits directly above Megaro Moussikis metro, one stop from Syntagma. Tickets run €8 to €25 through more.com; the upper circle carries the orchestra cleanly and costs the least. The foyer opens well before the 21:00 start, so arrive early enough to cross it, where the glass wall turns toward Lycabettus.\n\nIt is the orchestra's final program before the season closes — the one night this year Athens hears its own composers answer the ancient world.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "fullDescriptionGr": "The Athens State Orchestra closes its winter season at the Christos Lambrakis Hall on 5 June, with Nikos Chaliasas curating and conducting a program titled *Contemporary Antiquity*. Nineteen hundred and sixty seats rake upward toward a pipe organ that fills the back wall, and the room settles into the held silence that precedes an orchestra's first breath.\n\nChaliasas, a violinist as well as a conductor, built the evening around one thread: Greek composers across three centuries, each pulled toward the ancient world. The oldest voice belongs to Spyros Samaras (1861–1917) — the composer Athens still hears every four years, since he wrote the Olympic Anthem first performed at the 1896 Games — represented here by his *Epinikia*, the victory odes. Alongside him sit Iosif Mastrekinis (1842–1903) and, from the last century, Nikiforos Rotas (1929–2004), whose Concerto Grosso sets an unlikely trio of tuba, viola and piano against the orchestra. The program's living anchor is a commission written for this orchestra: the *Concerto of Corinth* for guitar and orchestra by Cuban composer Leo Brouwer (born 1939).\n\nA closing-night audience at the Lambrakis Hall assembles by intent — subscribers who follow the orchestra's season as a whole, guitarists who came specifically for Brouwer, and listeners after Greek repertoire that concert halls rarely program. It is a formal occasion without being a severe one, the kind of evening the Megaron foyer fills slowly before the doors.\n\nThe night swings between scale and intimacy. Rotas's Concerto Grosso pushes a tuba into solo territory it almost never occupies; Brouwer's concerto asks a single plucked guitar to hold its own against a full symphony orchestra, which means the hall drops to near-silence to let it speak. Samaras and Mastrekinis return the evening to the late-Romantic Greek idiom that predates the rest.\n\nIf you came for the warhorses — the Beethoven and Tchaikovsky that sell themselves — this is not that night. But if you want to hear what Greek composers made of their own mythology across a hundred and fifty years, this program gathers it in one sitting.\n\nThe Megaron sits directly above Megaro Moussikis metro, one stop from Syntagma. Tickets run €8 to €25 through more.com; the upper circle carries the orchestra cleanly and costs the least. The foyer opens well before the 21:00 start, so arrive early enough to cross it, where the glass wall turns toward Lycabettus.\n\nIt is the orchestra's final program before the season closes — the one night this year Athens hears its own composers answer the ancient world.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-05T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Classical",
        "Polished",
        "Mixed-ages",
        "Seated",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21",
        "neighborhood": "Ilisia",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.757
        },
        "capacity": null,
        "website": "https://www.megaron.gr",
        "sameAs": [
          "https://www.wikidata.org/wiki/Q582203",
          "https://en.wikipedia.org/wiki/Athens_Concert_Hall"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 8,
        "currency": "EUR",
        "range": "€8 - €25"
      },
      "url": "https://www.athinorama.gr/music/gig/_kratiki_orxistra_athinon-10090508/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/_kratiki_orxistra_athinon-10090508/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "a1db035016266244",
      "title": "Yiorgos Pantazopoulos Trio",
      "description": "",
      "fullDescription": "The double bassist who anchors the Wednesday jazz jam at Theatre of the No steps out front of his home stage. Yiorgos Pantazopoulos — Athens-born, trained on jazz double bass at the Ionian University in Corfu — leads his trio through *Some Things I've Never Told You*, his debut album as a leader: five originals and three reworked standards in the classic piano-trio format. Saxophonist Takis Patereli sits in as special guest. The room holds about a hundred, opposite City Hall, close enough that you catch the wood of the bass and not only the amplifier. Doors 21:30 on 5 June; tickets €12, a short walk from Syntagma metro.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "fullDescriptionEn": "The double bassist who anchors the Wednesday jazz jam at Theatre of the No steps out front of his home stage. Yiorgos Pantazopoulos — Athens-born, trained on jazz double bass at the Ionian University in Corfu — leads his trio through *Some Things I've Never Told You*, his debut album as a leader: five originals and three reworked standards in the classic piano-trio format. Saxophonist Takis Patereli sits in as special guest. The room holds about a hundred, opposite City Hall, close enough that you catch the wood of the bass and not only the amplifier. Doors 21:30 on 5 June; tickets €12, a short walk from Syntagma metro.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "fullDescriptionGr": "The double bassist who anchors the Wednesday jazz jam at Theatre of the No steps out front of his home stage. Yiorgos Pantazopoulos — Athens-born, trained on jazz double bass at the Ionian University in Corfu — leads his trio through *Some Things I've Never Told You*, his debut album as a leader: five originals and three reworked standards in the classic piano-trio format. Saxophonist Takis Patereli sits in as special guest. The room holds about a hundred, opposite City Hall, close enough that you catch the wood of the bass and not only the amplifier. Doors 21:30 on 5 June; tickets €12, a short walk from Syntagma metro.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-05T21:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Jazz",
        "Live-band",
        "Intimate",
        "Listening-room",
        "Music-heads",
        "Seated",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Theatre Of The No",
        "address": "Bouboulinas 17-19, Athens 106 82",
        "neighborhood": "Metaxourgeio",
        "coordinates": {
          "lat": 37.987,
          "lon": 23.7285
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 12,
        "currency": "EUR",
        "range": "€12"
      },
      "url": "https://www.athinorama.gr/music/gig/yiorgos_pantazopoulos_trio-10090500/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/yiorgos_pantazopoulos_trio-10090500/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "0e6be10453b0a5b8",
      "title": "Martzi Feelgood",
      "description": "",
      "fullDescription": "Orfeas sits on the pedestrian stretch of Fokionos Negri, the café promenade that runs through the middle of Kipseli, and hosts live music Tuesday through Saturday. On 5 June the room belongs to Martzi Feelgood, a band that works the seam between funk, soul, disco, and R&B — beloved covers reworked alongside their own material. Expect a Martzi Feelgood set built for moving rather than sitting still: the door is €5, low enough that the crowd skews curious and local rather than ticket-holding tourists. Music starts at 21:30. Come early if you want a table near the front; on a Friday the Fokionos Negri strip fills with its own foot traffic before the first song.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "fullDescriptionEn": "Orfeas sits on the pedestrian stretch of Fokionos Negri, the café promenade that runs through the middle of Kipseli, and hosts live music Tuesday through Saturday. On 5 June the room belongs to Martzi Feelgood, a band that works the seam between funk, soul, disco, and R&B — beloved covers reworked alongside their own material. Expect a Martzi Feelgood set built for moving rather than sitting still: the door is €5, low enough that the crowd skews curious and local rather than ticket-holding tourists. Music starts at 21:30. Come early if you want a table near the front; on a Friday the Fokionos Negri strip fills with its own foot traffic before the first song.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "fullDescriptionGr": "Orfeas sits on the pedestrian stretch of Fokionos Negri, the café promenade that runs through the middle of Kipseli, and hosts live music Tuesday through Saturday. On 5 June the room belongs to Martzi Feelgood, a band that works the seam between funk, soul, disco, and R&B — beloved covers reworked alongside their own material. Expect a Martzi Feelgood set built for moving rather than sitting still: the door is €5, low enough that the crowd skews curious and local rather than ticket-holding tourists. Music starts at 21:30. Come early if you want a table near the front; on a Friday the Fokionos Negri strip fills with its own foot traffic before the first song.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-05T21:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Live-band",
        "Intimate",
        "Local-favorite",
        "Greek-locals",
        "Dance-floor",
        "Walk-in-friendly"
      ],
      "venue": {
        "name": "Ορφέας Cafe Bar",
        "address": "Fokionos Negri 25, Athina 113 61",
        "neighborhood": "",
        "coordinates": {
          "lat": 38.001183,
          "lon": 23.736635
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 5,
        "currency": "EUR",
        "range": "€5"
      },
      "url": "https://www.athinorama.gr/music/gig/martzi_feelgood-10090528/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/martzi_feelgood-10090528/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-29 05:08:00",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "9dd2849dbce7816c",
      "title": "Ioanna Mitsoglou Groove Act",
      "description": "",
      "fullDescription": "What it is: a drummer's band. Ioanna Mitsoglou writes from behind the kit, and Groove Act is the project where her own compositions lead — drums setting the terms, with Amalia Tzitzi on vocals and Kostas Stylianopoulos on saxophone.\n\nWhy it matters: Mitsoglou is a self-taught Athenian percussionist and Sonor artist who builds from afro grooves, jazz funk, neo soul and the snap of drum & bass toward something with a pronounced urban pulse.\n\nWhat to expect: a late Friday set at Jazzet Cafe, the western-suburbs room that stages concerts Friday through Sunday and dims to a jazz bar midweek. A 22:00 start, 10 EUR.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "fullDescriptionEn": "What it is: a drummer's band. Ioanna Mitsoglou writes from behind the kit, and Groove Act is the project where her own compositions lead — drums setting the terms, with Amalia Tzitzi on vocals and Kostas Stylianopoulos on saxophone.\n\nWhy it matters: Mitsoglou is a self-taught Athenian percussionist and Sonor artist who builds from afro grooves, jazz funk, neo soul and the snap of drum & bass toward something with a pronounced urban pulse.\n\nWhat to expect: a late Friday set at Jazzet Cafe, the western-suburbs room that stages concerts Friday through Sunday and dims to a jazz bar midweek. A 22:00 start, 10 EUR.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "fullDescriptionGr": "What it is: a drummer's band. Ioanna Mitsoglou writes from behind the kit, and Groove Act is the project where her own compositions lead — drums setting the terms, with Amalia Tzitzi on vocals and Kostas Stylianopoulos on saxophone.\n\nWhy it matters: Mitsoglou is a self-taught Athenian percussionist and Sonor artist who builds from afro grooves, jazz funk, neo soul and the snap of drum & bass toward something with a pronounced urban pulse.\n\nWhat to expect: a late Friday set at Jazzet Cafe, the western-suburbs room that stages concerts Friday through Sunday and dims to a jazz bar midweek. A 22:00 start, 10 EUR.\n\n<!-- timeliness-expires: 2026-06-05 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-05T22:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Jazz",
        "Listening-room",
        "Music-heads",
        "Seated",
        "Late-night",
        "Concert-format",
        "Taxi-recommended"
      ],
      "venue": {
        "name": "Jazzet Cafe",
        "address": "Ανδρέα Μιαούλη 26, Athina 105 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.97831,
          "lon": 23.725167
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€10"
      },
      "url": "https://www.athinorama.gr/music/gig/ioanna_mitsoglou_groove_act_-10090535/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/ioanna_mitsoglou_groove_act_-10090535/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-29 05:08:00",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "22:00",
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      "@type": "MusicEvent",
      "id": "f6a40f4ff749fa82",
      "title": "Divas Drive Trio",
      "description": "",
      "fullDescription": "Divas Drive Trio is a jazz concert at Megaron Mousikis Athinon (Athens Concert Hall) near Megaro Moussikis metro in Athens, on 6 June 2026. You walk past the Christos Lambrakis Hall where the symphonies play, past the Alexandra Trianti where the chamber series lives, and into one of the smaller halls where the piano lid is already open and three chairs wait in a triangle.\n\nThe Divas Drive Trio is Megaron's newest jazz ensemble, and their program blends post-hard bop aesthetics with contemporary jazz standards. That description gives you the skeleton — the muscle is in how the three players talk to each other. Post-hard bop means the harmony runs denser than a straight-ahead set, the rhythm section pushes against the pulse rather than sitting behind it, and the solos build from conversation rather than monologue. Jazz standards means the material is recognizable, but the treatment is not. You hear melodies you know played in shapes that make you hear them for the first time.\n\nThe audience for Jazz@Megaron splits into two groups: regulars who have watched the series grow from a fringe program into a core pillar of the season, and jazz listeners tracking the Athens scene who want to hear what happens when a new formation hits a professional stage. Both groups share the habit of leaning forward during the bridge rather than waiting for the chorus.\n\nMegaron's smaller halls seat between 380 and 450 people. The acoustics were designed for unamplified instruments — in a jazz trio context, this means you hear the sustain pedal lift, the brush drag across the snare, the upright bass resonating through the floor rather than through a speaker cabinet. At this scale the players hear the room breathing back at them, and they adjust in real time. A trio format strips away orchestration: no horn section to fill space, no vocalist to carry narrative. Every note is exposed. The interplay between piano, bass, and drums in post-hard bop is less about taking turns and more about three simultaneous conversations that somehow resolve into the same phrase.\n\nIf you want a big band swing night with familiar arrangements and singalong standards, this is not that concert. The Divas Drive Trio operates at the intersection where jazz turns inward — closer to Monk than Miller. If you want to hear three musicians strip a standard down to its skeleton and rebuild it in real time, the smaller hall at Megaron is designed for exactly this kind of listening.\n\nMegaro Moussikis metro sits directly adjacent — you exit and the entrance is a two-minute walk. Box office open Monday to Friday 10:00 to 18:00. Doors at 20:00. Tickets 12 EUR through TicketServices, with a five percent online discount. Dress code is comfortable — Megaron is formal architecture with relaxed audience etiquette for jazz nights.\n\nThe trio format is the most honest configuration in jazz — nowhere to hide, nothing to lean on, and every silence is a choice.",
      "fullDescriptionEn": "Divas Drive Trio is a jazz concert at Megaron Mousikis Athinon (Athens Concert Hall) near Megaro Moussikis metro in Athens, on 6 June 2026. You walk past the Christos Lambrakis Hall where the symphonies play, past the Alexandra Trianti where the chamber series lives, and into one of the smaller halls where the piano lid is already open and three chairs wait in a triangle.\n\nThe Divas Drive Trio is Megaron's newest jazz ensemble, and their program blends post-hard bop aesthetics with contemporary jazz standards. That description gives you the skeleton — the muscle is in how the three players talk to each other. Post-hard bop means the harmony runs denser than a straight-ahead set, the rhythm section pushes against the pulse rather than sitting behind it, and the solos build from conversation rather than monologue. Jazz standards means the material is recognizable, but the treatment is not. You hear melodies you know played in shapes that make you hear them for the first time.\n\nThe audience for Jazz@Megaron splits into two groups: regulars who have watched the series grow from a fringe program into a core pillar of the season, and jazz listeners tracking the Athens scene who want to hear what happens when a new formation hits a professional stage. Both groups share the habit of leaning forward during the bridge rather than waiting for the chorus.\n\nMegaron's smaller halls seat between 380 and 450 people. The acoustics were designed for unamplified instruments — in a jazz trio context, this means you hear the sustain pedal lift, the brush drag across the snare, the upright bass resonating through the floor rather than through a speaker cabinet. At this scale the players hear the room breathing back at them, and they adjust in real time. A trio format strips away orchestration: no horn section to fill space, no vocalist to carry narrative. Every note is exposed. The interplay between piano, bass, and drums in post-hard bop is less about taking turns and more about three simultaneous conversations that somehow resolve into the same phrase.\n\nIf you want a big band swing night with familiar arrangements and singalong standards, this is not that concert. The Divas Drive Trio operates at the intersection where jazz turns inward — closer to Monk than Miller. If you want to hear three musicians strip a standard down to its skeleton and rebuild it in real time, the smaller hall at Megaron is designed for exactly this kind of listening.\n\nMegaro Moussikis metro sits directly adjacent — you exit and the entrance is a two-minute walk. Box office open Monday to Friday 10:00 to 18:00. Doors at 20:00. Tickets 12 EUR through TicketServices, with a five percent online discount. Dress code is comfortable — Megaron is formal architecture with relaxed audience etiquette for jazz nights.\n\nThe trio format is the most honest configuration in jazz — nowhere to hide, nothing to lean on, and every silence is a choice.",
      "fullDescriptionGr": "Οι Divas Drive Trio δίνουν συναυλία στο Μέγαρο Μουσικής Αθηνών στους Αμπελοκήπους, Αθήνα, στις 6 Ιουνίου 2026. Το φουαγιέ εκτείνεται σε 2.500 τετραγωνικά μέτρα με θέα τον Λυκαβηττό μέσα από γυάλινους τοίχους, και μέχρι να το διασχίσεις η πόλη μοιάζει μακρινή.\n\nΤο Μέγαρο Μουσικής εγκαινιάστηκε το 1991 και φιλοξενεί τέσσερις κύριους χώρους. Η αίθουσα Χρήστος Λαμπράκης χωράει 1.960 θέσεις κάτω από εκκλησιαστικό όργανο Klais 6.080 σωλήνων. Η αίθουσα Δημήτρης Μητρόπουλος χωράει 450 θέσεις για μουσική δωματίου. Η αίθουσα Νίκος Σκαλκώτας χωράει περίπου 400. Ένα τρίο συνήθως παίζει σε μικρότερη αίθουσα, όπου η ακουστική σχεδιάστηκε για κοντινή ακρόαση — κάθε δυναμική αλλαγή φτάνει χωρίς μεσολάβηση.\n\nΤο όνομα σηματοδοτεί πρόθεση — «Divas» υποδηλώνει μουσικούς που φέρνουν τη δεξιοτεχνία στο προσκήνιο. Ένα τρίο είναι ο μικρότερος σχηματισμός πλήρους αρμονίας — κάθε μέλος φέρει δομικό βάρος. Δεν υπάρχει ορχηστρική μάζα να απορροφήσει μια διστακτικότητα. Αυτό που ακούς είναι ακριβώς αυτό που τρεις μουσικοί επιλέγουν να παίξουν.\n\nΤην επόμενη βραδιά, η London Philharmonic Orchestra γεμίζει την αίθουσα Λαμπράκης για την έναρξη του εαρινού φεστιβάλ. Απόψε είναι η άλλη πλευρά της ταυτότητας του Μεγάρου — κτίριο που φιλοξενεί ορχηστρικό θέαμα και μουσική δωματίου μέσα στο ίδιο σαββατοκύριακο, με ίση αρχιτεκτονική σοβαρότητα.\n\nΤο κοινό αυτών των μικρότερων συναυλιών συγκεντρώνεται διαφορετικά. Ακροατές που παρακολουθούν το πρόγραμμα κατά είδος και σχηματισμό, που ξέρουν ποια αίθουσα ταιριάζει σε ποιο ρεπερτόριο, που επιλέγουν θέση με κριτήριο την ακουστική.\n\nΑν θέλεις θέαμα κλίμακας — εκατό μουσικοί σε σκηνή χτισμένη γι' αυτόν τον σκοπό — η αυριανή συναυλία το προσφέρει. Αν θέλεις τρεις μουσικούς σε αίθουσα όπου η αρχιτεκτονική σχεδιάστηκε να είναι ο τελευταίος συνεργάτης κάθε οργάνου, η απόψε το δίνει σε κλάσμα της τιμής.\n\nΤο Μέγαρο βρίσκεται ακριβώς πάνω από τον σταθμό μετρό Μέγαρο Μουσικής — ένας σταθμός από Σύνταγμα. Υπόγειο πάρκινγκ 750 θέσεων, τρία ευρώ για τρεις ώρες ή πέντε ευρώ flat με εισιτήριο. Λεωφορεία Ε14, Α5, 550 σταματούν μπροστά. Φτάστε νωρίτερα για το φουαγιέ — η θέα στον Λυκαβηττό, τα μάρμαρα κάτω, η ησυχία πριν ανοίξουν οι πόρτες. Εισιτήρια μέσω ticketservices.gr.\n\nΤρεις μουσικοί, μία αίθουσα, και ακουστική σχεδιασμένη να αντιμετωπίζει κάθε νότα ως αρχιτεκτονική.",
      "hasNativeGreek": true,
      "startDate": "2026-06-06",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Concert-format",
        "Seated",
        "Metro-accessible",
        "Card-accepted",
        "Mixed-ages",
        "Solo-friendly",
        "Date-night",
        "Polished"
      ],
      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21",
        "neighborhood": "Ilisia",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.757
        },
        "capacity": null,
        "website": "https://www.megaron.gr",
        "sameAs": [
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          "https://en.wikipedia.org/wiki/Athens_Concert_Hall"
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      },
      "price": {
        "type": "with-ticket",
        "amount": 12,
        "currency": "EUR",
        "range": "€12"
      },
      "url": "https://www.ticketservices.gr/event/14174/",
      "ticketUrl": "https://www.ticketservices.gr/event/14174/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "ticketservices",
      "createdAt": "2026-02-21 07:51:30",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_60604_or_Divas-Drive-Trio_Megaro_BANNER.jpg",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "02790f1eb18eea39",
      "title": "Ritmo azul trio",
      "description": "",
      "fullDescription": "What it is: a flamenco-rooted trio in a room built for it. Spiti Art Bar occupies a 1920 house in Kerameikos that has spent its years on the Athens scene hosting jazz, gypsy jazz and flamenco, and Ritmo Azul Trio fits its small stage cleanly.\n\nWhy it matters: the group sets flamenco guitar at the center and lets electric bass and drums carry it sideways — toward Mediterranean color, Latin drive and the open improvising of jazz.\n\nWhat to expect: a Saturday set close enough to read the guitarist's right hand, lyrical until Ritmo Azul start trading and the intensity climbs. Admission at the door; arrive early, the room is small.\n\n<!-- timeliness-expires: 2026-06-06 -->",
      "fullDescriptionEn": "What it is: a flamenco-rooted trio in a room built for it. Spiti Art Bar occupies a 1920 house in Kerameikos that has spent its years on the Athens scene hosting jazz, gypsy jazz and flamenco, and Ritmo Azul Trio fits its small stage cleanly.\n\nWhy it matters: the group sets flamenco guitar at the center and lets electric bass and drums carry it sideways — toward Mediterranean color, Latin drive and the open improvising of jazz.\n\nWhat to expect: a Saturday set close enough to read the guitarist's right hand, lyrical until Ritmo Azul start trading and the intensity climbs. Admission at the door; arrive early, the room is small.\n\n<!-- timeliness-expires: 2026-06-06 -->",
      "fullDescriptionGr": "What it is: a flamenco-rooted trio in a room built for it. Spiti Art Bar occupies a 1920 house in Kerameikos that has spent its years on the Athens scene hosting jazz, gypsy jazz and flamenco, and Ritmo Azul Trio fits its small stage cleanly.\n\nWhy it matters: the group sets flamenco guitar at the center and lets electric bass and drums carry it sideways — toward Mediterranean color, Latin drive and the open improvising of jazz.\n\nWhat to expect: a Saturday set close enough to read the guitarist's right hand, lyrical until Ritmo Azul start trading and the intensity climbs. Admission at the door; arrive early, the room is small.\n\n<!-- timeliness-expires: 2026-06-06 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-06",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "World",
        "Mediterranean-Fusion",
        "Intimate",
        "Historic",
        "Greek-locals",
        "Seated",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Σπίτι Art Bar",
        "address": "Efpatridon 7, Athens 118 54",
        "neighborhood": "Kerameikos",
        "coordinates": {
          "lat": 37.9799,
          "lon": 23.7128
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/ritmo_azul_trio-10090527/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/ritmo_azul_trio-10090527/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-29 05:08:00",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "f8c64e9f62316a5f",
      "title": "Cool Mood sextet",
      "description": "",
      "fullDescription": "Cool Mood is a sextet built around the quiet end of jazz — the West Coast lineage of Chet Baker, Paul Desmond and Gerry Mulligan, where restraint says more than volume. The band reworks jazz standards through its own orchestrations, carrying a blues-and-ethnic undertow rather than straight bebop fire.\n\nIt lands at Poetry Bar, a small jazz-and-blues room off Soultani Street, a short walk from Omonia, where the stage sits close enough to read the players' cues. Saturday nights here run on the music, not the bar.\n\nIf you want a loud night out, look elsewhere. But if you want cool-school phrasing up close, Cool Mood takes the room for one night, 6 June.\n\n<!-- timeliness-expires: 2026-06-06 -->",
      "fullDescriptionEn": "Cool Mood is a sextet built around the quiet end of jazz — the West Coast lineage of Chet Baker, Paul Desmond and Gerry Mulligan, where restraint says more than volume. The band reworks jazz standards through its own orchestrations, carrying a blues-and-ethnic undertow rather than straight bebop fire.\n\nIt lands at Poetry Bar, a small jazz-and-blues room off Soultani Street, a short walk from Omonia, where the stage sits close enough to read the players' cues. Saturday nights here run on the music, not the bar.\n\nIf you want a loud night out, look elsewhere. But if you want cool-school phrasing up close, Cool Mood takes the room for one night, 6 June.\n\n<!-- timeliness-expires: 2026-06-06 -->",
      "fullDescriptionGr": "Cool Mood is a sextet built around the quiet end of jazz — the West Coast lineage of Chet Baker, Paul Desmond and Gerry Mulligan, where restraint says more than volume. The band reworks jazz standards through its own orchestrations, carrying a blues-and-ethnic undertow rather than straight bebop fire.\n\nIt lands at Poetry Bar, a small jazz-and-blues room off Soultani Street, a short walk from Omonia, where the stage sits close enough to read the players' cues. Saturday nights here run on the music, not the bar.\n\nIf you want a loud night out, look elsewhere. But if you want cool-school phrasing up close, Cool Mood takes the room for one night, 6 June.\n\n<!-- timeliness-expires: 2026-06-06 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-06",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Jazz",
        "Live-band",
        "Intimate",
        "Music-heads",
        "Seated",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Poetry Bar",
        "address": "Poetry bar, 2-4",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.985952,
          "lon": 23.733488
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/cool_mood_sextet_-10090540/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/cool_mood_sextet_-10090540/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-29 05:08:00",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeSource": "not_found",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "f954013599d2e441",
      "title": "&#171;Απόηχοι Χρόνου&#187;",
      "description": "",
      "fullDescription": "Shostakovich and ABBA on the same bill, with Scott Joplin, Henry Mancini and Andrew Lloyd Webber in between — Echoes of Time is the National Conservatory of New Smyrna's end-of-year showcase, and its setlist refuses to pick an era. A strand of Cypriot composers — Giorgos Hatzipierris, Michael Christodoulides — and traditional Cypriot songs mark the Greece–Cyprus tie.\n\nThe players are the school itself: students and faculty, instrumental ensembles, a children's choir and a youth choir, on the stage of the Michael Cacoyannis Foundation in Tavros.\n\nIf you want a single-composer evening, this isn't it. But the night is already sold out — the draw is a conservatory showing its full range at once.\n\n<!-- timeliness-expires: 2026-06-06 -->",
      "fullDescriptionEn": "Shostakovich and ABBA on the same bill, with Scott Joplin, Henry Mancini and Andrew Lloyd Webber in between — Echoes of Time is the National Conservatory of New Smyrna's end-of-year showcase, and its setlist refuses to pick an era. A strand of Cypriot composers — Giorgos Hatzipierris, Michael Christodoulides — and traditional Cypriot songs mark the Greece–Cyprus tie.\n\nThe players are the school itself: students and faculty, instrumental ensembles, a children's choir and a youth choir, on the stage of the Michael Cacoyannis Foundation in Tavros.\n\nIf you want a single-composer evening, this isn't it. But the night is already sold out — the draw is a conservatory showing its full range at once.\n\n<!-- timeliness-expires: 2026-06-06 -->",
      "fullDescriptionGr": "Shostakovich and ABBA on the same bill, with Scott Joplin, Henry Mancini and Andrew Lloyd Webber in between — Echoes of Time is the National Conservatory of New Smyrna's end-of-year showcase, and its setlist refuses to pick an era. A strand of Cypriot composers — Giorgos Hatzipierris, Michael Christodoulides — and traditional Cypriot songs mark the Greece–Cyprus tie.\n\nThe players are the school itself: students and faculty, instrumental ensembles, a children's choir and a youth choir, on the stage of the Michael Cacoyannis Foundation in Tavros.\n\nIf you want a single-composer evening, this isn't it. But the night is already sold out — the draw is a conservatory showing its full range at once.\n\n<!-- timeliness-expires: 2026-06-06 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-06T19:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Classical",
        "Academic",
        "Family-friendly",
        "Seated",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Ίδρυμα Μιχάλης Κακογιάννης",
        "address": "Pireos 206, Athens 177 78",
        "neighborhood": "Tavros",
        "coordinates": {
          "lat": 37.9676,
          "lon": 23.6964
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/apoixoi_xronou-10090520/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/apoixoi_xronou-10090520/",
      "ticketUrlStatus": "generated",
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      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "19:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "cd0afa5456b43c1f",
      "title": "Armand Hammer",
      "description": "",
      "fullDescription": "Two voices, no chorus, no hook to hang onto: Armand Hammer build rap from dense, allusive verse, billy woods and Elucid trading lines that reward a second listen and a third. The New York duo land at Gazarte's Ground Stage on their Mercy tour, behind the 2025 album the producer Alchemist built end to end.\n\nArmand Hammer's catalogue runs through Haram, the 2021 Alchemist collaboration, and We Buy Diabetic Test Strips — records that fold socio-political weight, dark humor and dense storytelling into something closer to literature than chart rap.\n\nThe Ground Stage is Gazarte's rock-and-alt room, smaller and harder than the rooftop upstairs, a tight space for music that lives on words you lean in to catch. Doors open around 20:00 and the set lands later; this is an 18+ night.\n\nIf you want sing-along choruses, this is not that bill. But if you want American underground rap at its least compromising, this is the room.\n\nGazarte is in Gazi, a short walk from Kerameikos metro; tickets start at EUR 24 through more.com.\n<!-- timeliness-expires: 2026-09-04 -->",
      "fullDescriptionEn": "Two voices, no chorus, no hook to hang onto: Armand Hammer build rap from dense, allusive verse, billy woods and Elucid trading lines that reward a second listen and a third. The New York duo land at Gazarte's Ground Stage on their Mercy tour, behind the 2025 album the producer Alchemist built end to end.\n\nArmand Hammer's catalogue runs through Haram, the 2021 Alchemist collaboration, and We Buy Diabetic Test Strips — records that fold socio-political weight, dark humor and dense storytelling into something closer to literature than chart rap.\n\nThe Ground Stage is Gazarte's rock-and-alt room, smaller and harder than the rooftop upstairs, a tight space for music that lives on words you lean in to catch. Doors open around 20:00 and the set lands later; this is an 18+ night.\n\nIf you want sing-along choruses, this is not that bill. But if you want American underground rap at its least compromising, this is the room.\n\nGazarte is in Gazi, a short walk from Kerameikos metro; tickets start at EUR 24 through more.com.\n<!-- timeliness-expires: 2026-09-04 -->",
      "fullDescriptionGr": "Two voices, no chorus, no hook to hang onto: Armand Hammer build rap from dense, allusive verse, billy woods and Elucid trading lines that reward a second listen and a third. The New York duo land at Gazarte's Ground Stage on their Mercy tour, behind the 2025 album the producer Alchemist built end to end.\n\nArmand Hammer's catalogue runs through Haram, the 2021 Alchemist collaboration, and We Buy Diabetic Test Strips — records that fold socio-political weight, dark humor and dense storytelling into something closer to literature than chart rap.\n\nThe Ground Stage is Gazarte's rock-and-alt room, smaller and harder than the rooftop upstairs, a tight space for music that lives on words you lean in to catch. Doors open around 20:00 and the set lands later; this is an 18+ night.\n\nIf you want sing-along choruses, this is not that bill. But if you want American underground rap at its least compromising, this is the room.\n\nGazarte is in Gazi, a short walk from Kerameikos metro; tickets start at EUR 24 through more.com.\n<!-- timeliness-expires: 2026-09-04 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-06T20:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Hip-hop",
        "Experimental",
        "Underground",
        "Music-heads",
        "Standing-room",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Gazarte",
        "address": "32-34 Voutadon St, Gazi, Athens",
        "neighborhood": "Gazi / Keramikos",
        "coordinates": {
          "lat": 37.9775,
          "lon": 23.7153
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://www.athinorama.gr/music/gig/armand_hammer-10090487/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/armand_hammer-10090487/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "20:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "d13acc9f17e079a8",
      "title": "Automaton",
      "description": "",
      "fullDescription": "Low end first: Automaton trade in psychedelic doom and post-black metal, the kind of weight that arrives through the floor before the vocals do. On 6 June the Greek band brings its new album «Labyrinth» to Temple in Gazi, with Omega Monolith opening. Temple is a two-floor room more often given to techno, but its Funktion-One rig carries Automaton's dark, slow-building sound with room to spare; capacity runs near six hundred. Tickets are €10. Expect a long arc rather than quick hits — drone, build, release, repeated until the riffs read less like songs than weather. If you came for a tidy set of singles, this is not that night.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "fullDescriptionEn": "Low end first: Automaton trade in psychedelic doom and post-black metal, the kind of weight that arrives through the floor before the vocals do. On 6 June the Greek band brings its new album «Labyrinth» to Temple in Gazi, with Omega Monolith opening. Temple is a two-floor room more often given to techno, but its Funktion-One rig carries Automaton's dark, slow-building sound with room to spare; capacity runs near six hundred. Tickets are €10. Expect a long arc rather than quick hits — drone, build, release, repeated until the riffs read less like songs than weather. If you came for a tidy set of singles, this is not that night.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "fullDescriptionGr": "Low end first: Automaton trade in psychedelic doom and post-black metal, the kind of weight that arrives through the floor before the vocals do. On 6 June the Greek band brings its new album «Labyrinth» to Temple in Gazi, with Omega Monolith opening. Temple is a two-floor room more often given to techno, but its Funktion-One rig carries Automaton's dark, slow-building sound with room to spare; capacity runs near six hundred. Tickets are €10. Expect a long arc rather than quick hits — drone, build, release, repeated until the riffs read less like songs than weather. If you came for a tidy set of singles, this is not that night.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-06T20:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Metal",
        "Underground",
        "Standing-room",
        "Music-heads",
        "Funktion-One",
        "Metro-accessible",
        "Concert-format"
      ],
      "venue": {
        "name": "Temple",
        "address": "Temple, Ιάκχου",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.979013,
          "lon": 23.713044
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€10"
      },
      "url": "https://www.athinorama.gr/music/gig/automaton_-10090522/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/automaton_-10090522/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "20:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "5ec72670d106b774",
      "title": "Sunlight, The Silent Rage &amp; Still Dusk",
      "description": "",
      "fullDescription": "Three Athens metal bands share the AN Club stage, and between them they cover most of the city's modern metal timeline. Sunlight, formed in Ilioupoli in 2009, plays melodic heavy metal and is touring its album Son of the Sun. The Silent Rage, around since 2006, is the longest-running of the three, also melodic power metal. Still Dusk, the youngest at 2018, pushes toward alternative metal behind its 2025 debut, Chronicles of Dystopia. AN Club is Athens' oldest rock room and keeps rock-club hours — doors at 20:30, though the stage tends to fill later. Three bills' worth of bands on a single ten-euro ticket.\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "fullDescriptionEn": "Three Athens metal bands share the AN Club stage, and between them they cover most of the city's modern metal timeline. Sunlight, formed in Ilioupoli in 2009, plays melodic heavy metal and is touring its album Son of the Sun. The Silent Rage, around since 2006, is the longest-running of the three, also melodic power metal. Still Dusk, the youngest at 2018, pushes toward alternative metal behind its 2025 debut, Chronicles of Dystopia. AN Club is Athens' oldest rock room and keeps rock-club hours — doors at 20:30, though the stage tends to fill later. Three bills' worth of bands on a single ten-euro ticket.\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "fullDescriptionGr": "Three Athens metal bands share the AN Club stage, and between them they cover most of the city's modern metal timeline. Sunlight, formed in Ilioupoli in 2009, plays melodic heavy metal and is touring its album Son of the Sun. The Silent Rage, around since 2006, is the longest-running of the three, also melodic power metal. Still Dusk, the youngest at 2018, pushes toward alternative metal behind its 2025 debut, Chronicles of Dystopia. AN Club is Athens' oldest rock room and keeps rock-club hours — doors at 20:30, though the stage tends to fill later. Three bills' worth of bands on a single ten-euro ticket.\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-06T20:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Metal",
        "Live-band",
        "Underground",
        "Historic",
        "Music-heads",
        "Standing-room",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "AN Club",
        "address": "13-15 Solomou Street, Athens 106 82",
        "neighborhood": "Exarchia",
        "coordinates": {
          "lat": 37.9885,
          "lon": 23.733
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€10"
      },
      "url": "https://www.athinorama.gr/music/gig/sunlight_the_silent_rage_kai_still_dusk-10090542/",
      "ticketUrlStatus": "door_only",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-29 05:08:00",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "20:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "80fe86b1fc85b329",
      "title": "EDEN LIVE presents TONIC WALTER",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-06T20:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Gazarte",
        "address": null,
        "neighborhood": null,
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 22,
        "currency": "EUR",
        "range": "€22"
      },
      "url": "https://www.more.com/gr-el/tickets/music/tonicwalter/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/tonicwalter/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-06-02 08:55:46",
      "updatedAt": "2026-06-04 05:07:00",
      "language": "en",
      "timeDoors": "20:30",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/06ff01c7-c27c-4c8d-be6a-fb63392159fb/viva-tickets.png",
      "imageSource": "backfill",
      "imageLocal": "/images/events/80fe86b1fc85b329.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "b2d4cc176a2db7f3",
      "title": "ANSER - ΠΑΡΟΥΣΙΑΣΗ ΔΙΣΚΟΥ",
      "description": "",
      "fullDescription": "Seven years after \"Adyto\" (2019), Greek rapper Anser returns with \"Anadysi\" — his new album, presented live at Technopolis on Saturday 6 June 2026 at 21:00. Producer Eversor handles the music, with Andri J on the mic alongside Anser.\n\nEversor's dark, cinematic production has anchored Anser releases since \"Flow Royal\" in 2013 — a partnership that reaches its third album here.\n\nTechnopolis sits at Pireos 100 in Gazi, the former gasworks turned cultural complex, accessible by metro from Kerameikos. Doors at 19:00, music at 21:00. Tickets EUR 10 early bird, EUR 12-15 in presale, EUR 18 at the door — through more.com.\n\n<!-- timeliness-expires: 2026-09-06 -->",
      "fullDescriptionEn": "Seven years after \"Adyto\" (2019), Greek rapper Anser returns with \"Anadysi\" — his new album, presented live at Technopolis on Saturday 6 June 2026 at 21:00. Producer Eversor handles the music, with Andri J on the mic alongside Anser.\n\nEversor's dark, cinematic production has anchored Anser releases since \"Flow Royal\" in 2013 — a partnership that reaches its third album here.\n\nTechnopolis sits at Pireos 100 in Gazi, the former gasworks turned cultural complex, accessible by metro from Kerameikos. Doors at 19:00, music at 21:00. Tickets EUR 10 early bird, EUR 12-15 in presale, EUR 18 at the door — through more.com.\n\n<!-- timeliness-expires: 2026-09-06 -->",
      "fullDescriptionGr": "Seven years after \"Adyto\" (2019), Greek rapper Anser returns with \"Anadysi\" — his new album, presented live at Technopolis on Saturday 6 June 2026 at 21:00. Producer Eversor handles the music, with Andri J on the mic alongside Anser.\n\nEversor's dark, cinematic production has anchored Anser releases since \"Flow Royal\" in 2013 — a partnership that reaches its third album here.\n\nTechnopolis sits at Pireos 100 in Gazi, the former gasworks turned cultural complex, accessible by metro from Kerameikos. Doors at 19:00, music at 21:00. Tickets EUR 10 early bird, EUR 12-15 in presale, EUR 18 at the door — through more.com.\n\n<!-- timeliness-expires: 2026-09-06 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-06T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Hip-hop",
        "Live-act",
        "Industrial-chic",
        "Concert-format",
        "Greek-locals",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Τεχνόπολη",
        "address": "Pireos 100, Athina 118 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.978226,
          "lon": 23.713648
        },
        "capacity": null,
        "sameAs": [
          "https://www.wikidata.org/wiki/Q174552",
          "https://en.wikipedia.org/wiki/Technopolis_(Gazi)"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€15"
      },
      "url": "https://www.more.com/gr-el/tickets/music/anser-anadysi-athens/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/anser-anadysi-athens/",
      "ticketUrlStatus": "ai_discovered",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-03-06 07:38:39",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/8a24e0a4-3fd3-4244-ba2a-215755afee9d/viva-tickets.png",
      "imageSource": "backfill",
      "imageLocal": "/images/events/b2d4cc176a2db7f3.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "4a6e214fa7bf8671",
      "title": "ΠΥΞ ΛΑΞ - Καλοκαίρι 2026",
      "description": "",
      "fullDescription": "Pyx Lax return to the Lycabettus Theatre on Saturday 6 June 2026 at 21:00 — a venue they have been playing since 1996, with the sold-out 2000 nights still cited in the band's history.\n\nPyx Lax bring their 2026 summer concert to the open-air theatre cut into the rock at the summit of Lycabettus hill. Their catalogue spans three decades of Greek-language singles still in regular radio rotation.\n\nTickets at 17 EUR pre-sale, 20 EUR at the door. The walk up to the theatre from Kolonaki is steep — the funicular runs from Aristippou Street and is the easier way up than the switchback path. Bring a light layer; the hilltop temperature drops noticeably after sunset.\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "fullDescriptionEn": "Pyx Lax return to the Lycabettus Theatre on Saturday 6 June 2026 at 21:00 — a venue they have been playing since 1996, with the sold-out 2000 nights still cited in the band's history.\n\nPyx Lax bring their 2026 summer concert to the open-air theatre cut into the rock at the summit of Lycabettus hill. Their catalogue spans three decades of Greek-language singles still in regular radio rotation.\n\nTickets at 17 EUR pre-sale, 20 EUR at the door. The walk up to the theatre from Kolonaki is steep — the funicular runs from Aristippou Street and is the easier way up than the switchback path. Bring a light layer; the hilltop temperature drops noticeably after sunset.\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "fullDescriptionGr": "Pyx Lax return to the Lycabettus Theatre on Saturday 6 June 2026 at 21:00 — a venue they have been playing since 1996, with the sold-out 2000 nights still cited in the band's history.\n\nPyx Lax bring their 2026 summer concert to the open-air theatre cut into the rock at the summit of Lycabettus hill. Their catalogue spans three decades of Greek-language singles still in regular radio rotation.\n\nTickets at 17 EUR pre-sale, 20 EUR at the door. The walk up to the theatre from Kolonaki is steep — the funicular runs from Aristippou Street and is the easier way up than the switchback path. Bring a light layer; the hilltop temperature drops noticeably after sunset.\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-06T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Rock",
        "Greek-singer-songwriter",
        "Greek-locals",
        "Mixed-ages",
        "Seated",
        "Concert-format",
        "Outdoor",
        "Historic"
      ],
      "venue": {
        "name": "Δημοτικό Θέατρο Λυκαβηττού",
        "address": "Lycabettus Hill, Athens 114 71",
        "neighborhood": "Lycabettus Hill",
        "coordinates": {
          "lat": 37.984,
          "lon": 23.7471
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 17,
        "currency": "EUR",
        "range": "€17"
      },
      "url": "https://www.more.com/gr-el/tickets/music/pyks-laks-kalokairi-2026/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/pyks-laks-kalokairi-2026/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-03-06 07:38:39",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/c0e99e67-3aa8-4b35-a01b-d33eca55ef20/viva-tickets.png",
      "imageSource": "backfill",
      "imageLocal": "/images/events/4a6e214fa7bf8671.webp",
      "permanentCollection": false,
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    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "a9709e230617ac58",
      "title": "Anser",
      "description": "",
      "fullDescription": "Anser bills himself as a flowmaster, and he arrives in Athens from Sparta — not the usual return address on a Greek hip-hop record. On 6 June he plays Technopolis in Gazi for the official launch of his new solo album «Anadysi» (Emergence). Technopolis is the former Athens gasworks turned cultural complex, its brick chimneys and open courtyards now a concert site a short walk from Kerameikos metro. Tickets are €15. Expect a record presented live in full, paced like a release night — new material front and centre rather than a greatest-hits run. If you only know Anser from the singles, come ready to meet the album.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "fullDescriptionEn": "Anser bills himself as a flowmaster, and he arrives in Athens from Sparta — not the usual return address on a Greek hip-hop record. On 6 June he plays Technopolis in Gazi for the official launch of his new solo album «Anadysi» (Emergence). Technopolis is the former Athens gasworks turned cultural complex, its brick chimneys and open courtyards now a concert site a short walk from Kerameikos metro. Tickets are €15. Expect a record presented live in full, paced like a release night — new material front and centre rather than a greatest-hits run. If you only know Anser from the singles, come ready to meet the album.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "fullDescriptionGr": "Anser bills himself as a flowmaster, and he arrives in Athens from Sparta — not the usual return address on a Greek hip-hop record. On 6 June he plays Technopolis in Gazi for the official launch of his new solo album «Anadysi» (Emergence). Technopolis is the former Athens gasworks turned cultural complex, its brick chimneys and open courtyards now a concert site a short walk from Kerameikos metro. Tickets are €15. Expect a record presented live in full, paced like a release night — new material front and centre rather than a greatest-hits run. If you only know Anser from the singles, come ready to meet the album.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-06T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Hip-hop",
        "Industrial-chic",
        "Standing-room",
        "20s-30s",
        "Greek-locals",
        "Metro-accessible",
        "Concert-format"
      ],
      "venue": {
        "name": "Τεχνόπολη",
        "address": "Pireos 100, Athina 118 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.978226,
          "lon": 23.713648
        },
        "capacity": null,
        "sameAs": [
          "https://www.wikidata.org/wiki/Q174552",
          "https://en.wikipedia.org/wiki/Technopolis_(Gazi)"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€15"
      },
      "url": "https://www.athinorama.gr/music/gig/anser_-10082144/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/anser_-10082144/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "ea90bb2d581fcf7f",
      "title": "Mothmane",
      "description": "",
      "fullDescription": "**What is it?** Mothmane is a dark trap metal act from the Northern Greek underground, playing Death Disco in Psiri on 6 June behind the new EP *S.A.D (Seek And Destroy)*. Meshaya opens; doors 21:00, live around 22:00.\n\n**Why it matters.** Mothmane pulls trap metal, dark rap and industrial textures into one high-volume show — heavy guitars, low bass, dark visuals. The S.A.D material is brand new, and this night is built to air it.\n\n**What to expect.** A roughly 200-capacity basement on Ogygou, tickets €10, minutes from Monastiraki. The room runs live before the late DJ sets, so the floor stays standing and close. Come for intensity, not seating.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "fullDescriptionEn": "**What is it?** Mothmane is a dark trap metal act from the Northern Greek underground, playing Death Disco in Psiri on 6 June behind the new EP *S.A.D (Seek And Destroy)*. Meshaya opens; doors 21:00, live around 22:00.\n\n**Why it matters.** Mothmane pulls trap metal, dark rap and industrial textures into one high-volume show — heavy guitars, low bass, dark visuals. The S.A.D material is brand new, and this night is built to air it.\n\n**What to expect.** A roughly 200-capacity basement on Ogygou, tickets €10, minutes from Monastiraki. The room runs live before the late DJ sets, so the floor stays standing and close. Come for intensity, not seating.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "fullDescriptionGr": "**What is it?** Mothmane is a dark trap metal act from the Northern Greek underground, playing Death Disco in Psiri on 6 June behind the new EP *S.A.D (Seek And Destroy)*. Meshaya opens; doors 21:00, live around 22:00.\n\n**Why it matters.** Mothmane pulls trap metal, dark rap and industrial textures into one high-volume show — heavy guitars, low bass, dark visuals. The S.A.D material is brand new, and this night is built to air it.\n\n**What to expect.** A roughly 200-capacity basement on Ogygou, tickets €10, minutes from Monastiraki. The room runs live before the late DJ sets, so the floor stays standing and close. Come for intensity, not seating.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-06T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "live-band",
        "basement",
        "standing",
        "late-night",
        "locals-favorite"
      ],
      "venue": {
        "name": "Death Disco",
        "address": "Ogygou 16, Psyrri, Athens 105 54",
        "neighborhood": "Psyrri",
        "coordinates": {
          "lat": 37.977,
          "lon": 23.7265
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€10"
      },
      "url": "https://www.athinorama.gr/music/gig/mothmane_-10090499/",
      "ticketUrlStatus": "door_only",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "b371d8ad9c3165c3",
      "title": "Μ&#178; Squared",
      "description": "",
      "fullDescription": "What is it? M² brings his band to Baumstrasse in Votanikos on 6 June 2026, previewing songs from his forthcoming album *INVICTUS* alongside covers. The rock-pop-folk songwriter shares the bill with Cachalot and his Masters, a one-off ensemble built for the night to play unexpected English-language covers.\n\nWhy it matters: These are songs aired before they're pressed — the *INVICTUS* material reaches the room before it reaches a tracklist. Baumstrasse, a converted industrial space in Votanikos, frames them closer to a workshop than a concert hall.\n\nWhat to expect: Doors at 21:00, tickets €12, two acts across one night — and a handful of songs you can't stream yet.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "fullDescriptionEn": "What is it? M² brings his band to Baumstrasse in Votanikos on 6 June 2026, previewing songs from his forthcoming album *INVICTUS* alongside covers. The rock-pop-folk songwriter shares the bill with Cachalot and his Masters, a one-off ensemble built for the night to play unexpected English-language covers.\n\nWhy it matters: These are songs aired before they're pressed — the *INVICTUS* material reaches the room before it reaches a tracklist. Baumstrasse, a converted industrial space in Votanikos, frames them closer to a workshop than a concert hall.\n\nWhat to expect: Doors at 21:00, tickets €12, two acts across one night — and a handful of songs you can't stream yet.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "fullDescriptionGr": "What is it? M² brings his band to Baumstrasse in Votanikos on 6 June 2026, previewing songs from his forthcoming album *INVICTUS* alongside covers. The rock-pop-folk songwriter shares the bill with Cachalot and his Masters, a one-off ensemble built for the night to play unexpected English-language covers.\n\nWhy it matters: These are songs aired before they're pressed — the *INVICTUS* material reaches the room before it reaches a tracklist. Baumstrasse, a converted industrial space in Votanikos, frames them closer to a workshop than a concert hall.\n\nWhat to expect: Doors at 21:00, tickets €12, two acts across one night — and a handful of songs you can't stream yet.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-06T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Rock",
        "Live-band",
        "Industrial-chic",
        "Intimate",
        "Greek-locals",
        "Concert-format"
      ],
      "venue": {
        "name": "Concert #1 Baumstrasse",
        "address": "Servion 8, Athens 104 41",
        "neighborhood": "Votanikos",
        "coordinates": {
          "lat": 37.9854,
          "lon": 23.7113
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 12,
        "currency": "EUR",
        "range": "€12"
      },
      "url": "https://www.athinorama.gr/music/gig/m%c2%b2_squared-10090521/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/m%c2%b2_squared-10090521/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "3b55e6d4b4916829",
      "title": "Gilad Atzmon Quartet ft. Tali Atzmon",
      "description": "",
      "fullDescription": "**What is it?** A tribute to Nina Simone from saxophonist Gilad Atzmon and his quartet, with vocalist Tali Atzmon out front, at Theatre of the No — the roughly hundred-seat English-speaking theater opposite City Hall near Syntagma.\n\n**Why it matters.** Atzmon founded the Orient House Ensemble in 2000 and has spent two decades moving between jazz, blues, and the music of the eastern Mediterranean. Here the quartet turns to Simone's catalogue — the songbook she made a vehicle for civil rights, equality, and freedom.\n\n**What to expect.** A small room, a saxophone, and a singer working through material built to unsettle as much as to soothe. Doors at 21:30; admission €15.\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "fullDescriptionEn": "**What is it?** A tribute to Nina Simone from saxophonist Gilad Atzmon and his quartet, with vocalist Tali Atzmon out front, at Theatre of the No — the roughly hundred-seat English-speaking theater opposite City Hall near Syntagma.\n\n**Why it matters.** Atzmon founded the Orient House Ensemble in 2000 and has spent two decades moving between jazz, blues, and the music of the eastern Mediterranean. Here the quartet turns to Simone's catalogue — the songbook she made a vehicle for civil rights, equality, and freedom.\n\n**What to expect.** A small room, a saxophone, and a singer working through material built to unsettle as much as to soothe. Doors at 21:30; admission €15.\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "fullDescriptionGr": "**What is it?** A tribute to Nina Simone from saxophonist Gilad Atzmon and his quartet, with vocalist Tali Atzmon out front, at Theatre of the No — the roughly hundred-seat English-speaking theater opposite City Hall near Syntagma.\n\n**Why it matters.** Atzmon founded the Orient House Ensemble in 2000 and has spent two decades moving between jazz, blues, and the music of the eastern Mediterranean. Here the quartet turns to Simone's catalogue — the songbook she made a vehicle for civil rights, equality, and freedom.\n\n**What to expect.** A small room, a saxophone, and a singer working through material built to unsettle as much as to soothe. Doors at 21:30; admission €15.\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-06T21:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Jazz",
        "Intimate",
        "Listening-room",
        "Seated",
        "Metro-accessible",
        "Music-heads"
      ],
      "venue": {
        "name": "Theatre Of The No",
        "address": "Bouboulinas 17-19, Athens 106 82",
        "neighborhood": "Metaxourgeio",
        "coordinates": {
          "lat": 37.987,
          "lon": 23.7285
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€15"
      },
      "url": "https://www.athinorama.gr/music/gig/gilad_atzmon_quartet_ft_tali_atzmon-10090492/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/gilad_atzmon_quartet_ft_tali_atzmon-10090492/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "a64f863f8e22c1e8",
      "title": "Μάνος Σαριδάκης",
      "description": "",
      "fullDescription": "Solo piano, no rhythm section, no horns — just Manos Saridakis and the keyboard for a full set at Jazzet Cafe. He is presenting The Greek Real Book, his first album, in a register he files as jazz, blues and ethnic.\n\nThe title plays on the Real Book, the standard jazz fake-book every player learns from; Saridakis writes a Greek one instead. Heard solo, the harmony has nowhere to hide — every chord choice is his.\n\nJazzet is a small Chaidari listening room west of the centre, built for its sound, with live sets on the weekend. Saturday, 22:00, €10. A debut heard the way it was written.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "fullDescriptionEn": "Solo piano, no rhythm section, no horns — just Manos Saridakis and the keyboard for a full set at Jazzet Cafe. He is presenting The Greek Real Book, his first album, in a register he files as jazz, blues and ethnic.\n\nThe title plays on the Real Book, the standard jazz fake-book every player learns from; Saridakis writes a Greek one instead. Heard solo, the harmony has nowhere to hide — every chord choice is his.\n\nJazzet is a small Chaidari listening room west of the centre, built for its sound, with live sets on the weekend. Saturday, 22:00, €10. A debut heard the way it was written.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "fullDescriptionGr": "Solo piano, no rhythm section, no horns — just Manos Saridakis and the keyboard for a full set at Jazzet Cafe. He is presenting The Greek Real Book, his first album, in a register he files as jazz, blues and ethnic.\n\nThe title plays on the Real Book, the standard jazz fake-book every player learns from; Saridakis writes a Greek one instead. Heard solo, the harmony has nowhere to hide — every chord choice is his.\n\nJazzet is a small Chaidari listening room west of the centre, built for its sound, with live sets on the weekend. Saturday, 22:00, €10. A debut heard the way it was written.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-06T22:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Jazz",
        "Intimate",
        "Listening-room",
        "Music-heads",
        "Late-night",
        "Taxi-recommended"
      ],
      "venue": {
        "name": "Jazzet Cafe",
        "address": "Ανδρέα Μιαούλη 26, Athina 105 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.97831,
          "lon": 23.725167
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€10"
      },
      "url": "https://www.athinorama.gr/music/gig/manos_saridakis-10090536/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/manos_saridakis-10090536/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-29 05:08:00",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "22:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "4c889ebade5c1fc3",
      "title": "MĪMĪ x FY",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-07T18:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Island Athens Riviera",
        "address": "3 Vasileos Georgiou A, Pl. Sintagmatos Str",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.976435,
          "lon": 23.734889
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 20,
        "currency": "EUR",
        "range": "€20"
      },
      "url": "https://www.athinorama.gr/music/gig/mimi_x_fy-10090497/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/mimi_x_fy-10090497/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "18:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "460cf09694b4bee9",
      "title": "&apos;Ερωτά μου αγιάτρευτε",
      "description": "",
      "fullDescription": "Eighty people who lived through the 1980s the first time take the stage at the Stavros Niarchos Foundation Cultural Center, singing the songs that were playing while their own histories happened. Erota mou Agiatrefte — \"my incurable love\" — borrows its title from a laiko song and builds an evening around how one generation balanced love and politics across a single loud, fast decade.\n\nThe work is created and directed by Alexandros Efklidis, who shaped it with roughly eighty participants aged 65 and over drawn from one of the SNFCC's educational programs. This is not a tribute act reaching back for nostalgia from the outside. The people performing the 1980s are the people who were there for it, and Efklidis has framed the piece as a way of sounding out that decade through its music — testing what love and politics meant when both ran at full volume.\n\nThe hall fills with the performers' own world: grandchildren who have never heard these songs sung live, neighbors, friends from the program, and Athenians who know every lyric without being prompted. Some arrive in pairs who were courting when these records first sold.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | The SNFCC, the public cultural center on the Faliro coast |\n| Vibe | Communal, intergenerational, unguarded |\n| Sound | Greek laiko and pop of the 1980s, sung live |\n| Door | Ticketed; an early-evening start before the summer heat lifts |\n\nWhat unfolds is closer to a town remembering itself than a standard concert. The songs carry the decade's contradictions — desire and disappointment, hope and grind — and the voices carrying them have four extra decades of perspective on every line. A song about incurable love means something different at seventy than at twenty, and that distance is the entire point.\n\nIf you came for polished vocal precision and a marquee headliner, this is not built for that. But if you want a performance where the biography of the people onstage is the instrument, where a wavering note carries its own truth, this is a rare thing to sit inside.\n\nThe SNFCC sits on the coast at Faliro, reachable by the center's shuttle from the city and by bus; the park and esplanade open beforehand, so arrive early and walk down to the water while the light holds. Tickets through ticketservices.gr.\n\nAssembled for this program, for this decade of songs, these eighty voices disband back into a neighborhood once the lights come up.\n\n<!-- timeliness-expires: 2026-06-08 -->",
      "fullDescriptionEn": "Eighty people who lived through the 1980s the first time take the stage at the Stavros Niarchos Foundation Cultural Center, singing the songs that were playing while their own histories happened. Erota mou Agiatrefte — \"my incurable love\" — borrows its title from a laiko song and builds an evening around how one generation balanced love and politics across a single loud, fast decade.\n\nThe work is created and directed by Alexandros Efklidis, who shaped it with roughly eighty participants aged 65 and over drawn from one of the SNFCC's educational programs. This is not a tribute act reaching back for nostalgia from the outside. The people performing the 1980s are the people who were there for it, and Efklidis has framed the piece as a way of sounding out that decade through its music — testing what love and politics meant when both ran at full volume.\n\nThe hall fills with the performers' own world: grandchildren who have never heard these songs sung live, neighbors, friends from the program, and Athenians who know every lyric without being prompted. Some arrive in pairs who were courting when these records first sold.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | The SNFCC, the public cultural center on the Faliro coast |\n| Vibe | Communal, intergenerational, unguarded |\n| Sound | Greek laiko and pop of the 1980s, sung live |\n| Door | Ticketed; an early-evening start before the summer heat lifts |\n\nWhat unfolds is closer to a town remembering itself than a standard concert. The songs carry the decade's contradictions — desire and disappointment, hope and grind — and the voices carrying them have four extra decades of perspective on every line. A song about incurable love means something different at seventy than at twenty, and that distance is the entire point.\n\nIf you came for polished vocal precision and a marquee headliner, this is not built for that. But if you want a performance where the biography of the people onstage is the instrument, where a wavering note carries its own truth, this is a rare thing to sit inside.\n\nThe SNFCC sits on the coast at Faliro, reachable by the center's shuttle from the city and by bus; the park and esplanade open beforehand, so arrive early and walk down to the water while the light holds. Tickets through ticketservices.gr.\n\nAssembled for this program, for this decade of songs, these eighty voices disband back into a neighborhood once the lights come up.\n\n<!-- timeliness-expires: 2026-06-08 -->",
      "fullDescriptionGr": "Eighty people who lived through the 1980s the first time take the stage at the Stavros Niarchos Foundation Cultural Center, singing the songs that were playing while their own histories happened. Erota mou Agiatrefte — \"my incurable love\" — borrows its title from a laiko song and builds an evening around how one generation balanced love and politics across a single loud, fast decade.\n\nThe work is created and directed by Alexandros Efklidis, who shaped it with roughly eighty participants aged 65 and over drawn from one of the SNFCC's educational programs. This is not a tribute act reaching back for nostalgia from the outside. The people performing the 1980s are the people who were there for it, and Efklidis has framed the piece as a way of sounding out that decade through its music — testing what love and politics meant when both ran at full volume.\n\nThe hall fills with the performers' own world: grandchildren who have never heard these songs sung live, neighbors, friends from the program, and Athenians who know every lyric without being prompted. Some arrive in pairs who were courting when these records first sold.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | The SNFCC, the public cultural center on the Faliro coast |\n| Vibe | Communal, intergenerational, unguarded |\n| Sound | Greek laiko and pop of the 1980s, sung live |\n| Door | Ticketed; an early-evening start before the summer heat lifts |\n\nWhat unfolds is closer to a town remembering itself than a standard concert. The songs carry the decade's contradictions — desire and disappointment, hope and grind — and the voices carrying them have four extra decades of perspective on every line. A song about incurable love means something different at seventy than at twenty, and that distance is the entire point.\n\nIf you came for polished vocal precision and a marquee headliner, this is not built for that. But if you want a performance where the biography of the people onstage is the instrument, where a wavering note carries its own truth, this is a rare thing to sit inside.\n\nThe SNFCC sits on the coast at Faliro, reachable by the center's shuttle from the city and by bus; the park and esplanade open beforehand, so arrive early and walk down to the water while the light holds. Tickets through ticketservices.gr.\n\nAssembled for this program, for this decade of songs, these eighty voices disband back into a neighborhood once the lights come up.\n\n<!-- timeliness-expires: 2026-06-08 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-07T18:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Laiko",
        "Live-act",
        "Inclusive",
        "Mixed-ages",
        "Greek-locals",
        "Seated",
        "Early-evening",
        "Concert-format"
      ],
      "venue": {
        "name": "ΚΠΙΣΝ",
        "address": null,
        "neighborhood": null,
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.ticketservices.gr/event/14719/",
      "ticketUrl": "https://www.ticketservices.gr/event/14719/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "ticketservices",
      "createdAt": "2026-05-30 05:07:46",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "18:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_63798_or_Erwta moy agiatreyte (1).jpg",
      "imageSource": "backfill",
      "imageLocal": "/images/events/460cf09694b4bee9.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "c156a7c207fe7b33",
      "title": "Jacques Marugg",
      "description": "",
      "fullDescription": "Vibraphonist Jacques Marugg, based in Greece since 2010, brings his Deep Vibes Sextet to Theatre of the No for one Sunday, playing music from the group's debut album. The set runs through his own jazz-blues-ethnic writing, with Anna Kapsouri, Leonidas Sarantopoulos, Yannis Papanastasiou, Chrysostomos Boukalis and Nikos Sidirokastritis rounding out the band.\n\nA debut record gives a working sextet its first fixed identity, the result of more than a decade Marugg has spent developing this sound in Athens.\n\nExpect around a hundred seats in the small room opposite City Hall, the metal-keyed vibraphone carrying melodies where a saxophone or trumpet usually would. Doors for the 20:30 start; tickets €12.\n\n<!-- timeliness-expires: 2026-09-05 -->",
      "fullDescriptionEn": "Vibraphonist Jacques Marugg, based in Greece since 2010, brings his Deep Vibes Sextet to Theatre of the No for one Sunday, playing music from the group's debut album. The set runs through his own jazz-blues-ethnic writing, with Anna Kapsouri, Leonidas Sarantopoulos, Yannis Papanastasiou, Chrysostomos Boukalis and Nikos Sidirokastritis rounding out the band.\n\nA debut record gives a working sextet its first fixed identity, the result of more than a decade Marugg has spent developing this sound in Athens.\n\nExpect around a hundred seats in the small room opposite City Hall, the metal-keyed vibraphone carrying melodies where a saxophone or trumpet usually would. Doors for the 20:30 start; tickets €12.\n\n<!-- timeliness-expires: 2026-09-05 -->",
      "fullDescriptionGr": "Vibraphonist Jacques Marugg, based in Greece since 2010, brings his Deep Vibes Sextet to Theatre of the No for one Sunday, playing music from the group's debut album. The set runs through his own jazz-blues-ethnic writing, with Anna Kapsouri, Leonidas Sarantopoulos, Yannis Papanastasiou, Chrysostomos Boukalis and Nikos Sidirokastritis rounding out the band.\n\nA debut record gives a working sextet its first fixed identity, the result of more than a decade Marugg has spent developing this sound in Athens.\n\nExpect around a hundred seats in the small room opposite City Hall, the metal-keyed vibraphone carrying melodies where a saxophone or trumpet usually would. Doors for the 20:30 start; tickets €12.\n\n<!-- timeliness-expires: 2026-09-05 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-07T20:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Jazz",
