{ "filters": {}, "events": [ { "@context": "https://schema.org", "@type": "ExhibitionEvent", "id": "580fe29c88b0d8f1", "title": "Συλλογή ΜΙΕΤ: Ελληνική τέχνη του 20ού αιώνα", "description": "More than 100 works from the collection of the Cultural Foundation of the National Bank of Greece (MIET), covering most of the Greek twentieth century. Printmaking holds a prominent place, along with sculpture.", "fullDescription": "You walk through the converted warehouse on Pireos Street and the scale of what MIET has collected becomes apparent. Room after room of Greek art spanning a century — canvases that trace the country's visual evolution from traditionalism through modernism and into contemporary expression. The walls hold more than paintings; they hold arguments about what Greek art should be.\n\nThe Benaki Museum at Pireos houses MIET's permanent collection of 20th-century Greek art — an assembly that functions as both education and provocation. You'll find works by artists whose names anchor any serious conversation about Greek modernism, alongside pieces by figures who remain underappreciated beyond specialist circles. The chronological arrangement creates its own narrative, each room representing a different moment in the country's cultural self-definition.\n\nThe visitors here move differently than typical museum crowds. These are people who pause at specific works, who return to earlier rooms after seeing what came later, who understand that collections tell stories through juxtaposition. Art students with notebooks share space with older visitors who remember when some of these works first appeared. The quiet is purposeful, the attention genuine.\n\nThe Pireos branch of the Benaki provides the industrial shell this collection needs. High ceilings accommodate larger works without overwhelming them. Natural light from the converted warehouse spaces changes throughout the day, offering different perspectives on the same pieces. The building's former life as a working space adds layers to experiencing art made during periods when Greece was itself being rebuilt.\n\nIf you want international celebrity names and blockbuster exhibitions, this collection will seem local and unfamiliar. The focus here is specifically Greek — the questions these artists asked about identity, tradition, and modernity emerged from a particular history. But if you're ready to understand what 20th-century Greek artists were wrestling with, how they positioned themselves between East and West, tradition and rupture — this collection rewards the investment.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, February 25, 2026 |\n| **Hours** | 10:00-18:00 |\n| **Venue** | Benaki Museum Pireos, Pireos 138 |\n| **Getting there** | Kerameikos Metro, 10 min walk |\n| **Admission** | Standard museum entry |\n\nA century of Greek art arguing with itself about what Greek art should become.", "fullDescriptionEn": "You walk through the converted warehouse on Pireos Street and the scale of what MIET has collected becomes apparent. Room after room of Greek art spanning a century — canvases that trace the country's visual evolution from traditionalism through modernism and into contemporary expression. The walls hold more than paintings; they hold arguments about what Greek art should be.\n\nThe Benaki Museum at Pireos houses MIET's permanent collection of 20th-century Greek art — an assembly that functions as both education and provocation. You'll find works by artists whose names anchor any serious conversation about Greek modernism, alongside pieces by figures who remain underappreciated beyond specialist circles. The chronological arrangement creates its own narrative, each room representing a different moment in the country's cultural self-definition.\n\nThe visitors here move differently than typical museum crowds. These are people who pause at specific works, who return to earlier rooms after seeing what came later, who understand that collections tell stories through juxtaposition. Art students with notebooks share space with older visitors who remember when some of these works first appeared. The quiet is purposeful, the attention genuine.\n\nThe Pireos branch of the Benaki provides the industrial shell this collection needs. High ceilings accommodate larger works without overwhelming them. Natural light from the converted warehouse spaces changes throughout the day, offering different perspectives on the same pieces. The building's former life as a working space adds layers to experiencing art made during periods when Greece was itself being rebuilt.\n\nIf you want international celebrity names and blockbuster exhibitions, this collection will seem local and unfamiliar. The focus here is specifically Greek — the questions these artists asked about identity, tradition, and modernity emerged from a particular history. But if you're ready to understand what 20th-century Greek artists were wrestling with, how they positioned themselves between East and West, tradition and rupture — this collection rewards the investment.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, February 25, 2026 |\n| **Hours** | 10:00-18:00 |\n| **Venue** | Benaki Museum Pireos, Pireos 138 |\n| **Getting there** | Kerameikos Metro, 10 min walk |\n| **Admission** | Standard museum entry |\n\nA century of Greek art arguing with itself about what Greek art should become.", "fullDescriptionGr": "You walk through the converted warehouse on Pireos Street and the scale of what MIET has collected becomes apparent. Room after room of Greek art spanning a century — canvases that trace the country's visual evolution from traditionalism through modernism and into contemporary expression. The walls hold more than paintings; they hold arguments about what Greek art should be.\n\nThe Benaki Museum at Pireos houses MIET's permanent collection of 20th-century Greek art — an assembly that functions as both education and provocation. You'll find works by artists whose names anchor any serious conversation about Greek modernism, alongside pieces by figures who remain underappreciated beyond specialist circles. The chronological arrangement creates its own narrative, each room representing a different moment in the country's cultural self-definition.\n\nThe visitors here move differently than typical museum crowds. These are people who pause at specific works, who return to earlier rooms after seeing what came later, who understand that collections tell stories through juxtaposition. Art students with notebooks share space with older visitors who remember when some of these works first appeared. The quiet is purposeful, the attention genuine.\n\nThe Pireos branch of the Benaki provides the industrial shell this collection needs. High ceilings accommodate larger works without overwhelming them. Natural light from the converted warehouse spaces changes throughout the day, offering different perspectives on the same pieces. The building's former life as a working space adds layers to experiencing art made during periods when Greece was itself being rebuilt.\n\nIf you want international celebrity names and blockbuster exhibitions, this collection will seem local and unfamiliar. The focus here is specifically Greek — the questions these artists asked about identity, tradition, and modernity emerged from a particular history. But if you're ready to understand what 20th-century Greek artists were wrestling with, how they positioned themselves between East and West, tradition and rupture — this collection rewards the investment.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, February 25, 2026 |\n| **Hours** | 10:00-18:00 |\n| **Venue** | Benaki Museum Pireos, Pireos 138 |\n| **Getting there** | Kerameikos Metro, 10 min walk |\n| **Admission** | Standard museum entry |\n\nA century of Greek art arguing with itself about what Greek art should become.", "hasNativeGreek": false, "startDate": "2026-02-25", "endDate": "2026-04-26", "type": "exhibition", "genres": [ "visual-arts", "Art", "History", "Culture" ], "tags": [], "venue": { "name": "Μουσείο Μπενάκη - Πειραιώς 138", "address": "Πειραιώς 138, Αθήνα", "neighborhood": "Γκάζι", "coordinates": { "lat": 37.974474, "lon": 23.708603 }, "capacity": null }, "price": { "type": "with-ticket", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.benaki.org", "ticketUrl": "https://www.benaki.org", "source": "benaki", "createdAt": "2026-01-30T15:08:45.203Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "10:00", "imageSource": "not_found", "openingHours": { "mon": "closed", "tue": "closed", "wed": "10:00-18:00", "thu": "10:00-22:00", "fri": "10:00-18:00", "sat": "10:00-18:00", "sun": "10:00-16:00" }, "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "ExhibitionEvent", "id": "1b7ed35a3b33c973", "title": "Yorgos Lanthimos: Photographs", "description": "Photographs from the past five years by acclaimed filmmaker Yorgos Lanthimos, including work made around film productions and soundstage environments, alongside a distinct series created in Athens and the Aegean.", "fullDescription": "You walk into a structure built to resemble a Greek temple, and the photographs on the walls do not explain themselves. A figure on a film set in New Orleans holds a pose that could be direction or exhaustion. A cracked wall on an Aegean island offers no context beyond its own texture. The frames are hung at a height that forces you to stand close, and the room is quiet enough to hear the person next to you breathing.