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      "@type": "ExhibitionEvent",
      "id": "580fe29c88b0d8f1",
      "title": "Συλλογή ΜΙΕΤ: Ελληνική τέχνη του 20ού αιώνα",
      "description": "More than 100 works from the collection of the Cultural Foundation of the National Bank of Greece (MIET), covering most of the Greek twentieth century. Printmaking holds a prominent place, along with sculpture.",
      "fullDescription": "You walk through the converted warehouse on Pireos Street and the scale of what MIET has collected becomes apparent. Room after room of Greek art spanning a century — canvases that trace the country's visual evolution from traditionalism through modernism and into contemporary expression. The walls hold more than paintings; they hold arguments about what Greek art should be.\n\nThe Benaki Museum at Pireos houses MIET's permanent collection of 20th-century Greek art — an assembly that functions as both education and provocation. You'll find works by artists whose names anchor any serious conversation about Greek modernism, alongside pieces by figures who remain underappreciated beyond specialist circles. The chronological arrangement creates its own narrative, each room representing a different moment in the country's cultural self-definition.\n\nThe visitors here move differently than typical museum crowds. These are people who pause at specific works, who return to earlier rooms after seeing what came later, who understand that collections tell stories through juxtaposition. Art students with notebooks share space with older visitors who remember when some of these works first appeared. The quiet is purposeful, the attention genuine.\n\nThe Pireos branch of the Benaki provides the industrial shell this collection needs. High ceilings accommodate larger works without overwhelming them. Natural light from the converted warehouse spaces changes throughout the day, offering different perspectives on the same pieces. The building's former life as a working space adds layers to experiencing art made during periods when Greece was itself being rebuilt.\n\nIf you want international celebrity names and blockbuster exhibitions, this collection will seem local and unfamiliar. The focus here is specifically Greek — the questions these artists asked about identity, tradition, and modernity emerged from a particular history. But if you're ready to understand what 20th-century Greek artists were wrestling with, how they positioned themselves between East and West, tradition and rupture — this collection rewards the investment.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, February 25, 2026 |\n| **Hours** | 10:00-18:00 |\n| **Venue** | Benaki Museum Pireos, Pireos 138 |\n| **Getting there** | Kerameikos Metro, 10 min walk |\n| **Admission** | Standard museum entry |\n\nA century of Greek art arguing with itself about what Greek art should become.",
      "fullDescriptionEn": "You walk through the converted warehouse on Pireos Street and the scale of what MIET has collected becomes apparent. Room after room of Greek art spanning a century — canvases that trace the country's visual evolution from traditionalism through modernism and into contemporary expression. The walls hold more than paintings; they hold arguments about what Greek art should be.\n\nThe Benaki Museum at Pireos houses MIET's permanent collection of 20th-century Greek art — an assembly that functions as both education and provocation. You'll find works by artists whose names anchor any serious conversation about Greek modernism, alongside pieces by figures who remain underappreciated beyond specialist circles. The chronological arrangement creates its own narrative, each room representing a different moment in the country's cultural self-definition.\n\nThe visitors here move differently than typical museum crowds. These are people who pause at specific works, who return to earlier rooms after seeing what came later, who understand that collections tell stories through juxtaposition. Art students with notebooks share space with older visitors who remember when some of these works first appeared. The quiet is purposeful, the attention genuine.\n\nThe Pireos branch of the Benaki provides the industrial shell this collection needs. High ceilings accommodate larger works without overwhelming them. Natural light from the converted warehouse spaces changes throughout the day, offering different perspectives on the same pieces. The building's former life as a working space adds layers to experiencing art made during periods when Greece was itself being rebuilt.