        "Live-band",
        "Intimate",
        "Listening-room",
        "Seated",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Theatre Of The No",
        "address": "Bouboulinas 17-19, Athens 106 82",
        "neighborhood": "Metaxourgeio",
        "coordinates": {
          "lat": 37.987,
          "lon": 23.7285
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 12,
        "currency": "EUR",
        "range": "€12"
      },
      "url": "https://www.athinorama.gr/music/gig/jacques_marugg_-10090503/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/jacques_marugg_-10090503/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "20:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "d58e929855ccdf28",
      "title": "Entropy Five",
      "description": "",
      "fullDescription": "Free improvisation is the premise. Entropy Five build their pieces in real time, drawing on contemporary jazz, fusion and open playing, so where a tune lands gets decided on the night rather than on a chart. The band treats the interplay between its musicians as the main event.\n\nThat makes a small room the right setting for Entropy Five, and Jazzet Cafe in Chaidari is one of the few Athens stages built specifically for jazz, programming live music Friday through Sunday since 2017. Out in the western suburbs, it draws listeners who come for the playing, not the scene. Sunday's set starts at 20:30; tickets €10.\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "fullDescriptionEn": "Free improvisation is the premise. Entropy Five build their pieces in real time, drawing on contemporary jazz, fusion and open playing, so where a tune lands gets decided on the night rather than on a chart. The band treats the interplay between its musicians as the main event.\n\nThat makes a small room the right setting for Entropy Five, and Jazzet Cafe in Chaidari is one of the few Athens stages built specifically for jazz, programming live music Friday through Sunday since 2017. Out in the western suburbs, it draws listeners who come for the playing, not the scene. Sunday's set starts at 20:30; tickets €10.\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "fullDescriptionGr": "Free improvisation is the premise. Entropy Five build their pieces in real time, drawing on contemporary jazz, fusion and open playing, so where a tune lands gets decided on the night rather than on a chart. The band treats the interplay between its musicians as the main event.\n\nThat makes a small room the right setting for Entropy Five, and Jazzet Cafe in Chaidari is one of the few Athens stages built specifically for jazz, programming live music Friday through Sunday since 2017. Out in the western suburbs, it draws listeners who come for the playing, not the scene. Sunday's set starts at 20:30; tickets €10.\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-07T20:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Jazz",
        "Experimental",
        "Live-band",
        "Intimate",
        "Listening-room",
        "Music-heads",
        "Taxi-recommended"
      ],
      "venue": {
        "name": "Jazzet Cafe",
        "address": "Ανδρέα Μιαούλη 26, Athina 105 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.97831,
          "lon": 23.725167
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€10"
      },
      "url": "https://www.athinorama.gr/music/gig/entropy_five-10090534/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/entropy_five-10090534/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-29 05:08:00",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "20:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "de03839a93d69a68",
      "title": "Pop Professional Program",
      "description": "",
      "fullDescription": "MÉTRON Stage took over the old Hoxton space in Gazi — industrial lines, pop-art touches — and tonight hands the room to the ensembles of the Pop Professional Program, the pop track run by LAB Music Education with Rotterdam's Codarts conservatory.\n\nIt's a live showcase, not a single act: the program's bands play a full evening of pop sets, the end-of-year proof of a conservatory-grade curriculum. Expect tight, rehearsed playing from musicians training to do this for a living.\n\nIf you want a headliner and a fixed setlist, look elsewhere. If you want to hear Athens's next working pop players, admission is open. MÉTRON Stage is on Voutadon in Gazi, a short walk from Kerameikos metro.\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "fullDescriptionEn": "MÉTRON Stage took over the old Hoxton space in Gazi — industrial lines, pop-art touches — and tonight hands the room to the ensembles of the Pop Professional Program, the pop track run by LAB Music Education with Rotterdam's Codarts conservatory.\n\nIt's a live showcase, not a single act: the program's bands play a full evening of pop sets, the end-of-year proof of a conservatory-grade curriculum. Expect tight, rehearsed playing from musicians training to do this for a living.\n\nIf you want a headliner and a fixed setlist, look elsewhere. If you want to hear Athens's next working pop players, admission is open. MÉTRON Stage is on Voutadon in Gazi, a short walk from Kerameikos metro.\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "fullDescriptionGr": "MÉTRON Stage took over the old Hoxton space in Gazi — industrial lines, pop-art touches — and tonight hands the room to the ensembles of the Pop Professional Program, the pop track run by LAB Music Education with Rotterdam's Codarts conservatory.\n\nIt's a live showcase, not a single act: the program's bands play a full evening of pop sets, the end-of-year proof of a conservatory-grade curriculum. Expect tight, rehearsed playing from musicians training to do this for a living.\n\nIf you want a headliner and a fixed setlist, look elsewhere. If you want to hear Athens's next working pop players, admission is open. MÉTRON Stage is on Voutadon in Gazi, a short walk from Kerameikos metro.\n\n<!-- timeliness-expires: 2026-06-07 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-07T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Live-band",
        "Live-act",
        "Industrial-chic",
        "Concert-format",
        "Students",
        "Metro-accessible"
      ],
      "venue": {
        "name": "MÉTRON Stage",
        "address": "Voutadon 42, Athina 118 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.978997,
          "lon": 23.711613
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/pop_professional_program-10090539/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/pop_professional_program-10090539/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-29 05:08:00",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "bcc539d8cb507b5a",
      "title": "Χαΐνηδες",
      "description": "",
      "fullDescription": "Chainides have spent three decades pulling Cretan tradition toward rock and folk and back again, and on 8 June the group brings that sound to Technopolis in Gazi with a stage full of guests — Fotini Velesiotou, Alkinoos Ioannidis, Miltos Paschalidis and Martha Frintzila.\n\nBuilt on lyra, laouto and the rhyming mantinades of Crete, the Chainides treat island song as living material rather than heritage display, and this bill gathers four distinct voices from across Greek music around them.\n\nExpect an open-air summer concert in Technopolis's industrial yard that moves from quiet lament to full glendi. Tickets €15 in advance through more.com; music from 21:00, accessible by metro.\n\n<!-- timeliness-expires: 2026-06-08 -->",
      "fullDescriptionEn": "Chainides have spent three decades pulling Cretan tradition toward rock and folk and back again, and on 8 June the group brings that sound to Technopolis in Gazi with a stage full of guests — Fotini Velesiotou, Alkinoos Ioannidis, Miltos Paschalidis and Martha Frintzila.\n\nBuilt on lyra, laouto and the rhyming mantinades of Crete, the Chainides treat island song as living material rather than heritage display, and this bill gathers four distinct voices from across Greek music around them.\n\nExpect an open-air summer concert in Technopolis's industrial yard that moves from quiet lament to full glendi. Tickets €15 in advance through more.com; music from 21:00, accessible by metro.\n\n<!-- timeliness-expires: 2026-06-08 -->",
      "fullDescriptionGr": "Chainides have spent three decades pulling Cretan tradition toward rock and folk and back again, and on 8 June the group brings that sound to Technopolis in Gazi with a stage full of guests — Fotini Velesiotou, Alkinoos Ioannidis, Miltos Paschalidis and Martha Frintzila.\n\nBuilt on lyra, laouto and the rhyming mantinades of Crete, the Chainides treat island song as living material rather than heritage display, and this bill gathers four distinct voices from across Greek music around them.\n\nExpect an open-air summer concert in Technopolis's industrial yard that moves from quiet lament to full glendi. Tickets €15 in advance through more.com; music from 21:00, accessible by metro.\n\n<!-- timeliness-expires: 2026-06-08 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-08T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Greek-Traditional",
        "Live-band",
        "Greek-locals",
        "Concert-format",
        "Outdoor",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Τεχνόπολη",
        "address": "Pireos 100, Athina 118 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.978226,
          "lon": 23.713648
        },
        "capacity": null,
        "sameAs": [
          "https://www.wikidata.org/wiki/Q174552",
          "https://en.wikipedia.org/wiki/Technopolis_(Gazi)"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€15"
      },
      "url": "https://www.athinorama.gr/music/gig/xa%ce%90nides_-10022936/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/xa%ce%90nides_-10022936/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "d2930cec56240c4b",
      "title": "JMSN live in Athens",
      "description": "",
      "fullDescription": "JMSN does almost everything himself — writes the songs, produces them, plays the parts, records, mixes and masters — which is why his alternative R&B sounds airtight and slightly haunted at once. On 8 June the Detroit artist born Christian Berishaj brings the Scared Straight Tour to Gazarte's Ground Stage, working through his new album of the same name alongside older material.\n\nThis is the small room at Gazarte, the standing rock-and-alt space rather than the rooftop — close quarters for a falsetto he tends to push live well past where the records leave it. Expect a crowd of R&B and soul heads who came to listen, not to talk over the set.\n\nIf you want a big seated concert hall, this isn't it. But if you want JMSN at arm's length in a room that holds a few hundred, the Ground Stage is the right size.\n\nDoors from 20:00, music around 21:30; the kitchen is real if you arrive hungry. Tickets via more.com. Accessible by metro from Kerameikos.\n\n<!-- timeliness-expires: 2026-09-06 -->",
      "fullDescriptionEn": "JMSN does almost everything himself — writes the songs, produces them, plays the parts, records, mixes and masters — which is why his alternative R&B sounds airtight and slightly haunted at once. On 8 June the Detroit artist born Christian Berishaj brings the Scared Straight Tour to Gazarte's Ground Stage, working through his new album of the same name alongside older material.\n\nThis is the small room at Gazarte, the standing rock-and-alt space rather than the rooftop — close quarters for a falsetto he tends to push live well past where the records leave it. Expect a crowd of R&B and soul heads who came to listen, not to talk over the set.\n\nIf you want a big seated concert hall, this isn't it. But if you want JMSN at arm's length in a room that holds a few hundred, the Ground Stage is the right size.\n\nDoors from 20:00, music around 21:30; the kitchen is real if you arrive hungry. Tickets via more.com. Accessible by metro from Kerameikos.\n\n<!-- timeliness-expires: 2026-09-06 -->",
      "fullDescriptionGr": "JMSN does almost everything himself — writes the songs, produces them, plays the parts, records, mixes and masters — which is why his alternative R&B sounds airtight and slightly haunted at once. On 8 June the Detroit artist born Christian Berishaj brings the Scared Straight Tour to Gazarte's Ground Stage, working through his new album of the same name alongside older material.\n\nThis is the small room at Gazarte, the standing rock-and-alt space rather than the rooftop — close quarters for a falsetto he tends to push live well past where the records leave it. Expect a crowd of R&B and soul heads who came to listen, not to talk over the set.\n\nIf you want a big seated concert hall, this isn't it. But if you want JMSN at arm's length in a room that holds a few hundred, the Ground Stage is the right size.\n\nDoors from 20:00, music around 21:30; the kitchen is real if you arrive hungry. Tickets via more.com. Accessible by metro from Kerameikos.\n\n<!-- timeliness-expires: 2026-09-06 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-08T21:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Live-band",
        "Intimate",
        "Music-heads",
        "Standing-room",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Gazarte",
        "address": null,
        "neighborhood": null,
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 27,
        "currency": "EUR",
        "range": "€27"
      },
      "url": "https://www.more.com/gr-el/tickets/music/jmsn-live-in-athens/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/jmsn-live-in-athens/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-06-03 05:06:48",
      "updatedAt": "2026-06-04 05:07:00",
      "language": "en",
      "timeDoors": "21:30",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/bb70150b-0f3e-440b-8704-1cac17f73543/viva-tickets.png",
      "imageSource": "backfill",
      "imageLocal": "/images/events/d2930cec56240c4b.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "0850b3e7909786c7",
      "title": "Fragments of Light - Divertimenti",
      "description": "",
      "fullDescription": "The divertimento began as music for diversion — written for evenings, not concert halls. Fragments of Light traces the form across three composers: Cappella Atenea, conducted by Giorgos Tzatziaphis, sets Mozart beside Bartók and the Greek composer Margeti at Parnassos.\n\nThe through-line is the form's own evolution — how an eighteenth-century entertainment bends through a twentieth-century modernist and into a living composer's hands. Cappella Atenea is an ensemble of young players active internationally.\n\nExpect a seated evening of chamber repertoire in central Athens, near Plateia Agiou Georgiou Karytsi. Tickets run €8–15 through more.com presale, in a hall small enough that the inner detail of the playing carries.\n\n<!-- timeliness-expires: 2026-06-09 -->",
      "fullDescriptionEn": "The divertimento began as music for diversion — written for evenings, not concert halls. Fragments of Light traces the form across three composers: Cappella Atenea, conducted by Giorgos Tzatziaphis, sets Mozart beside Bartók and the Greek composer Margeti at Parnassos.\n\nThe through-line is the form's own evolution — how an eighteenth-century entertainment bends through a twentieth-century modernist and into a living composer's hands. Cappella Atenea is an ensemble of young players active internationally.\n\nExpect a seated evening of chamber repertoire in central Athens, near Plateia Agiou Georgiou Karytsi. Tickets run €8–15 through more.com presale, in a hall small enough that the inner detail of the playing carries.\n\n<!-- timeliness-expires: 2026-06-09 -->",
      "fullDescriptionGr": "The divertimento began as music for diversion — written for evenings, not concert halls. Fragments of Light traces the form across three composers: Cappella Atenea, conducted by Giorgos Tzatziaphis, sets Mozart beside Bartók and the Greek composer Margeti at Parnassos.\n\nThe through-line is the form's own evolution — how an eighteenth-century entertainment bends through a twentieth-century modernist and into a living composer's hands. Cappella Atenea is an ensemble of young players active internationally.\n\nExpect a seated evening of chamber repertoire in central Athens, near Plateia Agiou Georgiou Karytsi. Tickets run €8–15 through more.com presale, in a hall small enough that the inner detail of the playing carries.\n\n<!-- timeliness-expires: 2026-06-09 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-09T20:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Classical",
        "Historic",
        "Intimate",
        "Mixed-ages",
        "Greek-locals",
        "Seated",
        "Early-evening",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Παρνασσός",
        "address": "Agiou Georgiou Karitsi 8, Athens 105 61",
        "neighborhood": "Syntagma",
        "coordinates": {
          "lat": 37.9774,
          "lon": 23.7314
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 8,
        "currency": "EUR",
        "range": "€8 - €15"
      },
      "url": "https://www.athinorama.gr/music/gig/fragments_of_light___divertimenti-10090484/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/fragments_of_light___divertimenti-10090484/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "20:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "356d7f8fb23bbb3f",
      "title": "ΔΗΜΗΤΡΗΣ ΜΥΣΤΑΚΙΔΗΣ - Τριάντα Χρόνια Μήτσος",
      "description": "",
      "fullDescription": "Thirty years on stage, and Dimitris Mystakidis marks them at Technopolis with the people who got him there. June 10 brings Thanasis Papakonstantinou, Martha Fritzila, and Fotis Siotas as guests, plus Michalis Atsalis on guitars and bouzouki, Giorgos Makris on gaida and kaval. Mystakidis built his career on rebetiko played on acoustic guitar — an unusual choice in a genre defined by bouzouki — and the program retraces three decades, the guitar carrying lines that bouzouki usually claims. Doors 19:30, show 21:00. If you want amplified rebetiko in a steki, this is the wrong room; if you want acoustic Greek tradition with the friends who shaped it, Mystakidis pulled everyone in.\n\n<!-- timeliness-expires: 2026-06-10 -->",
      "fullDescriptionEn": "Thirty years on stage, and Dimitris Mystakidis marks them at Technopolis with the people who got him there. June 10 brings Thanasis Papakonstantinou, Martha Fritzila, and Fotis Siotas as guests, plus Michalis Atsalis on guitars and bouzouki, Giorgos Makris on gaida and kaval. Mystakidis built his career on rebetiko played on acoustic guitar — an unusual choice in a genre defined by bouzouki — and the program retraces three decades, the guitar carrying lines that bouzouki usually claims. Doors 19:30, show 21:00. If you want amplified rebetiko in a steki, this is the wrong room; if you want acoustic Greek tradition with the friends who shaped it, Mystakidis pulled everyone in.\n\n<!-- timeliness-expires: 2026-06-10 -->",
      "fullDescriptionGr": "Thirty years on stage, and Dimitris Mystakidis marks them at Technopolis with the people who got him there. June 10 brings Thanasis Papakonstantinou, Martha Fritzila, and Fotis Siotas as guests, plus Michalis Atsalis on guitars and bouzouki, Giorgos Makris on gaida and kaval. Mystakidis built his career on rebetiko played on acoustic guitar — an unusual choice in a genre defined by bouzouki — and the program retraces three decades, the guitar carrying lines that bouzouki usually claims. Doors 19:30, show 21:00. If you want amplified rebetiko in a steki, this is the wrong room; if you want acoustic Greek tradition with the friends who shaped it, Mystakidis pulled everyone in.\n\n<!-- timeliness-expires: 2026-06-10 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-10T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Rebetiko",
        "Greek-Traditional",
        "Greek-singer-songwriter",
        "Historic",
        "Mixed-ages",
        "Greek-locals",
        "Seated",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Τεχνόπολη",
        "address": "Pireos 100, Athina 118 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.978226,
          "lon": 23.713648
        },
        "capacity": null,
        "sameAs": [
          "https://www.wikidata.org/wiki/Q174552",
          "https://en.wikipedia.org/wiki/Technopolis_(Gazi)"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€15"
      },
      "url": "https://www.more.com/gr-el/tickets/music/mystakidis-trianta-xronia-mitsos/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/trianta-xronia-mitsos/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-04-04 05:08:43",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/e50f138d-a6eb-4104-9afa-0b43e881ffbc/viva-tickets.png",
      "imageSource": "backfill",
      "imageLocal": "/images/events/356d7f8fb23bbb3f.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "c70aa76fd7721e8b",
      "title": "Δημήτρης Μυστακίδης",
      "description": "",
      "fullDescription": "Dimitris Mystakidis marks thirty years onstage with '30 Chronia Mitsos' at Technopolis in Gazi — a guitarist whose name has become shorthand for rebetiko and laiko played on six strings rather than bouzouki. He is among the music's most committed champions today, and has said it became his first language.\n\nFor the anniversary he gathers a stage of guests — Thanasis Papakonstantinou, Martha Frintzila, Koinoi Thnitoi and Fotis Siotas — names that trace the span of his collaborations. Expect rebetiko and folk song carried on guitar, passed between old friends in the former Athens gasworks.\n\nThe 10 June date is sold out; returns and resale are the only way in now.\n\n<!-- timeliness-expires: 2026-06-10 -->",
      "fullDescriptionEn": "Dimitris Mystakidis marks thirty years onstage with '30 Chronia Mitsos' at Technopolis in Gazi — a guitarist whose name has become shorthand for rebetiko and laiko played on six strings rather than bouzouki. He is among the music's most committed champions today, and has said it became his first language.\n\nFor the anniversary he gathers a stage of guests — Thanasis Papakonstantinou, Martha Frintzila, Koinoi Thnitoi and Fotis Siotas — names that trace the span of his collaborations. Expect rebetiko and folk song carried on guitar, passed between old friends in the former Athens gasworks.\n\nThe 10 June date is sold out; returns and resale are the only way in now.\n\n<!-- timeliness-expires: 2026-06-10 -->",
      "fullDescriptionGr": "Dimitris Mystakidis marks thirty years onstage with '30 Chronia Mitsos' at Technopolis in Gazi — a guitarist whose name has become shorthand for rebetiko and laiko played on six strings rather than bouzouki. He is among the music's most committed champions today, and has said it became his first language.\n\nFor the anniversary he gathers a stage of guests — Thanasis Papakonstantinou, Martha Frintzila, Koinoi Thnitoi and Fotis Siotas — names that trace the span of his collaborations. Expect rebetiko and folk song carried on guitar, passed between old friends in the former Athens gasworks.\n\nThe 10 June date is sold out; returns and resale are the only way in now.\n\n<!-- timeliness-expires: 2026-06-10 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-10T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Rebetiko",
        "Laiko",
        "Greek-Traditional",
        "Local-favorite",
        "Mixed-ages",
        "Music-heads",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Τεχνόπολη",
        "address": "Pireos 100, Athina 118 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.978226,
          "lon": 23.713648
        },
        "capacity": null,
        "sameAs": [
          "https://www.wikidata.org/wiki/Q174552",
          "https://en.wikipedia.org/wiki/Technopolis_(Gazi)"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/dimitris_mustakidis-10090501/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/dimitris_mustakidis-10090501/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "015618c0a806b8ae",
      "title": "Groza",
      "description": "",
      "fullDescription": "Groza started in 2016 as one man's tribute to Polish black metal — founder P.G. has said the debut was meant as Mgła worship — and grew into a four-piece that has played hundreds of shows across more than twenty countries. The sound is cold and melodic at once: blast beats beneath guitar lines that carry as much melancholy as rage.\n\nThis is the band's return to Athens, at Gazarte's ground-floor room in Gazi, a ten-minute walk from Kerameikos metro. Two albums — Unified in Void (2018) and The Redemptive End (2021) — map the distance from homage to a voice of their own.\n\nDoors open at 20:30, a full hour before the 21:30 set, so there is time to settle into the room before the first track tightens it; buying food or drink is not required.\n\nIf you want melody to hum on the way out, this is not that night. But if you want sustained intensity that resolves into something close to grief, Groza is built for it.\n\nA German black-metal four-piece in Athens for a single Wednesday in Gazi.\n\n<!-- timeliness-expires: 2026-06-11 -->",
      "fullDescriptionEn": "Groza started in 2016 as one man's tribute to Polish black metal — founder P.G. has said the debut was meant as Mgła worship — and grew into a four-piece that has played hundreds of shows across more than twenty countries. The sound is cold and melodic at once: blast beats beneath guitar lines that carry as much melancholy as rage.\n\nThis is the band's return to Athens, at Gazarte's ground-floor room in Gazi, a ten-minute walk from Kerameikos metro. Two albums — Unified in Void (2018) and The Redemptive End (2021) — map the distance from homage to a voice of their own.\n\nDoors open at 20:30, a full hour before the 21:30 set, so there is time to settle into the room before the first track tightens it; buying food or drink is not required.\n\nIf you want melody to hum on the way out, this is not that night. But if you want sustained intensity that resolves into something close to grief, Groza is built for it.\n\nA German black-metal four-piece in Athens for a single Wednesday in Gazi.\n\n<!-- timeliness-expires: 2026-06-11 -->",
      "fullDescriptionGr": "Groza started in 2016 as one man's tribute to Polish black metal — founder P.G. has said the debut was meant as Mgła worship — and grew into a four-piece that has played hundreds of shows across more than twenty countries. The sound is cold and melodic at once: blast beats beneath guitar lines that carry as much melancholy as rage.\n\nThis is the band's return to Athens, at Gazarte's ground-floor room in Gazi, a ten-minute walk from Kerameikos metro. Two albums — Unified in Void (2018) and The Redemptive End (2021) — map the distance from homage to a voice of their own.\n\nDoors open at 20:30, a full hour before the 21:30 set, so there is time to settle into the room before the first track tightens it; buying food or drink is not required.\n\nIf you want melody to hum on the way out, this is not that night. But if you want sustained intensity that resolves into something close to grief, Groza is built for it.\n\nA German black-metal four-piece in Athens for a single Wednesday in Gazi.\n\n<!-- timeliness-expires: 2026-06-11 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-10T21:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Metal",
        "Live-band",
        "Underground",
        "Raw",
        "Music-heads",
        "Standing-room",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Gazarte",
        "address": "32-34 Voutadon St, Gazi, Athens",
        "neighborhood": "Gazi / Keramikos",
        "coordinates": {
          "lat": 37.9775,
          "lon": 23.7153
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://www.athinorama.gr/music/gig/groza-10090490/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/groza-10090490/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "2bd7a1a8e6eaf46c",
      "title": "Liva K at Island Athens Riviera",
      "description": "",
      "fullDescription": "Liva K opens INFINITY's two-date residency at Island Athens Riviera, the first of two summer nights (the other falls 9 July). Konstantinos Livathinos — Greek producer, born 1994, debut album titled after the year — threads melodic house, progressive, and afro grooves across his sets.\n\nThe 20:00 start matters at Island: sundown on the Riviera lands in roughly the first hour, so the night moves day-to-night by design rather than by accident.\n\nExpect open-air on the Varkiza coast, tickets from €25 via Cometogether or more.com. The room programs the dusk transition rather than fighting it; arriving by 20:00 puts you inside that arc.\n\n<!-- timeliness-expires: 2026-07-10 -->",
      "fullDescriptionEn": "Liva K opens INFINITY's two-date residency at Island Athens Riviera, the first of two summer nights (the other falls 9 July). Konstantinos Livathinos — Greek producer, born 1994, debut album titled after the year — threads melodic house, progressive, and afro grooves across his sets.\n\nThe 20:00 start matters at Island: sundown on the Riviera lands in roughly the first hour, so the night moves day-to-night by design rather than by accident.\n\nExpect open-air on the Varkiza coast, tickets from €25 via Cometogether or more.com. The room programs the dusk transition rather than fighting it; arriving by 20:00 puts you inside that arc.\n\n<!-- timeliness-expires: 2026-07-10 -->",
      "fullDescriptionGr": "Liva K opens INFINITY's two-date residency at Island Athens Riviera, the first of two summer nights (the other falls 9 July). Konstantinos Livathinos — Greek producer, born 1994, debut album titled after the year — threads melodic house, progressive, and afro grooves across his sets.\n\nThe 20:00 start matters at Island: sundown on the Riviera lands in roughly the first hour, so the night moves day-to-night by design rather than by accident.\n\nExpect open-air on the Varkiza coast, tickets from €25 via Cometogether or more.com. The room programs the dusk transition rather than fighting it; arriving by 20:00 puts you inside that arc.\n\n<!-- timeliness-expires: 2026-07-10 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-11T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "House",
        "Progressive",
        "DJ-set",
        "Early-evening",
        "Outdoor",
        "Taxi-required",
        "Dance-floor"
      ],
      "venue": {
        "name": "Island Athens Riviera",
        "address": "3 Vasileos Georgiou A, Pl. Sintagmatos Str",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.976435,
          "lon": 23.734889
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€25"
      },
      "url": "https://www.more.com/gr-el/tickets/music/liva-k-at-island-athens-riviera-2/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/liva-k-at-island-athens-riviera-2/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-04-14 14:12:29",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/99169af1-e955-4c8f-8b5c-f5f3fcccadac/viva-tickets.png",
      "imageSource": "backfill",
      "imageLocal": "/images/events/2bd7a1a8e6eaf46c.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "e50d43deda118b22",
      "title": "MICHELLE GUREVICH",
      "description": "",
      "fullDescription": "Michelle Gurevich plays the Papagou Garden Theatre on June 12, returning to Athens for a single open-air date.\n\nBorn in Toronto to Russian-Jewish parents and originally recording under the name Chinawoman, Gurevich builds songs from low spoken vocals, vintage drum machines, and slow harmonic patience. Her album It Was the Moment is the most recent extension of that sound, and her Athens dates have a history of selling out.\n\nThe Kipotheatro is an open-air venue inside the Papagou grove, roughly 1,500 seats. No metro reaches the park — plan for car or taxi to Papagou, on the eastern edge of the Athens basin. Tickets through more.com.\n\n<!-- timeliness-expires: 2026-06-13 -->",
      "fullDescriptionEn": "Michelle Gurevich plays the Papagou Garden Theatre on June 12, returning to Athens for a single open-air date.\n\nBorn in Toronto to Russian-Jewish parents and originally recording under the name Chinawoman, Gurevich builds songs from low spoken vocals, vintage drum machines, and slow harmonic patience. Her album It Was the Moment is the most recent extension of that sound, and her Athens dates have a history of selling out.\n\nThe Kipotheatro is an open-air venue inside the Papagou grove, roughly 1,500 seats. No metro reaches the park — plan for car or taxi to Papagou, on the eastern edge of the Athens basin. Tickets through more.com.\n\n<!-- timeliness-expires: 2026-06-13 -->",
      "fullDescriptionGr": "Michelle Gurevich plays the Papagou Garden Theatre on June 12, returning to Athens for a single open-air date.\n\nBorn in Toronto to Russian-Jewish parents and originally recording under the name Chinawoman, Gurevich builds songs from low spoken vocals, vintage drum machines, and slow harmonic patience. Her album It Was the Moment is the most recent extension of that sound, and her Athens dates have a history of selling out.\n\nThe Kipotheatro is an open-air venue inside the Papagou grove, roughly 1,500 seats. No metro reaches the park — plan for car or taxi to Papagou, on the eastern edge of the Athens basin. Tickets through more.com.\n\n<!-- timeliness-expires: 2026-06-13 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-12",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Indie",
        "Garden",
        "Intimate",
        "Mixed-ages",
        "Seated",
        "Concert-format",
        "Taxi-required",
        "Outdoor"
      ],
      "venue": {
        "name": "Δημοτικό Κηποθέατρο Παπάγου",
        "address": "Korytsas, Papagou 156 69, Greece",
        "neighborhood": "Papagou",
        "coordinates": {
          "lat": 37.9925,
          "lon": 23.796
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 22,
        "currency": "EUR",
        "range": "€22"
      },
      "url": "https://www.more.com/gr-el/tickets/music/michelle-gurevich-athens/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/michelle-gurevich-athens/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-02-17 12:08:52",
      "updatedAt": "2026-05-27 05:07:40",
      "language": "en",
      "imageUrl": "https://www.more.com/getattachment/808d153a-c255-465d-aaed-b90f87203f20/viva-tickets.png",
      "imageSource": "backfill",
      "imageLocal": "/images/events/e50d43deda118b22.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "545acb99ab459b35",
      "title": "Welcome to the L world",
      "description": "",
      "fullDescription": "LILA brings 'Welcome to L World' to Technopolis in Gazi on a June night — a new audiovisual show staged in the open-air courtyards of the former city gasworks. This is where she sold the venue out last September, and this date opens her summer tour across Greece: the home-ground show before the road. Expect a set built as much around projection and light as around the songs, at full summer-concert volume — the L World staging out under the open sky. Doors at 20:00; pre-sale 18 EUR, 20 EUR at the door, via more.com. Come early — Gazi fills fast on a warm night.\n\n<!-- timeliness-expires: 2026-06-12 -->",
      "fullDescriptionEn": "LILA brings 'Welcome to L World' to Technopolis in Gazi on a June night — a new audiovisual show staged in the open-air courtyards of the former city gasworks. This is where she sold the venue out last September, and this date opens her summer tour across Greece: the home-ground show before the road. Expect a set built as much around projection and light as around the songs, at full summer-concert volume — the L World staging out under the open sky. Doors at 20:00; pre-sale 18 EUR, 20 EUR at the door, via more.com. Come early — Gazi fills fast on a warm night.\n\n<!-- timeliness-expires: 2026-06-12 -->",
      "fullDescriptionGr": "LILA brings 'Welcome to L World' to Technopolis in Gazi on a June night — a new audiovisual show staged in the open-air courtyards of the former city gasworks. This is where she sold the venue out last September, and this date opens her summer tour across Greece: the home-ground show before the road. Expect a set built as much around projection and light as around the songs, at full summer-concert volume — the L World staging out under the open sky. Doors at 20:00; pre-sale 18 EUR, 20 EUR at the door, via more.com. Come early — Gazi fills fast on a warm night.\n\n<!-- timeliness-expires: 2026-06-12 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-12T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Live-act",
        "Mainstream",
        "Mixed-ages",
        "Groups",
        "Standing-room",
        "Concert-format",
        "Metro-accessible",
        "Outdoor"
      ],
      "venue": {
        "name": "Τεχνόπολη",
        "address": null,
        "neighborhood": null,
        "capacity": null,
        "sameAs": [
          "https://www.wikidata.org/wiki/Q174552",
          "https://en.wikipedia.org/wiki/Technopolis_(Gazi)"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€15"
      },
      "url": "https://www.athinorama.gr/music/gig/welcome_to_the_l_world-10090607/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/welcome_to_the_l_world-10090607/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:18:59",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "18acafc06e71dd3d",
      "title": "Her Endless Rapture – Stellar Veil – The Revengeless",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-12T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Temple",
        "address": null,
        "neighborhood": null,
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€10"
      },
      "url": "https://www.athinorama.gr/music/gig/her_endless_rapture_%e2%80%93_stellar_veil_%e2%80%93_the_revengeless-10090641/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/her_endless_rapture_%e2%80%93_stellar_veil_%e2%80%93_the_revengeless-10090641/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:19:01",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "b10c729947ed9575",
      "title": "KAKI MELISSA TRIO",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-12T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Concert #1 Baumstrasse",
        "address": "Servion 8, Athens 104 41",
        "neighborhood": "Votanikos",
        "coordinates": {
          "lat": 37.9854,
          "lon": 23.7113
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 12,
        "currency": "EUR",
        "range": "€12"
      },
      "url": "https://www.ticketservices.gr/event/14649/",
      "ticketUrl": "https://www.ticketservices.gr/event/14649/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "ticketservices",
      "createdAt": "2026-05-26 22:58:26",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_63393_or_poster ekdhlwshs ticketservices.jpg",
      "imageSource": "backfill",
      "imageLocal": "/images/events/b10c729947ed9575.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "1ba81a43d627f719",
      "title": "Μπαρόκ: Η χρυσόσκονη μιας κρίσης και η ηχώ μιας υπόσχεσης",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-12T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Ωδείο Αθηνών",
        "address": null,
        "neighborhood": null,
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 16,
        "currency": "EUR",
        "range": "€16"
      },
      "url": "https://www.athinorama.gr/music/gig/mparok_i_xrusoskoni_mias_krisis_kai_i_ixo_mias_uposxesis-10090620/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/mparok_i_xrusoskoni_mias_krisis_kai_i_ixo_mias_uposxesis-10090620/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:18:58",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "b3bf36fec59bd813",
      "title": "DEATH TO ALL «Symbolic Healing»  + BLOODBATH",
      "description": "",
      "fullDescription": "The PA system is testing levels, and the room smells like concrete, anticipation, and the specific humidity of a metal show about to happen. You're at Gagarin 205 on Saturday night, and two bands are about to remind you why loud instruments matter. \"DEATH TO ALL\" opens with their album 'Symbolic Healing' — a statement about what's possible when melodic death metal understands dynamics. Then Bloodbath arrives to answer a different question entirely.\n\nDEATH TO ALL is Greek melodic death metal: structured around Gothenburg traditions but informed by what's happening in contemporary metal composition. The album is five years old, played in clubs across Europe, finally coming home. Bloodbath is Swedish, from the realm of pure death metal — a project built from Stockholm session musicians understanding that metal in 2026 means complexity and precision. Two hours of technical mastery, two different languages of intensity.\n\nYou'll find people who follow both bands: musicians, metal communities, people for whom Saturday night means volume and precision. Mixed ages (25-50), almost entirely Greek-fluent, many with visible metal tribe signaling (patches, logos). Couples mixed with friend groups. Everyone here understood what time and what genre before arriving. No one's confused about the evening's purpose.\n\nGagarin is Greece's most modern concert venue — 1,200 standing capacity, purpose-built sound, professional lighting, taken seriously. Metal bands get the best rooms because metal audiences demand technical clarity. The room fills completely by 20:00. The first band (usually) starts 21:00-21:30. The headliner plays 22:30-23:30. The neighborhood isn't pretty (industrial area, Attiki station), but the venue is serious.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Gagarin 205, Attiki — 1,200 standing capacity, purpose-built concert venue |\n| **Vibe** | Serious metal community, musicians, technical focus, mixed ages |\n| **Sound** | Live metal bands, professional sound system built for volume and clarity |\n| **Door** | Standard concert entry, no selection |\n\nIf you need comfortable seating and gentle volume, metal shows are the opposite. But if you want to understand how much technical precision happens in contemporary melodic death metal, if you respect that Scandinavian metal and Greek metal are having a conversation right now — this is where it happens.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, June 13, 2026 |\n| **Doors** | 19:00-20:00 |\n| **Music starts** | ~21:00 (opening), ~22:30 (Bloodbath) |\n| **Duration** | ~2 hours total |\n| **Price** | €35-50 presale / €50-60 door |\n| **Tickets** | more.com, Gagarin website, Resident Advisor |\n| **Address** | Liosion 205, Attiki |\n| **Getting there** | Attiki Metro (Red/Blue Line), 2-minute walk |\n| **Last metro** | 01:30 (Saturday night) |\n| **Payment** | Cards required |\n| **Good to know** | Gagarin is in an industrial area — neighborhood is functional, not scenic. Come for the show, not the surroundings. Sound system is excellent but LOUD — bring earplugs if you have sensitive hearing (metal-heads often do). No assigned seating — arrive 20:45 if you want front-row access. |",
      "fullDescriptionEn": "The PA system is testing levels, and the room smells like concrete, anticipation, and the specific humidity of a metal show about to happen. You're at Gagarin 205 on Saturday night, and two bands are about to remind you why loud instruments matter. \"DEATH TO ALL\" opens with their album 'Symbolic Healing' — a statement about what's possible when melodic death metal understands dynamics. Then Bloodbath arrives to answer a different question entirely.\n\nDEATH TO ALL is Greek melodic death metal: structured around Gothenburg traditions but informed by what's happening in contemporary metal composition. The album is five years old, played in clubs across Europe, finally coming home. Bloodbath is Swedish, from the realm of pure death metal — a project built from Stockholm session musicians understanding that metal in 2026 means complexity and precision. Two hours of technical mastery, two different languages of intensity.\n\nYou'll find people who follow both bands: musicians, metal communities, people for whom Saturday night means volume and precision. Mixed ages (25-50), almost entirely Greek-fluent, many with visible metal tribe signaling (patches, logos). Couples mixed with friend groups. Everyone here understood what time and what genre before arriving. No one's confused about the evening's purpose.\n\nGagarin is Greece's most modern concert venue — 1,200 standing capacity, purpose-built sound, professional lighting, taken seriously. Metal bands get the best rooms because metal audiences demand technical clarity. The room fills completely by 20:00. The first band (usually) starts 21:00-21:30. The headliner plays 22:30-23:30. The neighborhood isn't pretty (industrial area, Attiki station), but the venue is serious.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Gagarin 205, Attiki — 1,200 standing capacity, purpose-built concert venue |\n| **Vibe** | Serious metal community, musicians, technical focus, mixed ages |\n| **Sound** | Live metal bands, professional sound system built for volume and clarity |\n| **Door** | Standard concert entry, no selection |\n\nIf you need comfortable seating and gentle volume, metal shows are the opposite. But if you want to understand how much technical precision happens in contemporary melodic death metal, if you respect that Scandinavian metal and Greek metal are having a conversation right now — this is where it happens.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, June 13, 2026 |\n| **Doors** | 19:00-20:00 |\n| **Music starts** | ~21:00 (opening), ~22:30 (Bloodbath) |\n| **Duration** | ~2 hours total |\n| **Price** | €35-50 presale / €50-60 door |\n| **Tickets** | more.com, Gagarin website, Resident Advisor |\n| **Address** | Liosion 205, Attiki |\n| **Getting there** | Attiki Metro (Red/Blue Line), 2-minute walk |\n| **Last metro** | 01:30 (Saturday night) |\n| **Payment** | Cards required |\n| **Good to know** | Gagarin is in an industrial area — neighborhood is functional, not scenic. Come for the show, not the surroundings. Sound system is excellent but LOUD — bring earplugs if you have sensitive hearing (metal-heads often do). No assigned seating — arrive 20:45 if you want front-row access. |",
      "fullDescriptionGr": "Death to All presents \"Symbolic Healing\" with Bloodbath at Gagarin 205 in Athens on June 13, 2026. This death metal package celebrates the legacy of Chuck Schuldiner through performances by former Death members alongside Swedish death metal supergroup Bloodbath.\n\nDeath to All honors Chuck Schuldiner's pioneering death metal through performances by musicians who played alongside him. \"Symbolic\" and \"Human\" rank among extreme metal's most influential works.\n\nGagarin 205 provides the scale and sound quality that extreme metal demands. The venue's history with heavy music makes it appropriate for tributes of this significance.\n\nThis concert offers legendary death metal celebration at one of Athens' premier rock venues. The combination of Death's legacy and Bloodbath represents essential programming.",
      "hasNativeGreek": false,
      "startDate": "2026-06-13",
      "endDate": null,
      "type": "concert",
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      "tags": [],
      "venue": {
        "name": "Gagarin 205",
        "address": "Liosion 205, Athens 104 45",
        "neighborhood": "Sepolia / Athens West",
        "coordinates": {
          "lat": 38.001,
          "lon": 23.7115
        },
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      },
      "price": {
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        "amount": 40,
        "currency": "EUR",
        "range": "€40 - €45"
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      "url": "https://www.ticketservices.gr/event/14005/",
      "ticketUrl": "https://www.ticketservices.gr/event/14005/",
      "ticketUrlStatus": "generated",
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      "createdAt": "2026-02-02 14:58:08",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_59712_or_Death To All_Bloodbath-Banner Ticket Services Athens 2025 02.jpg",
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      "@type": "MusicEvent",
      "id": "7bf047ef7bc9ff14",
      "title": "Ιωάννα Καβρουλάκη και Άγγελος Φάμελος",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-13",
      "endDate": null,
      "type": "concert",
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      "venue": {
        "name": "Ράδιο",
        "address": null,
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      },
      "price": {
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        "amount": 12,
        "currency": "EUR",
        "range": "€10-18"
      },
      "url": "https://www.athinorama.gr/music/gig/ioanna_kabroulaki_kai_aggelos_famelos-10090640/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/ioanna_kabroulaki_kai_aggelos_famelos-10090640/",
      "ticketUrlStatus": "generated",
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      "source": "athinorama.gr",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:18:57",
      "language": "en",
      "timeSource": "not_found",
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      "id": "f31937b342e51770",
      "title": "InnerFest Day 2 - Greek Rap Edition",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-13T18:30:00",
      "endDate": null,
      "type": "concert",
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      "venue": {
        "name": "ΠΛΥΦΑ",
        "address": null,
        "neighborhood": null,
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      },
      "price": {
        "type": "with-ticket",
        "amount": 12,
        "currency": "EUR",
        "range": "€12"
      },
      "url": "https://www.athinorama.gr/music/gig/innerfest_day_2___greek_rap_edition-10090626/",
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      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:18:56",
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      "timeDoors": "18:30",
      "timeSource": "scraped_listing",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "7579e35778b5ad7d",
      "title": "CHRIS ISAAK",
      "description": "13 Ιουνιου CHRIS ISAAK Δημοτικο Θεατρο Λυκαβηττου",
      "fullDescription": "Chris Isaak arrives at the Lykavettos Municipal Theatre as exactly what he's always been: American, romantic in a way that's almost absurd, completely serious about it. You're in an Athens venue built for classical performance, watching a performer who understands that \"Wicked Game\" is a masterpiece of restraint — that the song's power comes from what he doesn't do, not what he does. This is his first Athens show in six years.\n\nIsaak made his reputation on the border between rock and country, country and pop, always aware that the real audience is listening for emotion underneath the production. His voice is an instrument that ages like whiskey — it sounds better now than it did in 1989 because now he knows what he's saying. The band (usually a trio or quartet) plays live instruments: guitar, bass, drums, keyboard. It's a performance, not a produced show. What you hear is what's happening in the room.\n\nThe crowd is mixed: people who've followed him since \"Wicked Game\" (mid-40s, now), people who discovered him through covers or streaming (all ages), couples treating this as a cultural event. A few tourists recognizing the name. By the time the show starts, the room understands this is a concert, not a party — people settle in, phones away, focused on listening.\n\nThe Lykavettos Municipal Theatre (Δημοτικό Θέατρο Λυκαβηττού) is 350 seats, intimate for an established artist his size, suited for someone who plays guitar and voice without needing a massive PA. The acoustics are designed for classical music; rock/pop sounds different but immediate. The space creates accountability — he can't hide behind production. Everything depends on performance.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Lykavettos Municipal Theatre — 350 seats, acoustic concert hall |\n| **Vibe** | Attentive audience, mixed ages, romantic/contemplative atmosphere |\n| **Sound** | Live band, intimate setting, voice and instruments |\n| **Door** | Standard concert protocols |\n\nIf you need arena energy and production values, this is a theater in Athens. But if you want to hear what happens when a genuinely talented performer plays to a room that's listening instead of a stadium that's watching — this is where that difference becomes clear.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, June 13, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | ~20:45 |\n| **Duration** | 75-90 minutes |\n| **Price** | €45-65 presale / €60-75 door |\n| **Tickets** | more.com, theater website |\n| **Address** | Lykavettos District |\n| **Getting there** | Evangelismos Metro (Red Line), then taxi or funicular (if operating) |\n| **Last metro** | 01:30 (Saturday night) |\n| **Payment** | Cards accepted |\n| **Good to know** | Lykavettos is uphill from Evangelismos Metro — taxi recommended unless you enjoy stairs. The theater is small; arrive 15 minutes early to find your seat. No standing; all assigned seating. Classical music etiquette applies (phone silence, applause after songs, not between movements). |",
      "fullDescriptionEn": "Chris Isaak arrives at the Lykavettos Municipal Theatre as exactly what he's always been: American, romantic in a way that's almost absurd, completely serious about it. You're in an Athens venue built for classical performance, watching a performer who understands that \"Wicked Game\" is a masterpiece of restraint — that the song's power comes from what he doesn't do, not what he does. This is his first Athens show in six years.\n\nIsaak made his reputation on the border between rock and country, country and pop, always aware that the real audience is listening for emotion underneath the production. His voice is an instrument that ages like whiskey — it sounds better now than it did in 1989 because now he knows what he's saying. The band (usually a trio or quartet) plays live instruments: guitar, bass, drums, keyboard. It's a performance, not a produced show. What you hear is what's happening in the room.\n\nThe crowd is mixed: people who've followed him since \"Wicked Game\" (mid-40s, now), people who discovered him through covers or streaming (all ages), couples treating this as a cultural event. A few tourists recognizing the name. By the time the show starts, the room understands this is a concert, not a party — people settle in, phones away, focused on listening.\n\nThe Lykavettos Municipal Theatre (Δημοτικό Θέατρο Λυκαβηττού) is 350 seats, intimate for an established artist his size, suited for someone who plays guitar and voice without needing a massive PA. The acoustics are designed for classical music; rock/pop sounds different but immediate. The space creates accountability — he can't hide behind production. Everything depends on performance.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Lykavettos Municipal Theatre — 350 seats, acoustic concert hall |\n| **Vibe** | Attentive audience, mixed ages, romantic/contemplative atmosphere |\n| **Sound** | Live band, intimate setting, voice and instruments |\n| **Door** | Standard concert protocols |\n\nIf you need arena energy and production values, this is a theater in Athens. But if you want to hear what happens when a genuinely talented performer plays to a room that's listening instead of a stadium that's watching — this is where that difference becomes clear.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, June 13, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | ~20:45 |\n| **Duration** | 75-90 minutes |\n| **Price** | €45-65 presale / €60-75 door |\n| **Tickets** | more.com, theater website |\n| **Address** | Lykavettos District |\n| **Getting there** | Evangelismos Metro (Red Line), then taxi or funicular (if operating) |\n| **Last metro** | 01:30 (Saturday night) |\n| **Payment** | Cards accepted |\n| **Good to know** | Lykavettos is uphill from Evangelismos Metro — taxi recommended unless you enjoy stairs. The theater is small; arrive 15 minutes early to find your seat. No standing; all assigned seating. Classical music etiquette applies (phone silence, applause after songs, not between movements). |",
      "fullDescriptionGr": "Lycabettus Theatre opens its summer season with Chris Isaak—the velvet voice that defined a certain kind of American romanticism, now performing in ancient hillside setting with Athens spread below.\n\nIsaak built his career on songs that sound like dreams: reverb-drenched guitars, vocals that ache without breaking, production that suggests both sophistication and simplicity. \"Wicked Game\" remains his signature, but the catalog runs deeper than single hits.\n\nLycabettus provides one of the world's great concert settings. The ancient theatre carved into Athens' highest hill offers natural acoustics and views that extend to the sea. Artists who play here understand the privilege; audiences who attend understand the premium.\n\nSummer at Lycabettus means twilight performances, temperature finally bearable, the city transformed below as darkness falls. Isaak's music suits this atmosphere perfectly—romantic, nostalgic, designed for warm nights.\n\nExpect beauty. Expect that voice doing what it does. Expect to fall in love with Athens all over again.\n\n**Saturday, June 13, 2026 • Lycabettus Theatre**\nTickets required • Rock / Pop\nSummer season opening\n\n*Bring a light layer—the hilltop gets cooler after sunset.*",
      "hasNativeGreek": false,
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      "venue": {
        "name": "Δημοτικό Θέατρο Λυκαβηττού",
        "address": "Lycabettus Hill, Athens 114 71",
        "neighborhood": "Lycabettus Hill",
        "coordinates": {
          "lat": 37.984,
          "lon": 23.7471
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      "price": {
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        "currency": "EUR",
        "range": "Δωρεάν"
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      "ticketUrl": "https://www.more.com/gr-el/tickets/music/chris-isaak/",
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      "updatedAt": "2026-05-29 05:08:01",
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      "timeDoors": "19:00",
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      "@type": "MusicEvent",
      "id": "54bb3ae6d996ec24",
      "title": "Rahman Mammadli",
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      "hasNativeGreek": false,
      "startDate": "2026-06-13T20:00:00",
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      "type": "concert",
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      "venue": {
        "name": "Piraeus Club Academy",
        "address": null,
        "neighborhood": null,
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        "amount": 23,
        "currency": "EUR",
        "range": "€23"
      },
      "url": "https://www.athinorama.gr/music/gig/rahman_mammadli-10090614/",
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      "@type": "MusicEvent",
      "id": "9c38bcf7049bfab6",
      "title": "Ανδριάνα Μπάμπαλη, Γιώργης Χριστοδούλου",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-13T20:15:00",
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      "type": "concert",
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      "venue": {
        "name": "Το Τρένο στο Ρουφ",
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        "amount": 10,
        "currency": "EUR",
        "range": "€10"
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      "url": "https://www.athinorama.gr/music/gig/andriana_mpampali_giorgis_xristodoulou-10090627/",
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      "timeDoors": "20:15",
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      "title": "Αφιέρωμα στην Μαρινέλλα και στον Καζαντζίδη  «Δύο Φωνές, Μια Ζωή»",
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      "startDate": "2026-06-13T20:30:00",
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      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21",
        "neighborhood": "Ilisia",
        "coordinates": {
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          "lon": 23.757
        },
        "capacity": null,
        "website": "https://www.megaron.gr",
        "sameAs": [
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        "type": "with-ticket",
        "amount": 20,
        "currency": "EUR",
        "range": "€20"
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      "url": "https://www.ticketservices.gr/event/14642/",
      "ticketUrl": "https://www.ticketservices.gr/event/14642/",
      "ticketUrlStatus": "generated",
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      "createdAt": "2026-05-26 22:58:26",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "20:30",
      "timeSource": "scraped_listing",
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      "id": "6d976949a4efc039",
      "title": "Υπόγεια Ρεύματα - Οργή Λαού",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-13T21:00:00",
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      "type": "concert",
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      "venue": {
        "name": "Τεχνόπολη",
        "address": null,
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        "sameAs": [
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        "amount": 15,
        "currency": "EUR",
        "range": "€15"
      },
      "url": "https://www.athinorama.gr/music/gig/upogeia_reumata___orgi_laou-10090605/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/upogeia_reumata___orgi_laou-10090605/",
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      "@type": "MusicEvent",
      "id": "221c293f0688f7ba",
      "title": "It’s All About the Music Band",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-13T21:00:00",
      "endDate": null,
      "type": "concert",
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      "venue": {
        "name": "Κύτταρο",
        "address": null,
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        "amount": 13,
        "currency": "EUR",
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      "url": "https://www.athinorama.gr/music/gig/it%e2%80%99s_all_about_the_music_band-10090631/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/it%e2%80%99s_all_about_the_music_band-10090631/",
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      "source": "athinorama.gr",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:18:53",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "0569d30d037fa6fa",
      "title": "Ρένα Μόρφη",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-13T21:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Gazarte",
        "address": null,
        "neighborhood": null,
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://www.athinorama.gr/music/gig/rena_morfi-10090606/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/rena_morfi-10090606/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:18:49",
      "language": "en",
      "timeDoors": "21:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "050733cb1e6088b5",
      "title": "Booze &amp; Glory",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-13T21:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Gazarte",
        "address": null,
        "neighborhood": null,
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://www.athinorama.gr/music/gig/booze_kai_glory-10090630/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/booze_kai_glory-10090630/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:18:50",
      "language": "en",
      "timeDoors": "21:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "3d74848a7911a9c8",
      "title": "ΓΙΑΝΝΗΣ ΝΙΚΟΛΑΟΥ Νύχτα γλυκιά καλοκαιριού",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-13T21:45:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Gustav Athens",
        "address": null,
        "neighborhood": null,
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€10 - €15"
      },
      "url": "https://www.ticketservices.gr/event/14748/",
      "ticketUrl": "https://www.ticketservices.gr/event/14748/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "ticketservices",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:19:11",
      "language": "en",
      "timeDoors": "21:45",
      "timeSource": "scraped_listing",
      "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/main/main4_63931_thi8m.jpg",
      "imageSource": "backfill",
      "imageLocal": "/images/events/3d74848a7911a9c8.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "088a3072b2608190",
      "title": "Local Suicide (DE) x Eddie Dark x Pigs Kaput",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-13T22:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Ίλιον Plus",
        "address": null,
        "neighborhood": null,
        "capacity": null,
        "website": "https://www.ilionplus.gr"
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€10"
      },
      "url": "https://www.athinorama.gr/music/gig/local_suicide_de_x_eddie_dark_x_pigs_kaput-10090628/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/local_suicide_de_x_eddie_dark_x_pigs_kaput-10090628/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:18:47",
      "language": "en",
      "timeDoors": "22:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "79b16fc741ffea0e",
      "title": "Mathame at Island Athens Riviera",
      "description": "",
      "fullDescription": "Mathame — Italian brothers Amedeo and Matteo Giovanelli — bring their melodic-techno catalogue to Island Athens Riviera for a Sunday-evening set, 18:00 start on the Varkiza clifftop.\n\nThe Milan duo released their first track on Afterlife in 2016, the year Tale Of Us founded the label; their EPs 'For Every Forever' and 'Nothing Around Us' became reference points for the melodic-techno wave the imprint built. An 18:00 door is unusually early for a club show — Island is taking the sun-on-the-water window seriously.\n\nExpect long-form builds and the upper-register synth language that defines the Afterlife house style, played on a whitewashed open-air terrace that tumbles toward the Saronic Gulf. Island runs only through summer.\n\n<!-- timeliness-expires: 2026-06-14 -->",
      "fullDescriptionEn": "Mathame — Italian brothers Amedeo and Matteo Giovanelli — bring their melodic-techno catalogue to Island Athens Riviera for a Sunday-evening set, 18:00 start on the Varkiza clifftop.\n\nThe Milan duo released their first track on Afterlife in 2016, the year Tale Of Us founded the label; their EPs 'For Every Forever' and 'Nothing Around Us' became reference points for the melodic-techno wave the imprint built. An 18:00 door is unusually early for a club show — Island is taking the sun-on-the-water window seriously.\n\nExpect long-form builds and the upper-register synth language that defines the Afterlife house style, played on a whitewashed open-air terrace that tumbles toward the Saronic Gulf. Island runs only through summer.\n\n<!-- timeliness-expires: 2026-06-14 -->",
      "fullDescriptionGr": "Mathame — Italian brothers Amedeo and Matteo Giovanelli — bring their melodic-techno catalogue to Island Athens Riviera for a Sunday-evening set, 18:00 start on the Varkiza clifftop.\n\nThe Milan duo released their first track on Afterlife in 2016, the year Tale Of Us founded the label; their EPs 'For Every Forever' and 'Nothing Around Us' became reference points for the melodic-techno wave the imprint built. An 18:00 door is unusually early for a club show — Island is taking the sun-on-the-water window seriously.\n\nExpect long-form builds and the upper-register synth language that defines the Afterlife house style, played on a whitewashed open-air terrace that tumbles toward the Saronic Gulf. Island runs only through summer.\n\n<!-- timeliness-expires: 2026-06-14 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-14T18:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Electronic",
        "Melodic-techno",
        "DJ-set",
        "Open-air",
        "Dance-floor",
        "Early-evening",
        "Mixed-international",
        "Music-heads",
        "Outdoor"
      ],
      "venue": {
        "name": "Island Athens Riviera",
        "address": "3 Vasileos Georgiou A, Pl. Sintagmatos Str",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.976435,
          "lon": 23.734889
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 35,
        "currency": "EUR",
        "range": "€35"
      },
      "url": "https://www.more.com/gr-el/tickets/music/mathame-at-island-athens-riviera/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/mathame-at-island-athens-riviera/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-04-21 05:06:57",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "18:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/1d82ba69-883c-478f-aa35-817a1b6cbc73/viva-tickets.png",
      "imageSource": "backfill",
      "imageLocal": "/images/events/79b16fc741ffea0e.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "97b75f4391299037",
      "title": "Soilent Green &amp; Black Tusk",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-14T20:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "ARCH Club",
        "address": null,
        "neighborhood": null,
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 20,
        "currency": "EUR",
        "range": "€20"
      },
      "url": "https://www.athinorama.gr/music/gig/soilent_green_kai_black_tusk-10090637/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/soilent_green_kai_black_tusk-10090637/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:18:46",
      "language": "en",
      "timeDoors": "20:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "065caae70bd7db22",
      "title": "Κωσταντής Πιστιόλης",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-14T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Τεχνόπολη",
        "address": null,
        "neighborhood": null,
        "capacity": null,
        "sameAs": [
          "https://www.wikidata.org/wiki/Q174552",
          "https://en.wikipedia.org/wiki/Technopolis_(Gazi)"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€15"
      },
      "url": "https://www.athinorama.gr/music/gig/kostantis_pistiolis-10090603/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/kostantis_pistiolis-10090603/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:18:44",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "26a37a8b789ae222",
      "title": "Mathame",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-15T18:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Island Athens Riviera",
        "address": null,
        "neighborhood": null,
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 35,
        "currency": "EUR",
        "range": "€35"
      },
      "url": "https://www.athinorama.gr/music/gig/mathame_-10090615/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/mathame_-10090615/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:18:43",
      "language": "en",
      "timeDoors": "18:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "af574c326cb1227c",
      "title": "Βραδιά Μονωδίας",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-15T19:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": null,
        "neighborhood": null,
        "capacity": null,
        "website": "https://www.megaron.gr",
        "sameAs": [
          "https://www.wikidata.org/wiki/Q582203",
          "https://en.wikipedia.org/wiki/Athens_Concert_Hall"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 8,
        "currency": "EUR",
        "range": "€8"
      },
      "url": "https://www.athinorama.gr/music/gig/bradia_monodias-10090634/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/bradia_monodias-10090634/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:18:42",
      "language": "en",
      "timeDoors": "19:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "84c0516f11627ec",
      "title": "Release Athens 2026 / Limp Bizkit",
      "description": "15 Ιουνιου Release Athens 2026 / Limp Bizkit Πλατεια Νερου, Φαληρο",
      "fullDescription": "Limp Bizkit arrives at Piazza Nerú as a statement about what rock meant to Millennials and what it still means to the people who followed them from 1997 forward. You're watching a band that defined the boundary between rock and hip-hop, then spent 20 years proving they understood both sides of that line. The 1999-2001 albums still matter to the people who lived through them. The newer material proves they're not relying on nostalgia.\n\nFred Durst and the band operate with the understanding that this isn't about showing up and playing hits. The performance is invested: the energy is specific, the setlist balances hits against deep cuts, the band interacts with the crowd as if they're actually together, not separated by a stage. The DJ (part of Limp Bizkit's core identity) adds another layer — the show is band plus production, not band fronted by production.\n\nThe crowd at a 2026 Limp Bizkit show is specific: the original fans (now mid-40s), younger people discovering them through parents or streaming, tourists for whom \"Nookie\" is culturally significant. Mixed genders, mixed ages, mostly couples or friend groups. High energy but not aggressive. Everyone here has processed that this band spent years being written off and is back making music that matters to people who understand the genre.\n\nPiazza Nerú is water-facing, open-air, large enough for multiple bands across a day. The sound system is festival-grade. The light show is coordinated. By 21:00 the space is full and the energy is aligned. The crowd feels like a community rather than an audience — people moved here together over the course of the day.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Piazza Nerú, Faliron — open-air festival stage with water views |\n| **Vibe** | Rock festival energy, mixed ages, celebration-focused, Limp Bizkit-specific crowd |\n| **Sound** | Live rock band with DJ elements, festival sound system |\n| **Door** | Festival entry |\n\nIf you need intimate performance, festival stages don't provide it. But if you want to understand what Limp Bizkit means to the people who followed them from the beginning — if you want to see a band that's earned the right to command a crowd this size and knows it — this is the specific moment.\n\n| Info | Details |\n|------|---------|\n| **Date** | Monday, June 15, 2026 |\n| **Doors** | 15:00 (gates) |\n| **Music starts** | ~16:00 (opening acts), ~21:00-22:00 (Limp Bizkit) |\n| **Duration** | Full-day festival |\n| **Price** | Day pass €45-60 / 3-day €120-150 |\n| **Tickets** | Festival website |\n| **Address** | Piazza Nerú, Faliron |\n| **Getting there** | Metro to Faliron (Red Line), 10 minutes walk, or taxi €8-10 |\n| **Last metro** | 01:30 (Monday night) |\n| **Payment** | Cards and cash |\n| **Good to know** | Limp Bizkit typically plays late (21:00+) on festival schedules. Confirm setlist/timing on day-of. The crowd for their set will be the festival's largest — arrive early to main stage if you want good positioning. |",
