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      "@type": "TheaterEvent",
      "id": "9edfbaa6d7703bdb",
      "title": "Αρχιμάστορας Σόλνες",
      "description": "Εως 2026-05-10",
      "fullDescription": "Archimastoras Solnes is a production of Henrik Ibsen's The Master Builder at Theatro Technis in central Athens, running 16 April to 10 May 2026. You descend to the Ypogheio — the basement stage at Pesmazoglou 5 — and an architect starts dismantling his own certainties.\n\nDirected by K. Aspiotis, with K. Dandoulaki and Th. Grampsas leading the cast, the production centres on Halvard Solness: a builder who abandoned towers for houses, ambition for safety, until a young woman named Hilda arrives and asks why he stopped climbing. Ibsen wrote Solness at sixty-four, mapping his own anxiety about younger rivals onto a man terrified of the generation rising behind him.\n\nIf you want spectacle and elaborate staging, the Ypogheio trades scale for proximity — the actors' choices are visible at arm's length. If you want a ninety-minute study of ambition corroding from inside, this is Ibsen at his most compressed.\n\nTickets from EUR 13. The Ypogheio is at Pesmazoglou 5, central Athens.\n\nAt sixty-four, Ibsen climbed into Solness and never fully climbed back out.",
      "fullDescriptionEn": "Archimastoras Solnes is a production of Henrik Ibsen's The Master Builder at Theatro Technis in central Athens, running 16 April to 10 May 2026. You descend to the Ypogheio — the basement stage at Pesmazoglou 5 — and an architect starts dismantling his own certainties.\n\nDirected by K. Aspiotis, with K. Dandoulaki and Th. Grampsas leading the cast, the production centres on Halvard Solness: a builder who abandoned towers for houses, ambition for safety, until a young woman named Hilda arrives and asks why he stopped climbing. Ibsen wrote Solness at sixty-four, mapping his own anxiety about younger rivals onto a man terrified of the generation rising behind him.\n\nIf you want spectacle and elaborate staging, the Ypogheio trades scale for proximity — the actors' choices are visible at arm's length. If you want a ninety-minute study of ambition corroding from inside, this is Ibsen at his most compressed.\n\nTickets from EUR 13. The Ypogheio is at Pesmazoglou 5, central Athens.\n\nAt sixty-four, Ibsen climbed into Solness and never fully climbed back out.",
      "fullDescriptionGr": "Archimastoras Solnes is a production of Henrik Ibsen's The Master Builder at Theatro Technis in central Athens, running 16 April to 10 May 2026. You descend to the Ypogheio — the basement stage at Pesmazoglou 5 — and an architect starts dismantling his own certainties.\n\nDirected by K. Aspiotis, with K. Dandoulaki and Th. Grampsas leading the cast, the production centres on Halvard Solness: a builder who abandoned towers for houses, ambition for safety, until a young woman named Hilda arrives and asks why he stopped climbing. Ibsen wrote Solness at sixty-four, mapping his own anxiety about younger rivals onto a man terrified of the generation rising behind him.\n\nIf you want spectacle and elaborate staging, the Ypogheio trades scale for proximity — the actors' choices are visible at arm's length. If you want a ninety-minute study of ambition corroding from inside, this is Ibsen at his most compressed.\n\nTickets from EUR 13. The Ypogheio is at Pesmazoglou 5, central Athens.\n\nAt sixty-four, Ibsen climbed into Solness and never fully climbed back out.",
      "hasNativeGreek": false,
      "startDate": "2026-04-16",
      "endDate": null,
      "type": "theater",
      "genres": [],
      "tags": [
        "Drama",
        "Intimate",
        "Black-box-theater",
        "Historic",
        "Theater-regulars",
        "Seated",
        "Metro-accessible",
        "Greek-language"
      ],
      "venue": {
        "name": "Θέατρο Τέχνης",
        "address": "Θέατρο Τέχνης \"Κάρολος Κουν\", 14",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.970104,
          "lon": 23.73057
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 13,
        "currency": "EUR",
        "range": "€13"
      },
      "url": "https://www.athinorama.gr/theatre/performance/arximastoras_solnes-10089829/",
      "ticketUrl": "https://www.athinorama.gr/theatre/performance/arximastoras_solnes-10089829/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-10 18:08:12",
      "updatedAt": "2026-04-15 13:24:10",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
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    {
