{ "hub": { "slug": "this-month", "titleEl": "Εκδηλώσεις Αυτόν τον Μήνα στην Αθήνα", "titleEn": "Events This Month in Athens", "answerCapsule": "Δείτε όλες τις εκδηλώσεις που γίνονται αυτόν τον μήνα στην Αθήνα — συναυλίες, εκθέσεις, θέατρο, φεστιβάλ, σινεμά και πολιτιστικές δράσεις. Σχεδιάστε τον μήνα σας με πλήρες πρόγραμμα εκδηλώσεων.", "faqCount": 8 }, "events": [ { "@context": "https://schema.org", "@type": "ExhibitionEvent", "id": "580fe29c88b0d8f1", "title": "Συλλογή ΜΙΕΤ: Ελληνική τέχνη του 20ού αιώνα", "description": "More than 100 works from the collection of the Cultural Foundation of the National Bank of Greece (MIET), covering most of the Greek twentieth century. Printmaking holds a prominent place, along with sculpture.", "fullDescription": "You walk through the converted warehouse on Pireos Street and the scale of what MIET has collected becomes apparent. Room after room of Greek art spanning a century — canvases that trace the country's visual evolution from traditionalism through modernism and into contemporary expression. The walls hold more than paintings; they hold arguments about what Greek art should be.\n\nThe Benaki Museum at Pireos houses MIET's permanent collection of 20th-century Greek art — an assembly that functions as both education and provocation. You'll find works by artists whose names anchor any serious conversation about Greek modernism, alongside pieces by figures who remain underappreciated beyond specialist circles. The chronological arrangement creates its own narrative, each room representing a different moment in the country's cultural self-definition.\n\nThe visitors here move differently than typical museum crowds. These are people who pause at specific works, who return to earlier rooms after seeing what came later, who understand that collections tell stories through juxtaposition. Art students with notebooks share space with older visitors who remember when some of these works first appeared. The quiet is purposeful, the attention genuine.\n\nThe Pireos branch of the Benaki provides the industrial shell this collection needs. High ceilings accommodate larger works without overwhelming them. Natural light from the converted warehouse spaces changes throughout the day, offering different perspectives on the same pieces. The building's former life as a working space adds layers to experiencing art made during periods when Greece was itself being rebuilt.\n\nIf you want international celebrity names and blockbuster exhibitions, this collection will seem local and unfamiliar. The focus here is specifically Greek — the questions these artists asked about identity, tradition, and modernity emerged from a particular history. But if you're ready to understand what 20th-century Greek artists were wrestling with, how they positioned themselves between East and West, tradition and rupture — this collection rewards the investment.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, February 25, 2026 |\n| **Hours** | 10:00-18:00 |\n| **Venue** | Benaki Museum Pireos, Pireos 138 |\n| **Getting there** | Kerameikos Metro, 10 min walk |\n| **Admission** | Standard museum entry |\n\nA century of Greek art arguing with itself about what Greek art should become.", "fullDescriptionEn": "You walk through the converted warehouse on Pireos Street and the scale of what MIET has collected becomes apparent. Room after room of Greek art spanning a century — canvases that trace the country's visual evolution from traditionalism through modernism and into contemporary expression. The walls hold more than paintings; they hold arguments about what Greek art should be.\n\nThe Benaki Museum at Pireos houses MIET's permanent collection of 20th-century Greek art — an assembly that functions as both education and provocation. You'll find works by artists whose names anchor any serious conversation about Greek modernism, alongside pieces by figures who remain underappreciated beyond specialist circles. The chronological arrangement creates its own narrative, each room representing a different moment in the country's cultural self-definition.\n\nThe visitors here move differently than typical museum crowds. These are people who pause at specific works, who return to earlier rooms after seeing what came later, who understand that collections tell stories through juxtaposition. Art students with notebooks share space with older visitors who remember when some of these works first appeared. The quiet is purposeful, the attention genuine.\n\nThe Pireos branch of the Benaki provides the industrial shell this collection needs. High ceilings accommodate larger works without overwhelming them. Natural light from the converted warehouse spaces changes throughout the day, offering different perspectives on the same pieces. The building's former life as a working space adds layers to experiencing art made during periods when Greece was itself being rebuilt.\n\nIf you want international celebrity names and blockbuster exhibitions, this collection will seem local and unfamiliar. The focus here is specifically Greek — the questions these artists asked about identity, tradition, and modernity emerged from a particular history. But if you're ready to understand what 20th-century Greek artists were wrestling with, how they positioned themselves between East and West, tradition and rupture — this collection rewards the investment.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, February 25, 2026 |\n| **Hours** | 10:00-18:00 |\n| **Venue** | Benaki Museum Pireos, Pireos 138 |\n| **Getting there** | Kerameikos Metro, 10 min walk |\n| **Admission** | Standard museum entry |\n\nA century of Greek art arguing with itself about what Greek art should become.", "fullDescriptionGr": "You walk through the converted warehouse on Pireos Street and the scale of what MIET has collected becomes apparent. Room after room of Greek art spanning a century — canvases that trace the country's visual evolution from traditionalism through modernism and into contemporary expression. The walls hold more than paintings; they hold arguments about what Greek art should be.\n\nThe Benaki Museum at Pireos houses MIET's permanent collection of 20th-century Greek art — an assembly that functions as both education and provocation. You'll find works by artists whose names anchor any serious conversation about Greek modernism, alongside pieces by figures who remain underappreciated beyond specialist circles. The chronological arrangement creates its own narrative, each room representing a different moment in the country's cultural self-definition.\n\nThe visitors here move differently than typical museum crowds. These are people who pause at specific works, who return to earlier rooms after seeing what came later, who understand that collections tell stories through juxtaposition. Art students with notebooks share space with older visitors who remember when some of these works first appeared. The quiet is purposeful, the attention genuine.\n\nThe Pireos branch of the Benaki provides the industrial shell this collection needs. High ceilings accommodate larger works without overwhelming them. Natural light from the converted warehouse spaces changes throughout the day, offering different perspectives on the same pieces. The building's former life as a working space adds layers to experiencing art made during periods when Greece was itself being rebuilt.\n\nIf you want international celebrity names and blockbuster exhibitions, this collection will seem local and unfamiliar. The focus here is specifically Greek — the questions these artists asked about identity, tradition, and modernity emerged from a particular history. But if you're ready to understand what 20th-century Greek artists were wrestling with, how they positioned themselves between East and West, tradition and rupture — this collection rewards the investment.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, February 25, 2026 |\n| **Hours** | 10:00-18:00 |\n| **Venue** | Benaki Museum Pireos, Pireos 138 |\n| **Getting there** | Kerameikos Metro, 10 min walk |\n| **Admission** | Standard museum entry |\n\nA century of Greek art arguing with itself about what Greek art should become.", "hasNativeGreek": false, "startDate": "2026-02-25", "endDate": "2026-04-26", "type": "exhibition", "genres": [ "visual-arts", "Art", "History", "Culture" ], "tags": [], "venue": { "name": "Μουσείο Μπενάκη - Πειραιώς 138", "address": "Πειραιώς 138, Αθήνα", "neighborhood": "Γκάζι", "coordinates": { "lat": 37.974474, "lon": 23.708603 }, "capacity": null }, "price": { "type": "with-ticket", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.benaki.org", "ticketUrl": "https://www.benaki.org", "source": "benaki", "createdAt": "2026-01-30T15:08:45.203Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "10:00", "imageSource": "not_found", "openingHours": { "mon": "closed", "tue": "closed", "wed": "10:00-18:00", "thu": "10:00-22:00", "fri": "10:00-18:00", "sat": "10:00-18:00", "sun": "10:00-16:00" }, "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "ExhibitionEvent", "id": "1b7ed35a3b33c973", "title": "Yorgos Lanthimos: Photographs", "description": "Photographs from the past five years by acclaimed filmmaker Yorgos Lanthimos, including work made around film productions and soundstage environments, alongside a distinct series created in Athens and the Aegean.", "fullDescription": "You walk into a structure built to resemble a Greek temple, and the photographs on the walls do not explain themselves. A figure on a film set in New Orleans holds a pose that could be direction or exhaustion. A cracked wall on an Aegean island offers no context beyond its own texture. The frames are hung at a height that forces you to stand close, and the room is quiet enough to hear the person next to you breathing.