      "fullDescriptionEn": "Limp Bizkit arrives at Piazza Nerú as a statement about what rock meant to Millennials and what it still means to the people who followed them from 1997 forward. You're watching a band that defined the boundary between rock and hip-hop, then spent 20 years proving they understood both sides of that line. The 1999-2001 albums still matter to the people who lived through them. The newer material proves they're not relying on nostalgia.\n\nFred Durst and the band operate with the understanding that this isn't about showing up and playing hits. The performance is invested: the energy is specific, the setlist balances hits against deep cuts, the band interacts with the crowd as if they're actually together, not separated by a stage. The DJ (part of Limp Bizkit's core identity) adds another layer — the show is band plus production, not band fronted by production.\n\nThe crowd at a 2026 Limp Bizkit show is specific: the original fans (now mid-40s), younger people discovering them through parents or streaming, tourists for whom \"Nookie\" is culturally significant. Mixed genders, mixed ages, mostly couples or friend groups. High energy but not aggressive. Everyone here has processed that this band spent years being written off and is back making music that matters to people who understand the genre.\n\nPiazza Nerú is water-facing, open-air, large enough for multiple bands across a day. The sound system is festival-grade. The light show is coordinated. By 21:00 the space is full and the energy is aligned. The crowd feels like a community rather than an audience — people moved here together over the course of the day.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Piazza Nerú, Faliron — open-air festival stage with water views |\n| **Vibe** | Rock festival energy, mixed ages, celebration-focused, Limp Bizkit-specific crowd |\n| **Sound** | Live rock band with DJ elements, festival sound system |\n| **Door** | Festival entry |\n\nIf you need intimate performance, festival stages don't provide it. But if you want to understand what Limp Bizkit means to the people who followed them from the beginning — if you want to see a band that's earned the right to command a crowd this size and knows it — this is the specific moment.\n\n| Info | Details |\n|------|---------|\n| **Date** | Monday, June 15, 2026 |\n| **Doors** | 15:00 (gates) |\n| **Music starts** | ~16:00 (opening acts), ~21:00-22:00 (Limp Bizkit) |\n| **Duration** | Full-day festival |\n| **Price** | Day pass €45-60 / 3-day €120-150 |\n| **Tickets** | Festival website |\n| **Address** | Piazza Nerú, Faliron |\n| **Getting there** | Metro to Faliron (Red Line), 10 minutes walk, or taxi €8-10 |\n| **Last metro** | 01:30 (Monday night) |\n| **Payment** | Cards and cash |\n| **Good to know** | Limp Bizkit typically plays late (21:00+) on festival schedules. Confirm setlist/timing on day-of. The crowd for their set will be the festival's largest — arrive early to main stage if you want good positioning. |",
      "fullDescriptionGr": "Release Athens opens its 2026 edition at Plateia Nerou with Limp Bizkit headlining—nu-metal's survivors returning for festival programming that remembers when they ruled the airwaves.\n\nLimp Bizkit represents a specific moment in rock history: the late 1990s, when hip-hop and metal merged explosively, when Fred Durst's red cap became symbol of something your parents definitely did not understand. The band has outlasted the genre they helped define.\n\nPlateia Nerou provides the festival infrastructure these events require: capacity measured in tens of thousands, stages that accommodate touring production, logistics that manage crowds seeking summer entertainment.\n\nRelease Athens has established itself as the city's premier rock festival. The Limp Bizkit booking signals intent to serve audiences who came of age during nu-metal's peak—nostalgia weaponized as entertainment.\n\nExpect the hits. Expect energy that defies the band's age. Expect to remember exactly where you were when you first heard \"Break Stuff.\"\n\n**Monday, June 15, 2026 • Plateia Nerou, Faliro**\nTickets required • Nu-metal / Rap rock\nFestival programming\n\n*Arrive early—the full festival experience requires time beyond just the headliner.*",
      "hasNativeGreek": false,
      "startDate": "2026-06-15T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "music"
      ],
      "tags": [],
      "venue": {
        "name": "Πλατεία Νερού",
        "address": "Leoforos Posidonos 2616, Athens 176 74",
        "neighborhood": "Faliro / Palaio Faliro",
        "coordinates": {
          "lat": 37.9305,
          "lon": 23.685
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 0,
        "currency": "EUR",
        "range": "Δωρεάν"
      },
      "url": "https://www.more.com/gr-el/tickets/music/festival/release-athens-2026/limp-bizkit/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/festival/release-athens-2026/limp-bizkit/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-01-12T21:21:44.838Z",
      "updatedAt": "2026-03-03 09:54:12",
      "language": "en",
      "timeDoors": "18:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/5bb4b232-ffd5-48c6-a0c0-54db583aa8e4/viva-tickets.png",
      "imageSource": "backfill",
      "imageLocal": "/images/events/84c0516f11627ec.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "2ea58056d04cc776",
      "title": "Release Athens 2026 / Three Days Grace",
      "description": "15 - 28 Ιουνιου Release Athens 2026 / Three Days Grace Πλατεια Νερου, Φαληρο",
      "fullDescription": "Three Days Grace has spent 25 years understanding that alternative rock doesn't mean disposable: that the genre can sustain serious musicianship and genuine emotional engagement across decades. You're at Piazza Nerú watching a Canadian band that outlasted the trends that tried to define them, that learned how to make stadium rock without production overwhelm. The guitar work is actual guitar work. The melodies are genuine.\n\nThree Days Grace's entire catalog is recoverable — people can name the album every song comes from, can trace their impact through covers and references in other bands. The live show operates with that understanding: these songs matter to people in the audience on specific personal levels. The band treats them as such. Matt Walst's vocals (he joined 2014; the band continued through lineup evolution) has a range that gives the material new dimensions. The rhythm section is locked.\n\nYou'll find people for whom \"I Hate Everything About You\" was the breakdown song they needed at 14. Newer fans who discovered the band through algorithm. Musicians who understand Three Days Grace as part of the conversation about rock trajectory. Mixed ages, couples, friend groups, people who chose rock festival specifically for the possibility of seeing this band.\n\nPiazza Nerú afternoon becomes evening becomes night becomes the moment when the crowd's patience pays off. The light show is coordinated. The sound is clear. The water is still visible, a backdrop that makes the moment feel like it happened somewhere specific rather than interchangeable. By the time Three Days Grace takes the stage, the crowd has been prepped and is ready.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Piazza Nerú, Faliron — festival stage, water views, large capacity |\n| **Vibe** | Alternative rock community, mixed ages, emotionally invested |\n| **Sound** | Live rock band, festival sound system |\n| **Door** | Festival entry |\n\nIf you need guitar solos shredded into irrelevance, Three Days Grace plays for different reasons: for emotional clarity, for the space where lyrics and melody create meaning together. This is stadium rock that understands it's still rock.\n\n| Info | Details |\n|------|---------|\n| **Date** | Monday, June 15, 2026 |\n| **Doors** | 15:00 |\n| **Music starts** | ~16:00 (openers), ~20:00-21:00 (Three Days Grace) |\n| **Duration** | Full day |\n| **Price** | Day pass €45-60 / 3-day €120-150 |\n| **Tickets** | Festival website |\n| **Address** | Piazza Nerú, Faliron |\n| **Getting there** | Metro to Faliron (Red Line), 10 minutes, or taxi €8-10 |\n| **Last metro** | 01:30 (Monday night) |\n| **Payment** | Cards and cash |\n| **Good to know** | Three Days Grace setlist usually balances deep cuts with arena-level hits. They play typically 19:00-20:30. The crowd won't be as massive as Limp Bizkit; this is the \"serious alternative rock fans\" moment. Timing allows you to potentially catch both if you position correctly. |",
      "fullDescriptionEn": "Three Days Grace has spent 25 years understanding that alternative rock doesn't mean disposable: that the genre can sustain serious musicianship and genuine emotional engagement across decades. You're at Piazza Nerú watching a Canadian band that outlasted the trends that tried to define them, that learned how to make stadium rock without production overwhelm. The guitar work is actual guitar work. The melodies are genuine.\n\nThree Days Grace's entire catalog is recoverable — people can name the album every song comes from, can trace their impact through covers and references in other bands. The live show operates with that understanding: these songs matter to people in the audience on specific personal levels. The band treats them as such. Matt Walst's vocals (he joined 2014; the band continued through lineup evolution) has a range that gives the material new dimensions. The rhythm section is locked.\n\nYou'll find people for whom \"I Hate Everything About You\" was the breakdown song they needed at 14. Newer fans who discovered the band through algorithm. Musicians who understand Three Days Grace as part of the conversation about rock trajectory. Mixed ages, couples, friend groups, people who chose rock festival specifically for the possibility of seeing this band.\n\nPiazza Nerú afternoon becomes evening becomes night becomes the moment when the crowd's patience pays off. The light show is coordinated. The sound is clear. The water is still visible, a backdrop that makes the moment feel like it happened somewhere specific rather than interchangeable. By the time Three Days Grace takes the stage, the crowd has been prepped and is ready.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Piazza Nerú, Faliron — festival stage, water views, large capacity |\n| **Vibe** | Alternative rock community, mixed ages, emotionally invested |\n| **Sound** | Live rock band, festival sound system |\n| **Door** | Festival entry |\n\nIf you need guitar solos shredded into irrelevance, Three Days Grace plays for different reasons: for emotional clarity, for the space where lyrics and melody create meaning together. This is stadium rock that understands it's still rock.\n\n| Info | Details |\n|------|---------|\n| **Date** | Monday, June 15, 2026 |\n| **Doors** | 15:00 |\n| **Music starts** | ~16:00 (openers), ~20:00-21:00 (Three Days Grace) |\n| **Duration** | Full day |\n| **Price** | Day pass €45-60 / 3-day €120-150 |\n| **Tickets** | Festival website |\n| **Address** | Piazza Nerú, Faliron |\n| **Getting there** | Metro to Faliron (Red Line), 10 minutes, or taxi €8-10 |\n| **Last metro** | 01:30 (Monday night) |\n| **Payment** | Cards and cash |\n| **Good to know** | Three Days Grace setlist usually balances deep cuts with arena-level hits. They play typically 19:00-20:30. The crowd won't be as massive as Limp Bizkit; this is the \"serious alternative rock fans\" moment. Timing allows you to potentially catch both if you position correctly. |",
      "fullDescriptionGr": "Release Athens continues with Three Days Grace adding Canadian post-grunge to the festival's varied programming. The band brings two decades of radio rock experience to Plateia Nerou's festival stage.\n\nThree Days Grace operates in mainstream rock territory—songs designed for radio, production polished to professional sheen, vocals that soar where expected. The hits have accumulated across multiple albums; the audience knows the words.\n\nThe same-day programming with Limp Bizkit suggests thematic connection: both bands emerged from periods when rock sought mass appeal without sacrificing heaviness. Both succeeded commercially while maintaining credibility with their core audiences.\n\nFestival days at Plateia Nerou mean full experiences—multiple acts across extended hours, the community that forms when tens of thousands gather for shared purpose.\n\nExpect the singles. Expect arms raised during choruses. Expect to understand why rock radio mattered.\n\n**Monday, June 15, 2026 • Plateia Nerou, Faliro**\nTickets required • Post-grunge / Hard rock\nFestival programming\n\n*The full day offers more than headliners—explore the undercard.*",
      "hasNativeGreek": false,
      "startDate": "2026-06-15T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "music"
      ],
      "tags": [],
      "venue": {
        "name": "Πλατεία Νερού",
        "address": "Leoforos Posidonos 2616, Athens 176 74",
        "neighborhood": "Faliro / Palaio Faliro",
        "coordinates": {
          "lat": 37.9305,
          "lon": 23.685
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": "with-ticket"
      },
      "url": "https://www.viva.gr/gr-el/tickets/music/festival/release-athens-2026/three-days-grace/",
      "ticketUrl": "https://www.viva.gr/gr-el/tickets/music/festival/release-athens-2026/three-days-grace/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-01-19T23:07:36.324Z",
      "updatedAt": "2026-03-03 09:54:12",
      "language": "en",
      "timeDoors": "18:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/site/images/opengraph.png",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "b7dba9ec238e7e5d",
      "title": "Πάνος Μουζουράκης - Τεχνόπολη",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-15T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Τεχνόπολη",
        "address": "Pireos 100, Athina 118 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.978226,
          "lon": 23.713648
        },
        "capacity": null,
        "sameAs": [
          "https://www.wikidata.org/wiki/Q174552",
          "https://en.wikipedia.org/wiki/Technopolis_(Gazi)"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€15"
      },
      "url": "https://www.more.com/gr-el/tickets/music/panos-mouzourakis-texnopoli/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/panos-mouzourakis-texnopoli/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-05-26 22:58:26",
      "updatedAt": "2026-06-01 11:37:09",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/21ee8830-1952-4e87-b242-80e19c303c85/viva-tickets.png",
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      "permanentCollection": false,
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "fd73b720bd9b0425",
      "title": "Μια γροθιά",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-16T19:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Τεχνόπολη",
        "address": null,
        "neighborhood": null,
        "capacity": null,
        "sameAs": [
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          "https://en.wikipedia.org/wiki/Technopolis_(Gazi)"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€10"
      },
      "url": "https://www.athinorama.gr/music/gig/mia_grothia-10090633/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/mia_grothia-10090633/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:18:41",
      "language": "en",
      "timeDoors": "19:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "0eef5542c9d28362",
      "title": "Οι άθλοι του Ηρακλή",
      "description": "",
      "fullDescription": "«Οι άθλοι του Ηρακλή» is a shadow-theater production at the open-air Garden of Μέγαρο Μουσικής Αθηνών in central Athens, returning for a limited six-night summer run from 16 June through 1 July 2026 — Karagiozis walking onto a lit screen with Ηρακλή behind him.\n\nDirector Elias Karellas built «Οι άθλοι του Ηρακλή» as a co-production between his theater company and the Μέγαρο. The framing sets King Eurystheus's palace orchestra — heavy, formal, the music of authority — against Karagiozis's folk band, both performing live under the same stretched screen. The Hercules cycle plays out in twelve labors across the show: Nemean Lion, Lernaean Hydra, Cretan Bull, Ceryneian Hind, all the way through to Cerberus at the gates of the underworld.\n\nExpect a family audience on the lawn and folding chairs, multi-generational, with kids old enough to follow the first labor and grandparents who remember when the local panigiri used to bring a shadow-theater tent every August. The production bills itself for \"children from 4 to 104,\" and the room runs to that range — laughter from one corner, quieter recognition from another, parents leaning over to translate the older Karagiozis jokes for whoever is leaning into them. The atmosphere is summer-evening informal, not concert-hall formal.\n\nThe Karagiozis tradition is built on flat puppets cut from hide, lit from behind a stretched white screen, and walked across it by a puppeteer who voices every character. Karellas keeps that craft visible. Ηρακλή joins the Karagiozis world rather than replacing it — the two registers share the screen, and each labor lands with the orchestra that fits the scene. Performances begin after sundown, when the screen lights begin to work.\n\nIf you want an indoor concert-hall evening with formal programming, the Μέγαρο's main season covers that the rest of the year. But if you want a garden evening with kids on the grass, a hide-puppet Hydra moving across a screen, and a live folk band playing under it, «Οι άθλοι του Ηρακλή» is the run that does that.\n\nPractically: the Megaron is accessible by metro, with the Garden entered through the venue's outdoor gate. June evenings in Athens start warm and cool meaningfully after sundown — bring a light layer for the second half. €10 general admission. Performances at 20:30, Tuesdays and Wednesdays only.\n\nSix dates, all Tuesdays and Wednesdays, and the Garden format is summer-only — when this run closes on 1 July, the shadow theater rolls up and the Garden's programming moves on for the season.\n\n<!-- timeliness-expires: 2026-07-01 -->",
      "fullDescriptionEn": "«Οι άθλοι του Ηρακλή» is a shadow-theater production at the open-air Garden of Μέγαρο Μουσικής Αθηνών in central Athens, returning for a limited six-night summer run from 16 June through 1 July 2026 — Karagiozis walking onto a lit screen with Ηρακλή behind him.\n\nDirector Elias Karellas built «Οι άθλοι του Ηρακλή» as a co-production between his theater company and the Μέγαρο. The framing sets King Eurystheus's palace orchestra — heavy, formal, the music of authority — against Karagiozis's folk band, both performing live under the same stretched screen. The Hercules cycle plays out in twelve labors across the show: Nemean Lion, Lernaean Hydra, Cretan Bull, Ceryneian Hind, all the way through to Cerberus at the gates of the underworld.\n\nExpect a family audience on the lawn and folding chairs, multi-generational, with kids old enough to follow the first labor and grandparents who remember when the local panigiri used to bring a shadow-theater tent every August. The production bills itself for \"children from 4 to 104,\" and the room runs to that range — laughter from one corner, quieter recognition from another, parents leaning over to translate the older Karagiozis jokes for whoever is leaning into them. The atmosphere is summer-evening informal, not concert-hall formal.\n\nThe Karagiozis tradition is built on flat puppets cut from hide, lit from behind a stretched white screen, and walked across it by a puppeteer who voices every character. Karellas keeps that craft visible. Ηρακλή joins the Karagiozis world rather than replacing it — the two registers share the screen, and each labor lands with the orchestra that fits the scene. Performances begin after sundown, when the screen lights begin to work.\n\nIf you want an indoor concert-hall evening with formal programming, the Μέγαρο's main season covers that the rest of the year. But if you want a garden evening with kids on the grass, a hide-puppet Hydra moving across a screen, and a live folk band playing under it, «Οι άθλοι του Ηρακλή» is the run that does that.\n\nPractically: the Megaron is accessible by metro, with the Garden entered through the venue's outdoor gate. June evenings in Athens start warm and cool meaningfully after sundown — bring a light layer for the second half. €10 general admission. Performances at 20:30, Tuesdays and Wednesdays only.\n\nSix dates, all Tuesdays and Wednesdays, and the Garden format is summer-only — when this run closes on 1 July, the shadow theater rolls up and the Garden's programming moves on for the season.\n\n<!-- timeliness-expires: 2026-07-01 -->",
      "fullDescriptionGr": "«Οι άθλοι του Ηρακλή» is a shadow-theater production at the open-air Garden of Μέγαρο Μουσικής Αθηνών in central Athens, returning for a limited six-night summer run from 16 June through 1 July 2026 — Karagiozis walking onto a lit screen with Ηρακλή behind him.\n\nDirector Elias Karellas built «Οι άθλοι του Ηρακλή» as a co-production between his theater company and the Μέγαρο. The framing sets King Eurystheus's palace orchestra — heavy, formal, the music of authority — against Karagiozis's folk band, both performing live under the same stretched screen. The Hercules cycle plays out in twelve labors across the show: Nemean Lion, Lernaean Hydra, Cretan Bull, Ceryneian Hind, all the way through to Cerberus at the gates of the underworld.\n\nExpect a family audience on the lawn and folding chairs, multi-generational, with kids old enough to follow the first labor and grandparents who remember when the local panigiri used to bring a shadow-theater tent every August. The production bills itself for \"children from 4 to 104,\" and the room runs to that range — laughter from one corner, quieter recognition from another, parents leaning over to translate the older Karagiozis jokes for whoever is leaning into them. The atmosphere is summer-evening informal, not concert-hall formal.\n\nThe Karagiozis tradition is built on flat puppets cut from hide, lit from behind a stretched white screen, and walked across it by a puppeteer who voices every character. Karellas keeps that craft visible. Ηρακλή joins the Karagiozis world rather than replacing it — the two registers share the screen, and each labor lands with the orchestra that fits the scene. Performances begin after sundown, when the screen lights begin to work.\n\nIf you want an indoor concert-hall evening with formal programming, the Μέγαρο's main season covers that the rest of the year. But if you want a garden evening with kids on the grass, a hide-puppet Hydra moving across a screen, and a live folk band playing under it, «Οι άθλοι του Ηρακλή» is the run that does that.\n\nPractically: the Megaron is accessible by metro, with the Garden entered through the venue's outdoor gate. June evenings in Athens start warm and cool meaningfully after sundown — bring a light layer for the second half. €10 general admission. Performances at 20:30, Tuesdays and Wednesdays only.\n\nSix dates, all Tuesdays and Wednesdays, and the Garden format is summer-only — when this run closes on 1 July, the shadow theater rolls up and the Garden's programming moves on for the season.\n\n<!-- timeliness-expires: 2026-07-01 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-16T20:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "Classical",
        "Concert"
      ],
      "tags": [
        "World",
        "Greek-Traditional",
        "Musical-Theater",
        "Garden",
        "Open-air",
        "Inclusive",
        "Mixed-ages",
        "Families",
        "Greek-locals",
        "Outdoor",
        "Metro-accessible",
        "Child-friendly",
        "Greek-language"
      ],
      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21",
        "neighborhood": "Ilisia",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.757
        },
        "capacity": null,
        "website": "https://www.megaron.gr",
        "sameAs": [
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          "https://en.wikipedia.org/wiki/Athens_Concert_Hall"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€15-80"
      },
      "url": "https://www.megaron.gr/event/oi-athloi-tou-irakli/",
      "ticketUrl": "https://www.megaron.gr/event/oi-athloi-tou-irakli/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "megaron.gr",
      "createdAt": "2026-05-07 05:07:45",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "20:30",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.megaron.gr/wp-content/uploads/2026/04/Kipos-2026-Karagiozis-236A8519w.jpg",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "e960fe8385ec5be9",
      "title": "Fun Lovin’ Criminals",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-16T21:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Gazarte",
        "address": null,
        "neighborhood": null,
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://www.athinorama.gr/music/gig/fun_lovin%e2%80%99_criminals-10090621/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/fun_lovin%e2%80%99_criminals-10090621/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:18:40",
      "language": "en",
      "timeDoors": "21:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "8cc0e9d56418714e",
      "title": "12ος Πίθηκος",
      "description": "",
      "fullDescription": "Eight albums in, **12os Pithikos** brings his concept record *Zougla* (\"Jungle\") to a live concert in Athens — Universe in Egaleo, Wednesday 17 June 2026 at 20:00.\n\nThe Thessaloniki rapper built *Zougla* as a 14-track record on jungle metaphor: herd, hierarchy, belonging, survival. 12os Pithikos has been threading these registers across releases for years, and this one is the most explicitly concept-built he has done. The Athens date follows the tour cycle's two-day release event at Technopolis in January.\n\nExpect a full live treatment of *Zougla* rather than a career-spanning set. Universe sits in Egaleo, accessible by metro. Tickets €12 limited presale / €15 regular.\n\n<!-- timeliness-expires: 2026-09-15 -->",
      "fullDescriptionEn": "Eight albums in, **12os Pithikos** brings his concept record *Zougla* (\"Jungle\") to a live concert in Athens — Universe in Egaleo, Wednesday 17 June 2026 at 20:00.\n\nThe Thessaloniki rapper built *Zougla* as a 14-track record on jungle metaphor: herd, hierarchy, belonging, survival. 12os Pithikos has been threading these registers across releases for years, and this one is the most explicitly concept-built he has done. The Athens date follows the tour cycle's two-day release event at Technopolis in January.\n\nExpect a full live treatment of *Zougla* rather than a career-spanning set. Universe sits in Egaleo, accessible by metro. Tickets €12 limited presale / €15 regular.\n\n<!-- timeliness-expires: 2026-09-15 -->",
      "fullDescriptionGr": "Eight albums in, **12os Pithikos** brings his concept record *Zougla* (\"Jungle\") to a live concert in Athens — Universe in Egaleo, Wednesday 17 June 2026 at 20:00.\n\nThe Thessaloniki rapper built *Zougla* as a 14-track record on jungle metaphor: herd, hierarchy, belonging, survival. 12os Pithikos has been threading these registers across releases for years, and this one is the most explicitly concept-built he has done. The Athens date follows the tour cycle's two-day release event at Technopolis in January.\n\nExpect a full live treatment of *Zougla* rather than a career-spanning set. Universe sits in Egaleo, accessible by metro. Tickets €12 limited presale / €15 regular.\n\n<!-- timeliness-expires: 2026-09-15 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-17T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Hip-hop",
        "Live-band",
        "Mainstream",
        "Concert-format",
        "20s-30s",
        "Greek-locals",
        "Music-heads",
        "Standing-room",
        "Metro-accessible",
        "Greek-language"
      ],
      "venue": {
        "name": "Universe",
        "address": "Leoforos Kifisou 87, Athens 122 41",
        "neighborhood": "Egaleo",
        "coordinates": {
          "lat": 37.9708,
          "lon": 23.6733
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 12,
        "currency": "EUR",
        "range": "€12"
      },
      "url": "https://www.more.com/gr-el/tickets/music/12os-pithikos-zougkla-live-stin-athina/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/12os-pithikos-zougkla-live-stin-athina/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-03-16 09:05:07",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/de3330bb-2636-4cf0-95df-aa845835454f/viva-tickets.png",
      "imageSource": "backfill",
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      "permanentCollection": false,
      "locationStatus": "verified_athens"
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "10318c16271b4c43",
      "title": "Ήχοι της Μεσογείου",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-17T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Σπίτι Art Bar",
        "address": null,
        "neighborhood": null,
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 12,
        "currency": "EUR",
        "range": "€12"
      },
      "url": "https://www.athinorama.gr/music/gig/ixoi_tis_mesogeiou-10090632/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/ixoi_tis_mesogeiou-10090632/",
      "ticketUrlStatus": "generated",
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      "source": "athinorama.gr",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:18:39",
      "language": "en",
      "timeDoors": "20:00",
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      "id": "c29f6c1f482ea571",
      "title": "Laura Esquivel -  Brenda Asnicar",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-17T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
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      "venue": {
        "name": "Δημοτικό Θέατρο Λυκαβηττού",
        "address": null,
        "neighborhood": null,
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 65,
        "currency": "EUR",
        "range": "€65"
      },
      "url": "https://www.athinorama.gr/music/gig/laura_esquivel____brenda_asnicar-10090622/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/laura_esquivel____brenda_asnicar-10090622/",
      "ticketUrlStatus": "generated",
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      "source": "athinorama.gr",
      "createdAt": "2026-06-04 05:07:01",
      "updatedAt": "2026-06-04 05:18:38",
      "language": "en",
      "timeDoors": "21:00",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "2b73d0705f4a1483",
      "title": "RELEASE ATHENS 2026 X SNF NOSTOS / DAVID BYRNE: WHO IS THE SKY TOUR",
      "description": "21 Ιουνιου RELEASE ATHENS 2026 X SNF NOSTOS / DAVID BYRNE: WHO IS THE SKY TOUR Παρκο ΚΠΙΣΝ - Ξεφωτο",
      "fullDescription": "David Byrne in a museum setting isn't incidental — it's a thesis about what concert experience becomes when you remove the stadium equation. You're at ΚΠΙΣΝ Ξέφωτο (SNF Nostos), watching a performer who spent the Talking Heads era understanding that performance is architecture, that audience psychology can be shaped through space as much as through music. \"Who Is The Sky Tour\" is the latest iteration of a 45-year career that's consistently proven that intelligence in music doesn't sacrifice accessibility.\n\nDavid Byrne plays guitar and voice; his band (varying lineup, typically 4-5 musicians) follows. The setlist might include Talking Heads material, his solo work, recent compositions — the show treats his entire catalog as a conversation rather than a museum of hits. The arrangements are often different than recordings; the band plays live. The focus is on how sound works in a room with actual human beings, not how it travels through a PA.\n\nThe crowd will be older (Talking Heads fans are now 50-65), mixed with younger people discovering Byrne through his recent work or his cultural influence on subsequent artists. Music industry professionals. Tourists who know this is an opportunity. The education level is notably high — people here read about the show, understand the context, didn't arrive by accident.\n\nΚΠΙΣΝ Ξέφωτο (KPIESN Xefoeto, meaning \"Clearing\") is an outdoor terrace within SNFCC: architectural, designed, seating available but minimal. The capacity is maybe 300-400. The sound system is professional but not festival-scale. The focus is performance, not production. The lights matter, but they're architectural rather than pyrotechnic.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | ΚΠΙΣΝ Ξέφωτο, SNFCC — outdoor terrace, ~300-400 capacity, seating limited |\n| **Vibe** | Sophisticated, intellectually engaged audience, artist-focused |\n| **Sound** | Live band, intimate concert setting |\n| **Door** | Festival entry, no selection |\n\nIf you need stadium energy, this is a terrace. But if you want to understand what David Byrne means to people who've followed his entire trajectory — if you understand that intelligence in music is a radical act — this is where it crystallizes.\n\n| Info | Details |\n|------|---------|\n| **Date** | Sunday, June 21, 2026 |\n| **Doors** | 19:00 |\n| **Music starts** | ~20:00-20:30 |\n| **Duration** | 90 minutes |\n| **Price** | €50-70 (varies by SNF tier) |\n| **Tickets** | SNFCC website, SNF Nostos, more.com |\n| **Address** | ΚΠΙΣΝ Ξέφωτο, Iera Odos, Gazi |\n| **Getting there** | Kerameikos Metro (Blue), 8-10 minute walk, or taxi €8-12 |\n| **Last metro** | 01:30 (Sunday night) |\n| **Payment** | Cards and cash |\n| **Good to know** | This is part of Release Athens + SNF Nostos but functions as a separate ticketed event. Seating is very limited; standing space is primary. The venue is outdoors but covered. If David Byrne is your priority, buy dedicated tickets; don't rely on festival access. |",
      "fullDescriptionEn": "David Byrne in a museum setting isn't incidental — it's a thesis about what concert experience becomes when you remove the stadium equation. You're at ΚΠΙΣΝ Ξέφωτο (SNF Nostos), watching a performer who spent the Talking Heads era understanding that performance is architecture, that audience psychology can be shaped through space as much as through music. \"Who Is The Sky Tour\" is the latest iteration of a 45-year career that's consistently proven that intelligence in music doesn't sacrifice accessibility.\n\nDavid Byrne plays guitar and voice; his band (varying lineup, typically 4-5 musicians) follows. The setlist might include Talking Heads material, his solo work, recent compositions — the show treats his entire catalog as a conversation rather than a museum of hits. The arrangements are often different than recordings; the band plays live. The focus is on how sound works in a room with actual human beings, not how it travels through a PA.\n\nThe crowd will be older (Talking Heads fans are now 50-65), mixed with younger people discovering Byrne through his recent work or his cultural influence on subsequent artists. Music industry professionals. Tourists who know this is an opportunity. The education level is notably high — people here read about the show, understand the context, didn't arrive by accident.\n\nΚΠΙΣΝ Ξέφωτο (KPIESN Xefoeto, meaning \"Clearing\") is an outdoor terrace within SNFCC: architectural, designed, seating available but minimal. The capacity is maybe 300-400. The sound system is professional but not festival-scale. The focus is performance, not production. The lights matter, but they're architectural rather than pyrotechnic.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | ΚΠΙΣΝ Ξέφωτο, SNFCC — outdoor terrace, ~300-400 capacity, seating limited |\n| **Vibe** | Sophisticated, intellectually engaged audience, artist-focused |\n| **Sound** | Live band, intimate concert setting |\n| **Door** | Festival entry, no selection |\n\nIf you need stadium energy, this is a terrace. But if you want to understand what David Byrne means to people who've followed his entire trajectory — if you understand that intelligence in music is a radical act — this is where it crystallizes.\n\n| Info | Details |\n|------|---------|\n| **Date** | Sunday, June 21, 2026 |\n| **Doors** | 19:00 |\n| **Music starts** | ~20:00-20:30 |\n| **Duration** | 90 minutes |\n| **Price** | €50-70 (varies by SNF tier) |\n| **Tickets** | SNFCC website, SNF Nostos, more.com |\n| **Address** | ΚΠΙΣΝ Ξέφωτο, Iera Odos, Gazi |\n| **Getting there** | Kerameikos Metro (Blue), 8-10 minute walk, or taxi €8-12 |\n| **Last metro** | 01:30 (Sunday night) |\n| **Payment** | Cards and cash |\n| **Good to know** | This is part of Release Athens + SNF Nostos but functions as a separate ticketed event. Seating is very limited; standing space is primary. The venue is outdoors but covered. If David Byrne is your priority, buy dedicated tickets; don't rely on festival access. |",
      "fullDescriptionGr": "The SNFCC park hosts David Byrne as part of Release Athens x SNF Nostos—the Talking Heads founder bringing his \"Who Is The Sky Tour\" to one of Athens' most distinctive outdoor venues.\n\nDavid Byrne has spent decades creating music that refuses category: Talking Heads' new wave innovations, solo electronic experiments, theatrical productions, collaborations that span cultures and genres. The new tour promises continuation of his restless creativity.\n\nThe SNFCC Clearing provides outdoor setting that amplifies the experience. The Renzo Piano-designed cultural center offers infrastructure for sophisticated productions while maintaining connection to landscape and city.\n\nThe SNF Nostos partnership adds dimension. The foundation's programming emphasizes cultural innovation; Byrne's presence aligns with these values. This is not mere concert—it is event designed for impact.\n\nExpect the unexpected. Expect material old and new deployed in configurations that surprise. Expect to experience why David Byrne remains one of popular music's most vital creative forces.\n\n**Sunday, June 21, 2026 • SNFCC Park Clearing, Kallithea**\nTickets required • Art rock / Alternative\nEvening performance\n\n*The SNFCC grounds deserve exploration before the show—arrive early to appreciate the setting.*",
      "hasNativeGreek": false,
      "startDate": "2026-06-21T20:00:00",
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      "venue": {
        "name": "ΚΠΙΣΝ",
        "address": "Evripidou & Doiranis, Kallithea, Athens 176 74",
        "neighborhood": "Kallithea / Faliro Bay",
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        "currency": "EUR",
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      "url": "https://www.viva.gr/gr-el/tickets/music/festival/release-athens-2026-x-snf-nostos/david-byrne-who-is-the-sky-tour/",
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      "@type": "MusicEvent",
      "id": "148ac1a560467e5c",
      "title": "RELEASE ATHENS 2026 X SNF NOSTOS",
      "description": "21 - 25 Ιουνιου RELEASE ATHENS 2026 X SNF NOSTOS Πολλαπλοι χωροι",
      "fullDescription": "Release Athens 2026 x SNF Nostos is the official collaboration moment: the festival proving that Athens' most important cultural institution (SNFCC) is also capable of hosting contemporary rock. The campus opens across its multiple venues. The programming is mixed: Moby, local acts, international names, plus SNF-curated experiences. This is Release Athens translated into SNFCC's language — sophisticated, architectural, intentionally designed.\n\nMoby arrives with three decades of production experience: from Vegan and industrial house (1990s) through dance music celebrity through retreat into ambient composition. The live show is multimedia: screens, lights, sound design that treats the venue as an instrument. In an SNFCC setting, that means the architecture itself participates. The terrace becomes part of the performance.\n\nThe crowd here is different than Piazza Nerú: older (Moby's audience skews 35+), design-conscious, people who actually care about the SNFCC setting being part of the event. Tourists interested in cutting-edge programming, younger people discovering Moby through his recent work rather than his 1999 hits. Cultural professionals mixed with genuine fans. Mixed genders, mixed languages. By evening the crowd is substantial but not overwhelming.\n\nSNFCC operates multiple spaces simultaneously: water theater, terrace spaces, gardens, indoor halls. Release Athens uses several. The coordination is careful — different acts in different venues staggered, sound systems designed not to interfere. The visual architecture is part of the experience. You're not just hearing music; you're experiencing it in a venue that was built to matter aesthetically.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | SNFCC Multiple Venues — terraces, water theater, gardens |\n| **Vibe** | Sophisticated festival, architectural focus, mixed international and local |\n| **Sound** | Live electronic and rock performances, integrated sound systems |\n| **Door** | Festival entry, accessible |\n\nIf you need single-location simplicity, SNFCC's multi-venue setup requires intentional navigation. But if you want a festival experience that takes the venue seriously as part of the art — if you understand that Moby in a museum setting is different than Moby in a parking lot — this is the investment.\n\n| Info | Details |\n|------|---------|\n| **Date** | Sunday, June 21, 2026 |\n| **Doors** | 15:00 (gates vary by venue) |\n| **Music starts** | ~16:00, staggered |\n| **Duration** | Full day |\n| **Price** | Day pass €50-70 / 3-day €140-180 (verify with organizers) |\n| **Tickets** | SNFCC website, SNF Nostos website |\n| **Address** | Iera Odos 17-19, Gazi (SNFCC) |\n| **Getting there** | Kerameikos Metro (Blue), 8-minute walk, or taxi €8-12 |\n| **Last metro** | 01:30 (Sunday night) |\n| **Payment** | Cards and cash |\n| **Good to know** | SNF campus is large. Grab a venue map at entry and plan your route. This festival day is the most design-forward of the Release Athens series. Dress code is smart casual if you value blending in. |",
      "fullDescriptionEn": "Release Athens 2026 x SNF Nostos is the official collaboration moment: the festival proving that Athens' most important cultural institution (SNFCC) is also capable of hosting contemporary rock. The campus opens across its multiple venues. The programming is mixed: Moby, local acts, international names, plus SNF-curated experiences. This is Release Athens translated into SNFCC's language — sophisticated, architectural, intentionally designed.\n\nMoby arrives with three decades of production experience: from Vegan and industrial house (1990s) through dance music celebrity through retreat into ambient composition. The live show is multimedia: screens, lights, sound design that treats the venue as an instrument. In an SNFCC setting, that means the architecture itself participates. The terrace becomes part of the performance.\n\nThe crowd here is different than Piazza Nerú: older (Moby's audience skews 35+), design-conscious, people who actually care about the SNFCC setting being part of the event. Tourists interested in cutting-edge programming, younger people discovering Moby through his recent work rather than his 1999 hits. Cultural professionals mixed with genuine fans. Mixed genders, mixed languages. By evening the crowd is substantial but not overwhelming.\n\nSNFCC operates multiple spaces simultaneously: water theater, terrace spaces, gardens, indoor halls. Release Athens uses several. The coordination is careful — different acts in different venues staggered, sound systems designed not to interfere. The visual architecture is part of the experience. You're not just hearing music; you're experiencing it in a venue that was built to matter aesthetically.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | SNFCC Multiple Venues — terraces, water theater, gardens |\n| **Vibe** | Sophisticated festival, architectural focus, mixed international and local |\n| **Sound** | Live electronic and rock performances, integrated sound systems |\n| **Door** | Festival entry, accessible |\n\nIf you need single-location simplicity, SNFCC's multi-venue setup requires intentional navigation. But if you want a festival experience that takes the venue seriously as part of the art — if you understand that Moby in a museum setting is different than Moby in a parking lot — this is the investment.\n\n| Info | Details |\n|------|---------|\n| **Date** | Sunday, June 21, 2026 |\n| **Doors** | 15:00 (gates vary by venue) |\n| **Music starts** | ~16:00, staggered |\n| **Duration** | Full day |\n| **Price** | Day pass €50-70 / 3-day €140-180 (verify with organizers) |\n| **Tickets** | SNFCC website, SNF Nostos website |\n| **Address** | Iera Odos 17-19, Gazi (SNFCC) |\n| **Getting there** | Kerameikos Metro (Blue), 8-minute walk, or taxi €8-12 |\n| **Last metro** | 01:30 (Sunday night) |\n| **Payment** | Cards and cash |\n| **Good to know** | SNF campus is large. Grab a venue map at entry and plan your route. This festival day is the most design-forward of the Release Athens series. Dress code is smart casual if you value blending in. |",
      "fullDescriptionGr": "Release Athens x SNF Nostos represents the festival's prestige programming—headline acts placed in SNFCC's distinctive setting, where cultural infrastructure meets outdoor summer entertainment.\n\nThe collaboration between Release Athens and SNF Nostos elevates both brands. The festival gains access to remarkable venue; the foundation gains programming that serves broader audiences than its usual offerings.\n\nMultiple events fall under this umbrella across June dates. The SNFCC provides setting that distinguishes these shows from standard festival fare—Renzo Piano architecture, landscaped grounds, the particular atmosphere that careful design creates.\n\nCheck specific dates and headliners for the full programming. Each show within the series offers distinct experience; the series itself demonstrates ambition.\n\n**June 2026 • SNFCC, Kallithea**\nTickets required per event • Festival / Various\nSummer programming series\n\n*The SNFCC experience extends beyond music—plan to explore the grounds and facilities.*",
      "hasNativeGreek": false,
      "startDate": "2026-06-21T20:00:00",
      "endDate": null,
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      "genres": [
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        "name": "Πολλαπλοί Χώροι",
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      "price": {
        "type": "with-ticket",
        "amount": 45,
        "currency": "EUR",
        "range": "€45-€50"
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      "url": "https://www.more.com/gr-el/tickets/music/release-athens-2026-x-snf-nostos/",
      "ticketUrl": "https://www.viva.gr/gr-el/tickets/music/release-athens-2026-x-snf-nostos/",
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      "id": "0ec4c29b262cc9a2",
      "title": "EUROPIANO | Γιορτή της Μουσικής – Ζωντανή μετάδοση στον Κήπο του Μεγάρου",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-06-21T20:30:00",
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        "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21",
        "neighborhood": "Ilisia",
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        "capacity": null,
        "website": "https://www.megaron.gr",
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        "currency": "EUR",
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      "description": "",
      "hasNativeGreek": false,
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        "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21",
        "neighborhood": "Ilisia",
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        "amount": 25,
        "currency": "EUR",
        "range": "€15-80"
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      "url": "https://www.megaron.gr/event/to-megaro-stin-pnykaeuropiano/",
      "ticketUrl": "https://www.megaron.gr/event/to-megaro-stin-pnykaeuropiano/",
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      "timeDoors": "20:30",
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      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "87bcb1d5e1afb194",
      "title": "Σκιαδαρέσες",
      "description": "",
      "fullDescription": "Twin sisters take the Technopolis stage on Monday 22 June 2026 at 21:00 — Niki and Olga Skiadaresi bringing the Skiadareses indie-pop format to the gasworks-turned-cultural-complex in Gazi, a summer concert slot at one of the city's larger open programming venues.\n\nThe Skiadareses, daughters of actor Gerasimos Skiadaresis, broke through during 2020 lockdown with the YouTube hit \"Pame sto Nafplio\" and have since made a habit of fusing pop melodies with Greek-language lyrics. Their stage presence carries satirical sharpness against a singable pop chorus.\n\nTechnopolis sits a short walk from Kerameikos metro. Tickets for the Skiadareses show at EUR 15 presale and EUR 18 at the door, through more.com.\n\n<!-- timeliness-expires: 2026-06-23 -->",
      "fullDescriptionEn": "Twin sisters take the Technopolis stage on Monday 22 June 2026 at 21:00 — Niki and Olga Skiadaresi bringing the Skiadareses indie-pop format to the gasworks-turned-cultural-complex in Gazi, a summer concert slot at one of the city's larger open programming venues.\n\nThe Skiadareses, daughters of actor Gerasimos Skiadaresis, broke through during 2020 lockdown with the YouTube hit \"Pame sto Nafplio\" and have since made a habit of fusing pop melodies with Greek-language lyrics. Their stage presence carries satirical sharpness against a singable pop chorus.\n\nTechnopolis sits a short walk from Kerameikos metro. Tickets for the Skiadareses show at EUR 15 presale and EUR 18 at the door, through more.com.\n\n<!-- timeliness-expires: 2026-06-23 -->",
      "fullDescriptionGr": "Twin sisters take the Technopolis stage on Monday 22 June 2026 at 21:00 — Niki and Olga Skiadaresi bringing the Skiadareses indie-pop format to the gasworks-turned-cultural-complex in Gazi, a summer concert slot at one of the city's larger open programming venues.\n\nThe Skiadareses, daughters of actor Gerasimos Skiadaresis, broke through during 2020 lockdown with the YouTube hit \"Pame sto Nafplio\" and have since made a habit of fusing pop melodies with Greek-language lyrics. Their stage presence carries satirical sharpness against a singable pop chorus.\n\nTechnopolis sits a short walk from Kerameikos metro. Tickets for the Skiadareses show at EUR 15 presale and EUR 18 at the door, through more.com.\n\n<!-- timeliness-expires: 2026-06-23 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-22T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
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        "Indie",
        "Greek-singer-songwriter",
        "Mainstream",
        "Mixed-ages",
        "Greek-locals",
        "Concert-format",
        "Seated",
        "Standing-room",
        "Metro-accessible",
        "Bilingual-GR-EN"
      ],
      "venue": {
        "name": "Τεχνόπολη",
        "address": "Pireos 100, Athina 118 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.978226,
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        "amount": 15,
        "currency": "EUR",
        "range": "€15"
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      "url": "https://www.more.com/gr-el/tickets/music/skiadareses-texnopoli-dimou-athinaion-1/",
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      "id": "51c4cb70b52bfd61",
      "title": "LYKKE LI live at the Acropolis",
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      "startDate": "2026-06-22T21:15:00",
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      "venue": {
        "name": "Ωδείο Αθηνών",
        "address": "Rigillis & Vasileos Georgiou B' 17-19, Athens 106 75",
        "neighborhood": "Ilisia",
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          "lat": 37.975,
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        "currency": "EUR",
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      "@type": "MusicEvent",
      "id": "b7cf9f6e3e70f94e",
      "title": "Release Athens 2026 / Moby",
      "description": "24 Ιουν - 1 Ιουλ Release Athens 2026 / Moby Πλατεια Νερου, Φαληρο",
      "fullDescription": "Moby arrives at Piazza Nerú on the festival's final day carrying 35 years of electronic music history: from techno minimalism (early 1990s) through the moment when dance music became stadium-scale (Play album, 1999) through retreat into ambient composition. You're watching someone who understood the trajectory of electronic music before most people heard it, who chose to go backwards into complexity after achieving massive commercial success.\n\nThe live setup is visual: screens, lights, sound design. Moby typically tours with a live band (drums, bass, additional layers) mixed with electronic elements. The show treats electronic music as a collaborative performance, not a DJ pressing play. The setlist draws from \"Porcelain,\" Play-era hits, and newer ambient material — the show respects his entire evolution, not just the moments that charted.\n\nThe crowd on festival day three is the residual serious audience: people for whom Moby is the reason they stayed through the weekend, people who understand his recent work rather than just his 1990s fame, younger people discovering him through his ambient compositions. The energy is celebratory but reflective. Everyone here has invested in the whole festival; they're finishing strong.\n\nPiazza Nerú after two days of festival operations is settled, understood, comfortable. The crowd knows where things are. The infrastructure is tested. The vibe is less \"arrival\" and more \"conclusion\" — this is the moment where people commit to the night because they've already committed to the weekend.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Piazza Nerú, Faliron — open-air festival stage, water views |\n| **Vibe** | Festival conclusion, serious audiences, contemplative but energetic |\n| **Sound** | Live electronic performance with visual elements, festival sound system |\n| **Door** | Festival entry |\n\nIf you need maximum energy, day three of festivals is often when people are tired. But if you want to see Moby close a three-day festival with full commitment to both his repertoire and the crowd he's built over 35 years — this is where that happens.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, June 24, 2026 |\n| **Doors** | 15:00 (or varies if festival continues) |\n| **Music starts** | ~16:00 (if daytime), ~21:00+ (Moby, if evening closer) |\n| **Duration** | Full day or evening |\n| **Price** | 3-day pass (if still valid) or single-day pass €45-60 |\n| **Tickets** | Festival website |\n| **Address** | Piazza Nerú, Faliron |\n| **Getting there** | Metro to Faliron (Red Line), 10 minutes, or taxi €8-10 |\n| **Last metro** | 01:30 (Wednesday night, minimal service) |\n| **Payment** | Cards and cash |\n| **Good to know** | Confirm timing with Release Athens organizers — June 24 may fall outside official festival dates. Check whether this is a separate ticketed show rather than festival. Verify before assuming day-pass validity. |",
      "fullDescriptionEn": "Moby arrives at Piazza Nerú on the festival's final day carrying 35 years of electronic music history: from techno minimalism (early 1990s) through the moment when dance music became stadium-scale (Play album, 1999) through retreat into ambient composition. You're watching someone who understood the trajectory of electronic music before most people heard it, who chose to go backwards into complexity after achieving massive commercial success.\n\nThe live setup is visual: screens, lights, sound design. Moby typically tours with a live band (drums, bass, additional layers) mixed with electronic elements. The show treats electronic music as a collaborative performance, not a DJ pressing play. The setlist draws from \"Porcelain,\" Play-era hits, and newer ambient material — the show respects his entire evolution, not just the moments that charted.\n\nThe crowd on festival day three is the residual serious audience: people for whom Moby is the reason they stayed through the weekend, people who understand his recent work rather than just his 1990s fame, younger people discovering him through his ambient compositions. The energy is celebratory but reflective. Everyone here has invested in the whole festival; they're finishing strong.\n\nPiazza Nerú after two days of festival operations is settled, understood, comfortable. The crowd knows where things are. The infrastructure is tested. The vibe is less \"arrival\" and more \"conclusion\" — this is the moment where people commit to the night because they've already committed to the weekend.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Piazza Nerú, Faliron — open-air festival stage, water views |\n| **Vibe** | Festival conclusion, serious audiences, contemplative but energetic |\n| **Sound** | Live electronic performance with visual elements, festival sound system |\n| **Door** | Festival entry |\n\nIf you need maximum energy, day three of festivals is often when people are tired. But if you want to see Moby close a three-day festival with full commitment to both his repertoire and the crowd he's built over 35 years — this is where that happens.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, June 24, 2026 |\n| **Doors** | 15:00 (or varies if festival continues) |\n| **Music starts** | ~16:00 (if daytime), ~21:00+ (Moby, if evening closer) |\n| **Duration** | Full day or evening |\n| **Price** | 3-day pass (if still valid) or single-day pass €45-60 |\n| **Tickets** | Festival website |\n| **Address** | Piazza Nerú, Faliron |\n| **Getting there** | Metro to Faliron (Red Line), 10 minutes, or taxi €8-10 |\n| **Last metro** | 01:30 (Wednesday night, minimal service) |\n| **Payment** | Cards and cash |\n| **Good to know** | Confirm timing with Release Athens organizers — June 24 may fall outside official festival dates. Check whether this is a separate ticketed show rather than festival. Verify before assuming day-pass validity. |",
      "fullDescriptionGr": "Moby brings his electronic legacy to Plateia Nerou as part of Release Athens 2026. The artist who defined a certain moment in electronic music—when \"Play\" broke barriers between underground and mainstream—returns with decades of material to draw from.\n\nMoby's career spans approaches: early rave, the sample-heavy breakthrough era, acoustic reimaginings, ambient experiments. The live show can draw from any period, delivering whatever version of Moby the moment requires.\n\nPlateia Nerou handles festival-scale productions. The venue's waterfront location adds atmosphere to summer evening programming; the infrastructure supports sophisticated technical requirements.\n\nThe same-day billing with Nick Cave creates interesting contrast: electronic pioneer alongside rock poet, technology alongside raw emotion. The programming suggests Release Athens' confidence in audience range.\n\nExpect anthems. Expect dynamics. Expect to remember why electronic music's crossover mattered.\n\n**Wednesday, June 24, 2026 • Plateia Nerou, Faliro**\nTickets required • Electronic\nFestival programming\n\n*The double-header with Nick Cave offers complete evening—plan to stay for both.*",
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      "title": "Release Athens 2026 / Nick Cave & The Bad Seeds",
      "description": "24 Ιουνιου Release Athens 2026 / Nick Cave & The Bad Seeds Πλατεια Νερου, Φαληρο",
      "fullDescription": "The waterfront rises to meet the stage—sea air carries the first notes before the lights find him. Nick Cave stands in the center, and for two hours you're living inside the architecture of his darkness. This is what it means to watch a master who spent four decades learning how to break your heart precisely.\n\nNick Cave & The Bad Seeds don't perform concerts; they conduct séances for the living. Since the 1980s, they've refined a sound that sits in the space between post-punk darkness and baroque revelation—lyrics that read like confessions you shouldn't overhear, paired with the Bad Seeds' ability to move from whisper to apocalypse in a single measure. Cave has spent recent years deepening this gift, creating albums like *Ghosteen* and *Wild God* that feel less like entertainment and more like necessary witness.\n\nThe crowd drawn to Plateia Nerou for this show arrives already changed—people who've let Cave's voice do its work over years, maybe decades. The waterfront setting amplifies this feeling: you're not in an arena crowd, you're in a gathering of the converted. By the time the opening notes hit, you understand you're part of something that matters.\n\nThe Plateia Nerou platform sits open to the Aegean air, which means the atmosphere builds naturally around the music rather than bouncing off arena walls. The production is intimate despite the scale—Cave commands attention not through spectacle but through the weight of every word. People stand still here. The energy moves vertically, lifting toward the stars rather than churning horizontally. Plan to arrive early for positioning; the crowd will fill deliberately but completely.\n\nIf you need massive production values and visual distraction, you'll find different concerts elsewhere. But if you want to spend an evening in the presence of an artist who understands that the point of music is transformation—that vulnerability held at the right frequency becomes strength—this is where you'll find yourself.",
      "fullDescriptionEn": "The waterfront rises to meet the stage—sea air carries the first notes before the lights find him. Nick Cave stands in the center, and for two hours you're living inside the architecture of his darkness. This is what it means to watch a master who spent four decades learning how to break your heart precisely.\n\nNick Cave & The Bad Seeds don't perform concerts; they conduct séances for the living. Since the 1980s, they've refined a sound that sits in the space between post-punk darkness and baroque revelation—lyrics that read like confessions you shouldn't overhear, paired with the Bad Seeds' ability to move from whisper to apocalypse in a single measure. Cave has spent recent years deepening this gift, creating albums like *Ghosteen* and *Wild God* that feel less like entertainment and more like necessary witness.\n\nThe crowd drawn to Plateia Nerou for this show arrives already changed—people who've let Cave's voice do its work over years, maybe decades. The waterfront setting amplifies this feeling: you're not in an arena crowd, you're in a gathering of the converted. By the time the opening notes hit, you understand you're part of something that matters.\n\nThe Plateia Nerou platform sits open to the Aegean air, which means the atmosphere builds naturally around the music rather than bouncing off arena walls. The production is intimate despite the scale—Cave commands attention not through spectacle but through the weight of every word. People stand still here. The energy moves vertically, lifting toward the stars rather than churning horizontally. Plan to arrive early for positioning; the crowd will fill deliberately but completely.\n\nIf you need massive production values and visual distraction, you'll find different concerts elsewhere. But if you want to spend an evening in the presence of an artist who understands that the point of music is transformation—that vulnerability held at the right frequency becomes strength—this is where you'll find yourself.",
      "fullDescriptionGr": "The waterfront rises to meet the stage—sea air carries the first notes before the lights find him. Nick Cave stands in the center, and for two hours you're living inside the architecture of his darkness. This is what it means to watch a master who spent four decades learning how to break your heart precisely.\n\nNick Cave & The Bad Seeds don't perform concerts; they conduct séances for the living. Since the 1980s, they've refined a sound that sits in the space between post-punk darkness and baroque revelation—lyrics that read like confessions you shouldn't overhear, paired with the Bad Seeds' ability to move from whisper to apocalypse in a single measure. Cave has spent recent years deepening this gift, creating albums like *Ghosteen* and *Wild God* that feel less like entertainment and more like necessary witness.\n\nThe crowd drawn to Plateia Nerou for this show arrives already changed—people who've let Cave's voice do its work over years, maybe decades. The waterfront setting amplifies this feeling: you're not in an arena crowd, you're in a gathering of the converted. By the time the opening notes hit, you understand you're part of something that matters.\n\nThe Plateia Nerou platform sits open to the Aegean air, which means the atmosphere builds naturally around the music rather than bouncing off arena walls. The production is intimate despite the scale—Cave commands attention not through spectacle but through the weight of every word. People stand still here. The energy moves vertically, lifting toward the stars rather than churning horizontally. Plan to arrive early for positioning; the crowd will fill deliberately but completely.\n\nIf you need massive production values and visual distraction, you'll find different concerts elsewhere. But if you want to spend an evening in the presence of an artist who understands that the point of music is transformation—that vulnerability held at the right frequency becomes strength—this is where you'll find yourself.",
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      "title": "RELEASE ATHENS 2026 X SNF NOSTOS / GORILLAZ",
      "description": "25 Ιουνιου RELEASE ATHENS 2026 X SNF NOSTOS / GORILLAZ Πλατεια Νερου, Φαληρο",
      "fullDescription": "The bass arrives as a physical presence before you see the stage—a feeling in your sternum that says something is about to become possible. Gorillaz take the waterfront, and suddenly the waterfront doesn't feel like Athens anymore; it feels like everywhere and nowhere, a space where virtual and physical collapse into the same experience.\n\nGorillaz exist in the space between animation and reality, between punk-rap-electronic impulses and cinematic storytelling. Since 2001, Damon Albarn's project has been the bridge between underground rap sensibilities and stadium production, creating albums like *Plastic Beach* and *Song Machine* that sound like the future that actually arrived. This is the band that made it possible to discuss cartoon characters as legitimate co-artists, that sampled everything from old sea shanties to Nigerian highlife and made it cohere into something that feels necessary.\n\nThe Release Athens audience carries a particular character: serious listeners who recognize what Gorillaz represent (the moment when hip-hop production became as important as songwriting), mixed with people who arrived through streaming and animation clips. There's an openness here—Gorillaz crowds tend toward people who see art as boundary-crossing rather than boundary-respecting. By midway through the set, the demographic splits stop mattering; everyone's synchronized to the same restless energy.\n\nPlateia Nerou becomes a sea-facing amphitheater for this show. The waterfront stage allows the production to expand outward toward the horizon, which means the music doesn't feel contained by venue walls. The sound design is crisp here—the technical infrastructure supports the intricate layering that makes Gorillaz music work. Gorillaz brings their full visual apparatus (projections, animation, sculptural staging), so despite the open-air setting, the production feels enveloping. The crowd builds slowly through the opening songs, then crystallizes into complete presence around the hits.\n\nIf you need a traditional rock concert with clear climaxes and cathartic releases, this will feel slippery—Gorillaz songs often plateau rather than peak, which builds a different kind of tension. But if you want to experience what happens when animation becomes performance becomes music, when production itself becomes an instrument rather than decoration, when a band treats the waterfront as canvas rather than just backdrop—this is where you understand why they've mattered for twenty-five years.",
      "fullDescriptionEn": "The bass arrives as a physical presence before you see the stage—a feeling in your sternum that says something is about to become possible. Gorillaz take the waterfront, and suddenly the waterfront doesn't feel like Athens anymore; it feels like everywhere and nowhere, a space where virtual and physical collapse into the same experience.\n\nGorillaz exist in the space between animation and reality, between punk-rap-electronic impulses and cinematic storytelling. Since 2001, Damon Albarn's project has been the bridge between underground rap sensibilities and stadium production, creating albums like *Plastic Beach* and *Song Machine* that sound like the future that actually arrived. This is the band that made it possible to discuss cartoon characters as legitimate co-artists, that sampled everything from old sea shanties to Nigerian highlife and made it cohere into something that feels necessary.\n\nThe Release Athens audience carries a particular character: serious listeners who recognize what Gorillaz represent (the moment when hip-hop production became as important as songwriting), mixed with people who arrived through streaming and animation clips. There's an openness here—Gorillaz crowds tend toward people who see art as boundary-crossing rather than boundary-respecting. By midway through the set, the demographic splits stop mattering; everyone's synchronized to the same restless energy.\n\nPlateia Nerou becomes a sea-facing amphitheater for this show. The waterfront stage allows the production to expand outward toward the horizon, which means the music doesn't feel contained by venue walls. The sound design is crisp here—the technical infrastructure supports the intricate layering that makes Gorillaz music work. Gorillaz brings their full visual apparatus (projections, animation, sculptural staging), so despite the open-air setting, the production feels enveloping. The crowd builds slowly through the opening songs, then crystallizes into complete presence around the hits.\n\nIf you need a traditional rock concert with clear climaxes and cathartic releases, this will feel slippery—Gorillaz songs often plateau rather than peak, which builds a different kind of tension. But if you want to experience what happens when animation becomes performance becomes music, when production itself becomes an instrument rather than decoration, when a band treats the waterfront as canvas rather than just backdrop—this is where you understand why they've mattered for twenty-five years.",
      "fullDescriptionGr": "The bass arrives as a physical presence before you see the stage—a feeling in your sternum that says something is about to become possible. Gorillaz take the waterfront, and suddenly the waterfront doesn't feel like Athens anymore; it feels like everywhere and nowhere, a space where virtual and physical collapse into the same experience.\n\nGorillaz exist in the space between animation and reality, between punk-rap-electronic impulses and cinematic storytelling. Since 2001, Damon Albarn's project has been the bridge between underground rap sensibilities and stadium production, creating albums like *Plastic Beach* and *Song Machine* that sound like the future that actually arrived. This is the band that made it possible to discuss cartoon characters as legitimate co-artists, that sampled everything from old sea shanties to Nigerian highlife and made it cohere into something that feels necessary.\n\nThe Release Athens audience carries a particular character: serious listeners who recognize what Gorillaz represent (the moment when hip-hop production became as important as songwriting), mixed with people who arrived through streaming and animation clips. There's an openness here—Gorillaz crowds tend toward people who see art as boundary-crossing rather than boundary-respecting. By midway through the set, the demographic splits stop mattering; everyone's synchronized to the same restless energy.\n\nPlateia Nerou becomes a sea-facing amphitheater for this show. The waterfront stage allows the production to expand outward toward the horizon, which means the music doesn't feel contained by venue walls. The sound design is crisp here—the technical infrastructure supports the intricate layering that makes Gorillaz music work. Gorillaz brings their full visual apparatus (projections, animation, sculptural staging), so despite the open-air setting, the production feels immersive. The crowd builds slowly through the opening songs, then crystallizes into complete presence around the hits.\n\nIf you need a traditional rock concert with clear climaxes and cathartic releases, this will feel slippery—Gorillaz songs often plateau rather than peak, which builds a different kind of tension. But if you want to experience what happens when animation becomes performance becomes music, when production itself becomes an instrument rather than decoration, when a band treats the waterfront as canvas rather than just backdrop—this is where you understand why they've mattered for twenty-five years.",
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        "name": "Τεχνόπολη",
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      "title": "FOREIGNER CELEBRATING 50 YEARS",
      "description": "",
      "fullDescription": "Foreigner celebrates 50 years at OAKA Olympic Tennis Center in Athens on June 27, 2026. The legendary American-British rock band marks their golden anniversary with performance of classic hits.\n\nForeigner's catalog includes some of rock's most enduring anthems, from \"I Want to Know What Love Is\" to \"Juke Box Hero\" and \"Hot Blooded.\" Fifty years of these songs represent remarkable achievement.\n\nOAKA Olympic Tennis Center provides major venue scale for anniversary celebrations of this magnitude. The venue supports productions befitting Foreigner's legendary status.\n\nThis concert offers legendary classic rock celebrating a major milestone at one of Athens' largest venues.",
      "fullDescriptionEn": "Foreigner celebrates 50 years at OAKA Olympic Tennis Center in Athens on June 27, 2026. The legendary American-British rock band marks their golden anniversary with performance of classic hits.\n\nForeigner's catalog includes some of rock's most enduring anthems, from \"I Want to Know What Love Is\" to \"Juke Box Hero\" and \"Hot Blooded.\" Fifty years of these songs represent remarkable achievement.\n\nOAKA Olympic Tennis Center provides major venue scale for anniversary celebrations of this magnitude. The venue supports productions befitting Foreigner's legendary status.\n\nThis concert offers legendary classic rock celebrating a major milestone at one of Athens' largest venues.",