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      "@type": "TheaterEvent",
      "id": "ef6b199cbe204bb5",
      "title": "O θάνατος ενός ηθοποιού",
      "description": "Εως 2026-04-30",
      "fullDescription": "O thanatos enos ithopoiou is a theater production at PLYFA in Votanikos, Athens, premiering 16 April 2026 and running through 30 April. You enter a converted factory at Koritsas 39 — the former Athens Knitting-Weaving Works — and Chekhov's civil servant resurfaces as an actor dying by a different mechanism.\n\nDulcinea Compania, directed by An.-M. Iakovnou and K. Chatzigeorgiou, adapts Chekhov's short story \"The Death of a Civil Servant\" and weaves in two more — \"The Pianist\" and \"In the Cemetery.\" The transposition from clerk to actor sharpens the original question: does a person expire when their value depends entirely on who is watching?\n\nIf you want polished production values and a proscenium frame, PLYFA is a raw industrial space where audience and performers share the same room. If you want Chekhov stripped to framework, the factory walls do half the work.\n\nTickets EUR 14, reduced EUR 10. PLYFA is at Koritsas 39, Votanikos.\n\nChekhov wrote the civil servant's death in three pages. This company needs seventy minutes and a factory floor.",
      "fullDescriptionEn": "O thanatos enos ithopoiou is a theater production at PLYFA in Votanikos, Athens, premiering 16 April 2026 and running through 30 April. You enter a converted factory at Koritsas 39 — the former Athens Knitting-Weaving Works — and Chekhov's civil servant resurfaces as an actor dying by a different mechanism.\n\nDulcinea Compania, directed by An.-M. Iakovnou and K. Chatzigeorgiou, adapts Chekhov's short story \"The Death of a Civil Servant\" and weaves in two more — \"The Pianist\" and \"In the Cemetery.\" The transposition from clerk to actor sharpens the original question: does a person expire when their value depends entirely on who is watching?\n\nIf you want polished production values and a proscenium frame, PLYFA is a raw industrial space where audience and performers share the same room. If you want Chekhov stripped to framework, the factory walls do half the work.\n\nTickets EUR 14, reduced EUR 10. PLYFA is at Koritsas 39, Votanikos.\n\nChekhov wrote the civil servant's death in three pages. This company needs seventy minutes and a factory floor.",
      "fullDescriptionGr": "O thanatos enos ithopoiou is a theater production at PLYFA in Votanikos, Athens, premiering 16 April 2026 and running through 30 April. You enter a converted factory at Koritsas 39 — the former Athens Knitting-Weaving Works — and Chekhov's civil servant resurfaces as an actor dying by a different mechanism.\n\nDulcinea Compania, directed by An.-M. Iakovnou and K. Chatzigeorgiou, adapts Chekhov's short story \"The Death of a Civil Servant\" and weaves in two more — \"The Pianist\" and \"In the Cemetery.\" The transposition from clerk to actor sharpens the original question: does a person expire when their value depends entirely on who is watching?\n\nIf you want polished production values and a proscenium frame, PLYFA is a raw industrial space where audience and performers share the same room. If you want Chekhov stripped to framework, the factory walls do half the work.\n\nTickets EUR 14, reduced EUR 10. PLYFA is at Koritsas 39, Votanikos.\n\nChekhov wrote the civil servant's death in three pages. This company needs seventy minutes and a factory floor.",
      "hasNativeGreek": false,
      "startDate": "2026-04-16",
      "endDate": null,
      "type": "theater",
      "genres": [],
      "tags": [
        "Drama",
        "Industrial-chic",
        "Raw",
        "Intimate",
        "Theater-regulars",
        "Seated",
        "Greek-language"
      ],
      "venue": {
        "name": "ΠΛΥΦΑ",
        "address": "Korytsas 39, Athens 104 47",
        "neighborhood": "Votanikos",
        "coordinates": {
          "lat": 37.9773,
          "lon": 23.7013
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 14,
        "currency": "EUR",
        "range": "€14"
      },
      "url": "https://www.athinorama.gr/theatre/performance/o_thanatos_enos_ithopoiou-10089780/",
      "ticketUrl": "https://www.athinorama.gr/theatre/performance/o_thanatos_enos_ithopoiou-10089780/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-10 18:08:12",
      "updatedAt": "2026-04-15 13:24:10",
      "language": "en",
      "timeDoors": "21:00",
