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      "@type": "TheaterEvent",
      "id": "224ae6bc44df30a2",
      "title": "Ευανθία Ρεμπούτσικα - 'Αρης Δαβαράκης «Τα τραγούδια μας»",
      "description": "",
      "fullDescription": "Evanthia Reboutsika and Aris Davarakis open their songbook at the Pallas. The composer and lyricist began writing together in 1995 with songs for Yannis Kotsiras's album Athoos Enochos, and have continued for three decades — supplying material that has been carried by Nana Mouskouri, Eleftheria Arvanitaki, Marios Frangoulis, and Elli Paspala, among others. 'Ta Tragoudia Mas' — Our Songs — gathers that catalogue for one evening, with Kostas Makedonas appearing as special guest.\n\nIf you want a one-voice singer-songwriter night, this is not that. But if you want to hear an entechno catalogue arranged for a single stage by the two people who built it, the Pallas has cleared 13 May.\n\nTheatro Pallas on Voukourestiou is a short walk from Syntagma metro. Tickets EUR 20 to EUR 65 by section. 21:00 doors. Three decades of Greek songwriting condensed into a single Wednesday evening.",
      "fullDescriptionEn": "Evanthia Reboutsika and Aris Davarakis open their songbook at the Pallas. The composer and lyricist began writing together in 1995 with songs for Yannis Kotsiras's album Athoos Enochos, and have continued for three decades — supplying material that has been carried by Nana Mouskouri, Eleftheria Arvanitaki, Marios Frangoulis, and Elli Paspala, among others. 'Ta Tragoudia Mas' — Our Songs — gathers that catalogue for one evening, with Kostas Makedonas appearing as special guest.\n\nIf you want a one-voice singer-songwriter night, this is not that. But if you want to hear an entechno catalogue arranged for a single stage by the two people who built it, the Pallas has cleared 13 May.\n\nTheatro Pallas on Voukourestiou is a short walk from Syntagma metro. Tickets EUR 20 to EUR 65 by section. 21:00 doors. Three decades of Greek songwriting condensed into a single Wednesday evening.",
      "fullDescriptionGr": "Evanthia Reboutsika and Aris Davarakis open their songbook at the Pallas. The composer and lyricist began writing together in 1995 with songs for Yannis Kotsiras's album Athoos Enochos, and have continued for three decades — supplying material that has been carried by Nana Mouskouri, Eleftheria Arvanitaki, Marios Frangoulis, and Elli Paspala, among others. 'Ta Tragoudia Mas' — Our Songs — gathers that catalogue for one evening, with Kostas Makedonas appearing as special guest.\n\nIf you want a one-voice singer-songwriter night, this is not that. But if you want to hear an entechno catalogue arranged for a single stage by the two people who built it, the Pallas has cleared 13 May.\n\nTheatro Pallas on Voukourestiou is a short walk from Syntagma metro. Tickets EUR 20 to EUR 65 by section. 21:00 doors. Three decades of Greek songwriting condensed into a single Wednesday evening.",
      "hasNativeGreek": false,
      "startDate": "2026-05-13T21:00:00",
      "endDate": null,
      "type": "theater",
      "genres": [],
      "tags": [
        "Entechno",
        "Greek-singer-songwriter",
        "Concert-format",
        "Seated",
        "Mixed-ages",
        "Metro-accessible",
        "Local-favorite"
      ],
      "venue": {
        "name": "Θέατρο Παλλάς",
        "address": "Voukourestiou 5, Athens 106 71",
        "neighborhood": "Syntagma / City Center",
        "coordinates": {
          "lat": 37.9785,
          "lon": 23.734
        },
        "capacity": null
      },
      "price": {
        "type": "tba",
        "amount": 20,
        "currency": "EUR",
        "range": "€20 - €65"
      },
      "url": "https://www.ticketservices.gr/event/14285/",
      "ticketUrl": "https://www.ticketservices.gr/event/14285/",
      "source": "ticketservices",
      "createdAt": "2026-03-13 10:49:21",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "21:00",
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      "@type": "TheaterEvent",
      "id": "9454cac8ff50ab94",
      "title": "This is Michael , το απόλυτο Tribute show στον Michael Jackson, Παρασκευή 15 Μαϊου Christmas Theater, Αθήνα",
      "description": "15 Μαιου This is Michael , το απόλυτο Tribute show στον Michael Jackson, Παρασκευή 15 Μαϊου Christmas Theater, Αθήνα CHRISTMAS THEATER",