      "fullDescriptionGr": "Foreigner celebrates 50 years at OAKA Olympic Tennis Center in Athens on June 27, 2026. The legendary American-British rock band marks their golden anniversary with performance of classic hits.\n\nForeigner's catalog includes some of rock's most enduring anthems, from \"I Want to Know What Love Is\" to \"Juke Box Hero\" and \"Hot Blooded.\" Fifty years of these songs represent remarkable achievement.\n\nOAKA Olympic Tennis Center provides major venue scale for anniversary celebrations of this magnitude. The venue supports productions befitting Foreigner's legendary status.\n\nThis concert offers legendary classic rock celebrating a major milestone at one of Athens' largest venues.",
      "hasNativeGreek": false,
      "startDate": "2026-06-27",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "OAKA - OLYMPIC TENNIS CENTER",
        "address": "Leof. Kifisias 37, Marousi 151 23",
        "neighborhood": "",
        "coordinates": {
          "lat": 38.039311,
          "lon": 23.791071
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 24,
        "currency": "EUR",
        "range": "€24 - €110"
      },
      "url": "https://www.ticketservices.gr/event/13502/",
      "ticketUrl": "https://www.ticketservices.gr/event/13502/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "ticketservices",
      "createdAt": "2026-01-26 13:11:15",
      "updatedAt": "2026-04-24 05:07:28",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_detail",
      "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_56881_or_MAIN.jpg",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "114584b98b89e4a7",
      "title": "10 χρόνια Κοινοί Θνητοί",
      "description": "",
      "fullDescription": "Saturday 27 June 2026 at Technopolis in Gazi marks ten years of Koinoi Thnitoi — the band's fifth consecutive return to the former gasworks complex. The Aliveri-born group built a decade-long catalogue weaving rock, hip-hop, and Greek traditional song into one voice, anchored by Vasilis Fotias's lyrics and Mitsofou's verses. New material is taking shape ahead of the show, framed as the next stretch of what the band calls koinos dromos — the common road.\n\nDoors 20:30. Accessible by metro at Kerameikos, Technopolis a short walk down Pireos; tickets through more.com. A 10-year anniversary show Koinoi Thnitoi are treating as a beginning, not a closing.\n\n<!-- timeliness-expires: 2026-06-27 -->",
      "fullDescriptionEn": "Saturday 27 June 2026 at Technopolis in Gazi marks ten years of Koinoi Thnitoi — the band's fifth consecutive return to the former gasworks complex. The Aliveri-born group built a decade-long catalogue weaving rock, hip-hop, and Greek traditional song into one voice, anchored by Vasilis Fotias's lyrics and Mitsofou's verses. New material is taking shape ahead of the show, framed as the next stretch of what the band calls koinos dromos — the common road.\n\nDoors 20:30. Accessible by metro at Kerameikos, Technopolis a short walk down Pireos; tickets through more.com. A 10-year anniversary show Koinoi Thnitoi are treating as a beginning, not a closing.\n\n<!-- timeliness-expires: 2026-06-27 -->",
      "fullDescriptionGr": "Saturday 27 June 2026 at Technopolis in Gazi marks ten years of Koinoi Thnitoi — the band's fifth consecutive return to the former gasworks complex. The Aliveri-born group built a decade-long catalogue weaving rock, hip-hop, and Greek traditional song into one voice, anchored by Vasilis Fotias's lyrics and Mitsofou's verses. New material is taking shape ahead of the show, framed as the next stretch of what the band calls koinos dromos — the common road.\n\nDoors 20:30. Accessible by metro at Kerameikos, Technopolis a short walk down Pireos; tickets through more.com. A 10-year anniversary show Koinoi Thnitoi are treating as a beginning, not a closing.\n\n<!-- timeliness-expires: 2026-06-27 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-27",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Rock",
        "Hip-hop",
        "Greek-Traditional",
        "Open-air",
        "Industrial-chic",
        "Concert-format",
        "Metro-accessible",
        "Greek-locals",
        "Mixed-ages"
      ],
      "venue": {
        "name": "Τεχνόπολη",
        "address": "Πειραιώς 100 & Περσεφόνης",
        "neighborhood": "Gazi / Keramikos",
        "coordinates": {
          "lat": 37.978226,
          "lon": 23.713648
        },
        "capacity": null,
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      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€15"
      },
      "url": "https://www.more.com/gr-el/tickets/music/10-xronia-koinoi-thnitoi/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/10-xronia-koinoi-thnitoi/",
      "ticketUrlStatus": "generated",
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      "source": "more.com",
      "createdAt": "2026-02-10 10:38:06",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "20:30",
      "timeSource": "scraped_listing",
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      "id": "4fe49f93dee73250",
      "title": "Burger Project & Φίλοι – Πάρτι στον κήπο του Μεγάρου – Volume 4",
      "description": "",
      "fullDescription": "At 18:00 the Megaron garden opens with a Bobos DJ set, the audience filing in across the lawn behind the concert hall as the late-June light eases. Burger Project takes the open-air stage at 19:00 for the headline set, and Bobos returns from 20:30 to carry the night until 22:00. This is the fourth consecutive year the band has played the garden — Volume 4 of a format Megaron and Mellow Productions co-produced from the start.\n\nThe \"& Friends\" billing carries the weight this year. Three featured collaborators rotate through the set: Iliana Tsapatsari, lead voice of the Manouche-jazz band Gadjo Dilo, joins Burger Project for a vocal set; Billy the Kid (Vasilis Panagiotopoulos) brings trombone into the live arrangement; Space Cowboy (Christos Petevis) lays violin lines across the band's setlist. Each guest extends the band's instrumentation in a different direction, and the live show is built around them rather than slotting them in as walk-on features. Bobos Arts Festival is credited as a supporting partner.\n\nThe crowd is the broader Megaron summer-programme mix rather than the indoor-hall audience: families with older children, couples coming from the office, twenty-somethings who treat the €12 ticket as a discovery night. Less formal than the indoor Megaron programme, more curated than the city's free festival lawns — the people in attendance specifically chose this over the alternatives.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Open-air garden of Megaro Mousikis Athinon, lawn seating |\n| Vibe | Family-friendly, late-afternoon flow into evening |\n| Sound | Greek pop layered with jazz, swing, and acoustic strings/brass |\n| Door | €12, doors 18:00, Bobos opens, Burger Project from 19:00 |\n\nThe evening runs in three movements: Bobos's opening DJ set warms the space from 18:00; Burger Project takes the stage at 19:00 with the three guests stepping in across the setlist; Bobos returns from 20:30 to carry the party until 22:00. Motor Oil is named as event sponsor. The 90-minute headline window is shorter than a full club show, which is how Burger Project paces a venue that closes at a fixed hour and shares space with the rest of the Vradies Politismou series.\n\nIf you wanted a seated formal recital with programme notes, this is the wrong door — the garden programme is built for movement and casual seating. But if you want to hear Burger Project run the Volume 4 lineup with the concert hall's architecture as the backdrop, this is the format the band has refined for four summers running.\n\nMegaro Moussikis metro sits one block from the venue's main entrance; the garden is reached from inside the complex, with signage pointing the way once you're past the main doors. Vassilissis Sofias is the natural walking approach from Syntagma. Tickets sell through the Megaron box office and ticketservices.gr; arrive before 19:00 to catch the Bobos opening, which is built into the €12 price rather than billed separately.\n\nFourth volume, three featured guests, one outdoor stage that closes with the summer.\n\n<!-- timeliness-expires: 2026-06-27 -->",
      "fullDescriptionEn": "At 18:00 the Megaron garden opens with a Bobos DJ set, the audience filing in across the lawn behind the concert hall as the late-June light eases. Burger Project takes the open-air stage at 19:00 for the headline set, and Bobos returns from 20:30 to carry the night until 22:00. This is the fourth consecutive year the band has played the garden — Volume 4 of a format Megaron and Mellow Productions co-produced from the start.\n\nThe \"& Friends\" billing carries the weight this year. Three featured collaborators rotate through the set: Iliana Tsapatsari, lead voice of the Manouche-jazz band Gadjo Dilo, joins Burger Project for a vocal set; Billy the Kid (Vasilis Panagiotopoulos) brings trombone into the live arrangement; Space Cowboy (Christos Petevis) lays violin lines across the band's setlist. Each guest extends the band's instrumentation in a different direction, and the live show is built around them rather than slotting them in as walk-on features. Bobos Arts Festival is credited as a supporting partner.\n\nThe crowd is the broader Megaron summer-programme mix rather than the indoor-hall audience: families with older children, couples coming from the office, twenty-somethings who treat the €12 ticket as a discovery night. Less formal than the indoor Megaron programme, more curated than the city's free festival lawns — the people in attendance specifically chose this over the alternatives.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Open-air garden of Megaro Mousikis Athinon, lawn seating |\n| Vibe | Family-friendly, late-afternoon flow into evening |\n| Sound | Greek pop layered with jazz, swing, and acoustic strings/brass |\n| Door | €12, doors 18:00, Bobos opens, Burger Project from 19:00 |\n\nThe evening runs in three movements: Bobos's opening DJ set warms the space from 18:00; Burger Project takes the stage at 19:00 with the three guests stepping in across the setlist; Bobos returns from 20:30 to carry the party until 22:00. Motor Oil is named as event sponsor. The 90-minute headline window is shorter than a full club show, which is how Burger Project paces a venue that closes at a fixed hour and shares space with the rest of the Vradies Politismou series.\n\nIf you wanted a seated formal recital with programme notes, this is the wrong door — the garden programme is built for movement and casual seating. But if you want to hear Burger Project run the Volume 4 lineup with the concert hall's architecture as the backdrop, this is the format the band has refined for four summers running.\n\nMegaro Moussikis metro sits one block from the venue's main entrance; the garden is reached from inside the complex, with signage pointing the way once you're past the main doors. Vassilissis Sofias is the natural walking approach from Syntagma. Tickets sell through the Megaron box office and ticketservices.gr; arrive before 19:00 to catch the Bobos opening, which is built into the €12 price rather than billed separately.\n\nFourth volume, three featured guests, one outdoor stage that closes with the summer.\n\n<!-- timeliness-expires: 2026-06-27 -->",
      "fullDescriptionGr": "At 18:00 the Megaron garden opens with a Bobos DJ set, the audience filing in across the lawn behind the concert hall as the late-June light eases. Burger Project takes the open-air stage at 19:00 for the headline set, and Bobos returns from 20:30 to carry the night until 22:00. This is the fourth consecutive year the band has played the garden — Volume 4 of a format Megaron and Mellow Productions co-produced from the start.\n\nThe \"& Friends\" billing carries the weight this year. Three featured collaborators rotate through the set: Iliana Tsapatsari, lead voice of the Manouche-jazz band Gadjo Dilo, joins Burger Project for a vocal set; Billy the Kid (Vasilis Panagiotopoulos) brings trombone into the live arrangement; Space Cowboy (Christos Petevis) lays violin lines across the band's setlist. Each guest extends the band's instrumentation in a different direction, and the live show is built around them rather than slotting them in as walk-on features. Bobos Arts Festival is credited as a supporting partner.\n\nThe crowd is the broader Megaron summer-programme mix rather than the indoor-hall audience: families with older children, couples coming from the office, twenty-somethings who treat the €12 ticket as a discovery night. Less formal than the indoor Megaron programme, more curated than the city's free festival lawns — the people in attendance specifically chose this over the alternatives.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Open-air garden of Megaro Mousikis Athinon, lawn seating |\n| Vibe | Family-friendly, late-afternoon flow into evening |\n| Sound | Greek pop layered with jazz, swing, and acoustic strings/brass |\n| Door | €12, doors 18:00, Bobos opens, Burger Project from 19:00 |\n\nThe evening runs in three movements: Bobos's opening DJ set warms the space from 18:00; Burger Project takes the stage at 19:00 with the three guests stepping in across the setlist; Bobos returns from 20:30 to carry the party until 22:00. Motor Oil is named as event sponsor. The 90-minute headline window is shorter than a full club show, which is how Burger Project paces a venue that closes at a fixed hour and shares space with the rest of the Vradies Politismou series.\n\nIf you wanted a seated formal recital with programme notes, this is the wrong door — the garden programme is built for movement and casual seating. But if you want to hear Burger Project run the Volume 4 lineup with the concert hall's architecture as the backdrop, this is the format the band has refined for four summers running.\n\nMegaro Moussikis metro sits one block from the venue's main entrance; the garden is reached from inside the complex, with signage pointing the way once you're past the main doors. Vassilissis Sofias is the natural walking approach from Syntagma. Tickets sell through the Megaron box office and ticketservices.gr; arrive before 19:00 to catch the Bobos opening, which is built into the €12 price rather than billed separately.\n\nFourth volume, three featured guests, one outdoor stage that closes with the summer.\n\n<!-- timeliness-expires: 2026-06-27 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-27T20:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "Classical",
        "Concert"
      ],
      "tags": [
        "Live-band",
        "World",
        "Mediterranean-Fusion",
        "Garden",
        "Open-air",
        "Mixed-ages",
        "Metro-accessible",
        "Concert-format",
        "Greek-locals"
      ],
      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21",
        "neighborhood": "Ilisia",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.757
        },
        "capacity": null,
        "website": "https://www.megaron.gr",
        "sameAs": [
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      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€15-80"
      },
      "url": "https://www.megaron.gr/event/burger-project-filoiparti-ston-kipo-tou-megarou-volume-4/",
      "ticketUrl": "https://www.megaron.gr/event/burger-project-filoiparti-ston-kipo-tou-megarou-volume-4/",
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      "createdAt": "2026-05-07 05:07:45",
      "updatedAt": "2026-06-04 05:07:01",
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      "timeDoors": "20:30",
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    {
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      "@type": "MusicEvent",
      "id": "dd332d8982524342",
      "title": "Πάνος Βλάχος",
      "description": "",
      "fullDescription": "**Πάνος Βλάχος** returns to the **Τεχνόπολη** stage on Monday 29 June 2026 at 21:00 — the Greek actor-singer's second summer running at the Gazi cultural complex, this time anchored to his latest album «Πληγή Έμπνευσης» (*Wound of Inspiration*), with earlier songs and unreleased material woven through.\n\nA live band frames Vlachos's set: keyboards, electric guitar, winds, violin, bass, drums, and backing vocals, coordinated by Imaginart. Doors 19:30, set 21:00. Tickets EUR 15.\n\nΤεχνόπολη occupies the former Athens gasworks in Gazi, accessible by metro from Kerameikos — a multi-stage industrial complex programmed by the Municipality through the summer. Vlachos's date sits inside the Athens City Festival run.\n\n<!-- timeliness-expires: 2026-09-30 -->",
      "fullDescriptionEn": "**Πάνος Βλάχος** returns to the **Τεχνόπολη** stage on Monday 29 June 2026 at 21:00 — the Greek actor-singer's second summer running at the Gazi cultural complex, this time anchored to his latest album «Πληγή Έμπνευσης» (*Wound of Inspiration*), with earlier songs and unreleased material woven through.\n\nA live band frames Vlachos's set: keyboards, electric guitar, winds, violin, bass, drums, and backing vocals, coordinated by Imaginart. Doors 19:30, set 21:00. Tickets EUR 15.\n\nΤεχνόπολη occupies the former Athens gasworks in Gazi, accessible by metro from Kerameikos — a multi-stage industrial complex programmed by the Municipality through the summer. Vlachos's date sits inside the Athens City Festival run.\n\n<!-- timeliness-expires: 2026-09-30 -->",
      "fullDescriptionGr": "**Πάνος Βλάχος** returns to the **Τεχνόπολη** stage on Monday 29 June 2026 at 21:00 — the Greek actor-singer's second summer running at the Gazi cultural complex, this time anchored to his latest album «Πληγή Έμπνευσης» (*Wound of Inspiration*), with earlier songs and unreleased material woven through.\n\nA live band frames Vlachos's set: keyboards, electric guitar, winds, violin, bass, drums, and backing vocals, coordinated by Imaginart. Doors 19:30, set 21:00. Tickets EUR 15.\n\nΤεχνόπολη occupies the former Athens gasworks in Gazi, accessible by metro from Kerameikos — a multi-stage industrial complex programmed by the Municipality through the summer. Vlachos's date sits inside the Athens City Festival run.\n\n<!-- timeliness-expires: 2026-09-30 -->",
      "hasNativeGreek": false,
      "startDate": "2026-06-29T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Entechno",
        "Greek-singer-songwriter",
        "Live-band",
        "Industrial-chic",
        "Outdoor",
        "Greek-locals",
        "Mixed-ages",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Τεχνόπολη",
        "address": "Pireos 100, Athina 118 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.978226,
          "lon": 23.713648
        },
        "capacity": null,
        "sameAs": [
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          "https://en.wikipedia.org/wiki/Technopolis_(Gazi)"
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      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€15"
      },
      "url": "https://www.more.com/gr-el/tickets/music/panos-blaxos-texnopoli-dimou-athinaion-2/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/panos-blaxos-texnopoli-dimou-athinaion-2/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
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      "createdAt": "2026-04-27 09:57:56",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "21:00",
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      "@type": "MusicEvent",
      "id": "ee535f4ab67b8986",
      "title": "BETH HART",
      "description": "",
      "fullDescription": "Beth Hart performs at Lycabettus Theater in Athens on July 1, 2026. The American singer brings her powerful voice and emotionally intense performances to one of the world's most spectacular outdoor venues.\n\nBeth Hart's voice combines blues, soul, and rock influences into performances of extraordinary emotional power. Her raw intensity and technical mastery have earned devoted following worldwide.\n\nLycabettus Theater's setting atop the Athens hill creates magical conditions for summer concerts. The venue's open-air acoustics and city views enhance any performance.\n\nThis concert offers powerful blues-rock vocals at Athens' legendary hilltop amphitheater. Beth Hart at Lycabettus represents essential summer programming.",
      "fullDescriptionEn": "Beth Hart performs at Lycabettus Theater in Athens on July 1, 2026. The American singer brings her powerful voice and emotionally intense performances to one of the world's most spectacular outdoor venues.\n\nBeth Hart's voice combines blues, soul, and rock influences into performances of extraordinary emotional power. Her raw intensity and technical mastery have earned devoted following worldwide.\n\nLycabettus Theater's setting atop the Athens hill creates magical conditions for summer concerts. The venue's open-air acoustics and city views enhance any performance.\n\nThis concert offers powerful blues-rock vocals at Athens' legendary hilltop amphitheater. Beth Hart at Lycabettus represents essential summer programming.",
      "fullDescriptionGr": "Beth Hart performs at Lycabettus Theater in Athens on July 1, 2026. The American singer brings her powerful voice and emotionally intense performances to one of the world's most spectacular outdoor venues.\n\nBeth Hart's voice combines blues, soul, and rock influences into performances of extraordinary emotional power. Her raw intensity and technical mastery have earned devoted following worldwide.\n\nLycabettus Theater's setting atop the Athens hill creates magical conditions for summer concerts. The venue's open-air acoustics and city views enhance any performance.\n\nThis concert offers powerful blues-rock vocals at Athens' legendary hilltop amphitheater. Beth Hart at Lycabettus represents essential summer programming.",
      "hasNativeGreek": false,
      "startDate": "2026-07-01",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Δημοτικό Θέατρο Λυκαβηττού",
        "address": "Lycabettus Hill, Athens 114 71",
        "neighborhood": "Lycabettus Hill",
        "coordinates": {
          "lat": 37.984,
          "lon": 23.7471
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 45,
        "currency": "EUR",
        "range": "€45 - €65"
      },
      "url": "https://www.ticketservices.gr/event/13582/",
      "ticketUrl": "https://www.ticketservices.gr/event/13582/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "ticketservices",
      "createdAt": "2026-01-26 13:11:15",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/main/main4_57224_front.jpg",
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      "@type": "MusicEvent",
      "id": "40948c023a05ab68",
      "title": "Φιλαρμονική της Βιέννης: Augustin Hadelich – Gautier Capuçon – Christian Thielemann – Προβολή Unitel",
      "description": "",
      "fullDescription": "The screen lights up in the Megaron Garden at 20:30, and the Vienna Philharmonic enters the frame in Unitel's high-resolution capture: Christian Thielemann on the rostrum, Augustin Hadelich and Gautier Capuçon stepping forward for Brahms's Double Concerto in A minor. It is not a live performance. It is a cinema event — part of the Unitel film series that the Megaron programmes outdoors when its halls go dark for summer.\n\nThe Vienna Philharmonic is a name the Megaron audience knows from past live engagements, and the Unitel production trades the in-person experience for studio-grade audio and multi-camera detail, treating the recording as an artefact in its own right. Thielemann's Brahms is among the readings the German conductor is most identified with — weighted strings, controlled tempi, an old-school heft in the bass. Hadelich and Capuçon represent the current generation: an American violinist with a Grammy in his cabinet and a French cellist who has been a fixture on European stages since his teens. Brahms wrote the Double Concerto as a reconciliation with his estranged friend Joseph Joachim — violin and cello in dialogue rather than solo rivalry.\n\nThe Garden draws a specific crowd. Classical season-ticket holders who refuse to leave Athens entirely in July, conservatory students who treat the screenings as ear-training, and curious civilians for whom open admission and electronic reservation make this the easiest way into a Vienna Philharmonic evening. Conversation drops when the screen lights up and resumes briefly between movements.\n\n| Aspect | Detail |\n|--------|--------|\n| Setting | Megaron Garden, open-air screen |\n| Vibe | Concentrated, summer-festival hush |\n| Sound | Unitel recording over the Garden PA |\n| Door | Open admission, electronic reservation required |\n\nThe programme runs as a complete Brahms evening: the Double Concerto, the Hungarian Dance No. 5 as palate cleanser, then the Symphony No. 4 in E minor — the composer's last symphony and arguably his most architecturally rigorous, the famous passacaglia in the finale built over a borrowed Bach figure.\n\nIf you wanted a live Vienna Philharmonic in Athens, this is not it. But if you want three mature Brahms works at concert volume in the garden of the country's flagship hall, no paid ticket, and an audience that takes the programme seriously, this is the answer.\n\nReservation runs through webtics.megaron.gr — claim a seat in advance, as Garden capacity is limited. The Garden sits behind the main Concert Hall, accessible by metro to Megaro Moussikis. Bring a layer; the garden cools quickly after sunset.\n\nOpen admission, Brahms in your ears, and the Athens summer sky above — scarce in every way that matters.\n\n<!-- timeliness-expires: 2026-07-02 -->",
      "fullDescriptionEn": "The screen lights up in the Megaron Garden at 20:30, and the Vienna Philharmonic enters the frame in Unitel's high-resolution capture: Christian Thielemann on the rostrum, Augustin Hadelich and Gautier Capuçon stepping forward for Brahms's Double Concerto in A minor. It is not a live performance. It is a cinema event — part of the Unitel film series that the Megaron programmes outdoors when its halls go dark for summer.\n\nThe Vienna Philharmonic is a name the Megaron audience knows from past live engagements, and the Unitel production trades the in-person experience for studio-grade audio and multi-camera detail, treating the recording as an artefact in its own right. Thielemann's Brahms is among the readings the German conductor is most identified with — weighted strings, controlled tempi, an old-school heft in the bass. Hadelich and Capuçon represent the current generation: an American violinist with a Grammy in his cabinet and a French cellist who has been a fixture on European stages since his teens. Brahms wrote the Double Concerto as a reconciliation with his estranged friend Joseph Joachim — violin and cello in dialogue rather than solo rivalry.\n\nThe Garden draws a specific crowd. Classical season-ticket holders who refuse to leave Athens entirely in July, conservatory students who treat the screenings as ear-training, and curious civilians for whom open admission and electronic reservation make this the easiest way into a Vienna Philharmonic evening. Conversation drops when the screen lights up and resumes briefly between movements.\n\n| Aspect | Detail |\n|--------|--------|\n| Setting | Megaron Garden, open-air screen |\n| Vibe | Concentrated, summer-festival hush |\n| Sound | Unitel recording over the Garden PA |\n| Door | Open admission, electronic reservation required |\n\nThe programme runs as a complete Brahms evening: the Double Concerto, the Hungarian Dance No. 5 as palate cleanser, then the Symphony No. 4 in E minor — the composer's last symphony and arguably his most architecturally rigorous, the famous passacaglia in the finale built over a borrowed Bach figure.\n\nIf you wanted a live Vienna Philharmonic in Athens, this is not it. But if you want three mature Brahms works at concert volume in the garden of the country's flagship hall, no paid ticket, and an audience that takes the programme seriously, this is the answer.\n\nReservation runs through webtics.megaron.gr — claim a seat in advance, as Garden capacity is limited. The Garden sits behind the main Concert Hall, accessible by metro to Megaro Moussikis. Bring a layer; the garden cools quickly after sunset.\n\nOpen admission, Brahms in your ears, and the Athens summer sky above — scarce in every way that matters.\n\n<!-- timeliness-expires: 2026-07-02 -->",
      "fullDescriptionGr": "The screen lights up in the Megaron Garden at 20:30, and the Vienna Philharmonic enters the frame in Unitel's high-resolution capture: Christian Thielemann on the rostrum, Augustin Hadelich and Gautier Capuçon stepping forward for Brahms's Double Concerto in A minor. It is not a live performance. It is a cinema event — part of the Unitel film series that the Megaron programmes outdoors when its halls go dark for summer.\n\nThe Vienna Philharmonic is a name the Megaron audience knows from past live engagements, and the Unitel production trades the in-person experience for studio-grade audio and multi-camera detail, treating the recording as an artefact in its own right. Thielemann's Brahms is among the readings the German conductor is most identified with — weighted strings, controlled tempi, an old-school heft in the bass. Hadelich and Capuçon represent the current generation: an American violinist with a Grammy in his cabinet and a French cellist who has been a fixture on European stages since his teens. Brahms wrote the Double Concerto as a reconciliation with his estranged friend Joseph Joachim — violin and cello in dialogue rather than solo rivalry.\n\nThe Garden draws a specific crowd. Classical season-ticket holders who refuse to leave Athens entirely in July, conservatory students who treat the screenings as ear-training, and curious civilians for whom open admission and electronic reservation make this the easiest way into a Vienna Philharmonic evening. Conversation drops when the screen lights up and resumes briefly between movements.\n\n| Aspect | Detail |\n|--------|--------|\n| Setting | Megaron Garden, open-air screen |\n| Vibe | Concentrated, summer-festival hush |\n| Sound | Unitel recording over the Garden PA |\n| Door | Open admission, electronic reservation required |\n\nThe programme runs as a complete Brahms evening: the Double Concerto, the Hungarian Dance No. 5 as palate cleanser, then the Symphony No. 4 in E minor — the composer's last symphony and arguably his most architecturally rigorous, the famous passacaglia in the finale built over a borrowed Bach figure.\n\nIf you wanted a live Vienna Philharmonic in Athens, this is not it. But if you want three mature Brahms works at concert volume in the garden of the country's flagship hall, no paid ticket, and an audience that takes the programme seriously, this is the answer.\n\nReservation runs through webtics.megaron.gr — claim a seat in advance, as Garden capacity is limited. The Garden sits behind the main Concert Hall, accessible by metro to Megaro Moussikis. Bring a layer; the garden cools quickly after sunset.\n\nOpen admission, Brahms in your ears, and the Athens summer sky above — scarce in every way that matters.\n\n<!-- timeliness-expires: 2026-07-02 -->",
      "hasNativeGreek": false,
      "startDate": "2026-07-02T20:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "classical"
      ],
      "tags": [],
      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": "Βασιλίσσης Σοφίας & Κόκκαλη",
        "neighborhood": "Kolonaki",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.757
        },
        "capacity": null,
        "website": "https://www.megaron.gr",
        "sameAs": [
          "https://www.wikidata.org/wiki/Q582203",
          "https://en.wikipedia.org/wiki/Athens_Concert_Hall"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€15-80"
      },
      "url": "https://www.megaron.gr/event/filarmoniki-tis-viennis-augustin-hadelich-gautier-capucon-christian-thielemann-provoli-unitel/",
      "ticketUrl": "https://www.megaron.gr/event/filarmoniki-tis-viennis-augustin-hadelich-gautier-capucon-christian-thielemann-provoli-unitel/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "megaron.gr",
      "createdAt": "2026-05-07T05:00:15.683Z",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "imageUrl": "https://www.megaron.gr/wp-content/uploads/2026/04/Kipos-2026-Unitel-WIENER-PHILHARMONIKER.jpg",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "b5ede6b2b6c8cee9",
      "title": "Λόγος Τιμής live στην Αθήνα",
      "description": "4 Ιουλιου Λόγος Τιμής live στην Αθήνα ΟΑΚΑ",
      "fullDescription": "The beat arrives as a statement—not tentative, not asking permission. Λόγος Τιμής (Logos Timi) takes the OAKA stage, and Athens becomes a space where Greek hip-hop stops being regional and becomes the only language that matters. The amplification carries lyrics in Greek that carry the accumulated weight of a decade of proving that hip-hop belongs in Greece not because Americans invented it, but because Greeks understand what it means to speak truth to power.\n\nΛόγος Τιμής represents the maturation of Greek hip-hop from underground phenomenon to legitimate cultural force. The artist (working name Τιμής) emerged through the Athens rap scene in the mid-2010s, eventually building a catalog that blends personal narrative with social observation, speaking to economic collapse, identity, and survival with a specificity that only comes from lived experience. Albums like *Εν Λευκώ* brought mainstream attention while maintaining underground credibility—a rare balance.\n\nThe OAKA crowd for this performance will be predominantly Greek speakers in their late twenties to forties, though the influence of Greek hip-hop has expanded internationally among diaspora communities. There's a particular energy to Greek-language hip-hop crowds: they're there to hear their reality reflected back, which creates a different kind of intensity than crowds gathered for translated international artists. People know the lyrics. Many came of age with this music.\n\nOAKA provides a large indoor arena setting—appropriate for an artist who's earned genuine mainstream status. The production here is professional; the sound system is designed for the articulation that hip-hop requires. The energy builds differently than rock concerts: there's more movement on the floor, more fluidity, less structured wave-pattern. The peak comes in the final quarter when Λόγος Τιμής moves through the songs that defined his breakthrough.\n\nIf you don't speak Greek, you'll miss the layer of wordplay and linguistic precision that makes Greek rap at this level distinctive. The experience is still available to you—rhythm, presence, energy translate—but you're experiencing the surface. But if you want to understand what happened when European hip-hop developed genuinely local contexts instead of remaining a simulation of American forms, when artists in Athens started speaking about their actual lives in the forms that seemed most true—OAKA becomes the stage for something that's already changed what music means in Greece.",
      "fullDescriptionEn": "The beat arrives as a statement—not tentative, not asking permission. Λόγος Τιμής (Logos Timi) takes the OAKA stage, and Athens becomes a space where Greek hip-hop stops being regional and becomes the only language that matters. The amplification carries lyrics in Greek that carry the accumulated weight of a decade of proving that hip-hop belongs in Greece not because Americans invented it, but because Greeks understand what it means to speak truth to power.\n\nΛόγος Τιμής represents the maturation of Greek hip-hop from underground phenomenon to legitimate cultural force. The artist (working name Τιμής) emerged through the Athens rap scene in the mid-2010s, eventually building a catalog that blends personal narrative with social observation, speaking to economic collapse, identity, and survival with a specificity that only comes from lived experience. Albums like *Εν Λευκώ* brought mainstream attention while maintaining underground credibility—a rare balance.\n\nThe OAKA crowd for this performance will be predominantly Greek speakers in their late twenties to forties, though the influence of Greek hip-hop has expanded internationally among diaspora communities. There's a particular energy to Greek-language hip-hop crowds: they're there to hear their reality reflected back, which creates a different kind of intensity than crowds gathered for translated international artists. People know the lyrics. Many came of age with this music.\n\nOAKA provides a large indoor arena setting—appropriate for an artist who's earned genuine mainstream status. The production here is professional; the sound system is designed for the articulation that hip-hop requires. The energy builds differently than rock concerts: there's more movement on the floor, more fluidity, less structured wave-pattern. The peak comes in the final quarter when Λόγος Τιμής moves through the songs that defined his breakthrough.\n\nIf you don't speak Greek, you'll miss the layer of wordplay and linguistic precision that makes Greek rap at this level distinctive. The experience is still available to you—rhythm, presence, energy translate—but you're experiencing the surface. But if you want to understand what happened when European hip-hop developed genuinely local contexts instead of remaining a simulation of American forms, when artists in Athens started speaking about their actual lives in the forms that seemed most true—OAKA becomes the stage for something that's already changed what music means in Greece.",
      "fullDescriptionGr": "The beat arrives as a statement—not tentative, not asking permission. Λόγος Τιμής (Logos Timi) takes the OAKA stage, and Athens becomes a space where Greek hip-hop stops being regional and becomes the only language that matters. The amplification carries lyrics in Greek that carry the accumulated weight of a decade of proving that hip-hop belongs in Greece not because Americans invented it, but because Greeks understand what it means to speak truth to power.\n\nΛόγος Τιμής represents the maturation of Greek hip-hop from underground phenomenon to legitimate cultural force. The artist (working name Τιμής) emerged through the Athens rap scene in the mid-2010s, eventually building a catalog that blends personal narrative with social observation, speaking to economic collapse, identity, and survival with a specificity that only comes from lived experience. Albums like *Εν Λευκώ* brought mainstream attention while maintaining underground credibility—a rare balance.\n\nThe OAKA crowd for this performance will be predominantly Greek speakers in their late twenties to forties, though the influence of Greek hip-hop has expanded internationally among diaspora communities. There's a particular energy to Greek-language hip-hop crowds: they're there to hear their reality reflected back, which creates a different kind of intensity than crowds gathered for translated international artists. People know the lyrics. Many came of age with this music.\n\nOAKA provides a large indoor arena setting—appropriate for an artist who's earned genuine mainstream status. The production here is professional; the sound system is designed for the articulation that hip-hop requires. The energy builds differently than rock concerts: there's more movement on the floor, more fluidity, less structured wave-pattern. The peak comes in the final quarter when Λόγος Τιμής moves through the songs that defined his breakthrough.\n\nIf you don't speak Greek, you'll miss the layer of wordplay and linguistic precision that makes Greek rap at this level distinctive. The experience is still available to you—rhythm, presence, energy translate—but you're experiencing the surface. But if you want to understand what happened when European hip-hop developed genuinely local contexts instead of remaining a simulation of American forms, when artists in Athens started speaking about their actual lives in the forms that seemed most true—OAKA becomes the stage for something that's already changed what music means in Greece.",
      "hasNativeGreek": false,
      "startDate": "2026-07-04T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "music"
      ],
      "tags": [],
      "venue": {
        "name": "ΟΑΚΑ",
        "address": "Νερατζιωτίσσης 217, 15122",
        "neighborhood": "Marousi",
        "coordinates": {
          "lat": 38.0386,
          "lon": 23.7858
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "από €15"
      },
      "url": "https://www.more.com/gr-el/tickets/music/ltath2025/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/ltath2025/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-01-12T21:21:44.838Z",
      "updatedAt": "2026-03-03 09:54:12",
      "language": "en",
      "timeDoors": "17:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/197896c0-565c-4538-97ca-9a88089bbc67/viva-tickets.png",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "ada150e1aead92ca",
      "title": "Monolink at Island Athens Riviera",
      "description": "",
      "fullDescription": "Monolink plays guitar, sings, and triggers samples in real time — a one-man hybrid of singer-songwriter and electronic producer. Berlin-based Steffen Linck lands at Island Athens Riviera on Sunday 5 July 2026.\n\nHis sophomore album Under Darkening Skies put the template in place — guitar chords folded into synth pads, vocals carried live over melodic-house arrangements he builds and triggers from the stage.\n\nDoors at 18:00 with Nick Jojo and Magda Kay opening — an early start that puts the main set into the sunset window at the Varkiza beach club. With-ticket via more.com. 18+. Vari sits along the southern coast; a taxi from central Athens is the standard route.\n\n<!-- timeliness-expires: 2026-07-06 -->",
      "fullDescriptionEn": "Monolink plays guitar, sings, and triggers samples in real time — a one-man hybrid of singer-songwriter and electronic producer. Berlin-based Steffen Linck lands at Island Athens Riviera on Sunday 5 July 2026.\n\nHis sophomore album Under Darkening Skies put the template in place — guitar chords folded into synth pads, vocals carried live over melodic-house arrangements he builds and triggers from the stage.\n\nDoors at 18:00 with Nick Jojo and Magda Kay opening — an early start that puts the main set into the sunset window at the Varkiza beach club. With-ticket via more.com. 18+. Vari sits along the southern coast; a taxi from central Athens is the standard route.\n\n<!-- timeliness-expires: 2026-07-06 -->",
      "fullDescriptionGr": "Monolink plays guitar, sings, and triggers samples in real time — a one-man hybrid of singer-songwriter and electronic producer. Berlin-based Steffen Linck lands at Island Athens Riviera on Sunday 5 July 2026.\n\nHis sophomore album Under Darkening Skies put the template in place — guitar chords folded into synth pads, vocals carried live over melodic-house arrangements he builds and triggers from the stage.\n\nDoors at 18:00 with Nick Jojo and Magda Kay opening — an early start that puts the main set into the sunset window at the Varkiza beach club. With-ticket via more.com. 18+. Vari sits along the southern coast; a taxi from central Athens is the standard route.\n\n<!-- timeliness-expires: 2026-07-06 -->",
      "hasNativeGreek": false,
      "startDate": "2026-07-05T18:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Electronic",
        "Melodic-techno",
        "Live-act",
        "Open-air",
        "Early-evening",
        "Concert-format",
        "Taxi-recommended",
        "Age-restricted"
      ],
      "venue": {
        "name": "Island Athens Riviera",
        "address": "3 Vasileos Georgiou A, Pl. Sintagmatos Str",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.976435,
          "lon": 23.734889
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 35,
        "currency": "EUR",
        "range": "€35"
      },
      "url": "https://www.more.com/gr-el/tickets/music/monolink-at-island-athens-riviera/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/monolink-at-island-athens-riviera/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-03-31 05:08:52",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "18:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/8519d30b-fbc6-45d9-969d-56d216ab525e/viva-tickets.png",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "e92e8127f6cfe471",
      "title": "JOSE JAMES",
      "description": "",
      "fullDescription": "José James performs at Lycabettus Theater in Athens on July 6, 2026. The American vocalist brings his sophisticated blend of jazz, neo-soul, and hip-hop to one of the world's most spectacular outdoor venues.\n\nJosé James has carved distinctive space combining jazz tradition with contemporary influences. His voice and song interpretations have earned critical acclaim and devoted following among modern jazz enthusiasts.\n\nLycabettus Theater's hilltop setting creates magical conditions for summer concerts. The venue's open-air acoustics and panoramic Athens views enhance the experience.\n\nThis concert offers contemporary jazz vocals at Athens' legendary amphitheater. José James at Lycabettus represents quality summer programming.",
      "fullDescriptionEn": "José James performs at Lycabettus Theater in Athens on July 6, 2026. The American vocalist brings his sophisticated blend of jazz, neo-soul, and hip-hop to one of the world's most spectacular outdoor venues.\n\nJosé James has carved distinctive space combining jazz tradition with contemporary influences. His voice and song interpretations have earned critical acclaim and devoted following among modern jazz enthusiasts.\n\nLycabettus Theater's hilltop setting creates magical conditions for summer concerts. The venue's open-air acoustics and panoramic Athens views enhance the experience.\n\nThis concert offers contemporary jazz vocals at Athens' legendary amphitheater. José James at Lycabettus represents quality summer programming.",
      "fullDescriptionGr": "José James performs at Lycabettus Theater in Athens on July 6, 2026. The American vocalist brings his sophisticated blend of jazz, neo-soul, and hip-hop to one of the world's most spectacular outdoor venues.\n\nJosé James has carved distinctive space combining jazz tradition with contemporary influences. His voice and song interpretations have earned critical acclaim and devoted following among modern jazz enthusiasts.\n\nLycabettus Theater's hilltop setting creates magical conditions for summer concerts. The venue's open-air acoustics and panoramic Athens views enhance the experience.\n\nThis concert offers contemporary jazz vocals at Athens' legendary amphitheater. José James at Lycabettus represents quality summer programming.",
      "hasNativeGreek": false,
      "startDate": "2026-07-06",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Δημοτικό Θέατρο Λυκαβηττού",
        "address": "Lycabettus Hill, Athens 114 71",
        "neighborhood": "Lycabettus Hill",
        "coordinates": {
          "lat": 37.984,
          "lon": 23.7471
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 30,
        "currency": "EUR",
        "range": "€30 - €55"
      },
      "url": "https://www.ticketservices.gr/event/13614/",
      "ticketUrl": "https://www.ticketservices.gr/event/13614/",
      "ticketUrlStatus": "generated",
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      "source": "ticketservices",
      "createdAt": "2026-01-26 13:11:15",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "d0ac823395c2f739",
      "title": "Release Athens 2026 / The Offspring / Bad Religion",
      "description": "7 Ιουλιου Release Athens 2026 / The Offspring / Bad Religion Πλατεια Νερου, Φαληρο",
      "fullDescription": "The opening riff carries the exact frequency your nervous system recognized at fifteen—not simulated, not recreated, but the actual sound that taught you what anger sounded like when structured as melody. The Offspring take the waterfront stage alongside Bad Religion, and suddenly punk rock stops being a genre and becomes a statement about continuity. These bands are here to prove that what they understood three decades ago still matters.\n\nThe Offspring and Bad Religion represent something distinct in punk history: bands that achieved mainstream commercial success (MTV rotation, stadium touring) without compromising the fundamental punk ethos of writing precise, urgent, technically accomplished songs. The Offspring's *Smash* (1994) and Bad Religion's *Stranger Than Fiction* (1994) both arrived in the same year, proving that punk could reach massive audiences without becoming compromise. Both bands have spent thirty years touring, recording new material, and reinforcing the principle that punk is about excellence and honesty, not about poverty and dysfunction.\n\nThe Plateia Nerou crowd here will span enormous age ranges. There will be people who first heard these songs on MTV Europe, people who bought the CDs when they were the primary format, people who arrived through streaming. There will be parents attending with teenagers. But there's a specific character to Release Athens crowds: people who understand that punk, as these bands practice it, is about precision and engagement. The energy is participatory; people know most of the words.\n\nPlateia Nerou on the waterfront creates the optimal setting for this pairing. The open-air platform allows the dual-band format to breathe; each band brings their full setup and departs completely, creating distinct sonic environments. The waterfront cools as evening progresses, which shapes the energy across the duration. The crowd tends to stabilize around each band's core songs—moments of release followed by moments of regrouping. Peak moments arrive during each band's signature tracks.\n\nIf you need contemporary innovation, you understand already that this isn't the show for you. But if you want to spend an evening with two bands that spent thirty years proving that punk rock, properly executed, is about precision as much as passion—that melody and anger aren't contradictory—the waterfront becomes the stage for a conversation about what endures.",
      "fullDescriptionEn": "The opening riff carries the exact frequency your nervous system recognized at fifteen—not simulated, not recreated, but the actual sound that taught you what anger sounded like when structured as melody. The Offspring take the waterfront stage alongside Bad Religion, and suddenly punk rock stops being a genre and becomes a statement about continuity. These bands are here to prove that what they understood three decades ago still matters.\n\nThe Offspring and Bad Religion represent something distinct in punk history: bands that achieved mainstream commercial success (MTV rotation, stadium touring) without compromising the fundamental punk ethos of writing precise, urgent, technically accomplished songs. The Offspring's *Smash* (1994) and Bad Religion's *Stranger Than Fiction* (1994) both arrived in the same year, proving that punk could reach massive audiences without becoming compromise. Both bands have spent thirty years touring, recording new material, and reinforcing the principle that punk is about excellence and honesty, not about poverty and dysfunction.\n\nThe Plateia Nerou crowd here will span enormous age ranges. There will be people who first heard these songs on MTV Europe, people who bought the CDs when they were the primary format, people who arrived through streaming. There will be parents attending with teenagers. But there's a specific character to Release Athens crowds: people who understand that punk, as these bands practice it, is about precision and engagement. The energy is participatory; people know most of the words.\n\nPlateia Nerou on the waterfront creates the optimal setting for this pairing. The open-air platform allows the dual-band format to breathe; each band brings their full setup and departs completely, creating distinct sonic environments. The waterfront cools as evening progresses, which shapes the energy across the duration. The crowd tends to stabilize around each band's core songs—moments of release followed by moments of regrouping. Peak moments arrive during each band's signature tracks.\n\nIf you need contemporary innovation, you understand already that this isn't the show for you. But if you want to spend an evening with two bands that spent thirty years proving that punk rock, properly executed, is about precision as much as passion—that melody and anger aren't contradictory—the waterfront becomes the stage for a conversation about what endures.",
      "fullDescriptionGr": "The opening riff carries the exact frequency your nervous system recognized at fifteen—not simulated, not recreated, but the actual sound that taught you what anger sounded like when structured as melody. The Offspring take the waterfront stage alongside Bad Religion, and suddenly punk rock stops being a genre and becomes a statement about continuity. These bands are here to prove that what they understood three decades ago still matters.\n\nThe Offspring and Bad Religion represent something distinct in punk history: bands that achieved mainstream commercial success (MTV rotation, stadium touring) without compromising the fundamental punk ethos of writing precise, urgent, technically accomplished songs. The Offspring's *Smash* (1994) and Bad Religion's *Stranger Than Fiction* (1994) both arrived in the same year, proving that punk could reach massive audiences without becoming compromise. Both bands have spent thirty years touring, recording new material, and reinforcing the principle that punk is about excellence and honesty, not about poverty and dysfunction.\n\nThe Plateia Nerou crowd here will span enormous age ranges. There will be people who first heard these songs on MTV Europe, people who bought the CDs when they were the primary format, people who arrived through streaming. There will be parents attending with teenagers. But there's a specific character to Release Athens crowds: people who understand that punk, as these bands practice it, is about precision and engagement. The energy is participatory; people know most of the words.\n\nPlateia Nerou on the waterfront creates the optimal setting for this pairing. The open-air platform allows the dual-band format to breathe; each band brings their full setup and departs completely, creating distinct sonic environments. The waterfront cools as evening progresses, which shapes the energy across the duration. The crowd tends to stabilize around each band's core songs—moments of release followed by moments of regrouping. Peak moments arrive during each band's iconic tracks.\n\nIf you need contemporary innovation, you understand already that this isn't the show for you. But if you want to spend an evening with two bands that spent thirty years proving that punk rock, properly executed, is about precision as much as passion—that melody and anger aren't contradictory—the waterfront becomes the stage for a conversation about what endures.",
      "hasNativeGreek": false,
      "startDate": "2026-07-07T20:00:00",
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        "name": "Πλατεία Νερού",
        "address": "Leoforos Posidonos 2616, Athens 176 74",
        "neighborhood": "Faliro / Palaio Faliro",
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      "id": "4d6e2cc09f8fb028",
      "title": "Release Athens 2026 / Sabaton / Savatage / Epica",
      "description": "10 - 25 Ιουλιου Release Athens 2026 / Sabaton / Savatage / Epica Πλατεια Νερου, Φαληρο",
      "fullDescription": "The first notes arrive as a wall—not guitar, but an architecture of sound that suggests medieval fortifications and modern studio production existing in the same moment. Sabaton takes the waterfront stage, flanked by Savatage and Epica, and suddenly the platform becomes a space where European heavy music reveals its full sophistication. These three bands represent the moment when metal stopped being a singular form and became a conversation spanning multiple approaches to precision, production, and narrative ambition.\n\nSabaton (Swedish) builds their music around historical narratives—wars, resistance, human endurance—combined with production values and technical precision that rival stadium rock. Savatage (American) emerged as one of the few bands capable of blending progressive rock structures with metal instrumentation and theatrical presentation. Epica (Dutch) incorporates orchestral arrangements, choral elements, and classical composition alongside aggressive riffing. Together, they represent European metal at its most ambitious: technically sophisticated, thematically adventurous, and unapologetically theatrical.\n\nThe Plateia Nerou crowd for this triple bill will be predominantly metal enthusiasts, but of a particular stripe: people for whom the genre's sophistication and production values matter as much as its intensity. There will be people in full costume (Sabaton and Epica especially attract this), but also serious musicians and people who've tracked these bands' evolutions for two decades. The demographic skews slightly older than typical metal crowds—these aren't emerging bands drawing primarily young audiences.\n\nThe waterfront platform creates an ideal setting for this presentation. All three bands bring full production (lighting rigs, staging, visual elements), and the open-air space allows the equipment to spread out without feeling cramped. Sabaton typically headlines, which means the energy builds systematically across the evening. The crowd remains consistently engaged; the demographic of the three bands overlaps enough that the transition between acts feels continuous rather than disjointed. Peak energy arrives during each band's core songs.\n\nIf you need stripped-down, guitar-based rock with minimal production framing, this triple bill will feel excessive—these are bands for whom studio production and theatrical staging are fundamental to how they communicate. But if you want to understand what happened when European metal musicians decided to match traditional rock production values and theatrical ambition with metal's intensity and technical sophistication—when bands started building narratives as carefully as they built riffs—the waterfront becomes the stage for something that's reshaped what heavy music can accomplish.",
      "fullDescriptionEn": "The first notes arrive as a wall—not guitar, but an architecture of sound that suggests medieval fortifications and modern studio production existing in the same moment. Sabaton takes the waterfront stage, flanked by Savatage and Epica, and suddenly the platform becomes a space where European heavy music reveals its full sophistication. These three bands represent the moment when metal stopped being a singular form and became a conversation spanning multiple approaches to precision, production, and narrative ambition.\n\nSabaton (Swedish) builds their music around historical narratives—wars, resistance, human endurance—combined with production values and technical precision that rival stadium rock. Savatage (American) emerged as one of the few bands capable of blending progressive rock structures with metal instrumentation and theatrical presentation. Epica (Dutch) incorporates orchestral arrangements, choral elements, and classical composition alongside aggressive riffing. Together, they represent European metal at its most ambitious: technically sophisticated, thematically adventurous, and unapologetically theatrical.\n\nThe Plateia Nerou crowd for this triple bill will be predominantly metal enthusiasts, but of a particular stripe: people for whom the genre's sophistication and production values matter as much as its intensity. There will be people in full costume (Sabaton and Epica especially attract this), but also serious musicians and people who've tracked these bands' evolutions for two decades. The demographic skews slightly older than typical metal crowds—these aren't emerging bands drawing primarily young audiences.\n\nThe waterfront platform creates an ideal setting for this presentation. All three bands bring full production (lighting rigs, staging, visual elements), and the open-air space allows the equipment to spread out without feeling cramped. Sabaton typically headlines, which means the energy builds systematically across the evening. The crowd remains consistently engaged; the demographic of the three bands overlaps enough that the transition between acts feels continuous rather than disjointed. Peak energy arrives during each band's core songs.\n\nIf you need stripped-down, guitar-based rock with minimal production framing, this triple bill will feel excessive—these are bands for whom studio production and theatrical staging are fundamental to how they communicate. But if you want to understand what happened when European metal musicians decided to match traditional rock production values and theatrical ambition with metal's intensity and technical sophistication—when bands started building narratives as carefully as they built riffs—the waterfront becomes the stage for something that's reshaped what heavy music can accomplish.",
      "fullDescriptionGr": "The first notes arrive as a wall—not guitar, but an architecture of sound that suggests medieval fortifications and modern studio production existing in the same moment. Sabaton takes the waterfront stage, flanked by Savatage and Epica, and suddenly the platform becomes a space where European heavy music reveals its full sophistication. These three bands represent the moment when metal stopped being a singular form and became a conversation spanning multiple approaches to precision, production, and narrative ambition.\n\nSabaton (Swedish) builds their music around historical narratives—wars, resistance, human endurance—combined with production values and technical precision that rival stadium rock. Savatage (American) emerged as one of the few bands capable of blending progressive rock structures with metal instrumentation and theatrical presentation. Epica (Dutch) incorporates orchestral arrangements, choral elements, and classical composition alongside aggressive riffing. Together, they represent European metal at its most ambitious: technically sophisticated, thematically adventurous, and unapologetically theatrical.\n\nThe Plateia Nerou crowd for this triple bill will be predominantly metal enthusiasts, but of a particular stripe: people for whom the genre's sophistication and production values matter as much as its intensity. There will be people in full costume (Sabaton and Epica especially attract this), but also serious musicians and people who've tracked these bands' evolutions for two decades. The demographic skews slightly older than typical metal crowds—these aren't emerging bands drawing primarily young audiences.\n\nThe waterfront platform creates an ideal setting for this presentation. All three bands bring full production (lighting rigs, staging, visual elements), and the open-air space allows the equipment to spread out without feeling cramped. Sabaton typically headlines, which means the energy builds systematically across the evening. The crowd remains consistently engaged; the demographic of the three bands overlaps enough that the transition between acts feels continuous rather than disjointed. Peak energy arrives during each band's core songs.\n\nIf you need stripped-down, guitar-based rock with minimal production framing, this triple bill will feel excessive—these are bands for whom studio production and theatrical staging are fundamental to how they communicate. But if you want to understand what happened when European metal musicians decided to match traditional rock production values and theatrical ambition with metal's intensity and technical sophistication—when bands started building narratives as carefully as they built riffs—the waterfront becomes the stage for something that's reshaped what heavy music can accomplish.",
      "hasNativeGreek": false,
      "startDate": "2026-07-10T20:00:00",
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        "name": "Πλατεία Νερού",
        "address": "Leoforos Posidonos 2616, Athens 176 74",
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      "title": "Release Athens 2026 / Helloween, Saxon & more",
      "description": "10 Ιουλιου Release Athens 2026 / Helloween, Saxon & more Πλατεια Νερου, Φαληρο",
      "fullDescription": "The opening riff carries the weight of German metal history—not the brutality of Teutonic origins, but the precision and musicianship that German bands brought to heavy music in the 1980s. Helloween takes the waterfront stage, followed by Saxon, and suddenly you're in the presence of bands that wrote the template for what European metal could become when it decided to prioritize technical mastery as fiercely as aggression.\n\nHelloween emerged from Hamburg in 1984 and essentially defined power metal: a fusion of New Wave of British Heavy Metal (NWOBHM) precision with German technical sophistication and production values. Vocalist Michael Kiske's soaring, technically demanding vocal style became the blueprint for an entire subgenre. Saxon, from England, pioneered the N.W.O.B.H.M. itself alongside Iron Maiden and Judas Priest—bands that understood that melody and aggression could coexist. Together, they represent two founding traditions of modern metal.\n\nThe Release Athens crowd gathering here will be predominantly metal enthusiasts who've tracked these bands' work across decades. There's a seriousness to this audience; the average age of the crowd skews higher than typical metal shows. These are people who own the classic albums, who understand that Helloween's *Keeper of the Seven Keys* and Saxon's *Strong Arm of the Law* represent foundational texts in the genre. The energy is knowledgeable and engaged.\n\nPlateia Nerou provides the ideal stage for this presentation. Both bands bring full production setups; the waterfront setting allows for substantial staging without feeling cramped. Helloween typically headlines, which means the energy builds across the evening. The crowd flows toward and away from the stage according to the intensity of the current performance. Peak moments arrive during each band's signature songs—moments that exist in metal's collective memory.\n\nIf you're seeking innovation or contemporary reinterpretation, you understand this is historical documentation rather than experimentation. But if you want to spend an evening understanding what happened when German precision and English aggression merged in the 1980s, when metal learned to balance technical sophistication with accessibility—when these bands proved that the loudest music could also be the most carefully constructed—the waterfront becomes the stage for something that reshaped what heavy music could accomplish.",
      "fullDescriptionEn": "The opening riff carries the weight of German metal history—not the brutality of Teutonic origins, but the precision and musicianship that German bands brought to heavy music in the 1980s. Helloween takes the waterfront stage, followed by Saxon, and suddenly you're in the presence of bands that wrote the template for what European metal could become when it decided to prioritize technical mastery as fiercely as aggression.\n\nHelloween emerged from Hamburg in 1984 and essentially defined power metal: a fusion of New Wave of British Heavy Metal (NWOBHM) precision with German technical sophistication and production values. Vocalist Michael Kiske's soaring, technically demanding vocal style became the blueprint for an entire subgenre. Saxon, from England, pioneered the N.W.O.B.H.M. itself alongside Iron Maiden and Judas Priest—bands that understood that melody and aggression could coexist. Together, they represent two founding traditions of modern metal.\n\nThe Release Athens crowd gathering here will be predominantly metal enthusiasts who've tracked these bands' work across decades. There's a seriousness to this audience; the average age of the crowd skews higher than typical metal shows. These are people who own the classic albums, who understand that Helloween's *Keeper of the Seven Keys* and Saxon's *Strong Arm of the Law* represent foundational texts in the genre. The energy is knowledgeable and engaged.\n\nPlateia Nerou provides the ideal stage for this presentation. Both bands bring full production setups; the waterfront setting allows for substantial staging without feeling cramped. Helloween typically headlines, which means the energy builds across the evening. The crowd flows toward and away from the stage according to the intensity of the current performance. Peak moments arrive during each band's signature songs—moments that exist in metal's collective memory.\n\nIf you're seeking innovation or contemporary reinterpretation, you understand this is historical documentation rather than experimentation. But if you want to spend an evening understanding what happened when German precision and English aggression merged in the 1980s, when metal learned to balance technical sophistication with accessibility—when these bands proved that the loudest music could also be the most carefully constructed—the waterfront becomes the stage for something that reshaped what heavy music could accomplish.",
      "fullDescriptionGr": "The opening riff carries the weight of German metal history—not the brutality of Teutonic origins, but the precision and musicianship that German bands brought to heavy music in the 1980s. Helloween takes the waterfront stage, followed by Saxon, and suddenly you're in the presence of bands that wrote the template for what European metal could become when it decided to prioritize technical mastery as fiercely as aggression.\n\nHelloween emerged from Hamburg in 1984 and essentially defined power metal: a fusion of New Wave of British Heavy Metal (NWOBHM) precision with German technical sophistication and production values. Vocalist Michael Kiske's soaring, technically demanding vocal style became the blueprint for an entire subgenre. Saxon, from England, pioneered the N.W.O.B.H.M. itself alongside Iron Maiden and Judas Priest—bands that understood that melody and aggression could coexist. Together, they represent two founding traditions of modern metal.\n\nThe Release Athens crowd gathering here will be predominantly metal enthusiasts who've tracked these bands' work across decades. There's a seriousness to this audience; the average age of the crowd skews higher than typical metal shows. These are people who own the classic albums, who understand that Helloween's *Keeper of the Seven Keys* and Saxon's *Strong Arm of the Law* represent foundational texts in the genre. The energy is knowledgeable and engaged.\n\nPlateia Nerou provides the ideal stage for this presentation. Both bands bring full production setups; the waterfront setting allows for substantial staging without feeling cramped. Helloween typically headlines, which means the energy builds across the evening. The crowd flows toward and away from the stage according to the intensity of the current performance. Peak moments arrive during each band's signature songs—moments that exist in metal's collective memory.\n\nIf you're seeking innovation or contemporary reinterpretation, you understand this is historical documentation rather than experimentation. But if you want to spend an evening understanding what happened when German precision and English aggression merged in the 1980s, when metal learned to balance technical sophistication with accessibility—when these bands proved that the loudest music could also be the most carefully constructed—the waterfront becomes the stage for something that reshaped what heavy music could accomplish.",
      "hasNativeGreek": false,
      "startDate": "2026-07-10T20:00:00",
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      "id": "726c2c344a9d289d",
      "title": "The Storyville Ragtimers: Α tribute to Louis Armstrong «What a Wonderful World»",
      "description": "",
      "fullDescription": "The Storyville Ragtimers founded in Athens in 2015, named for the New Orleans red-light district where jazz first took commercial form between Buddy Bolden and the 1917 closure that scattered the players up the Mississippi. On Friday 10 July 2026 at 20:30, the ensemble takes the Megaron Garden with a tribute to Louis Armstrong — tracing his arc from the Hot Five recordings of the 1920s through to the 1967 chart standard that gave the show its title.\n\nThe ensemble's influences run through King Oliver — Armstrong's mentor in the Chicago years — alongside Jelly Roll Morton, Bix Beiderbecke, Eddie Lang, Sidney Bechet, Fats Waller, and the Original Dixieland Jazz Band, the New Orleans group that cut the first commercial jazz record in 1917. The Storyville Ragtimers have built a decade of work around the pre-swing repertoire, performing across the Athens jazz circuit and Greek summer festivals. The 10 July date is a co-production between Megaron Athens and Mellow Productions, programmed inside the venue's open-air summer series alongside opera screenings and chamber bookings.\n\nA Storyville Ragtimers night at the Megaron Garden draws three audiences in roughly equal share: jazz listeners who know the difference between King Oliver and Bix Beiderbecke, older Greeks for whom Armstrong's 1965 Athens visit is living memory, and walk-in audiences pulled in by the garden's open-air summer programming.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Megaron Garden, open-air evening |\n| Vibe | Pre-swing jazz, ensemble-forward |\n| Sound | Trumpet, clarinet, banjo, piano, double bass — acoustic instrument core |\n| Door | Single-night co-production with Mellow Productions |\n\nThe setlist concept moves chronologically through Armstrong's evolution: the Hot Five recordings that built the small-group jazz vocabulary, the swing-era big-band material, the All Stars combo that toured for thirty years, and the late-career standards that put Armstrong on the pop charts in the 1960s. The Storyville Ragtimers play the material on period instrumentation and pre-1940s arrangements rather than smoothing it into the mid-century jazz idiom.\n\nIf you want modern jazz — Coltrane forward, Miles forward, anything post-bebop — this set lives in the music's first three decades. But if you want a New Orleans–rooted tribute to the player who put the trumpet at the centre of American popular music, the Megaron Garden booking puts that material outdoors in July.\n\nThe Megaron is directly above Megaro Moussikis metro, one stop from Syntagma. The Garden entrance opens from the main concourse — sightlines from the centre are best if you arrive by 20:00. Tickets through the Megaron box office; the co-production with Mellow Productions means full programme details surface through both partners.\n\nA ten-year Athens ensemble, the New Orleans repertoire that built the form, and the Garden booking that puts an acoustic horn section under a July sky — one night, one set, one career traced.\n\n<!-- timeliness-expires: 2026-07-10 -->",