\n\nYorgos Lanthimos: Photographs is the first exhibition in Greece dedicated to the photographic work of the Oscar-nominated director of Poor Things, The Favourite, and The Lobster. Curated by Michael Mack, the exhibition brings together 182 photographs from four bodies of work spanning five years. Three series document life on and around film sets in New Orleans, Atlanta, and Budapest — material shot during the production of Poor Things, Kinds of Kindness, and Bugonia. The fourth, previously unseen, was shot during solitary walks in Athens and on Aegean islands: quieter images focused on the everyday and the seemingly insignificant. The exhibition coincides with Lanthimos's photo book viscin (2026). The architectural design, shaped like a classical Greek temple, places 110 new works in a central altar-like space, with the three film-connected series around the outer perimeter.\n\nThe crowd divides into two camps: cinephiles who know Lanthimos's filmography frame by frame and want to see how his eye operates in still photography, and the contemporary art audience that follows Onassis Stegi's programming. You will recognize the film people by how long they linger at the set photographs, trying to identify which scene was being shot. The art crowd moves differently — reading composition, not looking for Easter eggs.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Onassis Stegi, Syngrou Avenue — 18,000 sq m cultural center, exhibition spaces across multiple floors |\n| **Vibe** | Contemplative, cinematic, architecturally deliberate — the exhibition design shapes the viewing experience |\n| **Format** | Photography exhibition, 182 works across four series, temple-shaped installation |\n| **Access** | Ticketed, timed entry |\n\nThe exhibition asks you to reconcile two versions of the same artist. The film-set photographs carry the controlled chaos of production — extras in costume, equipment at the edges of the frame, the tension between the constructed world and the world around it. The Greek series strips all of that away: no actors, no sets, no narrative apparatus. What remains is Lanthimos alone with a camera, finding images on the same unsettling register as his films but without any of the machinery. The juxtaposition is the argument — the director's eye does not depend on the director's apparatus.\n\nIf you are coming for behind-the-scenes film content or wall text that decodes each image, this operates more like a gallery show than a film retrospective — the photographs stand without context. But if you want to see how one of contemporary cinema's most distinctive visual minds translates to still images, inside a purpose-built architectural installation, this is the exhibition.\n\nOnassis Stegi is on Syngrou Avenue. The nearest metro is Syngrou Fix, a thirteen-minute walk south along Syngrou. The exhibition runs from March 7 through May 17, 2026. Hours are Thursday through Saturday 18:00 to 23:30, and Sunday 13:00 to 20:00. Tickets are €10 regular, €8 reduced, €5 for disabled visitors — available through the Onassis Stegi website.\n\nOne hundred eighty-two photographs, two months, and then the temple comes down. Lanthimos makes films that leave the room with you — these photographs operate on the same terms.", "fullDescriptionEn": "You walk into a structure built to resemble a Greek temple, and the photographs on the walls do not explain themselves. A figure on a film set in New Orleans holds a pose that could be direction or exhaustion. A cracked wall on an Aegean island offers no context beyond its own texture. The frames are hung at a height that forces you to stand close, and the room is quiet enough to hear the person next to you breathing.\n\nYorgos Lanthimos: Photographs is the first exhibition in Greece dedicated to the photographic work of the Oscar-nominated director of Poor Things, The Favourite, and The Lobster. Curated by Michael Mack, the exhibition brings together 182 photographs from four bodies of work spanning five years. Three series document life on and around film sets in New Orleans, Atlanta, and Budapest — material shot during the production of Poor Things, Kinds of Kindness, and Bugonia. The fourth, previously unseen, was shot during solitary walks in Athens and on Aegean islands: quieter images focused on the everyday and the seemingly insignificant. The exhibition coincides with Lanthimos's photo book viscin (2026). The architectural design, shaped like a classical Greek temple, places 110 new works in a central altar-like space, with the three film-connected series around the outer perimeter.\n\nThe crowd divides into two camps: cinephiles who know Lanthimos's filmography frame by frame and want to see how his eye operates in still photography, and the contemporary art audience that follows Onassis Stegi's programming. You will recognize the film people by how long they linger at the set photographs, trying to identify which scene was being shot. The art crowd moves differently — reading composition, not looking for Easter eggs.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Onassis Stegi, Syngrou Avenue — 18,000 sq m cultural center, exhibition spaces across multiple floors |\n| **Vibe** | Contemplative, cinematic, architecturally deliberate — the exhibition design shapes the viewing experience |\n| **Format** | Photography exhibition, 182 works across four series, temple-shaped installation |\n| **Access** | Ticketed, timed entry |\n\nThe exhibition asks you to reconcile two versions of the same artist. The film-set photographs carry the controlled chaos of production — extras in costume, equipment at the edges of the frame, the tension between the constructed world and the world around it. The Greek series strips all of that away: no actors, no sets, no narrative apparatus. What remains is Lanthimos alone with a camera, finding images on the same unsettling register as his films but without any of the machinery. The juxtaposition is the argument — the director's eye does not depend on the director's apparatus.\n\nIf you are coming for behind-the-scenes film content or wall text that decodes each image, this operates more like a gallery show than a film retrospective — the photographs stand without context. But if you want to see how one of contemporary cinema's most distinctive visual minds translates to still images, inside a purpose-built architectural installation, this is the exhibition.\n\nOnassis Stegi is on Syngrou Avenue. The nearest metro is Syngrou Fix, a thirteen-minute walk south along Syngrou. The exhibition runs from March 7 through May 17, 2026. Hours are Thursday through Saturday 18:00 to 23:30, and Sunday 13:00 to 20:00. Tickets are €10 regular, €8 reduced, €5 for disabled visitors — available through the Onassis Stegi website.\n\nOne hundred eighty-two photographs, two months, and then the temple comes down. Lanthimos makes films that leave the room with you — these photographs operate on the same terms.", "fullDescriptionGr": "You walk into a structure built to resemble a Greek temple, and the photographs on the walls do not explain themselves. A figure on a film set in New Orleans holds a pose that could be direction or exhaustion. A cracked wall on an Aegean island offers no context beyond its own texture. The frames are hung at a height that forces you to stand close, and the room is quiet enough to hear the person next to you breathing.\n\nYorgos Lanthimos: Photographs is the first exhibition in Greece dedicated to the photographic work of the Oscar-nominated director of Poor Things, The Favourite, and The Lobster. Curated by Michael Mack, the exhibition brings together 182 photographs from four bodies of work spanning five years. Three series document life on and around film sets in New Orleans, Atlanta, and Budapest — material shot during the production of Poor Things, Kinds of Kindness, and Bugonia. The fourth, previously unseen, was shot during solitary walks in Athens and on Aegean islands: quieter images focused on the everyday and the seemingly insignificant. The exhibition coincides with Lanthimos's photo book viscin (2026). The architectural design, shaped like a classical Greek temple, places 110 new works in a central altar-like space, with the three film-connected series around the outer perimeter.\n\nThe crowd divides into two camps: cinephiles who know Lanthimos's filmography frame by frame and want to see how his eye operates in still photography, and the contemporary art audience that follows Onassis Stegi's programming. You will recognize the film people by how long they linger at the set photographs, trying to identify which scene was being shot. The art crowd moves differently — reading composition, not looking for Easter eggs.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Onassis Stegi, Syngrou Avenue — 18,000 sq m cultural center, exhibition spaces across multiple floors |\n| **Vibe** | Contemplative, cinematic, architecturally deliberate — the exhibition design shapes the viewing experience |\n| **Format** | Photography exhibition, 182 works across four series, temple-shaped installation |\n| **Access** | Ticketed, timed entry |\n\nThe exhibition asks you to reconcile two versions of the same artist. The film-set photographs carry the controlled chaos of production — extras in costume, equipment at the edges of the frame, the tension between the constructed world and the world around it. The Greek series strips all of that away: no actors, no sets, no narrative apparatus. What remains is Lanthimos alone with a camera, finding images on the same unsettling register as his films but without any of the machinery. The juxtaposition is the argument — the director's eye does not depend on the director's apparatus.