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      "@type": "Festival",
      "id": "932bd97aa7bd6fca",
      "title": "39ο Διεθνές Φεστιβάλ Κιθάρας Αθηνών",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-16",
      "endDate": null,
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      "venue": {
        "name": "Ωδείο Αθηνών",
        "address": "Rigillis & Vasileos Georgiou B' 17-19, Athens 106 75",
        "neighborhood": "Ilisia",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.753
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 10,
        "currency": "EUR",
        "range": "€10 - €31"
      },
      "url": "https://www.athinorama.gr/music/gig/39o_diethnes_festibal_kitharas_athinon-10089805/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/39o_diethnes_festibal_kitharas_athinon-10089805/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-10 18:08:12",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "19:30",
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      "@type": "Festival",
      "id": "cat-festival-2026-2026-04-25",
      "title": "Cat Festival 2026",
      "description": "Γάτα Φεστιβάλ Γατα Φεστιβαλ Cat festival αμαξοστασιο συναυλίες, stand up, δραστηριοτητες για παιδια, ομιλίες φιλοζωικές",
      "fullDescription": "The old tram depot has transformed overnight. Stages emerge from industrial corners, food stalls line the central corridor, and everywhere — cats. Murals, sculptures, costumes, the feline aesthetic infiltrating every surface. You've entered Cat Festival, and Athens is celebrating something genuinely strange.\n\nThe Palaio Amaxostasio OSY provides the setting this festival deserves. The historic tram depot's industrial bones create atmosphere that new construction couldn't replicate. High ceilings allow sound to travel, while distinct spaces offer variety — move from stage to stage, from vendor to vendor, from experience to experience without leaving the site.\n\nCat Festival brings together music, art, and Athens' peculiar ability to make festivals feel like parties you stumbled into rather than events you bought tickets for. The lineup spans genres, the art installations reward exploration, the food options fuel extended stays. The cat theme provides organizing principle without demanding explanation — Athens loves its cats, festivals love themes, the synthesis makes its own sense.\n\nMultiple stages mean programming runs simultaneous rather than sequential. You'll miss things while watching other things. This is the festival's gift — forcing choices that make each person's experience unique. The decisions you make shape your night. The stages you skip become stories other people tell you later.\n\nThe crowd at Greek festivals carries particular energy. Families early, young adults later, the demographic shifting as hours pass. Everyone seems to know someone, the small world of Athens nightlife collapsing into encounters and reunions. By midnight the stranger-to-friend conversion rate exceeds normal event parameters.\n\nIf you need predictable scheduling or comprehensive coverage, Cat Festival's sprawl will frustrate your completionist instincts. The experience here rewards wandering over planning, discovery over optimization. But if you've been seeking festivals that feel organic rather than corporate, where the venues matter as much as the lineup — the old tram depot holds this particular celebration.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Time** | All day and evening |\n| **Venue** | Palaio Amaxostasio OSY (Old Tram Depot) |\n| **Format** | Multi-stage festival |\n| **Price** | Check organizers |\n| **Prepare for** | Walking, exploring |\n\nCat Festival 2026 — where Athens celebrates its strangest enthusiasms.",
      "fullDescriptionEn": "The old tram depot has transformed overnight. Stages emerge from industrial corners, food stalls line the central corridor, and everywhere — cats. Murals, sculptures, costumes, the feline aesthetic infiltrating every surface. You've entered Cat Festival, and Athens is celebrating something genuinely strange.\n\nThe Palaio Amaxostasio OSY provides the setting this festival deserves. The historic tram depot's industrial bones create atmosphere that new construction couldn't replicate. High ceilings allow sound to travel, while distinct spaces offer variety — move from stage to stage, from vendor to vendor, from experience to experience without leaving the site.\n\nCat Festival brings together music, art, and Athens' peculiar ability to make festivals feel like parties you stumbled into rather than events you bought tickets for. The lineup spans genres, the art installations reward exploration, the food options fuel extended stays. The cat theme provides organizing principle without demanding explanation — Athens loves its cats, festivals love themes, the synthesis makes its own sense.\n\nMultiple stages mean programming runs simultaneous rather than sequential. You'll miss things while watching other things. This is the festival's gift — forcing choices that make each person's experience unique. The decisions you make shape your night. The stages you skip become stories other people tell you later.\n\nThe crowd at Greek festivals carries particular energy. Families early, young adults later, the demographic shifting as hours pass. Everyone seems to know someone, the small world of Athens nightlife collapsing into encounters and reunions. By midnight the stranger-to-friend conversion rate exceeds normal event parameters.\n\nIf you need predictable scheduling or comprehensive coverage, Cat Festival's sprawl will frustrate your completionist instincts. The experience here rewards wandering over planning, discovery over optimization. But if you've been seeking festivals that feel organic rather than corporate, where the venues matter as much as the lineup — the old tram depot holds this particular celebration.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Time** | All day and evening |\n| **Venue** | Palaio Amaxostasio OSY (Old Tram Depot) |\n| **Format** | Multi-stage festival |\n| **Price** | Check organizers |\n| **Prepare for** | Walking, exploring |\n\nCat Festival 2026 — where Athens celebrates its strangest enthusiasms.",