      "fullDescriptionEn": "The Storyville Ragtimers founded in Athens in 2015, named for the New Orleans red-light district where jazz first took commercial form between Buddy Bolden and the 1917 closure that scattered the players up the Mississippi. On Friday 10 July 2026 at 20:30, the ensemble takes the Megaron Garden with a tribute to Louis Armstrong — tracing his arc from the Hot Five recordings of the 1920s through to the 1967 chart standard that gave the show its title.\n\nThe ensemble's influences run through King Oliver — Armstrong's mentor in the Chicago years — alongside Jelly Roll Morton, Bix Beiderbecke, Eddie Lang, Sidney Bechet, Fats Waller, and the Original Dixieland Jazz Band, the New Orleans group that cut the first commercial jazz record in 1917. The Storyville Ragtimers have built a decade of work around the pre-swing repertoire, performing across the Athens jazz circuit and Greek summer festivals. The 10 July date is a co-production between Megaron Athens and Mellow Productions, programmed inside the venue's open-air summer series alongside opera screenings and chamber bookings.\n\nA Storyville Ragtimers night at the Megaron Garden draws three audiences in roughly equal share: jazz listeners who know the difference between King Oliver and Bix Beiderbecke, older Greeks for whom Armstrong's 1965 Athens visit is living memory, and walk-in audiences pulled in by the garden's open-air summer programming.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Megaron Garden, open-air evening |\n| Vibe | Pre-swing jazz, ensemble-forward |\n| Sound | Trumpet, clarinet, banjo, piano, double bass — acoustic instrument core |\n| Door | Single-night co-production with Mellow Productions |\n\nThe setlist concept moves chronologically through Armstrong's evolution: the Hot Five recordings that built the small-group jazz vocabulary, the swing-era big-band material, the All Stars combo that toured for thirty years, and the late-career standards that put Armstrong on the pop charts in the 1960s. The Storyville Ragtimers play the material on period instrumentation and pre-1940s arrangements rather than smoothing it into the mid-century jazz idiom.\n\nIf you want modern jazz — Coltrane forward, Miles forward, anything post-bebop — this set lives in the music's first three decades. But if you want a New Orleans–rooted tribute to the player who put the trumpet at the centre of American popular music, the Megaron Garden booking puts that material outdoors in July.\n\nThe Megaron is directly above Megaro Moussikis metro, one stop from Syntagma. The Garden entrance opens from the main concourse — sightlines from the centre are best if you arrive by 20:00. Tickets through the Megaron box office; the co-production with Mellow Productions means full programme details surface through both partners.\n\nA ten-year Athens ensemble, the New Orleans repertoire that built the form, and the Garden booking that puts an acoustic horn section under a July sky — one night, one set, one career traced.\n\n<!-- timeliness-expires: 2026-07-10 -->",
      "fullDescriptionGr": "The Storyville Ragtimers founded in Athens in 2015, named for the New Orleans red-light district where jazz first took commercial form between Buddy Bolden and the 1917 closure that scattered the players up the Mississippi. On Friday 10 July 2026 at 20:30, the ensemble takes the Megaron Garden with a tribute to Louis Armstrong — tracing his arc from the Hot Five recordings of the 1920s through to the 1967 chart standard that gave the show its title.\n\nThe ensemble's influences run through King Oliver — Armstrong's mentor in the Chicago years — alongside Jelly Roll Morton, Bix Beiderbecke, Eddie Lang, Sidney Bechet, Fats Waller, and the Original Dixieland Jazz Band, the New Orleans group that cut the first commercial jazz record in 1917. The Storyville Ragtimers have built a decade of work around the pre-swing repertoire, performing across the Athens jazz circuit and Greek summer festivals. The 10 July date is a co-production between Megaron Athens and Mellow Productions, programmed inside the venue's open-air summer series alongside opera screenings and chamber bookings.\n\nA Storyville Ragtimers night at the Megaron Garden draws three audiences in roughly equal share: jazz listeners who know the difference between King Oliver and Bix Beiderbecke, older Greeks for whom Armstrong's 1965 Athens visit is living memory, and walk-in audiences pulled in by the garden's open-air summer programming.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Megaron Garden, open-air evening |\n| Vibe | Pre-swing jazz, ensemble-forward |\n| Sound | Trumpet, clarinet, banjo, piano, double bass — acoustic instrument core |\n| Door | Single-night co-production with Mellow Productions |\n\nThe setlist concept moves chronologically through Armstrong's evolution: the Hot Five recordings that built the small-group jazz vocabulary, the swing-era big-band material, the All Stars combo that toured for thirty years, and the late-career standards that put Armstrong on the pop charts in the 1960s. The Storyville Ragtimers play the material on period instrumentation and pre-1940s arrangements rather than smoothing it into the mid-century jazz idiom.\n\nIf you want modern jazz — Coltrane forward, Miles forward, anything post-bebop — this set lives in the music's first three decades. But if you want a New Orleans–rooted tribute to the player who put the trumpet at the centre of American popular music, the Megaron Garden booking puts that material outdoors in July.\n\nThe Megaron is directly above Megaro Moussikis metro, one stop from Syntagma. The Garden entrance opens from the main concourse — sightlines from the centre are best if you arrive by 20:00. Tickets through the Megaron box office; the co-production with Mellow Productions means full programme details surface through both partners.\n\nA ten-year Athens ensemble, the New Orleans repertoire that built the form, and the Garden booking that puts an acoustic horn section under a July sky — one night, one set, one career traced.\n\n<!-- timeliness-expires: 2026-07-10 -->",
      "hasNativeGreek": false,
      "startDate": "2026-07-10T20:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "Classical",
        "Concert"
      ],
      "tags": [
        "Jazz",
        "Garden",
        "Mixed-ages",
        "Seated",
        "Concert-format",
        "Metro-accessible",
        "Outdoor"
      ],
      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21",
        "neighborhood": "Ilisia",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.757
        },
        "capacity": null,
        "website": "https://www.megaron.gr",
        "sameAs": [
          "https://www.wikidata.org/wiki/Q582203",
          "https://en.wikipedia.org/wiki/Athens_Concert_Hall"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€15-80"
      },
      "url": "https://www.megaron.gr/event/the-storyville-ragtimers-a-tribute-to-louis-armstrong-what-a-wonderful-world/",
      "ticketUrl": "https://www.megaron.gr/event/the-storyville-ragtimers-a-tribute-to-louis-armstrong-what-a-wonderful-world/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "megaron.gr",
      "createdAt": "2026-05-07 05:07:45",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "20:30",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.megaron.gr/wp-content/uploads/2026/04/Kipos-2026-STORYVILLE_Band_3-1-1-1.jpg",
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      "permanentCollection": false,
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "307ef610d66896e7",
      "title": "Exotica Lunatica",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-07-11T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "ΠΛΥΦΑ",
        "address": "Korytsas 39, Athens 104 47",
        "neighborhood": "Votanikos",
        "coordinates": {
          "lat": 37.9773,
          "lon": 23.7013
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 12,
        "currency": "EUR",
        "range": "€12 - €15"
      },
      "url": "https://www.ticketservices.gr/event/14519/",
      "ticketUrl": "https://www.ticketservices.gr/event/14519/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "ticketservices",
      "createdAt": "2026-05-26 22:58:26",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/main/main4_62756_thumm.jpg",
      "imageSource": "backfill",
      "imageLocal": "/images/events/307ef610d66896e7.webp",
      "permanentCollection": false,
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    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "d2ed29147a821184",
      "title": "Η ΚΑΣΕΤΑ ΤΟΥ ΜΕΛΩΔΙΑ 99.2 για τον ΓΙΑΝΝΗ ΣΠΑΝΟ",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-07-12T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Δημοτικό Θέατρο Λυκαβηττού",
        "address": "Lycabettus Hill, Athens 114 71",
        "neighborhood": "Lycabettus Hill",
        "coordinates": {
          "lat": 37.984,
          "lon": 23.7471
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 20,
        "currency": "EUR",
        "range": "€20 - €40"
      },
      "url": "https://www.ticketservices.gr/event/14483/",
      "ticketUrl": "https://www.ticketservices.gr/event/14483/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "ticketservices",
      "createdAt": "2026-05-26 22:58:26",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_62659_or_KASETA_SPANOS_adaptations_flipbook.jpg",
      "imageSource": "backfill",
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      "permanentCollection": false,
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    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "af786758f955143f",
      "title": "NAΪKA live in Athens",
      "description": "",
      "fullDescription": "ECLESIA — the ancient Greek word for \"a gathering of people\" — names Naïka's debut album, and the tour built around it lands at Technopolis for her first Greek show on Sunday 12 July 2026.\n\nNaïka, the French-Haitian singer-songwriter, writes in English, French, and Haitian Creole, layering Haitian Konpa rhythms under pop and R&B vocals. Her single \"Sauce\" cleared 165 million streams; ECLESIA is the first full-length following three EPs.\n\nIf you want stadium-pop polish, this is not it. But if the appeal is an emerging global-pop voice bringing her ancient-Greek-titled debut to Athens for the first time, the 21:15 Sunday slot at the Gazi gasworks complex is the date to book. Tickets via more.com.\n\n<!-- timeliness-expires: 2026-07-13 -->",
      "fullDescriptionEn": "ECLESIA — the ancient Greek word for \"a gathering of people\" — names Naïka's debut album, and the tour built around it lands at Technopolis for her first Greek show on Sunday 12 July 2026.\n\nNaïka, the French-Haitian singer-songwriter, writes in English, French, and Haitian Creole, layering Haitian Konpa rhythms under pop and R&B vocals. Her single \"Sauce\" cleared 165 million streams; ECLESIA is the first full-length following three EPs.\n\nIf you want stadium-pop polish, this is not it. But if the appeal is an emerging global-pop voice bringing her ancient-Greek-titled debut to Athens for the first time, the 21:15 Sunday slot at the Gazi gasworks complex is the date to book. Tickets via more.com.\n\n<!-- timeliness-expires: 2026-07-13 -->",
      "fullDescriptionGr": "ECLESIA — the ancient Greek word for \"a gathering of people\" — names Naïka's debut album, and the tour built around it lands at Technopolis for her first Greek show on Sunday 12 July 2026.\n\nNaïka, the French-Haitian singer-songwriter, writes in English, French, and Haitian Creole, layering Haitian Konpa rhythms under pop and R&B vocals. Her single \"Sauce\" cleared 165 million streams; ECLESIA is the first full-length following three EPs.\n\nIf you want stadium-pop polish, this is not it. But if the appeal is an emerging global-pop voice bringing her ancient-Greek-titled debut to Athens for the first time, the 21:15 Sunday slot at the Gazi gasworks complex is the date to book. Tickets via more.com.\n\n<!-- timeliness-expires: 2026-07-13 -->",
      "hasNativeGreek": false,
      "startDate": "2026-07-12T21:15:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "World",
        "Live-band",
        "Concert-format",
        "Industrial-chic",
        "Metro-accessible",
        "Mixed-international",
        "English-language"
      ],
      "venue": {
        "name": "Τεχνόπολη",
        "address": "Pireos 100, Athina 118 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.978226,
          "lon": 23.713648
        },
        "capacity": null,
        "sameAs": [
          "https://www.wikidata.org/wiki/Q174552",
          "https://en.wikipedia.org/wiki/Technopolis_(Gazi)"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 40,
        "currency": "EUR",
        "range": "€40"
      },
      "url": "https://www.more.com/gr-el/tickets/music/naika-live-in-athens/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/naika-live-in-athens/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-04-27 09:57:56",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "21:15",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/7d9c81a6-fb6a-4289-bf36-2d49f3741e21/viva-tickets.png",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "8907fa44d97ce464",
      "title": "GODSMACK",
      "description": "23 Ιουλιου GODSMACK Δημοτικο Θεατρο Λυκαβηττου",
      "fullDescription": "The opening riff lands with physical weight—not delicate, not ambiguous, but a statement of presence delivered with the confidence of a band that's spent three decades proving they belong in the conversation. Godsmack takes the Lycabettus stage, and suddenly the hill becomes a space where groove-based heavy music reveals its power. This is a band that understands: intensity doesn't require technical display; presence doesn't require apology.\n\nGodsmack emerged from Boston in the mid-1990s as one of the few bands capable of building an entire career on groove-based metal without compromising or diluting the foundation. Lead vocalist Sully Erna's voice—distinctive, raw, committed—paired with the band's refusal to adopt trends creates a consistency that's become their calling card. Albums spanning twenty-five years prove that the groove (the pocket, the space where rhythm lives) represents the most sophisticated element of metal music. They're not innovators in the traditional sense; they're perfectionists in their specific approach.\n\nThe Lycabettus crowd for Godsmack will be predominantly metal enthusiasts who understand the band's position in the genre—valued for consistency and groove rather than innovation. The demographic skews toward people in their thirties and forties who've followed the band's entire trajectory. There's a loyalty here; these aren't casual listeners. The crowd includes dedicated fans, casual rock enthusiasts, and people who recognize Godsmack as the sound of a specific era.\n\nLycabettus Theater, positioned on the hillside with Athens visible below, creates an intimate setting despite hosting thousands. For a heavy rock band, this means the sound focuses rather than disperses; the venue's acoustic properties allow for the articulation that makes groove-based metal work. The crowd remains engaged throughout; there's less movement than at larger venues, more concentrated listening. The energy builds systematically through the set, peaking during the songs that defined the band's breakthrough.\n\nIf you need a concert built around storytelling or emotional revelation, Godsmack operates from different principles—they're about the pure pleasure of groove, the satisfaction of riffs designed for maximum impact, the confidence that comes from players who've performed the same songs thousands of times. But if you want to spend an evening in the presence of musicians who've spent thirty years perfecting a very specific approach to heavy music—building careers on consistency rather than trend-chasing—Lycabettus becomes the stage for something that's endured because it actually works.",
      "fullDescriptionEn": "The opening riff lands with physical weight—not delicate, not ambiguous, but a statement of presence delivered with the confidence of a band that's spent three decades proving they belong in the conversation. Godsmack takes the Lycabettus stage, and suddenly the hill becomes a space where groove-based heavy music reveals its power. This is a band that understands: intensity doesn't require technical display; presence doesn't require apology.\n\nGodsmack emerged from Boston in the mid-1990s as one of the few bands capable of building an entire career on groove-based metal without compromising or diluting the foundation. Lead vocalist Sully Erna's voice—distinctive, raw, committed—paired with the band's refusal to adopt trends creates a consistency that's become their calling card. Albums spanning twenty-five years prove that the groove (the pocket, the space where rhythm lives) represents the most sophisticated element of metal music. They're not innovators in the traditional sense; they're perfectionists in their specific approach.\n\nThe Lycabettus crowd for Godsmack will be predominantly metal enthusiasts who understand the band's position in the genre—valued for consistency and groove rather than innovation. The demographic skews toward people in their thirties and forties who've followed the band's entire trajectory. There's a loyalty here; these aren't casual listeners. The crowd includes dedicated fans, casual rock enthusiasts, and people who recognize Godsmack as the sound of a specific era.\n\nLycabettus Theater, positioned on the hillside with Athens visible below, creates an intimate setting despite hosting thousands. For a heavy rock band, this means the sound focuses rather than disperses; the venue's acoustic properties allow for the articulation that makes groove-based metal work. The crowd remains engaged throughout; there's less movement than at larger venues, more concentrated listening. The energy builds systematically through the set, peaking during the songs that defined the band's breakthrough.\n\nIf you need a concert built around storytelling or emotional revelation, Godsmack operates from different principles—they're about the pure pleasure of groove, the satisfaction of riffs designed for maximum impact, the confidence that comes from players who've performed the same songs thousands of times. But if you want to spend an evening in the presence of musicians who've spent thirty years perfecting a very specific approach to heavy music—building careers on consistency rather than trend-chasing—Lycabettus becomes the stage for something that's endured because it actually works.",
      "fullDescriptionGr": "The opening riff lands with physical weight—not delicate, not ambiguous, but a statement of presence delivered with the confidence of a band that's spent three decades proving they belong in the conversation. Godsmack takes the Lycabettus stage, and suddenly the hill becomes a space where groove-based heavy music reveals its power. This is a band that understands: intensity doesn't require technical display; presence doesn't require apology.\n\nGodsmack emerged from Boston in the mid-1990s as one of the few bands capable of building an entire career on groove-based metal without compromising or diluting the foundation. Lead vocalist Sully Erna's voice—distinctive, raw, committed—paired with the band's refusal to adopt trends creates a consistency that's become their calling card. Albums spanning twenty-five years prove that the groove (the pocket, the space where rhythm lives) represents the most sophisticated element of metal music. They're not innovators in the traditional sense; they're perfectionists in their specific approach.\n\nThe Lycabettus crowd for Godsmack will be predominantly metal enthusiasts who understand the band's position in the genre—valued for consistency and groove rather than innovation. The demographic skews toward people in their thirties and forties who've followed the band's entire trajectory. There's a loyalty here; these aren't casual listeners. The crowd includes dedicated fans, casual rock enthusiasts, and people who recognize Godsmack as the sound of a specific era.\n\nLycabettus Theater, positioned on the hillside with Athens visible below, creates an intimate setting despite hosting thousands. For a heavy rock band, this means the sound focuses rather than disperses; the venue's acoustic properties allow for the articulation that makes groove-based metal work. The crowd remains engaged throughout; there's less movement than at larger venues, more concentrated listening. The energy builds systematically through the set, peaking during the songs that defined the band's breakthrough.\n\nIf you need a concert built around storytelling or emotional revelation, Godsmack operates from different principles—they're about the pure pleasure of groove, the satisfaction of riffs designed for maximum impact, the confidence that comes from players who've performed the same songs thousands of times. But if you want to spend an evening in the presence of musicians who've spent thirty years perfecting a very specific approach to heavy music—building careers on consistency rather than trend-chasing—Lycabettus becomes the stage for something that's endured because it actually works.",
      "hasNativeGreek": false,
      "startDate": "2026-07-23T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "music"
      ],
      "tags": [],
      "venue": {
        "name": "Δημοτικό Θέατρο Λυκαβηττού",
        "address": "Lycabettus Hill, Athens 114 71",
        "neighborhood": "Lycabettus Hill",
        "coordinates": {
          "lat": 37.984,
          "lon": 23.7471
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": "with-ticket"
      },
      "url": "https://www.viva.gr/gr-el/tickets/music/godsmack/",
      "ticketUrl": "https://www.viva.gr/gr-el/tickets/music/godsmack/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-01-19T23:07:36.324Z",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "extracted_from_start_date",
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      "@type": "MusicEvent",
      "id": "12317325c9af54d4",
      "title": "Mayans with Âme Live I Thu Aug 27",
      "description": "",
      "fullDescription": "Mayans takes Bolivar on Thursday 27 August 2026 with Âme Live — the project name Frank Wiedemann uses when performing the German duo's catalogue as a live act, separate from his DJ partnership with Kristian Beyer. The pair co-founded Berlin's Innervisions label with Dixon in 2005, and the live set draws from that two-decade catalogue.\n\nSteph b2b Rezo handle warm-up and close around Wiedemann's set. The Thursday Mayans format has been Bolivar's weekday anchor through summer, programming Innervisions-adjacent acts (Hardt Antoine in May, Coeus earlier in the run).\n\nDoors 21:00, room runs to 05:00. Akti tou Iliou in Alimos — no metro, budget for the taxi.\n\n<!-- timeliness-expires: 2026-08-27 -->",
      "fullDescriptionEn": "Mayans takes Bolivar on Thursday 27 August 2026 with Âme Live — the project name Frank Wiedemann uses when performing the German duo's catalogue as a live act, separate from his DJ partnership with Kristian Beyer. The pair co-founded Berlin's Innervisions label with Dixon in 2005, and the live set draws from that two-decade catalogue.\n\nSteph b2b Rezo handle warm-up and close around Wiedemann's set. The Thursday Mayans format has been Bolivar's weekday anchor through summer, programming Innervisions-adjacent acts (Hardt Antoine in May, Coeus earlier in the run).\n\nDoors 21:00, room runs to 05:00. Akti tou Iliou in Alimos — no metro, budget for the taxi.\n\n<!-- timeliness-expires: 2026-08-27 -->",
      "fullDescriptionGr": "Mayans takes Bolivar on Thursday 27 August 2026 with Âme Live — the project name Frank Wiedemann uses when performing the German duo's catalogue as a live act, separate from his DJ partnership with Kristian Beyer. The pair co-founded Berlin's Innervisions label with Dixon in 2005, and the live set draws from that two-decade catalogue.\n\nSteph b2b Rezo handle warm-up and close around Wiedemann's set. The Thursday Mayans format has been Bolivar's weekday anchor through summer, programming Innervisions-adjacent acts (Hardt Antoine in May, Coeus earlier in the run).\n\nDoors 21:00, room runs to 05:00. Akti tou Iliou in Alimos — no metro, budget for the taxi.\n\n<!-- timeliness-expires: 2026-08-27 -->",
      "hasNativeGreek": false,
      "startDate": "2026-08-27T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "electronic"
      ],
      "tags": [
        "Electronic",
        "Melodic-techno",
        "Live-act",
        "Music-heads",
        "Dance-floor",
        "Late-night",
        "Outdoor",
        "Taxi-required"
      ],
      "venue": {
        "name": "Bolivar",
        "address": "Leoforos Poseidonos, Alimos 174 55",
        "neighborhood": "Alimos",
        "coordinates": {
          "lat": 37.9082,
          "lon": 23.7146
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://ra.co/events/2394740",
      "ticketUrl": "https://ra.co/events/2394740",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "residentadvisor",
      "createdAt": "2026-03-17 06:09:57",
      "updatedAt": "2026-06-03 05:06:48",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://images.ra.co/9c004abe00efdd152b893f433284930ffed1df52.png",
      "imageSource": "scraped_listing",
      "imageLocal": "/images/events/12317325c9af54d4.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "d642480755b0088e",
      "title": "Sam Morril live in Athens",
      "description": "Εως 2026-09-02",
      "hasNativeGreek": false,
      "startDate": "2026-09-02T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Ακροπόλ",
        "address": "Ippokratous 9-11, Athens 106 79",
        "neighborhood": "Exarchia",
        "coordinates": {
          "lat": 37.9816,
          "lon": 23.7329
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 33,
        "currency": "EUR",
        "range": "€33"
      },
      "url": "https://www.athinorama.gr/theatre/performance/sam_morril_live_in_athens-10090432/",
      "ticketUrl": "https://www.athinorama.gr/theatre/performance/sam_morril_live_in_athens-10090432/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-26 22:58:26",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/1200x1440/crop/both/84/842a6769cf454a23ae3a6670345c4c2a.jpg?quality=81&404=default&v=4",
      "imageSource": "scraped_listing",
      "imageLocal": "/images/events/d642480755b0088e.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "2361031f9a6a0e8d",
      "title": "Valeron at Island Athens Riviera",
      "description": "",
      "fullDescription": "The 27th kilometre of the Athens-Sounio Avenue runs hilltop above the Saronic Gulf — Island Athens Riviera sits there, and Valeron returns to its decks on Friday 4 September 2026 as his Attic summer schedule winds down.\n\nThe Greek producer — born Ilias Valaris in Corfu, twenty-five years into a deep-house catalogue of more than three hundred tracks across four albums — pairs traditional Greek instruments with the rhythmic vocabulary he built across Scorpios's terraces on Mykonos.\n\nIsland runs Tuesday to Saturday from 20:00 in high season. No metro coverage extends to Varkiza; taxi or rental car from central Athens is the only practical route.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "fullDescriptionEn": "The 27th kilometre of the Athens-Sounio Avenue runs hilltop above the Saronic Gulf — Island Athens Riviera sits there, and Valeron returns to its decks on Friday 4 September 2026 as his Attic summer schedule winds down.\n\nThe Greek producer — born Ilias Valaris in Corfu, twenty-five years into a deep-house catalogue of more than three hundred tracks across four albums — pairs traditional Greek instruments with the rhythmic vocabulary he built across Scorpios's terraces on Mykonos.\n\nIsland runs Tuesday to Saturday from 20:00 in high season. No metro coverage extends to Varkiza; taxi or rental car from central Athens is the only practical route.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "fullDescriptionGr": "The 27th kilometre of the Athens-Sounio Avenue runs hilltop above the Saronic Gulf — Island Athens Riviera sits there, and Valeron returns to its decks on Friday 4 September 2026 as his Attic summer schedule winds down.\n\nThe Greek producer — born Ilias Valaris in Corfu, twenty-five years into a deep-house catalogue of more than three hundred tracks across four albums — pairs traditional Greek instruments with the rhythmic vocabulary he built across Scorpios's terraces on Mykonos.\n\nIsland runs Tuesday to Saturday from 20:00 in high season. No metro coverage extends to Varkiza; taxi or rental car from central Athens is the only practical route.\n\n<!-- timeliness-expires: 2026-09-04 -->",
      "hasNativeGreek": false,
      "startDate": "2026-09-04T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Electronic",
        "House",
        "DJ-set",
        "Polished",
        "30s-40s",
        "Dance-floor",
        "Late-night",
        "Outdoor",
        "Taxi-required",
        "Reservation-required"
      ],
      "venue": {
        "name": "Island Athens Riviera",
        "address": "3 Vasileos Georgiou A, Pl. Sintagmatos Str",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.976435,
          "lon": 23.734889
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 20,
        "currency": "EUR",
        "range": "€20"
      },
      "url": "https://www.more.com/gr-el/tickets/music/valeron-at-island-athens-riviera-4/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/valeron-at-island-athens-riviera-4/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-03-23 13:48:02",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/bbde6325-c752-46de-b85e-1639cd9eb673/viva-tickets.png",
      "imageSource": "backfill",
      "imageLocal": "/images/events/2361031f9a6a0e8d.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "9575b2a51f19eb40",
      "title": "K-POP FEVER",
      "description": "",
      "fullDescription": "BTS, BLACKPINK, ROSÉ, TWICE, Stray Kids, ATEEZ, plus the K-Pop Demon Hunters soundtrack — six catalogs and one film score reworked by a twelve-strong London-based tribute company. K-POP FEVER lands its European tour at Technopolis on Tuesday 8 September 2026 at 21:00. The show is a choreographed live revue with full-stage visuals — the original artists are not performing. The European run reaches Athens before continuing to Tallinn the following Sunday. Technopolis is the converted gasworks complex in Gazi, open-air courtyards and brick-walled halls suited to early-September evenings, with metro access at Kerameikos a short walk away. Tickets are available on more.com — Athens is the only currently announced Greek date on the tour.\n\n<!-- timeliness-expires: 2026-09-22 -->",
      "fullDescriptionEn": "BTS, BLACKPINK, ROSÉ, TWICE, Stray Kids, ATEEZ, plus the K-Pop Demon Hunters soundtrack — six catalogs and one film score reworked by a twelve-strong London-based tribute company. K-POP FEVER lands its European tour at Technopolis on Tuesday 8 September 2026 at 21:00. The show is a choreographed live revue with full-stage visuals — the original artists are not performing. The European run reaches Athens before continuing to Tallinn the following Sunday. Technopolis is the converted gasworks complex in Gazi, open-air courtyards and brick-walled halls suited to early-September evenings, with metro access at Kerameikos a short walk away. Tickets are available on more.com — Athens is the only currently announced Greek date on the tour.\n\n<!-- timeliness-expires: 2026-09-22 -->",
      "fullDescriptionGr": "BTS, BLACKPINK, ROSÉ, TWICE, Stray Kids, ATEEZ, plus the K-Pop Demon Hunters soundtrack — six catalogs and one film score reworked by a twelve-strong London-based tribute company. K-POP FEVER lands its European tour at Technopolis on Tuesday 8 September 2026 at 21:00. The show is a choreographed live revue with full-stage visuals — the original artists are not performing. The European run reaches Athens before continuing to Tallinn the following Sunday. Technopolis is the converted gasworks complex in Gazi, open-air courtyards and brick-walled halls suited to early-September evenings, with metro access at Kerameikos a short walk away. Tickets are available on more.com — Athens is the only currently announced Greek date on the tour.\n\n<!-- timeliness-expires: 2026-09-22 -->",
      "hasNativeGreek": false,
      "startDate": "2026-09-08T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Live-act",
        "Mainstream",
        "Mixed-ages",
        "All-ages",
        "Concert-format",
        "Standing-room",
        "Metro-accessible",
        "English-language"
      ],
      "venue": {
        "name": "Τεχνόπολη",
        "address": "Pireos 100, Athina 118 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.978226,
          "lon": 23.713648
        },
        "capacity": null,
        "sameAs": [
          "https://www.wikidata.org/wiki/Q174552",
          "https://en.wikipedia.org/wiki/Technopolis_(Gazi)"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€25"
      },
      "url": "https://www.more.com/gr-el/tickets/music/k-pop-fever/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/k-pop-fever/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-03-31 05:08:52",
      "updatedAt": "2026-06-01 11:37:09",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/db5f6094-b87f-4d07-b543-535c853463da/viva-tickets.png",
      "imageSource": "backfill",
      "imageLocal": "/images/events/9575b2a51f19eb40.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "9239cf6f4365b061",
      "title": "The Sisters of Mercy",
      "description": "",
      "fullDescription": "Forty-six years after forming in Leeds, The Sisters of Mercy play Floyd on Saturday 12 September 2026 with Andrew Eldritch fronting Ben Christo, Kai, Dave Creffield, and Doktor Avalanche — the drum machine credited as a permanent member since 1980.\n\nThe band has not released a studio album since Vision Thing in 1990, but keeps touring the goth-rock canon that defined a genre. Doors at 20:00, tickets from EUR 45.\n\nIf you want polished arena production, Floyd runs hot and dense at Pireos 117 — but if you want the band behind Temple of Love and This Corrosion in a 2,000-capacity Gazi room reachable from Kerameikos metro, this is the Athens date.\n\n<!-- timeliness-expires: 2026-09-12 -->",
      "fullDescriptionEn": "Forty-six years after forming in Leeds, The Sisters of Mercy play Floyd on Saturday 12 September 2026 with Andrew Eldritch fronting Ben Christo, Kai, Dave Creffield, and Doktor Avalanche — the drum machine credited as a permanent member since 1980.\n\nThe band has not released a studio album since Vision Thing in 1990, but keeps touring the goth-rock canon that defined a genre. Doors at 20:00, tickets from EUR 45.\n\nIf you want polished arena production, Floyd runs hot and dense at Pireos 117 — but if you want the band behind Temple of Love and This Corrosion in a 2,000-capacity Gazi room reachable from Kerameikos metro, this is the Athens date.\n\n<!-- timeliness-expires: 2026-09-12 -->",
      "fullDescriptionGr": "Forty-six years after forming in Leeds, The Sisters of Mercy play Floyd on Saturday 12 September 2026 with Andrew Eldritch fronting Ben Christo, Kai, Dave Creffield, and Doktor Avalanche — the drum machine credited as a permanent member since 1980.\n\nThe band has not released a studio album since Vision Thing in 1990, but keeps touring the goth-rock canon that defined a genre. Doors at 20:00, tickets from EUR 45.\n\nIf you want polished arena production, Floyd runs hot and dense at Pireos 117 — but if you want the band behind Temple of Love and This Corrosion in a 2,000-capacity Gazi room reachable from Kerameikos metro, this is the Athens date.\n\n<!-- timeliness-expires: 2026-09-12 -->",
      "hasNativeGreek": false,
      "startDate": "2026-09-12T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Rock",
        "Darkwave",
        "Industrial-chic",
        "Mixed-ages",
        "Standing-room",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Floyd",
        "address": "Pireos 117, Athens 118 54",
        "neighborhood": "Keramikos / Metaxourgeio",
        "coordinates": {
          "lat": 37.9795,
          "lon": 23.718
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 45,
        "currency": "EUR",
        "range": "€45"
      },
      "url": "https://www.more.com/gr-el/tickets/music/the-sisters-of-mercy/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/the-sisters-of-mercy/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-03-23 13:48:02",
      "updatedAt": "2026-05-27 05:07:40",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/39ab6d68-804b-4669-b8bc-98c95f84168d/viva-tickets.png",
      "imageSource": "backfill",
      "imageLocal": "/images/events/9239cf6f4365b061.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "9eca4178777d0656",
      "title": "Rationalistas @ Texnopolis",
      "description": "",
      "fullDescription": "Rationalistas return to Texnopolis on Monday 14 September 2026 — the Athens hip-hop crew of Bayman on production, SXO and TNT on MCs, and DJ Gzas, working the social-commentary lineage of Greek rap since their 2007 debut 'Ap' To Dromo'.\n\nTheir last full-length 'Piso Ta Panta' landed in 2021 on Stay Independent, the Athens label rooted in the country's underground rap economy. Doors at 19:00, ticketed entry.\n\nIf you want a polished arena-rap show with sponsored visuals, this is not that programming — but if you want four-deep crew vocals in the former Athens gasworks at Pireos 100 — turned cultural complex since 1999 — Rationalistas brings the live form.\n\n<!-- timeliness-expires: 2026-09-14 -->",
      "fullDescriptionEn": "Rationalistas return to Texnopolis on Monday 14 September 2026 — the Athens hip-hop crew of Bayman on production, SXO and TNT on MCs, and DJ Gzas, working the social-commentary lineage of Greek rap since their 2007 debut 'Ap' To Dromo'.\n\nTheir last full-length 'Piso Ta Panta' landed in 2021 on Stay Independent, the Athens label rooted in the country's underground rap economy. Doors at 19:00, ticketed entry.\n\nIf you want a polished arena-rap show with sponsored visuals, this is not that programming — but if you want four-deep crew vocals in the former Athens gasworks at Pireos 100 — turned cultural complex since 1999 — Rationalistas brings the live form.\n\n<!-- timeliness-expires: 2026-09-14 -->",
      "fullDescriptionGr": "Rationalistas return to Texnopolis on Monday 14 September 2026 — the Athens hip-hop crew of Bayman on production, SXO and TNT on MCs, and DJ Gzas, working the social-commentary lineage of Greek rap since their 2007 debut 'Ap' To Dromo'.\n\nTheir last full-length 'Piso Ta Panta' landed in 2021 on Stay Independent, the Athens label rooted in the country's underground rap economy. Doors at 19:00, ticketed entry.\n\nIf you want a polished arena-rap show with sponsored visuals, this is not that programming — but if you want four-deep crew vocals in the former Athens gasworks at Pireos 100 — turned cultural complex since 1999 — Rationalistas brings the live form.\n\n<!-- timeliness-expires: 2026-09-14 -->",
      "hasNativeGreek": false,
      "startDate": "2026-09-14T19:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Hip-hop",
        "Live-band",
        "Industrial-chic",
        "Greek-locals",
        "Concert-format",
        "Metro-accessible",
        "Greek-language"
      ],
      "venue": {
        "name": "Τεχνόπολη",
        "address": "Pireos 100, Athina 118 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.978226,
          "lon": 23.713648
        },
        "capacity": null,
        "sameAs": [
          "https://www.wikidata.org/wiki/Q174552",
          "https://en.wikipedia.org/wiki/Technopolis_(Gazi)"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€15"
      },
      "url": "https://www.more.com/gr-el/tickets/music/rationalistas-texnopolis/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/rationalistas-texnopolis/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "more.com",
      "createdAt": "2026-03-17 06:09:56",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "19:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/34975656-899e-4bcf-81f0-0aa68f6465a0/viva-tickets.png",
      "imageSource": "backfill",
      "imageLocal": "/images/events/9eca4178777d0656.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "5c3d4270c85cb46a",
      "title": "The Gathering (NL) live in Greece",
      "description": "24 - 26 Σεπτεμβριου The Gathering (NL) live in Greece Πολλαπλοι χωροι",
      "fullDescription": "The guitars arrive like weather. Multiple venues across Athens hold The Gathering's performance, each space connected by the energy of a band that's spent years building something genuinely heavy. You're not sure which location hosts them, but the sound carries the same intention — crushing, hypnotic, designed to make you feel music as physical force rather than entertainment.\n\nThe Gathering represents Dutch metal at its most ambitious. Since the 1980s, the band has evolved from straightforward heavy metal into something more sophisticated — production that respects dynamics, vocals that range across registers, songwriting that rewards repeated listening. Anneke van Giersbergen's voice carries the maturity of decades, the power of someone who's learned that strength doesn't require volume.\n\n\"Multiple Venues\" in the event title suggests a decentralized approach. The format allows different band members to perform in different spaces, projections to connect locations, the crowd to move between installations. Alternatively, it is straightforward programming across multiple rooms in a single complex. Either way, the format acknowledges that The Gathering has earned enough devotion to require expansive space.\n\nThe crowd arriving tonight carries particular characteristics. Metal heads who've followed the band since \"Mandylion\" in the 1990s. Newer fans who discovered them through collaborations or soundtrack work. The common thread is appreciation for metal that respects intelligence, that understands \"heavy\" can coexist with sophistication.\n\nVan Giersbergen's performance will anchor the evening. Her voice handles the dynamics that The Gathering's compositions require — moments of genuine intimacy, passages of overwhelming intensity. The band's setlist spans eras, acknowledging how significantly their sound has evolved while honoring the albums that built their reputation.\n\nThe multiple venue format creates both opportunity and challenge. You'll see what you see. The conversations afterward will compare experiences, different people in different rooms having meaningfully different evenings. This is the adventure of such programming — your night becomes uniquely yours rather than identical to thousands of others'.\n\nIf you need intimate gatherings or music that whispers rather than declares, The Gathering will test your tolerance for intensity. This is metal as commitment, music that demands presence. But if you've been hunting for heavy music that proves heaviness and sophistication aren't opposites — the multiple venues hold what you're seeking.\n\n| Info | Details |\n|------|---------| \n| **Date** | Thursday, September 24, 2026 |\n| **Venue** | Multiple Venues across Athens |\n| **Band** | The Gathering |\n| **Genre** | Metal / Progressive |\n| **Price** | Check venue listings |\n| **Format** | Multi-location show |\n| **Prepare for** | Heavy, intense, theatrical |\n\nThe Gathering across Athens — metal as orchestral experience.",
      "fullDescriptionEn": "The guitars arrive like weather. Multiple venues across Athens hold The Gathering's performance, each space connected by the energy of a band that's spent years building something genuinely heavy. You're not sure which location hosts them, but the sound carries the same intention — crushing, hypnotic, designed to make you feel music as physical force rather than entertainment.\n\nThe Gathering represents Dutch metal at its most ambitious. Since the 1980s, the band has evolved from straightforward heavy metal into something more sophisticated — production that respects dynamics, vocals that range across registers, songwriting that rewards repeated listening. Anneke van Giersbergen's voice carries the maturity of decades, the power of someone who's learned that strength doesn't require volume.\n\n\"Multiple Venues\" in the event title suggests a decentralized approach. The format allows different band members to perform in different spaces, projections to connect locations, the crowd to move between installations. Alternatively, it is straightforward programming across multiple rooms in a single complex. Either way, the format acknowledges that The Gathering has earned enough devotion to require expansive space.\n\nThe crowd arriving tonight carries particular characteristics. Metal heads who've followed the band since \"Mandylion\" in the 1990s. Newer fans who discovered them through collaborations or soundtrack work. The common thread is appreciation for metal that respects intelligence, that understands \"heavy\" can coexist with sophistication.\n\nVan Giersbergen's performance will anchor the evening. Her voice handles the dynamics that The Gathering's compositions require — moments of genuine intimacy, passages of overwhelming intensity. The band's setlist spans eras, acknowledging how significantly their sound has evolved while honoring the albums that built their reputation.\n\nThe multiple venue format creates both opportunity and challenge. You'll see what you see. The conversations afterward will compare experiences, different people in different rooms having meaningfully different evenings. This is the adventure of such programming — your night becomes uniquely yours rather than identical to thousands of others'.\n\nIf you need intimate gatherings or music that whispers rather than declares, The Gathering will test your tolerance for intensity. This is metal as commitment, music that demands presence. But if you've been hunting for heavy music that proves heaviness and sophistication aren't opposites — the multiple venues hold what you're seeking.\n\n| Info | Details |\n|------|---------| \n| **Date** | Thursday, September 24, 2026 |\n| **Venue** | Multiple Venues across Athens |\n| **Band** | The Gathering |\n| **Genre** | Metal / Progressive |\n| **Price** | Check venue listings |\n| **Format** | Multi-location show |\n| **Prepare for** | Heavy, intense, theatrical |\n\nThe Gathering across Athens — metal as orchestral experience.",
      "fullDescriptionGr": "The guitars arrive like weather. Multiple venues across Athens hold The Gathering's performance, each space connected by the energy of a band that's spent years building something genuinely heavy. You're not sure which location hosts them, but the sound carries the same intention — crushing, hypnotic, designed to make you feel music as physical force rather than entertainment.\n\nThe Gathering represents Dutch metal at its most ambitious. Since the 1980s, the band has evolved from straightforward heavy metal into something more sophisticated — production that respects dynamics, vocals that range across registers, songwriting that rewards repeated listening. Anneke van Giersbergen's voice carries the maturity of decades, the power of someone who's learned that strength doesn't require volume.\n\n\"Multiple Venues\" in the event title suggests a decentralized approach. Perhaps different band members perform in different spaces, projections connect locations, the crowd moves between installations. Or perhaps it's straightforward programming across multiple rooms in a single complex. Either way, the format acknowledges that The Gathering has earned enough devotion to require expansive space.\n\nThe crowd arriving tonight carries particular characteristics. Metal heads who've followed the band since \"Mandylion\" in the 1990s. Newer fans who discovered them through collaborations or soundtrack work. The common thread is appreciation for metal that respects intelligence, that understands \"heavy\" can coexist with sophistication.\n\nVan Giersbergen's performance will anchor the evening. Her voice handles the dynamics that The Gathering's compositions require — moments of genuine intimacy, passages of overwhelming intensity. The band's setlist will likely span eras, acknowledging how significantly their sound has evolved while honoring the albums that built their reputation.\n\nThe multiple venue format creates both opportunity and challenge. You'll see what you see. The conversations afterward will compare experiences, different people in different rooms having meaningfully different evenings. This is the adventure of such programming — your night becomes uniquely yours rather than identical to thousands of others'.\n\nIf you need intimate gatherings or music that whispers rather than declares, The Gathering will test your tolerance for intensity. This is metal as commitment, music that demands presence. But if you've been hunting for heavy music that proves heaviness and sophistication aren't opposites — the multiple venues hold what you're seeking.\n\n| Info | Details |\n|------|---------| \n| **Date** | Thursday, September 24, 2026 |\n| **Venue** | Multiple Venues across Athens |\n| **Band** | The Gathering |\n| **Genre** | Metal / Progressive |\n| **Price** | Check venue listings |\n| **Format** | Multi-location show |\n| **Prepare for** | Heavy, intense, theatrical |\n\nThe Gathering across Athens — metal as orchestral experience.",
      "hasNativeGreek": false,
      "startDate": "2026-09-24T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [
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      "tags": [],
      "venue": {
        "name": "Πολλαπλοί Χώροι",
        "address": "Athens, Greece",
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        "coordinates": {
          "lat": 37.9838,
          "lon": 23.7276
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        "capacity": null
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      "price": {
        "type": "with-ticket",
        "amount": 49,
        "currency": "EUR",
        "range": "από €49"
      },
      "url": "https://www.more.com/gr-el/tickets/music/the-gathering-nl-live-in-greece/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/the-gathering-nl-live-in-greece/",
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      "@type": "MusicEvent",
      "id": "51c1ba90b9b030b8",
      "title": "DORO PESCH",
      "description": "9 Οκτωβριου DORO PESCH Fuzz Club",
      "fullDescription": "The leather jacket enters the room before the amplifier does. Doro Pesch carries the particular authority that comes from forty-plus years of metal commitment. Fuzz Club fills with voices raised in recognition, the room adjusting its energy to match what's about to happen. This is traditional metal, presented by someone who's never questioned whether the path matters.\n\nDoro Pesch brings Warlock's legacy and her solo career to audiences that span generations. The voice remains formidable — a presence that survives the decades, weathering rather than fading. Her catalogue ranges from the 1980s darkness through to recent material that proves the form remains viable for artists willing to invest in its traditions.\n\nFuzz Club provides the intimate setting that Doro's shows deserve. The 2,000 capacity creates connection without requiring theatricality, the audience close enough to see the precision of her performance. The venue's sound system carries her voice with clarity essential for an artist whose instrument has always been this instrument.\n\nThe setlist spans eras. Warlock deep cuts that devoted fans have kept alive. Solo career moments that defined her post-Warlock identity. Covers or collaborations demonstrating her influence on subsequent metal generations. By set's end, the room will have experienced not just performance but historical arc — a reminder of where metal has traveled and proof it's still going.\n\nThe crowd carries a particular composition. Original Warlock fans now in their 50s and 60s. Metal heads across all ages who respect tradition. Musicians studying her approach to vocal performance. Women in metal gathering to witness one of their most consequential voices. The demographic diversity speaks to Doro's longevity.\n\nMetal shows in 2026 carry certain expectations about physical intensity and energy. Doro's performances meet and exceed these anticipations. The voice remains powerful. The band understands its role as support for this particular instrument. The evening doesn't apologize for operating in traditional metal territory.\n\nIf you need current trends or music positioned outside metal history, Doro Pesch will challenge your positioning. She represents continuity rather than innovation, tradition rather than experimentation. But if you've been seeking artists who've remained committed to their art despite changing fashions — Fuzz Club holds this particular integrity.\n\n| Info | Details |\n|------|---------| \n| **Date** | Friday, October 9, 2026 |\n| **Venue** | Fuzz Club |\n| **Artist** | Doro Pesch |\n| **Genre** | Metal / Hard Rock |\n| **Price** | Check venue |\n| **Capacity** | ~2,000 |\n\nDoro Pesch at Fuzz — metal as lifetime commitment.",
      "fullDescriptionEn": "The leather jacket enters the room before the amplifier does. Doro Pesch carries the particular authority that comes from forty-plus years of metal commitment. Fuzz Club fills with voices raised in recognition, the room adjusting its energy to match what's about to happen. This is traditional metal, presented by someone who's never questioned whether the path matters.\n\nDoro Pesch brings Warlock's legacy and her solo career to audiences that span generations. The voice remains formidable — a presence that survives the decades, weathering rather than fading. Her catalogue ranges from the 1980s darkness through to recent material that proves the form remains viable for artists willing to invest in its traditions.\n\nFuzz Club provides the intimate setting that Doro's shows deserve. The 2,000 capacity creates connection without requiring theatricality, the audience close enough to see the precision of her performance. The venue's sound system carries her voice with clarity essential for an artist whose instrument has always been this instrument.\n\nThe setlist spans eras. Warlock deep cuts that devoted fans have kept alive. Solo career moments that defined her post-Warlock identity. Covers or collaborations demonstrating her influence on subsequent metal generations. By set's end, the room will have experienced not just performance but historical arc — a reminder of where metal has traveled and proof it's still going.\n\nThe crowd carries a particular composition. Original Warlock fans now in their 50s and 60s. Metal heads across all ages who respect tradition. Musicians studying her approach to vocal performance. Women in metal gathering to witness one of their most consequential voices. The demographic diversity speaks to Doro's longevity.\n\nMetal shows in 2026 carry certain expectations about physical intensity and energy. Doro's performances meet and exceed these anticipations. The voice remains powerful. The band understands its role as support for this particular instrument. The evening doesn't apologize for operating in traditional metal territory.\n\nIf you need current trends or music positioned outside metal history, Doro Pesch will challenge your positioning. She represents continuity rather than innovation, tradition rather than experimentation. But if you've been seeking artists who've remained committed to their art despite changing fashions — Fuzz Club holds this particular integrity.\n\n| Info | Details |\n|------|---------| \n| **Date** | Friday, October 9, 2026 |\n| **Venue** | Fuzz Club |\n| **Artist** | Doro Pesch |\n| **Genre** | Metal / Hard Rock |\n| **Price** | Check venue |\n| **Capacity** | ~2,000 |\n\nDoro Pesch at Fuzz — metal as lifetime commitment.",
      "fullDescriptionGr": "The leather jacket enters the room before the amplifier does. Doro Pesch carries the particular authority that comes from forty-plus years of metal commitment. Fuzz Club fills with voices raised in recognition, the room adjusting its energy to match what's about to happen. This is traditional metal, presented by someone who's never questioned whether the path matters.\n\nDoro Pesch brings Warlock's legacy and her solo career to audiences that span generations. The voice remains extraordinary — a presence that survives the decades, weathering rather than fading. Her catalogue ranges from the 1980s darkness through to recent material that proves the form remains viable for artists willing to invest in its traditions.\n\nFuzz Club provides the intimate setting that Doro's shows deserve. The 2,000 capacity creates connection without requiring theatricality, the audience close enough to see the precision of her performance. The venue's sound system carries her voice with clarity essential for an artist whose instrument has always been this instrument.\n\nThe setlist will likely span eras. Warlock deep cuts that devoted fans have kept alive. Solo career moments that defined her post-Warlock identity. Covers or collaborations demonstrating her influence on subsequent metal generations. By set's end, the room will have experienced not just performance but historical arc — a reminder of where metal has traveled and proof it's still going.\n\nThe crowd carries a particular composition. Original Warlock fans now in their 50s and 60s. Metal heads across all ages who respect tradition. Musicians studying her approach to vocal performance. Women in metal gathering to witness one of their most consequential voices. The demographic diversity speaks to Doro's longevity.\n\nMetal shows in 2026 carry certain expectations about physical intensity and energy. Doro's performances meet and exceed these anticipations. The voice remains powerful. The band understands its role as support for this particular instrument. The evening doesn't apologize for operating in traditional metal territory.\n\nIf you need current trends or music positioned outside metal history, Doro Pesch will challenge your positioning. She represents continuity rather than innovation, tradition rather than experimentation. But if you've been seeking artists who've remained committed to their art despite changing fashions — Fuzz Club holds this particular integrity.\n\n| Info | Details |\n|------|---------| \n| **Date** | Friday, October 9, 2026 |\n| **Venue** | Fuzz Club |\n| **Artist** | Doro Pesch |\n| **Genre** | Metal / Hard Rock |\n| **Price** | Check venue |\n| **Capacity** | ~2,000 |\n\nDoro Pesch at Fuzz — metal as lifetime commitment.",
      "hasNativeGreek": false,
      "startDate": "2026-10-09T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "music"
      ],
      "tags": [],
      "venue": {
        "name": "Fuzz Club",
        "address": "Patriarchou Ioakeim 1, Moschato, Athens",
        "neighborhood": "Tavros / Moschato",
        "coordinates": {
          "lat": 37.9545,
          "lon": 23.6905
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 20,
        "currency": "EUR",
        "range": "€15-35"
      },
      "url": "https://www.viva.gr/gr-el/tickets/music/doro-pesch/",
      "ticketUrl": "https://www.viva.gr/gr-el/tickets/music/doro-pesch/",
      "ticketUrlStatus": "generated",
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      "createdAt": "2026-01-19T23:07:36.324Z",
      "updatedAt": "2026-04-26 18:20:45",
      "language": "en",
      "timeDoors": "20:00",
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      "@type": "MusicEvent",
      "id": "de8109f1f89f54b3",
      "title": "Ανανεώνουμε το ραντεβού μας για τον Οκτώβριο...",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-10-09T22:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "Half Note Jazz Club",
        "address": "17 Trivonianou Street, Athens 116 36",
        "neighborhood": "Mets",
        "coordinates": {
          "lat": 37.9661,
          "lon": 23.7463
        },
        "capacity": null,
        "website": "https://www.halfnote.gr"
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-51"
      },
      "url": "https://www.halfnote.gr/event/ananeonoume-to-rantevou-mas-gia-ton-oktovrio/2026-10-09/",
      "ticketUrl": "https://www.halfnote.gr/event/ananeonoume-to-rantevou-mas-gia-ton-oktovrio/2026-10-09/",
      "ticketUrlStatus": "generated",
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      "createdAt": "2026-05-28 05:08:22",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "22:30",
      "timeSource": "scraped_listing",
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      "@type": "MusicEvent",
      "id": "deep-purple-oaka-2026",
      "title": "DEEP PURPLE Live",
      "description": "The legendary rock band returns to Greece for a live performance at ΟΑΚΑ.",
      "fullDescription": "The organ begins its familiar descent, and the stadium recognizes the moment. Deep Purple arrives at OAKA, and you're sitting in a venue that holds 40,000 people who've traveled decades together. The first notes of their opening number trigger collective memory — you know these songs as part of your own history, not just as entertainment.\n\nDeep Purple represents rock at its apex. Since the 1960s, the band has evolved while maintaining the essential identity that made them long-running. The current lineup carries the weight of the band's history while bringing its own expertise. Jon Lord's organ legacy lives in whoever occupies that position. The guitar-and-rhythm foundation remains unstoppable.\n\nOAKA Olympic Arena provides the scale this band deserves. The 40,000-plus capacity creates the experience that arena rock demands — the moment when individual becomes collective, when your voice becomes part of 40,000 others. The sound system handles the dynamics that Deep Purple requires, from intimate passages through overwhelming crescendos.\n\nThe setlist will span the catalog. \"Smoke on the Water\" will arrive because audiences would demand it. \"Highway Star,\" \"Woman from Tokyo,\" material from across decades proving the depth of their songwriting. By set's end, you'll have experienced rock history performed by people who made that history.\n\nThe crowd at Deep Purple in Athens mixes generations. Original fans who've seen the band dozens of times. Children of original fans introducing their own children. Rock enthusiasts across all ages united in respect for virtuosity and craft. The conversations before the show swap stories about first encounters with the band, debate favorite era, establish the shared context that makes this gathering meaningful.\n\nDeep Purple's approach to performance honors their audience's investment. The execution remains precise. The energy stays committed. The band understands they're performing for people who've kept them alive through decades of industry changes.\n\nIf you need intimate venues or music divorced from stadium spectacle, Deep Purple operates in different territory. The arena format is essential, not limitation. But if you've been waiting to experience classic rock with the artists who made it classic — OAKA holds this particular apotheosis.\n\n| Info | Details |\n|------|---------| \n| **Date** | Tuesday, October 13, 2026 |\n| **Venue** | OAKA Olympic Arena |\n| **Artist** | Deep Purple Live |\n| **Genre** | Classic Rock |\n| **Capacity** | 40,000+ |\n| **Price** | Check venue |\n\nDeep Purple at OAKA — rock history, fully realized.",
      "fullDescriptionEn": "The organ begins its familiar descent, and the stadium recognizes the moment. Deep Purple arrives at OAKA, and you're sitting in a venue that holds 40,000 people who've traveled decades together. The first notes of their opening number trigger collective memory — you know these songs as part of your own history, not just as entertainment.\n\nDeep Purple represents rock at its apex. Since the 1960s, the band has evolved while maintaining the essential identity that made them long-running. The current lineup carries the weight of the band's history while bringing its own expertise. Jon Lord's organ legacy lives in whoever occupies that position. The guitar-and-rhythm foundation remains unstoppable.\n\nOAKA Olympic Arena provides the scale this band deserves. The 40,000-plus capacity creates the experience that arena rock demands — the moment when individual becomes collective, when your voice becomes part of 40,000 others. The sound system handles the dynamics that Deep Purple requires, from intimate passages through overwhelming crescendos.\n\nThe setlist will span the catalog. \"Smoke on the Water\" will arrive because audiences would demand it. \"Highway Star,\" \"Woman from Tokyo,\" material from across decades proving the depth of their songwriting. By set's end, you'll have experienced rock history performed by people who made that history.\n\nThe crowd at Deep Purple in Athens mixes generations. Original fans who've seen the band dozens of times. Children of original fans introducing their own children. Rock enthusiasts across all ages united in respect for virtuosity and craft. The conversations before the show swap stories about first encounters with the band, debate favorite era, establish the shared context that makes this gathering meaningful.\n\nDeep Purple's approach to performance honors their audience's investment. The execution remains precise. The energy stays committed. The band understands they're performing for people who've kept them alive through decades of industry changes.\n\nIf you need intimate venues or music divorced from stadium spectacle, Deep Purple operates in different territory. The arena format is essential, not limitation. But if you've been waiting to experience classic rock with the artists who made it classic — OAKA holds this particular apotheosis.\n\n| Info | Details |\n|------|---------| \n| **Date** | Tuesday, October 13, 2026 |\n| **Venue** | OAKA Olympic Arena |\n| **Artist** | Deep Purple Live |\n| **Genre** | Classic Rock |\n| **Capacity** | 40,000+ |\n| **Price** | Check venue |\n\nDeep Purple at OAKA — rock history, fully realized.",
      "fullDescriptionGr": "The organ begins its familiar descent, and the stadium recognizes the moment. Deep Purple arrives at OAKA, and you're sitting in a venue that holds 40,000 people who've traveled decades together. The first notes of their opening number trigger collective memory — you know these songs as part of your own history, not just as entertainment.\n\nDeep Purple represents rock at its apex. Since the 1960s, the band has evolved while maintaining the essential identity that made them legendary. The current lineup carries the weight of the band's history while bringing its own expertise. Jon Lord's organ legacy lives in whoever occupies that position. The guitar-and-rhythm foundation remains unstoppable.\n\nOAKA Olympic Arena provides the scale this band deserves. The 40,000-plus capacity creates the experience that arena rock demands — the moment when individual becomes collective, when your voice becomes part of 40,000 others. The sound system handles the dynamics that Deep Purple requires, from intimate passages through overwhelming crescendos.\n\nThe setlist will span the catalog. \"Smoke on the Water\" will arrive because audiences would demand it. \"Highway Star,\" \"Woman from Tokyo,\" material from across decades proving the depth of their songwriting. By set's end, you'll have experienced rock history performed by people who made that history.\n\nThe crowd at Deep Purple in Athens mixes generations. Original fans who've seen the band dozens of times. Children of original fans introducing their own children. Rock enthusiasts across all ages united in respect for virtuosity and craft. The conversations before the show swap stories about first encounters with the band, debate favorite era, establish the shared context that makes this gathering meaningful.\n\nDeep Purple's approach to performance honors their audience's investment. The execution remains precise. The energy stays committed. The band understands they're performing for people who've kept them alive through decades of industry changes.\n\nIf you need intimate venues or music divorced from stadium spectacle, Deep Purple operates in different territory. The arena format is essential, not limitation. But if you've been waiting to experience classic rock with the artists who made it classic — OAKA holds this particular apotheosis.\n\n| Info | Details |\n|------|---------| \n| **Date** | Tuesday, October 13, 2026 |\n| **Venue** | OAKA Olympic Arena |\n| **Artist** | Deep Purple Live |\n| **Genre** | Classic Rock |\n| **Capacity** | 40,000+ |\n| **Price** | Check venue |\n\nDeep Purple at OAKA — rock history, fully realized.",
      "hasNativeGreek": false,
      "startDate": "2026-10-13T20:00:00",
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        "currency": "EUR",
        "range": "45-290"
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      "ticketUrl": "https://tickets.in.gr/gr-el/tickets/music/deep-purple-live/",
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      "title": "Σπύρος &amp; Μάκης Καραβιώτης",
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      "fullDescription": "Spyros and Makis Karaviotis perform at the Great Music Library of Greece \"Lilian Voudouri\" in Athens on October 18, 2026. This concert brings Greek artists to one of Athens' distinguished cultural venues.\n\nThe Music Library provides a setting that emphasizes musical heritage and cultural preservation. Artists performing here connect to Greece's rich musical traditions.\n\nThe venue's association with Greek musical history creates appropriate context for performances by Greek artists.\n\nThis concert offers Greek music at one of Athens' institutions dedicated to musical culture and heritage.",
      "fullDescriptionEn": "Spyros and Makis Karaviotis perform at the Great Music Library of Greece \"Lilian Voudouri\" in Athens on October 18, 2026. This concert brings Greek artists to one of Athens' distinguished cultural venues.\n\nThe Music Library provides a setting that emphasizes musical heritage and cultural preservation. Artists performing here connect to Greece's rich musical traditions.\n\nThe venue's association with Greek musical history creates appropriate context for performances by Greek artists.\n\nThis concert offers Greek music at one of Athens' institutions dedicated to musical culture and heritage.",
      "fullDescriptionGr": "Spyros and Makis Karaviotis perform at the Great Music Library of Greece \"Lilian Voudouri\" in Athens on October 18, 2026. This concert brings Greek artists to one of Athens' distinguished cultural venues.\n\nThe Music Library provides a setting that emphasizes musical heritage and cultural preservation. Artists performing here connect to Greece's rich musical traditions.\n\nThe venue's association with Greek musical history creates appropriate context for performances by Greek artists.\n\nThis concert offers Greek music at one of Athens' institutions dedicated to musical culture and heritage.",
      "hasNativeGreek": false,
      "startDate": "2026-10-18",
      "endDate": null,
      "type": "concert",
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      },
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        "amount": 15,
        "currency": "EUR",
        "range": "€15 - €30"
      },
      "url": "https://www.athinorama.gr/music/gig/spuros_kai_makis_karabiotis-10087463/",
      "ticketUrl": "https://www.ticketservices.gr/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-01-26 13:11:15",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "17:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
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    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "00013a1fb92ea469",
      "title": "PHANTOM SPELL",
      "description": "",
      "fullDescription": "Wishbone Ash, Camel, and Uriah Heep — those are the touchstones Phantom Spell mines, and the Spanish band's 2025 album Heather & Hearth lands at Kyttaro on Sunday 25 October 2026.\n\nFronted by Kyle McNeill (also of Seven Sisters), the band lives at the New Wave of Traditional Heavy Metal end of the spectrum, leaning the album's vintage prog instincts toward orchestration and fantasy. Doors and start at 19:00, advance EUR 25, door EUR 30.\n\nIf you want stadium-scale metal production, Kyttaro is an Ipeirou-and-Acharnon corner club — but if you want a Sunday-evening NWOTHM headline at one of Athens' longstanding live rooms, Phantom Spell is the set.\n\n<!-- timeliness-expires: 2026-10-25 -->",
      "fullDescriptionEn": "Wishbone Ash, Camel, and Uriah Heep — those are the touchstones Phantom Spell mines, and the Spanish band's 2025 album Heather & Hearth lands at Kyttaro on Sunday 25 October 2026.\n\nFronted by Kyle McNeill (also of Seven Sisters), the band lives at the New Wave of Traditional Heavy Metal end of the spectrum, leaning the album's vintage prog instincts toward orchestration and fantasy. Doors and start at 19:00, advance EUR 25, door EUR 30.\n\nIf you want stadium-scale metal production, Kyttaro is an Ipeirou-and-Acharnon corner club — but if you want a Sunday-evening NWOTHM headline at one of Athens' longstanding live rooms, Phantom Spell is the set.\n\n<!-- timeliness-expires: 2026-10-25 -->",
      "fullDescriptionGr": "Wishbone Ash, Camel, and Uriah Heep — those are the touchstones Phantom Spell mines, and the Spanish band's 2025 album Heather & Hearth lands at Kyttaro on Sunday 25 October 2026.\n\nFronted by Kyle McNeill (also of Seven Sisters), the band lives at the New Wave of Traditional Heavy Metal end of the spectrum, leaning the album's vintage prog instincts toward orchestration and fantasy. Doors and start at 19:00, advance EUR 25, door EUR 30.\n\nIf you want stadium-scale metal production, Kyttaro is an Ipeirou-and-Acharnon corner club — but if you want a Sunday-evening NWOTHM headline at one of Athens' longstanding live rooms, Phantom Spell is the set.\n\n<!-- timeliness-expires: 2026-10-25 -->",
      "hasNativeGreek": false,
      "startDate": "2026-10-25T19:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Metal",
        "Rock",
        "Progressive",
        "Historic",
        "Music-heads",
        "Standing-room",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Κύτταρο",
        "address": "Αχαρνών, Ipeirou και",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.990675,
          "lon": 23.726265
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 22,
        "currency": "EUR",
        "range": "€22 - €25"
      },
      "url": "https://www.ticketservices.gr/event/14350/",
      "ticketUrl": "https://www.ticketservices.gr/event/14350/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "ticketservices",
      "createdAt": "2026-03-31 05:08:52",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "19:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_61738_or_phanotm-spell-poster.jpg",
      "imageSource": "backfill",
      "imageLocal": "/images/events/00013a1fb92ea469.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "aa4f092178ebc07a",
      "title": "«Κονσέρτο ενός παράδοξου κόσμου»",
      "description": "Η Έλενα Ξυδιά, η διάσημη «ιπτάμενη πιανίστρια», παίζει πιάνο ζωντανά στη σκηνή με τον ίδιο της τον εαυτό. Μαζί της, ένα σύνολο μουσικών και ηθοποιών...",