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      "@type": "TheaterEvent",
      "id": "fd17be055069bbf3",
      "title": "Κουκλίτσα",
      "description": "",
      "fullDescription": "Ibsen called it A Doll's House. Maria Panourgia calls it Kouklitsa — Little Doll — and stages it at the National Theatre's Nikos Kourkoulos Stage in central Athens, premiering 16 April 2026 and running through 24 May.\n\nPanourgia approaches the text as a near-metaphysical visit to one of world drama's most famous interiors. The realism fractures. Dark corners surface, awkward pauses stretch, and the characters say things Ibsen left between the lines — all delivered with caustic humour inside the Ernst Ziller-designed building on Agiou Konstantinou.\n\nIf you want a faithful period staging, this production breaks faith with convention on purpose. If you want a director who cracks the furniture to see what Nora hid underneath, Panourgia has the tools.\n\nThe National Theatre is accessible by metro from Omonia. Tickets €5–22. English surtitles on select performances. Shows Wednesday and Sunday at 19:00, Thursday through Saturday at 20:30. Ibsen wrote the door slam in 1879 and audiences have not stopped arguing about it since.",
      "fullDescriptionEn": "Ibsen called it A Doll's House. Maria Panourgia calls it Kouklitsa — Little Doll — and stages it at the National Theatre's Nikos Kourkoulos Stage in central Athens, premiering 16 April 2026 and running through 24 May.\n\nPanourgia approaches the text as a near-metaphysical visit to one of world drama's most famous interiors. The realism fractures. Dark corners surface, awkward pauses stretch, and the characters say things Ibsen left between the lines — all delivered with caustic humour inside the Ernst Ziller-designed building on Agiou Konstantinou.\n\nIf you want a faithful period staging, this production breaks faith with convention on purpose. If you want a director who cracks the furniture to see what Nora hid underneath, Panourgia has the tools.\n\nThe National Theatre is accessible by metro from Omonia. Tickets €5–22. English surtitles on select performances. Shows Wednesday and Sunday at 19:00, Thursday through Saturday at 20:30. Ibsen wrote the door slam in 1879 and audiences have not stopped arguing about it since.",
      "fullDescriptionGr": "Ibsen called it A Doll's House. Maria Panourgia calls it Kouklitsa — Little Doll — and stages it at the National Theatre's Nikos Kourkoulos Stage in central Athens, premiering 16 April 2026 and running through 24 May.\n\nPanourgia approaches the text as a near-metaphysical visit to one of world drama's most famous interiors. The realism fractures. Dark corners surface, awkward pauses stretch, and the characters say things Ibsen left between the lines — all delivered with caustic humour inside the Ernst Ziller-designed building on Agiou Konstantinou.\n\nIf you want a faithful period staging, this production breaks faith with convention on purpose. If you want a director who cracks the furniture to see what Nora hid underneath, Panourgia has the tools.\n\nThe National Theatre is accessible by metro from Omonia. Tickets €5–22. English surtitles on select performances. Shows Wednesday and Sunday at 19:00, Thursday through Saturday at 20:30. Ibsen wrote the door slam in 1879 and audiences have not stopped arguing about it since.",
      "hasNativeGreek": false,
      "startDate": "2026-04-16",
      "endDate": null,
      "type": "theater",
      "genres": [],
      "tags": [
        "Drama",
        "Historic",
        "Theater-regulars",
        "Mixed-ages",
        "Seated",
        "Metro-accessible",
        "Subtitled"
      ],
      "venue": {
        "name": "Εθνικό Θέατρο",
        "address": "Agiou Konstantinou 22-24, Athens 104 37",
        "neighborhood": "Omonia",
        "coordinates": {
          "lat": 37.9848,
          "lon": 23.7252
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 5,
        "currency": "EUR",
        "range": "€5 - €22"
      },
      "url": "https://www.athinorama.gr/theatre/performance/kouklitsa-10089806/",
      "ticketUrl": "https://www.athinorama.gr/theatre/performance/kouklitsa-10089806/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-10 18:08:12",
      "updatedAt": "2026-04-15 13:43:15",
      "language": "en",
      "timeDoors": "20:30",
      "timeSource": "scraped_listing",
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    {
      "@context": "https://schema.org",
      "@type": "TheaterEvent",
      "id": "3052b2284de74873",