\n\nIf you are coming for behind-the-scenes film content or wall text that decodes each image, this operates more like a gallery show than a film retrospective — the photographs stand without context. But if you want to see how one of contemporary cinema's most distinctive visual minds translates to still images, inside a purpose-built architectural installation, this is the exhibition.\n\nOnassis Stegi is on Syngrou Avenue. The nearest metro is Syngrou Fix, a thirteen-minute walk south along Syngrou. The exhibition runs from March 7 through May 17, 2026. Hours are Thursday through Saturday 18:00 to 23:30, and Sunday 13:00 to 20:00. Tickets are €10 regular, €8 reduced, €5 for disabled visitors — available through the Onassis Stegi website.\n\nOne hundred eighty-two photographs, two months, and then the temple comes down. Lanthimos makes films that leave the room with you — these photographs operate on the same terms.", "hasNativeGreek": false, "startDate": "2026-03-07T11:00:00", "endDate": "2026-05-17", "type": "exhibition", "genres": [ "Art", "Contemporary", "visual-arts" ], "tags": [ "Exhibition", "Photography", "Contemporary-Art", "Metro-accessible", "Card-accepted", "Neos-Kosmos", "Mixed-ages", "Mixed-international", "Solo-friendly", "Date-night", "Site-specific", "Daytime-event", "Reservation-required", "Gallery", "Intimate", "Seated", "Gallery-walk", "Art-crowd" ], "venue": { "name": "Onassis Stegi", "address": "Leof. Andrea Siggrou 107-109, Athens 117 45", "neighborhood": "Neos Kosmos", "coordinates": { "lat": 37.954, "lon": 23.7404 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 15, "currency": "EUR", "range": "€10-35" }, "url": "https://www.onassis.org/onassis-stegi", "ticketUrl": "https://www.onassis.org/onassis-stegi", "source": "onassis", "createdAt": "2026-02-21 17:29:16", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "11:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "16a7a4eddb2ec675", "title": "Disco Cinema", "description": "", "hasNativeGreek": false, "startDate": "2026-04-15T19:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "Burger Disco Club", "address": "Nikis 11, Downtown 105 57, Greece", "neighborhood": "Syntagma", "coordinates": { "lat": 37.9749, "lon": 23.7332 }, "capacity": null }, "price": { "type": "paid", "amount": 5, "currency": "EUR", "range": "€5" }, "url": "https://ra.co/events/2417042", "ticketUrl": "https://ra.co/events/2417042", "source": "residentadvisor", "createdAt": "2026-04-14 14:12:29", "updatedAt": "2026-04-15 12:57:15", "language": "en", "timeDoors": "19:00", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/5eb5c70e4c12eeaafa1e79771e9b5a35d4154002.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/16a7a4eddb2ec675.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "SportsEvent", "id": "36e2360d8acf29f5", "title": "AEK BC - Asisa Joventut", "description": "", "fullDescription": "AEK BC versus Asisa Joventut is the deciding Game 3 of the Basketball Champions League quarter-finals at Sunel Arena in Ano Liosia, Athens, on 15 April 2026. Nine thousand seats in an Olympic-era arena, and the math is simple: whoever wins advances.\n\nThe series stands at one win apiece — AEK clawed back from thirteen points down to take Game 1 at home, Joventut answered with a twenty-two-point blowout in Badalona. AEK's home crowd has turned decisive games before — the noise in this building works as a sixth player. Expect yellow and black throughout the stands and a baseline of sound from tip-off to final buzzer.\n\nIf you want a quiet evening watching basketball from a distance, the atmosphere here actively prevents that. If you want to feel an elimination game in your chest, this is the room.\n\nSunel Arena is in Ano Liosia, west of central Athens — plan for a taxi or drive. Tip-off at 19:30. Tickets through more.com. Best-of-three. There is no Game 4.", "fullDescriptionEn": "AEK BC versus Asisa Joventut is the deciding Game 3 of the Basketball Champions League quarter-finals at Sunel Arena in Ano Liosia, Athens, on 15 April 2026. Nine thousand seats in an Olympic-era arena, and the math is simple: whoever wins advances.\n\nThe series stands at one win apiece — AEK clawed back from thirteen points down to take Game 1 at home, Joventut answered with a twenty-two-point blowout in Badalona. AEK's home crowd has turned decisive games before — the noise in this building works as a sixth player. Expect yellow and black throughout the stands and a baseline of sound from tip-off to final buzzer.\n\nIf you want a quiet evening watching basketball from a distance, the atmosphere here actively prevents that. If you want to feel an elimination game in your chest, this is the room.\n\nSunel Arena is in Ano Liosia, west of central Athens — plan for a taxi or drive. Tip-off at 19:30. Tickets through more.com. Best-of-three. There is no Game 4.", "fullDescriptionGr": "AEK BC versus Asisa Joventut is the deciding Game 3 of the Basketball Champions League quarter-finals at Sunel Arena in Ano Liosia, Athens, on 15 April 2026. Nine thousand seats in an Olympic-era arena, and the math is simple: whoever wins advances.\n\nThe series stands at one win apiece — AEK clawed back from thirteen points down to take Game 1 at home, Joventut answered with a twenty-two-point blowout in Badalona. AEK's home crowd has turned decisive games before — the noise in this building works as a sixth player. Expect yellow and black throughout the stands and a baseline of sound from tip-off to final buzzer.\n\nIf you want a quiet evening watching basketball from a distance, the atmosphere here actively prevents that. If you want to feel an elimination game in your chest, this is the room.\n\nSunel Arena is in Ano Liosia, west of central Athens — plan for a taxi or drive. Tip-off at 19:30. Tickets through more.com. Best-of-three. There is no Game 4.", "hasNativeGreek": false, "startDate": "2026-04-15T19:30:00", "endDate": null, "type": "sports", "genres": [], "tags": [ "Mainstream", "Mixed-ages", "Greek-locals", "Groups", "Seated", "Early-evening" ], "venue": { "name": "Sunel Arena", "address": "Konstantinoupoleos 59, Ano Liosia 133 42", "neighborhood": "Ano Liosia", "coordinates": { "lat": 38.083, "lon": 23.6866 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15" }, "url": "https://www.more.com/gr-el/tickets/sports/aek-bc-asisa-joventut-1/", "ticketUrl": "https://www.more.com/gr-el/tickets/sports/aek-bc-asisa-joventut-1/", "source": "more.com", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "19:30", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/b86c18ba-95cf-4d87-a17a-68d755c9ce91/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/36e2360d8acf29f5.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "ff2367279a5f9f4e", "title": "Η ΚΟΥΖΙΝΑ σε σκηνοθεσία Γιώργου Κουτλή", "description": "", "hasNativeGreek": false, "startDate": "2026-04-15T20:00:00", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Κιβωτός", "address": "New Ark, 18", "neighborhood": "", "coordinates": { "lat": 37.962448, "lon": 23.722371 }, "capacity": null }, "price": { "type": "paid", "amount": 20, "currency": "EUR", "range": "€20" }, "url": "https://www.more.com/gr-el/tickets/theater/i-kouzina-se-skinothesia-giorgou-koutli/", "ticketUrl": "https://www.more.com/gr-el/tickets/theater/i-kouzina-se-skinothesia-giorgou-koutli/", "source": "more.com", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "abd51d959c3d37c3", "title": "Ολύμπια, Δημοτικό Μουσικό Θέατρο «Μαρία Κάλλας»", "description": "", "hasNativeGreek": false, "startDate": "2026-04-15T21:00:00", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Θέατρο Ολύμπια", "address": "Akadimias 59, Athens 106 79", "neighborhood": "Omonia", "coordinates": { "lat": 37.9824, "lon": 23.7333 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15" }, "url": "https://www.more.com/gr-el/tickets/music/olympia-dimotiko-mousiko-theatro-maria-kallas/", "ticketUrl": "https://www.more.com/gr-el/tickets/music/olympia-dimotiko-mousiko-theatro-maria-kallas/", "source": "more.com", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/6a753ea3-9ea1-4cba-a208-ec8a49c33877/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/abd51d959c3d37c3.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "57b5e0bcd40348ac", "title": "Piece of Kate", "description": "", "hasNativeGreek": false, "startDate": "2026-04-15T21:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "B side Athens", "address": "Μπη Σάιντ, Μαυροκορδάτου", "neighborhood": "", "coordinates": { "lat": 37.983779, "lon": 23.731955 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://ra.co/events/2413431", "ticketUrl": "https://ra.co/events/2413431", "source": "residentadvisor", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/e851a8eee560aff4e60ced54bbd32df823cdb023.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/57b5e0bcd40348ac.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "6e8eef838d82fb14", "title": "Men in Exile", "description": "", "fullDescription": "Men in Exile is a concert at the Megaron Mousikis Teaching Hall in Ampelokipoi, Athens, on 16 April 2026. The trio — Panos Skouteris on clarinet, Thodoris Ziarkas on double bass, Manousos Klapakis on percussion — works between Greek traditional music and contemporary improvisation.