      "fullDescriptionGr": "The old tram depot has transformed overnight. Stages emerge from industrial corners, food stalls line the central corridor, and everywhere — cats. Murals, sculptures, costumes, the feline aesthetic infiltrating every surface. You've entered Cat Festival, and Athens is celebrating something genuinely strange.\n\nThe Palaio Amaxostasio OSY provides the setting this festival deserves. The historic tram depot's industrial bones create atmosphere that new construction couldn't replicate. High ceilings allow sound to travel, while distinct spaces offer variety — move from stage to stage, from vendor to vendor, from experience to experience without leaving the site.\n\nCat Festival brings together music, art, and Athens' peculiar ability to make festivals feel like parties you stumbled into rather than events you bought tickets for. The lineup spans genres, the art installations reward exploration, the food options fuel extended stays. The cat theme provides organizing principle without demanding explanation — Athens loves its cats, festivals love themes, the synthesis makes its own sense.\n\nMultiple stages mean programming runs simultaneous rather than sequential. You'll miss things while watching other things. This is the festival's gift — forcing choices that make each person's experience unique. The decisions you make shape your night. The stages you skip become stories other people tell you later.\n\nThe crowd at Greek festivals carries particular energy. Families early, young adults later, the demographic shifting as hours pass. Everyone seems to know someone, the small world of Athens nightlife collapsing into encounters and reunions. By midnight the stranger-to-friend conversion rate exceeds normal event parameters.\n\nIf you need predictable scheduling or comprehensive coverage, Cat Festival's sprawl will frustrate your completionist instincts. The experience here rewards wandering over planning, discovery over optimization. But if you've been seeking festivals that feel organic rather than corporate, where the venues matter as much as the lineup — the old tram depot holds this particular celebration.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Time** | All day and evening |\n| **Venue** | Palaio Amaxostasio OSY (Old Tram Depot) |\n| **Format** | Multi-stage festival |\n| **Price** | Check organizers |\n| **Prepare for** | Walking, exploring |\n\nCat Festival 2026 — where Athens celebrates its strangest enthusiasms.",
      "hasNativeGreek": false,
      "startDate": "2026-04-25T10:00:00+03:00",
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      "venue": {
        "name": "Παλιό Αμαξοστάσιο ΟΣΥ",
        "address": "Ερμού 1 & Πειραιώς, 11854, Γκάζι",
        "neighborhood": "Gazi / Keramikos",
        "coordinates": {
          "lat": 37.9778,
          "lon": 23.7155
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      "ticketUrl": "https://www.more.com/gr-el/tickets/happenings/festival/cat-festival-2026/",
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      "createdAt": "2025-10-31T12:22:35.864Z",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "10:00",
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      "id": "8fa3b804c0907b5a",
      "title": "Engineering the World 2026",
      "description": "Where engineers, innovators and industry leaders come together for a 3-day global event to tackle Data Scarcity and build what’s next.",
      "fullDescription": "Red brick smokestacks rise above a complex of 19th-century gasworks buildings, their industrial silhouettes softened by the late-April light that slants across the Gazi neighborhood around five in the afternoon. Technopolis -- Athens's converted industrial museum and event campus -- is the kind of venue where you walk between sessions through open courtyards framed by preserved machinery and iron structural beams, the history of one engineering era literally surrounding the conversations about the next one.\n\nEngineering the World runs for three days at the end of April, and its central focus is a problem that has quietly become one of the defining constraints of the current technical moment: data scarcity. The conference gathers engineers, innovators, and industry leaders who are working at the edges of what you can build when the data you need does not exist in convenient, labeled abundance. That means sessions touching synthetic data generation, few-shot and zero-shot learning approaches, transfer learning strategies, data augmentation pipelines, and the organizational challenges of building products when your training set is thin, biased, expensive to acquire, or all three at once.\n\nThe venue itself shapes the experience. Technopolis is not a single auditorium -- it is a campus of multiple buildings and outdoor areas near Keramikos metro station. You move between indoor presentation halls with high ceilings and exposed industrial architecture and open-air zones where the break conversations happen against a backdrop that reminds you engineering has always been about building with constraints. The mix of spaces means the event breathes differently than a hotel conference center. There is room to step outside, decompress, and return.\n\nIf you are an engineer or technical leader dealing with real-world data limitations -- in machine learning, in IoT, in manufacturing, in any domain where the textbook assumption of plentiful clean data collides with reality -- the program is built around your actual problems. If you are a researcher whose work touches data efficiency, or a founder building products where data acquisition cost is a line item that keeps you awake, the three-day format gives enough time to go past surface-level overviews.\n\nThis is a ticketed event, so plan accordingly. The multi-day structure starting at 17:00 each day suggests an afternoon-and-evening cadence, which means you can work during the day and arrive for focused sessions as Athens shifts into its evening energy.\n\nThe neighborhood rewards sticking around after hours. Gazi's density of restaurants, bars, and rooftop terraces sits directly outside the Technopolis gates. Three days in the same venue builds the kind of accumulating familiarity with fellow attendees that single-day events rarely achieve -- by the final evening, the conversations will be different from where they started.",
      "fullDescriptionEn": "Red brick smokestacks rise above a complex of 19th-century gasworks buildings, their industrial silhouettes softened by the late-April light that slants across the Gazi neighborhood around five in the afternoon. Technopolis -- Athens's converted industrial museum and event campus -- is the kind of venue where you walk between sessions through open courtyards framed by preserved machinery and iron structural beams, the history of one engineering era literally surrounding the conversations about the next one.\n\nEngineering the World runs for three days at the end of April, and its central focus is a problem that has quietly become one of the defining constraints of the current technical moment: data scarcity. The conference gathers engineers, innovators, and industry leaders who are working at the edges of what you can build when the data you need does not exist in convenient, labeled abundance. That means sessions touching synthetic data generation, few-shot and zero-shot learning approaches, transfer learning strategies, data augmentation pipelines, and the organizational challenges of building products when your training set is thin, biased, expensive to acquire, or all three at once.\n\nThe venue itself shapes the experience. Technopolis is not a single auditorium -- it is a campus of multiple buildings and outdoor areas near Keramikos metro station. You move between indoor presentation halls with high ceilings and exposed industrial architecture and open-air zones where the break conversations happen against a backdrop that reminds you engineering has always been about building with constraints. The mix of spaces means the event breathes differently than a hotel conference center. There is room to step outside, decompress, and return.