      "fullDescription": "Walking into the Christmas Theater for \"This is Michael\" feels like stepping into someone's devotion made physical. The stage is set up for spectacle—lighting, costume, the kind of production that says this isn't casual. Michael Jackson's music is everywhere, so familiar it's become almost invisible. This show's job is to make you see it again through a performer's understanding of what it actually meant.\n\nA Michael Jackson tribute show seems like an obvious concept, but the Christmas Theater is the right venue for this. The intimacy of a theater stage actually lets you see the physical grammar of Jackson's movement more clearly than arenas ever could. \"This is Michael\" positions itself as appreciation, not parody. The performer has studied the catalog—the dance moves, the vocal techniques, the specific way Jackson approaches rhythm. This is respect made visible.\n\nThe crowd will be mixed across ages and backgrounds. People who grew up with Jackson as the sound of their youth. People discovering him anew through his influence on contemporary music. People who just love sharp pop performance. The room fills with recognition—everyone here has a Michael Jackson moment that matters to them. The show gives permission to feel that moment again.\n\nThe experience is a journey through the catalog, structured as narrative rather than chronological. Early numbers establish the foundation—the ballads that show vocal technique. Middle passages hit the cultural moments, the songs that became part of how people understood their own lives. Peak time is the physical spectacle, the moments where Jackson's innovation in video and performance becomes visible. The arc is designed to build toward joy.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Christmas Theater, seated, capacity ~300-400, close sightlines to stage |\n| **Vibe** | Celebratory, nostalgic, professionally executed |\n| **Sound** | Theater-grade sound system designed for clarity |\n| **Atmosphere** | Multigenerational, enthusiastic, warm |\n\nIf you need irony or are uncomfortable with sincere appreciation, the Christmas Theater's earnestness will feel disarming. But if you want to experience Michael Jackson's music performed with actual understanding, if you want permission to feel what his work meant to you—this is the place.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, May 15, 2026 |\n| **Doors** | 19:30 |\n| **Music starts** | 20:00 |\n| **Duration** | ~90 minutes with interval |\n| **Price** | €15-25 (estimated) |\n| **Tickets** | Christmas Theater box office or advance |\n| **Address** | Αθήνα CHRISTMAS THEATER, Athens |\n| **Getting there** | Central Athens location, metro accessible |\n| **Last metro** | 00:30 |\n| **Payment** | Cards and cash |\n| **Good to know** | Families with children welcome; this is a show about joy and virtuosity |",
      "fullDescriptionEn": "Walking into the Christmas Theater for \"This is Michael\" feels like stepping into someone's devotion made physical. The stage is set up for spectacle—lighting, costume, the kind of production that says this isn't casual. Michael Jackson's music is everywhere, so familiar it's become almost invisible. This show's job is to make you see it again through a performer's understanding of what it actually meant.\n\nA Michael Jackson tribute show seems like an obvious concept, but the Christmas Theater is the right venue for this. The intimacy of a theater stage actually lets you see the physical grammar of Jackson's movement more clearly than arenas ever could. \"This is Michael\" positions itself as appreciation, not parody. The performer has studied the catalog—the dance moves, the vocal techniques, the specific way Jackson approaches rhythm. This is respect made visible.\n\nThe crowd will be mixed across ages and backgrounds. People who grew up with Jackson as the sound of their youth. People discovering him anew through his influence on contemporary music. People who just love sharp pop performance. The room fills with recognition—everyone here has a Michael Jackson moment that matters to them. The show gives permission to feel that moment again.\n\nThe experience is a journey through the catalog, structured as narrative rather than chronological. Early numbers establish the foundation—the ballads that show vocal technique. Middle passages hit the cultural moments, the songs that became part of how people understood their own lives. Peak time is the physical spectacle, the moments where Jackson's innovation in video and performance becomes visible. The arc is designed to build toward joy.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Christmas Theater, seated, capacity ~300-400, close sightlines to stage |\n| **Vibe** | Celebratory, nostalgic, professionally executed |\n| **Sound** | Theater-grade sound system designed for clarity |\n| **Atmosphere** | Multigenerational, enthusiastic, warm |\n\nIf you need irony or are uncomfortable with sincere appreciation, the Christmas Theater's earnestness will feel disarming. But if you want to experience Michael Jackson's music performed with actual understanding, if you want permission to feel what his work meant to you—this is the place.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, May 15, 2026 |\n| **Doors** | 19:30 |\n| **Music starts** | 20:00 |\n| **Duration** | ~90 minutes with interval |\n| **Price** | €15-25 (estimated) |\n| **Tickets** | Christmas Theater box office or advance |\n| **Address** | Αθήνα CHRISTMAS THEATER, Athens |\n| **Getting there** | Central Athens location, metro accessible |\n| **Last metro** | 00:30 |\n| **Payment** | Cards and cash |\n| **Good to know** | Families with children welcome; this is a show about joy and virtuosity |",