\n\nYorgos Lanthimos: Photographs is the first exhibition in Greece dedicated to the photographic work of the Oscar-nominated director of Poor Things, The Favourite, and The Lobster. Curated by Michael Mack, the exhibition brings together 182 photographs from four bodies of work spanning five years. Three series document life on and around film sets in New Orleans, Atlanta, and Budapest — material shot during the production of Poor Things, Kinds of Kindness, and Bugonia. The fourth, previously unseen, was shot during solitary walks in Athens and on Aegean islands: quieter images focused on the everyday and the seemingly insignificant. The exhibition coincides with Lanthimos's photo book viscin (2026). The architectural design, shaped like a classical Greek temple, places 110 new works in a central altar-like space, with the three film-connected series around the outer perimeter.\n\nThe crowd divides into two camps: cinephiles who know Lanthimos's filmography frame by frame and want to see how his eye operates in still photography, and the contemporary art audience that follows Onassis Stegi's programming. You will recognize the film people by how long they linger at the set photographs, trying to identify which scene was being shot. The art crowd moves differently — reading composition, not looking for Easter eggs.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Onassis Stegi, Syngrou Avenue — 18,000 sq m cultural center, exhibition spaces across multiple floors |\n| **Vibe** | Contemplative, cinematic, architecturally deliberate — the exhibition design shapes the viewing experience |\n| **Format** | Photography exhibition, 182 works across four series, temple-shaped installation |\n| **Access** | Ticketed, timed entry |\n\nThe exhibition asks you to reconcile two versions of the same artist. The film-set photographs carry the controlled chaos of production — extras in costume, equipment at the edges of the frame, the tension between the constructed world and the world around it. The Greek series strips all of that away: no actors, no sets, no narrative apparatus. What remains is Lanthimos alone with a camera, finding images on the same unsettling register as his films but without any of the machinery. The juxtaposition is the argument — the director's eye does not depend on the director's apparatus.\n\nIf you are coming for behind-the-scenes film content or wall text that decodes each image, this operates more like a gallery show than a film retrospective — the photographs stand without context. But if you want to see how one of contemporary cinema's most distinctive visual minds translates to still images, inside a purpose-built architectural installation, this is the exhibition.\n\nOnassis Stegi is on Syngrou Avenue. The nearest metro is Syngrou Fix, a thirteen-minute walk south along Syngrou. The exhibition runs from March 7 through May 17, 2026. Hours are Thursday through Saturday 18:00 to 23:30, and Sunday 13:00 to 20:00. Tickets are €10 regular, €8 reduced, €5 for disabled visitors — available through the Onassis Stegi website.\n\nOne hundred eighty-two photographs, two months, and then the temple comes down. Lanthimos makes films that leave the room with you — these photographs operate on the same terms.", "fullDescriptionEn": "You walk into a structure built to resemble a Greek temple, and the photographs on the walls do not explain themselves. A figure on a film set in New Orleans holds a pose that could be direction or exhaustion. A cracked wall on an Aegean island offers no context beyond its own texture. The frames are hung at a height that forces you to stand close, and the room is quiet enough to hear the person next to you breathing.\n\nYorgos Lanthimos: Photographs is the first exhibition in Greece dedicated to the photographic work of the Oscar-nominated director of Poor Things, The Favourite, and The Lobster. Curated by Michael Mack, the exhibition brings together 182 photographs from four bodies of work spanning five years. Three series document life on and around film sets in New Orleans, Atlanta, and Budapest — material shot during the production of Poor Things, Kinds of Kindness, and Bugonia. The fourth, previously unseen, was shot during solitary walks in Athens and on Aegean islands: quieter images focused on the everyday and the seemingly insignificant. The exhibition coincides with Lanthimos's photo book viscin (2026). The architectural design, shaped like a classical Greek temple, places 110 new works in a central altar-like space, with the three film-connected series around the outer perimeter.\n\nThe crowd divides into two camps: cinephiles who know Lanthimos's filmography frame by frame and want to see how his eye operates in still photography, and the contemporary art audience that follows Onassis Stegi's programming. You will recognize the film people by how long they linger at the set photographs, trying to identify which scene was being shot. The art crowd moves differently — reading composition, not looking for Easter eggs.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Onassis Stegi, Syngrou Avenue — 18,000 sq m cultural center, exhibition spaces across multiple floors |\n| **Vibe** | Contemplative, cinematic, architecturally deliberate — the exhibition design shapes the viewing experience |\n| **Format** | Photography exhibition, 182 works across four series, temple-shaped installation |\n| **Access** | Ticketed, timed entry |\n\nThe exhibition asks you to reconcile two versions of the same artist. The film-set photographs carry the controlled chaos of production — extras in costume, equipment at the edges of the frame, the tension between the constructed world and the world around it. The Greek series strips all of that away: no actors, no sets, no narrative apparatus. What remains is Lanthimos alone with a camera, finding images on the same unsettling register as his films but without any of the machinery. The juxtaposition is the argument — the director's eye does not depend on the director's apparatus.\n\nIf you are coming for behind-the-scenes film content or wall text that decodes each image, this operates more like a gallery show than a film retrospective — the photographs stand without context. But if you want to see how one of contemporary cinema's most distinctive visual minds translates to still images, inside a purpose-built architectural installation, this is the exhibition.\n\nOnassis Stegi is on Syngrou Avenue. The nearest metro is Syngrou Fix, a thirteen-minute walk south along Syngrou. The exhibition runs from March 7 through May 17, 2026. Hours are Thursday through Saturday 18:00 to 23:30, and Sunday 13:00 to 20:00. Tickets are €10 regular, €8 reduced, €5 for disabled visitors — available through the Onassis Stegi website.\n\nOne hundred eighty-two photographs, two months, and then the temple comes down. Lanthimos makes films that leave the room with you — these photographs operate on the same terms.", "fullDescriptionGr": "You walk into a structure built to resemble a Greek temple, and the photographs on the walls do not explain themselves. A figure on a film set in New Orleans holds a pose that could be direction or exhaustion. A cracked wall on an Aegean island offers no context beyond its own texture. The frames are hung at a height that forces you to stand close, and the room is quiet enough to hear the person next to you breathing.\n\nYorgos Lanthimos: Photographs is the first exhibition in Greece dedicated to the photographic work of the Oscar-nominated director of Poor Things, The Favourite, and The Lobster. Curated by Michael Mack, the exhibition brings together 182 photographs from four bodies of work spanning five years. Three series document life on and around film sets in New Orleans, Atlanta, and Budapest — material shot during the production of Poor Things, Kinds of Kindness, and Bugonia. The fourth, previously unseen, was shot during solitary walks in Athens and on Aegean islands: quieter images focused on the everyday and the seemingly insignificant. The exhibition coincides with Lanthimos's photo book viscin (2026). The architectural design, shaped like a classical Greek temple, places 110 new works in a central altar-like space, with the three film-connected series around the outer perimeter.