\n\nTheir debut EP Exile I reimagines village tunes through jazz and modal frameworks. The group has toured the Netherlands, Belgium, and the Czech Republic.\n\nIf you want polished orchestral programming, this is three musicians and a hundred seats. The Teaching Hall sits inside the Megaron complex, accessible from Megaro Moussikis metro. Three instruments, one room — the scale is the point.", "fullDescriptionEn": "Men in Exile is a concert at the Megaron Mousikis Teaching Hall in Ampelokipoi, Athens, on 16 April 2026. The trio — Panos Skouteris on clarinet, Thodoris Ziarkas on double bass, Manousos Klapakis on percussion — works between Greek traditional music and contemporary improvisation.\n\nTheir debut EP Exile I reimagines village tunes through jazz and modal frameworks. The group has toured the Netherlands, Belgium, and the Czech Republic.\n\nIf you want polished orchestral programming, this is three musicians and a hundred seats. The Teaching Hall sits inside the Megaron complex, accessible from Megaro Moussikis metro. Three instruments, one room — the scale is the point.", "fullDescriptionGr": "Men in Exile is a concert at the Megaron Mousikis Teaching Hall in Ampelokipoi, Athens, on 16 April 2026. The trio — Panos Skouteris on clarinet, Thodoris Ziarkas on double bass, Manousos Klapakis on percussion — works between Greek traditional music and contemporary improvisation.\n\nTheir debut EP Exile I reimagines village tunes through jazz and modal frameworks. The group has toured the Netherlands, Belgium, and the Czech Republic.\n\nIf you want polished orchestral programming, this is three musicians and a hundred seats. The Teaching Hall sits inside the Megaron complex, accessible from Megaro Moussikis metro. Three instruments, one room — the scale is the point.", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "concert", "genres": [], "tags": [ "Greek-Traditional", "Experimental", "Jazz", "Ampelokipoi", "Intimate", "Listening-room", "Seated", "Concert-format", "Metro-accessible" ], "venue": { "name": "Αίθουσα Διδασκαλίας Μεγάρου Μουσικής", "address": "Megaro Mousikis, Athina 115 21", "neighborhood": "", "coordinates": { "lat": 37.981015, "lon": 23.754098 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/men_in_exile-10087959/", "ticketUrl": "https://www.athinorama.gr/music/gig/men_in_exile-10087959/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:12:34", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "ad3ab507bca6b5a3", "title": "Kassetas-Riniotis Duet ft. Ntolas", "description": "", "fullDescription": "Kassetas-Riniotis Duet ft. Ntolas is a free improvisation concert at Poetry Bar in Exarcheia, Athens, on 16 April 2026.\n\nYiannis Kassetas on saxophone and Simos Riniotis on drums build compositions of the moment — no setlist, no predetermined structure. Kassetas earned a Berklee scholarship at fifteen, holds three albums on the Puzzlemusik label, and has played every major jazz festival in Greece. Riniotis uses drums and small objects to build soundscapes, with credits at the Onassis Foundation and Aarhus Jazz Festival. Guitarist Vyronas Ntolas joins as guest.\n\nPoetry Bar is at Soultani 4 — a small room where the improvisers are close enough that you watch the decisions pass between them in real time.\n", "fullDescriptionEn": "Kassetas-Riniotis Duet ft. Ntolas is a free improvisation concert at Poetry Bar in Exarcheia, Athens, on 16 April 2026.\n\nYiannis Kassetas on saxophone and Simos Riniotis on drums build compositions of the moment — no setlist, no predetermined structure. Kassetas earned a Berklee scholarship at fifteen, holds three albums on the Puzzlemusik label, and has played every major jazz festival in Greece. Riniotis uses drums and small objects to build soundscapes, with credits at the Onassis Foundation and Aarhus Jazz Festival. Guitarist Vyronas Ntolas joins as guest.\n\nPoetry Bar is at Soultani 4 — a small room where the improvisers are close enough that you watch the decisions pass between them in real time.\n", "fullDescriptionGr": "Kassetas-Riniotis Duet ft. Ntolas is a free improvisation concert at Poetry Bar in Exarcheia, Athens, on 16 April 2026.\n\nYiannis Kassetas on saxophone and Simos Riniotis on drums build compositions of the moment — no setlist, no predetermined structure. Kassetas earned a Berklee scholarship at fifteen, holds three albums on the Puzzlemusik label, and has played every major jazz festival in Greece. Riniotis uses drums and small objects to build soundscapes, with credits at the Onassis Foundation and Aarhus Jazz Festival. Guitarist Vyronas Ntolas joins as guest.\n\nPoetry Bar is at Soultani 4 — a small room where the improvisers are close enough that you watch the decisions pass between them in real time.\n", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "concert", "genres": [], "tags": [ "Free-improvisation", "Jazz", "Saxophone", "Drums", "Guitar", "Experimental", "Exarcheia", "Intimate", "Small-venue", "Solo-friendly" ], "venue": { "name": "Poetry Bar", "address": "Poetry bar, 2-4", "neighborhood": "", "coordinates": { "lat": 37.985952, "lon": 23.733488 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/kassetas_riniotis_duet_ft_ntolas-10089804/", "ticketUrl": "https://www.athinorama.gr/music/gig/kassetas_riniotis_duet_ft_ntolas-10089804/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-14 14:12:29", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "Festival", "id": "932bd97aa7bd6fca", "title": "39ο Διεθνές Φεστιβάλ Κιθάρας Αθηνών", "description": "", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "festival", "genres": [], "tags": [], "venue": { "name": "Ωδείο Αθηνών", "address": "Rigillis & Vasileos Georgiou B' 17-19, Athens 106 75", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.753 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10 - €31" }, "url": "https://www.athinorama.gr/music/gig/39o_diethnes_festibal_kitharas_athinon-10089805/", "ticketUrl": "https://www.athinorama.gr/music/gig/39o_diethnes_festibal_kitharas_athinon-10089805/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "19:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "9edfbaa6d7703bdb", "title": "Αρχιμάστορας Σόλνες", "description": "Εως 2026-05-10", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Θέατρο Τέχνης", "address": "Θέατρο Τέχνης \"Κάρολος Κουν\", 14", "neighborhood": "", "coordinates": { "lat": 37.970104, "lon": 23.73057 }, "capacity": null }, "price": { "type": "paid", "amount": 13, "currency": "EUR", "range": "€13" }, "url": "https://www.athinorama.gr/theatre/performance/arximastoras_solnes-10089829/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/arximastoras_solnes-10089829/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/f3/f3d3b2870da74be4bc10d3aba5e2d679.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/9edfbaa6d7703bdb.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "ef6b199cbe204bb5", "title": "O θάνατος ενός ηθοποιού", "description": "Εως 2026-04-30", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "ΠΛΥΦΑ", "address": "Korytsas 39, Athens 104 47", "neighborhood": "Votanikos", "coordinates": { "lat": 37.9773, "lon": 23.7013 }, "capacity": null }, "price": { "type": "paid", "amount": 14, "currency": "EUR", "range": "€14" }, "url": "https://www.athinorama.gr/theatre/performance/o_thanatos_enos_ithopoiou-10089780/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/o_thanatos_enos_ithopoiou-10089780/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/54/5451c44866574ec9bc4e3140db3fbdb4.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/ef6b199cbe204bb5.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "fd17be055069bbf3", "title": "Κουκλίτσα", "description": "", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Εθνικό Θέατρο", "address": "Agiou Konstantinou 22-24, Athens 104 37", "neighborhood": "Omonia", "coordinates": { "lat": 37.9848, "lon": 23.7252 }, "capacity": null }, "price": { "type": "paid", "amount": 5, "currency": "EUR", "range": "€5 - €22" }, "url": "https://www.athinorama.gr/theatre/performance/kouklitsa-10089806/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/kouklitsa-10089806/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/8a/8a301e177d494fbe81b144202d384540.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/fd17be055069bbf3.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "af299bbd9ab94636", "title": "Godspeed You! Black Emperor 2026", "description": "16 Απριλιου Godspeed You! Black Emperor 2026 Floyd", "fullDescription": "The drones build for what feels like years. Guitars layer on guitars, each adding density until the room becomes more sound than air. You're inside the music now, swallowed by frequencies that operate below conscious hearing. Floyd's sound system strains and delivers, the walls vibrating with intention. Godspeed You! Black Emperor is happening to you.\n\nThe Montreal collective has spent three decades creating music that refuses categorization. Post-rock doesn't quite cover it. Instrumental doesn't capture the narrative arc. Film scores without films approaches the territory but misses the politics, the anger, the hope buried in the noise. GY!BE builds compositions the way architects build cathedrals — slowly, with intention, designed to outlast the moment of their creation.