\n\nIf you want international celebrity names and blockbuster exhibitions, this collection will seem local and unfamiliar. The focus here is specifically Greek — the questions these artists asked about identity, tradition, and modernity emerged from a particular history. But if you're ready to understand what 20th-century Greek artists were wrestling with, how they positioned themselves between East and West, tradition and rupture — this collection rewards the investment.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, February 25, 2026 |\n| **Hours** | 10:00-18:00 |\n| **Venue** | Benaki Museum Pireos, Pireos 138 |\n| **Getting there** | Kerameikos Metro, 10 min walk |\n| **Admission** | Standard museum entry |\n\nA century of Greek art arguing with itself about what Greek art should become.",
      "fullDescriptionGr": "You walk through the converted warehouse on Pireos Street and the scale of what MIET has collected becomes apparent. Room after room of Greek art spanning a century — canvases that trace the country's visual evolution from traditionalism through modernism and into contemporary expression. The walls hold more than paintings; they hold arguments about what Greek art should be.\n\nThe Benaki Museum at Pireos houses MIET's permanent collection of 20th-century Greek art — an assembly that functions as both education and provocation. You'll find works by artists whose names anchor any serious conversation about Greek modernism, alongside pieces by figures who remain underappreciated beyond specialist circles. The chronological arrangement creates its own narrative, each room representing a different moment in the country's cultural self-definition.\n\nThe visitors here move differently than typical museum crowds. These are people who pause at specific works, who return to earlier rooms after seeing what came later, who understand that collections tell stories through juxtaposition. Art students with notebooks share space with older visitors who remember when some of these works first appeared. The quiet is purposeful, the attention genuine.\n\nThe Pireos branch of the Benaki provides the industrial shell this collection needs. High ceilings accommodate larger works without overwhelming them. Natural light from the converted warehouse spaces changes throughout the day, offering different perspectives on the same pieces. The building's former life as a working space adds layers to experiencing art made during periods when Greece was itself being rebuilt.\n\nIf you want international celebrity names and blockbuster exhibitions, this collection will seem local and unfamiliar. The focus here is specifically Greek — the questions these artists asked about identity, tradition, and modernity emerged from a particular history. But if you're ready to understand what 20th-century Greek artists were wrestling with, how they positioned themselves between East and West, tradition and rupture — this collection rewards the investment.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, February 25, 2026 |\n| **Hours** | 10:00-18:00 |\n| **Venue** | Benaki Museum Pireos, Pireos 138 |\n| **Getting there** | Kerameikos Metro, 10 min walk |\n| **Admission** | Standard museum entry |\n\nA century of Greek art arguing with itself about what Greek art should become.",
      "hasNativeGreek": false,
      "startDate": "2026-02-25",
      "endDate": "2026-04-26",
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      "venue": {
        "name": "Μουσείο Μπενάκη - Πειραιώς 138",
        "address": "Πειραιώς 138, Αθήνα",
        "neighborhood": "Γκάζι",
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      "url": "https://www.benaki.org",
      "ticketUrl": "https://www.benaki.org",
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      "createdAt": "2026-01-30T15:08:45.203Z",
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        "wed": "10:00-18:00",
        "thu": "10:00-22:00",
        "fri": "10:00-18:00",
        "sat": "10:00-18:00",
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    {
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      "@type": "ExhibitionEvent",
      "id": "1b7ed35a3b33c973",
      "title": "Yorgos Lanthimos: Photographs",
      "description": "Photographs from the past five years by acclaimed filmmaker Yorgos Lanthimos, including work made around film productions and soundstage environments, alongside a distinct series created in Athens and the Aegean.",