      "fullDescription": "The stage setup tells you something's off. A piano. A cello. A screen with images that might be from memory, or fever, or a dream someone's trying to explain to a stranger. Then the music starts—and it's not what you expected.\n\n\"Κονσέρτο ενός παράδοξου κόσμου\" (Concerto of a Paradoxical World) pairs live classical performance with film projection, creating a narrative that exists in the space between sound and image. The ensemble treats the projection like another instrument—not illustrating the music, but having a conversation with it. This is concert-theater: high technical craft deployed to ask questions rather than answer them.\n\nYiannis Angelakis's ensemble brings precision and risk. The cello phrases complicate what you're seeing. The piano suggests memories that don't match the visuals. It's disorienting on purpose.\n\nYou'll sit with people who follow classical music here, plus experimentalists who track multimedia work, plus first-timers who just saw the title and sensed something interesting. The crowd contains multitudes—but they share one thing: attention. This room doesn't support partial listening.\n\nThe experience unfolds like a piece being assembled in real time. First act establishes the paradox (sound and image disagreeing). Second act deepens the mystery (you stop trying to reconcile them and start following each separately). By intermission, you're inside a different frame of consciousness. Final movement resolves nothing, which is exactly the point.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Θέατρο ΕΛΕΡ, 280-seat theater, professional concert staging |\n| **Vibe** | Intellectual, elegant, slightly unsettling, composed |\n| **Format** | Piano, cello, projection, contemporary classical, ~70 minutes |\n| **Doors** | Standard, some reserved seating |\n\nIf you need a clear story or a resolve that feels earned through familiar dramatic beats, this work will frustrate you. The paradox is the point. But if you want to sit inside active confusion—if you trust a composer more than conventional narrative—this is precisely calibrated for you.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 19:30 |\n| **Performance starts** | 20:00 |\n| **Intermission** | Yes (~20 minutes) |\n| **Duration** | ~70 minutes + intermission |\n| **Price** | €16 advance / €18 door |\n| **Tickets** | ELER website (viva.gr) |\n| **Address** | 15 Agia Paraskevi Street, Exarchia |\n| **Getting there** | Omonia Metro, 8-minute walk |\n| **Last metro** | 23:28 (show ends by 22:00) |\n| **Payment** | Cards and cash |\n| **Good to know** | Program notes available in Greek; visual art carries meaning even without spoken language |",
      "fullDescriptionEn": "The stage setup tells you something's off. A piano. A cello. A screen with images that might be from memory, or fever, or a dream someone's trying to explain to a stranger. Then the music starts—and it's not what you expected.\n\n\"Κονσέρτο ενός παράδοξου κόσμου\" (Concerto of a Paradoxical World) pairs live classical performance with film projection, creating a narrative that exists in the space between sound and image. The ensemble treats the projection like another instrument—not illustrating the music, but having a conversation with it. This is concert-theater: high technical craft deployed to ask questions rather than answer them.\n\nYiannis Angelakis's ensemble brings precision and risk. The cello phrases complicate what you're seeing. The piano suggests memories that don't match the visuals. It's disorienting on purpose.\n\nYou'll sit with people who follow classical music here, plus experimentalists who track multimedia work, plus first-timers who just saw the title and sensed something interesting. The crowd contains multitudes—but they share one thing: attention. This room doesn't support partial listening.\n\nThe experience unfolds like a piece being assembled in real time. First act establishes the paradox (sound and image disagreeing). Second act deepens the mystery (you stop trying to reconcile them and start following each separately). By intermission, you're inside a different frame of consciousness. Final movement resolves nothing, which is exactly the point.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Θέατρο ΕΛΕΡ, 280-seat theater, professional concert staging |\n| **Vibe** | Intellectual, elegant, slightly unsettling, composed |\n| **Format** | Piano, cello, projection, contemporary classical, ~70 minutes |\n| **Doors** | Standard, some reserved seating |\n\nIf you need a clear story or a resolve that feels earned through familiar dramatic beats, this work will frustrate you. The paradox is the point. But if you want to sit inside active confusion—if you trust a composer more than conventional narrative—this is precisely calibrated for you.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 19:30 |\n| **Performance starts** | 20:00 |\n| **Intermission** | Yes (~20 minutes) |\n| **Duration** | ~70 minutes + intermission |\n| **Price** | €16 advance / €18 door |\n| **Tickets** | ELER website (viva.gr) |\n| **Address** | 15 Agia Paraskevi Street, Exarchia |\n| **Getting there** | Omonia Metro, 8-minute walk |\n| **Last metro** | 23:28 (show ends by 22:00) |\n| **Payment** | Cards and cash |\n| **Good to know** | Program notes available in Greek; visual art carries meaning even without spoken language |",
      "fullDescriptionGr": "The stage setup tells you something's off. A piano. A cello. A screen with images that might be from memory, or fever, or a dream someone's trying to explain to a stranger. Then the music starts—and it's not what you expected.\n\n\"Κονσέρτο ενός παράδοξου κόσμου\" (Concerto of a Paradoxical World) pairs live classical performance with film projection, creating a narrative that exists in the space between sound and image. The ensemble treats the projection like another instrument—not illustrating the music, but having a conversation with it. This is concert-theater: high technical craft deployed to ask questions rather than answer them.\n\nYiannis Angelakis's ensemble brings precision and risk. The cello phrases complicate what you're seeing. The piano suggests memories that don't match the visuals. It's disorienting on purpose.\n\nYou'll sit with people who follow classical music here, plus experimentalists who track multimedia work, plus first-timers who just saw the title and sensed something interesting. The crowd contains multitudes—but they share one thing: attention. This room doesn't support partial listening.\n\nThe experience unfolds like a piece being assembled in real time. First act establishes the paradox (sound and image disagreeing). Second act deepens the mystery (you stop trying to reconcile them and start following each separately). By intermission, you're inside a different frame of consciousness. Final movement resolves nothing, which is exactly the point.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Θέατρο ΕΛΕΡ, 280-seat theater, professional concert staging |\n| **Vibe** | Intellectual, elegant, slightly unsettling, composed |\n| **Format** | Piano, cello, projection, contemporary classical, ~70 minutes |\n| **Doors** | Standard, some reserved seating |\n\nIf you need a clear story or a resolve that feels earned through familiar dramatic beats, this work will frustrate you. The paradox is the point. But if you want to sit inside active confusion—if you trust a composer more than conventional narrative—this is precisely calibrated for you.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 19:30 |\n| **Performance starts** | 20:00 |\n| **Intermission** | Yes (~20 minutes) |\n| **Duration** | ~70 minutes + intermission |\n| **Price** | €16 advance / €18 door |\n| **Tickets** | ELER website (viva.gr) |\n| **Address** | 15 Agia Paraskevi Street, Exarchia |\n| **Getting there** | Omonia Metro, 8-minute walk |\n| **Last metro** | 23:28 (show ends by 22:00) |\n| **Payment** | Cards and cash |\n| **Good to know** | Program notes available in Greek; visual art carries meaning even without spoken language |",
      "hasNativeGreek": false,
      "startDate": "2026-12-04T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "music-film"
      ],
      "tags": [],
      "venue": {
        "name": "Θέατρο ΕΛΕΡ",
        "address": "Frynichou 10, Athens 105 58",
        "neighborhood": "Plaka",
        "coordinates": {
          "lat": 37.9703,
          "lon": 23.7306
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€12-20"
      },
      "url": "https://www.athinorama.gr/music/gig/konserto_enos_paradoksou_kosmou-10088201/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/konserto_enos_paradoksou_kosmou-10088201/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-01-12T21:21:44.966Z",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "161db7297a22697b",
      "title": "«Μεγάλες Κυρίες τραγουδούν…»",
      "description": "Η Άρτεμις Ματαφιά παρουσιάζει μια μουσικοθεατρική παράσταση-φόρο τιμής σε εξέχουσες γυναικείες προσωπικότητες του διεθνούς και ελληνικού πενταγράμμου....",
      "fullDescription": "The venue is literally a train car. You walk through a conductor's cabin and into a dining space that moves. The music starts—and the space moves with it, intimate and impossible and completely real.\n\n\"Μεγάλες Κυρίες τραγουδούν…\" (Grand Ladies Sing...) is cabaret theater that takes the Orient Express setting seriously. The performers—voices trained in different traditions, some classical, some theatrical—move through the carriage as though traveling together. The set moves. The audience moves with it. Music becomes an experience of displacement, which is exactly what a train should produce.\n\nThis is theater that understands nostalgia as a legitimate emotion, but doesn't settle for it. The singers are real musicians, not caricatures. The songs span traditions: there's aria, there's chanson, there's composition written specifically for this piece. The Orient Express isn't decoration; it's the statement itself—we are moved through space by what we hear.\n\nYou'll find people here who love theatrical spectacle, who understand cabaret as an art form, who came specifically for the train experience. The crowd contains theater professionals, nostalgia tourists, and people who just trusted the concept. Everyone settles into the same generosity once the train starts moving.\n\nThe experience unfolds through stations. Early sections introduce the performers and the conceit (we are traveling together). Middle movements shift through different territories of song—classical becomes theatrical becomes contemporary. Final sequences feel like arrival, though you're still inside the car.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Orient Express replica train car, 60-80 seats, mobile venue |\n| **Vibe** | Luxurious but human, theatrical, nostalgic without being kitsch, intimate |\n| **Format** | Cabaret-theater with live music, ~75 minutes |\n| **Doors** | Reservation only; arrive 15 minutes early for boarding |\n\nIf you need a traditional theater experience, this won't deliver it. The movement is the content. But if you want to sit in a moving train while trained voices take you somewhere through song—if you trust theatrical spectacle as a legitimate art form—this is where the evening lives.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 20:15 (boarding) |\n| **Performance starts** | 20:30 |\n| **Duration** | ~75 minutes, continuous |\n| **Price** | €65 fixed (includes one drink) |\n| **Tickets** | Reservation required via Το Τρένο στο Ρουφ |\n| **Address** | Πλατεία Αγ. Γεωργίου, Rouf |\n| **Getting there** | Rouf area, taxi recommended (€8-12 from center) |\n| **Last metro** | Varied; taxi home recommended |\n| **Payment** | Cash preferred, cards accepted |\n| **Good to know** | Mobile venue; movement is integral; arrive early for full arrival experience |",
      "fullDescriptionEn": "The venue is literally a train car. You walk through a conductor's cabin and into a dining space that moves. The music starts—and the space moves with it, intimate and impossible and completely real.\n\n\"Μεγάλες Κυρίες τραγουδούν…\" (Grand Ladies Sing...) is cabaret theater that takes the Orient Express setting seriously. The performers—voices trained in different traditions, some classical, some theatrical—move through the carriage as though traveling together. The set moves. The audience moves with it. Music becomes an experience of displacement, which is exactly what a train should produce.\n\nThis is theater that understands nostalgia as a legitimate emotion, but doesn't settle for it. The singers are real musicians, not caricatures. The songs span traditions: there's aria, there's chanson, there's composition written specifically for this piece. The Orient Express isn't decoration; it's the statement itself—we are moved through space by what we hear.\n\nYou'll find people here who love theatrical spectacle, who understand cabaret as an art form, who came specifically for the train experience. The crowd contains theater professionals, nostalgia tourists, and people who just trusted the concept. Everyone settles into the same generosity once the train starts moving.\n\nThe experience unfolds through stations. Early sections introduce the performers and the conceit (we are traveling together). Middle movements shift through different territories of song—classical becomes theatrical becomes contemporary. Final sequences feel like arrival, though you're still inside the car.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Orient Express replica train car, 60-80 seats, mobile venue |\n| **Vibe** | Luxurious but human, theatrical, nostalgic without being kitsch, intimate |\n| **Format** | Cabaret-theater with live music, ~75 minutes |\n| **Doors** | Reservation only; arrive 15 minutes early for boarding |\n\nIf you need a traditional theater experience, this won't deliver it. The movement is the content. But if you want to sit in a moving train while trained voices take you somewhere through song—if you trust theatrical spectacle as a legitimate art form—this is where the evening lives.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 20:15 (boarding) |\n| **Performance starts** | 20:30 |\n| **Duration** | ~75 minutes, continuous |\n| **Price** | €65 fixed (includes one drink) |\n| **Tickets** | Reservation required via Το Τρένο στο Ρουφ |\n| **Address** | Πλατεία Αγ. Γεωργίου, Rouf |\n| **Getting there** | Rouf area, taxi recommended (€8-12 from center) |\n| **Last metro** | Varied; taxi home recommended |\n| **Payment** | Cash preferred, cards accepted |\n| **Good to know** | Mobile venue; movement is integral; arrive early for full arrival experience |",
      "fullDescriptionGr": "The venue is literally a train car. You walk through a conductor's cabin and into a dining space that moves. The music starts—and the space moves with it, intimate and impossible and completely real.\n\n\"Μεγάλες Κυρίες τραγουδούν…\" (Great Ladies Sing...) is cabaret theater that takes the Orient Express setting seriously. The performers—voices trained in different traditions, some classical, some theatrical—move through the carriage as though traveling together. The set moves. The audience moves with it. Music becomes an experience of displacement, which is exactly what a train should produce.\n\nThis is theater that understands nostalgia as a legitimate emotion, but doesn't settle for it. The \"great ladies\" singing are real musicians, not caricatures. The songs span traditions: there's aria, there's chanson, there's composition written specifically for this piece. The Orient Express isn't decoration; it's the statement itself—we are moved through space by what we hear.\n\nYou'll find people here who love theatrical spectacle, who understand cabaret as an art form, who came specifically for the train experience. The crowd contains theater professionals, nostalgia tourists, and people who just trusted the concept. Everyone settles into the same generosity once the train starts moving.\n\nThe experience unfolds through stations. Early sections introduce the performers and the conceit (we are traveling together). Middle movements shift through different territories of song—classical becomes theatrical becomes contemporary. Final sequences feel like arrival, though you're still inside the car.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Orient Express replica train car, 60-80 seats, mobile venue |\n| **Vibe** | Luxurious but human, theatrical, nostalgic without being kitsch, intimate |\n| **Format** | Cabaret-theater with live music, ~75 minutes |\n| **Doors** | Reservation only; arrive 15 minutes early for boarding |\n\nIf you need a traditional theater experience, this won't deliver it. The movement is the content. But if you want to sit in a moving train while trained voices take you somewhere through song—if you trust theatrical spectacle as a legitimate art form—this is where the evening lives.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 20:15 (boarding) |\n| **Performance starts** | 20:30 |\n| **Duration** | ~75 minutes, continuous |\n| **Price** | €65 fixed (includes one drink) |\n| **Tickets** | Reservation required via Το Τρένο στο Ρουφ |\n| **Address** | Πλατεία Αγ. Γεωργίου, Rouf |\n| **Getting there** | Rouf area, taxi recommended (€8-12 from center) |\n| **Last metro** | Varied; taxi home recommended |\n| **Payment** | Cash preferred, cards accepted |\n| **Good to know** | Mobile venue; movement is integral; arrive early for full arrival experience |",
      "hasNativeGreek": false,
      "startDate": "2026-12-04T20:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "music-film"
      ],
      "tags": [],
      "venue": {
        "name": "Το Τρένο στο Ρουφ",
        "address": "Konstantinoupoleos, Rouf Station, Athens 118 54",
        "neighborhood": "Rouf / Gazi",
        "coordinates": {
          "lat": 37.9742,
          "lon": 23.7037
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 20,
        "currency": "EUR",
        "range": "€15-30"
      },
      "url": "https://www.athinorama.gr/music/gig/megales_kuries_tragoudoun-10083518/",
      "ticketUrl": "https://www.more.com/gr-el/music/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-01-19T23:07:36.452Z",
      "updatedAt": "2026-04-24 05:07:28",
      "language": "en",
      "timeSource": "not_found",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "2c666d43169ce1f6",
      "title": "Γιαγκίνηδες",
      "description": "Το σχήμα που αγαπήθηκε για τον τρόπο με τον οποίο παντρεύει το ρεμπέτικο και το λαϊκό με τη νεανική ενέργεια, παρουσιάζει το νέο του live: «Όλοι...",
      "fullDescription": "Gazarte at night has a specific smell—wood and electricity and people who've been dancing for hours. You arrive, and there's already something moving through the air that isn't quite music yet. It's potential. Someone's about to make it physical.\n\nΓιαγκίνηδες (Yiagkinides) are a collective that emerged from the Greek electronic underground and never left it. What they do is rooted in club culture but refuses to stay there—the sound is dance music that doesn't always let you dance, beats that exist to complicate rhythm rather than confirm it. They've played Berghain. They've played Fabric. They know what precision sounds like at volume.\n\nThis is the kind of Athens electronic act that represents something essential about contemporary Greek music culture: rooted in local tradition, globally fluent, technically sophisticated, and uninterested in simplification.\n\nYou'll sit with devoted electronic music followers, Berlin-trained producers who made the circuit and came home, Greeks following the work, and people who just heard something was happening at Gazarte. Everyone agrees on one thing: this is about sound, not scene. Phones stay away. Attention concentrates.\n\nGazarte's dance floor fills as the set develops. First hour establishes the palette (precision beats, carefully chosen frequencies, no filler). Second hour builds commitment (you're inside a movement now, not watching one). Final sequences are hypnotic—everyone's moved into synchronized breathing. By 1am, the room is a single organism that Yiagkinides is guiding through territories of texture.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Gazarte Ground Stage, 500+ capacity, tuned sound system |\n| **Vibe** | Technical, focused, local-favorite, intellectually engaged |\n| **Format** | Live electronic set, 90-120 minutes |\n| **Doors** | Selection policy in effect; dress appropriately |\n\nIf you need top-40 beats or club energy that feels accessible, this won't be your night. The sound is demanding. But if you want to understand what Athens electronic music sounds like when it stops trying to impress anyone and just explores—when precision becomes the content—this is where it happens.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 22:00 |\n| **Performance starts** | ~23:00 |\n| **Peak time** | 00:30-02:00 |\n| **Duration** | ~100 minutes |\n| **Price** | €15 advance / €18 door |\n| **Tickets** | Viva.gr or Gazarte door |\n| **Address** | 34-36 Voutadon Street, Gazi |\n| **Getting there** | Kerameikos metro, 8-minute walk |\n| **Last metro** | 23:28 (show ends 1:45am; taxi home recommended) |\n| **Payment** | Cards and cash |\n| **Good to know** | Doors is strict about dress code—avoid heavy sportswear |",
      "fullDescriptionEn": "Gazarte at night has a specific smell—wood and electricity and people who've been dancing for hours. You arrive, and there's already something moving through the air that isn't quite music yet. It's potential. Someone's about to make it physical.\n\nΓιαγκίνηδες (Yiagkinides) are a collective that emerged from the Greek electronic underground and never left it. What they do is rooted in club culture but refuses to stay there—the sound is dance music that doesn't always let you dance, beats that exist to complicate rhythm rather than confirm it. They've played Berghain. They've played Fabric. They know what precision sounds like at volume.\n\nThis is the kind of Athens electronic act that represents something essential about contemporary Greek music culture: rooted in local tradition, globally fluent, technically sophisticated, and uninterested in simplification.\n\nYou'll sit with devoted electronic music followers, Berlin-trained producers who made the circuit and came home, Greeks following the work, and people who just heard something was happening at Gazarte. Everyone agrees on one thing: this is about sound, not scene. Phones stay away. Attention concentrates.\n\nGazarte's dance floor fills as the set develops. First hour establishes the palette (precision beats, carefully chosen frequencies, no filler). Second hour builds commitment (you're inside a movement now, not watching one). Final sequences are hypnotic—everyone's moved into synchronized breathing. By 1am, the room is a single organism that Yiagkinides is guiding through territories of texture.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Gazarte Ground Stage, 500+ capacity, tuned sound system |\n| **Vibe** | Technical, focused, local-favorite, intellectually engaged |\n| **Format** | Live electronic set, 90-120 minutes |\n| **Doors** | Selection policy in effect; dress appropriately |\n\nIf you need top-40 beats or club energy that feels accessible, this won't be your night. The sound is demanding. But if you want to understand what Athens electronic music sounds like when it stops trying to impress anyone and just explores—when precision becomes the content—this is where it happens.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 22:00 |\n| **Performance starts** | ~23:00 |\n| **Peak time** | 00:30-02:00 |\n| **Duration** | ~100 minutes |\n| **Price** | €15 advance / €18 door |\n| **Tickets** | Viva.gr or Gazarte door |\n| **Address** | 34-36 Voutadon Street, Gazi |\n| **Getting there** | Kerameikos metro, 8-minute walk |\n| **Last metro** | 23:28 (show ends 1:45am; taxi home recommended) |\n| **Payment** | Cards and cash |\n| **Good to know** | Doors is strict about dress code—avoid heavy sportswear |",
      "fullDescriptionGr": "Gazarte at night has a specific smell—wood and electricity and people who've been dancing for hours. You arrive, and there's already something moving through the air that isn't quite music yet. It's potential. Someone's about to make it physical.\n\nΓιαγκίνηδες (Yiagkinides) are a collective that emerged from the Greek electronic underground and never left it. What they do is rooted in club culture but refuses to stay there—the sound is dance music that doesn't always let you dance, beats that exist to complicate rhythm rather than confirm it. They've played Berghain. They've played Fabric. They know what precision sounds like at volume.\n\nThis is the kind of Athens electronic act that represents something essential about contemporary Greek music culture: rooted in local tradition, globally fluent, technically sophisticated, and uninterested in simplification.\n\nYou'll sit with devoted electronic music followers, Berlin-trained producers who made the circuit and came home, Greeks following the work, and people who just heard something was happening at Gazarte. Everyone agrees on one thing: this is about sound, not scene. Phones stay away. Attention concentrates.\n\nGazarte's dance floor fills as the set develops. First hour establishes the palette (precision beats, carefully chosen frequencies, no filler). Second hour builds commitment (you're inside a movement now, not watching one). Final sequences are hypnotic—everyone's moved into synchronized breathing. By 1am, the room is a single organism that Yiagkinides is guiding through territories of texture.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Gazarte Ground Stage, 500+ capacity, excellent sound system |\n| **Vibe** | Technical, focused, local-favorite, intellectually engaged |\n| **Format** | Live electronic set, 90-120 minutes |\n| **Doors** | Selection policy in effect; dress appropriately |\n\nIf you need top-40 beats or club energy that feels accessible, this won't be your night. The sound is demanding. But if you want to understand what Athens electronic music sounds like when it stops trying to impress anyone and just explores—when precision becomes the content—this is where it happens.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 22:00 |\n| **Performance starts** | ~23:00 |\n| **Peak time** | 00:30-02:00 |\n| **Duration** | ~100 minutes |\n| **Price** | €15 advance / €18 door |\n| **Tickets** | Viva.gr or Gazarte door |\n| **Address** | 34-36 Voutadon Street, Gazi |\n| **Getting there** | Kerameikos metro, 8-minute walk |\n| **Last metro** | 23:28 (show ends 1:45am; taxi home recommended) |\n| **Payment** | Cards and cash |\n| **Good to know** | Doors is strict about dress code—avoid heavy sportswear |",
      "hasNativeGreek": false,
      "startDate": "2026-12-04T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "various"
      ],
      "tags": [],
      "venue": {
        "name": "Gazarte",
        "address": "32-34 Voutadon St, Gazi, Athens",
        "neighborhood": "Gazi / Keramikos",
        "coordinates": {
          "lat": 37.9775,
          "lon": 23.7153
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://www.athinorama.gr/music/gig/giagkinides_-10088259/",
      "ticketUrl": "https://www.more.com/gr-el/music/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-01-12T21:21:44.966Z",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "2e2c3f8c3486af71",
      "title": "Nu Balkan",
      "description": "Πέντε σπουδαίοι μουσικοί ενώνουν τις δυνάμεις τους και μας ταξιδεύουν στις βαλκανικές μουσικές παραδόσεις μέσα από τη δύναμη του αυτοσχεδιασμού. Οι...",
      "fullDescription": "The Theatre Of The No has the kind of space where sound travels weirdly—intimate even when full, slightly disorienting if you arrive unprepared. The lights shift. Someone plugs something in. Nu Balkan enters like they've played venues twice this size and chose to come here anyway.\n\nNu Balkan is the collaboration that takes music you've heard all your life and asks it to say something it's never said before. Balkan traditional forms—rhythms that predate notation, vocals that follow emotion rather than melody—get pulled into contemporary electronic production. The result doesn't erase the source. It complicates it. Deepens it. Makes it new without forgetting what it was.\n\nThis is serious cultural work wrapped in music that sounds like celebration. The band knows the tradition deeply enough to risk breaking it. That knowledge is audible.\n\nThe crowd is mixed: ethnomusicology students, contemporary electronic followers, Greeks reconnecting with the sounds of grandparents' homes translated through future-tense production, expats following work that speaks across cultural borders. Everyone's here for substance. The room supports real listening.\n\nThe set unfolds through stations. Early songs establish the palette (familiar forms made strange). Middle sections deepen the experiment (traditional rhythm structures bent into new shapes). Final sequences bring it back to something recognizable—but you're not the same listener who arrived. The experience has shifted your relationship with what \"traditional\" can mean.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Theatre Of The No, 150-200 capacity, intimate staging |\n| **Vibe** | Serious, experimental, rooted in tradition, forward-thinking, inclusive |\n| **Format** | Live band performance, contemporary production, ~70 minutes |\n| **Doors** | Walk-in friendly, standing room and limited seating |\n\nIf you need straight club energy or familiar pop-folk forms, this will seem too conceptual. But if you want to witness traditional culture being renewed by artists who respect its depth—if you want to understand what Balkan music sounds like from the future—this is exactly what you're looking for.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:00 |\n| **Performance starts** | ~21:30 |\n| **Duration** | ~70 minutes |\n| **Price** | €12 advance / €15 door |\n| **Tickets** | Viva.gr or door |\n| **Address** | 5 Melidoni Street, Exarchia |\n| **Getting there** | Omonia Metro, 10-minute walk |\n| **Last metro** | 23:28 (show ends ~22:40) |\n| **Payment** | Cards and cash |\n| **Good to know** | Balkan music vocabulary varies by region; the band draws from multiple traditions |",
      "fullDescriptionEn": "The Theatre Of The No has the kind of space where sound travels weirdly—intimate even when full, slightly disorienting if you arrive unprepared. The lights shift. Someone plugs something in. Nu Balkan enters like they've played venues twice this size and chose to come here anyway.\n\nNu Balkan is the collaboration that takes music you've heard all your life and asks it to say something it's never said before. Balkan traditional forms—rhythms that predate notation, vocals that follow emotion rather than melody—get pulled into contemporary electronic production. The result doesn't erase the source. It complicates it. Deepens it. Makes it new without forgetting what it was.\n\nThis is serious cultural work wrapped in music that sounds like celebration. The band knows the tradition deeply enough to risk breaking it. That knowledge is audible.\n\nThe crowd is mixed: ethnomusicology students, contemporary electronic followers, Greeks reconnecting with the sounds of grandparents' homes translated through future-tense production, expats following work that speaks across cultural borders. Everyone's here for substance. The room supports real listening.\n\nThe set unfolds through stations. Early songs establish the palette (familiar forms made strange). Middle sections deepen the experiment (traditional rhythm structures bent into new shapes). Final sequences bring it back to something recognizable—but you're not the same listener who arrived. The experience has shifted your relationship with what \"traditional\" can mean.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Theatre Of The No, 150-200 capacity, intimate staging |\n| **Vibe** | Serious, experimental, rooted in tradition, forward-thinking, inclusive |\n| **Format** | Live band performance, contemporary production, ~70 minutes |\n| **Doors** | Walk-in friendly, standing room and limited seating |\n\nIf you need straight club energy or familiar pop-folk forms, this will seem too conceptual. But if you want to witness traditional culture being renewed by artists who respect its depth—if you want to understand what Balkan music sounds like from the future—this is exactly what you're looking for.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:00 |\n| **Performance starts** | ~21:30 |\n| **Duration** | ~70 minutes |\n| **Price** | €12 advance / €15 door |\n| **Tickets** | Viva.gr or door |\n| **Address** | 5 Melidoni Street, Exarchia |\n| **Getting there** | Omonia Metro, 10-minute walk |\n| **Last metro** | 23:28 (show ends ~22:40) |\n| **Payment** | Cards and cash |\n| **Good to know** | Balkan music vocabulary varies by region; the band draws from multiple traditions |",
      "fullDescriptionGr": "The Theatre Of The No has the kind of space where sound travels weirdly—intimate even when full, slightly disorienting if you arrive unprepared. The lights shift. Someone plugs something in. Nu Balkan enters like they've played venues twice this size and chose to come here anyway.\n\nNu Balkan is the collaboration that takes music you've heard all your life and asks it to say something it's never said before. Balkan traditional forms—rhythms that predate notation, vocals that follow emotion rather than melody—get pulled into contemporary electronic production. The result doesn't erase the source. It complicates it. Deepens it. Makes it new without forgetting what it was.\n\nThis is serious cultural work wrapped in music that sounds like celebration. The band knows the tradition deeply enough to risk breaking it. That knowledge is audible.\n\nThe crowd is mixed: ethnomusicology students, contemporary electronic followers, Greeks reconnecting with the sounds of grandparents' homes translated through future-tense production, expats following work that speaks across cultural borders. Everyone's here for substance. The room supports real listening.\n\nThe set unfolds through stations. Early songs establish the palette (familiar forms made strange). Middle sections deepen the experiment (traditional rhythm structures bent into new shapes). Final sequences bring it back to something recognizable—but you're not the same listener who arrived. The experience has shifted your relationship with what \"traditional\" can mean.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Theatre Of The No, 150-200 capacity, intimate staging |\n| **Vibe** | Serious, experimental, rooted in tradition, forward-thinking, inclusive |\n| **Format** | Live band performance, contemporary production, ~70 minutes |\n| **Doors** | Walk-in friendly, standing room and limited seating |\n\nIf you need straight club energy or familiar pop-folk forms, this will seem too conceptual. But if you want to witness traditional culture being renewed by artists who respect its depth—if you want to understand what Balkan music sounds like from the future—this is exactly what you're looking for.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:00 |\n| **Performance starts** | ~21:30 |\n| **Duration** | ~70 minutes |\n| **Price** | €12 advance / €15 door |\n| **Tickets** | Viva.gr or door |\n| **Address** | 5 Melidoni Street, Exarchia |\n| **Getting there** | Omonia Metro, 10-minute walk |\n| **Last metro** | 23:28 (show ends ~22:40) |\n| **Payment** | Cards and cash |\n| **Good to know** | Balkan music vocabulary varies by region; the band draws from multiple traditions |",
      "hasNativeGreek": false,
      "startDate": "2026-12-04T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "various"
      ],
      "tags": [],
      "venue": {
        "name": "Theatre Of The No",
        "address": "Bouboulinas 17-19, Athens 106 82",
        "neighborhood": "Metaxourgeio",
        "coordinates": {
          "lat": 37.987,
          "lon": 23.7285
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€12-20"
      },
      "url": "https://www.athinorama.gr/music/gig/nu_balkan_-10088300/",
      "ticketUrl": "https://www.more.com/gr-el/theater/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-01-12T21:21:44.966Z",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "7ee758446f982a4f",
      "title": "The Hotsteppaz",
      "description": "Ο Λαιμού Θηλιά, ο AMON, ο SPAN και ο Αβέρτος ενώνουν τις φωνές τους για μια ραπ συναυλία ωμή, αυθεντική και γεμάτη ενέργεια. Το Hotsteppaz είναι μια...",
      "fullDescription": "The Ράδιο space is made for hip-hop: bare brick, good sightlines, sound system that responds to detail rather than just volume. The Hotsteppaz take the stage like they understand what this room can do, and they're ready to ask it questions.\n\nThe Hotsteppaz are part of the generation that made Athens hip-hop matter—not as American import, but as a legitimate language for what's happening here. Their production is intricate without being overstuffed. The rhyming is sharp in multiple languages. The stage presence is confident without arrogance. This is craft applied to the culture.\n\nWhat makes them distinct: they understand hip-hop as a site for experimentation, not just entertainment. Bars mean something. Production choices are deliberate. The show respects the audience's intelligence.\n\nYou'll find committed hip-hop followers, producers tracking the Athens scene, Greeks who heard something and came to listen, people who trust Ράδιο's programming. Everyone arrived expecting substance. That shared expectation creates permission to go deeper.\n\nThe set builds through blocks. Early songs establish credibility (they can do the basics better than most). Middle section shifts into newer material (you hear evolution). Final sequences are performance—the room becomes collaborator, and The Hotsteppaz read it perfectly. By the end, it's not performance anymore; it's conversation at high volume.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Ράδιο venue, 250-300 capacity, clear sight lines |\n| **Vibe** | Intelligent, direct, locally rooted, technically confident |\n| **Format** | Hip-hop live performance, 60-75 minutes |\n| **Doors** | Walk-in friendly, standing room only |\n\nIf you need pop-rap energy or mainstream beats, this will feel too conceptual. But if you want to hear hip-hop that treats language and production as serious materials—if you want to understand what Athens hip-hop sounds like when it stops compromising—this is where it lives.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:00 |\n| **Performance starts** | ~21:45 |\n| **Duration** | ~75 minutes |\n| **Price** | €12 advance / €14 door |\n| **Tickets** | Viva.gr or door |\n| **Address** | 67 Kalypso Street, Gazi |\n| **Getting there** | Kerameikos metro, 6-minute walk |\n| **Last metro** | 23:28 (show ends ~23:00) |\n| **Payment** | Cards and cash |\n| **Good to know** | Audio is mixed hot; if you're sensitive to volume, position yourself near the back |",
      "fullDescriptionEn": "The Ράδιο space is made for hip-hop: bare brick, good sightlines, sound system that responds to detail rather than just volume. The Hotsteppaz take the stage like they understand what this room can do, and they're ready to ask it questions.\n\nThe Hotsteppaz are part of the generation that made Athens hip-hop matter—not as American import, but as a legitimate language for what's happening here. Their production is intricate without being overstuffed. The rhyming is sharp in multiple languages. The stage presence is confident without arrogance. This is craft applied to the culture.\n\nWhat makes them distinct: they understand hip-hop as a site for experimentation, not just entertainment. Bars mean something. Production choices are deliberate. The show respects the audience's intelligence.\n\nYou'll find committed hip-hop followers, producers tracking the Athens scene, Greeks who heard something and came to listen, people who trust Ράδιο's programming. Everyone arrived expecting substance. That shared expectation creates permission to go deeper.\n\nThe set builds through blocks. Early songs establish credibility (they can do the basics better than most). Middle section shifts into newer material (you hear evolution). Final sequences are performance—the room becomes collaborator, and The Hotsteppaz read it perfectly. By the end, it's not performance anymore; it's conversation at high volume.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Ράδιο venue, 250-300 capacity, clear sight lines |\n| **Vibe** | Intelligent, direct, locally rooted, technically confident |\n| **Format** | Hip-hop live performance, 60-75 minutes |\n| **Doors** | Walk-in friendly, standing room only |\n\nIf you need pop-rap energy or mainstream beats, this will feel too conceptual. But if you want to hear hip-hop that treats language and production as serious materials—if you want to understand what Athens hip-hop sounds like when it stops compromising—this is where it lives.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:00 |\n| **Performance starts** | ~21:45 |\n| **Duration** | ~75 minutes |\n| **Price** | €12 advance / €14 door |\n| **Tickets** | Viva.gr or door |\n| **Address** | 67 Kalypso Street, Gazi |\n| **Getting there** | Kerameikos metro, 6-minute walk |\n| **Last metro** | 23:28 (show ends ~23:00) |\n| **Payment** | Cards and cash |\n| **Good to know** | Audio is mixed hot; if you're sensitive to volume, position yourself near the back |",
      "fullDescriptionGr": "The Ράδιο space is made for hip-hop: bare brick, good sightlines, sound system that responds to detail rather than just volume. The Hotsteppaz take the stage like they understand what this room can do, and they're ready to ask it questions.\n\nThe Hotsteppaz are part of the generation that made Athens hip-hop matter—not as American import, but as a legitimate language for what's happening here. Their production is intricate without being overstuffed. The rhyming is sharp in multiple languages. The stage presence is confident without arrogance. This is craft applied to the culture.\n\nWhat makes them distinct: they understand hip-hop as a site for experimentation, not just entertainment. Bars mean something. Production choices are deliberate. The show respects the audience's intelligence.\n\nYou'll find committed hip-hop followers, producers tracking the Athens scene, Greeks who heard something and came to listen, people who trust Ράδιο's programming. Everyone arrived expecting substance. That shared expectation creates permission to go deeper.\n\nThe set builds through blocks. Early songs establish credibility (they can do the basics better than most). Middle section shifts into newer material (you hear evolution). Final sequences are performance—the room becomes collaborator, and The Hotsteppaz read it perfectly. By the end, it's not performance anymore; it's conversation at high volume.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Ράδιο venue, 250-300 capacity, excellent sight lines |\n| **Vibe** | Intelligent, direct, locally rooted, technically confident |\n| **Format** | Hip-hop live performance, 60-75 minutes |\n| **Doors** | Walk-in friendly, standing room only |\n\nIf you need pop-rap energy or mainstream beats, this will feel too conceptual. But if you want to hear hip-hop that treats language and production as serious materials—if you want to understand what Athens hip-hop sounds like when it stops compromising—this is where it lives.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:00 |\n| **Performance starts** | ~21:45 |\n| **Duration** | ~75 minutes |\n| **Price** | €12 advance / €14 door |\n| **Tickets** | Viva.gr or door |\n| **Address** | 67 Kalypso Street, Gazi |\n| **Getting there** | Kerameikos metro, 6-minute walk |\n| **Last metro** | 23:28 (show ends ~23:00) |\n| **Payment** | Cards and cash |\n| **Good to know** | Audio is mixed hot; if you're sensitive to volume, position yourself near the back |",
      "hasNativeGreek": false,
      "startDate": "2026-12-04T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "hip-hop"
      ],
      "tags": [],
      "venue": {
        "name": "Ράδιο",
        "address": "Dekeleon 24, Athens 118 54",
        "neighborhood": "Gazi / Keramikos",
        "coordinates": {
          "lat": 37.977,
          "lon": 23.713
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 12,
        "currency": "EUR",
        "range": "€10-18"
      },
      "url": "https://www.athinorama.gr/music/gig/the_hotsteppaz-10088317/",
      "ticketUrl": "https://www.more.com/gr-el/music/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-01-12T21:21:44.966Z",
      "updatedAt": "2026-05-27 05:07:40",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "474633e3742515dc",
      "title": "Απόστολος Ρίζος",
      "description": "Εγκαινιάζει έναν νέο κύκλο συναυλιών και εμφανίσεων, με αφορμή την κυκλοφορία του νέου του άλμπουμ με τίτλο «Ασκήσεις τρυφερότητας». Μια μουσική...",
      "fullDescription": "Κύτταρο fills with a specific energy when a solo performer arrives. The space—intimate, acoustically alive—becomes less like a venue and more like a room where something essential might happen. Απόστολος Ρίζος walks on, and the room understands: we are not here for spectacle.\n\nRίζος is rooted in the Greek singer-songwriter tradition, but refuses to be contained by it. The songs are written to reveal something—not to entertain around it. His guitar work is fingerstyle precision; his voice carries weight. He knows what happens when you hold a note longer than the room expects.\n\nThis is concert culture at its most honest: one person, acoustic instruments, and the expectation that honesty will emerge if the space is protected enough.\n\nYou'll sit with people who follow Greek music seriously, who've tracked Rίζος's work, who came because they trust Κύτταρο's taste. The crowd is educated but not exclusive. Everyone came prepared for emotional content.\n\nThe set unfolds through songs that build on each other. Early pieces establish the emotional palette. Middle songs deepen into complexity—you hear arrangements that shift perspective on what you thought you understood. Final sequences are often acoustic, just voice and guitar, which is where the deepest work lives. By the end, the room has moved through multiple emotional territories.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Κύτταρο club, 120-150 capacity, tight acoustics |\n| **Vibe** | Intimate, emotionally present, serious, adult |\n| **Format** | Solo acoustic performance, 60-75 minutes |\n| **Doors** | Walk-in friendly, no door policy |\n\nIf you need party energy or background music for socializing, this won't accommodate you. The room demands attention. But if you want to sit in a small space while someone risks emotional honesty—if you trust acoustic instruments and voice as complete instruments—this is what the evening offers.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:00 |\n| **Performance starts** | ~21:30 |\n| **Duration** | ~70 minutes |\n| **Price** | €12 advance / €14 door (drink minimum €2-3) |\n| **Tickets** | Door or via venue |\n| **Address** | 32 Zinonos Street, Gazi |\n| **Getting there** | Kerameikos metro, 5-minute walk |\n| **Last metro** | 23:28 (show ends ~22:40) |\n| **Payment** | Cards and cash |\n| **Good to know** | Small venue; reserve ahead if possible; the intimacy is the point |",
      "fullDescriptionEn": "Κύτταρο fills with a specific energy when a solo performer arrives. The space—intimate, acoustically alive—becomes less like a venue and more like a room where something essential might happen. Απόστολος Ρίζος walks on, and the room understands: we are not here for spectacle.\n\nRίζος is rooted in the Greek singer-songwriter tradition, but refuses to be contained by it. The songs are written to reveal something—not to entertain around it. His guitar work is fingerstyle precision; his voice carries weight. He knows what happens when you hold a note longer than the room expects.\n\nThis is concert culture at its most honest: one person, acoustic instruments, and the expectation that honesty will emerge if the space is protected enough.\n\nYou'll sit with people who follow Greek music seriously, who've tracked Rίζος's work, who came because they trust Κύτταρο's taste. The crowd is educated but not exclusive. Everyone came prepared for emotional content.\n\nThe set unfolds through songs that build on each other. Early pieces establish the emotional palette. Middle songs deepen into complexity—you hear arrangements that shift perspective on what you thought you understood. Final sequences are often acoustic, just voice and guitar, which is where the deepest work lives. By the end, the room has moved through multiple emotional territories.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Κύτταρο club, 120-150 capacity, tight acoustics |\n| **Vibe** | Intimate, emotionally present, serious, adult |\n| **Format** | Solo acoustic performance, 60-75 minutes |\n| **Doors** | Walk-in friendly, no door policy |\n\nIf you need party energy or background music for socializing, this won't accommodate you. The room demands attention. But if you want to sit in a small space while someone risks emotional honesty—if you trust acoustic instruments and voice as complete instruments—this is what the evening offers.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:00 |\n| **Performance starts** | ~21:30 |\n| **Duration** | ~70 minutes |\n| **Price** | €12 advance / €14 door (drink minimum €2-3) |\n| **Tickets** | Door or via venue |\n| **Address** | 32 Zinonos Street, Gazi |\n| **Getting there** | Kerameikos metro, 5-minute walk |\n| **Last metro** | 23:28 (show ends ~22:40) |\n| **Payment** | Cards and cash |\n| **Good to know** | Small venue; reserve ahead if possible; the intimacy is the point |",
      "fullDescriptionGr": "Κύτταρο fills with a specific energy when a solo performer arrives. The space—intimate, acoustically alive—becomes less like a venue and more like a room where something essential might happen. Απόστολος Ρίζος walks on, and the room understands: we are not here for spectacle.\n\nRίζος is rooted in the Greek singer-songwriter tradition, but refuses to be contained by it. The songs are written to reveal something—not to entertain around it. His guitar work is fingerstyle precision; his voice carries weight. He knows what happens when you hold a note longer than the room expects.\n\nThis is concert culture at its most honest: one person, acoustic instruments, and the expectation that honesty will emerge if the space is protected enough.\n\nYou'll sit with people who follow Greek music seriously, who've tracked Rίζος's work, who came because they trust Κύτταρο's taste. The crowd is educated but not exclusive. Everyone came prepared for emotional content.\n\nThe set unfolds through songs that build on each other. Early pieces establish the emotional palette. Middle songs deepen into complexity—you hear arrangements that shift perspective on what you thought you understood. Final sequences are often acoustic, just voice and guitar, which is where the deepest work lives. By the end, the room has moved through multiple emotional territories.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Κύτταρο club, 120-150 capacity, excellent acoustics |\n| **Vibe** | Intimate, emotionally present, serious, adult |\n| **Format** | Solo acoustic performance, 60-75 minutes |\n| **Doors** | Walk-in friendly, no door policy |\n\nIf you need party energy or background music for socializing, this won't accommodate you. The room demands attention. But if you want to sit in a small space while someone risks emotional honesty—if you trust acoustic instruments and voice as complete instruments—this is what the evening offers.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:00 |\n| **Performance starts** | ~21:30 |\n| **Duration** | ~70 minutes |\n| **Price** | €12 advance / €14 door (drink minimum €2-3) |\n| **Tickets** | Door or via venue |\n| **Address** | 32 Zinonos Street, Gazi |\n| **Getting there** | Kerameikos metro, 5-minute walk |\n| **Last metro** | 23:28 (show ends ~22:40) |\n| **Payment** | Cards and cash |\n| **Good to know** | Small venue; reserve ahead if possible; the intimacy is the point |",
      "hasNativeGreek": false,
      "startDate": "2026-12-04T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "various"
      ],
      "tags": [],
      "venue": {
        "name": "Κύτταρο",
        "address": "Ipeirou 48, Athens 104 39",
        "neighborhood": "Metaxourgeio / Viktoria",
        "coordinates": {
          "lat": 37.990675,
          "lon": 23.726265
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 20,
        "currency": "EUR",
        "range": "€15-35"
      },
      "url": "https://www.athinorama.gr/music/gig/apostolos_rizos-10088313/",
      "ticketUrl": "https://www.more.com/gr-el/music/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-01-19T23:07:36.452Z",
      "updatedAt": "2026-05-27 05:07:40",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "665995ddf26a5ceb",
      "title": "Δημήτρης Κόψης",
      "description": "Νέος δημιουργός κι ερμηνευτής σε ένα live με ωραία τραγούδια και νεανική φρεσκάδα. Με αφορμή την κυκλοφορία του πρώτου προσωπικού δίσκου του με τίτλο...",
      "fullDescription": "EXA at night—the lights are right, the air has clarity, there's a sense that something genuine might happen here. Δημήτρης Κόψης takes the stage with an instrument list that makes sense: what he's about to do requires precision, and precision requires honest tools.\n\nΚόψης is a musician first, genre second. His work sits somewhere between jazz sensibility and contemporary music training, which means everything he plays has both structure and surprise. The improvisation is informed. The composition is flexible. He respects the audience enough to risk failing in front of them.\n\nThis is performance that understands technical skill as liberation, not limitation. The better the musician, the more freedom for genuine expression.\n\nYou'll find serious musicians here, people who follow contemporary Greek performance, people who read the programmer's taste and came because of it. The crowd respects what Κόψης is attempting. That respect creates permission to go into uncomfortable places.\n\nThe set builds through pieces that introduce his world. Early songs establish the instrumental language. Middle section explores implications—you hear where the tradition came from and where it wants to go. Final sequences are often improvisational, which is where the real conversation happens. The audience becomes sounding board for what emerges.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | EXA venue, 150-200 capacity, clear sightlines |\n| **Vibe** | Serious, technically accomplished, exploratory, adult |\n| **Format** | Solo/ensemble contemporary performance, 60-75 minutes |\n| **Doors** | Walk-in friendly, no door policy |\n\nIf you need straightforward songs or familiar structures, this will feel abstract. But if you want to witness a musician exploring his instrument's possibilities—if you trust skill as a gateway to meaning rather than a barrier to it—this is exactly where you belong.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:30 |\n| **Performance starts** | ~21:45 |\n| **Duration** | ~60 minutes |\n| **Price** | €12 advance / €14 door (drink minimum €2) |\n| **Tickets** | Door or via venue |\n| **Address** | 42 Eptachalkou Street, Psyrri |\n| **Getting there** | Monastiraki Metro, 8-minute walk |\n| **Last metro** | 23:28 (show ends ~22:45) |\n| **Payment** | Cards and cash |\n| **Good to know** | Small intimate space; arrive early for optimal seating near stage |",
      "fullDescriptionEn": "EXA at night—the lights are right, the air has clarity, there's a sense that something genuine might happen here. Δημήτρης Κόψης takes the stage with an instrument list that makes sense: what he's about to do requires precision, and precision requires honest tools.\n\nΚόψης is a musician first, genre second. His work sits somewhere between jazz sensibility and contemporary music training, which means everything he plays has both structure and surprise. The improvisation is informed. The composition is flexible. He respects the audience enough to risk failing in front of them.\n\nThis is performance that understands technical skill as liberation, not limitation. The better the musician, the more freedom for genuine expression.\n\nYou'll find serious musicians here, people who follow contemporary Greek performance, people who read the programmer's taste and came because of it. The crowd respects what Κόψης is attempting. That respect creates permission to go into uncomfortable places.\n\nThe set builds through pieces that introduce his world. Early songs establish the instrumental language. Middle section explores implications—you hear where the tradition came from and where it wants to go. Final sequences are often improvisational, which is where the real conversation happens. The audience becomes sounding board for what emerges.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | EXA venue, 150-200 capacity, clear sightlines |\n| **Vibe** | Serious, technically accomplished, exploratory, adult |\n| **Format** | Solo/ensemble contemporary performance, 60-75 minutes |\n| **Doors** | Walk-in friendly, no door policy |\n\nIf you need straightforward songs or familiar structures, this will feel abstract. But if you want to witness a musician exploring his instrument's possibilities—if you trust skill as a gateway to meaning rather than a barrier to it—this is exactly where you belong.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:30 |\n| **Performance starts** | ~21:45 |\n| **Duration** | ~60 minutes |\n| **Price** | €12 advance / €14 door (drink minimum €2) |\n| **Tickets** | Door or via venue |\n| **Address** | 42 Eptachalkou Street, Psyrri |\n| **Getting there** | Monastiraki Metro, 8-minute walk |\n| **Last metro** | 23:28 (show ends ~22:45) |\n| **Payment** | Cards and cash |\n| **Good to know** | Small intimate space; arrive early for optimal seating near stage |",
      "fullDescriptionGr": "EXA at night—the lights are right, the air has clarity, there's a sense that something genuine might happen here. Δημήτρης Κόψης takes the stage with an instrument list that makes sense: what he's about to do requires precision, and precision requires honest tools.\n\nΚόψης is a musician first, genre second. His work sits somewhere between jazz sensibility and contemporary music training, which means everything he plays has both structure and surprise. The improvisation is informed. The composition is flexible. He respects the audience enough to risk failing in front of them.\n\nThis is performance that understands technical skill as liberation, not limitation. The better the musician, the more freedom for genuine expression.\n\nYou'll find serious musicians here, people who follow contemporary Greek performance, people who read the programmer's taste and came because of it. The crowd respects what Κόψης is attempting. That respect creates permission to go into uncomfortable places.\n\nThe set builds through pieces that introduce his world. Early songs establish the instrumental language. Middle section explores implications—you hear where the tradition came from and where it wants to go. Final sequences are often improvisational, which is where the real conversation happens. The audience becomes sounding board for what emerges.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | EXA venue, 150-200 capacity, clear sightlines |\n| **Vibe** | Serious, technically accomplished, exploratory, adult |\n| **Format** | Solo/ensemble contemporary performance, 60-75 minutes |\n| **Doors** | Walk-in friendly, no door policy |\n\nIf you need straightforward songs or familiar structures, this will feel abstract. But if you want to witness a musician exploring his instrument's possibilities—if you trust skill as a gateway to meaning rather than a barrier to it—this is exactly where you belong.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:30 |\n| **Performance starts** | ~21:45 |\n| **Duration** | ~60 minutes |\n| **Price** | €12 advance / €14 door (drink minimum €2) |\n| **Tickets** | Door or via venue |\n| **Address** | 42 Eptachalkou Street, Psyrri |\n| **Getting there** | Monastiraki Metro, 8-minute walk |\n| **Last metro** | 23:28 (show ends ~22:45) |\n| **Payment** | Cards and cash |\n| **Good to know** | Small intimate space; arrive early for optimal seating near stage |",
      "hasNativeGreek": false,
      "startDate": "2026-12-04T21:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "various"
      ],
      "tags": [],
      "venue": {
        "name": "EXA",
        "address": "Ierofanton 13, Athens 118 54",
        "neighborhood": "Gazi / Keramikos",
        "coordinates": {
          "lat": 37.9788,
          "lon": 23.7145
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 12,
        "currency": "EUR",
        "range": "€10-18"
      },
      "url": "https://www.athinorama.gr/music/gig/dimitris_kopsis-10067888/",
      "ticketUrl": "https://www.more.com/gr-el/music/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-01-12T21:21:44.966Z",
      "updatedAt": "2026-04-24 05:07:28",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "cdf376879907aed8",
      "title": "Καλογεράκια",
      "description": "Ύστερα από 10 χρόνια μουσικών ταξιδιών, ποιητικών εκρήξεων και εξομολογήσεων, ο Μιχάλης και ο Παντελής μας καλούν σε μια παράσταση βαθιά προσωπική –...",
      "fullDescription": "The stage is set like a living room where something slightly dangerous might happen. The lights are warm. Someone's about to tell you something true, possibly while becoming someone else entirely.\n\n\"Καλογεράκια\" (Nuns—but the title is deliberately ambiguous) is theater that doesn't announce itself. It arrives as comedy and pivots into something darker, or arrives as darkness and reveals absurdity underneath. The performers shift between personas, between registers of language, between what they mean and what they say. The stage becomes a space where identity is fluid, where certainty doesn't survive contact.\n\nThis is Greek contemporary theater doing what it does best: finding comedy in contradiction, darkness in the quotidian, and depth in surfaces.\n\nYou'll find theatergoers who follow new work, people curious about what Σταυρός του Νότου's +Plus space is producing, people drawn by word-of-mouth. The crowd settles into the specific attention that contemporary theater requires—you have to track meaning rather than follow it.\n\nThe experience unfolds through scenes that don't quite connect logically. First section establishes the mode (something's off, we're not sure what). Middle deepens the strangeness (you stop looking for narrative and start following tone). Final sequences often break what you've understood, which is exactly when the real work begins. By the end, the room has been reorganized by the performance rather than entertained by it.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Σταυρός του Νότου +Plus, 60-80 seats, theater space |\n| **Vibe** | Contemporary, slightly absurdist, intellectually engaged, aware |\n| **Format** | Contemporary Greek theater, ~70 minutes |\n| **Doors** | Walk-in friendly, standing room available |\n\nIf you need conventional narrative or straightforward emotional beats, this will frustrate you. The meaning emerges from contradiction. But if you want to sit in a room while contemporary artists ask real questions about what theater can do—if you trust your own ability to make meaning from the gaps—this is what you're looking for.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:30 |\n| **Performance starts** | ~21:45 |\n| **Duration** | ~70 minutes |\n| **Price** | €10 advance / €12 door |\n| **Tickets** | Door or via venue |\n| **Address** | Stavros tou Notou +Plus, Petralona |\n| **Getting there** | Petralona area, metro not direct; taxi recommended |\n| **Last metro** | Varies; taxi home recommended |\n| **Payment** | Cash preferred, cards accepted |\n| **Good to know** | Independent theater space; programming is experimental; arrive with open expectations |",
      "fullDescriptionEn": "The stage is set like a living room where something slightly dangerous might happen. The lights are warm. Someone's about to tell you something true, possibly while becoming someone else entirely.\n\n\"Καλογεράκια\" (Nuns—but the title is deliberately ambiguous) is theater that doesn't announce itself. It arrives as comedy and pivots into something darker, or arrives as darkness and reveals absurdity underneath. The performers shift between personas, between registers of language, between what they mean and what they say. The stage becomes a space where identity is fluid, where certainty doesn't survive contact.\n\nThis is Greek contemporary theater doing what it does best: finding comedy in contradiction, darkness in the quotidian, and depth in surfaces.\n\nYou'll find theatergoers who follow new work, people curious about what Σταυρός του Νότου's +Plus space is producing, people drawn by word-of-mouth. The crowd settles into the specific attention that contemporary theater requires—you have to track meaning rather than follow it.\n\nThe experience unfolds through scenes that don't quite connect logically. First section establishes the mode (something's off, we're not sure what). Middle deepens the strangeness (you stop looking for narrative and start following tone). Final sequences often break what you've understood, which is exactly when the real work begins. By the end, the room has been reorganized by the performance rather than entertained by it.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Σταυρός του Νότου +Plus, 60-80 seats, theater space |\n| **Vibe** | Contemporary, slightly absurdist, intellectually engaged, aware |\n| **Format** | Contemporary Greek theater, ~70 minutes |\n| **Doors** | Walk-in friendly, standing room available |\n\nIf you need conventional narrative or straightforward emotional beats, this will frustrate you. The meaning emerges from contradiction. But if you want to sit in a room while contemporary artists ask real questions about what theater can do—if you trust your own ability to make meaning from the gaps—this is what you're looking for.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:30 |\n| **Performance starts** | ~21:45 |\n| **Duration** | ~70 minutes |\n| **Price** | €10 advance / €12 door |\n| **Tickets** | Door or via venue |\n| **Address** | Stavros tou Notou +Plus, Petralona |\n| **Getting there** | Petralona area, metro not direct; taxi recommended |\n| **Last metro** | Varies; taxi home recommended |\n| **Payment** | Cash preferred, cards accepted |\n| **Good to know** | Independent theater space; programming is experimental; arrive with open expectations |",
      "fullDescriptionGr": "The stage is set like a living room where something slightly dangerous might happen. The lights are warm. Someone's about to tell you something true, possibly while becoming someone else entirely.\n\n\"Καλογεράκια\" (Nuns—but the title is deliberately ambiguous) is theater that doesn't announce itself. It arrives as comedy and pivots into something darker, or arrives as darkness and reveals absurdity underneath. The performers shift between personas, between registers of language, between what they mean and what they say. The stage becomes a space where identity is fluid, where certainty doesn't survive contact.\n\nThis is Greek contemporary theater doing what it does best: finding comedy in contradiction, darkness in the quotidian, and depth in surfaces.\n\nYou'll find theatergoers who follow new work, people curious about what Σταυρός του Νότου's +Plus space is producing, people drawn by word-of-mouth. The crowd settles into the specific attention that contemporary theater requires—you have to track meaning rather than follow it.\n\nThe experience unfolds through scenes that don't quite connect logically. First section establishes the mode (something's off, we're not sure what). Middle deepens the strangeness (you stop looking for narrative and start following tone). Final sequences often break what you've understood, which is exactly when the real work begins. By the end, the room has been reorganized by the performance rather than entertained by it.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Σταυρός του Νότου +Plus, 60-80 seats, theater space |\n| **Vibe** | Contemporary, slightly absurdist, intellectually engaged, aware |\n| **Format** | Contemporary Greek theater, ~70 minutes |\n| **Doors** | Walk-in friendly, standing room available |\n\nIf you need conventional narrative or straightforward emotional beats, this will frustrate you. The meaning emerges from contradiction. But if you want to sit in a room while contemporary artists ask real questions about what theater can do—if you trust your own ability to make meaning from the gaps—this is what you're looking for.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:30 |\n| **Performance starts** | ~21:45 |\n| **Duration** | ~70 minutes |\n| **Price** | €10 advance / €12 door |\n| **Tickets** | Door or via venue |\n| **Address** | Stavros tou Notou +Plus, Petralona |\n| **Getting there** | Petralona area, metro not direct; taxi recommended |\n| **Last metro** | Varies; taxi home recommended |\n| **Payment** | Cash preferred, cards accepted |\n| **Good to know** | Independent theater space; programming is experimental; arrive with open expectations |",
      "hasNativeGreek": false,
      "startDate": "2026-12-04T21:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "various"
      ],
      "tags": [],
      "venue": {
        "name": "Σταυρός του Νότου",
        "address": "Tharipou 37 & Frantzi, Neos Kosmos, Athens 117 43",
        "neighborhood": "Neos Kosmos",
        "coordinates": {
          "lat": 37.961929,
          "lon": 23.725973
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://www.athinorama.gr/music/gig/kalogerakia_-10087415/",
      "ticketUrl": "https://www.more.com/gr-el/music/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-01-19T23:07:36.452Z",
      "updatedAt": "2026-05-08 05:16:17",
      "language": "en",
      "timeSource": "not_found",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "974715390f1e5558",
      "title": "Ορέστης Ντάντος",
      "description": "Από το «Θα πάω όταν γουστάρω» μέχρι τα «Τακούνια για καρφιά» κι από το «Νερό στη βάρκα» μέχρι το «Κοκτίζερ» μια ζωή δρόμος, για ένα δημιουργό που...",
      "fullDescription": "The Σταυρός του Νότου Club fills differently depending on who's onstage. Tonight, the anticipation is specific: Ορέστης Ντάντος is arriving with reputation for precision and willingness to take risks. The room settles into a particular frequency.\n\nΝτάντος works in territory that sounds like jazz but thinks like contemporary classical composition. His instrument becomes a translator between traditions. He quotes without referencing. He develops themes without announcing them. The result feels like overhearing a conversation between past and future.\n\nThis is performance that understands jazz vocabulary as liberation, not constraint. The tradition gives him language; his job is to ask it questions it's never heard before.\n\nYou'll find serious musicians here, people who follow contemporary improvisation, people who trust Σταυρός's taste. The crowd contains fellow practitioners and attentive listeners. Everyone came knowing something genuine might happen.\n\nThe set builds through pieces that introduce his world. Early songs establish the instrumental language and the relationship to tradition. Middle section explores where the tradition could go if you removed the safety rails. Final pieces are often completely improvised, which is where the actual communication between artist and audience becomes visible. By the end, the room has moved through multiple territories of meaning.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Σταυρός του Νότου Club, 100-150 capacity, intimate staging |\n| **Vibe** | Serious, technically skilled, exploratory, adult |\n| **Format** | Contemporary jazz/improvisation, 60-75 minutes |\n| **Doors** | Walk-in friendly, no strict policy |\n\nIf you need straightforward melodies or comfort in musical language, this will feel demanding. But if you want to witness someone using jazz as a language for asking real questions—if you trust improvisation as legitimate expression—this is exactly where you need to be.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:30 |\n| **Performance starts** | ~22:00 |\n| **Duration** | ~70 minutes |\n| **Price** | €15 advance / €18 door (drink minimum €2-3) |\n| **Tickets** | Door or via venue |\n| **Address** | Stavros tou Notou Club, Petralona |\n| **Getting there** | Petralona area; taxi recommended (€8-10 from center) |\n| **Last metro** | Varies; late-night transport by taxi |\n| **Payment** | Cash preferred, cards accepted |\n| **Good to know** | Small club; intimate stage-audience relationship; open expectations essential |",
      "fullDescriptionEn": "The Σταυρός του Νότου Club fills differently depending on who's onstage. Tonight, the anticipation is specific: Ορέστης Ντάντος is arriving with reputation for precision and willingness to take risks. The room settles into a particular frequency.\n\nΝτάντος works in territory that sounds like jazz but thinks like contemporary classical composition. His instrument becomes a translator between traditions. He quotes without referencing. He develops themes without announcing them. The result feels like overhearing a conversation between past and future.\n\nThis is performance that understands jazz vocabulary as liberation, not constraint. The tradition gives him language; his job is to ask it questions it's never heard before.\n\nYou'll find serious musicians here, people who follow contemporary improvisation, people who trust Σταυρός's taste. The crowd contains fellow practitioners and attentive listeners. Everyone came knowing something genuine might happen.\n\nThe set builds through pieces that introduce his world. Early songs establish the instrumental language and the relationship to tradition. Middle section explores where the tradition could go if you removed the safety rails. Final pieces are often completely improvised, which is where the actual communication between artist and audience becomes visible. By the end, the room has moved through multiple territories of meaning.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Σταυρός του Νότου Club, 100-150 capacity, intimate staging |\n| **Vibe** | Serious, technically skilled, exploratory, adult |\n| **Format** | Contemporary jazz/improvisation, 60-75 minutes |\n| **Doors** | Walk-in friendly, no strict policy |\n\nIf you need straightforward melodies or comfort in musical language, this will feel demanding. But if you want to witness someone using jazz as a language for asking real questions—if you trust improvisation as legitimate expression—this is exactly where you need to be.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:30 |\n| **Performance starts** | ~22:00 |\n| **Duration** | ~70 minutes |\n| **Price** | €15 advance / €18 door (drink minimum €2-3) |\n| **Tickets** | Door or via venue |\n| **Address** | Stavros tou Notou Club, Petralona |\n| **Getting there** | Petralona area; taxi recommended (€8-10 from center) |\n| **Last metro** | Varies; late-night transport by taxi |\n| **Payment** | Cash preferred, cards accepted |\n| **Good to know** | Small club; intimate stage-audience relationship; open expectations essential |",