\n\nThe crowd divides into two camps: cinephiles who know Lanthimos's filmography frame by frame and want to see how his eye operates in still photography, and the contemporary art audience that follows Onassis Stegi's programming. You will recognize the film people by how long they linger at the set photographs, trying to identify which scene was being shot. The art crowd moves differently — reading composition, not looking for Easter eggs.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Onassis Stegi, Syngrou Avenue — 18,000 sq m cultural center, exhibition spaces across multiple floors |\n| **Vibe** | Contemplative, cinematic, architecturally deliberate — the exhibition design shapes the viewing experience |\n| **Format** | Photography exhibition, 182 works across four series, temple-shaped installation |\n| **Access** | Ticketed, timed entry |\n\nThe exhibition asks you to reconcile two versions of the same artist. The film-set photographs carry the controlled chaos of production — extras in costume, equipment at the edges of the frame, the tension between the constructed world and the world around it. The Greek series strips all of that away: no actors, no sets, no narrative apparatus. What remains is Lanthimos alone with a camera, finding images on the same unsettling register as his films but without any of the machinery. The juxtaposition is the argument — the director's eye does not depend on the director's apparatus.\n\nIf you are coming for behind-the-scenes film content or wall text that decodes each image, this operates more like a gallery show than a film retrospective — the photographs stand without context. But if you want to see how one of contemporary cinema's most distinctive visual minds translates to still images, inside a purpose-built architectural installation, this is the exhibition.\n\nOnassis Stegi is on Syngrou Avenue. The nearest metro is Syngrou Fix, a thirteen-minute walk south along Syngrou. The exhibition runs from March 7 through May 17, 2026. Hours are Thursday through Saturday 18:00 to 23:30, and Sunday 13:00 to 20:00. Tickets are €10 regular, €8 reduced, €5 for disabled visitors — available through the Onassis Stegi website.\n\nOne hundred eighty-two photographs, two months, and then the temple comes down. Lanthimos makes films that leave the room with you — these photographs operate on the same terms.", "hasNativeGreek": false, "startDate": "2026-03-07T11:00:00", "endDate": "2026-05-17", "type": "exhibition", "genres": [ "Art", "Contemporary", "visual-arts" ], "tags": [ "Exhibition", "Photography", "Contemporary-Art", "Metro-accessible", "Card-accepted", "Neos-Kosmos", "Mixed-ages", "Mixed-international", "Solo-friendly", "Date-night", "Site-specific", "Daytime-event", "Reservation-required", "Gallery", "Intimate", "Seated", "Gallery-walk", "Art-crowd" ], "venue": { "name": "Onassis Stegi", "address": "Leof. Andrea Siggrou 107-109, Athens 117 45", "neighborhood": "Neos Kosmos", "coordinates": { "lat": 37.954, "lon": 23.7404 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 15, "currency": "EUR", "range": "€10-35" }, "url": "https://www.onassis.org/onassis-stegi", "ticketUrl": "https://www.onassis.org/onassis-stegi", "source": "onassis", "createdAt": "2026-02-21 17:29:16", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "11:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "16a7a4eddb2ec675", "title": "Disco Cinema", "description": "", "hasNativeGreek": false, "startDate": "2026-04-15T19:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "Burger Disco Club", "address": "Nikis 11, Downtown 105 57, Greece", "neighborhood": "Syntagma", "coordinates": { "lat": 37.9749, "lon": 23.7332 }, "capacity": null }, "price": { "type": "paid", "amount": 5, "currency": "EUR", "range": "€5" }, "url": "https://ra.co/events/2417042", "ticketUrl": "https://ra.co/events/2417042", "source": "residentadvisor", "createdAt": "2026-04-14 14:12:29", "updatedAt": "2026-04-15 12:57:15", "language": "en", "timeDoors": "19:00", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/5eb5c70e4c12eeaafa1e79771e9b5a35d4154002.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/16a7a4eddb2ec675.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "SportsEvent", "id": "36e2360d8acf29f5", "title": "AEK BC - Asisa Joventut", "description": "", "fullDescription": "AEK BC versus Asisa Joventut is the deciding Game 3 of the Basketball Champions League quarter-finals at Sunel Arena in Ano Liosia, Athens, on 15 April 2026. Nine thousand seats in an Olympic-era arena, and the math is simple: whoever wins advances.\n\nThe series stands at one win apiece — AEK clawed back from thirteen points down to take Game 1 at home, Joventut answered with a twenty-two-point blowout in Badalona. AEK's home crowd has turned decisive games before — the noise in this building works as a sixth player. Expect yellow and black throughout the stands and a baseline of sound from tip-off to final buzzer.\n\nIf you want a quiet evening watching basketball from a distance, the atmosphere here actively prevents that. If you want to feel an elimination game in your chest, this is the room.\n\nSunel Arena is in Ano Liosia, west of central Athens — plan for a taxi or drive. Tip-off at 19:30. Tickets through more.com. Best-of-three. There is no Game 4.", "fullDescriptionEn": "AEK BC versus Asisa Joventut is the deciding Game 3 of the Basketball Champions League quarter-finals at Sunel Arena in Ano Liosia, Athens, on 15 April 2026. Nine thousand seats in an Olympic-era arena, and the math is simple: whoever wins advances.\n\nThe series stands at one win apiece — AEK clawed back from thirteen points down to take Game 1 at home, Joventut answered with a twenty-two-point blowout in Badalona. AEK's home crowd has turned decisive games before — the noise in this building works as a sixth player. Expect yellow and black throughout the stands and a baseline of sound from tip-off to final buzzer.\n\nIf you want a quiet evening watching basketball from a distance, the atmosphere here actively prevents that. If you want to feel an elimination game in your chest, this is the room.\n\nSunel Arena is in Ano Liosia, west of central Athens — plan for a taxi or drive. Tip-off at 19:30. Tickets through more.com. Best-of-three. There is no Game 4.", "fullDescriptionGr": "AEK BC versus Asisa Joventut is the deciding Game 3 of the Basketball Champions League quarter-finals at Sunel Arena in Ano Liosia, Athens, on 15 April 2026. Nine thousand seats in an Olympic-era arena, and the math is simple: whoever wins advances.\n\nThe series stands at one win apiece — AEK clawed back from thirteen points down to take Game 1 at home, Joventut answered with a twenty-two-point blowout in Badalona. AEK's home crowd has turned decisive games before — the noise in this building works as a sixth player. Expect yellow and black throughout the stands and a baseline of sound from tip-off to final buzzer.\n\nIf you want a quiet evening watching basketball from a distance, the atmosphere here actively prevents that. If you want to feel an elimination game in your chest, this is the room.\n\nSunel Arena is in Ano Liosia, west of central Athens — plan for a taxi or drive. Tip-off at 19:30. Tickets through more.com. Best-of-three. There is no Game 4.", "hasNativeGreek": false, "startDate": "2026-04-15T19:30:00", "endDate": null, "type": "sports", "genres": [], "tags": [ "Mainstream", "Mixed-ages", "Greek-locals", "Groups", "Seated", "Early-evening" ], "venue": { "name": "Sunel Arena", "address": "Konstantinoupoleos 59, Ano Liosia 133 42", "neighborhood": "Ano Liosia", "coordinates": { "lat": 38.083, "lon": 23.6866 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15" }, "url": "https://www.more.com/gr-el/tickets/sports/aek-bc-asisa-joventut-1/", "ticketUrl": "https://www.more.com/gr-el/tickets/sports/aek-bc-asisa-joventut-1/", "source": "more.com", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "19:30", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/b86c18ba-95cf-4d87-a17a-68d755c9ce91/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/36e2360d8acf29f5.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "ff2367279a5f9f4e", "title": "Η ΚΟΥΖΙΝΑ σε σκηνοθεσία Γιώργου Κουτλή", "description": "", "hasNativeGreek": false, "startDate": "2026-04-15T20:00:00", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Κιβωτός", "address": "New Ark, 18", "neighborhood": "", "coordinates": { "lat": 37.962448, "lon": 23.722371 }, "capacity": null }, "price": { "type": "paid", "amount": 20, "currency": "EUR", "range": "€20" }, "url": "https://www.more.com/gr-el/tickets/theater/i-kouzina-se-skinothesia-giorgou-koutli/", "ticketUrl": "https://www.more.com/gr-el/tickets/theater/i-kouzina-se-skinothesia-giorgou-koutli/", "source": "more.com", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "abd51d959c3d37c3", "title": "Ολύμπια, Δημοτικό Μουσικό Θέατρο «Μαρία Κάλλας»", "description": "", "hasNativeGreek": false, "startDate": "2026-04-15T21:00:00", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Θέατρο Ολύμπια", "address": "Akadimias 59, Athens 106 79", "neighborhood": "Omonia", "coordinates": { "lat": 37.9824, "lon": 23.7333 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15" }, "url": "https://www.more.com/gr-el/tickets/music/olympia-dimotiko-mousiko-theatro-maria-kallas/", "ticketUrl": "https://www.more.com/gr-el/tickets/music/olympia-dimotiko-mousiko-theatro-maria-kallas/", "source": "more.com", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/6a753ea3-9ea1-4cba-a208-ec8a49c33877/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/abd51d959c3d37c3.