\n\nFloyd venue handles the scale this music demands. The room's two thousand capacity fills with listeners who understand they're not here for songs but movements, not tracks but experiences. The band performs in near darkness, their faces often obscured, ego subsumed into collective creation. Visuals accompany but never dominate — fragments of film loops, projected words, images that reinforce rather than illustrate.\n\nThe 2026 tour brings whatever the band is exploring now to Athens. Expect pieces from across the catalog — the surging crescendos of Lift Your Skinny Fists, the slow-burning tension of F# A# Infinity, newer material that continues the evolution. But expect also the experience of transition, the way GY!BE moves between passages with patience that most bands would fear.\n\nThe crowd at Godspeed shows shares particular characteristics. These are listeners who've found their way to the edges of guitar music, who've followed the threads from rock to its most abstract expressions. Many stand with eyes closed, the visual secondary to the physical experience of sound. When the crescendos finally arrive — and they always arrive — the release is collective, cathartic.\n\nIf you need conventional song structure or music that respects running time, Godspeed will test your conditioning. Sets often exceed two hours. Patience is required and rewarded. But if you've been searching for live music that functions as ritual, for collective sonic experience that leaves you changed — Floyd holds this particular temple.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, April 16, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:30 |\n| **Venue** | Floyd Live Music Venue, Pireos 117, Gazi |\n| **Getting there** | Kerameikos Metro |\n| **Capacity** | 2,000+ |\n| **Duration** | Expect 2+ hours |\n| **Price** | Check more.com |\n\nGodspeed You! Black Emperor — where rock becomes ritual.", "fullDescriptionEn": "The drones build for what feels like years. Guitars layer on guitars, each adding density until the room becomes more sound than air. You're inside the music now, swallowed by frequencies that operate below conscious hearing. Floyd's sound system strains and delivers, the walls vibrating with intention. Godspeed You! Black Emperor is happening to you.\n\nThe Montreal collective has spent three decades creating music that refuses categorization. Post-rock doesn't quite cover it. Instrumental doesn't capture the narrative arc. Film scores without films approaches the territory but misses the politics, the anger, the hope buried in the noise. GY!BE builds compositions the way architects build cathedrals — slowly, with intention, designed to outlast the moment of their creation.\n\nFloyd venue handles the scale this music demands. The room's two thousand capacity fills with listeners who understand they're not here for songs but movements, not tracks but experiences. The band performs in near darkness, their faces often obscured, ego subsumed into collective creation. Visuals accompany but never dominate — fragments of film loops, projected words, images that reinforce rather than illustrate.\n\nThe 2026 tour brings whatever the band is exploring now to Athens. Expect pieces from across the catalog — the surging crescendos of Lift Your Skinny Fists, the slow-burning tension of F# A# Infinity, newer material that continues the evolution. But expect also the experience of transition, the way GY!BE moves between passages with patience that most bands would fear.\n\nThe crowd at Godspeed shows shares particular characteristics. These are listeners who've found their way to the edges of guitar music, who've followed the threads from rock to its most abstract expressions. Many stand with eyes closed, the visual secondary to the physical experience of sound. When the crescendos finally arrive — and they always arrive — the release is collective, cathartic.\n\nIf you need conventional song structure or music that respects running time, Godspeed will test your conditioning. Sets often exceed two hours. Patience is required and rewarded. But if you've been searching for live music that functions as ritual, for collective sonic experience that leaves you changed — Floyd holds this particular temple.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, April 16, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:30 |\n| **Venue** | Floyd Live Music Venue, Pireos 117, Gazi |\n| **Getting there** | Kerameikos Metro |\n| **Capacity** | 2,000+ |\n| **Duration** | Expect 2+ hours |\n| **Price** | Check more.com |\n\nGodspeed You! Black Emperor — where rock becomes ritual.", "fullDescriptionGr": "The drones build for what feels like years. Guitars layer on guitars, each adding density until the room becomes more sound than air. You're inside the music now, swallowed by frequencies that operate below conscious hearing. Floyd's sound system strains and delivers, the walls vibrating with intention. Godspeed You! Black Emperor is happening to you.\n\nThe Montreal collective has spent three decades creating music that refuses categorization. Post-rock doesn't quite cover it. Instrumental doesn't capture the narrative arc. Film scores without films approaches the territory but misses the politics, the anger, the hope buried in the noise. GY!BE builds compositions the way architects build cathedrals — slowly, with intention, designed to outlast the moment of their creation.\n\nFloyd venue handles the scale this music demands. The room's two thousand capacity fills with listeners who understand they're not here for songs but movements, not tracks but experiences. The band performs in near darkness, their faces often obscured, ego subsumed into collective creation. Visuals accompany but never dominate — fragments of film loops, projected words, images that reinforce rather than illustrate.\n\nThe 2026 tour brings whatever the band is exploring now to Athens. Expect pieces from across the catalog — the surging crescendos of Lift Your Skinny Fists, the slow-burning tension of F# A# Infinity, newer material that continues the evolution. But expect also the experience of transition, the way GY!BE moves between passages with patience that most bands would fear.\n\nThe crowd at Godspeed shows shares particular characteristics. These are listeners who've found their way to the edges of guitar music, who've followed the threads from rock to its most abstract expressions. Many stand with eyes closed, the visual secondary to the physical experience of sound. When the crescendos finally arrive — and they always arrive — the release is collective, cathartic.\n\nIf you need conventional song structure or music that respects running time, Godspeed will test your conditioning. Sets often exceed two hours. Patience is required and rewarded. But if you've been searching for live music that functions as ritual, for collective sonic experience that leaves you changed — Floyd holds this particular temple.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, April 16, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:30 |\n| **Venue** | Floyd Live Music Venue, Pireos 117, Gazi |\n| **Getting there** | Kerameikos Metro |\n| **Capacity** | 2,000+ |\n| **Duration** | Expect 2+ hours |\n| **Price** | Check more.com |\n\nGodspeed You! Black Emperor — where rock becomes ritual.", "hasNativeGreek": false, "startDate": "2026-04-16T20:00:00+03:00", "endDate": null, "type": "concert", "genres": [ "music" ], "tags": [], "venue": { "name": "Floyd", "address": "Πειραιώς 117", "neighborhood": "Keramikos / Metaxourgeio", "coordinates": { "lat": 37.9795, "lon": 23.718 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 39, "currency": "EUR", "range": "€39-€42" }, "url": "https://www.more.com/gr-el/tickets/music/godspeed-you-black-emperor-2026/", "ticketUrl": "https://www.viva.gr/gr-el/tickets/music/godspeed-you-black-emperor-2026/", "source": "more.com", "createdAt": "2026-01-19T23:07:36.324Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/6f36696f-6725-4f8a-bc82-6c092a3c0a71/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/af299bbd9ab94636.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "d5ce4186d296e600", "title": "Panos Alexiadis, Rooms In Negative & Ioannis Savvaidis", "description": "", "fullDescription": "A former TV repair workshop in Kipseli, run since 2012 by Fotini Banou and Dimitris Alexakis, hosts three sets of improvised sound. Panos Alexiadis is an Athens composer with releases on Rekem and B.A.A.D.M.; he runs the Thalamos tape label. Rooms In Negative is Andreas Ragnar Kasapis, working across sound and installation. Ioannis Savvaidis joins on composition and live interaction.\n\nIf you want structured pieces with recognizable changes, nothing here stands still. But if you want to hear three Athens practitioners work without a net, KET's room makes every dropped breath audible.\n\nKET sits at Kyprou 91A, Kipseli. Doors 20:30, tickets €10 via more.com. Three sets, one small room, one short night.", "fullDescriptionEn": "A former TV repair workshop in Kipseli, run since 2012 by Fotini Banou and Dimitris Alexakis, hosts three sets of improvised sound. Panos Alexiadis is an Athens composer with releases on Rekem and B.A.A.D.M.; he runs the Thalamos tape label. Rooms In Negative is Andreas Ragnar Kasapis, working across sound and installation. Ioannis Savvaidis joins on composition and live interaction.\n\nIf you want structured pieces with recognizable changes, nothing here stands still. But if you want to hear three Athens practitioners work without a net, KET's room makes every dropped breath audible.