      "fullDescriptionGr": "The Σταυρός του Νότου Club fills differently depending on who's onstage. Tonight, the anticipation is specific: Ορέστης Ντάντος is arriving with reputation for precision and willingness to take risks. The room settles into a particular frequency.\n\nΝτάντος works in territory that sounds like jazz but thinks like contemporary classical composition. His instrument becomes a translator between traditions. He quotes without referencing. He develops themes without announcing them. The result feels like overhearing a conversation between past and future.\n\nThis is performance that understands jazz vocabulary as liberation, not constraint. The tradition gives him language; his job is to ask it questions it's never heard before.\n\nYou'll find serious musicians here, people who follow contemporary improvisation, people who trust Σταυρός's taste. The crowd contains fellow practitioners and attentive listeners. Everyone came knowing something genuine might happen.\n\nThe set builds through pieces that introduce his world. Early songs establish the instrumental language and the relationship to tradition. Middle section explores where the tradition could go if you removed the safety rails. Final pieces are often completely improvised, which is where the actual communication between artist and audience becomes visible. By the end, the room has moved through multiple territories of meaning.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Σταυρός του Νότου Club, 100-150 capacity, intimate staging |\n| **Vibe** | Serious, technically skilled, exploratory, adult |\n| **Format** | Contemporary jazz/improvisation, 60-75 minutes |\n| **Doors** | Walk-in friendly, no strict policy |\n\nIf you need straightforward melodies or comfort in musical language, this will feel demanding. But if you want to witness someone using jazz as a language for asking real questions—if you trust improvisation as legitimate expression—this is exactly where you need to be.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:30 |\n| **Performance starts** | ~22:00 |\n| **Duration** | ~70 minutes |\n| **Price** | €15 advance / €18 door (drink minimum €2-3) |\n| **Tickets** | Door or via venue |\n| **Address** | Stavros tou Notou Club, Petralona |\n| **Getting there** | Petralona area; taxi recommended (€8-10 from center) |\n| **Last metro** | Varies; late-night transport by taxi |\n| **Payment** | Cash preferred, cards accepted |\n| **Good to know** | Small club; intimate stage-audience relationship; open expectations essential |",
      "hasNativeGreek": false,
      "startDate": "2026-12-04T21:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "various"
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      "tags": [],
      "venue": {
        "name": "Σταυρός του Νότου",
        "address": "Tharipou 37 & Frantzi, Neos Kosmos, Athens 117 43",
        "neighborhood": "Neos Kosmos",
        "coordinates": {
          "lat": 37.961929,
          "lon": 23.725973
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://www.athinorama.gr/music/gig/orestis_ntantos-10088162/",
      "ticketUrl": "https://www.more.com/gr-el/music/",
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      "createdAt": "2026-01-19T23:07:36.452Z",
      "updatedAt": "2026-05-08 05:16:17",
      "language": "en",
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    {
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      "@type": "MusicEvent",
      "id": "12663b972c36ee87",
      "title": "Dimitria Kalantzis Quartet",
      "description": "Μiα τζαζ ματιά στο χθες της ελληνικής μουσικής με τη συμμετοχή της Αθηνάς Ρούτση στο τραγούδι. Οι συνθέσεις τους, όπως και οι ίδιοι, σαφώς...",
      "fullDescription": "The Half Note's lighting is deliberate: just enough to see the musicians' hands, not enough to feel observed. Dimitria Kalantzis Quartet arrives like they've played this room before and love what it can do. The first phrase out of her cello tells you everything about her intelligence.\n\nKalantzis leads a project that sounds rooted in jazz tradition but thinks beyond it. Her composition work is intricate without being decorative. The quartet—cello, piano, bass, drums—creates a conversation where every instrument has an idea. The drummer isn't timekeeping; the bassist isn't accompanying. Everyone's thinking.\n\nThis is jazz that respects the tradition enough to risk changing it. The musicians know what came before well enough to ask it to mean something new.\n\nYou'll sit with Half Note regulars, musicians tracking what's happening in contemporary jazz, people who've heard the quartet and came back. The crowd respects what's being attempted. That respect creates permission to go into unexpected places.\n\nThe set unfolds through compositions that build on each other. Early pieces establish the quartet's language. Middle section deepens into complexity—you hear arrangements that surprise even the musicians. Final sequences often arrive through improvisation, which is where the actual conversation happens. The audience becomes part of the sound-making; your attention shapes what emerges.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Half Note Jazz Club, 70-100 capacity, storied acoustics |\n| **Vibe** | Sophisticated, serious, technically accomplished, present |\n| **Format** | Contemporary jazz quartet, ~70 minutes |\n| **Doors** | Walk-in friendly, no door policy; arrive early for good tables |\n\nIf you need straightforward jazz standards or background music for dinner, this will demand your full attention. But if you want to sit in one of Athens's most respected jazz spaces while musicians ask real questions about what the tradition can become—if you trust your own ear to follow improvisation as it develops—this is exactly where you belong.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:30 |\n| **Performance starts** | ~21:50 |\n| **Duration** | ~70 minutes |\n| **Price** | €20 advance / €25 door (drink minimum €5) |\n| **Tickets** | Half Note website or door |\n| **Address** | 34 Trivonianou Street, Mets |\n| **Getting there** | Syngrou-Fix metro, 10-minute walk |\n| **Last metro** | 23:28 (show ends ~22:50) |\n| **Payment** | Cards and cash |\n| **Good to know** | Reserve tables ahead; the space fills; Half Note's history is audible in the walls |",
      "fullDescriptionEn": "The Half Note's lighting is deliberate: just enough to see the musicians' hands, not enough to feel observed. Dimitria Kalantzis Quartet arrives like they've played this room before and love what it can do. The first phrase out of her cello tells you everything about her intelligence.\n\nKalantzis leads a project that sounds rooted in jazz tradition but thinks beyond it. Her composition work is intricate without being decorative. The quartet—cello, piano, bass, drums—creates a conversation where every instrument has an idea. The drummer isn't timekeeping; the bassist isn't accompanying. Everyone's thinking.\n\nThis is jazz that respects the tradition enough to risk changing it. The musicians know what came before well enough to ask it to mean something new.\n\nYou'll sit with Half Note regulars, musicians tracking what's happening in contemporary jazz, people who've heard the quartet and came back. The crowd respects what's being attempted. That respect creates permission to go into unexpected places.\n\nThe set unfolds through compositions that build on each other. Early pieces establish the quartet's language. Middle section deepens into complexity—you hear arrangements that surprise even the musicians. Final sequences often arrive through improvisation, which is where the actual conversation happens. The audience becomes part of the sound-making; your attention shapes what emerges.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Half Note Jazz Club, 70-100 capacity, storied acoustics |\n| **Vibe** | Sophisticated, serious, technically accomplished, present |\n| **Format** | Contemporary jazz quartet, ~70 minutes |\n| **Doors** | Walk-in friendly, no door policy; arrive early for good tables |\n\nIf you need straightforward jazz standards or background music for dinner, this will demand your full attention. But if you want to sit in one of Athens's most respected jazz spaces while musicians ask real questions about what the tradition can become—if you trust your own ear to follow improvisation as it develops—this is exactly where you belong.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:30 |\n| **Performance starts** | ~21:50 |\n| **Duration** | ~70 minutes |\n| **Price** | €20 advance / €25 door (drink minimum €5) |\n| **Tickets** | Half Note website or door |\n| **Address** | 34 Trivonianou Street, Mets |\n| **Getting there** | Syngrou-Fix metro, 10-minute walk |\n| **Last metro** | 23:28 (show ends ~22:50) |\n| **Payment** | Cards and cash |\n| **Good to know** | Reserve tables ahead; the space fills; Half Note's history is audible in the walls |",
      "fullDescriptionGr": "The Half Note's lighting is perfect: just enough to see the musicians' hands, not enough to feel observed. Dimitria Kalantzis Quartet arrives like they've played this room before and love what it can do. The first phrase out of her cello tells you everything about her intelligence.\n\nKalantzis leads a project that sounds rooted in jazz tradition but thinks beyond it. Her composition work is intricate without being decorative. The quartet—cello, piano, bass, drums—creates a conversation where every instrument has an idea. The drummer isn't timekeeping; the bassist isn't accompanying. Everyone's thinking.\n\nThis is jazz that respects the tradition enough to risk changing it. The musicians know what came before well enough to ask it to mean something new.\n\nYou'll sit with Half Note regulars, musicians tracking what's happening in contemporary jazz, people who've heard the quartet and came back. The crowd respects what's being attempted. That respect creates permission to go into unexpected places.\n\nThe set unfolds through compositions that build on each other. Early pieces establish the quartet's language. Middle section deepens into complexity—you hear arrangements that surprise even the musicians. Final sequences often arrive through improvisation, which is where the actual conversation happens. The audience becomes part of the sound-making; your attention shapes what emerges.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Half Note Jazz Club, 70-100 capacity, legendary acoustics |\n| **Vibe** | Sophisticated, serious, technically accomplished, present |\n| **Format** | Contemporary jazz quartet, ~70 minutes |\n| **Doors** | Walk-in friendly, no door policy; arrive early for good tables |\n\nIf you need straightforward jazz standards or background music for dinner, this will demand your full attention. But if you want to sit in one of Athens's most respected jazz spaces while musicians ask real questions about what the tradition can become—if you trust your own ear to follow improvisation as it develops—this is exactly where you belong.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:30 |\n| **Performance starts** | ~21:50 |\n| **Duration** | ~70 minutes |\n| **Price** | €20 advance / €25 door (drink minimum €5) |\n| **Tickets** | Half Note website or door |\n| **Address** | 34 Trivonianou Street, Mets |\n| **Getting there** | Syngrou-Fix metro, 10-minute walk |\n| **Last metro** | 23:28 (show ends ~22:50) |\n| **Payment** | Cards and cash |\n| **Good to know** | Reserve tables ahead; the space fills; Half Note's history is audible in the walls |",
      "hasNativeGreek": false,
      "startDate": "2026-12-04T21:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "jazz"
      ],
      "tags": [],
      "venue": {
        "name": "Half Note Jazz Club",
        "address": "17 Trivonianou Street, Athens 116 36",
        "neighborhood": "Mets",
        "coordinates": {
          "lat": 37.9661,
          "lon": 23.7463
        },
        "capacity": null,
        "website": "https://www.halfnote.gr"
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-51"
      },
      "url": "https://www.athinorama.gr/music/gig/dimitria_kalantzis_quartet-10088286/",
      "ticketUrl": "https://www.halfnote.gr/en/calendar/",
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      "createdAt": "2026-01-19T23:07:36.452Z",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
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    {
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      "@type": "MusicEvent",
      "id": "49b184b655c8023f",
      "title": "Jerome Kaluta",
      "description": "Δύο μουσικά στιλ σε ένα διαφορετικό live show που ενώνει funk, disco, 70s glam και pop μπλέκοντας διεθνείς με ελληνικές διαχρονικές επιτυχίες και...",
      "fullDescription": "Άλσος at evening light has a specific atmosphere—open air, trees creating geometry with the fading sun, the space preparing itself for what the darkness will allow. Jerome Kaluta arrives like a musician who understands venues as collaborators rather than vessels.\n\nKaluta's work sits in the gap between contemporary composition and folk sensibility. What he's built is a language that sounds rooted but moves forward. The acoustic guitar work is fingerstyle precision. The voice carries intention. He understands silence as an instrument.\n\nThis is performance that knows folk tradition deeply enough to trust its own instinct to change it. The music sounds like something you've always known but just heard for the first time.\n\nYou'll find people here who follow European singer-songwriter culture, Greeks interested in what happens when tradition meets contemporary sensibility, people drawn by word-of-mouth. The crowd settles into the attentiveness required for acoustic performance.\n\nThe set builds through songs that create landscape. Early pieces establish the instrumental language and emotional palette. Middle section deepens—you hear complexity in what seemed simple. Final sequences often strip down to voice and guitar, which is where the deepest material lives. By the end, the evening air has become part of the performance.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Άλσος garden venue, 200+ capacity, open-air theater |\n| **Vibe** | Intimate despite scale, serious, rooted in tradition, forward-thinking |\n| **Format** | Solo acoustic performance, ~60 minutes |\n| **Doors** | Walk-in friendly, no door policy |\n\nIf you need amplification or separation from the outdoor environment, this won't serve you. The space is part of the experience. But if you want to sit in a garden while someone uses folk language to say something contemporary—if you trust acoustic performance as complete expression—this is exactly what the evening offers.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:30 |\n| **Performance starts** | ~21:45 |\n| **Duration** | ~60 minutes |\n| **Price** | €12 advance / €15 door |\n| **Tickets** | Door or via venue |\n| **Address** | Άλσος garden venue, Neos Kosmos |\n| **Getting there** | Syntagma or Acropoli Metro lines, 10-minute walk |\n| **Last metro** | 23:28 (show ends ~22:45) |\n| **Payment** | Cash preferred, cards accepted |\n| **Good to know** | Outdoor venue; bring a sweater; evening light is essential to the atmosphere |",
      "fullDescriptionEn": "Άλσος at evening light has a specific atmosphere—open air, trees creating geometry with the fading sun, the space preparing itself for what the darkness will allow. Jerome Kaluta arrives like a musician who understands venues as collaborators rather than vessels.\n\nKaluta's work sits in the gap between contemporary composition and folk sensibility. What he's built is a language that sounds rooted but moves forward. The acoustic guitar work is fingerstyle precision. The voice carries intention. He understands silence as an instrument.\n\nThis is performance that knows folk tradition deeply enough to trust its own instinct to change it. The music sounds like something you've always known but just heard for the first time.\n\nYou'll find people here who follow European singer-songwriter culture, Greeks interested in what happens when tradition meets contemporary sensibility, people drawn by word-of-mouth. The crowd settles into the attentiveness required for acoustic performance.\n\nThe set builds through songs that create landscape. Early pieces establish the instrumental language and emotional palette. Middle section deepens—you hear complexity in what seemed simple. Final sequences often strip down to voice and guitar, which is where the deepest material lives. By the end, the evening air has become part of the performance.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Άλσος garden venue, 200+ capacity, open-air theater |\n| **Vibe** | Intimate despite scale, serious, rooted in tradition, forward-thinking |\n| **Format** | Solo acoustic performance, ~60 minutes |\n| **Doors** | Walk-in friendly, no door policy |\n\nIf you need amplification or separation from the outdoor environment, this won't serve you. The space is part of the experience. But if you want to sit in a garden while someone uses folk language to say something contemporary—if you trust acoustic performance as complete expression—this is exactly what the evening offers.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:30 |\n| **Performance starts** | ~21:45 |\n| **Duration** | ~60 minutes |\n| **Price** | €12 advance / €15 door |\n| **Tickets** | Door or via venue |\n| **Address** | Άλσος garden venue, Neos Kosmos |\n| **Getting there** | Syntagma or Acropoli Metro lines, 10-minute walk |\n| **Last metro** | 23:28 (show ends ~22:45) |\n| **Payment** | Cash preferred, cards accepted |\n| **Good to know** | Outdoor venue; bring a sweater; evening light is essential to the atmosphere |",
      "fullDescriptionGr": "Άλσος at evening light has a specific atmosphere—open air, trees creating geometry with the fading sun, the space preparing itself for what the darkness will allow. Jerome Kaluta arrives like a musician who understands venues as collaborators rather than vessels.\n\nKaluta's work sits in the gap between contemporary composition and folk sensibility. What he's built is a language that sounds rooted but moves forward. The acoustic guitar work is fingerstyle precision. The voice carries intention. He understands silence as an instrument.\n\nThis is performance that knows folk tradition deeply enough to trust its own instinct to change it. The music sounds like something you've always known but just heard for the first time.\n\nYou'll find people here who follow European singer-songwriter culture, Greeks interested in what happens when tradition meets contemporary sensibility, people drawn by word-of-mouth. The crowd settles into the attentiveness required for acoustic performance.\n\nThe set builds through songs that create landscape. Early pieces establish the instrumental language and emotional palette. Middle section deepens—you hear complexity in what seemed simple. Final sequences often strip down to voice and guitar, which is where the deepest material lives. By the end, the evening air has become part of the performance.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Άλσος garden venue, 200+ capacity, open-air theater |\n| **Vibe** | Intimate despite scale, serious, rooted in tradition, forward-thinking |\n| **Format** | Solo acoustic performance, ~60 minutes |\n| **Doors** | Walk-in friendly, no door policy |\n\nIf you need amplification or separation from the outdoor environment, this won't serve you. The space is part of the experience. But if you want to sit in a garden while someone uses folk language to say something contemporary—if you trust acoustic performance as complete expression—this is exactly what the evening offers.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 21:30 |\n| **Performance starts** | ~21:45 |\n| **Duration** | ~60 minutes |\n| **Price** | €12 advance / €15 door |\n| **Tickets** | Door or via venue |\n| **Address** | Άλσος garden venue, Neos Kosmos |\n| **Getting there** | Syntagma or Acropoli Metro lines, 10-minute walk |\n| **Last metro** | 23:28 (show ends ~22:45) |\n| **Payment** | Cash preferred, cards accepted |\n| **Good to know** | Outdoor venue; bring a sweater; evening light is essential to the atmosphere |",
      "hasNativeGreek": false,
      "startDate": "2026-12-04T21:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "Άλσος",
        "address": "Evelpidon 4, Pedion tou Areos, Athens 114 73",
        "neighborhood": "Pedion Areos / Kypseli",
        "coordinates": {
          "lat": 37.9985,
          "lon": 23.736
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 20,
        "currency": "EUR",
        "range": "€15-35"
      },
      "url": "https://www.athinorama.gr/music/gig/jerome_kaluta-10088291/",
      "ticketUrl": "https://www.more.com/gr-el/music/",
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    {
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      "@type": "MusicEvent",
      "id": "ef0f106cacd0f5fe",
      "title": "Vincent Peirani",
      "description": "",
      "fullDescription": "Vincent Peirani performs at Half Note Jazz Club in Athens on January 30, 2027. The French accordionist brings his acclaimed jazz approach to one of Europe's most respected jazz clubs.\n\nVincent Peirani has redefined accordion's role in jazz through virtuosic technique and creative collaboration. His work bridges multiple genres while maintaining jazz's improvisational spirit.\n\nHalf Note Jazz Club provides intimate conditions for jazz performance where Peirani's nuanced playing can be fully appreciated. The venue's legendary status matches the caliber of artist.\n\nThis concert offers internationally recognized jazz accordion at one of Europe's distinguished jazz venues. Peirani's presence represents quality programming at Half Note.",
      "fullDescriptionEn": "Vincent Peirani performs at Half Note Jazz Club in Athens on January 30, 2027. The French accordionist brings his acclaimed jazz approach to one of Europe's most respected jazz clubs.\n\nVincent Peirani has redefined accordion's role in jazz through virtuosic technique and creative collaboration. His work bridges multiple genres while maintaining jazz's improvisational spirit.\n\nHalf Note Jazz Club provides intimate conditions for jazz performance where Peirani's nuanced playing can be fully appreciated. The venue's legendary status matches the caliber of artist.\n\nThis concert offers internationally recognized jazz accordion at one of Europe's distinguished jazz venues. Peirani's presence represents quality programming at Half Note.",
      "fullDescriptionGr": "Vincent Peirani performs at Half Note Jazz Club in Athens on January 30, 2027. The French accordionist brings his acclaimed jazz approach to one of Europe's most respected jazz clubs.\n\nVincent Peirani has redefined accordion's role in jazz through virtuosic technique and creative collaboration. His work bridges multiple genres while maintaining jazz's improvisational spirit.\n\nHalf Note Jazz Club provides intimate conditions for jazz performance where Peirani's nuanced playing can be fully appreciated. The venue's legendary status matches the caliber of artist.\n\nThis concert offers world-class jazz accordion at one of Europe's distinguished jazz venues. Peirani's presence represents quality programming at Half Note.",
      "hasNativeGreek": false,
      "startDate": "2027-01-30",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Half Note Jazz Club",
        "address": "17 Trivonianou Street, Athens 116 36",
        "neighborhood": "Mets",
        "coordinates": {
          "lat": 37.9661,
          "lon": 23.7463
        },
        "capacity": null,
        "website": "https://www.halfnote.gr"
      },
      "price": {
        "type": "with-ticket",
        "amount": 20,
        "currency": "EUR",
        "range": "€20 - €30"
      },
      "url": "https://www.athinorama.gr/music/gig/vincent_peirani-10088859/",
      "ticketUrl": "https://www.halfnote.gr/en/calendar/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-02-02 14:58:08",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "639ce6622e840e4f",
      "title": "Ανδρέας Πολυζωγόπουλος Trio",
      "description": "",
      "fullDescription": "The Andreas Polyzogopoulos Trio plays Half Note Jazz Club with the drumless configuration Chet Baker used through his final decade — trumpet, piano, double bass, nothing pushing the pulse but the line itself. Polyzogopoulos is a Greek trumpeter who studied at the Conservatorium Van Amsterdam and has built a catalog around atmospheric writing: Heart of the Sun (a Pink Floyd tribute), Annica (composed after a ten-day silent meditation), and One Inch of Love. He is joined by Giorgos Kontrafouris on piano and Kostas Konstantinou on double bass.\n\nHalf Note has held its room on Trivonianou 17 in Mets since 1979. The setup matches Polyzogopoulos's format: table-and-bar service, fifteen to twenty euros at a table, ten to fifteen at the bar. Reservations are essential — confirm same day, arrive twenty minutes early, or lose your seat fifteen minutes after the start. Akropoli metro, then a ten-minute walk.\n\nIf you want a club where the sound system is the headline, look elsewhere. But for an evening of restrained, melodic jazz in a room that has been doing this since 1979, Polyzogopoulos's trio fits the format.\n\n<!-- timeliness-expires: 2027-02-14 -->",
      "fullDescriptionEn": "The Andreas Polyzogopoulos Trio plays Half Note Jazz Club with the drumless configuration Chet Baker used through his final decade — trumpet, piano, double bass, nothing pushing the pulse but the line itself. Polyzogopoulos is a Greek trumpeter who studied at the Conservatorium Van Amsterdam and has built a catalog around atmospheric writing: Heart of the Sun (a Pink Floyd tribute), Annica (composed after a ten-day silent meditation), and One Inch of Love. He is joined by Giorgos Kontrafouris on piano and Kostas Konstantinou on double bass.\n\nHalf Note has held its room on Trivonianou 17 in Mets since 1979. The setup matches Polyzogopoulos's format: table-and-bar service, fifteen to twenty euros at a table, ten to fifteen at the bar. Reservations are essential — confirm same day, arrive twenty minutes early, or lose your seat fifteen minutes after the start. Akropoli metro, then a ten-minute walk.\n\nIf you want a club where the sound system is the headline, look elsewhere. But for an evening of restrained, melodic jazz in a room that has been doing this since 1979, Polyzogopoulos's trio fits the format.\n\n<!-- timeliness-expires: 2027-02-14 -->",
      "fullDescriptionGr": "The Andreas Polyzogopoulos Trio plays Half Note Jazz Club with the drumless configuration Chet Baker used through his final decade — trumpet, piano, double bass, nothing pushing the pulse but the line itself. Polyzogopoulos is a Greek trumpeter who studied at the Conservatorium Van Amsterdam and has built a catalog around atmospheric writing: Heart of the Sun (a Pink Floyd tribute), Annica (composed after a ten-day silent meditation), and One Inch of Love. He is joined by Giorgos Kontrafouris on piano and Kostas Konstantinou on double bass.\n\nHalf Note has held its room on Trivonianou 17 in Mets since 1979. The setup matches Polyzogopoulos's format: table-and-bar service, fifteen to twenty euros at a table, ten to fifteen at the bar. Reservations are essential — confirm same day, arrive twenty minutes early, or lose your seat fifteen minutes after the start. Akropoli metro, then a ten-minute walk.\n\nIf you want a club where the sound system is the headline, look elsewhere. But for an evening of restrained, melodic jazz in a room that has been doing this since 1979, Polyzogopoulos's trio fits the format.\n\n<!-- timeliness-expires: 2027-02-14 -->",
      "hasNativeGreek": false,
      "startDate": "2027-02-13",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Jazz",
        "Intimate",
        "Listening-room",
        "Historic",
        "Seated",
        "Concert-format",
        "Reservation-required",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Half Note Jazz Club",
        "address": "17 Trivonianou Street, Athens 116 36",
        "neighborhood": "Mets",
        "coordinates": {
          "lat": 37.9661,
          "lon": 23.7463
        },
        "capacity": null,
        "website": "https://www.halfnote.gr"
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€15 - €25"
      },
      "url": "https://www.athinorama.gr/music/gig/andreas_poluzogopoulos_trio-10054907/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/andreas_poluzogopoulos_trio-10054907/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-02-14 09:28:13",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "c26050fb7ea81ab5",
      "title": "Γιάννης Παπαγεωργίου",
      "description": "",
      "fullDescription": "Three instruments — electric guitar, acoustic guitar, lute — and one voice carry the Sunday-night set. Giannis Papageorgiou is a Greek songwriter working across fingerpicking, guitar effects, and loop playing; his solo format moves between his own catalogue (\"Apo ti Siopi sti Siopi,\" \"Skorpao,\" the recent \"Lakouva\" written for Giannis Dionysiou) and songs by Akis Panos, Manos Loizos, and Nikos Papazoglou.\n\nAt Katafy the material strips to one performer — Papageorgiou's loop pedal carries arrangements where a backing band would normally sit.\n\nIf you want a polished band, look elsewhere. If you want a songwriter presenting his discography without ornament, Katafy is the slot. Ticketed entry.\n\n<!-- timeliness-expires: 2026-08-12 -->",
      "fullDescriptionEn": "Three instruments — electric guitar, acoustic guitar, lute — and one voice carry the Sunday-night set. Giannis Papageorgiou is a Greek songwriter working across fingerpicking, guitar effects, and loop playing; his solo format moves between his own catalogue (\"Apo ti Siopi sti Siopi,\" \"Skorpao,\" the recent \"Lakouva\" written for Giannis Dionysiou) and songs by Akis Panos, Manos Loizos, and Nikos Papazoglou.\n\nAt Katafy the material strips to one performer — Papageorgiou's loop pedal carries arrangements where a backing band would normally sit.\n\nIf you want a polished band, look elsewhere. If you want a songwriter presenting his discography without ornament, Katafy is the slot. Ticketed entry.\n\n<!-- timeliness-expires: 2026-08-12 -->",
      "fullDescriptionGr": "Three instruments — electric guitar, acoustic guitar, lute — and one voice carry the Sunday-night set. Giannis Papageorgiou is a Greek songwriter working across fingerpicking, guitar effects, and loop playing; his solo format moves between his own catalogue (\"Apo ti Siopi sti Siopi,\" \"Skorpao,\" the recent \"Lakouva\" written for Giannis Dionysiou) and songs by Akis Panos, Manos Loizos, and Nikos Papazoglou.\n\nAt Katafy the material strips to one performer — Papageorgiou's loop pedal carries arrangements where a backing band would normally sit.\n\nIf you want a polished band, look elsewhere. If you want a songwriter presenting his discography without ornament, Katafy is the slot. Ticketed entry.\n\n<!-- timeliness-expires: 2026-08-12 -->",
      "hasNativeGreek": false,
      "startDate": "2027-02-21",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Greek-singer-songwriter",
        "Entechno",
        "Live-act",
        "Intimate",
        "Listening-room",
        "Seated",
        "Greek-locals",
        "Mixed-ages",
        "Music-heads"
      ],
      "venue": {
        "name": "Καταφύ",
        "address": "Formionos 267, Vironas 162 33",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.95528,
          "lon": 23.765444
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 12,
        "currency": "EUR",
        "range": "€12"
      },
      "url": "https://www.athinorama.gr/music/gig/giannis_papageorgiou-10077007/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/giannis_papageorgiou-10077007/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-02-22 09:51:50",
      "updatedAt": "2026-05-14 10:12:00",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "bcb90ea59d51d68e",
      "title": "Joanna Mattrey",
      "description": "",
      "fullDescription": "Joanna Mattrey is a New York-based violist, composer, and improviser — solo albums Veiled (2020) and Dirge (2021) document the approach. She has credits alongside Tyshawn Sorey, Henry Threadgill, John Zorn, and Marc Ribot, with training at New England Conservatory.\n\nThis is the first of a two-night Underflow residency — Friday's trio puts Mattrey with Giorgos Varouta on live sound processing and Simo Rinioti on drums and objects, acoustic and electronic feeding each other in real time.\n\nIf you want melody you can hum out, wrong room. If you want free improvisation in an acoustically-treated basement gallery in Koukaki, capacity around 80, a short walk from Syngrou-Fix metro, Underflow is where it lives. €8-15 entry.\n\n<!-- timeliness-expires: 2027-02-26 -->",
      "fullDescriptionEn": "Joanna Mattrey is a New York-based violist, composer, and improviser — solo albums Veiled (2020) and Dirge (2021) document the approach. She has credits alongside Tyshawn Sorey, Henry Threadgill, John Zorn, and Marc Ribot, with training at New England Conservatory.\n\nThis is the first of a two-night Underflow residency — Friday's trio puts Mattrey with Giorgos Varouta on live sound processing and Simo Rinioti on drums and objects, acoustic and electronic feeding each other in real time.\n\nIf you want melody you can hum out, wrong room. If you want free improvisation in an acoustically-treated basement gallery in Koukaki, capacity around 80, a short walk from Syngrou-Fix metro, Underflow is where it lives. €8-15 entry.\n\n<!-- timeliness-expires: 2027-02-26 -->",
      "fullDescriptionGr": "Joanna Mattrey is a New York-based violist, composer, and improviser — solo albums Veiled (2020) and Dirge (2021) document the approach. She has credits alongside Tyshawn Sorey, Henry Threadgill, John Zorn, and Marc Ribot, with training at New England Conservatory.\n\nThis is the first of a two-night Underflow residency — Friday's trio puts Mattrey with Giorgos Varouta on live sound processing and Simo Rinioti on drums and objects, acoustic and electronic feeding each other in real time.\n\nIf you want melody you can hum out, wrong room. If you want free improvisation in an acoustically-treated basement gallery in Koukaki, capacity around 80, a short walk from Syngrou-Fix metro, Underflow is where it lives. €8-15 entry.\n\n<!-- timeliness-expires: 2027-02-26 -->",
      "hasNativeGreek": false,
      "startDate": "2027-02-26T21:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Experimental",
        "Jazz",
        "Live-band",
        "Listening-room",
        "Intimate",
        "Underground",
        "Seated",
        "Music-heads",
        "Metro-accessible",
        "Card-accepted"
      ],
      "venue": {
        "name": "Underflow",
        "address": "Underflow Record Store and Art Gallery, 39",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.964524,
          "lon": 23.727708
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€10"
      },
      "url": "https://www.athinorama.gr/music/gig/joanna_mattrey-10089214/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/joanna_mattrey-10089214/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-02-27 07:32:26",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "2dfd7b30b03324ff",
      "title": "Μιρέλα Πάχου - Αδάμ Τσαρούχης",
      "description": "",
      "fullDescription": "On Friday February 27, 2027 at 22:30, Mirela Pachou and Adam Tsarouchis return to Half Note in Mets with their \"Duets of Greek Cinema\" program — film songs from old Greek pictures reframed for two voices and a jazz quartet.\n\nPachou and Tsarouchis have filled this room before. Earlier editions of the Cinematic Duets program ran to sold-out nights, and this date opens a refreshed setlist drawn from the same catalogue: film songs that outlived their pictures and stayed in popular memory afterwards. Half Note has hosted this kind of programme since 1979 — a ~200-seat room sized for songs that move from whisper to release without leaving the back wall behind.\n\nIf you've come for jazz-club hush and the ritual of seated listening, this is the dual-vocalist evening for it. But if you want a standing-room dance floor, leave Mets for a different night. Reservations are essential and the club holds your table only until fifteen minutes after the set begins; Half Note is a ten-minute walk from Akropoli — arrive by 22:10 to claim your sightline. The October-to-May season puts this Friday near the back end of the window.\n\n<!-- timeliness-expires: 2027-02-28 -->",
      "fullDescriptionEn": "On Friday February 27, 2027 at 22:30, Mirela Pachou and Adam Tsarouchis return to Half Note in Mets with their \"Duets of Greek Cinema\" program — film songs from old Greek pictures reframed for two voices and a jazz quartet.\n\nPachou and Tsarouchis have filled this room before. Earlier editions of the Cinematic Duets program ran to sold-out nights, and this date opens a refreshed setlist drawn from the same catalogue: film songs that outlived their pictures and stayed in popular memory afterwards. Half Note has hosted this kind of programme since 1979 — a ~200-seat room sized for songs that move from whisper to release without leaving the back wall behind.\n\nIf you've come for jazz-club hush and the ritual of seated listening, this is the dual-vocalist evening for it. But if you want a standing-room dance floor, leave Mets for a different night. Reservations are essential and the club holds your table only until fifteen minutes after the set begins; Half Note is a ten-minute walk from Akropoli — arrive by 22:10 to claim your sightline. The October-to-May season puts this Friday near the back end of the window.\n\n<!-- timeliness-expires: 2027-02-28 -->",
      "fullDescriptionGr": "On Friday February 27, 2027 at 22:30, Mirela Pachou and Adam Tsarouchis return to Half Note in Mets with their \"Duets of Greek Cinema\" program — film songs from old Greek pictures reframed for two voices and a jazz quartet.\n\nPachou and Tsarouchis have filled this room before. Earlier editions of the Cinematic Duets program ran to sold-out nights, and this date opens a refreshed setlist drawn from the same catalogue: film songs that outlived their pictures and stayed in popular memory afterwards. Half Note has hosted this kind of programme since 1979 — a ~200-seat room sized for songs that move from whisper to release without leaving the back wall behind.\n\nIf you've come for jazz-club hush and the ritual of seated listening, this is the dual-vocalist evening for it. But if you want a standing-room dance floor, leave Mets for a different night. Reservations are essential and the club holds your table only until fifteen minutes after the set begins; Half Note is a ten-minute walk from Akropoli — arrive by 22:10 to claim your sightline. The October-to-May season puts this Friday near the back end of the window.\n\n<!-- timeliness-expires: 2027-02-28 -->",
      "hasNativeGreek": false,
      "startDate": "2027-02-27",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Jazz",
        "Greek-singer-songwriter",
        "Intimate",
        "Listening-room",
        "Seated",
        "Reservation-required",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Half Note Jazz Club",
        "address": "17 Trivonianou Street, Athens 116 36",
        "neighborhood": "Mets",
        "coordinates": {
          "lat": 37.9661,
          "lon": 23.7463
        },
        "capacity": null,
        "website": "https://www.halfnote.gr"
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-51"
      },
      "url": "https://www.athinorama.gr/music/gig/mirela_paxou___adam_tsarouxis-10078679/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/mirela_paxou___adam_tsarouxis-10078679/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-02-27 22:56:16",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "33959f9f965171a8",
      "title": "Skullcrush Fest",
      "description": "",
      "fullDescription": "Temple's main floor is built for big-room techno — Funktion-One stacks, lasers, two levels — but the venue opens its rig to metal nights too, and Skullcrush Fest is one of them. The late-February slot puts Skullcrush Fest in Athens' deepest indoor metal stretch of the year, when the outdoor festival circuit is still months away. Iakhou 17, Gazi, four minutes' walk from Kerameikos metro; door pricing in Temple's standard €15–25 range. The basement runs hotter than the upper floor once the double-kick lands — same physics as the club's techno nights, different drum source.\n\n<!-- timeliness-expires: 2027-02-28 -->",
      "fullDescriptionEn": "Temple's main floor is built for big-room techno — Funktion-One stacks, lasers, two levels — but the venue opens its rig to metal nights too, and Skullcrush Fest is one of them. The late-February slot puts Skullcrush Fest in Athens' deepest indoor metal stretch of the year, when the outdoor festival circuit is still months away. Iakhou 17, Gazi, four minutes' walk from Kerameikos metro; door pricing in Temple's standard €15–25 range. The basement runs hotter than the upper floor once the double-kick lands — same physics as the club's techno nights, different drum source.\n\n<!-- timeliness-expires: 2027-02-28 -->",
      "fullDescriptionGr": "Temple's main floor is built for big-room techno — Funktion-One stacks, lasers, two levels — but the venue opens its rig to metal nights too, and Skullcrush Fest is one of them. The late-February slot puts Skullcrush Fest in Athens' deepest indoor metal stretch of the year, when the outdoor festival circuit is still months away. Iakhou 17, Gazi, four minutes' walk from Kerameikos metro; door pricing in Temple's standard €15–25 range. The basement runs hotter than the upper floor once the double-kick lands — same physics as the club's techno nights, different drum source.\n\n<!-- timeliness-expires: 2027-02-28 -->",
      "hasNativeGreek": false,
      "startDate": "2027-02-27",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Metal",
        "Live-band",
        "Basement",
        "Underground",
        "Raw",
        "20s-30s",
        "Music-heads",
        "Standing-room",
        "Late-night",
        "Metro-accessible",
        "Funktion-One"
      ],
      "venue": {
        "name": "Temple",
        "address": "Iakchou 17, Athens 118 54",
        "neighborhood": "Gazi / Keramikos",
        "coordinates": {
          "lat": 37.979013,
          "lon": 23.713044
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€12-20"
      },
      "url": "https://www.athinorama.gr/music/gig/skullcrush_fest-10089226/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/skullcrush_fest-10089226/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-02-27 22:56:16",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "413e0e1b67125ef1",
      "title": "VoidTech",
      "description": "",
      "fullDescription": "VoidTech is an Athens trio working the darker corner of electronic music — darkwave nostalgia carried by EBM rhythm machines and distorted vocals. Weirdfishes Radio places the band at ILION Plus alongside Pink Maggit and The Man & His Failures, two more rising electro/dark acts from the same Athens orbit.\n\nWhy this matters: the bill is curated entirely around electronic-leaning post-punk and industrial textures by a radio show that programs from inside the scene. For VoidTech, it is a hometown headline slot on a night designed for the genre rather than tucked into a mixed lineup.\n\nILION Plus sits in west Athens, accessible by metro from Agios Antonios station. Expect sequencer-driven sets at club volume.\n\n<!-- timeliness-expires: 2027-02-28 -->",
      "fullDescriptionEn": "VoidTech is an Athens trio working the darker corner of electronic music — darkwave nostalgia carried by EBM rhythm machines and distorted vocals. Weirdfishes Radio places the band at ILION Plus alongside Pink Maggit and The Man & His Failures, two more rising electro/dark acts from the same Athens orbit.\n\nWhy this matters: the bill is curated entirely around electronic-leaning post-punk and industrial textures by a radio show that programs from inside the scene. For VoidTech, it is a hometown headline slot on a night designed for the genre rather than tucked into a mixed lineup.\n\nILION Plus sits in west Athens, accessible by metro from Agios Antonios station. Expect sequencer-driven sets at club volume.\n\n<!-- timeliness-expires: 2027-02-28 -->",
      "fullDescriptionGr": "VoidTech is an Athens trio working the darker corner of electronic music — darkwave nostalgia carried by EBM rhythm machines and distorted vocals. Weirdfishes Radio places the band at ILION Plus alongside Pink Maggit and The Man & His Failures, two more rising electro/dark acts from the same Athens orbit.\n\nWhy this matters: the bill is curated entirely around electronic-leaning post-punk and industrial textures by a radio show that programs from inside the scene. For VoidTech, it is a hometown headline slot on a night designed for the genre rather than tucked into a mixed lineup.\n\nILION Plus sits in west Athens, accessible by metro from Agios Antonios station. Expect sequencer-driven sets at club volume.\n\n<!-- timeliness-expires: 2027-02-28 -->",
      "hasNativeGreek": false,
      "startDate": "2027-02-27",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Darkwave",
        "EBM",
        "Industrial",
        "Live-band",
        "Underground",
        "Music-heads",
        "Standing-room",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Ίλιον Plus",
        "address": "Kodrigktonos 17, Athens 104 34",
        "neighborhood": "Victoria / Neapoli",
        "coordinates": {
          "lat": 37.9944,
          "lon": 23.7369
        },
        "capacity": null,
        "website": "https://www.ilionplus.gr"
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/voidtech-10089232/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/voidtech-10089232/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-02-27 22:56:16",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "5027c9380a0d74b8",
      "title": "UP THE HAMMERS XXI 2027",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2027-03-05T18:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Κύτταρο",
        "address": "Αχαρνών, Ipeirou και",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.990675,
          "lon": 23.726265
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 20,
        "currency": "EUR",
        "range": "€20 - €140"
      },
      "url": "https://www.ticketservices.gr/event/14220/",
      "ticketUrl": "https://www.ticketservices.gr/event/14220/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "ticketservices",
      "createdAt": "2026-05-26 22:58:26",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeDoors": "18:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/main/main4_62998_2.jpg",
      "imageSource": "backfill",
      "imageLocal": "/images/events/5027c9380a0d74b8.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "ab61febb68cd8880",
      "title": "Ελένη &amp; Σουζάνα Βουγιουκλή",
      "description": "",
      "fullDescription": "The Vougioukli sisters return to Theatre of the No with \"Roots & Rituals,\" the program they have brought to this venue before. Eleni and Souzana sing repertoire that crosses Southern Italian ecstatic song, Balkan polyphony, Greek folk material, and the spare end of blues and rebetiko.\n\nTheatre of the No holds about 100 people. For two voices working in close harmony, that scale matters — the room lets unaccompanied passages land without amplification fighting them. The sisters have built the show around what this space can hold.\n\nDoors at 21:30. Konstantinou Palaiologou 3, opposite City Hall, short walk from Syntagma metro. Tickets at €10.\n\n<!-- timeliness-expires: 2027-03-14 -->",
      "fullDescriptionEn": "The Vougioukli sisters return to Theatre of the No with \"Roots & Rituals,\" the program they have brought to this venue before. Eleni and Souzana sing repertoire that crosses Southern Italian ecstatic song, Balkan polyphony, Greek folk material, and the spare end of blues and rebetiko.\n\nTheatre of the No holds about 100 people. For two voices working in close harmony, that scale matters — the room lets unaccompanied passages land without amplification fighting them. The sisters have built the show around what this space can hold.\n\nDoors at 21:30. Konstantinou Palaiologou 3, opposite City Hall, short walk from Syntagma metro. Tickets at €10.\n\n<!-- timeliness-expires: 2027-03-14 -->",
      "fullDescriptionGr": "The Vougioukli sisters return to Theatre of the No with \"Roots & Rituals,\" the program they have brought to this venue before. Eleni and Souzana sing repertoire that crosses Southern Italian ecstatic song, Balkan polyphony, Greek folk material, and the spare end of blues and rebetiko.\n\nTheatre of the No holds about 100 people. For two voices working in close harmony, that scale matters — the room lets unaccompanied passages land without amplification fighting them. The sisters have built the show around what this space can hold.\n\nDoors at 21:30. Konstantinou Palaiologou 3, opposite City Hall, short walk from Syntagma metro. Tickets at €10.\n\n<!-- timeliness-expires: 2027-03-14 -->",
      "hasNativeGreek": false,
      "startDate": "2027-03-13T21:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "World",
        "Rebetiko",
        "Greek-Traditional",
        "Intimate",
        "Listening-room",
        "Seated",
        "Concert-format",
        "Metro-accessible",
        "English-language"
      ],
      "venue": {
        "name": "Theatre Of The No",
        "address": "Bouboulinas 17-19, Athens 106 82",
        "neighborhood": "Metaxourgeio",
        "coordinates": {
          "lat": 37.987,
          "lon": 23.7285
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€15"
      },
      "url": "https://www.athinorama.gr/music/gig/eleni_kai_souzana_bougioukli_-10089378/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/eleni_kai_souzana_bougioukli_-10089378/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-03-14 09:36:28",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "21:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "f4dda268e506e177",
      "title": "&#171;Εαρινό Πάθος&#187;",
      "description": "",
      "fullDescription": "\"Earino Pathos\" (Spring Passion) is a Holy Week concert at the German Evangelical Church of Athens on Saturday 27 March 2027 at 20:00, Sina 68 in Kolonaki, ticketed admission. Built between 1931 and 1934 by architect Karl Bensel in Bauhaus / New Objectivity style, the church's single nave rises more than ten meters and lets sound carry unbroken from chancel to back pew — the reason this room anchors the Abendmusik series. The 27 March date places \"Earino Pathos\" within the Western Holy Week it was written for; arrive early, since seating at the German Church is unreserved and the building tucks into a Kolonaki side street.\n\n<!-- timeliness-expires: 2027-03-28 -->",
      "fullDescriptionEn": "\"Earino Pathos\" (Spring Passion) is a Holy Week concert at the German Evangelical Church of Athens on Saturday 27 March 2027 at 20:00, Sina 68 in Kolonaki, ticketed admission. Built between 1931 and 1934 by architect Karl Bensel in Bauhaus / New Objectivity style, the church's single nave rises more than ten meters and lets sound carry unbroken from chancel to back pew — the reason this room anchors the Abendmusik series. The 27 March date places \"Earino Pathos\" within the Western Holy Week it was written for; arrive early, since seating at the German Church is unreserved and the building tucks into a Kolonaki side street.\n\n<!-- timeliness-expires: 2027-03-28 -->",
      "fullDescriptionGr": "\"Earino Pathos\" (Spring Passion) is a Holy Week concert at the German Evangelical Church of Athens on Saturday 27 March 2027 at 20:00, Sina 68 in Kolonaki, ticketed admission. Built between 1931 and 1934 by architect Karl Bensel in Bauhaus / New Objectivity style, the church's single nave rises more than ten meters and lets sound carry unbroken from chancel to back pew — the reason this room anchors the Abendmusik series. The 27 March date places \"Earino Pathos\" within the Western Holy Week it was written for; arrive early, since seating at the German Church is unreserved and the building tucks into a Kolonaki side street.\n\n<!-- timeliness-expires: 2027-03-28 -->",
      "hasNativeGreek": false,
      "startDate": "2027-03-27T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Classical",
        "Historic",
        "Intimate",
        "Listening-room",
        "Seated",
        "Concert-format",
        "Mixed-ages",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Γερμανική Εκκλησία Αθηνών",
        "address": "Ευαγγελική Γερμανική Εκκλησία, 66",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.98244,
          "lon": 23.739556
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 20,
        "currency": "EUR",
        "range": "€20 - €30"
      },
      "url": "https://www.athinorama.gr/music/gig/earino_pathos-10089572/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/earino_pathos-10089572/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-03-28 06:09:36",
      "updatedAt": "2026-05-27 05:07:40",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "6a3de18f986ec37d",
      "title": "Κατερίνα Παπουτσάκη &amp; Παναγιώτης Τσακαλάκος",
      "description": "",
      "fullDescription": "Katerina Papoutsaki and Panagiotis Tsakalakos meet at Doors Live Art in Kolonaki on Saturday 24 April 2027 — a pairing that reads odd on paper. Papoutsaki built her name in Greek television and theatre across the 2000s before turning to singing in 2019 with \"Dipla Mou\" alongside Demy. Tsakalakos won Greek Idol 2 in 2011 and was among Greece's Eurovision 2026 candidates. The Athinorama pitch is a set that mixes \"worlds, eras and notes\" — a one-night cross-genre fixture in Doors' spring Saturday calendar. The room runs from 22:00 to 04:00, dinner-and-show format, accessible from Evangelismos. A one-off rather than a residency — book early.\n\n<!-- timeliness-expires: 2027-04-24 -->",
      "fullDescriptionEn": "Katerina Papoutsaki and Panagiotis Tsakalakos meet at Doors Live Art in Kolonaki on Saturday 24 April 2027 — a pairing that reads odd on paper. Papoutsaki built her name in Greek television and theatre across the 2000s before turning to singing in 2019 with \"Dipla Mou\" alongside Demy. Tsakalakos won Greek Idol 2 in 2011 and was among Greece's Eurovision 2026 candidates. The Athinorama pitch is a set that mixes \"worlds, eras and notes\" — a one-night cross-genre fixture in Doors' spring Saturday calendar. The room runs from 22:00 to 04:00, dinner-and-show format, accessible from Evangelismos. A one-off rather than a residency — book early.\n\n<!-- timeliness-expires: 2027-04-24 -->",
      "fullDescriptionGr": "Katerina Papoutsaki and Panagiotis Tsakalakos meet at Doors Live Art in Kolonaki on Saturday 24 April 2027 — a pairing that reads odd on paper. Papoutsaki built her name in Greek television and theatre across the 2000s before turning to singing in 2019 with \"Dipla Mou\" alongside Demy. Tsakalakos won Greek Idol 2 in 2011 and was among Greece's Eurovision 2026 candidates. The Athinorama pitch is a set that mixes \"worlds, eras and notes\" — a one-night cross-genre fixture in Doors' spring Saturday calendar. The room runs from 22:00 to 04:00, dinner-and-show format, accessible from Evangelismos. A one-off rather than a residency — book early.\n\n<!-- timeliness-expires: 2027-04-24 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-24",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Greek-singer-songwriter",
        "Intimate",
        "Greek-locals",
        "Mixed-ages",
        "Date-night",
        "Late-night",
        "Concert-format",
        "Seated",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Doors",
        "address": "Karneadou 25-29, Lemos Center, Athens 106 75",
        "neighborhood": "Kolonaki",
        "coordinates": {
          "lat": 37.976,
          "lon": 23.7425
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€12-20"
      },
      "url": "https://www.athinorama.gr/music/gig/katerina_papoutsaki_kai_panagiotis_tsakalakos-10075842/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/katerina_papoutsaki_kai_panagiotis_tsakalakos-10075842/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-25 09:29:09",
      "updatedAt": "2026-05-19 07:05:10",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "2268bc45a8382e51",
      "title": "The best Tribute to AC/DC",
      "description": "",
      "fullDescription": "Barock arrive at Fuzz Club on 24 April 2027 with \"Rock N Roll Train,\" a full AC/DC catalogue night spanning Bon Scott and Brian Johnson eras. They bill themselves as Europe's leading tribute act for this material. Fuzz, in Tavros, is the right room for that ambition — a 2,000-capacity black box with an unobstructed dancefloor and one of the cleanest large-format PAs in Greece. Past bills here include Paradise Lost, Anathema, Rotting Christ, and Saxon.\n\nThe crowd self-selects toward devotional rock — leather, denim, sing-every-word energy. Expect twin-guitar catalogue cuts running from \"Highway to Hell\" through \"Back in Black,\" the schoolboy uniform optional. With-ticket entry; the venue is accessible by metro from Tavros, short walk.\n\nIf you want polished tribute-show theatrics where light cues do the heavy lifting, this is the wrong room. But if \"Thunderstruck,\" \"Whole Lotta Rosie,\" and \"Hells Bells\" carry weight in your listening history, Fuzz is the Athens venue where this material lands closest to the original PA experience. Fuzz closes for the summer in May — one of a limited number of spring rock nights before the room shuts until autumn.\n\n<!-- timeliness-expires: 2027-05-15 -->",
      "fullDescriptionEn": "Barock arrive at Fuzz Club on 24 April 2027 with \"Rock N Roll Train,\" a full AC/DC catalogue night spanning Bon Scott and Brian Johnson eras. They bill themselves as Europe's leading tribute act for this material. Fuzz, in Tavros, is the right room for that ambition — a 2,000-capacity black box with an unobstructed dancefloor and one of the cleanest large-format PAs in Greece. Past bills here include Paradise Lost, Anathema, Rotting Christ, and Saxon.\n\nThe crowd self-selects toward devotional rock — leather, denim, sing-every-word energy. Expect twin-guitar catalogue cuts running from \"Highway to Hell\" through \"Back in Black,\" the schoolboy uniform optional. With-ticket entry; the venue is accessible by metro from Tavros, short walk.\n\nIf you want polished tribute-show theatrics where light cues do the heavy lifting, this is the wrong room. But if \"Thunderstruck,\" \"Whole Lotta Rosie,\" and \"Hells Bells\" carry weight in your listening history, Fuzz is the Athens venue where this material lands closest to the original PA experience. Fuzz closes for the summer in May — one of a limited number of spring rock nights before the room shuts until autumn.\n\n<!-- timeliness-expires: 2027-05-15 -->",
      "fullDescriptionGr": "Barock arrive at Fuzz Club on 24 April 2027 with \"Rock N Roll Train,\" a full AC/DC catalogue night spanning Bon Scott and Brian Johnson eras. They bill themselves as Europe's leading tribute act for this material. Fuzz, in Tavros, is the right room for that ambition — a 2,000-capacity black box with an unobstructed dancefloor and one of the cleanest large-format PAs in Greece. Past bills here include Paradise Lost, Anathema, Rotting Christ, and Saxon.\n\nThe crowd self-selects toward devotional rock — leather, denim, sing-every-word energy. Expect twin-guitar catalogue cuts running from \"Highway to Hell\" through \"Back in Black,\" the schoolboy uniform optional. With-ticket entry; the venue is accessible by metro from Tavros, short walk.\n\nIf you want polished tribute-show theatrics where light cues do the heavy lifting, this is the wrong room. But if \"Thunderstruck,\" \"Whole Lotta Rosie,\" and \"Hells Bells\" carry weight in your listening history, Fuzz is the Athens venue where this material lands closest to the original PA experience. Fuzz closes for the summer in May — one of a limited number of spring rock nights before the room shuts until autumn.\n\n<!-- timeliness-expires: 2027-05-15 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-24",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Rock",
        "Local-favorite",
        "Mixed-ages",
        "Standing-room",
        "Concert-format",
        "Music-heads",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Fuzz Club",
        "address": "Patriarchou Ioakeim 1, Moschato, Athens",
        "neighborhood": "Tavros / Moschato",
        "coordinates": {
          "lat": 37.9545,
          "lon": 23.6905
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 20,
        "currency": "EUR",
        "range": "€15-35"
      },
      "url": "https://www.athinorama.gr/music/gig/the_best_tribute_to_acdc-10089848/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/the_best_tribute_to_acdc-10089848/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-25 09:29:09",
      "updatedAt": "2026-05-20 07:41:44",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "62f4a2379b1927e4",
      "title": "Rising Road &amp; Deuxcadance",
      "description": "",
      "fullDescription": "Rohas Athens Live Stage hosts a Saturday double bill on 24 April 2027 — one night only, Rising Road and Deuxcadance share the stage, two acts working the alternative and pop-rock end of the Greek scene. The venue sits on Chatzigianni Mexi 6, next to the former Hilton, programming live local bands Wednesday through Sunday.\n\nThis is the room's longest opening (until 06:00), so the back half of the bill runs deep into the night. With-ticket entry.\n\nCloser to a club night than a concert hall — expect Rising Road and Deuxcadance to play to a Greek-language audience that stands, sings, and stays past midnight. Accessible by metro from Evangelismos, short walk.\n\n<!-- timeliness-expires: 2027-05-15 -->",
      "fullDescriptionEn": "Rohas Athens Live Stage hosts a Saturday double bill on 24 April 2027 — one night only, Rising Road and Deuxcadance share the stage, two acts working the alternative and pop-rock end of the Greek scene. The venue sits on Chatzigianni Mexi 6, next to the former Hilton, programming live local bands Wednesday through Sunday.\n\nThis is the room's longest opening (until 06:00), so the back half of the bill runs deep into the night. With-ticket entry.\n\nCloser to a club night than a concert hall — expect Rising Road and Deuxcadance to play to a Greek-language audience that stands, sings, and stays past midnight. Accessible by metro from Evangelismos, short walk.\n\n<!-- timeliness-expires: 2027-05-15 -->",
      "fullDescriptionGr": "Rohas Athens Live Stage hosts a Saturday double bill on 24 April 2027 — one night only, Rising Road and Deuxcadance share the stage, two acts working the alternative and pop-rock end of the Greek scene. The venue sits on Chatzigianni Mexi 6, next to the former Hilton, programming live local bands Wednesday through Sunday.\n\nThis is the room's longest opening (until 06:00), so the back half of the bill runs deep into the night. With-ticket entry.\n\nCloser to a club night than a concert hall — expect Rising Road and Deuxcadance to play to a Greek-language audience that stands, sings, and stays past midnight. Accessible by metro from Evangelismos, short walk.\n\n<!-- timeliness-expires: 2027-05-15 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-24",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Rock",
        "Live-band",
        "Intimate",
        "Greek-locals",
        "Standing-room",
        "Late-night",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Rohas Athens Live Stage",
        "address": "Chatzigianni Mexi 6, Athina 115 28",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.976399,
          "lon": 23.75154
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/rising_road_kai_deuxcadance-10089854/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/rising_road_kai_deuxcadance-10089854/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-25 09:29:09",
      "updatedAt": "2026-05-20 07:41:44",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "780882d3bc8e9d55",
      "title": "Ostomachion Sessions XVI",
      "description": "",
      "fullDescription": "David Jackson — saxophonist and flautist with Van der Graaf Generator since the early 1970s — appears at Underflow on 24 April 2027 for Ostomachion Sessions XVI, joined by Stelios Romaliadis on flute and Giorgos Varoutas on sound processing.\n\nOstomachion is an improvised, live-processed concert series named for the ancient puzzle preserved in Archimedes' palimpsest. The series returns to Underflow for its sixteenth installment, in the venue's 80-seat Koukaki basement — record store, gallery, and acoustically-treated room in one, run by the venue's own experimental label. With-ticket entry, typically EUR 8 to 15.\n\nExpect long passages, no setlist, and silence that counts as part of the score. Accessible by metro from Syngrou-Fix, short walk along Damareos.\n\n<!-- timeliness-expires: 2027-05-15 -->",
      "fullDescriptionEn": "David Jackson — saxophonist and flautist with Van der Graaf Generator since the early 1970s — appears at Underflow on 24 April 2027 for Ostomachion Sessions XVI, joined by Stelios Romaliadis on flute and Giorgos Varoutas on sound processing.\n\nOstomachion is an improvised, live-processed concert series named for the ancient puzzle preserved in Archimedes' palimpsest. The series returns to Underflow for its sixteenth installment, in the venue's 80-seat Koukaki basement — record store, gallery, and acoustically-treated room in one, run by the venue's own experimental label. With-ticket entry, typically EUR 8 to 15.\n\nExpect long passages, no setlist, and silence that counts as part of the score. Accessible by metro from Syngrou-Fix, short walk along Damareos.\n\n<!-- timeliness-expires: 2027-05-15 -->",
      "fullDescriptionGr": "David Jackson — saxophonist and flautist with Van der Graaf Generator since the early 1970s — appears at Underflow on 24 April 2027 for Ostomachion Sessions XVI, joined by Stelios Romaliadis on flute and Giorgos Varoutas on sound processing.\n\nOstomachion is an improvised, live-processed concert series named for the ancient puzzle preserved in Archimedes' palimpsest. The series returns to Underflow for its sixteenth installment, in the venue's 80-seat Koukaki basement — record store, gallery, and acoustically-treated room in one, run by the venue's own experimental label. With-ticket entry, typically EUR 8 to 15.\n\nExpect long passages, no setlist, and silence that counts as part of the score. Accessible by metro from Syngrou-Fix, short walk along Damareos.\n\n<!-- timeliness-expires: 2027-05-15 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-24",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Experimental",
        "Jazz",
        "Underground",
        "Listening-room",
        "Basement",
        "Music-heads",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Underflow",
        "address": "Underflow Record Store and Art Gallery, 39",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.964524,
          "lon": 23.727708
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/ostomachion_sessions_xvi-10089855/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/ostomachion_sessions_xvi-10089855/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-25 09:29:09",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "87f4cc7e6ec58ec3",
      "title": "Soul Madness",
      "description": "",
      "fullDescription": "Three female vocalists, one disco-ready band: Soul Madness take Gialino Mousiko Theatro on 24 April 2027 with a set drawn from Aretha Franklin, Chaka Khan, Donna Summer, Sister Sledge, Chic, and Diana Ross — one night only.\n\nGialino, on Syngrou in Nea Smyrni, has run as a music theatre since 1997. The room favours an intimate seating layout that brings the audience close to the stage — Soul Madness leans into that geometry. With-ticket entry; weekend bills on Syngrou typically push past midnight.\n\nExpect aisle-dancing rather than seated listening, and a setlist tilted toward dancefloor hits over deep cuts. Accessible by tram or bus along Syngrou; taxi recommended after the metro closes.\n\n<!-- timeliness-expires: 2027-05-15 -->",
      "fullDescriptionEn": "Three female vocalists, one disco-ready band: Soul Madness take Gialino Mousiko Theatro on 24 April 2027 with a set drawn from Aretha Franklin, Chaka Khan, Donna Summer, Sister Sledge, Chic, and Diana Ross — one night only.\n\nGialino, on Syngrou in Nea Smyrni, has run as a music theatre since 1997. The room favours an intimate seating layout that brings the audience close to the stage — Soul Madness leans into that geometry. With-ticket entry; weekend bills on Syngrou typically push past midnight.\n\nExpect aisle-dancing rather than seated listening, and a setlist tilted toward dancefloor hits over deep cuts. Accessible by tram or bus along Syngrou; taxi recommended after the metro closes.\n\n<!-- timeliness-expires: 2027-05-15 -->",
      "fullDescriptionGr": "Three female vocalists, one disco-ready band: Soul Madness take Gialino Mousiko Theatro on 24 April 2027 with a set drawn from Aretha Franklin, Chaka Khan, Donna Summer, Sister Sledge, Chic, and Diana Ross — one night only.\n\nGialino, on Syngrou in Nea Smyrni, has run as a music theatre since 1997. The room favours an intimate seating layout that brings the audience close to the stage — Soul Madness leans into that geometry. With-ticket entry; weekend bills on Syngrou typically push past midnight.\n\nExpect aisle-dancing rather than seated listening, and a setlist tilted toward dancefloor hits over deep cuts. Accessible by tram or bus along Syngrou; taxi recommended after the metro closes.\n\n<!-- timeliness-expires: 2027-05-15 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-24",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Live-band",
        "Polished",
        "Mixed-ages",
        "Seated",
        "Late-night",
        "Taxi-recommended"
      ],
      "venue": {
        "name": "Γυάλινο Μουσικό Θέατρο",
        "address": "Syngrou Avenue 143, Nea Smyrni, Athens 171 21",
        "neighborhood": "Nea Smyrni",
        "coordinates": {
          "lat": 37.9485,
          "lon": 23.7205
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/soul_madness-10089861/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/soul_madness-10089861/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-25 09:29:09",
      "updatedAt": "2026-05-20 07:41:44",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "a583cfdfde152a9d",
      "title": "Jamie Duffy",
      "description": "",
      "fullDescription": "In October 2025 the Irish composer Jamie Duffy released a self-titled debut album recorded across Ireland and Iceland with BAFTA-winning producer Atli Örvarsson; on 24 April 2027 he plays Odeio Athinon. The same cycle has carried him through main-stage support for Hans Zimmer and Andrea Bocelli at BST Hyde Park, a sold-out 2,600-ticket Irish headline run, and his Dublin National Concert Hall debut. Duffy performs on piano and Irish whistle, drawing from the cinematic-folk vocabulary built across his \"On A Wing\" EP and the album that shares his name. The Conservatoire’s Ioannis Despotopoulos Amphitheatre sits behind the Presidential Palace, a short walk from Evangelismos metro. Programme details are not yet published.\n\n<!-- timeliness-expires: 2027-04-24 -->",
      "fullDescriptionEn": "In October 2025 the Irish composer Jamie Duffy released a self-titled debut album recorded across Ireland and Iceland with BAFTA-winning producer Atli Örvarsson; on 24 April 2027 he plays Odeio Athinon. The same cycle has carried him through main-stage support for Hans Zimmer and Andrea Bocelli at BST Hyde Park, a sold-out 2,600-ticket Irish headline run, and his Dublin National Concert Hall debut. Duffy performs on piano and Irish whistle, drawing from the cinematic-folk vocabulary built across his \"On A Wing\" EP and the album that shares his name. The Conservatoire’s Ioannis Despotopoulos Amphitheatre sits behind the Presidential Palace, a short walk from Evangelismos metro. Programme details are not yet published.\n\n<!-- timeliness-expires: 2027-04-24 -->",
      "fullDescriptionGr": "In October 2025 the Irish composer Jamie Duffy released a self-titled debut album recorded across Ireland and Iceland with BAFTA-winning producer Atli Örvarsson; on 24 April 2027 he plays Odeio Athinon. The same cycle has carried him through main-stage support for Hans Zimmer and Andrea Bocelli at BST Hyde Park, a sold-out 2,600-ticket Irish headline run, and his Dublin National Concert Hall debut. Duffy performs on piano and Irish whistle, drawing from the cinematic-folk vocabulary built across his \"On A Wing\" EP and the album that shares his name. The Conservatoire’s Ioannis Despotopoulos Amphitheatre sits behind the Presidential Palace, a short walk from Evangelismos metro. Programme details are not yet published.\n\n<!-- timeliness-expires: 2027-04-24 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-24",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Classical",
        "Live-act",
        "Historic",
        "Polished",
        "Listening-room",
        "Mixed-international",
        "Mixed-ages",
        "Seated",
        "Concert-format",
        "Early-evening",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Ωδείο Αθηνών",
        "address": "Rigillis & Vasileos Georgiou B' 17-19, Athens 106 75",
        "neighborhood": "Ilisia",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.753
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€20-50"
      },
      "url": "https://www.athinorama.gr/music/gig/jamie_duffy-10089870/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/jamie_duffy-10089870/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-25 09:29:09",
      "updatedAt": "2026-05-27 05:07:40",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "066408b84b823ff4",
      "title": "&#171;Απόηχοι του Ρομαντισμού&#187;",
      "description": "",
      "fullDescription": "\"Apoichoi tou Romantismou\" — Echoes of Romanticism — is a solo piano recital by Michalis Papadopoulos at Odeio Athinon on 24 April 2027, organised around the late-Romantic and post-Romantic Slavic and Eastern European keyboard repertoire: Scriabin, Rachmaninoff, Szymanowski, Medtner. The four composers share a vocabulary that pulled Chopin’s lyricism into denser harmonic territory, and a recital that programmes all four together asks the listener to hear, in Papadopoulos’s reading, the bridge from Romanticism into early modernism in one sitting. The Conservatoire’s Ioannis Despotopoulos Amphitheatre sits behind the Presidential Palace, a short walk from Evangelismos metro. A four-composer Slavic and Eastern European programme of this density is a limited proposition on the Athens recital circuit.\n\n<!-- timeliness-expires: 2027-04-24 -->",
      "fullDescriptionEn": "\"Apoichoi tou Romantismou\" — Echoes of Romanticism — is a solo piano recital by Michalis Papadopoulos at Odeio Athinon on 24 April 2027, organised around the late-Romantic and post-Romantic Slavic and Eastern European keyboard repertoire: Scriabin, Rachmaninoff, Szymanowski, Medtner. The four composers share a vocabulary that pulled Chopin’s lyricism into denser harmonic territory, and a recital that programmes all four together asks the listener to hear, in Papadopoulos’s reading, the bridge from Romanticism into early modernism in one sitting. The Conservatoire’s Ioannis Despotopoulos Amphitheatre sits behind the Presidential Palace, a short walk from Evangelismos metro. A four-composer Slavic and Eastern European programme of this density is a limited proposition on the Athens recital circuit.\n\n<!-- timeliness-expires: 2027-04-24 -->",