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "57b5e0bcd40348ac", "title": "Piece of Kate", "description": "", "hasNativeGreek": false, "startDate": "2026-04-15T21:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "B side Athens", "address": "Μπη Σάιντ, Μαυροκορδάτου", "neighborhood": "", "coordinates": { "lat": 37.983779, "lon": 23.731955 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://ra.co/events/2413431", "ticketUrl": "https://ra.co/events/2413431", "source": "residentadvisor", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/e851a8eee560aff4e60ced54bbd32df823cdb023.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/57b5e0bcd40348ac.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "6e8eef838d82fb14", "title": "Men in Exile", "description": "", "fullDescription": "Men in Exile is a concert at the Megaron Mousikis Teaching Hall in Ampelokipoi, Athens, on 16 April 2026. The trio — Panos Skouteris on clarinet, Thodoris Ziarkas on double bass, Manousos Klapakis on percussion — works between Greek traditional music and contemporary improvisation.\n\nTheir debut EP Exile I reimagines village tunes through jazz and modal frameworks. The group has toured the Netherlands, Belgium, and the Czech Republic.\n\nIf you want polished orchestral programming, this is three musicians and a hundred seats. The Teaching Hall sits inside the Megaron complex, accessible from Megaro Moussikis metro. Three instruments, one room — the scale is the point.", "fullDescriptionEn": "Men in Exile is a concert at the Megaron Mousikis Teaching Hall in Ampelokipoi, Athens, on 16 April 2026. The trio — Panos Skouteris on clarinet, Thodoris Ziarkas on double bass, Manousos Klapakis on percussion — works between Greek traditional music and contemporary improvisation.\n\nTheir debut EP Exile I reimagines village tunes through jazz and modal frameworks. The group has toured the Netherlands, Belgium, and the Czech Republic.\n\nIf you want polished orchestral programming, this is three musicians and a hundred seats. The Teaching Hall sits inside the Megaron complex, accessible from Megaro Moussikis metro. Three instruments, one room — the scale is the point.", "fullDescriptionGr": "Men in Exile is a concert at the Megaron Mousikis Teaching Hall in Ampelokipoi, Athens, on 16 April 2026. The trio — Panos Skouteris on clarinet, Thodoris Ziarkas on double bass, Manousos Klapakis on percussion — works between Greek traditional music and contemporary improvisation.\n\nTheir debut EP Exile I reimagines village tunes through jazz and modal frameworks. The group has toured the Netherlands, Belgium, and the Czech Republic.\n\nIf you want polished orchestral programming, this is three musicians and a hundred seats. The Teaching Hall sits inside the Megaron complex, accessible from Megaro Moussikis metro. Three instruments, one room — the scale is the point.", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "concert", "genres": [], "tags": [ "Greek-Traditional", "Experimental", "Jazz", "Ampelokipoi", "Intimate", "Listening-room", "Seated", "Concert-format", "Metro-accessible" ], "venue": { "name": "Αίθουσα Διδασκαλίας Μεγάρου Μουσικής", "address": "Megaro Mousikis, Athina 115 21", "neighborhood": "", "coordinates": { "lat": 37.981015, "lon": 23.754098 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/men_in_exile-10087959/", "ticketUrl": "https://www.athinorama.gr/music/gig/men_in_exile-10087959/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:12:34", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "ad3ab507bca6b5a3", "title": "Kassetas-Riniotis Duet ft. Ntolas", "description": "", "fullDescription": "Kassetas-Riniotis Duet ft. Ntolas is a free improvisation concert at Poetry Bar in Exarcheia, Athens, on 16 April 2026.\n\nYiannis Kassetas on saxophone and Simos Riniotis on drums build compositions of the moment — no setlist, no predetermined structure. Kassetas earned a Berklee scholarship at fifteen, holds three albums on the Puzzlemusik label, and has played every major jazz festival in Greece. Riniotis uses drums and small objects to build soundscapes, with credits at the Onassis Foundation and Aarhus Jazz Festival. Guitarist Vyronas Ntolas joins as guest.\n\nPoetry Bar is at Soultani 4 — a small room where the improvisers are close enough that you watch the decisions pass between them in real time.\n", "fullDescriptionEn": "Kassetas-Riniotis Duet ft. Ntolas is a free improvisation concert at Poetry Bar in Exarcheia, Athens, on 16 April 2026.\n\nYiannis Kassetas on saxophone and Simos Riniotis on drums build compositions of the moment — no setlist, no predetermined structure. Kassetas earned a Berklee scholarship at fifteen, holds three albums on the Puzzlemusik label, and has played every major jazz festival in Greece. Riniotis uses drums and small objects to build soundscapes, with credits at the Onassis Foundation and Aarhus Jazz Festival. Guitarist Vyronas Ntolas joins as guest.\n\nPoetry Bar is at Soultani 4 — a small room where the improvisers are close enough that you watch the decisions pass between them in real time.\n", "fullDescriptionGr": "Kassetas-Riniotis Duet ft. Ntolas is a free improvisation concert at Poetry Bar in Exarcheia, Athens, on 16 April 2026.\n\nYiannis Kassetas on saxophone and Simos Riniotis on drums build compositions of the moment — no setlist, no predetermined structure. Kassetas earned a Berklee scholarship at fifteen, holds three albums on the Puzzlemusik label, and has played every major jazz festival in Greece. Riniotis uses drums and small objects to build soundscapes, with credits at the Onassis Foundation and Aarhus Jazz Festival. Guitarist Vyronas Ntolas joins as guest.\n\nPoetry Bar is at Soultani 4 — a small room where the improvisers are close enough that you watch the decisions pass between them in real time.\n", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "concert", "genres": [], "tags": [ "Free-improvisation", "Jazz", "Saxophone", "Drums", "Guitar", "Experimental", "Exarcheia", "Intimate", "Small-venue", "Solo-friendly" ], "venue": { "name": "Poetry Bar", "address": "Poetry bar, 2-4", "neighborhood": "", "coordinates": { "lat": 37.985952, "lon": 23.733488 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/kassetas_riniotis_duet_ft_ntolas-10089804/", "ticketUrl": "https://www.athinorama.gr/music/gig/kassetas_riniotis_duet_ft_ntolas-10089804/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-14 14:12:29", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "Festival", "id": "932bd97aa7bd6fca", "title": "39ο Διεθνές Φεστιβάλ Κιθάρας Αθηνών", "description": "", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "festival", "genres": [], "tags": [], "venue": { "name": "Ωδείο Αθηνών", "address": "Rigillis & Vasileos Georgiou B' 17-19, Athens 106 75", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.753 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10 - €31" }, "url": "https://www.athinorama.gr/music/gig/39o_diethnes_festibal_kitharas_athinon-10089805/", "ticketUrl": "https://www.athinorama.gr/music/gig/39o_diethnes_festibal_kitharas_athinon-10089805/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "19:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "9edfbaa6d7703bdb", "title": "Αρχιμάστορας Σόλνες", "description": "Εως 2026-05-10", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Θέατρο Τέχνης", "address": "Θέατρο Τέχνης \"Κάρολος Κουν\", 14", "neighborhood": "", "coordinates": { "lat": 37.970104, "lon": 23.73057 }, "capacity": null }, "price": { "type": "paid", "amount": 13, "currency": "EUR", "range": "€13" }, "url": "https://www.athinorama.gr/theatre/performance/arximastoras_solnes-10089829/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/arximastoras_solnes-10089829/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/f3/f3d3b2870da74be4bc10d3aba5e2d679.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/9edfbaa6d7703bdb.