\n\nIf you are an engineer or technical leader dealing with real-world data limitations -- in machine learning, in IoT, in manufacturing, in any domain where the textbook assumption of plentiful clean data collides with reality -- the program is built around your actual problems. If you are a researcher whose work touches data efficiency, or a founder building products where data acquisition cost is a line item that keeps you awake, the three-day format gives enough time to go past surface-level overviews.\n\nThis is a ticketed event, so plan accordingly. The multi-day structure starting at 17:00 each day suggests an afternoon-and-evening cadence, which means you can work during the day and arrive for focused sessions as Athens shifts into its evening energy.\n\nThe neighborhood rewards sticking around after hours. Gazi's density of restaurants, bars, and rooftop terraces sits directly outside the Technopolis gates. Three days in the same venue builds the kind of accumulating familiarity with fellow attendees that single-day events rarely achieve -- by the final evening, the conversations will be different from where they started.",
      "fullDescriptionGr": "Red brick smokestacks rise above a complex of 19th-century gasworks buildings, their industrial silhouettes softened by the late-April light that slants across the Gazi neighborhood around five in the afternoon. Technopolis -- Athens's converted industrial museum and event campus -- is the kind of venue where you walk between sessions through open courtyards framed by preserved machinery and iron structural beams, the history of one engineering era literally surrounding the conversations about the next one.\n\nEngineering the World runs for three days at the end of April, and its central focus is a problem that has quietly become one of the defining constraints of the current technical moment: data scarcity. The conference gathers engineers, innovators, and industry leaders who are working at the edges of what you can build when the data you need does not exist in convenient, labeled abundance. That means sessions touching synthetic data generation, few-shot and zero-shot learning approaches, transfer learning strategies, data augmentation pipelines, and the organizational challenges of building products when your training set is thin, biased, expensive to acquire, or all three at once.\n\nThe venue itself shapes the experience. Technopolis is not a single auditorium -- it is a campus of multiple buildings and outdoor areas near Keramikos metro station. You move between indoor presentation halls with high ceilings and exposed industrial architecture and open-air zones where the break conversations happen against a backdrop that reminds you engineering has always been about building with constraints. The mix of spaces means the event breathes differently than a hotel conference center. There is room to step outside, decompress, and return.\n\nIf you are an engineer or technical leader dealing with real-world data limitations -- in machine learning, in IoT, in manufacturing, in any domain where the textbook assumption of plentiful clean data collides with reality -- the program is built around your actual problems. If you are a researcher whose work touches data efficiency, or a founder building products where data acquisition cost is a line item that keeps you awake, the three-day format gives enough time to go past surface-level overviews.\n\nThis is a ticketed event, so plan accordingly. The multi-day structure starting at 17:00 each day suggests an afternoon-and-evening cadence, which means you can work during the day and arrive for focused sessions as Athens shifts into its evening energy.\n\nThe neighborhood rewards sticking around after hours. Gazi's density of restaurants, bars, and rooftop terraces sits directly outside the Technopolis gates. Three days in the same venue builds the kind of accumulating familiarity with fellow attendees that single-day events rarely achieve -- by the final evening, the conversations will be different from where they started.",
      "hasNativeGreek": false,
      "startDate": "2026-04-28T17:00:00",
      "endDate": "2026-04-30",
      "type": "festival",
      "genres": [
        "AI",
        "Tech"
      ],
      "tags": [],
      "venue": {
        "name": "Τεχνόπολη",
        "address": "Pireos 100, Athens 118 54",
        "neighborhood": "Gazi / Keramikos",
        "coordinates": {
          "lat": 37.978226,
          "lon": 23.713648
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.eventbrite.com/e/engineering-the-world-2026-tickets-1981954401969",
      "ticketUrl": "https://www.eventbrite.com/e/engineering-the-world-2026-tickets-1981954401969",
      "source": "eventbrite",
      "createdAt": "2026-02-20 18:03:59",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "17:00",
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      "@type": "Festival",
      "id": "af8281ff0499a841",
      "title": "RELEASE ATHENS 2026",
      "description": "15 Ιουν - 25 Ιουλ RELEASE ATHENS 2026 Πολλαπλοι χωροι",
      "fullDescription": "Release Athens is less about individual venues and more about coordination — the same festival, multiple expressions. This is the SNF Nostos sites version: a different audience, different atmosphere, often deeper engagement with the programming. Same date, different experience entirely.\n\nThe SNFCC operates multiple outdoor spaces across its campus (Iera Odos, water theater, terraces, gardens). Release Athens claims several of these for day and evening programming. The vibe here is more \"curated event\" than \"massive festival\" — people arrived specifically for SNF's artistic framework, not just for the headliners. Younger crowd, more Greek-focused, more invested in the art context beyond the brand names.\n\nYou'll find families (daylight programming), cultural tourists, people who attend SNFCC year-round and recognize this as their space activated differently. The crowd is more intentional than Piazza Nerú — these people made a deliberate choice about venue experience, not just band. By 20:00 the space is full but not crushing. Everyone has space to move.\n\nSNF spaces vary: water theater (acoustic, intimate, 500 capacity), terraces (expansive, architectural), gardens (ambient, mixed programming). Release Athens uses all of them. The sound systems are professional but integrated into the architecture rather than dominating it. The light shows respect the monuments around them.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | SNFCC Multiple Venues (water theater, terraces, gardens) — varied capacity and atmosphere |\n| **Vibe** | Curated cultural event, mixed ages, artistic focus |\n| **Sound** | Live performances, professional systems integrated into architecture |\n| **Door** | Festival entry, accessible |\n\nIf you need single-stage simplicity, multiple SNF venues require navigation. But if you want festival experience in an actually beautiful setting — if you understand that the SNFCC is itself part of the event, not incidental to it — this is the sophisticated version.\n\n| Info | Details |\n|------|---------|\n| **Date** | Monday, June 15, 2026 |\n| **Doors** | 15:00 (gates), varies by venue |\n| **Music starts** | ~16:00, staggered by venue |\n| **Duration** | Full-day festival |\n| **Price** | Day pass €45-60 / 3-day €120-150 (verify with organizers) |\n| **Tickets** | SNFCC website, TicketServices.gr |\n| **Address** | Iera Odos 17-19, Gazi (SNFCC main location) |\n| **Getting there** | Kerameikos Metro (Blue), 8-minute walk, or taxi €8-12 from center |\n| **Last metro** | 01:30 (Monday night) |\n| **Payment** | Cards and cash |\n| **Good to know** | SNF campus is large and can be confusing. Pick up a map at entry. Different acts play different venues simultaneously — you'll miss some programming if you choose one venue. The campus is upscale (design museum, architecture) so dress accordingly if moving between venues. |",