\n\nKET sits at Kyprou 91A, Kipseli. Doors 20:30, tickets €10 via more.com. Three sets, one small room, one short night.", "fullDescriptionGr": "A former TV repair workshop in Kipseli, run since 2012 by Fotini Banou and Dimitris Alexakis, hosts three sets of improvised sound. Panos Alexiadis is an Athens composer with releases on Rekem and B.A.A.D.M.; he runs the Thalamos tape label. Rooms In Negative is Andreas Ragnar Kasapis, working across sound and installation. Ioannis Savvaidis joins on composition and live interaction.\n\nIf you want structured pieces with recognizable changes, nothing here stands still. But if you want to hear three Athens practitioners work without a net, KET's room makes every dropped breath audible.\n\nKET sits at Kyprou 91A, Kipseli. Doors 20:30, tickets €10 via more.com. Three sets, one small room, one short night.", "hasNativeGreek": false, "startDate": "2026-04-16T20:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "Experimental", "Kypseli", "Intimate", "Underground", "Listening-room", "Music-heads", "Concert-format", "Seated" ], "venue": { "name": "Κέντρο Ελέγχου Τηλεοράσεων", "address": "Kyprou 91A & Sikinou 35A, Athens 113 64", "neighborhood": "Kypseli", "coordinates": { "lat": 38.002, "lon": 23.7325 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10" }, "url": "https://www.athinorama.gr/music/gig/panos_alexiadis_rooms_in_negative_kai_ioannis_savvaidis-10089750/", "ticketUrl": "https://www.athinorama.gr/music/gig/panos_alexiadis_rooms_in_negative_kai_ioannis_savvaidis-10089750/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "3052b2284de74873", "title": "Ο κήπος των επίγειων απολαύσεων", "description": "Εως 2026-04-21", "hasNativeGreek": false, "startDate": "2026-04-16T20:30:00", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Δημοτικό Θέατρο Πειραιά", "address": "Iroon Polytechniou 32, Piraeus 185 35", "neighborhood": "Piraeus", "coordinates": { "lat": 37.9429, "lon": 23.647 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15" }, "url": "https://www.athinorama.gr/theatre/performance/o_kipos_ton_epigeion_apolauseon-10089817/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/o_kipos_ton_epigeion_apolauseon-10089817/", "source": "athinorama.gr", "createdAt": "2026-04-08 17:29:31", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/91/91475e6b2c78493394d9bcce0b14dced.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/3052b2284de74873.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "395d804b3cdf9ecb", "title": "4ο Open Mic Challenge", "description": "", "fullDescription": "Open mic nights usually mean strangers playing cover songs. This one inverts the format: selected musicians present up to 45 minutes of their own original material, and the audience votes live for the performer they want to hear again. Theatre of the No, a ~100-seat room opposite City Hall that opened as Athens' first English-speaking theater, hosts the fourth edition.\n\nIf you want a pre-curated bill with familiar names, this is the opposite of that by design. But if you want to hear new Athens voices perform originals knowing the vote matters, the evening drops four sets onto one stage.\n\nTwo minutes from Syntagma metro. €5 entry, doors 21:00. Originals only, audience with the casting vote.", "fullDescriptionEn": "Open mic nights usually mean strangers playing cover songs. This one inverts the format: selected musicians present up to 45 minutes of their own original material, and the audience votes live for the performer they want to hear again. Theatre of the No, a ~100-seat room opposite City Hall that opened as Athens' first English-speaking theater, hosts the fourth edition.\n\nIf you want a pre-curated bill with familiar names, this is the opposite of that by design. But if you want to hear new Athens voices perform originals knowing the vote matters, the evening drops four sets onto one stage.\n\nTwo minutes from Syntagma metro. €5 entry, doors 21:00. Originals only, audience with the casting vote.", "fullDescriptionGr": "Open mic nights usually mean strangers playing cover songs. This one inverts the format: selected musicians present up to 45 minutes of their own original material, and the audience votes live for the performer they want to hear again. Theatre of the No, a ~100-seat room opposite City Hall that opened as Athens' first English-speaking theater, hosts the fourth edition.\n\nIf you want a pre-curated bill with familiar names, this is the opposite of that by design. But if you want to hear new Athens voices perform originals knowing the vote matters, the evening drops four sets onto one stage.\n\nTwo minutes from Syntagma metro. €5 entry, doors 21:00. Originals only, audience with the casting vote.", "hasNativeGreek": false, "startDate": "2026-04-16T21:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "Live-band", "Intimate", "Listening-room", "Seated", "Interactive", "Metro-accessible" ], "venue": { "name": "Theatre Of The No", "address": "Bouboulinas 17-19, Athens 106 82", "neighborhood": "Metaxourgeio", "coordinates": { "lat": 37.987, "lon": 23.7285 }, "capacity": null }, "price": { "type": "paid", "amount": 5, "currency": "EUR", "range": "€5" }, "url": "https://www.athinorama.gr/music/gig/4o_open_mic_challenge-10089118/", "ticketUrl": "https://www.athinorama.gr/music/gig/4o_open_mic_challenge-10089118/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "a60f1e8cfbceec63", "title": "Τα κύματα", "description": "Εως 2026-05-10", "hasNativeGreek": false, "startDate": "2026-04-16T21:00:00", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Θέατρο Nous", "address": "Trias 34, Athens 112 55", "neighborhood": "Kypseli", "coordinates": { "lat": 37.9965, "lon": 23.732 }, "capacity": null }, "price": { "type": "paid", "amount": 16, "currency": "EUR", "range": "€16" }, "url": "https://www.athinorama.gr/theatre/performance/ta_kumata-10089762/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/ta_kumata-10089762/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/92/92bc35c1d4814ac2b7ef59462c8f6ec4.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/a60f1e8cfbceec63.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "855d33d7e193b3e4", "title": "Μόλις κοιμηθεί το κύμα", "description": "", "hasNativeGreek": false, "startDate": "2026-04-16T21:00:00", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Θέατρο Φούρνος", "address": "Mavromichali 168, Athens 114 72", "neighborhood": "Kypseli / Patission", "coordinates": { "lat": 37.9965, "lon": 23.7395 }, "capacity": null }, "price": { "type": "paid", "amount": 17, "currency": "EUR", "range": "€17" }, "url": "https://www.athinorama.gr/theatre/performance/molis_koimithei_to_kuma-10089822/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/molis_koimithei_to_kuma-10089822/", "source": "athinorama.gr", "createdAt": "2026-04-08 17:29:31", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/5a/5a344120efea45cf8550cc4e3f75199f.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/855d33d7e193b3e4.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "412f21f47530e157", "title": "Fragk", "description": "", "hasNativeGreek": false, "startDate": "2026-04-16T21:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "B side Athens", "address": "Μπη Σάιντ, Μαυροκορδάτου", "neighborhood": "", "coordinates": { "lat": 37.983779, "lon": 23.731955 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://ra.co/events/2416433", "ticketUrl": "https://ra.co/events/2416433", "source": "residentadvisor", "createdAt": "2026-04-12 07:53:04", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/9365c7ff120a56aa87735fbde7f2e0745740e7f6.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/412f21f47530e157.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "8653e81f473481c4", "title": "Kismet by Kayf", "description": "", "hasNativeGreek": false, "startDate": "2026-04-16T23:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "Dybbuk", "address": "Patriarchou Ioakim 37, Athina 105 62", "neighborhood": "", "coordinates": { "lat": 37.978224, "lon": 23.744387 }, "capacity": null }, "price": { "type": "door", "amount": 10, "currency": "EUR", "range": "€10-15" }, "url": "https://www.clubber.gr/events/kismet-by-kayf-2/", "ticketUrl": "https://www.clubber.gr/events/kismet-by-kayf-2/", "source": "clubber.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:12:34", "language": "en", "timeDoors": "23:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "86cb62f00a8783c6", "title": "ROY KHAN (Norway) The Black Halo And Beyond +SEVEN SPIRES (USA)", "description": "", "fullDescription": "The first notes ring out like bells from a tower you forgot existed. That voice — operatic, powerful, somehow intimate despite the metal instrumentation — fills Gagarin's hall. You feel the hairs rise on your forearms. Roy Khan is back, and he's brought The Black Halo with him.\n\nFor fans of Kamelot, Khan's return represents something close to resurrection. His departure in 2011 left a void that years of replacement vocalists couldn't quite fill. \"The Black Halo And Beyond\" tour acknowledges what that album meant while promising a future. The setlist will draw from the heights of Kamelot's progressive metal catalog — \"Ghost Opera,\" \"The Haunting,\" material that showcased Khan's extraordinary range.\n\nGagarin 205 provides the acoustic architecture this music demands. The venue has established itself as Athens' premier metal destination, its sound system calibrated for the dynamics that progressive metal requires — the quiet passages that build toward crushing choruses, the instrumental sections that demand clarity even at volume. The room's 1,200 capacity creates density without losing the precision these compositions require.