      "fullDescriptionGr": "Walking into the Christmas Theater for \"This is Michael\" feels like stepping into someone's devotion made physical. The stage is set up for spectacle—lighting, costume, the kind of production that says this isn't casual. Michael Jackson's music is everywhere, so familiar it's become almost invisible. This show's job is to make you see it again through a performer's understanding of what it actually meant.\n\nA Michael Jackson tribute show seems like an obvious concept, but the Christmas Theater is the right venue for this. The intimacy of a theater stage actually lets you see the physical grammar of Jackson's movement more clearly than arenas ever could. \"This is Michael\" positions itself as appreciation, not parody. The performer has studied the catalog—the dance moves, the vocal techniques, the specific way Jackson approaches rhythm. This is respect made visible.\n\nThe crowd will be mixed across ages and backgrounds. People who grew up with Jackson as the sound of their youth. People discovering him anew through his influence on contemporary music. People who just love great pop performance. The room fills with recognition—everyone here has a Michael Jackson moment that matters to them. The show gives permission to feel that moment again.\n\nThe experience is a journey through the catalog, structured as narrative rather than chronological. Early numbers establish the foundation—the ballads that show vocal technique. Middle passages hit the cultural moments, the songs that became part of how people understood their own lives. Peak time is the physical spectacle, the moments where Jackson's innovation in video and performance becomes visible. The arc is designed to build toward joy.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Christmas Theater, seated, capacity ~300-400, close sightlines to stage |\n| **Vibe** | Celebratory, nostalgic, professionally executed |\n| **Sound** | Theater-grade sound system designed for clarity |\n| **Atmosphere** | Multigenerational, enthusiastic, warm |\n\nIf you need irony or are uncomfortable with sincere appreciation, the Christmas Theater's earnestness will feel disarming. But if you want to experience Michael Jackson's music performed with actual understanding, if you want permission to feel what his work meant to you—this is the place.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, May 15, 2026 |\n| **Doors** | 19:30 |\n| **Music starts** | 20:00 |\n| **Duration** | ~90 minutes with interval |\n| **Price** | €15-25 (estimated) |\n| **Tickets** | Christmas Theater box office or advance |\n| **Address** | Αθήνα CHRISTMAS THEATER, Athens |\n| **Getting there** | Central Athens location, metro accessible |\n| **Last metro** | 00:30 |\n| **Payment** | Cards and cash |\n| **Good to know** | Families with children welcome; this is a show about joy and virtuosity |",
      "hasNativeGreek": false,
      "startDate": "2026-05-15T20:00:00+03:00",
      "endDate": null,
      "type": "theater",
      "genres": [
        "music"
      ],
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      "venue": {
        "name": "Christmas Theater",
        "address": "Λεωφ. Βεΐκου 137",
        "neighborhood": "Galatsi",
        "coordinates": {
          "lat": 38.0165,
          "lon": 23.7545
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 35,
        "currency": "EUR",
        "range": "από €35"
      },
      "url": "https://www.more.com/gr-el/tickets/music/this-is-michael/",
      "ticketUrl": "https://www.viva.gr/gr-el/tickets/music/this-is-michael/",
      "source": "more.com",
      "createdAt": "2026-01-19T23:07:36.324Z",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
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      "@type": "TheaterEvent",
      "id": "2e97dbc8075a0bfc",
      "title": "National Theatre: The Playboy of the Western World",
      "description": "",