      "fullDescriptionEn": "Release Athens is less about individual venues and more about coordination — the same festival, multiple expressions. This is the SNF Nostos sites version: a different audience, different atmosphere, often deeper engagement with the programming. Same date, different experience entirely.\n\nThe SNFCC operates multiple outdoor spaces across its campus (Iera Odos, water theater, terraces, gardens). Release Athens claims several of these for day and evening programming. The vibe here is more \"curated event\" than \"massive festival\" — people arrived specifically for SNF's artistic framework, not just for the headliners. Younger crowd, more Greek-focused, more invested in the art context beyond the brand names.\n\nYou'll find families (daylight programming), cultural tourists, people who attend SNFCC year-round and recognize this as their space activated differently. The crowd is more intentional than Piazza Nerú — these people made a deliberate choice about venue experience, not just band. By 20:00 the space is full but not crushing. Everyone has space to move.\n\nSNF spaces vary: water theater (acoustic, intimate, 500 capacity), terraces (expansive, architectural), gardens (ambient, mixed programming). Release Athens uses all of them. The sound systems are professional but integrated into the architecture rather than dominating it. The light shows respect the monuments around them.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | SNFCC Multiple Venues (water theater, terraces, gardens) — varied capacity and atmosphere |\n| **Vibe** | Curated cultural event, mixed ages, artistic focus |\n| **Sound** | Live performances, professional systems integrated into architecture |\n| **Door** | Festival entry, accessible |\n\nIf you need single-stage simplicity, multiple SNF venues require navigation. But if you want festival experience in an actually beautiful setting — if you understand that the SNFCC is itself part of the event, not incidental to it — this is the sophisticated version.\n\n| Info | Details |\n|------|---------|\n| **Date** | Monday, June 15, 2026 |\n| **Doors** | 15:00 (gates), varies by venue |\n| **Music starts** | ~16:00, staggered by venue |\n| **Duration** | Full-day festival |\n| **Price** | Day pass €45-60 / 3-day €120-150 (verify with organizers) |\n| **Tickets** | SNFCC website, TicketServices.gr |\n| **Address** | Iera Odos 17-19, Gazi (SNFCC main location) |\n| **Getting there** | Kerameikos Metro (Blue), 8-minute walk, or taxi €8-12 from center |\n| **Last metro** | 01:30 (Monday night) |\n| **Payment** | Cards and cash |\n| **Good to know** | SNF campus is large and can be confusing. Pick up a map at entry. Different acts play different venues simultaneously — you'll miss some programming if you choose one venue. The campus is upscale (design museum, architecture) so dress accordingly if moving between venues. |",
      "fullDescriptionGr": "Release Athens 2026 spreads across multiple venues and dates, establishing itself as Athens' definitive rock festival. The programming ranges from legacy acts to current headliners, serving audiences whose tastes span decades.\n\nThe festival has grown from single-day event to multi-venue season, occupying June as Athens' rock music month. Different locations offer different experiences: Plateia Nerou for massive productions, smaller venues for intimate bookings.\n\nRelease Athens' curation balances nostalgia and discovery. Headliners draw crowds who want to see bands they grew up with; support acts introduce audiences to what comes next.\n\nThe festival format creates community across days and locations. Attendees follow the full schedule or select specific shows; the experience scales to personal preference.\n\nCheck specific dates and venues for particular artists. The festival rewards planning.\n\n**June 2026 • Multiple Venues, Athens**\nTickets required per event • Rock / Festival\nMulti-day, multi-venue programming\n\n*The festival pass simplifies logistics—consider it if multiple days appeal.*",
      "hasNativeGreek": false,
      "startDate": "2026-06-15T20:00:00+03:00",
      "endDate": null,
      "type": "festival",
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        "name": "Πολλαπλοί Χώροι",
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      "price": {
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        "amount": 80,
        "currency": "EUR",
        "range": "από €80"
      },
      "url": "https://www.more.com/gr-el/tickets/music/release-athens-2026/",
      "ticketUrl": "https://www.viva.gr/gr-el/tickets/music/release-athens-2026/",
      "source": "more.com",
      "createdAt": "2026-01-19T23:07:36.324Z",
      "updatedAt": "2026-03-04 06:17:01",
      "language": "en",
      "timeDoors": "18:00",
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      "@type": "Festival",
      "id": "4fb6b5517b0f3b7b",
      "title": "EJEKT FESTIVAL 2026 | FLORENCE + THE MACHINE",
      "description": "14 Ιουλιου EJEKT FESTIVAL 2026 | FLORENCE + THE MACHINE ΟΑΚΑ",
      "fullDescription": "The moment you pass security and enter the festival grounds, you're in a space designed for something to happen that won't resolve in a single evening. EJEKT FESTIVAL transforms OAKA into a temporary city organized around music, discovery, and the specific energy that emerges when thousands of people gather with the shared understanding that they're here to have the best time Athens can provide. Florence + The Machine anchors one night of the festival, delivering the kind of headliner performance that justifies the journey alone.\n\nFlorence Welch brings an intensity and vulnerability that few contemporary performers match. Her voice—soaring, powerful, completely committed—paired with The Machine's ability to build sonic architecture from minimal elements, creates performances that feel like emotional events rather than concerts. Recent albums maintain the band's commitment to treating rock music as a space for genuine emotional reckoning, not just entertainment.\n\nThe EJEKT crowd for Florence + The Machine specifically will lean female (though far from exclusively), slightly younger than the overall festival demographic, and united by the understanding that her performances deliver something beyond the typical. There's an intensity to the crowd—people have come to have specific transformations happen, not just to pass time.\n\nThe main stage at OAKA becomes a vessel for this performance. Florence brings full production (lighting, staging, careful attention to sonic detail), and the amphitheater-style venue means the sound projects outward clearly. The crowd fills from early evening forward; peak energy arrives midway through the set when the band moves into their most recognizable material.\n\nIf you need a festival experience that lets you drift between stages and genres, you might find Florence's specific intensity demanding. But if you want to watch an artist deliver on the promise of what performance can accomplish—emotional, physical, sonic transformation—this is where it happens.",