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "ef6b199cbe204bb5", "title": "O θάνατος ενός ηθοποιού", "description": "Εως 2026-04-30", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "ΠΛΥΦΑ", "address": "Korytsas 39, Athens 104 47", "neighborhood": "Votanikos", "coordinates": { "lat": 37.9773, "lon": 23.7013 }, "capacity": null }, "price": { "type": "paid", "amount": 14, "currency": "EUR", "range": "€14" }, "url": "https://www.athinorama.gr/theatre/performance/o_thanatos_enos_ithopoiou-10089780/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/o_thanatos_enos_ithopoiou-10089780/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/54/5451c44866574ec9bc4e3140db3fbdb4.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/ef6b199cbe204bb5.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "fd17be055069bbf3", "title": "Κουκλίτσα", "description": "", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Εθνικό Θέατρο", "address": "Agiou Konstantinou 22-24, Athens 104 37", "neighborhood": "Omonia", "coordinates": { "lat": 37.9848, "lon": 23.7252 }, "capacity": null }, "price": { "type": "paid", "amount": 5, "currency": "EUR", "range": "€5 - €22" }, "url": "https://www.athinorama.gr/theatre/performance/kouklitsa-10089806/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/kouklitsa-10089806/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/8a/8a301e177d494fbe81b144202d384540.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/fd17be055069bbf3.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "af299bbd9ab94636", "title": "Godspeed You! Black Emperor 2026", "description": "16 Απριλιου Godspeed You! Black Emperor 2026 Floyd", "fullDescription": "The drones build for what feels like years. Guitars layer on guitars, each adding density until the room becomes more sound than air. You're inside the music now, swallowed by frequencies that operate below conscious hearing. Floyd's sound system strains and delivers, the walls vibrating with intention. Godspeed You! Black Emperor is happening to you.\n\nThe Montreal collective has spent three decades creating music that refuses categorization. Post-rock doesn't quite cover it. Instrumental doesn't capture the narrative arc. Film scores without films approaches the territory but misses the politics, the anger, the hope buried in the noise. GY!BE builds compositions the way architects build cathedrals — slowly, with intention, designed to outlast the moment of their creation.\n\nFloyd venue handles the scale this music demands. The room's two thousand capacity fills with listeners who understand they're not here for songs but movements, not tracks but experiences. The band performs in near darkness, their faces often obscured, ego subsumed into collective creation. Visuals accompany but never dominate — fragments of film loops, projected words, images that reinforce rather than illustrate.\n\nThe 2026 tour brings whatever the band is exploring now to Athens. Expect pieces from across the catalog — the surging crescendos of Lift Your Skinny Fists, the slow-burning tension of F# A# Infinity, newer material that continues the evolution. But expect also the experience of transition, the way GY!BE moves between passages with patience that most bands would fear.\n\nThe crowd at Godspeed shows shares particular characteristics. These are listeners who've found their way to the edges of guitar music, who've followed the threads from rock to its most abstract expressions. Many stand with eyes closed, the visual secondary to the physical experience of sound. When the crescendos finally arrive — and they always arrive — the release is collective, cathartic.\n\nIf you need conventional song structure or music that respects running time, Godspeed will test your conditioning. Sets often exceed two hours. Patience is required and rewarded. But if you've been searching for live music that functions as ritual, for collective sonic experience that leaves you changed — Floyd holds this particular temple.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, April 16, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:30 |\n| **Venue** | Floyd Live Music Venue, Pireos 117, Gazi |\n| **Getting there** | Kerameikos Metro |\n| **Capacity** | 2,000+ |\n| **Duration** | Expect 2+ hours |\n| **Price** | Check more.com |\n\nGodspeed You! Black Emperor — where rock becomes ritual.", "fullDescriptionEn": "The drones build for what feels like years. Guitars layer on guitars, each adding density until the room becomes more sound than air. You're inside the music now, swallowed by frequencies that operate below conscious hearing. Floyd's sound system strains and delivers, the walls vibrating with intention. Godspeed You! Black Emperor is happening to you.\n\nThe Montreal collective has spent three decades creating music that refuses categorization. Post-rock doesn't quite cover it. Instrumental doesn't capture the narrative arc. Film scores without films approaches the territory but misses the politics, the anger, the hope buried in the noise. GY!BE builds compositions the way architects build cathedrals — slowly, with intention, designed to outlast the moment of their creation.\n\nFloyd venue handles the scale this music demands. The room's two thousand capacity fills with listeners who understand they're not here for songs but movements, not tracks but experiences. The band performs in near darkness, their faces often obscured, ego subsumed into collective creation. Visuals accompany but never dominate — fragments of film loops, projected words, images that reinforce rather than illustrate.\n\nThe 2026 tour brings whatever the band is exploring now to Athens. Expect pieces from across the catalog — the surging crescendos of Lift Your Skinny Fists, the slow-burning tension of F# A# Infinity, newer material that continues the evolution. But expect also the experience of transition, the way GY!BE moves between passages with patience that most bands would fear.\n\nThe crowd at Godspeed shows shares particular characteristics. These are listeners who've found their way to the edges of guitar music, who've followed the threads from rock to its most abstract expressions. Many stand with eyes closed, the visual secondary to the physical experience of sound. When the crescendos finally arrive — and they always arrive — the release is collective, cathartic.\n\nIf you need conventional song structure or music that respects running time, Godspeed will test your conditioning. Sets often exceed two hours. Patience is required and rewarded. But if you've been searching for live music that functions as ritual, for collective sonic experience that leaves you changed — Floyd holds this particular temple.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, April 16, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:30 |\n| **Venue** | Floyd Live Music Venue, Pireos 117, Gazi |\n| **Getting there** | Kerameikos Metro |\n| **Capacity** | 2,000+ |\n| **Duration** | Expect 2+ hours |\n| **Price** | Check more.com |\n\nGodspeed You! Black Emperor — where rock becomes ritual.", "fullDescriptionGr": "The drones build for what feels like years. Guitars layer on guitars, each adding density until the room becomes more sound than air. You're inside the music now, swallowed by frequencies that operate below conscious hearing. Floyd's sound system strains and delivers, the walls vibrating with intention. Godspeed You! Black Emperor is happening to you.\n\nThe Montreal collective has spent three decades creating music that refuses categorization. Post-rock doesn't quite cover it. Instrumental doesn't capture the narrative arc. Film scores without films approaches the territory but misses the politics, the anger, the hope buried in the noise. GY!BE builds compositions the way architects build cathedrals — slowly, with intention, designed to outlast the moment of their creation.\n\nFloyd venue handles the scale this music demands. The room's two thousand capacity fills with listeners who understand they're not here for songs but movements, not tracks but experiences. The band performs in near darkness, their faces often obscured, ego subsumed into collective creation. Visuals accompany but never dominate — fragments of film loops, projected words, images that reinforce rather than illustrate.\n\nThe 2026 tour brings whatever the band is exploring now to Athens. Expect pieces from across the catalog — the surging crescendos of Lift Your Skinny Fists, the slow-burning tension of F# A# Infinity, newer material that continues the evolution. But expect also the experience of transition, the way GY!BE moves between passages with patience that most bands would fear.\n\nThe crowd at Godspeed shows shares particular characteristics. These are listeners who've found their way to the edges of guitar music, who've followed the threads from rock to its most abstract expressions. Many stand with eyes closed, the visual secondary to the physical experience of sound. When the crescendos finally arrive — and they always arrive — the release is collective, cathartic.