      "fullDescription": "A young man stumbles into a pub in County Mayo and announces he has killed his father. Instead of calling the police, the locals turn him into a celebrity. Nicola Coughlan watches him from behind the bar, playing Pegeen Mike with the particular wariness of someone who already knows she is going to fall for exactly the wrong person.\n\nJohn Millington Synge wrote The Playboy of the Western World in 1907 and the Abbey Theatre audience rioted on opening night — the language was too raw, the portrait of rural Ireland too unflattering. Caitriona McLaughlin, Artistic Director of the Abbey Theatre, directs this National Theatre production filmed live in London's Lyttelton Theatre. Eanna Hardwicke plays Christy Mahon, the supposed parricide. Siobhan McSweeney brings the sharp comedic instinct she honed in Derry Girls to the role of Widow Quin.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Megaron's Alexandra Trianti Hall — 1,750 seats, full cinema-grade projection, the Irish countryside filling the screen at a scale that makes the mud feel close |\n| Vibe | Laughter that keeps catching on something uncomfortable — Synge wrote comedy with teeth and this production lets them bite |\n| Sound | The Hiberno-English dialect is the engine of the play — McLaughlin keeps the rhythm of Synge's prose intact, letting sentences roll and crack like conversation overheard through a pub wall |\n| Door | Tickets through megaron.gr, presented in English with Greek subtitles, in collaboration with the British Council and the British Embassy in Athens |\n\nThe production leans into the absurdity rather than the romance. A community that glorifies violence and then recoils when it turns out to be real — Synge saw something about how stories work that has not changed in a hundred and nineteen years. Coughlan's Pegeen is vain, sharp, easily bored, and entirely convincing as someone who would choose danger over the steady man her father picked for her. Hardwicke builds Christy from terrified runaway to swaggering local hero with a physical transformation that the close-up camerawork catches in detail.\n\nThe final act turns. When reality punctures the myth, the village does what villages do — it protects itself. McLaughlin stages the reversal without sentimentality, and the last image of Pegeen alone carries the weight of a woman who chose the story over the man and lost both.\n\nIf you want gentle comedy with a tidy resolution, Synge did not write one. The laughs get progressively harder to separate from the cruelty. But if you want to watch a cast dismantle the mechanics of myth-making in real time, with language that sounds like it was written last week, this is what the National Theatre does at its best.\n\nMegaron Mousikis Athinon, Vasilissis Sofias Avenue — two-minute walk from Megaro Moussikis metro station. Screening on 28 May at 20:30. Tickets through megaron.gr.\n\nThe Abbey rioted in 1907 because Synge told the truth about storytelling — this production lets you decide whether the audience has caught up.",
      "fullDescriptionEn": "A young man stumbles into a pub in County Mayo and announces he has killed his father. Instead of calling the police, the locals turn him into a celebrity. Nicola Coughlan watches him from behind the bar, playing Pegeen Mike with the particular wariness of someone who already knows she is going to fall for exactly the wrong person.\n\nJohn Millington Synge wrote The Playboy of the Western World in 1907 and the Abbey Theatre audience rioted on opening night — the language was too raw, the portrait of rural Ireland too unflattering. Caitriona McLaughlin, Artistic Director of the Abbey Theatre, directs this National Theatre production filmed live in London's Lyttelton Theatre. Eanna Hardwicke plays Christy Mahon, the supposed parricide. Siobhan McSweeney brings the sharp comedic instinct she honed in Derry Girls to the role of Widow Quin.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Megaron's Alexandra Trianti Hall — 1,750 seats, full cinema-grade projection, the Irish countryside filling the screen at a scale that makes the mud feel close |\n| Vibe | Laughter that keeps catching on something uncomfortable — Synge wrote comedy with teeth and this production lets them bite |\n| Sound | The Hiberno-English dialect is the engine of the play — McLaughlin keeps the rhythm of Synge's prose intact, letting sentences roll and crack like conversation overheard through a pub wall |\n| Door | Tickets through megaron.gr, presented in English with Greek subtitles, in collaboration with the British Council and the British Embassy in Athens |\n\nThe production leans into the absurdity rather than the romance. A community that glorifies violence and then recoils when it turns out to be real — Synge saw something about how stories work that has not changed in a hundred and nineteen years. Coughlan's Pegeen is vain, sharp, easily bored, and entirely convincing as someone who would choose danger over the steady man her father picked for her. Hardwicke builds Christy from terrified runaway to swaggering local hero with a physical transformation that the close-up camerawork catches in detail.