      "fullDescriptionEn": "The moment you pass security and enter the festival grounds, you're in a space designed for something to happen that won't resolve in a single evening. EJEKT FESTIVAL transforms OAKA into a temporary city organized around music, discovery, and the specific energy that emerges when thousands of people gather with the shared understanding that they're here to have the best time Athens can provide. Florence + The Machine anchors one night of the festival, delivering the kind of headliner performance that justifies the journey alone.\n\nFlorence Welch brings an intensity and vulnerability that few contemporary performers match. Her voice—soaring, powerful, completely committed—paired with The Machine's ability to build sonic architecture from minimal elements, creates performances that feel like emotional events rather than concerts. Recent albums maintain the band's commitment to treating rock music as a space for genuine emotional reckoning, not just entertainment.\n\nThe EJEKT crowd for Florence + The Machine specifically will lean female (though far from exclusively), slightly younger than the overall festival demographic, and united by the understanding that her performances deliver something beyond the typical. There's an intensity to the crowd—people have come to have specific transformations happen, not just to pass time.\n\nThe main stage at OAKA becomes a vessel for this performance. Florence brings full production (lighting, staging, careful attention to sonic detail), and the amphitheater-style venue means the sound projects outward clearly. The crowd fills from early evening forward; peak energy arrives midway through the set when the band moves into their most recognizable material.\n\nIf you need a festival experience that lets you drift between stages and genres, you might find Florence's specific intensity demanding. But if you want to watch an artist deliver on the promise of what performance can accomplish—emotional, physical, sonic transformation—this is where it happens.",
      "fullDescriptionGr": "The moment you pass security and enter the festival grounds, you're in a space designed for something to happen that won't resolve in a single evening. EJEKT FESTIVAL transforms OAKA into a temporary city organized around music, discovery, and the specific energy that emerges when thousands of people gather with the shared understanding that they're here to have the best time Athens can provide. Florence + The Machine anchors one night of the festival, delivering the kind of headliner performance that justifies the journey alone.\n\nFlorence Welch brings an intensity and vulnerability that few contemporary performers match. Her voice—soaring, powerful, completely committed—paired with The Machine's ability to build sonic architecture from minimal elements, creates performances that feel like emotional events rather than concerts. Recent albums maintain the band's commitment to treating rock music as a space for genuine emotional reckoning, not just entertainment.\n\nThe EJEKT crowd for Florence + The Machine specifically will lean female (though far from exclusively), slightly younger than the overall festival demographic, and united by the understanding that her performances deliver something beyond the typical. There's an intensity to the crowd—people have come to have specific transformations happen, not just to pass time.\n\nThe main stage at OAKA becomes a vessel for this performance. Florence brings full production (lighting, staging, careful attention to sonic detail), and the amphitheater-style venue means the sound projects outward clearly. The crowd fills from early evening forward; peak energy arrives midway through the set when the band moves into their most recognizable material.\n\nIf you need a festival experience that lets you drift between stages and genres, you might find Florence's specific intensity demanding. But if you want to watch an artist deliver on the promise of what performance can accomplish—emotional, physical, sonic transformation—this is where it happens.",
      "hasNativeGreek": false,
      "startDate": "2026-07-14T20:00:00+03:00",
      "endDate": null,
      "type": "festival",
      "genres": [
        "music"
      ],
      "tags": [],
      "venue": {
        "name": "ΟΑΚΑ",
        "address": "Νερατζιωτίσσης 217, 15122",
        "neighborhood": "Marousi",
        "coordinates": {
          "lat": 38.0386,
          "lon": 23.7858
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 75,
        "currency": "EUR",
        "range": "από €75"
      },
      "url": "https://www.more.com/gr-el/tickets/music/ejekt-festival-2026-florence-the-machine/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/ejekt-festival-2026-florence-the-machine/",
      "source": "more.com",
      "createdAt": "2026-01-12T21:21:44.838Z",
      "updatedAt": "2026-03-04 06:17:01",
      "language": "en",
      "timeDoors": "16:30",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/21d26f20-6f95-4afa-a57e-5f146e55189a/viva-tickets.png",
      "imageSource": "backfill",
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    {
      "@context": "https://schema.org",
      "@type": "Festival",
      "id": "ejekt-festival-2026-the-cure-2026-07-15",
      "title": "EJEKT FESTIVAL 2026 | THE CURE",
      "description": "15.07.2026 OAKA EJEKT FESTIVAL 2026 THE CURE +more tba",