      "fullDescription": "You walk into a structure built to resemble a Greek temple, and the photographs on the walls do not explain themselves. A figure on a film set in New Orleans holds a pose that could be direction or exhaustion. A cracked wall on an Aegean island offers no context beyond its own texture. The frames are hung at a height that forces you to stand close, and the room is quiet enough to hear the person next to you breathing.\n\nYorgos Lanthimos: Photographs is the first exhibition in Greece dedicated to the photographic work of the Oscar-nominated director of Poor Things, The Favourite, and The Lobster. Curated by Michael Mack, the exhibition brings together 182 photographs from four bodies of work spanning five years. Three series document life on and around film sets in New Orleans, Atlanta, and Budapest — material shot during the production of Poor Things, Kinds of Kindness, and Bugonia. The fourth, previously unseen, was shot during solitary walks in Athens and on Aegean islands: quieter images focused on the everyday and the seemingly insignificant. The exhibition coincides with Lanthimos's photo book viscin (2026). The architectural design, shaped like a classical Greek temple, places 110 new works in a central altar-like space, with the three film-connected series around the outer perimeter.\n\nThe crowd divides into two camps: cinephiles who know Lanthimos's filmography frame by frame and want to see how his eye operates in still photography, and the contemporary art audience that follows Onassis Stegi's programming. You will recognize the film people by how long they linger at the set photographs, trying to identify which scene was being shot. The art crowd moves differently — reading composition, not looking for Easter eggs.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Onassis Stegi, Syngrou Avenue — 18,000 sq m cultural center, exhibition spaces across multiple floors |\n| **Vibe** | Contemplative, cinematic, architecturally deliberate — the exhibition design shapes the viewing experience |\n| **Format** | Photography exhibition, 182 works across four series, temple-shaped installation |\n| **Access** | Ticketed, timed entry |\n\nThe exhibition asks you to reconcile two versions of the same artist. The film-set photographs carry the controlled chaos of production — extras in costume, equipment at the edges of the frame, the tension between the constructed world and the world around it. The Greek series strips all of that away: no actors, no sets, no narrative apparatus. What remains is Lanthimos alone with a camera, finding images on the same unsettling register as his films but without any of the machinery. The juxtaposition is the argument — the director's eye does not depend on the director's apparatus.\n\nIf you are coming for behind-the-scenes film content or wall text that decodes each image, this operates more like a gallery show than a film retrospective — the photographs stand without context. But if you want to see how one of contemporary cinema's most distinctive visual minds translates to still images, inside a purpose-built architectural installation, this is the exhibition.\n\nOnassis Stegi is on Syngrou Avenue. The nearest metro is Syngrou Fix, a thirteen-minute walk south along Syngrou. The exhibition runs from March 7 through May 17, 2026. Hours are Thursday through Saturday 18:00 to 23:30, and Sunday 13:00 to 20:00. Tickets are €10 regular, €8 reduced, €5 for disabled visitors — available through the Onassis Stegi website.\n\nOne hundred eighty-two photographs, two months, and then the temple comes down. Lanthimos makes films that leave the room with you — these photographs operate on the same terms.",
      "fullDescriptionEn": "You walk into a structure built to resemble a Greek temple, and the photographs on the walls do not explain themselves. A figure on a film set in New Orleans holds a pose that could be direction or exhaustion. A cracked wall on an Aegean island offers no context beyond its own texture. The frames are hung at a height that forces you to stand close, and the room is quiet enough to hear the person next to you breathing.\n\nYorgos Lanthimos: Photographs is the first exhibition in Greece dedicated to the photographic work of the Oscar-nominated director of Poor Things, The Favourite, and The Lobster. Curated by Michael Mack, the exhibition brings together 182 photographs from four bodies of work spanning five years. Three series document life on and around film sets in New Orleans, Atlanta, and Budapest — material shot during the production of Poor Things, Kinds of Kindness, and Bugonia. The fourth, previously unseen, was shot during solitary walks in Athens and on Aegean islands: quieter images focused on the everyday and the seemingly insignificant. The exhibition coincides with Lanthimos's photo book viscin (2026). The architectural design, shaped like a classical Greek temple, places 110 new works in a central altar-like space, with the three film-connected series around the outer perimeter.