\n\nIf you need conventional song structure or music that respects running time, Godspeed will test your conditioning. Sets often exceed two hours. Patience is required and rewarded. But if you've been searching for live music that functions as ritual, for collective sonic experience that leaves you changed — Floyd holds this particular temple.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, April 16, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:30 |\n| **Venue** | Floyd Live Music Venue, Pireos 117, Gazi |\n| **Getting there** | Kerameikos Metro |\n| **Capacity** | 2,000+ |\n| **Duration** | Expect 2+ hours |\n| **Price** | Check more.com |\n\nGodspeed You! Black Emperor — where rock becomes ritual.", "hasNativeGreek": false, "startDate": "2026-04-16T20:00:00+03:00", "endDate": null, "type": "concert", "genres": [ "music" ], "tags": [], "venue": { "name": "Floyd", "address": "Πειραιώς 117", "neighborhood": "Keramikos / Metaxourgeio", "coordinates": { "lat": 37.9795, "lon": 23.718 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 39, "currency": "EUR", "range": "€39-€42" }, "url": "https://www.more.com/gr-el/tickets/music/godspeed-you-black-emperor-2026/", "ticketUrl": "https://www.viva.gr/gr-el/tickets/music/godspeed-you-black-emperor-2026/", "source": "more.com", "createdAt": "2026-01-19T23:07:36.324Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/6f36696f-6725-4f8a-bc82-6c092a3c0a71/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/af299bbd9ab94636.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "d5ce4186d296e600", "title": "Panos Alexiadis, Rooms In Negative & Ioannis Savvaidis", "description": "", "fullDescription": "A former TV repair workshop in Kipseli, run since 2012 by Fotini Banou and Dimitris Alexakis, hosts three sets of improvised sound. Panos Alexiadis is an Athens composer with releases on Rekem and B.A.A.D.M.; he runs the Thalamos tape label. Rooms In Negative is Andreas Ragnar Kasapis, working across sound and installation. Ioannis Savvaidis joins on composition and live interaction.\n\nIf you want structured pieces with recognizable changes, nothing here stands still. But if you want to hear three Athens practitioners work without a net, KET's room makes every dropped breath audible.\n\nKET sits at Kyprou 91A, Kipseli. Doors 20:30, tickets €10 via more.com. Three sets, one small room, one short night.", "fullDescriptionEn": "A former TV repair workshop in Kipseli, run since 2012 by Fotini Banou and Dimitris Alexakis, hosts three sets of improvised sound. Panos Alexiadis is an Athens composer with releases on Rekem and B.A.A.D.M.; he runs the Thalamos tape label. Rooms In Negative is Andreas Ragnar Kasapis, working across sound and installation. Ioannis Savvaidis joins on composition and live interaction.\n\nIf you want structured pieces with recognizable changes, nothing here stands still. But if you want to hear three Athens practitioners work without a net, KET's room makes every dropped breath audible.\n\nKET sits at Kyprou 91A, Kipseli. Doors 20:30, tickets €10 via more.com. Three sets, one small room, one short night.", "fullDescriptionGr": "A former TV repair workshop in Kipseli, run since 2012 by Fotini Banou and Dimitris Alexakis, hosts three sets of improvised sound. Panos Alexiadis is an Athens composer with releases on Rekem and B.A.A.D.M.; he runs the Thalamos tape label. Rooms In Negative is Andreas Ragnar Kasapis, working across sound and installation. Ioannis Savvaidis joins on composition and live interaction.\n\nIf you want structured pieces with recognizable changes, nothing here stands still. But if you want to hear three Athens practitioners work without a net, KET's room makes every dropped breath audible.\n\nKET sits at Kyprou 91A, Kipseli. Doors 20:30, tickets €10 via more.com. Three sets, one small room, one short night.", "hasNativeGreek": false, "startDate": "2026-04-16T20:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "Experimental", "Kypseli", "Intimate", "Underground", "Listening-room", "Music-heads", "Concert-format", "Seated" ], "venue": { "name": "Κέντρο Ελέγχου Τηλεοράσεων", "address": "Kyprou 91A & Sikinou 35A, Athens 113 64", "neighborhood": "Kypseli", "coordinates": { "lat": 38.002, "lon": 23.7325 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10" }, "url": "https://www.athinorama.gr/music/gig/panos_alexiadis_rooms_in_negative_kai_ioannis_savvaidis-10089750/", "ticketUrl": "https://www.athinorama.gr/music/gig/panos_alexiadis_rooms_in_negative_kai_ioannis_savvaidis-10089750/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "3052b2284de74873", "title": "Ο κήπος των επίγειων απολαύσεων", "description": "Εως 2026-04-21", "hasNativeGreek": false, "startDate": "2026-04-16T20:30:00", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Δημοτικό Θέατρο Πειραιά", "address": "Iroon Polytechniou 32, Piraeus 185 35", "neighborhood": "Piraeus", "coordinates": { "lat": 37.9429, "lon": 23.647 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15" }, "url": "https://www.athinorama.gr/theatre/performance/o_kipos_ton_epigeion_apolauseon-10089817/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/o_kipos_ton_epigeion_apolauseon-10089817/", "source": "athinorama.gr", "createdAt": "2026-04-08 17:29:31", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/91/91475e6b2c78493394d9bcce0b14dced.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/3052b2284de74873.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "395d804b3cdf9ecb", "title": "4ο Open Mic Challenge", "description": "", "fullDescription": "Open mic nights usually mean strangers playing cover songs. This one inverts the format: selected musicians present up to 45 minutes of their own original material, and the audience votes live for the performer they want to hear again. Theatre of the No, a ~100-seat room opposite City Hall that opened as Athens' first English-speaking theater, hosts the fourth edition.\n\nIf you want a pre-curated bill with familiar names, this is the opposite of that by design. But if you want to hear new Athens voices perform originals knowing the vote matters, the evening drops four sets onto one stage.\n\nTwo minutes from Syntagma metro. €5 entry, doors 21:00. Originals only, audience with the casting vote.", "fullDescriptionEn": "Open mic nights usually mean strangers playing cover songs. This one inverts the format: selected musicians present up to 45 minutes of their own original material, and the audience votes live for the performer they want to hear again. Theatre of the No, a ~100-seat room opposite City Hall that opened as Athens' first English-speaking theater, hosts the fourth edition.\n\nIf you want a pre-curated bill with familiar names, this is the opposite of that by design. But if you want to hear new Athens voices perform originals knowing the vote matters, the evening drops four sets onto one stage.\n\nTwo minutes from Syntagma metro. €5 entry, doors 21:00. Originals only, audience with the casting vote.", "fullDescriptionGr": "Open mic nights usually mean strangers playing cover songs. This one inverts the format: selected musicians present up to 45 minutes of their own original material, and the audience votes live for the performer they want to hear again. Theatre of the No, a ~100-seat room opposite City Hall that opened as Athens' first English-speaking theater, hosts the fourth edition.\n\nIf you want a pre-curated bill with familiar names, this is the opposite of that by design. But if you want to hear new Athens voices perform originals knowing the vote matters, the evening drops four sets onto one stage.\n\nTwo minutes from Syntagma metro. €5 entry, doors 21:00. Originals only, audience with the casting vote.", "hasNativeGreek": false, "startDate": "2026-04-16T21:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "Live-band", "Intimate", "Listening-room", "Seated", "Interactive", "Metro-accessible" ], "venue": { "name": "Theatre Of The No", "address": "Bouboulinas 17-19, Athens 106 82", "neighborhood": "Metaxourgeio", "coordinates": { "lat": 37.987, "lon": 23.7285 }, "capacity": null }, "price": { "type": "paid", "amount": 5, "currency": "EUR", "range": "€5" }, "url": "https://www.athinorama.gr/music/gig/4o_open_mic_challenge-10089118/", "ticketUrl": "https://www.athinorama.gr/music/gig/4o_open_mic_challenge-10089118/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "a60f1e8cfbceec63", "title": "Τα κύματα", "description": "Εως 2026-05-10", "hasNativeGreek": false, "startDate": "2026-04-16T21:00:00", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Θέατρο Nous", "address": "Trias 34, Athens 112 55", "neighborhood": "Kypseli", "coordinates": { "lat": 37.9965, "lon": 23.732 }, "capacity": null }, "price": { "type": "paid", "amount": 16, "currency": "EUR", "range": "€16" }, "url": "https://www.athinorama.gr/theatre/performance/ta_kumata-10089762/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/ta_kumata-10089762/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/92/92bc35c1d4814ac2b7ef59462c8f6ec4.