      "fullDescriptionGr": "\"Apoichoi tou Romantismou\" — Echoes of Romanticism — is a solo piano recital by Michalis Papadopoulos at Odeio Athinon on 24 April 2027, organised around the late-Romantic and post-Romantic Slavic and Eastern European keyboard repertoire: Scriabin, Rachmaninoff, Szymanowski, Medtner. The four composers share a vocabulary that pulled Chopin’s lyricism into denser harmonic territory, and a recital that programmes all four together asks the listener to hear, in Papadopoulos’s reading, the bridge from Romanticism into early modernism in one sitting. The Conservatoire’s Ioannis Despotopoulos Amphitheatre sits behind the Presidential Palace, a short walk from Evangelismos metro. A four-composer Slavic and Eastern European programme of this density is a limited proposition on the Athens recital circuit.\n\n<!-- timeliness-expires: 2027-04-24 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-24",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Classical",
        "Historic",
        "Listening-room",
        "Polished",
        "Greek-locals",
        "Mixed-ages",
        "Seated",
        "Concert-format",
        "Early-evening",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Ωδείο Αθηνών",
        "address": "Rigillis & Vasileos Georgiou B' 17-19, Athens 106 75",
        "neighborhood": "Ilisia",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.753
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€20-50"
      },
      "url": "https://www.athinorama.gr/music/gig/apoixoi_tou_romantismou-10089873/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/apoixoi_tou_romantismou-10089873/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-25 09:29:09",
      "updatedAt": "2026-05-27 05:07:40",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "fe2cd73c91626731",
      "title": "Συναυλία Κοινοτικής Μουσικοθεραπείας",
      "description": "",
      "fullDescription": "Sixteen children and adults with disabilities or special educational needs, drawn from the Filippos Nakas Conservatory's Community Music Therapy department and the Special Musicians organisation, take the Athens Conservatoire stage for this concert on 24 April 2027 — the country's oldest performing-arts institution, a brutalist Despotopoulos complex near Syntagma that hosted documenta 14. Community music therapy rarely lands a platform of this scale; the Conservatoire showcase is the public-facing turn for a year's clinical group work, not a virtuoso recital. Expect a programme led jointly by therapists and participants, a room that reads closer to community gathering than formal evening. Enter via the Rigillis-side doors, a 15-minute walk from Syntagma; tickets through the venue box office.\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionEn": "Sixteen children and adults with disabilities or special educational needs, drawn from the Filippos Nakas Conservatory's Community Music Therapy department and the Special Musicians organisation, take the Athens Conservatoire stage for this concert on 24 April 2027 — the country's oldest performing-arts institution, a brutalist Despotopoulos complex near Syntagma that hosted documenta 14. Community music therapy rarely lands a platform of this scale; the Conservatoire showcase is the public-facing turn for a year's clinical group work, not a virtuoso recital. Expect a programme led jointly by therapists and participants, a room that reads closer to community gathering than formal evening. Enter via the Rigillis-side doors, a 15-minute walk from Syntagma; tickets through the venue box office.\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionGr": "Sixteen children and adults with disabilities or special educational needs, drawn from the Filippos Nakas Conservatory's Community Music Therapy department and the Special Musicians organisation, take the Athens Conservatoire stage for this concert on 24 April 2027 — the country's oldest performing-arts institution, a brutalist Despotopoulos complex near Syntagma that hosted documenta 14. Community music therapy rarely lands a platform of this scale; the Conservatoire showcase is the public-facing turn for a year's clinical group work, not a virtuoso recital. Expect a programme led jointly by therapists and participants, a room that reads closer to community gathering than formal evening. Enter via the Rigillis-side doors, a 15-minute walk from Syntagma; tickets through the venue box office.\n<!-- timeliness-expires: 2027-04-25 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-24",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Classical",
        "Live-band",
        "Inclusive",
        "Listening-room",
        "Historic",
        "Mixed-ages",
        "Concert-format",
        "Metro-accessible",
        "Card-accepted"
      ],
      "venue": {
        "name": "Ωδείο Αθηνών",
        "address": "Rigillis & Vasileos Georgiou B' 17-19, Athens 106 75",
        "neighborhood": "Ilisia",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.753
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€20-50"
      },
      "url": "https://www.athinorama.gr/music/gig/sunaulia_koinotikis_mousikotherapeias-10089874/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/sunaulia_koinotikis_mousikotherapeias-10089874/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-25 09:29:09",
      "updatedAt": "2026-05-27 05:07:40",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "ef6548969cb7fa70",
      "title": "Sound Now",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2027-04-24",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Aux Club",
        "address": "Agiou Orous 15, Athens 104 47",
        "neighborhood": "Votanikos",
        "coordinates": {
          "lat": 37.9746,
          "lon": 23.7028
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€8-15"
      },
      "url": "https://www.athinorama.gr/music/gig/sound_now-10089887/",
      "ticketUrlStatus": "door_only",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-25 09:29:09",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "9fabcf3f3a8f91a9",
      "title": "Nίκος Ξυδάκης",
      "description": "",
      "fullDescription": "Nikos Xydakis takes the Half Note stage for two consecutive nights — 24 and 25 April 2027 — closing in on the Mets basement's seasonal shutter date, since Half Note runs October through May and then goes dark for summer. The Greek composer, whose catalogue spans collaborations with Eleftheria Arvanitaki and Sokratis Malamas, frames the residency as a transition from songs to set poems, from improvisations to small confessions. He performs with a four-piece ensemble — Alexandros Kapsokavadis on guitar and laouto, Dimitris Sintos on piano and contrabass, Despina Spanou on cello, Fotis Mylonas on flute and clarinet, all of them adding vocals.\n\nHalf Note seats roughly two hundred around small tables, ten minutes' walk from Akropoli metro. The house policy is the same it has been since 1979: reserve ahead, confirm the same day, arrive twenty minutes before downbeat or the table releases fifteen minutes after the music starts.\n\nIf you want spectacle, this is the wrong room. If you want Xydakis at speaking distance for a two-night Athens stand, this is the only one.\n\n<!-- timeliness-expires: 2027-05-31 -->",
      "fullDescriptionEn": "Nikos Xydakis takes the Half Note stage for two consecutive nights — 24 and 25 April 2027 — closing in on the Mets basement's seasonal shutter date, since Half Note runs October through May and then goes dark for summer. The Greek composer, whose catalogue spans collaborations with Eleftheria Arvanitaki and Sokratis Malamas, frames the residency as a transition from songs to set poems, from improvisations to small confessions. He performs with a four-piece ensemble — Alexandros Kapsokavadis on guitar and laouto, Dimitris Sintos on piano and contrabass, Despina Spanou on cello, Fotis Mylonas on flute and clarinet, all of them adding vocals.\n\nHalf Note seats roughly two hundred around small tables, ten minutes' walk from Akropoli metro. The house policy is the same it has been since 1979: reserve ahead, confirm the same day, arrive twenty minutes before downbeat or the table releases fifteen minutes after the music starts.\n\nIf you want spectacle, this is the wrong room. If you want Xydakis at speaking distance for a two-night Athens stand, this is the only one.\n\n<!-- timeliness-expires: 2027-05-31 -->",
      "fullDescriptionGr": "Nikos Xydakis takes the Half Note stage for two consecutive nights — 24 and 25 April 2027 — closing in on the Mets basement's seasonal shutter date, since Half Note runs October through May and then goes dark for summer. The Greek composer, whose catalogue spans collaborations with Eleftheria Arvanitaki and Sokratis Malamas, frames the residency as a transition from songs to set poems, from improvisations to small confessions. He performs with a four-piece ensemble — Alexandros Kapsokavadis on guitar and laouto, Dimitris Sintos on piano and contrabass, Despina Spanou on cello, Fotis Mylonas on flute and clarinet, all of them adding vocals.\n\nHalf Note seats roughly two hundred around small tables, ten minutes' walk from Akropoli metro. The house policy is the same it has been since 1979: reserve ahead, confirm the same day, arrive twenty minutes before downbeat or the table releases fifteen minutes after the music starts.\n\nIf you want spectacle, this is the wrong room. If you want Xydakis at speaking distance for a two-night Athens stand, this is the only one.\n\n<!-- timeliness-expires: 2027-05-31 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-24T22:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Entechno",
        "Listening-room",
        "Historic",
        "Seated",
        "Reservation-required",
        "Metro-accessible",
        "Greek-locals"
      ],
      "venue": {
        "name": "Half Note Jazz Club",
        "address": "17 Trivonianou Street, Athens 116 36",
        "neighborhood": "Mets",
        "coordinates": {
          "lat": 37.9661,
          "lon": 23.7463
        },
        "capacity": null,
        "website": "https://www.halfnote.gr"
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€15 - €25"
      },
      "url": "https://www.athinorama.gr/music/gig/nikos_ksudakis-10089837/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/nikos_ksudakis-10089837/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-25 09:29:09",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "22:30",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "ebdfdf926dea534d",
      "title": "Yako Trio",
      "description": "",
      "fullDescription": "What it is: Yako Trio — Leandros Pasias (piano), Vangelis Vrachnos (double bass), Giorgos Klountzos Chrysidis (drums) — bring their new album Woven to KET (Κέντρο Ελέγχου Τηλεοράσεων) on Kyprou Street.\n\nWhy it matters: Formed in 2016 in Thessaloniki, the trio braids cool-bop phrasing through Greek traditional figures and West African polyrhythm. Woven, recorded with Harris Lambrakis (ney) and James Wylie (saxophone), drew New York jazz-press attention on its tour cycle.\n\nWhat to expect: A small-room concert at KET, the independent space Fotini Banou and Dimitris Alexakis founded in 2012 in a former black-and-white-TV repair workshop. The trio leans on current Woven material; close listening required.\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionEn": "What it is: Yako Trio — Leandros Pasias (piano), Vangelis Vrachnos (double bass), Giorgos Klountzos Chrysidis (drums) — bring their new album Woven to KET (Κέντρο Ελέγχου Τηλεοράσεων) on Kyprou Street.\n\nWhy it matters: Formed in 2016 in Thessaloniki, the trio braids cool-bop phrasing through Greek traditional figures and West African polyrhythm. Woven, recorded with Harris Lambrakis (ney) and James Wylie (saxophone), drew New York jazz-press attention on its tour cycle.\n\nWhat to expect: A small-room concert at KET, the independent space Fotini Banou and Dimitris Alexakis founded in 2012 in a former black-and-white-TV repair workshop. The trio leans on current Woven material; close listening required.\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionGr": "What it is: Yako Trio — Leandros Pasias (piano), Vangelis Vrachnos (double bass), Giorgos Klountzos Chrysidis (drums) — bring their new album Woven to KET (Κέντρο Ελέγχου Τηλεοράσεων) on Kyprou Street.\n\nWhy it matters: Formed in 2016 in Thessaloniki, the trio braids cool-bop phrasing through Greek traditional figures and West African polyrhythm. Woven, recorded with Harris Lambrakis (ney) and James Wylie (saxophone), drew New York jazz-press attention on its tour cycle.\n\nWhat to expect: A small-room concert at KET, the independent space Fotini Banou and Dimitris Alexakis founded in 2012 in a former black-and-white-TV repair workshop. The trio leans on current Woven material; close listening required.\n<!-- timeliness-expires: 2027-04-25 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Jazz",
        "Intimate",
        "Listening-room",
        "Music-heads",
        "Seated",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Κέντρο Ελέγχου Τηλεοράσεων",
        "address": "Kyprou 91A & Sikinou 35A, Athens 113 64",
        "neighborhood": "Kypseli",
        "coordinates": {
          "lat": 38.002,
          "lon": 23.7325
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/yako_trio-10064425/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/yako_trio-10064425/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-05-27 05:07:40",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "dfd6e2e6679ac4bb",
      "title": "Παύλος Καρποδίνης",
      "description": "",
      "fullDescription": "What it is: Two voices, one writer — Pavlos Karpodinis brings his recent album «Oi megales agapes argoun» (lyrics: Mairi Lampaditi, music: Karpodinis) to Gialino Music Theater on Syngrou, with Rita Antonopoulou guesting.\n\nWhy it matters: Karpodinis sits in the entechno-songwriter line, interpreting his own writing alongside selections from the broader Greek discography. The new album is the night's anchor; Lampaditi's literary lyrics carry the writing.\n\nWhat to expect: A seated concert at Gialino's mid-sized stage on Syngrou, accessible by tram and bus from the centre. Programme moves between Karpodinis originals and standards; Antonopoulou guests on one section. Tickets via viva.gr, more.com, or public.gr.\n\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionEn": "What it is: Two voices, one writer — Pavlos Karpodinis brings his recent album «Oi megales agapes argoun» (lyrics: Mairi Lampaditi, music: Karpodinis) to Gialino Music Theater on Syngrou, with Rita Antonopoulou guesting.\n\nWhy it matters: Karpodinis sits in the entechno-songwriter line, interpreting his own writing alongside selections from the broader Greek discography. The new album is the night's anchor; Lampaditi's literary lyrics carry the writing.\n\nWhat to expect: A seated concert at Gialino's mid-sized stage on Syngrou, accessible by tram and bus from the centre. Programme moves between Karpodinis originals and standards; Antonopoulou guests on one section. Tickets via viva.gr, more.com, or public.gr.\n\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionGr": "What it is: Two voices, one writer — Pavlos Karpodinis brings his recent album «Oi megales agapes argoun» (lyrics: Mairi Lampaditi, music: Karpodinis) to Gialino Music Theater on Syngrou, with Rita Antonopoulou guesting.\n\nWhy it matters: Karpodinis sits in the entechno-songwriter line, interpreting his own writing alongside selections from the broader Greek discography. The new album is the night's anchor; Lampaditi's literary lyrics carry the writing.\n\nWhat to expect: A seated concert at Gialino's mid-sized stage on Syngrou, accessible by tram and bus from the centre. Programme moves between Karpodinis originals and standards; Antonopoulou guests on one section. Tickets via viva.gr, more.com, or public.gr.\n\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Entechno",
        "Greek-singer-songwriter",
        "Greek-locals",
        "Seated",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Γυάλινο Μουσικό Θέατρο",
        "address": "Syngrou Avenue 143, Nea Smyrni, Athens 171 21",
        "neighborhood": "Nea Smyrni",
        "coordinates": {
          "lat": 37.9485,
          "lon": 23.7205
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/paulos_karpodinis-10073980/",
      "ticketUrl": "https://www.more.com/music/paulos-karpodinis/",
      "ticketUrlStatus": "ai_discovered",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-05-23 20:29:43",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "0c60a8d98bac2336",
      "title": "48 Ores",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2027-04-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Gazarte",
        "address": "32-34 Voutadon St, Gazi, Athens",
        "neighborhood": "Gazi / Keramikos",
        "coordinates": {
          "lat": 37.9775,
          "lon": 23.7153
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://www.athinorama.gr/music/gig/48_ores_-10076608/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/48_ores_-10076608/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "82f681a2facd06c7",
      "title": "Βασιλική Μιχαλοπούλου",
      "description": "",
      "fullDescription": "Ενδεχόμενα — released January 2025 on Minos EMI, songs by Giorgos Kapsaskis and produced by Dimitris Siampos — is the album Βασιλική Μιχαλοπούλου brings to Σταυρός του Νότου.\n\nΒασιλική Μιχαλοπούλου's route to the record reads slowly: a single in 2021 (\"Απ' το λίγο που σε ξέρω\"), then four years before \"Είναι Κρίμα\" arrived in September 2024. Her influences cross that distance — Yiannis Angelakas, Thanasis Papakonstantinou, Alkinoos Ioannidis on the Greek side; Amy Winehouse and Goran Bregovic at the wider edge.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Σταυρός του Νότου, Neos Kosmos |\n| Vibe | Album-cycle showcase, full band |\n| Sound | Entechno song with rock and Balkan edges |\n| Door | With-ticket |\n\nΣταυρός του Νότου has run two stages since 1999 — Kentriki Skini and the smaller Club — and door staff direct you to the right room on arrival; the room varies by night even when the headliner is the same.\n\nIf you want a bouzoukia-night arc, this is not that. But if you want to hear one of the more carefully assembled debut records of 2025 played live, this is where Βασιλική Μιχαλοπούλου lands.\n\n<!-- timeliness-expires: 2027-07-24 -->",
      "fullDescriptionEn": "Ενδεχόμενα — released January 2025 on Minos EMI, songs by Giorgos Kapsaskis and produced by Dimitris Siampos — is the album Βασιλική Μιχαλοπούλου brings to Σταυρός του Νότου.\n\nΒασιλική Μιχαλοπούλου's route to the record reads slowly: a single in 2021 (\"Απ' το λίγο που σε ξέρω\"), then four years before \"Είναι Κρίμα\" arrived in September 2024. Her influences cross that distance — Yiannis Angelakas, Thanasis Papakonstantinou, Alkinoos Ioannidis on the Greek side; Amy Winehouse and Goran Bregovic at the wider edge.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Σταυρός του Νότου, Neos Kosmos |\n| Vibe | Album-cycle showcase, full band |\n| Sound | Entechno song with rock and Balkan edges |\n| Door | With-ticket |\n\nΣταυρός του Νότου has run two stages since 1999 — Kentriki Skini and the smaller Club — and door staff direct you to the right room on arrival; the room varies by night even when the headliner is the same.\n\nIf you want a bouzoukia-night arc, this is not that. But if you want to hear one of the more carefully assembled debut records of 2025 played live, this is where Βασιλική Μιχαλοπούλου lands.\n\n<!-- timeliness-expires: 2027-07-24 -->",
      "fullDescriptionGr": "Ενδεχόμενα — released January 2025 on Minos EMI, songs by Giorgos Kapsaskis and produced by Dimitris Siampos — is the album Βασιλική Μιχαλοπούλου brings to Σταυρός του Νότου.\n\nΒασιλική Μιχαλοπούλου's route to the record reads slowly: a single in 2021 (\"Απ' το λίγο που σε ξέρω\"), then four years before \"Είναι Κρίμα\" arrived in September 2024. Her influences cross that distance — Yiannis Angelakas, Thanasis Papakonstantinou, Alkinoos Ioannidis on the Greek side; Amy Winehouse and Goran Bregovic at the wider edge.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Σταυρός του Νότου, Neos Kosmos |\n| Vibe | Album-cycle showcase, full band |\n| Sound | Entechno song with rock and Balkan edges |\n| Door | With-ticket |\n\nΣταυρός του Νότου has run two stages since 1999 — Kentriki Skini and the smaller Club — and door staff direct you to the right room on arrival; the room varies by night even when the headliner is the same.\n\nIf you want a bouzoukia-night arc, this is not that. But if you want to hear one of the more carefully assembled debut records of 2025 played live, this is where Βασιλική Μιχαλοπούλου lands.\n\n<!-- timeliness-expires: 2027-07-24 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Entechno",
        "Greek-singer-songwriter",
        "Live-band",
        "Local-favorite",
        "Mixed-ages",
        "Seated",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Σταυρός του Νότου",
        "address": "Σταυρός του Νότου Club, Αμβροσίου Φραντζή",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.961929,
          "lon": 23.725973
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://www.athinorama.gr/music/gig/basiliki_mixalopoulou-10087346/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/basiliki_mixalopoulou-10087346/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-05-21 19:14:04",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "f027d4dc30e61f8e",
      "title": "Nayra",
      "description": "",
      "fullDescription": "Nayra returns with Paradox Sounds — a set framed as bridging the silence of past years, mixing newer and older down-tempo electronic pieces with selected covers.\n\nThe venue is the through-line. St. Paul's Anglican Church at Filellinon and Amalias is the room Athens reaches for when a sound needs acoustic depth — Gothic plan, 1843 walls, the oldest working pipe organ in Greece — and it has opened in recent years to electronic and pop programming alongside its classical core.\n\nExpect Nayra's down-tempo register in fixed pew seating, with the church's listed-building acoustics carrying each layer further than a club PA would.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "fullDescriptionEn": "Nayra returns with Paradox Sounds — a set framed as bridging the silence of past years, mixing newer and older down-tempo electronic pieces with selected covers.\n\nThe venue is the through-line. St. Paul's Anglican Church at Filellinon and Amalias is the room Athens reaches for when a sound needs acoustic depth — Gothic plan, 1843 walls, the oldest working pipe organ in Greece — and it has opened in recent years to electronic and pop programming alongside its classical core.\n\nExpect Nayra's down-tempo register in fixed pew seating, with the church's listed-building acoustics carrying each layer further than a club PA would.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "fullDescriptionGr": "Nayra returns with Paradox Sounds — a set framed as bridging the silence of past years, mixing newer and older down-tempo electronic pieces with selected covers.\n\nThe venue is the through-line. St. Paul's Anglican Church at Filellinon and Amalias is the room Athens reaches for when a sound needs acoustic depth — Gothic plan, 1843 walls, the oldest working pipe organ in Greece — and it has opened in recent years to electronic and pop programming alongside its classical core.\n\nExpect Nayra's down-tempo register in fixed pew seating, with the church's listed-building acoustics carrying each layer further than a club PA would.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Electronic",
        "Experimental",
        "Historic",
        "Listening-room",
        "Music-heads",
        "Mixed-ages",
        "Seated",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Αγγλικανική Εκκλησία Αγίου Παύλου",
        "address": "Filellinon 27, Athina 105 57",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.972325,
          "lon": 23.733681
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/nayra_-10089546/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/nayra_-10089546/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-05-21 19:14:04",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "96d7720b478d47a6",
      "title": "Zona Mutante III",
      "description": "",
      "fullDescription": "Zona Mutante returns for its third edition at IT Athens this season, with medea anchoring the night through a set built around trance atmosphere, dubby techno, and housy breaks — joined by Pulse Tribe Kollektiv residents Philip Paul, Freeflow, Crystal, and Leftyt.\n\nIT Athens at Solomou 30 is Exarchia's regular electronic outpost, and Pulse Tribe Kollektiv runs the room here — which is why a Zona Mutante night reads closer to a single arc than a guest-versus-residents schedule.\n\nDoor is the Kollektiv's usual relaxed read — late arrivals work fine, and medea's set is the spine to plan the night around, not the opener.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "fullDescriptionEn": "Zona Mutante returns for its third edition at IT Athens this season, with medea anchoring the night through a set built around trance atmosphere, dubby techno, and housy breaks — joined by Pulse Tribe Kollektiv residents Philip Paul, Freeflow, Crystal, and Leftyt.\n\nIT Athens at Solomou 30 is Exarchia's regular electronic outpost, and Pulse Tribe Kollektiv runs the room here — which is why a Zona Mutante night reads closer to a single arc than a guest-versus-residents schedule.\n\nDoor is the Kollektiv's usual relaxed read — late arrivals work fine, and medea's set is the spine to plan the night around, not the opener.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "fullDescriptionGr": "Zona Mutante returns for its third edition at IT Athens this season, with medea anchoring the night through a set built around trance atmosphere, dubby techno, and housy breaks — joined by Pulse Tribe Kollektiv residents Philip Paul, Freeflow, Crystal, and Leftyt.\n\nIT Athens at Solomou 30 is Exarchia's regular electronic outpost, and Pulse Tribe Kollektiv runs the room here — which is why a Zona Mutante night reads closer to a single arc than a guest-versus-residents schedule.\n\nDoor is the Kollektiv's usual relaxed read — late arrivals work fine, and medea's set is the spine to plan the night around, not the opener.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Techno",
        "House",
        "DJ-set",
        "Underground",
        "Local-favorite",
        "20s-30s",
        "Music-heads",
        "Dance-floor",
        "Late-night",
        "Standing-room",
        "Metro-accessible"
      ],
      "venue": {
        "name": "IT Athens",
        "address": "Solomou 30 & Botasi 9, Athens 106 82",
        "neighborhood": "Exarchia",
        "coordinates": {
          "lat": 37.987,
          "lon": 23.7325
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/zona_mutante_iii-10089562/",
      "ticketUrlStatus": "door_only",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "08f57a30942b0592",
      "title": "Phantomimes",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2027-04-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Gazarte",
        "address": "32-34 Voutadon St, Gazi, Athens",
        "neighborhood": "Gazi / Keramikos",
        "coordinates": {
          "lat": 37.9775,
          "lon": 23.7153
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://www.athinorama.gr/music/gig/phantomimes-10089839/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/phantomimes-10089839/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "e37b97d36210c665",
      "title": "&#171;Γλέντι με σκοπούς από την Δράμα και την Θράκη&#187;",
      "description": "",
      "fullDescription": "This is a glendi — music that moves between table and dancefloor — built around skopoi (regional melodies) from Drama villages and from Kosti, a village in Northern Thrace that is the historic birthplace of the Anastenaria fire-walking tradition.\n\nThe instruments cross borders: Macedonian lyra and daire from Γιώργος Μαυρίδης, Thracian lyra and dauli from Βασίλης Κόκλας, gaida and tsambouna from Δημήτρης Σταγγώνης. Three pairs of regional instruments, often heard separately, programmed together for one night.\n\nHoros Theatre in Botanikos is a theater stage rather than a music room — expect seated melodies and dance numbers from Drama and Thrace, with each pair of instruments taking its turn.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "fullDescriptionEn": "This is a glendi — music that moves between table and dancefloor — built around skopoi (regional melodies) from Drama villages and from Kosti, a village in Northern Thrace that is the historic birthplace of the Anastenaria fire-walking tradition.\n\nThe instruments cross borders: Macedonian lyra and daire from Γιώργος Μαυρίδης, Thracian lyra and dauli from Βασίλης Κόκλας, gaida and tsambouna from Δημήτρης Σταγγώνης. Three pairs of regional instruments, often heard separately, programmed together for one night.\n\nHoros Theatre in Botanikos is a theater stage rather than a music room — expect seated melodies and dance numbers from Drama and Thrace, with each pair of instruments taking its turn.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "fullDescriptionGr": "This is a glendi — music that moves between table and dancefloor — built around skopoi (regional melodies) from Drama villages and from Kosti, a village in Northern Thrace that is the historic birthplace of the Anastenaria fire-walking tradition.\n\nThe instruments cross borders: Macedonian lyra and daire from Γιώργος Μαυρίδης, Thracian lyra and dauli from Βασίλης Κόκλας, gaida and tsambouna from Δημήτρης Σταγγώνης. Three pairs of regional instruments, often heard separately, programmed together for one night.\n\nHoros Theatre in Botanikos is a theater stage rather than a music room — expect seated melodies and dance numbers from Drama and Thrace, with each pair of instruments taking its turn.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Greek-Traditional",
        "World",
        "Live-band",
        "Local-favorite",
        "Intimate",
        "Mixed-ages",
        "Greek-locals",
        "Seated",
        "Concert-format"
      ],
      "venue": {
        "name": "Χώρος Θέατρο",
        "address": "Orfeos & Praviou 6-8, Athens 118 55",
        "neighborhood": "Votanikos",
        "coordinates": {
          "lat": 37.9767,
          "lon": 23.7055
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/glenti_me_skopous_apo_tin_drama_kai_tin_thraki-10089859/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/glenti_me_skopous_apo_tin_drama_kai_tin_thraki-10089859/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "37d77f8963a4ac74",
      "title": "Misty Route",
      "description": "",
      "fullDescription": "Misty Route bring their new album Ethos to Ίλιον Plus on 25 April 2027, with Honeybadger and Black Stone Machine opening. The Athens band, formed in 2019, plays alternative metal — atmospheric, dark, with escalating groove and psychedelic rock textures snapping into metal outbursts. The Ethos release cycle is what these arrangements were written for, and the supporting bill is scene-local rather than filler. Ίλιον Plus sits at the corner of Patisíon and Kodrigktonos, a small room where stage and crowd share roughly the same air and the lighting design counts as part of the performance.\n\n<!-- timeliness-expires: 2027-07-24 -->",
      "fullDescriptionEn": "Misty Route bring their new album Ethos to Ίλιον Plus on 25 April 2027, with Honeybadger and Black Stone Machine opening. The Athens band, formed in 2019, plays alternative metal — atmospheric, dark, with escalating groove and psychedelic rock textures snapping into metal outbursts. The Ethos release cycle is what these arrangements were written for, and the supporting bill is scene-local rather than filler. Ίλιον Plus sits at the corner of Patisíon and Kodrigktonos, a small room where stage and crowd share roughly the same air and the lighting design counts as part of the performance.\n\n<!-- timeliness-expires: 2027-07-24 -->",
      "fullDescriptionGr": "Misty Route bring their new album Ethos to Ίλιον Plus on 25 April 2027, with Honeybadger and Black Stone Machine opening. The Athens band, formed in 2019, plays alternative metal — atmospheric, dark, with escalating groove and psychedelic rock textures snapping into metal outbursts. The Ethos release cycle is what these arrangements were written for, and the supporting bill is scene-local rather than filler. Ίλιον Plus sits at the corner of Patisíon and Kodrigktonos, a small room where stage and crowd share roughly the same air and the lighting design counts as part of the performance.\n\n<!-- timeliness-expires: 2027-07-24 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Metal",
        "Rock",
        "Live-band",
        "Intimate",
        "Standing-room",
        "Concert-format",
        "Music-heads",
        "Greek-locals",
        "Local-favorite"
      ],
      "venue": {
        "name": "Ίλιον Plus",
        "address": "Kodrigktonos 17, Athens 104 34",
        "neighborhood": "Victoria / Neapoli",
        "coordinates": {
          "lat": 37.9944,
          "lon": 23.7369
        },
        "capacity": null,
        "website": "https://www.ilionplus.gr"
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/misty_route-10089863/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/misty_route-10089863/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "1e231c29fbaa545f",
      "title": "Victims of Judas",
      "description": "",
      "fullDescription": "A Judas Priest tribute that earns its name through its lineup: Victims of Judas pulls members from Null'o'Zero, Diviner, Sorrowful Winds, Maidenance, Mystery, and Rust — a near-full inventory of the Greek metal scene's working players. They land at Route 06 on 25 April 2027, for one night only. The pedigree is the point: veterans playing their formative influences, not a costume act. Expect the crowd to know the catalogue better than the performers. Route 06 is a rock-dedicated room in Vrilissia, in the northern suburbs — a small club where tribute night arrives without irony.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionEn": "A Judas Priest tribute that earns its name through its lineup: Victims of Judas pulls members from Null'o'Zero, Diviner, Sorrowful Winds, Maidenance, Mystery, and Rust — a near-full inventory of the Greek metal scene's working players. They land at Route 06 on 25 April 2027, for one night only. The pedigree is the point: veterans playing their formative influences, not a costume act. Expect the crowd to know the catalogue better than the performers. Route 06 is a rock-dedicated room in Vrilissia, in the northern suburbs — a small club where tribute night arrives without irony.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionGr": "A Judas Priest tribute that earns its name through its lineup: Victims of Judas pulls members from Null'o'Zero, Diviner, Sorrowful Winds, Maidenance, Mystery, and Rust — a near-full inventory of the Greek metal scene's working players. They land at Route 06 on 25 April 2027, for one night only. The pedigree is the point: veterans playing their formative influences, not a costume act. Expect the crowd to know the catalogue better than the performers. Route 06 is a rock-dedicated room in Vrilissia, in the northern suburbs — a small club where tribute night arrives without irony.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Metal",
        "Rock",
        "Live-band",
        "Intimate",
        "Standing-room",
        "Concert-format",
        "Music-heads",
        "Greek-locals",
        "Local-favorite"
      ],
      "venue": {
        "name": "Route 06",
        "address": "Leof. Pentelis 1, Vrilissia 152 38, Greece",
        "neighborhood": "",
        "coordinates": {
          "lat": 38.034122,
          "lon": 23.822695
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/victims_of_judas-10089866/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/victims_of_judas-10089866/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-05-27 05:07:40",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "0826106913cd7f03",
      "title": "&#171;Μελωδίες στον χρόνο&#187;",
      "description": "",
      "fullDescription": "«Μελωδίες στον χρόνο» traces an arc from Handel and Mozart to chansonnettes, the Beatles, Elvis, and Tom Jones — a special recital under the artistic direction of Stamatis Beris, with Benjamin Hatzikumparoglu at the piano. The conceit is genre-time travel inside a single program, and the Teaching Hall of the Athens Concert Hall is built for it: a 100-seat recital space in the new wing, sized for solo voice and grand piano rather than orchestral scale. Expect close range and exposed dynamics — a familiar Elvis or Tom Jones line resolving out of a baroque setup. Megaron Mousikis station is at the door.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionEn": "«Μελωδίες στον χρόνο» traces an arc from Handel and Mozart to chansonnettes, the Beatles, Elvis, and Tom Jones — a special recital under the artistic direction of Stamatis Beris, with Benjamin Hatzikumparoglu at the piano. The conceit is genre-time travel inside a single program, and the Teaching Hall of the Athens Concert Hall is built for it: a 100-seat recital space in the new wing, sized for solo voice and grand piano rather than orchestral scale. Expect close range and exposed dynamics — a familiar Elvis or Tom Jones line resolving out of a baroque setup. Megaron Mousikis station is at the door.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionGr": "«Μελωδίες στον χρόνο» traces an arc from Handel and Mozart to chansonnettes, the Beatles, Elvis, and Tom Jones — a special recital under the artistic direction of Stamatis Beris, with Benjamin Hatzikumparoglu at the piano. The conceit is genre-time travel inside a single program, and the Teaching Hall of the Athens Concert Hall is built for it: a 100-seat recital space in the new wing, sized for solo voice and grand piano rather than orchestral scale. Expect close range and exposed dynamics — a familiar Elvis or Tom Jones line resolving out of a baroque setup. Megaron Mousikis station is at the door.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Classical",
        "Listening-room",
        "Seated",
        "Concert-format",
        "Historic",
        "Greek-locals",
        "Metro-accessible",
        "Intimate"
      ],
      "venue": {
        "name": "Αίθουσα Διδασκαλίας Μεγάρου Μουσικής",
        "address": "Megaro Mousikis, Athina 115 21",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.981015,
          "lon": 23.754098
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/melodies_ston_xrono-10089876/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/melodies_ston_xrono-10089876/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-05-21 22:07:56",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "fe110f8650c78d86",
      "title": "Arietta female choir",
      "description": "",
      "fullDescription": "Inside the Parnassos Literary Society — Greece's oldest, in its 1890 building on Agios Georgios Karytsi Square — the Arietta female choir presents «Désir» on 25 April 2027: a special program of contrast and internal shift under director Athena Gratsiouna. The children's choir Ariettina joins; pianos go to Natasa Chalkodaimou, Olga Moustakidou and Gogo Vorgia, with violins from Errika Sampani and Niki Frezuli. Arietta was founded in 2023 at the «en organois» Conservatory in Nea Ionia, still in its early programming seasons, building repertoire for female voices across modern and classical. Expect a layered choral set in a resonant historic hall. Karytsi is a short walk uphill from Syntagma.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionEn": "Inside the Parnassos Literary Society — Greece's oldest, in its 1890 building on Agios Georgios Karytsi Square — the Arietta female choir presents «Désir» on 25 April 2027: a special program of contrast and internal shift under director Athena Gratsiouna. The children's choir Ariettina joins; pianos go to Natasa Chalkodaimou, Olga Moustakidou and Gogo Vorgia, with violins from Errika Sampani and Niki Frezuli. Arietta was founded in 2023 at the «en organois» Conservatory in Nea Ionia, still in its early programming seasons, building repertoire for female voices across modern and classical. Expect a layered choral set in a resonant historic hall. Karytsi is a short walk uphill from Syntagma.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionGr": "Inside the Parnassos Literary Society — Greece's oldest, in its 1890 building on Agios Georgios Karytsi Square — the Arietta female choir presents «Désir» on 25 April 2027: a special program of contrast and internal shift under director Athena Gratsiouna. The children's choir Ariettina joins; pianos go to Natasa Chalkodaimou, Olga Moustakidou and Gogo Vorgia, with violins from Errika Sampani and Niki Frezuli. Arietta was founded in 2023 at the «en organois» Conservatory in Nea Ionia, still in its early programming seasons, building repertoire for female voices across modern and classical. Expect a layered choral set in a resonant historic hall. Karytsi is a short walk uphill from Syntagma.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Classical",
        "Listening-room",
        "Seated",
        "Concert-format",
        "Historic",
        "Greek-locals",
        "Intimate"
      ],
      "venue": {
        "name": "Παρνασσός",
        "address": "Agiou Georgiou Karitsi 8, Athens 105 61",
        "neighborhood": "Syntagma",
        "coordinates": {
          "lat": 37.9774,
          "lon": 23.7314
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/arietta_female_choir-10089877/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/arietta_female_choir-10089877/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "f518f3b61b9201d9",
      "title": "Fundracar &amp; Baildsa",
      "description": "",
      "fullDescription": "Aux Club's ~200-capacity room in Gazi opens to a double bill: the seven-piece Greek-and-gypsy-punk collective Fundracar with Thessaloniki post-punk outfit Baildsa, their second pairing on the same stage.\n\nBoth bands trade in propulsion rather than polish. Fundracar carries thirteen years of recording behind it: three full-length albums and an EP. Baildsa's set folds post-punk grit through Eastern Mediterranean roots, with reggae passages that loosen the tempo before the next surge.\n\nAux Club runs an explicit \"come as you are\" door — no gatekeeping, no dress code. The venue is a short walk from Kerameikos station. Tickets EUR 8–12; advance recommended given the pairing's draw.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionEn": "Aux Club's ~200-capacity room in Gazi opens to a double bill: the seven-piece Greek-and-gypsy-punk collective Fundracar with Thessaloniki post-punk outfit Baildsa, their second pairing on the same stage.\n\nBoth bands trade in propulsion rather than polish. Fundracar carries thirteen years of recording behind it: three full-length albums and an EP. Baildsa's set folds post-punk grit through Eastern Mediterranean roots, with reggae passages that loosen the tempo before the next surge.\n\nAux Club runs an explicit \"come as you are\" door — no gatekeeping, no dress code. The venue is a short walk from Kerameikos station. Tickets EUR 8–12; advance recommended given the pairing's draw.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionGr": "Aux Club's ~200-capacity room in Gazi opens to a double bill: the seven-piece Greek-and-gypsy-punk collective Fundracar with Thessaloniki post-punk outfit Baildsa, their second pairing on the same stage.\n\nBoth bands trade in propulsion rather than polish. Fundracar carries thirteen years of recording behind it: three full-length albums and an EP. Baildsa's set folds post-punk grit through Eastern Mediterranean roots, with reggae passages that loosen the tempo before the next surge.\n\nAux Club runs an explicit \"come as you are\" door — no gatekeeping, no dress code. The venue is a short walk from Kerameikos station. Tickets EUR 8–12; advance recommended given the pairing's draw.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Punk",
        "Live-band",
        "Mediterranean-Fusion",
        "Inclusive",
        "Underground",
        "Music-heads",
        "Mixed-ages",
        "Standing-room",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Aux Club",
        "address": "Agiou Orous 15, Athens 104 47",
        "neighborhood": "Votanikos",
        "coordinates": {
          "lat": 37.9746,
          "lon": 23.7028
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€8-15"
      },
      "url": "https://www.athinorama.gr/music/gig/fundracar_kai_baildsa_-10089879/",
      "ticketUrlStatus": "door_only",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "40849d85b57451b1",
      "title": "Χειμερινοί Κολυμβητές &amp; Αλέξανδρος Κτιστάκης",
      "description": "",
      "fullDescription": "Now in its fifth decade, Cheimerinoi Kolymvites — the Argyris Bakirtzis-led folk-poetic outfit founded in 1979 — returns to Kyttaro alongside Alexandros Ktistakis, the multi-instrumentalist who has worked with Thanasis Papakonstantinou since 2013.\n\nThe band occupies a specific corner of Greek songcraft: literary lyrics, acoustic textures, an irreverent eye for the everyday. Ktistakis brings an instrumental palette shaped by years inside Papakonstantinou's circle — a different texture against Bakirtzis's writing.\n\nKyttaro is the Exarchia rock club that hosted the first Greek airings of Hendrix, Zappa and the Velvet Underground nearly half a century ago. A short walk from Omonia metro; tickets via the venue's advance channels.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionEn": "Now in its fifth decade, Cheimerinoi Kolymvites — the Argyris Bakirtzis-led folk-poetic outfit founded in 1979 — returns to Kyttaro alongside Alexandros Ktistakis, the multi-instrumentalist who has worked with Thanasis Papakonstantinou since 2013.\n\nThe band occupies a specific corner of Greek songcraft: literary lyrics, acoustic textures, an irreverent eye for the everyday. Ktistakis brings an instrumental palette shaped by years inside Papakonstantinou's circle — a different texture against Bakirtzis's writing.\n\nKyttaro is the Exarchia rock club that hosted the first Greek airings of Hendrix, Zappa and the Velvet Underground nearly half a century ago. A short walk from Omonia metro; tickets via the venue's advance channels.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionGr": "Now in its fifth decade, Cheimerinoi Kolymvites — the Argyris Bakirtzis-led folk-poetic outfit founded in 1979 — returns to Kyttaro alongside Alexandros Ktistakis, the multi-instrumentalist who has worked with Thanasis Papakonstantinou since 2013.\n\nThe band occupies a specific corner of Greek songcraft: literary lyrics, acoustic textures, an irreverent eye for the everyday. Ktistakis brings an instrumental palette shaped by years inside Papakonstantinou's circle — a different texture against Bakirtzis's writing.\n\nKyttaro is the Exarchia rock club that hosted the first Greek airings of Hendrix, Zappa and the Velvet Underground nearly half a century ago. A short walk from Omonia metro; tickets via the venue's advance channels.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Greek-singer-songwriter",
        "Entechno",
        "Live-band",
        "Historic",
        "Local-favorite",
        "Listening-room",
        "Greek-locals",
        "Mixed-ages",
        "Concert-format",
        "Metro-accessible",
        "Greek-language"
      ],
      "venue": {
        "name": "Κύτταρο",
        "address": "Αχαρνών, Ipeirou και",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.990675,
          "lon": 23.726265
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 20,
        "currency": "EUR",
        "range": "€15-35"
      },
      "url": "https://www.athinorama.gr/music/gig/xeimerinoi_kolumbites_kai_aleksandros_ktistakis-10089880/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/xeimerinoi_kolumbites_kai_aleksandros_ktistakis-10089880/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-05-27 05:07:40",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "9626885afa8da980",
      "title": "Common People",
      "description": "",
      "fullDescription": "What sits inside Death Disco's idiom on any given night is narrow by design — 80s darkwave, minimal synth, post-punk DNA. Common People play within that frame, in the Psiri room that has anchored Athens' darkwave scene for years.\n\nDeath Disco runs a clean format: live music from 21:00 to midnight, then DJ sets afterward. The seam between band and DJ is the room's signature rhythm — stay through and the bar crowd shifts under the DJs; leave at midnight and you've caught Common People on their own terms.\n\nThe venue sits at Ogygou 16, walking distance from Monastiraki station. Capacity around 200; entry EUR 10–15 at the door.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionEn": "What sits inside Death Disco's idiom on any given night is narrow by design — 80s darkwave, minimal synth, post-punk DNA. Common People play within that frame, in the Psiri room that has anchored Athens' darkwave scene for years.\n\nDeath Disco runs a clean format: live music from 21:00 to midnight, then DJ sets afterward. The seam between band and DJ is the room's signature rhythm — stay through and the bar crowd shifts under the DJs; leave at midnight and you've caught Common People on their own terms.\n\nThe venue sits at Ogygou 16, walking distance from Monastiraki station. Capacity around 200; entry EUR 10–15 at the door.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionGr": "What sits inside Death Disco's idiom on any given night is narrow by design — 80s darkwave, minimal synth, post-punk DNA. Common People play within that frame, in the Psiri room that has anchored Athens' darkwave scene for years.\n\nDeath Disco runs a clean format: live music from 21:00 to midnight, then DJ sets afterward. The seam between band and DJ is the room's signature rhythm — stay through and the bar crowd shifts under the DJs; leave at midnight and you've caught Common People on their own terms.\n\nThe venue sits at Ogygou 16, walking distance from Monastiraki station. Capacity around 200; entry EUR 10–15 at the door.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Darkwave",
        "Live-band",
        "Underground",
        "Intimate",
        "Music-heads",
        "Mixed-ages",
        "Standing-room",
        "Late-night",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Death Disco",
        "address": "Ogygou 16, Psyrri, Athens 105 54",
        "neighborhood": "Psyrri",
        "coordinates": {
          "lat": 37.977,
          "lon": 23.7265
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€8-15"
      },
      "url": "https://www.athinorama.gr/music/gig/common_people-10089885/",
      "ticketUrlStatus": "door_only",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-06-04 05:07:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "9f0542a0ed5cec07",
      "title": "Ντίνος Παπαδημητρίου",
      "description": "",
      "fullDescription": "Inside the Despotopoulos-designed Bauhaus building of the Athens Conservatoire — founded in 1871, alumni list including Maria Callas and Mikis Theodorakis — classical guitarist Ntinos Papadimitriou takes the stage.\n\nPapadimitriou has been based in Athens since 2018, splitting time between concert work and engineering studies at the National Technical University of Athens. His recital programmes have ranged across Bach, Poulenc, Milhaud, Ponce and Barrios — baroque, French twentieth century, and Latin American repertoire.\n\nThe Conservatoire houses multiple halls, including the 820-seat main concert hall and the smaller Aris Garoufalis Auditorium for recitals. Central Athens, metro-accessible. Programme and ticket details via the Conservatoire's announcements.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionEn": "Inside the Despotopoulos-designed Bauhaus building of the Athens Conservatoire — founded in 1871, alumni list including Maria Callas and Mikis Theodorakis — classical guitarist Ntinos Papadimitriou takes the stage.\n\nPapadimitriou has been based in Athens since 2018, splitting time between concert work and engineering studies at the National Technical University of Athens. His recital programmes have ranged across Bach, Poulenc, Milhaud, Ponce and Barrios — baroque, French twentieth century, and Latin American repertoire.\n\nThe Conservatoire houses multiple halls, including the 820-seat main concert hall and the smaller Aris Garoufalis Auditorium for recitals. Central Athens, metro-accessible. Programme and ticket details via the Conservatoire's announcements.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "fullDescriptionGr": "Inside the Despotopoulos-designed Bauhaus building of the Athens Conservatoire — founded in 1871, alumni list including Maria Callas and Mikis Theodorakis — classical guitarist Ntinos Papadimitriou takes the stage.\n\nPapadimitriou has been based in Athens since 2018, splitting time between concert work and engineering studies at the National Technical University of Athens. His recital programmes have ranged across Bach, Poulenc, Milhaud, Ponce and Barrios — baroque, French twentieth century, and Latin American repertoire.\n\nThe Conservatoire houses multiple halls, including the 820-seat main concert hall and the smaller Aris Garoufalis Auditorium for recitals. Central Athens, metro-accessible. Programme and ticket details via the Conservatoire's announcements.\n\n<!-- timeliness-expires: 2027-04-25 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Classical",
        "Live-act",
        "Listening-room",
        "Historic",
        "Mixed-ages",
        "Music-heads",
        "Seated",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Ωδείο Αθηνών",
        "address": "Rigillis & Vasileos Georgiou B' 17-19, Athens 106 75",
        "neighborhood": "Ilisia",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.753
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€20-50"
      },
      "url": "https://www.athinorama.gr/music/gig/ntinos_papadimitriou-10089895/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/ntinos_papadimitriou-10089895/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-05-27 05:07:40",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "521b8ceef33d7882",
      "title": "Human Touch",
      "description": "",
      "fullDescription": "Human Touch — the trio of David Lynch (saxophones, flute, vocals), Stavros Lantsias (piano, keyboards) and Yiotis Kiourtsoglou (electric and fretless bass) — return to Jazzet Cafe in Chaidari for a late-April set.\n\nFormed in the late '90s in Athens, the trio blends Greek, Irish, American and Cypriot lineages through contemporary and free jazz. Their 2024 vinyl Colorblind, issued by the Hellenic Jazz Society, documents the working language they bring to the stage.\n\nMusic starts at 22:00 in the small western-Athens room that opened in December 2017 to promote Greek jazz creation, with weekend-only programming. Chaidari is a longer trip than central Athens jazz rooms; plan the return accordingly.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "fullDescriptionEn": "Human Touch — the trio of David Lynch (saxophones, flute, vocals), Stavros Lantsias (piano, keyboards) and Yiotis Kiourtsoglou (electric and fretless bass) — return to Jazzet Cafe in Chaidari for a late-April set.\n\nFormed in the late '90s in Athens, the trio blends Greek, Irish, American and Cypriot lineages through contemporary and free jazz. Their 2024 vinyl Colorblind, issued by the Hellenic Jazz Society, documents the working language they bring to the stage.\n\nMusic starts at 22:00 in the small western-Athens room that opened in December 2017 to promote Greek jazz creation, with weekend-only programming. Chaidari is a longer trip than central Athens jazz rooms; plan the return accordingly.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "fullDescriptionGr": "Human Touch — the trio of David Lynch (saxophones, flute, vocals), Stavros Lantsias (piano, keyboards) and Yiotis Kiourtsoglou (electric and fretless bass) — return to Jazzet Cafe in Chaidari for a late-April set.\n\nFormed in the late '90s in Athens, the trio blends Greek, Irish, American and Cypriot lineages through contemporary and free jazz. Their 2024 vinyl Colorblind, issued by the Hellenic Jazz Society, documents the working language they bring to the stage.\n\nMusic starts at 22:00 in the small western-Athens room that opened in December 2017 to promote Greek jazz creation, with weekend-only programming. Chaidari is a longer trip than central Athens jazz rooms; plan the return accordingly.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-25T22:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Jazz",
        "Live-band",
        "Intimate",
        "Listening-room",
        "Music-heads",
        "Late-night",
        "Seated",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Jazzet Cafe",
        "address": "Ανδρέα Μιαούλη 26, Athina 105 54",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.97831,
          "lon": 23.725167
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 12,
        "currency": "EUR",
        "range": "€12"
      },
      "url": "https://www.athinorama.gr/music/gig/human_touch_-10023751/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/human_touch_-10023751/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-26 18:16:36",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeDoors": "22:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "c4c2a525c027c707",
      "title": "Αντώνης Αγγελίδης",
      "description": "",
      "fullDescription": "Antonis Aggelidis brings his solo guitar-and-voice set to Caja de Música in Ampelokipoi for a late-April night.\n\nThe Greek songwriter's performance is built around a warm interpretive style on guitar, balancing internal lyricism with sharper musical climaxes — the kind of programming that fits Caja de Música's intimate room better than a larger stage would.\n\nThe venue is a small music scene on Sinopis Street, near Gkyzi, that takes reservations by phone (6945166085, 13:00–19:00) rather than through online ticketing — plan accordingly if you're used to clicking through more.com or viva.gr.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "fullDescriptionEn": "Antonis Aggelidis brings his solo guitar-and-voice set to Caja de Música in Ampelokipoi for a late-April night.\n\nThe Greek songwriter's performance is built around a warm interpretive style on guitar, balancing internal lyricism with sharper musical climaxes — the kind of programming that fits Caja de Música's intimate room better than a larger stage would.\n\nThe venue is a small music scene on Sinopis Street, near Gkyzi, that takes reservations by phone (6945166085, 13:00–19:00) rather than through online ticketing — plan accordingly if you're used to clicking through more.com or viva.gr.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "fullDescriptionGr": "Antonis Aggelidis brings his solo guitar-and-voice set to Caja de Música in Ampelokipoi for a late-April night.\n\nThe Greek songwriter's performance is built around a warm interpretive style on guitar, balancing internal lyricism with sharper musical climaxes — the kind of programming that fits Caja de Música's intimate room better than a larger stage would.\n\nThe venue is a small music scene on Sinopis Street, near Gkyzi, that takes reservations by phone (6945166085, 13:00–19:00) rather than through online ticketing — plan accordingly if you're used to clicking through more.com or viva.gr.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-26",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Greek-singer-songwriter",
        "Live-act",
        "Intimate",
        "Listening-room",
        "Greek-locals",
        "Seated",
        "Reservation-required",
        "Greek-language"
      ],
      "venue": {
        "name": "Caja de Música",
        "address": "Sinopis 27 & Michalakopoulou, Athens 115 27",
        "neighborhood": "Ampelokipoi / Gkyzi",
        "coordinates": {
          "lat": 37.984,
          "lon": 23.7515
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/antonis_aggelidis-10038875/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/antonis_aggelidis-10038875/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-27 09:57:56",
      "updatedAt": "2026-05-22 11:42:38",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "97680c82178a0d0e",
      "title": "Music For",
      "description": "",
      "fullDescription": "A school showcase at Gazarte — themed around the figure of the woman and the many roles she has occupied across time. Title: \"She.\" Performed by the student ensembles of MusicFor, the Athens music school operating out of Kerameikos and Korydallos.\n\nThe evening is structured as a multi-act student showcase rather than a single-artist set. Repertoire and instrumentation rotate across MusicFor's ensembles, drawing from the school's working international songbook. Expect a warmer audience than Gazarte's usual concert nights — the room fills with people there to support specific performers.\n\nVoutadon Street in Gazi, a short walk from Kerameikos metro. Gazarte spreads across Main, Ground and Roof stages (100–400 capacity depending on space); doors typically open 20:00–21:00 with music starting around 21:30. Consumption isn't mandatory but the kitchen is taken seriously, and rooftop tables (when used) need to be booked ahead. Ticketed entry. A school showcase at a venue better known for touring acts — different math on a night like this.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "fullDescriptionEn": "A school showcase at Gazarte — themed around the figure of the woman and the many roles she has occupied across time. Title: \"She.\" Performed by the student ensembles of MusicFor, the Athens music school operating out of Kerameikos and Korydallos.\n\nThe evening is structured as a multi-act student showcase rather than a single-artist set. Repertoire and instrumentation rotate across MusicFor's ensembles, drawing from the school's working international songbook. Expect a warmer audience than Gazarte's usual concert nights — the room fills with people there to support specific performers.\n\nVoutadon Street in Gazi, a short walk from Kerameikos metro. Gazarte spreads across Main, Ground and Roof stages (100–400 capacity depending on space); doors typically open 20:00–21:00 with music starting around 21:30. Consumption isn't mandatory but the kitchen is taken seriously, and rooftop tables (when used) need to be booked ahead. Ticketed entry. A school showcase at a venue better known for touring acts — different math on a night like this.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "fullDescriptionGr": "A school showcase at Gazarte — themed around the figure of the woman and the many roles she has occupied across time. Title: \"She.\" Performed by the student ensembles of MusicFor, the Athens music school operating out of Kerameikos and Korydallos.\n\nThe evening is structured as a multi-act student showcase rather than a single-artist set. Repertoire and instrumentation rotate across MusicFor's ensembles, drawing from the school's working international songbook. Expect a warmer audience than Gazarte's usual concert nights — the room fills with people there to support specific performers.\n\nVoutadon Street in Gazi, a short walk from Kerameikos metro. Gazarte spreads across Main, Ground and Roof stages (100–400 capacity depending on space); doors typically open 20:00–21:00 with music starting around 21:30. Consumption isn't mandatory but the kitchen is taken seriously, and rooftop tables (when used) need to be booked ahead. Ticketed entry. A school showcase at a venue better known for touring acts — different math on a night like this.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-26",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Live-band",
        "Mainstream",
        "Mixed-ages",
        "Families",
        "Greek-locals",
        "Seated",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Gazarte",
        "address": "32-34 Voutadon St, Gazi, Athens",
        "neighborhood": "Gazi / Keramikos",
        "coordinates": {
          "lat": 37.9775,
          "lon": 23.7153
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://www.athinorama.gr/music/gig/music_for_-10053780/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/music_for_-10053780/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-27 09:57:56",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "2376dec20579377a",
      "title": "Κατερίνα Λαζαρίδου",
      "description": "",
      "fullDescription": "Katerina Lazaridou's Blue Sessions is a voice-and-piano concert at Kafetheatro in Pedion Areos, Athens, on 26 April 2027. The X-Factor Greece winner — the competition's first and only female champion — returns to her most exposed format, with pianist Michalis Sofianis anchoring arrangements built around the color's emotional range, from serenity to intensity.\n\nThe repertoire pulls Greek favorites, foreign standards, and classic ballades, recast in Lazaridou's interpretive voice. This is the unplugged side of an artist whose televised run delivered four chair-turns, rarely staged outside intimate rooms like this.\n\nKafetheatro sits at Eyelpidon and Moustoxydi on the park's edge — closer to Victoria Square than the central drag.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "fullDescriptionEn": "Katerina Lazaridou's Blue Sessions is a voice-and-piano concert at Kafetheatro in Pedion Areos, Athens, on 26 April 2027. The X-Factor Greece winner — the competition's first and only female champion — returns to her most exposed format, with pianist Michalis Sofianis anchoring arrangements built around the color's emotional range, from serenity to intensity.\n\nThe repertoire pulls Greek favorites, foreign standards, and classic ballades, recast in Lazaridou's interpretive voice. This is the unplugged side of an artist whose televised run delivered four chair-turns, rarely staged outside intimate rooms like this.\n\nKafetheatro sits at Eyelpidon and Moustoxydi on the park's edge — closer to Victoria Square than the central drag.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "fullDescriptionGr": "Katerina Lazaridou's Blue Sessions is a voice-and-piano concert at Kafetheatro in Pedion Areos, Athens, on 26 April 2027. The X-Factor Greece winner — the competition's first and only female champion — returns to her most exposed format, with pianist Michalis Sofianis anchoring arrangements built around the color's emotional range, from serenity to intensity.\n\nThe repertoire pulls Greek favorites, foreign standards, and classic ballades, recast in Lazaridou's interpretive voice. This is the unplugged side of an artist whose televised run delivered four chair-turns, rarely staged outside intimate rooms like this.\n\nKafetheatro sits at Eyelpidon and Moustoxydi on the park's edge — closer to Victoria Square than the central drag.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-26",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Entechno",
        "Greek-singer-songwriter",
        "Intimate",
        "Listening-room",
        "Mixed-ages",
        "Greek-locals",
        "Seated",
        "Early-evening",
        "Concert-format",
        "Greek-language"
      ],
      "venue": {
        "name": "Καφεθέατρο",
        "address": "Fokionos Negri area, Athens",
        "neighborhood": "Pedion Areos / Plateia Viktorias",
        "coordinates": {
          "lat": 38.001,
          "lon": 23.7335
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/katerina_lazaridou-10088292/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/katerina_lazaridou-10088292/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-27 09:57:56",
      "updatedAt": "2026-05-23 10:10:41",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "6f0f288ff9212a2b",
      "title": "Δαυίδ Ναχμίας",
      "description": "",
      "fullDescription": "David Nachmias's evening at Parnassos is a concert at the Philological Society Parnassos in central Athens, on 26 April 2027. Nachmias has built his stage practice around the Greek interwar songbook — tribute evenings to the period's central voices — and returns to the venue where that work has found its house audience.\n\nThe Philological Society at Ag. Georgiou Karytsi 8 anchors a particular tradition: the seated, attentive recital where lyrics matter as much as melody. His interwar programs lean into that contract — clear articulation over showmanship, song as narrative.\n\nDoors fall earlier than the central club circuit, in the early-evening window the Parnassos audience favours. Take the metro to Syntagma and walk back through Mitropoleos.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "fullDescriptionEn": "David Nachmias's evening at Parnassos is a concert at the Philological Society Parnassos in central Athens, on 26 April 2027. Nachmias has built his stage practice around the Greek interwar songbook — tribute evenings to the period's central voices — and returns to the venue where that work has found its house audience.\n\nThe Philological Society at Ag. Georgiou Karytsi 8 anchors a particular tradition: the seated, attentive recital where lyrics matter as much as melody. His interwar programs lean into that contract — clear articulation over showmanship, song as narrative.\n\nDoors fall earlier than the central club circuit, in the early-evening window the Parnassos audience favours. Take the metro to Syntagma and walk back through Mitropoleos.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "fullDescriptionGr": "David Nachmias's evening at Parnassos is a concert at the Philological Society Parnassos in central Athens, on 26 April 2027. Nachmias has built his stage practice around the Greek interwar songbook — tribute evenings to the period's central voices — and returns to the venue where that work has found its house audience.\n\nThe Philological Society at Ag. Georgiou Karytsi 8 anchors a particular tradition: the seated, attentive recital where lyrics matter as much as melody. His interwar programs lean into that contract — clear articulation over showmanship, song as narrative.\n\nDoors fall earlier than the central club circuit, in the early-evening window the Parnassos audience favours. Take the metro to Syntagma and walk back through Mitropoleos.\n\n<!-- timeliness-expires: 2027-04-26 -->",
      "hasNativeGreek": false,
      "startDate": "2027-04-26",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Greek-Traditional",
        "Entechno",
        "Intimate",
        "Listening-room",
        "Historic",
        "Mixed-ages",
        "Greek-locals",
        "Seated",
        "Early-evening",
        "Concert-format",
        "Greek-language"
      ],
      "venue": {
        "name": "Παρνασσός",
        "address": "Agiou Georgiou Karitsi 8, Athens 105 61",
        "neighborhood": "Syntagma",
        "coordinates": {
          "lat": 37.9774,
          "lon": 23.7314
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/dauid_naxmias-10088311/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/dauid_naxmias-10088311/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-04-27 09:57:56",
      "updatedAt": "2026-05-29 05:08:01",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "2e4603e564490b49",
      "title": "&#171;Κάρμεν&#187;",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2027-05-24T19:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Εθνική Λυρική Σκηνή",
        "address": "Leof. Andrea Siggrou 364, Kallithea 176 74",
        "neighborhood": "Kallithea",
        "coordinates": {
          "lat": 37.9398,
          "lon": 23.692
        },
        "capacity": null,
        "sameAs": [
          "https://www.wikidata.org/wiki/Q582625",
          "https://en.wikipedia.org/wiki/Greek_National_Opera"
        ]
      },
      "price": {
        "type": "with-ticket",
        "amount": 10,
        "currency": "EUR",
        "range": "€10 - €130"
      },
      "url": "https://www.athinorama.gr/music/gig/karmen-10063595/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/karmen-10063595/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-26 22:58:26",
      "updatedAt": "2026-05-28 05:08:23",
      "language": "en",
      "timeDoors": "19:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "c5e94439de5591e6",
      "title": "100 χρόνια από τη γέννηση του Κώστα Μουντάκη",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2027-05-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Θέατρο Παλλάς",
        "address": "Voukourestiou 5, Athens 106 71",
        "neighborhood": "Syntagma / City Center",
        "coordinates": {
          "lat": 37.9785,
          "lon": 23.734
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/100_xronia_apo_ti_gennisi_tou_kosta_mountaki-10056759/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/100_xronia_apo_ti_gennisi_tou_kosta_mountaki-10056759/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-26 22:58:26",
      "updatedAt": "2026-05-28 05:08:23",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "dc50272c54d1d143",
      "title": "&#171;Mozart 4 ever&#187;",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2027-05-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Ωδείο Αθηνών",
        "address": "Rigillis & Vasileos Georgiou B' 17-19, Athens 106 75",
        "neighborhood": "Ilisia",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.753
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€20-50"
      },
      "url": "https://www.athinorama.gr/music/gig/mozart_4_ever-10073514/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/mozart_4_ever-10073514/",
      "ticketUrlStatus": "generated",
      "ticketUrlResolved": null,
      "source": "athinorama.gr",
      "createdAt": "2026-05-26 22:58:26",
      "updatedAt": "2026-05-28 05:08:23",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "b9e1726eab215ceb",
      "title": "Three Times Three #8",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2027-05-25",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Κέντρο Ελέγχου Τηλεοράσεων",
        "address": "Kyprou 91A & Sikinou 35A, Athens 113 64",
        "neighborhood": "Kypseli",
        "coordinates": {
          "lat": 38.002,
          "lon": 23.7325
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/three_times_three_8-10086122/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/three_times_three_8-10086122/",
      "ticketUrlStatus": "generated",
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