      "fullDescription": "The moment you pass security and enter the festival grounds on the second day, you're in a space where the architecture has already been established, where communities have already formed around stages and shared discoveries. EJEKT FESTIVAL continues into its final evening, and The Cure's appearance represents the kind of headliner that justifies the entire gathering. The energy carries the weight of everything that happened yesterday, but also the anticipation of closure.\n\nThe Cure spent four decades proving that darkness and melody are inseparable, that vulnerability is strength when structured precisely, that a band can maintain artistic coherence while spanning entirely different sonic territories. Robert Smith's voice—immediately identifiable, capable of expressing entire emotional landscapes—paired with the band's ability to move from post-punk minimalism to gothic opulence makes them one of the most influential alternative rock bands ever assembled.\n\nThe EJEKT crowd on day two has evolved from day one. People have made discoveries, formed temporary friendships, decided which acts matter most to them. The demographic skews older toward The Cure's set specifically—decades of fans who've wanted this moment to happen. There's a gratitude in the air: that this band still tours, still delivers, still matters. The crowd is completely committed; this is the final major event of the festival.\n\nThe main stage at OAKA becomes ceremonial for this closing headliner. The Cure brings full production, sophisticated lighting design, and the kind of visual presentation that amplifies rather than distracts from the music. The crowd fills completely and holds; there's rarely movement during a The Cure set. Peak moments arrive systematically across the performance; the energy doesn't build to a single crescendo but instead maintains consistent intensity, concluding with the understanding that something significant just happened.\n\nIf you skipped day one to preserve energy for this night, you understand the calculated choice. But if you want to experience The Cure within the full EJEKT context—surrounded by the discoveries of the previous days, part of a community that's already begun forming—the festival becomes not just a concert, but a gathering that affirms why music still matters.",
      "fullDescriptionEn": "The moment you pass security and enter the festival grounds on the second day, you're in a space where the architecture has already been established, where communities have already formed around stages and shared discoveries. EJEKT FESTIVAL continues into its final evening, and The Cure's appearance represents the kind of headliner that justifies the entire gathering. The energy carries the weight of everything that happened yesterday, but also the anticipation of closure.\n\nThe Cure spent four decades proving that darkness and melody are inseparable, that vulnerability is strength when structured precisely, that a band can maintain artistic coherence while spanning entirely different sonic territories. Robert Smith's voice—immediately identifiable, capable of expressing entire emotional landscapes—paired with the band's ability to move from post-punk minimalism to gothic opulence makes them one of the most influential alternative rock bands ever assembled.\n\nThe EJEKT crowd on day two has evolved from day one. People have made discoveries, formed temporary friendships, decided which acts matter most to them. The demographic skews older toward The Cure's set specifically—decades of fans who've wanted this moment to happen. There's a gratitude in the air: that this band still tours, still delivers, still matters. The crowd is completely committed; this is the final major event of the festival.\n\nThe main stage at OAKA becomes ceremonial for this closing headliner. The Cure brings full production, sophisticated lighting design, and the kind of visual presentation that amplifies rather than distracts from the music. The crowd fills completely and holds; there's rarely movement during a The Cure set. Peak moments arrive systematically across the performance; the energy doesn't build to a single crescendo but instead maintains consistent intensity, concluding with the understanding that something significant just happened.\n\nIf you skipped day one to preserve energy for this night, you understand the calculated choice. But if you want to experience The Cure within the full EJEKT context—surrounded by the discoveries of the previous days, part of a community that's already begun forming—the festival becomes not just a concert, but a gathering that affirms why music still matters.",
      "fullDescriptionGr": "The moment you pass security and enter the festival grounds on the second day, you're in a space where the architecture has already been established, where communities have already formed around stages and shared discoveries. EJEKT FESTIVAL continues into its final evening, and The Cure's appearance represents the kind of headliner that justifies the entire gathering. The energy carries the weight of everything that happened yesterday, but also the anticipation of closure.\n\nThe Cure spent four decades proving that darkness and melody are inseparable, that vulnerability is strength when structured precisely, that a band can maintain artistic coherence while spanning entirely different sonic territories. Robert Smith's voice—immediately identifiable, capable of expressing entire emotional landscapes—paired with the band's ability to move from post-punk minimalism to gothic opulence makes them one of the most influential alternative rock bands ever assembled.\n\nThe EJEKT crowd on day two has evolved from day one. People have made discoveries, formed temporary friendships, decided which acts matter most to them. The demographic skews older toward The Cure's set specifically—decades of fans who've wanted this moment to happen. There's a gratitude in the air: that this band still tours, still delivers, still matters. The crowd is completely committed; this is the final major event of the festival.\n\nThe main stage at OAKA becomes ceremonial for this closing headliner. The Cure brings full production, sophisticated lighting design, and the kind of visual presentation that amplifies rather than distracts from the music. The crowd fills completely and holds; there's rarely movement during a The Cure set. Peak moments arrive systematically across the performance; the energy doesn't build to a single crescendo but instead maintains consistent intensity, concluding with the understanding that something significant just happened.\n\nIf you skipped day one to preserve energy for this night, you understand the calculated choice. But if you want to experience The Cure within the full EJEKT context—surrounded by the discoveries of the previous days, part of a community that's already begun forming—the festival becomes not just a concert, but a gathering that affirms why music still matters.",
      "hasNativeGreek": false,
      "startDate": "2026-07-15T16:30:00+03:00",
      "endDate": null,
      "type": "festival",
      "genres": [
        "other"
      ],
      "tags": [],
      "venue": {
        "name": "ΟΑΚΑ",
        "address": "Νερατζιωτίσσης 217, 15122",
        "neighborhood": "Marousi",
        "coordinates": {
          "lat": 38.0386,
          "lon": 23.7858
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 90,
        "currency": "EUR",
        "range": "από €90"
      },
      "url": "https://www.more.com/gr-el/tickets/music/ejekt-festival-2026-the-cure/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/ejekt-festival-2026-the-cure/",
      "source": "more.com",
      "createdAt": "2025-10-31T12:22:03.765Z",
      "updatedAt": "2026-03-04 06:17:01",
      "language": "en",
      "timeDoors": "16:35",
      "timeSource": "scraped_listing",
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    {
      "@context": "https://schema.org",
      "@type": "Festival",
      "id": "0ed4202c1aa2a351",