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/a60f1e8cfbceec63.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "855d33d7e193b3e4", "title": "Μόλις κοιμηθεί το κύμα", "description": "", "hasNativeGreek": false, "startDate": "2026-04-16T21:00:00", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Θέατρο Φούρνος", "address": "Mavromichali 168, Athens 114 72", "neighborhood": "Kypseli / Patission", "coordinates": { "lat": 37.9965, "lon": 23.7395 }, "capacity": null }, "price": { "type": "paid", "amount": 17, "currency": "EUR", "range": "€17" }, "url": "https://www.athinorama.gr/theatre/performance/molis_koimithei_to_kuma-10089822/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/molis_koimithei_to_kuma-10089822/", "source": "athinorama.gr", "createdAt": "2026-04-08 17:29:31", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/5a/5a344120efea45cf8550cc4e3f75199f.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/855d33d7e193b3e4.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "412f21f47530e157", "title": "Fragk", "description": "", "hasNativeGreek": false, "startDate": "2026-04-16T21:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "B side Athens", "address": "Μπη Σάιντ, Μαυροκορδάτου", "neighborhood": "", "coordinates": { "lat": 37.983779, "lon": 23.731955 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://ra.co/events/2416433", "ticketUrl": "https://ra.co/events/2416433", "source": "residentadvisor", "createdAt": "2026-04-12 07:53:04", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/9365c7ff120a56aa87735fbde7f2e0745740e7f6.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/412f21f47530e157.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "8653e81f473481c4", "title": "Kismet by Kayf", "description": "", "hasNativeGreek": false, "startDate": "2026-04-16T23:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "Dybbuk", "address": "Patriarchou Ioakim 37, Athina 105 62", "neighborhood": "", "coordinates": { "lat": 37.978224, "lon": 23.744387 }, "capacity": null }, "price": { "type": "door", "amount": 10, "currency": "EUR", "range": "€10-15" }, "url": "https://www.clubber.gr/events/kismet-by-kayf-2/", "ticketUrl": "https://www.clubber.gr/events/kismet-by-kayf-2/", "source": "clubber.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:12:34", "language": "en", "timeDoors": "23:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "86cb62f00a8783c6", "title": "ROY KHAN (Norway) The Black Halo And Beyond +SEVEN SPIRES (USA)", "description": "", "fullDescription": "The first notes ring out like bells from a tower you forgot existed. That voice — operatic, powerful, somehow intimate despite the metal instrumentation — fills Gagarin's hall. You feel the hairs rise on your forearms. Roy Khan is back, and he's brought The Black Halo with him.\n\nFor fans of Kamelot, Khan's return represents something close to resurrection. His departure in 2011 left a void that years of replacement vocalists couldn't quite fill. \"The Black Halo And Beyond\" tour acknowledges what that album meant while promising a future. The setlist will draw from the heights of Kamelot's progressive metal catalog — \"Ghost Opera,\" \"The Haunting,\" material that showcased Khan's extraordinary range.\n\nGagarin 205 provides the acoustic architecture this music demands. The venue has established itself as Athens' premier metal destination, its sound system calibrated for the dynamics that progressive metal requires — the quiet passages that build toward crushing choruses, the instrumental sections that demand clarity even at volume. The room's 1,200 capacity creates density without losing the precision these compositions require.\n\nSEVEN SPIRES opens the evening, their own brand of symphonic metal establishing the night's emotional register. The pairing makes sense — both acts occupy the space where metal's heaviness meets orchestral ambition, where harsh and clean vocals coexist in the same songs. By the time Khan takes the stage, the room has been properly prepared.\n\nThe crowd filtering into Gagarin tonight has waited years for this moment. Metal fans who remember where they were when they first heard \"Center of the Universe.\" Younger listeners who discovered Khan through Conception's reunion. The conversations before doors open mix Greek and English, strangers bonding over shared devotion to this specific voice, this specific catalog.\n\nIf you need accessible entry points or music that stays in comfortable territory, progressive metal will challenge your patience. The songs run long, the arrangements complex, the emotional intensity sustained rather than peaked. But if you've been waiting for Roy Khan to remind Athens what he's capable of, for a voice that defined an era of metal — Gagarin holds this homecoming.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:00 |\n| **Venue** | Gagarin 205, Liosion 205, Attiki |\n| **Getting there** | Attiki Metro, taxi recommended after |\n| **Capacity** | 1,200 |\n| **Support** | Seven Spires |\n| **Price** | Check more.com |\n\nRoy Khan returns — The Black Halo rendered live.", "fullDescriptionEn": "The first notes ring out like bells from a tower you forgot existed. That voice — operatic, powerful, somehow intimate despite the metal instrumentation — fills Gagarin's hall. You feel the hairs rise on your forearms. Roy Khan is back, and he's brought The Black Halo with him.\n\nFor fans of Kamelot, Khan's return represents something close to resurrection. His departure in 2011 left a void that years of replacement vocalists couldn't quite fill. \"The Black Halo And Beyond\" tour acknowledges what that album meant while promising a future. The setlist will draw from the heights of Kamelot's progressive metal catalog — \"Ghost Opera,\" \"The Haunting,\" material that showcased Khan's extraordinary range.\n\nGagarin 205 provides the acoustic architecture this music demands. The venue has established itself as Athens' premier metal destination, its sound system calibrated for the dynamics that progressive metal requires — the quiet passages that build toward crushing choruses, the instrumental sections that demand clarity even at volume. The room's 1,200 capacity creates density without losing the precision these compositions require.\n\nSEVEN SPIRES opens the evening, their own brand of symphonic metal establishing the night's emotional register. The pairing makes sense — both acts occupy the space where metal's heaviness meets orchestral ambition, where harsh and clean vocals coexist in the same songs. By the time Khan takes the stage, the room has been properly prepared.\n\nThe crowd filtering into Gagarin tonight has waited years for this moment. Metal fans who remember where they were when they first heard \"Center of the Universe.\" Younger listeners who discovered Khan through Conception's reunion. The conversations before doors open mix Greek and English, strangers bonding over shared devotion to this specific voice, this specific catalog.\n\nIf you need accessible entry points or music that stays in comfortable territory, progressive metal will challenge your patience. The songs run long, the arrangements complex, the emotional intensity sustained rather than peaked. But if you've been waiting for Roy Khan to remind Athens what he's capable of, for a voice that defined an era of metal — Gagarin holds this homecoming.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:00 |\n| **Venue** | Gagarin 205, Liosion 205, Attiki |\n| **Getting there** | Attiki Metro, taxi recommended after |\n| **Capacity** | 1,200 |\n| **Support** | Seven Spires |\n| **Price** | Check more.com |\n\nRoy Khan returns — The Black Halo rendered live.", "fullDescriptionGr": "The first notes ring out like bells from a tower you forgot existed. That voice — operatic, powerful, somehow intimate despite the metal instrumentation — fills Gagarin's hall. You feel the hairs rise on your forearms. Roy Khan is back, and he's brought The Black Halo with him.\n\nFor fans of Kamelot, Khan's return represents something close to resurrection. His departure in 2011 left a void that years of replacement vocalists couldn't quite fill. \"The Black Halo And Beyond\" tour acknowledges what that album meant while promising a future. The setlist will draw from the heights of Kamelot's progressive metal catalog — \"Ghost Opera,\" \"The Haunting,\" material that showcased Khan's extraordinary range.\n\nGagarin 205 provides the acoustic architecture this music demands. The venue has established itself as Athens' premier metal destination, its sound system calibrated for the dynamics that progressive metal requires — the quiet passages that build toward crushing choruses, the instrumental sections that demand clarity even at volume. The room's 1,200 capacity creates density without losing the precision these compositions require.