\n\nThe final act turns. When reality punctures the myth, the village does what villages do — it protects itself. McLaughlin stages the reversal without sentimentality, and the last image of Pegeen alone carries the weight of a woman who chose the story over the man and lost both.\n\nIf you want gentle comedy with a tidy resolution, Synge did not write one. The laughs get progressively harder to separate from the cruelty. But if you want to watch a cast dismantle the mechanics of myth-making in real time, with language that sounds like it was written last week, this is what the National Theatre does at its best.\n\nMegaron Mousikis Athinon, Vasilissis Sofias Avenue — two-minute walk from Megaro Moussikis metro station. Screening on 28 May at 20:30. Tickets through megaron.gr.\n\nThe Abbey rioted in 1907 because Synge told the truth about storytelling — this production lets you decide whether the audience has caught up.",
      "fullDescriptionGr": "A young man stumbles into a pub in County Mayo and announces he has killed his father. Instead of calling the police, the locals turn him into a celebrity. Nicola Coughlan watches him from behind the bar, playing Pegeen Mike with the particular wariness of someone who already knows she is going to fall for exactly the wrong person.\n\nJohn Millington Synge wrote The Playboy of the Western World in 1907 and the Abbey Theatre audience rioted on opening night — the language was too raw, the portrait of rural Ireland too unflattering. Caitriona McLaughlin, Artistic Director of the Abbey Theatre, directs this National Theatre production filmed live in London's Lyttelton Theatre. Eanna Hardwicke plays Christy Mahon, the supposed parricide. Siobhan McSweeney brings the sharp comedic instinct she honed in Derry Girls to the role of Widow Quin.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Megaron's Alexandra Trianti Hall — 1,750 seats, full cinema-grade projection, the Irish countryside filling the screen at a scale that makes the mud feel close |\n| Vibe | Laughter that keeps catching on something uncomfortable — Synge wrote comedy with teeth and this production lets them bite |\n| Sound | The Hiberno-English dialect is the engine of the play — McLaughlin keeps the rhythm of Synge's prose intact, letting sentences roll and crack like conversation overheard through a pub wall |\n| Door | Tickets through megaron.gr, presented in English with Greek subtitles, in collaboration with the British Council and the British Embassy in Athens |\n\nThe production leans into the absurdity rather than the romance. A community that glorifies violence and then recoils when it turns out to be real — Synge saw something about how stories work that has not changed in a hundred and nineteen years. Coughlan's Pegeen is vain, sharp, easily bored, and entirely convincing as someone who would choose danger over the steady man her father picked for her. Hardwicke builds Christy from terrified runaway to swaggering local hero with a physical transformation that the close-up camerawork catches in detail.\n\nThe final act turns. When reality punctures the myth, the village does what villages do — it protects itself. McLaughlin stages the reversal without sentimentality, and the last image of Pegeen alone carries the weight of a woman who chose the story over the man and lost both.\n\nIf you want gentle comedy with a tidy resolution, Synge did not write one. The laughs get progressively harder to separate from the cruelty. But if you want to watch a cast dismantle the mechanics of myth-making in real time, with language that sounds like it was written last week, this is what the National Theatre does at its best.\n\nMegaron Mousikis Athinon, Vasilissis Sofias Avenue — two-minute walk from Megaro Moussikis metro station. Screening on 28 May at 20:30. Tickets through megaron.gr.\n\nThe Abbey rioted in 1907 because Synge told the truth about storytelling — this production lets you decide whether the audience has caught up.",
      "hasNativeGreek": false,
      "startDate": "2026-05-28T20:30:00+03:00",
      "endDate": null,
      "type": "theater",
      "genres": [
        "classical"
      ],
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      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": "Βασιλίσσης Σοφίας & Κόκκαλη",
        "neighborhood": "Kolonaki",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.757
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€15-80"
      },
      "url": "https://www.megaron.gr/event/national-theatre-the-playboy-of-the-western-world-2/",
      "ticketUrl": "https://www.megaron.gr/event/national-theatre-the-playboy-of-the-western-world-2/",
      "source": "megaron.gr",
      "createdAt": "2026-03-06T06:06:48.928Z",
      "updatedAt": "2026-04-15 12:14:03",
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