\n\nThe crowd divides into two camps: cinephiles who know Lanthimos's filmography frame by frame and want to see how his eye operates in still photography, and the contemporary art audience that follows Onassis Stegi's programming. You will recognize the film people by how long they linger at the set photographs, trying to identify which scene was being shot. The art crowd moves differently — reading composition, not looking for Easter eggs.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Onassis Stegi, Syngrou Avenue — 18,000 sq m cultural center, exhibition spaces across multiple floors |\n| **Vibe** | Contemplative, cinematic, architecturally deliberate — the exhibition design shapes the viewing experience |\n| **Format** | Photography exhibition, 182 works across four series, temple-shaped installation |\n| **Access** | Ticketed, timed entry |\n\nThe exhibition asks you to reconcile two versions of the same artist. The film-set photographs carry the controlled chaos of production — extras in costume, equipment at the edges of the frame, the tension between the constructed world and the world around it. The Greek series strips all of that away: no actors, no sets, no narrative apparatus. What remains is Lanthimos alone with a camera, finding images on the same unsettling register as his films but without any of the machinery. The juxtaposition is the argument — the director's eye does not depend on the director's apparatus.\n\nIf you are coming for behind-the-scenes film content or wall text that decodes each image, this operates more like a gallery show than a film retrospective — the photographs stand without context. But if you want to see how one of contemporary cinema's most distinctive visual minds translates to still images, inside a purpose-built architectural installation, this is the exhibition.\n\nOnassis Stegi is on Syngrou Avenue. The nearest metro is Syngrou Fix, a thirteen-minute walk south along Syngrou. The exhibition runs from March 7 through May 17, 2026. Hours are Thursday through Saturday 18:00 to 23:30, and Sunday 13:00 to 20:00. Tickets are €10 regular, €8 reduced, €5 for disabled visitors — available through the Onassis Stegi website.\n\nOne hundred eighty-two photographs, two months, and then the temple comes down. Lanthimos makes films that leave the room with you — these photographs operate on the same terms.",
      "fullDescriptionGr": "You walk into a structure built to resemble a Greek temple, and the photographs on the walls do not explain themselves. A figure on a film set in New Orleans holds a pose that could be direction or exhaustion. A cracked wall on an Aegean island offers no context beyond its own texture. The frames are hung at a height that forces you to stand close, and the room is quiet enough to hear the person next to you breathing.\n\nYorgos Lanthimos: Photographs is the first exhibition in Greece dedicated to the photographic work of the Oscar-nominated director of Poor Things, The Favourite, and The Lobster. Curated by Michael Mack, the exhibition brings together 182 photographs from four bodies of work spanning five years. Three series document life on and around film sets in New Orleans, Atlanta, and Budapest — material shot during the production of Poor Things, Kinds of Kindness, and Bugonia. The fourth, previously unseen, was shot during solitary walks in Athens and on Aegean islands: quieter images focused on the everyday and the seemingly insignificant. The exhibition coincides with Lanthimos's photo book viscin (2026). The architectural design, shaped like a classical Greek temple, places 110 new works in a central altar-like space, with the three film-connected series around the outer perimeter.\n\nThe crowd divides into two camps: cinephiles who know Lanthimos's filmography frame by frame and want to see how his eye operates in still photography, and the contemporary art audience that follows Onassis Stegi's programming. You will recognize the film people by how long they linger at the set photographs, trying to identify which scene was being shot. The art crowd moves differently — reading composition, not looking for Easter eggs.