\n\nSEVEN SPIRES opens the evening, their own brand of symphonic metal establishing the night's emotional register. The pairing makes sense — both acts occupy the space where metal's heaviness meets orchestral ambition, where harsh and clean vocals coexist in the same songs. By the time Khan takes the stage, the room has been properly prepared.\n\nThe crowd filtering into Gagarin tonight has waited years for this moment. Metal fans who remember where they were when they first heard \"Center of the Universe.\" Younger listeners who discovered Khan through Conception's reunion. The conversations before doors open mix Greek and English, strangers bonding over shared devotion to this specific voice, this specific catalog.\n\nIf you need accessible entry points or music that stays in comfortable territory, progressive metal will challenge your patience. The songs run long, the arrangements complex, the emotional intensity sustained rather than peaked. But if you've been waiting for Roy Khan to remind Athens what he's capable of, for a voice that defined an era of metal — Gagarin holds this homecoming.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:00 |\n| **Venue** | Gagarin 205, Liosion 205, Attiki |\n| **Getting there** | Attiki Metro, taxi recommended after |\n| **Capacity** | 1,200 |\n| **Support** | Seven Spires |\n| **Price** | Check more.com |\n\nRoy Khan returns — The Black Halo rendered live.", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Gagarin 205", "address": "Liosion 205, Athens 104 45", "neighborhood": "Sepolia / Athens West", "coordinates": { "lat": 38.001, "lon": 23.7115 }, "capacity": null }, "price": { "type": "paid", "amount": 28, "currency": "EUR", "range": "€28 - €33" }, "url": "https://www.ticketservices.gr/event/13764/", "ticketUrl": "https://www.ticketservices.gr/event/13764/", "source": "ticketservices", "createdAt": "2026-01-26 13:11:15", "updatedAt": "2026-04-14 14:12:29", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_58230_or_Roy Khan (The Black Halo And Beyond)_Seven Spires-Banner Ticket Services Athens 2025 02.jpg", "imageSource": "backfill", "imageLocal": "/images/events/86cb62f00a8783c6.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "0878e121fcab6868", "title": "170 τετραγωνικά / Moonwalk", "description": "Εως 2026-05-10", "fullDescription": "The lights find two sisters in the house where they grew up. Their father is dead. The 170 square meters of the title is the apartment, and neither woman has set foot in it for years. Giorgis Tsouris wrote 170 Tetragonika (Moonwalk) and performs in it — now in its seventh consecutive season, with over 450 performances and the Dimitris Horn Award for best new Greek play.\n\nThe production, directed by Giorgos Palumpis, has drawn more than 120,000 audience members across Greece and toured to Melbourne. It moves this spring to Neos Akadimos.\n\nThe room fills with people who recognize Greek family architecture — the unspoken rules, the inherited furniture, the arguments that resume mid-sentence after a decade.\n\nIf you want escapism, this play walks you back into the rooms you left. But if you want Greek drama that earns its silences, Tsouris writes and acts with equal precision.\n\nNeos Akadimos is at Ippokratous 17, accessible by metro. 17 April 2026 at 21:00. Tickets through more.com.\n\nSeven years, 450 performances — and the apartment still has not been cleared out.", "fullDescriptionEn": "The lights find two sisters in the house where they grew up. Their father is dead. The 170 square meters of the title is the apartment, and neither woman has set foot in it for years. Giorgis Tsouris wrote 170 Tetragonika (Moonwalk) and performs in it — now in its seventh consecutive season, with over 450 performances and the Dimitris Horn Award for best new Greek play.\n\nThe production, directed by Giorgos Palumpis, has drawn more than 120,000 audience members across Greece and toured to Melbourne. It moves this spring to Neos Akadimos.\n\nThe room fills with people who recognize Greek family architecture — the unspoken rules, the inherited furniture, the arguments that resume mid-sentence after a decade.\n\nIf you want escapism, this play walks you back into the rooms you left. But if you want Greek drama that earns its silences, Tsouris writes and acts with equal precision.\n\nNeos Akadimos is at Ippokratous 17, accessible by metro. 17 April 2026 at 21:00. Tickets through more.com.\n\nSeven years, 450 performances — and the apartment still has not been cleared out.", "fullDescriptionGr": "The lights find two sisters in the house where they grew up. Their father is dead. The 170 square meters of the title is the apartment, and neither woman has set foot in it for years. Giorgis Tsouris wrote 170 Tetragonika (Moonwalk) and performs in it — now in its seventh consecutive season, with over 450 performances and the Dimitris Horn Award for best new Greek play.\n\nThe production, directed by Giorgos Palumpis, has drawn more than 120,000 audience members across Greece and toured to Melbourne. It moves this spring to Neos Akadimos.\n\nThe room fills with people who recognize Greek family architecture — the unspoken rules, the inherited furniture, the arguments that resume mid-sentence after a decade.\n\nIf you want escapism, this play walks you back into the rooms you left. But if you want Greek drama that earns its silences, Tsouris writes and acts with equal precision.\n\nNeos Akadimos is at Ippokratous 17, accessible by metro. 17 April 2026 at 21:00. Tickets through more.com.\n\nSeven years, 450 performances — and the apartment still has not been cleared out.", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "theater", "genres": [], "tags": [ "Drama", "Seated", "Theater-regulars", "Greek-language", "Metro-accessible", "Greek-locals", "Mixed-ages" ], "venue": { "name": "Νέος Ακάδημος", "address": "Νέος Ακάδημος, 17", "neighborhood": "", "coordinates": { "lat": 37.9822, "lon": 23.73426 }, "capacity": null }, "price": { "type": "paid", "amount": 120, "currency": "EUR", "range": "€120" }, "url": "https://www.athinorama.gr/theatre/performance/170_tetragonika__moonwalk-10063940/", "ticketUrl": "https://www.viva.gr/tickets/theater/", "source": "athinorama.gr", "createdAt": "2026-02-08 12:53:02", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/2f/2f7bbe4116d94558b9293816a2f59759.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/0878e121fcab6868.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "af431a46a7eb83ba", "title": "Oldschool Rednex", "description": "", "fullDescription": "Oldschool Rednex play Ilion Plus on 17 April 2026, their first Athens date in two years. The Thessaloniki punkers have been grinding since 1999, with a debut LP that finally landed in 2012 and the follow-up 'Orgi / Sti Gi tou Rock 'n' Roll' in 2022. GRAMM ELEVEN open the night.\n\nIf you want a seated room with a cocktail menu, this is a different economy. But if you want dirty guitars and amplifiers in the red, this is the room.\n\nIlion Plus is at Kodrigktonos 17 in Kypseli, off Patission Street. Two years is a long time between Athens dates.", "fullDescriptionEn": "Oldschool Rednex play Ilion Plus on 17 April 2026, their first Athens date in two years. The Thessaloniki punkers have been grinding since 1999, with a debut LP that finally landed in 2012 and the follow-up 'Orgi / Sti Gi tou Rock 'n' Roll' in 2022. GRAMM ELEVEN open the night.\n\nIf you want a seated room with a cocktail menu, this is a different economy. But if you want dirty guitars and amplifiers in the red, this is the room.\n\nIlion Plus is at Kodrigktonos 17 in Kypseli, off Patission Street. Two years is a long time between Athens dates.", "fullDescriptionGr": "Oldschool Rednex play Ilion Plus on 17 April 2026, their first Athens date in two years. The Thessaloniki punkers have been grinding since 1999, with a debut LP that finally landed in 2012 and the follow-up 'Orgi / Sti Gi tou Rock 'n' Roll' in 2022. GRAMM ELEVEN open the night.\n\nIf you want a seated room with a cocktail menu, this is a different economy. But if you want dirty guitars and amplifiers in the red, this is the room.\n\nIlion Plus is at Kodrigktonos 17 in Kypseli, off Patission Street. Two years is a long time between Athens dates.", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "concert", "genres": [], "tags": [ "Punk", "Rock", "Live-band", "Kypseli", "Intimate", "Local-favorite", "Music-heads", "Standing-room", "Metro-accessible" ], "venue": { "name": "ΙΛΙΟΝ Plus", "address": "Kodrigktonos 17, Athens 104 34", "neighborhood": "Victoria / Neapoli", "coordinates": { "lat": 37.9944, "lon": 23.7369 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/oldschool_rednex-10016427/", "ticketUrl": "https://www.athinorama.gr/music/gig/oldschool_rednex-10016427/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" } ], "meta": { "total": 24, "totalAll": 481, "lastUpdate": "2026-04-15T13:15:09.587Z", "url": "https://agentathens.com/" } }