      "title": "Ο κήπος των επίγειων απολαύσεων",
      "description": "Εως 2026-04-21",
      "fullDescription": "Hieronymus Bosch painted The Garden of Earthly Delights in the early sixteenth century — a triptych where bodies twist between paradise and punishment. Spyros Kouvaras translates it into movement. O kipos ton epigeion apolauseon is a contemporary dance work by Synthesis 748 Dance Co. at Dimotiko Theatro Pirea, running 16–21 April 2026.\n\nKouvaras trained at the National Dance Centre of France and founded Synthesis 748 in Paris. The piece explores pleasure, desire, and intimacy through what the company calls kinetic gardens — bodies forming and dissolving boundaries between sacred and profane, nature and technology. The work runs fifty minutes and contains nudity.\n\nIf you want narrative dance with clear storylines, Bosch did not paint those. If you want bodies interpreting one of art history's most unsettling triptychs, this is the format.\n\nDimotiko Theatro Pirea is at Iroon Polytechniou in Piraeus, accessible by metro. Tickets €12–15. Shows at 20:30, Sunday at 19:00. Six performances only — a sixteenth-century garden made from living bodies inside an 1895 neoclassical theater.",
      "fullDescriptionEn": "Hieronymus Bosch painted The Garden of Earthly Delights in the early sixteenth century — a triptych where bodies twist between paradise and punishment. Spyros Kouvaras translates it into movement. O kipos ton epigeion apolauseon is a contemporary dance work by Synthesis 748 Dance Co. at Dimotiko Theatro Pirea, running 16–21 April 2026.\n\nKouvaras trained at the National Dance Centre of France and founded Synthesis 748 in Paris. The piece explores pleasure, desire, and intimacy through what the company calls kinetic gardens — bodies forming and dissolving boundaries between sacred and profane, nature and technology. The work runs fifty minutes and contains nudity.\n\nIf you want narrative dance with clear storylines, Bosch did not paint those. If you want bodies interpreting one of art history's most unsettling triptychs, this is the format.\n\nDimotiko Theatro Pirea is at Iroon Polytechniou in Piraeus, accessible by metro. Tickets €12–15. Shows at 20:30, Sunday at 19:00. Six performances only — a sixteenth-century garden made from living bodies inside an 1895 neoclassical theater.",
      "fullDescriptionGr": "Hieronymus Bosch painted The Garden of Earthly Delights in the early sixteenth century — a triptych where bodies twist between paradise and punishment. Spyros Kouvaras translates it into movement. O kipos ton epigeion apolauseon is a contemporary dance work by Synthesis 748 Dance Co. at Dimotiko Theatro Pirea, running 16–21 April 2026.\n\nKouvaras trained at the National Dance Centre of France and founded Synthesis 748 in Paris. The piece explores pleasure, desire, and intimacy through what the company calls kinetic gardens — bodies forming and dissolving boundaries between sacred and profane, nature and technology. The work runs fifty minutes and contains nudity.\n\nIf you want narrative dance with clear storylines, Bosch did not paint those. If you want bodies interpreting one of art history's most unsettling triptychs, this is the format.\n\nDimotiko Theatro Pirea is at Iroon Polytechniou in Piraeus, accessible by metro. Tickets €12–15. Shows at 20:30, Sunday at 19:00. Six performances only — a sixteenth-century garden made from living bodies inside an 1895 neoclassical theater.",
      "hasNativeGreek": false,
      "startDate": "2026-04-16T20:30:00",
      "endDate": null,
      "type": "theater",
      "genres": [],
      "tags": [
        "Contemporary-Dance",
        "Physical-Theater",
        "Historic",
        "Art-crowd",
        "Seated",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Δημοτικό Θέατρο Πειραιά",
        "address": "Iroon Polytechniou 32, Piraeus 185 35",
        "neighborhood": "Piraeus",
        "coordinates": {
          "lat": 37.9429,
          "lon": 23.647
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 15,
        "currency": "EUR",
        "range": "€15"
      },
      "url": "https://www.athinorama.gr/theatre/performance/o_kipos_ton_epigeion_apolauseon-10089817/",
      "ticketUrl": "https://www.athinorama.gr/theatre/performance/o_kipos_ton_epigeion_apolauseon-10089817/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-08 17:29:31",
      "updatedAt": "2026-04-15 13:43:15",
      "language": "en",
      "timeDoors": "20:30",
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    {