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Onassis Stegi, Syngrou Avenue — 18,000 sq m cultural center, exhibition spaces across multiple floors |\n| **Vibe** | Contemplative, cinematic, architecturally deliberate — the exhibition design shapes the viewing experience |\n| **Format** | Photography exhibition, 182 works across four series, temple-shaped installation |\n| **Access** | Ticketed, timed entry |\n\nThe exhibition asks you to reconcile two versions of the same artist. The film-set photographs carry the controlled chaos of production — extras in costume, equipment at the edges of the frame, the tension between the constructed world and the world around it. The Greek series strips all of that away: no actors, no sets, no narrative apparatus. What remains is Lanthimos alone with a camera, finding images on the same unsettling register as his films but without any of the machinery. The juxtaposition is the argument — the director's eye does not depend on the director's apparatus.\n\nIf you are coming for behind-the-scenes film content or wall text that decodes each image, this operates more like a gallery show than a film retrospective — the photographs stand without context. But if you want to see how one of contemporary cinema's most distinctive visual minds translates to still images, inside a purpose-built architectural installation, this is the exhibition.\n\nOnassis Stegi is on Syngrou Avenue. The nearest metro is Syngrou Fix, a thirteen-minute walk south along Syngrou. The exhibition runs from March 7 through May 17, 2026. Hours are Thursday through Saturday 18:00 to 23:30, and Sunday 13:00 to 20:00. Tickets are €10 regular, €8 reduced, €5 for disabled visitors — available through the Onassis Stegi website.\n\nOne hundred eighty-two photographs, two months, and then the temple comes down. Lanthimos makes films that leave the room with you — these photographs operate on the same terms.",
      "hasNativeGreek": false,
      "startDate": "2026-03-07T11:00:00",
      "endDate": "2026-05-17",
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      "venue": {
        "name": "Onassis Stegi",
        "address": "Leof. Andrea Siggrou 107-109, Athens 117 45",
        "neighborhood": "Neos Kosmos",
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      "createdAt": "2026-02-21 17:29:16",
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      "id": "c36254ea18f7b2e6",
      "title": "Yorgos Lanthimos: Photographs | Προσβάσιμες περιηγήσεις",
      "description": "Έκθεση",
      "hasNativeGreek": false,
      "startDate": "2026-05-10T11:00:00",
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      "venue": {
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      "url": "https://www.onassis.org/el/whats-on/yorgos-lanthimos-photographs/accessible-tours",
      "ticketUrl": "https://www.onassis.org/el/whats-on/yorgos-lanthimos-photographs/accessible-tours",
      "source": "onassis",
      "createdAt": "2026-04-14 14:12:29",
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      "id": "df0e8b9dda2c9671",
      "title": "ONX.Showcase.Athens.2026",
      "description": "Έκθεση",
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      "startDate": "2026-05-24T11:00:00",
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        "name": "Onassis Stegi",
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      "url": "https://www.onassis.org/el/whats-on/onx-showcase-athens-2026",
      "ticketUrl": "https://www.onassis.org/el/whats-on/onx-showcase-athens-2026",
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      "createdAt": "2026-04-07 11:26:09",
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      "id": "13c8a305c6f66494",
      "title": "Ongoing | Tilda Swinton",
      "description": "Έκθεση",
      "fullDescription": "Ongoing | Tilda Swinton is a collaborative exhibition at Onassis Ready in Agios Ioannis Rentis, Athens, gathering new and existing works from eight of Swinton's closest artistic collaborators. The show runs from 17 May through 28 June 2026.\n\nPedro Almodovar, Luca Guadagnino, Joanna Hogg, Derek Jarman, Jim Jarmusch, Olivier Saillard, Tim Walker, and Apichatpong Weerasethakul each contribute work made from direct creative proximity to Swinton — four decades of filmmaking, fashion, and performance distilled into one building. The exhibition originated at Amsterdam's Eye Filmmuseum and travels to Athens in co-production with Onassis Culture.\n\nThe venue is a 3,760-square-metre converted plastics factory. Highlights include Jarmusch's Zelda Winston, a re-edited installation drawn from The Dead Don't Die, Hogg's Flat 19, a multimedia reconstruction of Swinton's 1980s London apartment, and Almodovar's The Human Voice in its first exhibition presentation. Saillard's A Biographical Wardrobe — a live performance where Swinton animates pieces from her personal clothing collection — runs on select opening dates with separate tickets.\n\nIf you want wall text and a clean museum path, this former factory operates on looser terms. But if you want to see how eight directors and artists see the same person across four decades of shared work, this is the room.\n\nOnassis Ready is at Stratigou Tsirka 2 — Eleonas metro is the nearest station. Tickets from 12 EUR through the Onassis website. Under-17s enter at no charge.\n\nEight collaborators, one subject, and a building that was never designed to hold art.",