      "title": "3ο Greek Beer Festival",
      "description": "",
      "fullDescription": "The 3rd Greek Beer Festival returns to Palio Amaxostasio OSY in Gazi, Athens, from 27 to 29 March 2027. Buses parked under this metal roof for a century. Now twenty-two Greek microbreweries pour here instead — skylights overhead, three thousand square metres of floor.\n\nThe festival carries the subtitle \"Only Craft,\" meaning every brewery pouring here is Greek, independent, and small-batch. Previous editions drew makers from across the mainland and islands, filling the depot with hundreds of labels that most Athens drinkers have never tried side by side. The format is three evenings of craft beer, live music, and street food.\n\nThe crowd splits between people who know their session ales from their IPAs and groups who came for the night out and stay because the music holds. People circulate between taps, compare pours, and settle in once the headliner starts.\n\nEach evening carries one headliner: Pyrini Laelapa and Thrax Panks open the weekend on 27 March with a hip-hop and rebetiko collision. Walkman the Band and Locomondo take Saturday the 28th. Nikos Zoidakis closes Sunday the 29th with live traditional music. Street food vendors line the perimeter.\n\nIf you want a curated tasting-room experience with flight cards and stemware, this is an industrial depot with volume to match. But if you want to try two dozen Greek craft breweries under one roof while a band plays loud enough to feel it, three nights in Gazi have that covered.\n\nPalio Amaxostasio OSY is at Ermou 1 and Pireos in Gazi, a short walk from Kerameikos metro. Tickets available through more.com and at the door. Admission is open for children under twelve and visitors with mobility issues.\n\nTwenty-two breweries, three nights, one retired bus depot — the taps close when the kegs run dry.",
      "fullDescriptionEn": "The 3rd Greek Beer Festival returns to Palio Amaxostasio OSY in Gazi, Athens, from 27 to 29 March 2027. Buses parked under this metal roof for a century. Now twenty-two Greek microbreweries pour here instead — skylights overhead, three thousand square metres of floor.\n\nThe festival carries the subtitle \"Only Craft,\" meaning every brewery pouring here is Greek, independent, and small-batch. Previous editions drew makers from across the mainland and islands, filling the depot with hundreds of labels that most Athens drinkers have never tried side by side. The format is three evenings of craft beer, live music, and street food.\n\nThe crowd splits between people who know their session ales from their IPAs and groups who came for the night out and stay because the music holds. People circulate between taps, compare pours, and settle in once the headliner starts.\n\nEach evening carries one headliner: Pyrini Laelapa and Thrax Panks open the weekend on 27 March with a hip-hop and rebetiko collision. Walkman the Band and Locomondo take Saturday the 28th. Nikos Zoidakis closes Sunday the 29th with live traditional music. Street food vendors line the perimeter.\n\nIf you want a curated tasting-room experience with flight cards and stemware, this is an industrial depot with volume to match. But if you want to try two dozen Greek craft breweries under one roof while a band plays loud enough to feel it, three nights in Gazi have that covered.\n\nPalio Amaxostasio OSY is at Ermou 1 and Pireos in Gazi, a short walk from Kerameikos metro. Tickets available through more.com and at the door. Admission is open for children under twelve and visitors with mobility issues.\n\nTwenty-two breweries, three nights, one retired bus depot — the taps close when the kegs run dry.",
      "fullDescriptionGr": "The 3rd Greek Beer Festival returns to Palio Amaxostasio OSY in Gazi, Athens, from 27 to 29 March 2027. Buses parked under this metal roof for a century. Now twenty-two Greek microbreweries pour here instead — skylights overhead, three thousand square metres of floor.\n\nThe festival carries the subtitle \"Only Craft,\" meaning every brewery pouring here is Greek, independent, and small-batch. Previous editions drew makers from across the mainland and islands, filling the depot with hundreds of labels that most Athens drinkers have never tried side by side. The format is three evenings of craft beer, live music, and street food.\n\nThe crowd splits between people who know their session ales from their IPAs and groups who came for the night out and stay because the music holds. People circulate between taps, compare pours, and settle in once the headliner starts.\n\nEach evening carries one headliner: Pyrini Laelapa and Thrax Panks open the weekend on 27 March with a hip-hop and rebetiko collision. Walkman the Band and Locomondo take Saturday the 28th. Nikos Zoidakis closes Sunday the 29th with live traditional music. Street food vendors line the perimeter.\n\nIf you want a curated tasting-room experience with flight cards and stemware, this is an industrial depot with volume to match. But if you want to try two dozen Greek craft breweries under one roof while a band plays loud enough to feel it, three nights in Gazi have that covered.\n\nPalio Amaxostasio OSY is at Ermou 1 and Pireos in Gazi, a short walk from Kerameikos metro. Tickets available through more.com and at the door. Admission is open for children under twelve and visitors with mobility issues.\n\nTwenty-two breweries, three nights, one retired bus depot — the taps close when the kegs run dry.",
      "hasNativeGreek": false,
      "startDate": "2027-03-27",
      "endDate": null,
      "type": "festival",
      "genres": [],
      "tags": [
        "Gazi",
        "Festival-energy",
        "Industrial-chic",
        "Mixed-ages",
        "Standing-room",
        "Multi-day",
        "Metro-accessible",
        "Child-friendly"
      ],
      "venue": {
        "name": "Παλιό Αμαξοστάσιο ΟΣΥ",
        "address": "Pireos 99, Athens 118 54",
        "neighborhood": "Gazi / Keramikos",
        "coordinates": {
          "lat": 37.9778,
          "lon": 23.7155
        },
        "capacity": null
      },
      "price": {
        "type": "tba",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/3o_greek_beer_festival-10089550/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/3o_greek_beer_festival-10089550/",
      "source": "athinorama.gr",
      "createdAt": "2026-03-28 06:09:36",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
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    },
    {
      "@context": "https://schema.org",
      "@type": "Festival",
      "id": "dced7228435af65d",
      "title": "Death Disco Indoor Festival 2026",
      "description": "",