      "@context": "https://schema.org",
      "@type": "TheaterEvent",
      "id": "a60f1e8cfbceec63",
      "title": "Τα κύματα",
      "description": "Εως 2026-05-10",
      "fullDescription": "Six voices trace one lifetime from youth through death. Ta kymata, a theater adaptation of Virginia Woolf's The Waves, runs at Theatro Nous in Kypseli from 16 April to 10 May 2026, curtain at 21:00. Director En. Fezollari, who also performs, leads a cast of six through Woolf's plotless interior monologues — friendships, love, hatred, and the moments where a life bends and does not bend back.\n\nWoolf wrote The Waves without conventional narrative — six voices cycling through the same lifetime in overlapping rhythms. The stage adaptation, with design by G. Lyntzeris and an original score by The Kundera Project, translates stream-of-consciousness into physical presence for ninety minutes.\n\nIf you want straightforward storytelling with a clear arc, Woolf does not work that way. But if you want language that moves like tidal pull and a cast working without the safety net of plot, this production commits to the source.\n\nTheatro Nous is at Troias 34, Kypseli. Tickets EUR 12-16. The novel was published in 1931. Its questions have not aged.",
      "fullDescriptionEn": "Six voices trace one lifetime from youth through death. Ta kymata, a theater adaptation of Virginia Woolf's The Waves, runs at Theatro Nous in Kypseli from 16 April to 10 May 2026, curtain at 21:00. Director En. Fezollari, who also performs, leads a cast of six through Woolf's plotless interior monologues — friendships, love, hatred, and the moments where a life bends and does not bend back.\n\nWoolf wrote The Waves without conventional narrative — six voices cycling through the same lifetime in overlapping rhythms. The stage adaptation, with design by G. Lyntzeris and an original score by The Kundera Project, translates stream-of-consciousness into physical presence for ninety minutes.\n\nIf you want straightforward storytelling with a clear arc, Woolf does not work that way. But if you want language that moves like tidal pull and a cast working without the safety net of plot, this production commits to the source.\n\nTheatro Nous is at Troias 34, Kypseli. Tickets EUR 12-16. The novel was published in 1931. Its questions have not aged.",
      "fullDescriptionGr": "Six voices trace one lifetime from youth through death. Ta kymata, a theater adaptation of Virginia Woolf's The Waves, runs at Theatro Nous in Kypseli from 16 April to 10 May 2026, curtain at 21:00. Director En. Fezollari, who also performs, leads a cast of six through Woolf's plotless interior monologues — friendships, love, hatred, and the moments where a life bends and does not bend back.\n\nWoolf wrote The Waves without conventional narrative — six voices cycling through the same lifetime in overlapping rhythms. The stage adaptation, with design by G. Lyntzeris and an original score by The Kundera Project, translates stream-of-consciousness into physical presence for ninety minutes.\n\nIf you want straightforward storytelling with a clear arc, Woolf does not work that way. But if you want language that moves like tidal pull and a cast working without the safety net of plot, this production commits to the source.\n\nTheatro Nous is at Troias 34, Kypseli. Tickets EUR 12-16. The novel was published in 1931. Its questions have not aged.",
      "hasNativeGreek": false,
      "startDate": "2026-04-16T21:00:00",
      "endDate": null,
      "type": "theater",
      "genres": [],
      "tags": [
        "Theater",
        "Drama",
        "Literary-adaptation",
        "Contemporary",
        "Intimate",
        "Kypseli",
        "Seated",
        "20s-40s"
      ],
      "venue": {
        "name": "Θέατρο Nous",
        "address": "Trias 34, Athens 112 55",
        "neighborhood": "Kypseli",
        "coordinates": {
          "lat": 37.9965,
          "lon": 23.732
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 16,
        "currency": "EUR",
        "range": "€16"
      },
      "url": "https://www.athinorama.gr/theatre/performance/ta_kumata-10089762/",
      "ticketUrl": "https://www.athinorama.gr/theatre/performance/ta_kumata-10089762/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-08 10:46:13",
      "updatedAt": "2026-04-15 13:44:12",
      "language": "en",
      "timeDoors": "21:00",
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    {
      "@context": "https://schema.org",