\n\nSEVEN SPIRES opens the evening, their own brand of symphonic metal establishing the night's emotional register. The pairing makes sense — both acts occupy the space where metal's heaviness meets orchestral ambition, where harsh and clean vocals coexist in the same songs. By the time Khan takes the stage, the room has been properly prepared.\n\nThe crowd filtering into Gagarin tonight has waited years for this moment. Metal fans who remember where they were when they first heard \"Center of the Universe.\" Younger listeners who discovered Khan through Conception's reunion. The conversations before doors open mix Greek and English, strangers bonding over shared devotion to this specific voice, this specific catalog.\n\nIf you need accessible entry points or music that stays in comfortable territory, progressive metal will challenge your patience. The songs run long, the arrangements complex, the emotional intensity sustained rather than peaked. But if you've been waiting for Roy Khan to remind Athens what he's capable of, for a voice that defined an era of metal — Gagarin holds this homecoming.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:00 |\n| **Venue** | Gagarin 205, Liosion 205, Attiki |\n| **Getting there** | Attiki Metro, taxi recommended after |\n| **Capacity** | 1,200 |\n| **Support** | Seven Spires |\n| **Price** | Check more.com |\n\nRoy Khan returns — The Black Halo rendered live.", "fullDescriptionEn": "The first notes ring out like bells from a tower you forgot existed. That voice — operatic, powerful, somehow intimate despite the metal instrumentation — fills Gagarin's hall. You feel the hairs rise on your forearms. Roy Khan is back, and he's brought The Black Halo with him.\n\nFor fans of Kamelot, Khan's return represents something close to resurrection. His departure in 2011 left a void that years of replacement vocalists couldn't quite fill. \"The Black Halo And Beyond\" tour acknowledges what that album meant while promising a future. The setlist will draw from the heights of Kamelot's progressive metal catalog — \"Ghost Opera,\" \"The Haunting,\" material that showcased Khan's extraordinary range.\n\nGagarin 205 provides the acoustic architecture this music demands. The venue has established itself as Athens' premier metal destination, its sound system calibrated for the dynamics that progressive metal requires — the quiet passages that build toward crushing choruses, the instrumental sections that demand clarity even at volume. The room's 1,200 capacity creates density without losing the precision these compositions require.\n\nSEVEN SPIRES opens the evening, their own brand of symphonic metal establishing the night's emotional register. The pairing makes sense — both acts occupy the space where metal's heaviness meets orchestral ambition, where harsh and clean vocals coexist in the same songs. By the time Khan takes the stage, the room has been properly prepared.\n\nThe crowd filtering into Gagarin tonight has waited years for this moment. Metal fans who remember where they were when they first heard \"Center of the Universe.\" Younger listeners who discovered Khan through Conception's reunion. The conversations before doors open mix Greek and English, strangers bonding over shared devotion to this specific voice, this specific catalog.\n\nIf you need accessible entry points or music that stays in comfortable territory, progressive metal will challenge your patience. The songs run long, the arrangements complex, the emotional intensity sustained rather than peaked. But if you've been waiting for Roy Khan to remind Athens what he's capable of, for a voice that defined an era of metal — Gagarin holds this homecoming.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:00 |\n| **Venue** | Gagarin 205, Liosion 205, Attiki |\n| **Getting there** | Attiki Metro, taxi recommended after |\n| **Capacity** | 1,200 |\n| **Support** | Seven Spires |\n| **Price** | Check more.com |\n\nRoy Khan returns — The Black Halo rendered live.", "fullDescriptionGr": "The first notes ring out like bells from a tower you forgot existed. That voice — operatic, powerful, somehow intimate despite the metal instrumentation — fills Gagarin's hall. You feel the hairs rise on your forearms. Roy Khan is back, and he's brought The Black Halo with him.\n\nFor fans of Kamelot, Khan's return represents something close to resurrection. His departure in 2011 left a void that years of replacement vocalists couldn't quite fill. \"The Black Halo And Beyond\" tour acknowledges what that album meant while promising a future. The setlist will draw from the heights of Kamelot's progressive metal catalog — \"Ghost Opera,\" \"The Haunting,\" material that showcased Khan's extraordinary range.\n\nGagarin 205 provides the acoustic architecture this music demands. The venue has established itself as Athens' premier metal destination, its sound system calibrated for the dynamics that progressive metal requires — the quiet passages that build toward crushing choruses, the instrumental sections that demand clarity even at volume. The room's 1,200 capacity creates density without losing the precision these compositions require.\n\nSEVEN SPIRES opens the evening, their own brand of symphonic metal establishing the night's emotional register. The pairing makes sense — both acts occupy the space where metal's heaviness meets orchestral ambition, where harsh and clean vocals coexist in the same songs. By the time Khan takes the stage, the room has been properly prepared.\n\nThe crowd filtering into Gagarin tonight has waited years for this moment. Metal fans who remember where they were when they first heard \"Center of the Universe.\" Younger listeners who discovered Khan through Conception's reunion. The conversations before doors open mix Greek and English, strangers bonding over shared devotion to this specific voice, this specific catalog.\n\nIf you need accessible entry points or music that stays in comfortable territory, progressive metal will challenge your patience. The songs run long, the arrangements complex, the emotional intensity sustained rather than peaked. But if you've been waiting for Roy Khan to remind Athens what he's capable of, for a voice that defined an era of metal — Gagarin holds this homecoming.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:00 |\n| **Venue** | Gagarin 205, Liosion 205, Attiki |\n| **Getting there** | Attiki Metro, taxi recommended after |\n| **Capacity** | 1,200 |\n| **Support** | Seven Spires |\n| **Price** | Check more.com |\n\nRoy Khan returns — The Black Halo rendered live.", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Gagarin 205", "address": "Liosion 205, Athens 104 45", "neighborhood": "Sepolia / Athens West", "coordinates": { "lat": 38.001, "lon": 23.7115 }, "capacity": null }, "price": { "type": "paid", "amount": 28, "currency": "EUR", "range": "€28 - €33" }, "url": "https://www.ticketservices.gr/event/13764/", "ticketUrl": "https://www.ticketservices.gr/event/13764/", "source": "ticketservices", "createdAt": "2026-01-26 13:11:15", "updatedAt": "2026-04-14 14:12:29", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_58230_or_Roy Khan (The Black Halo And Beyond)_Seven Spires-Banner Ticket Services Athens 2025 02.jpg", "imageSource": "backfill", "imageLocal": "/images/events/86cb62f00a8783c6.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "0878e121fcab6868", "title": "170 τετραγωνικά / Moonwalk", "description": "Εως 2026-05-10", "fullDescription": "The lights find two sisters in the house where they grew up. Their father is dead. The 170 square meters of the title is the apartment, and neither woman has set foot in it for years. Giorgis Tsouris wrote 170 Tetragonika (Moonwalk) and performs in it — now in its seventh consecutive season, with over 450 performances and the Dimitris Horn Award for best new Greek play.\n\nThe production, directed by Giorgos Palumpis, has drawn more than 120,000 audience members across Greece and toured to Melbourne. It moves this spring to Neos Akadimos.\n\nThe room fills with people who recognize Greek family architecture — the unspoken rules, the inherited furniture, the arguments that resume mid-sentence after a decade.\n\nIf you want escapism, this play walks you back into the rooms you left. But if you want Greek drama that earns its silences, Tsouris writes and acts with equal precision.\n\nNeos Akadimos is at Ippokratous 17, accessible by metro. 17 April 2026 at 21:00. Tickets through more.com.\n\nSeven years, 450 performances — and the apartment still has not been cleared out.", "fullDescriptionEn": "The lights find two sisters in the house where they grew up. Their father is dead. The 170 square meters of the title is the apartment, and neither woman has set foot in it for years. Giorgis Tsouris wrote 170 Tetragonika (Moonwalk) and performs in it — now in its seventh consecutive season, with over 450 performances and the Dimitris Horn Award for best new Greek play.\n\nThe production, directed by Giorgos Palumpis, has drawn more than 120,000 audience members across Greece and toured to Melbourne. It moves this spring to Neos Akadimos.\n\nThe room fills with people who recognize Greek family architecture — the unspoken rules, the inherited furniture, the arguments that resume mid-sentence after a decade.\n\nIf you want escapism, this play walks you back into the rooms you left. But if you want Greek drama that earns its silences, Tsouris writes and acts with equal precision.