      "fullDescription": "Death Disco Indoor Festival returns to Gazarte Ground Stage for two nights of post-punk, darkwave, and synth — eight acts across Friday and Saturday, doors at 18:00 each evening.\n\nThe lineup pulls from four decades of the genre's family tree. And Also The Trees, the Worcestershire band that The Cure's Robert Smith produced in 1983, headline Saturday — fifteen studio albums released since, still active after more than forty years. Selofan, the Athens duo who run Fabrika Records and have spent a decade shaping international darkwave from their home city, anchor Friday. Riki brings Dais Records synth-pop from Los Angeles. Escape With Romeo, founded in Cologne in 1989, have pushed their sound from post-punk into darker electronic territory across thirteen albums. Days of Sorrow, Ghost Cop, Desinteresse, and Convex Model round out the bill.\n\nThe room fills with people who own records they cannot stream. They showed up for the opening act because this bill was curated as a sequence, not stacked as a hierarchy. You spot them by the band patches and the fact that they watch the stage, not the bar queue.\n\nGazarte Ground Stage is the venue's dedicated rock and alternative room in Gazi, capacity up to four hundred. Two nights mean the bill unfolds rather than compresses — each evening builds its own arc.\n\nFriday opens with Ghost Cop and Days of Sorrow before Riki and Selofan close. Saturday builds from Convex Model and Desinteresse through Escape With Romeo to And Also The Trees. The programming reads like a timeline — newer acts opening the door for the bands that shaped them.\n\nIf you want a single headliner and a two-song encore, this festival does not work that way. But if you want to stand in a room where every act was booked because someone traced the through-line connecting them, two nights at Gazarte cover that ground.\n\nGazarte is at Voutadon 32-34 in Gazi, walkable from Kerameikos metro. Tickets EUR 30-50 via more.com.\n\nEight acts drawn from Athens, Los Angeles, Cologne, and Worcestershire share a bill for two nights — then disperse to their respective time zones.",
      "fullDescriptionEn": "Death Disco Indoor Festival returns to Gazarte Ground Stage for two nights of post-punk, darkwave, and synth — eight acts across Friday and Saturday, doors at 18:00 each evening.\n\nThe lineup pulls from four decades of the genre's family tree. And Also The Trees, the Worcestershire band that The Cure's Robert Smith produced in 1983, headline Saturday — fifteen studio albums released since, still active after more than forty years. Selofan, the Athens duo who run Fabrika Records and have spent a decade shaping international darkwave from their home city, anchor Friday. Riki brings Dais Records synth-pop from Los Angeles. Escape With Romeo, founded in Cologne in 1989, have pushed their sound from post-punk into darker electronic territory across thirteen albums. Days of Sorrow, Ghost Cop, Desinteresse, and Convex Model round out the bill.\n\nThe room fills with people who own records they cannot stream. They showed up for the opening act because this bill was curated as a sequence, not stacked as a hierarchy. You spot them by the band patches and the fact that they watch the stage, not the bar queue.\n\nGazarte Ground Stage is the venue's dedicated rock and alternative room in Gazi, capacity up to four hundred. Two nights mean the bill unfolds rather than compresses — each evening builds its own arc.\n\nFriday opens with Ghost Cop and Days of Sorrow before Riki and Selofan close. Saturday builds from Convex Model and Desinteresse through Escape With Romeo to And Also The Trees. The programming reads like a timeline — newer acts opening the door for the bands that shaped them.\n\nIf you want a single headliner and a two-song encore, this festival does not work that way. But if you want to stand in a room where every act was booked because someone traced the through-line connecting them, two nights at Gazarte cover that ground.\n\nGazarte is at Voutadon 32-34 in Gazi, walkable from Kerameikos metro. Tickets EUR 30-50 via more.com.\n\nEight acts drawn from Athens, Los Angeles, Cologne, and Worcestershire share a bill for two nights — then disperse to their respective time zones.",
      "fullDescriptionGr": "Death Disco Indoor Festival returns to Gazarte Ground Stage for two nights of post-punk, darkwave, and synth — eight acts across Friday and Saturday, doors at 18:00 each evening.\n\nThe lineup pulls from four decades of the genre's family tree. And Also The Trees, the Worcestershire band that The Cure's Robert Smith produced in 1983, headline Saturday — fifteen studio albums released since, still active after more than forty years. Selofan, the Athens duo who run Fabrika Records and have spent a decade shaping international darkwave from their home city, anchor Friday. Riki brings Dais Records synth-pop from Los Angeles. Escape With Romeo, founded in Cologne in 1989, have pushed their sound from post-punk into darker electronic territory across thirteen albums. Days of Sorrow, Ghost Cop, Desinteresse, and Convex Model round out the bill.\n\nThe room fills with people who own records they cannot stream. They showed up for the opening act because this bill was curated as a sequence, not stacked as a hierarchy. You spot them by the band patches and the fact that they watch the stage, not the bar queue.\n\nGazarte Ground Stage is the venue's dedicated rock and alternative room in Gazi, capacity up to four hundred. Two nights mean the bill unfolds rather than compresses — each evening builds its own arc.\n\nFriday opens with Ghost Cop and Days of Sorrow before Riki and Selofan close. Saturday builds from Convex Model and Desinteresse through Escape With Romeo to And Also The Trees. The programming reads like a timeline — newer acts opening the door for the bands that shaped them.\n\nIf you want a single headliner and a two-song encore, this festival does not work that way. But if you want to stand in a room where every act was booked because someone traced the through-line connecting them, two nights at Gazarte cover that ground.\n\nGazarte is at Voutadon 32-34 in Gazi, walkable from Kerameikos metro. Tickets EUR 30-50 via more.com.\n\nEight acts drawn from Athens, Los Angeles, Cologne, and Worcestershire share a bill for two nights — then disperse to their respective time zones.",
      "hasNativeGreek": false,
      "startDate": "2027-04-03T18:00:00",
      "endDate": null,
      "type": "festival",
      "genres": [],
      "tags": [
        "Post-punk",
        "Darkwave",
        "Synth",
        "Goth",
        "Festival",
        "Live-music",
        "Gazi",
        "Metro-accessible",
        "Multi-day",
        "International-acts"
      ],
      "venue": {
        "name": "Gazarte",
        "address": "32-34 Voutadon St, Gazi, Athens",
        "neighborhood": "Gazi / Keramikos",
        "coordinates": {
          "lat": 37.9775,
          "lon": 23.7153
        },
        "capacity": null
      },
      "price": {
        "type": "tba",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://www.athinorama.gr/music/gig/death_disco_indoor_festival_2026-10089589/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/death_disco_indoor_festival_2026-10089589/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-04 05:08:43",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "18:00",
      "timeSource": "scraped_listing",
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    "lastUpdate": "2026-04-15T13:15:09.671Z",
    "url": "https://agentathens.com/festival"
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