      "@type": "TheaterEvent",
      "id": "855d33d7e193b3e4",
      "title": "Μόλις κοιμηθεί το κύμα",
      "description": "",
      "fullDescription": "In January 1801, Ali Pasha ordered seventeen women sewn into sacks and drowned in the lake at Ioannina. Euphrosyne — Kyra-Frosyne — was among them. Molis Koimithi to Kyma is a monologue at Theatro Fournos in Exarchia where one performer, P. Giannioti, becomes Euphrosyne and speaks the life she did not get to finish — her dreams, her memory, her unlived years. Four singers from the vocal group Polyphoniko Kafeneio accompany her with Epirote polyphonic songs, the tradition of the region where the drowning happened.\n\nIf you want spectacle and a large cast, this is a single voice in a sixty-minute room. But if you want regional history delivered through the body of one performer with polyphonic singing that predates the story it carries, Fournos is the right scale.\n\nTheatro Fournos is at Mavromichali 168 in Exarchia. Curtain at 21:00. Tickets €15–€17. Sixty minutes, no interval.\n\nA voice, four singers, and two hundred years of silence between them.",
      "fullDescriptionEn": "In January 1801, Ali Pasha ordered seventeen women sewn into sacks and drowned in the lake at Ioannina. Euphrosyne — Kyra-Frosyne — was among them. Molis Koimithi to Kyma is a monologue at Theatro Fournos in Exarchia where one performer, P. Giannioti, becomes Euphrosyne and speaks the life she did not get to finish — her dreams, her memory, her unlived years. Four singers from the vocal group Polyphoniko Kafeneio accompany her with Epirote polyphonic songs, the tradition of the region where the drowning happened.\n\nIf you want spectacle and a large cast, this is a single voice in a sixty-minute room. But if you want regional history delivered through the body of one performer with polyphonic singing that predates the story it carries, Fournos is the right scale.\n\nTheatro Fournos is at Mavromichali 168 in Exarchia. Curtain at 21:00. Tickets €15–€17. Sixty minutes, no interval.\n\nA voice, four singers, and two hundred years of silence between them.",
      "fullDescriptionGr": "In January 1801, Ali Pasha ordered seventeen women sewn into sacks and drowned in the lake at Ioannina. Euphrosyne — Kyra-Frosyne — was among them. Molis Koimithi to Kyma is a monologue at Theatro Fournos in Exarchia where one performer, P. Giannioti, becomes Euphrosyne and speaks the life she did not get to finish — her dreams, her memory, her unlived years. Four singers from the vocal group Polyphoniko Kafeneio accompany her with Epirote polyphonic songs, the tradition of the region where the drowning happened.\n\nIf you want spectacle and a large cast, this is a single voice in a sixty-minute room. But if you want regional history delivered through the body of one performer with polyphonic singing that predates the story it carries, Fournos is the right scale.\n\nTheatro Fournos is at Mavromichali 168 in Exarchia. Curtain at 21:00. Tickets €15–€17. Sixty minutes, no interval.\n\nA voice, four singers, and two hundred years of silence between them.",
      "hasNativeGreek": false,
      "startDate": "2026-04-16T21:00:00",
      "endDate": null,
      "type": "theater",
      "genres": [],
      "tags": [
        "Theater",
        "Monologue",
        "Polyphonic",
        "Epirote-tradition",
        "Historical",
        "Intimate",
        "Exarchia",
        "Metro-accessible",
        "Seated",
        "Solo-friendly"
      ],
      "venue": {
        "name": "Θέατρο Φούρνος",
        "address": "Mavromichali 168, Athens 114 72",
        "neighborhood": "Kypseli / Patission",
        "coordinates": {
          "lat": 37.9965,
          "lon": 23.7395
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 17,
        "currency": "EUR",
        "range": "€17"
      },
      "url": "https://www.athinorama.gr/theatre/performance/molis_koimithei_to_kuma-10089822/",
      "ticketUrl": "https://www.athinorama.gr/theatre/performance/molis_koimithei_to_kuma-10089822/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-08 17:29:31",
      "updatedAt": "2026-04-15 16:15:11",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
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      "locationStatus": "verified_athens"
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  "meta": {
    "total": 6,
    "lastUpdate": "2026-04-15T16:28:50.922Z",
    "url": "https://agentathens.com/theater-tomorrow"
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