      "fullDescriptionEn": "Ongoing | Tilda Swinton is a collaborative exhibition at Onassis Ready in Agios Ioannis Rentis, Athens, gathering new and existing works from eight of Swinton's closest artistic collaborators. The show runs from 17 May through 28 June 2026.\n\nPedro Almodovar, Luca Guadagnino, Joanna Hogg, Derek Jarman, Jim Jarmusch, Olivier Saillard, Tim Walker, and Apichatpong Weerasethakul each contribute work made from direct creative proximity to Swinton — four decades of filmmaking, fashion, and performance distilled into one building. The exhibition originated at Amsterdam's Eye Filmmuseum and travels to Athens in co-production with Onassis Culture.\n\nThe venue is a 3,760-square-metre converted plastics factory. Highlights include Jarmusch's Zelda Winston, a re-edited installation drawn from The Dead Don't Die, Hogg's Flat 19, a multimedia reconstruction of Swinton's 1980s London apartment, and Almodovar's The Human Voice in its first exhibition presentation. Saillard's A Biographical Wardrobe — a live performance where Swinton animates pieces from her personal clothing collection — runs on select opening dates with separate tickets.\n\nIf you want wall text and a clean museum path, this former factory operates on looser terms. But if you want to see how eight directors and artists see the same person across four decades of shared work, this is the room.\n\nOnassis Ready is at Stratigou Tsirka 2 — Eleonas metro is the nearest station. Tickets from 12 EUR through the Onassis website. Under-17s enter at no charge.\n\nEight collaborators, one subject, and a building that was never designed to hold art.",
      "fullDescriptionGr": "Ongoing | Tilda Swinton is a collaborative exhibition at Onassis Ready in Agios Ioannis Rentis, Athens, gathering new and existing works from eight of Swinton's closest artistic collaborators. The show runs from 17 May through 28 June 2026.\n\nPedro Almodovar, Luca Guadagnino, Joanna Hogg, Derek Jarman, Jim Jarmusch, Olivier Saillard, Tim Walker, and Apichatpong Weerasethakul each contribute work made from direct creative proximity to Swinton — four decades of filmmaking, fashion, and performance distilled into one building. The exhibition originated at Amsterdam's Eye Filmmuseum and travels to Athens in co-production with Onassis Culture.\n\nThe venue is a 3,760-square-metre converted plastics factory. Highlights include Jarmusch's Zelda Winston, a re-edited installation drawn from The Dead Don't Die, Hogg's Flat 19, a multimedia reconstruction of Swinton's 1980s London apartment, and Almodovar's The Human Voice in its first exhibition presentation. Saillard's A Biographical Wardrobe — a live performance where Swinton animates pieces from her personal clothing collection — runs on select opening dates with separate tickets.\n\nIf you want wall text and a clean museum path, this former factory operates on looser terms. But if you want to see how eight directors and artists see the same person across four decades of shared work, this is the room.\n\nOnassis Ready is at Stratigou Tsirka 2 — Eleonas metro is the nearest station. Tickets from 12 EUR through the Onassis website. Under-17s enter at no charge.\n\nEight collaborators, one subject, and a building that was never designed to hold art.",
      "hasNativeGreek": false,
      "startDate": "2026-06-28T11:00:00",
      "endDate": null,
      "type": "exhibition",
      "genres": [
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      "tags": [
        "Contemporary-Art",
        "Installation",
        "Photography",
        "Industrial-chic",
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        "Raw",
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      "url": "https://www.onassis.org/el/whats-on/ongoing-tilda-swinton",
      "ticketUrl": "https://www.onassis.org/el/whats-on/ongoing-tilda-swinton",
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