\n\nNeos Akadimos is at Ippokratous 17, accessible by metro. 17 April 2026 at 21:00. Tickets through more.com.\n\nSeven years, 450 performances — and the apartment still has not been cleared out.", "fullDescriptionGr": "The lights find two sisters in the house where they grew up. Their father is dead. The 170 square meters of the title is the apartment, and neither woman has set foot in it for years. Giorgis Tsouris wrote 170 Tetragonika (Moonwalk) and performs in it — now in its seventh consecutive season, with over 450 performances and the Dimitris Horn Award for best new Greek play.\n\nThe production, directed by Giorgos Palumpis, has drawn more than 120,000 audience members across Greece and toured to Melbourne. It moves this spring to Neos Akadimos.\n\nThe room fills with people who recognize Greek family architecture — the unspoken rules, the inherited furniture, the arguments that resume mid-sentence after a decade.\n\nIf you want escapism, this play walks you back into the rooms you left. But if you want Greek drama that earns its silences, Tsouris writes and acts with equal precision.\n\nNeos Akadimos is at Ippokratous 17, accessible by metro. 17 April 2026 at 21:00. Tickets through more.com.\n\nSeven years, 450 performances — and the apartment still has not been cleared out.", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "theater", "genres": [], "tags": [ "Drama", "Seated", "Theater-regulars", "Greek-language", "Metro-accessible", "Greek-locals", "Mixed-ages" ], "venue": { "name": "Νέος Ακάδημος", "address": "Νέος Ακάδημος, 17", "neighborhood": "", "coordinates": { "lat": 37.9822, "lon": 23.73426 }, "capacity": null }, "price": { "type": "paid", "amount": 120, "currency": "EUR", "range": "€120" }, "url": "https://www.athinorama.gr/theatre/performance/170_tetragonika__moonwalk-10063940/", "ticketUrl": "https://www.viva.gr/tickets/theater/", "source": "athinorama.gr", "createdAt": "2026-02-08 12:53:02", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/2f/2f7bbe4116d94558b9293816a2f59759.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/0878e121fcab6868.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "af431a46a7eb83ba", "title": "Oldschool Rednex", "description": "", "fullDescription": "Oldschool Rednex play Ilion Plus on 17 April 2026, their first Athens date in two years. The Thessaloniki punkers have been grinding since 1999, with a debut LP that finally landed in 2012 and the follow-up 'Orgi / Sti Gi tou Rock 'n' Roll' in 2022. GRAMM ELEVEN open the night.\n\nIf you want a seated room with a cocktail menu, this is a different economy. But if you want dirty guitars and amplifiers in the red, this is the room.\n\nIlion Plus is at Kodrigktonos 17 in Kypseli, off Patission Street. Two years is a long time between Athens dates.", "fullDescriptionEn": "Oldschool Rednex play Ilion Plus on 17 April 2026, their first Athens date in two years. The Thessaloniki punkers have been grinding since 1999, with a debut LP that finally landed in 2012 and the follow-up 'Orgi / Sti Gi tou Rock 'n' Roll' in 2022. GRAMM ELEVEN open the night.\n\nIf you want a seated room with a cocktail menu, this is a different economy. But if you want dirty guitars and amplifiers in the red, this is the room.\n\nIlion Plus is at Kodrigktonos 17 in Kypseli, off Patission Street. Two years is a long time between Athens dates.", "fullDescriptionGr": "Oldschool Rednex play Ilion Plus on 17 April 2026, their first Athens date in two years. The Thessaloniki punkers have been grinding since 1999, with a debut LP that finally landed in 2012 and the follow-up 'Orgi / Sti Gi tou Rock 'n' Roll' in 2022. GRAMM ELEVEN open the night.\n\nIf you want a seated room with a cocktail menu, this is a different economy. But if you want dirty guitars and amplifiers in the red, this is the room.\n\nIlion Plus is at Kodrigktonos 17 in Kypseli, off Patission Street. Two years is a long time between Athens dates.", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "concert", "genres": [], "tags": [ "Punk", "Rock", "Live-band", "Kypseli", "Intimate", "Local-favorite", "Music-heads", "Standing-room", "Metro-accessible" ], "venue": { "name": "ΙΛΙΟΝ Plus", "address": "Kodrigktonos 17, Athens 104 34", "neighborhood": "Victoria / Neapoli", "coordinates": { "lat": 37.9944, "lon": 23.7369 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/oldschool_rednex-10016427/", "ticketUrl": "https://www.athinorama.gr/music/gig/oldschool_rednex-10016427/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "25e4cd1b093b97e9", "title": "Freddie Gibbs", "description": "", "fullDescription": "Freddie Gibbs is from Gary, Indiana, and 17 April 2026 is his first Athens show. He plays Universe Multivenue in Egaleo, with redveil on support. The Last Rabbit tour follows Alfredo 2, his July 2025 reunion with producer The Alchemist that arrived with a companion short film.\n\nIf you want a clean-chorus radio rap set with stadium visuals, Gibbs runs a denser economy — bars piling on bars over sparse, sample-driven beats. But if you want to hear the rapper whose Alfredo records made him a critics' favorite, this is the stop.\n\nUniverse Multivenue is in Egaleo, accessible by metro from Egaleo station. Pre-sales via more.com.\n\nGibbs has never played Athens — this is the only date.", "fullDescriptionEn": "Freddie Gibbs is from Gary, Indiana, and 17 April 2026 is his first Athens show. He plays Universe Multivenue in Egaleo, with redveil on support. The Last Rabbit tour follows Alfredo 2, his July 2025 reunion with producer The Alchemist that arrived with a companion short film.\n\nIf you want a clean-chorus radio rap set with stadium visuals, Gibbs runs a denser economy — bars piling on bars over sparse, sample-driven beats. But if you want to hear the rapper whose Alfredo records made him a critics' favorite, this is the stop.\n\nUniverse Multivenue is in Egaleo, accessible by metro from Egaleo station. Pre-sales via more.com.\n\nGibbs has never played Athens — this is the only date.", "fullDescriptionGr": "Freddie Gibbs is from Gary, Indiana, and 17 April 2026 is his first Athens show. He plays Universe Multivenue in Egaleo, with redveil on support. The Last Rabbit tour follows Alfredo 2, his July 2025 reunion with producer The Alchemist that arrived with a companion short film.\n\nIf you want a clean-chorus radio rap set with stadium visuals, Gibbs runs a denser economy — bars piling on bars over sparse, sample-driven beats. But if you want to hear the rapper whose Alfredo records made him a critics' favorite, this is the stop.\n\nUniverse Multivenue is in Egaleo, accessible by metro from Egaleo station. Pre-sales via more.com.\n\nGibbs has never played Athens — this is the only date.", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "concert", "genres": [], "tags": [ "Hip-hop", "Live-act", "Music-heads", "Mixed-international", "Standing-room", "Concert-format", "Metro-accessible" ], "venue": { "name": "Universe", "address": "Leoforos Kifisou 87, Athens 122 41", "neighborhood": "Egaleo", "coordinates": { "lat": 37.9708, "lon": 23.6733 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/freddie_gibbs-10089454/", "ticketUrl": "https://www.athinorama.gr/music/gig/freddie_gibbs-10089454/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "95911057cd3cf15e", "title": "The Vulcan Itch & Rainyard", "description": "", "fullDescription": "The Vulcan Itch plays material from Rise of the Fallen — the Athens trio's 2024 album on The Lab Records — alongside their 2025 single Out Of My Head. Joining them at AUX Club in Gazi, Rainyard travels down from Thessaloniki with a '90s Seattle-rooted set drawn from debut album Powerslide. Druid fill out the bill as special guests.\n\nIf you want polished pop, this is the wrong floor. But if stoner-grunge riffs in a ~200-capacity Gazi room are what you came for, AUX runs a come-as-you-are door at Agiou Orous 15, a few minutes from Kerameikos metro.\n\nTypical entry at AUX runs 8-12 EUR at the door.", "fullDescriptionEn": "The Vulcan Itch plays material from Rise of the Fallen — the Athens trio's 2024 album on The Lab Records — alongside their 2025 single Out Of My Head. Joining them at AUX Club in Gazi, Rainyard travels down from Thessaloniki with a '90s Seattle-rooted set drawn from debut album Powerslide. Druid fill out the bill as special guests.\n\nIf you want polished pop, this is the wrong floor. But if stoner-grunge riffs in a ~200-capacity Gazi room are what you came for, AUX runs a come-as-you-are door at Agiou Orous 15, a few minutes from Kerameikos metro.\n\nTypical entry at AUX runs 8-12 EUR at the door.", "fullDescriptionGr": "The Vulcan Itch plays material from Rise of the Fallen — the Athens trio's 2024 album on The Lab Records — alongside their 2025 single Out Of My Head. Joining them at AUX Club in Gazi, Rainyard travels down from Thessaloniki with a '90s Seattle-rooted set drawn from debut album Powerslide. Druid fill out the bill as special guests.\n\nIf you want polished pop, this is the wrong floor. But if stoner-grunge riffs in a ~200-capacity Gazi room are what you came for, AUX runs a come-as-you-are door at Agiou Orous 15, a few minutes from Kerameikos metro.\n\nTypical entry at AUX runs 8-12 EUR at the door.", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "concert", "genres": [], "tags": [ "Rock", "Live-band", "Gazi", "Inclusive", "Standing-room", "Metro-accessible" ], "venue": { "name": "Aux Club", "address": "Agiou Orous 15, Athens 104 47", "neighborhood": "Votanikos", "coordinates": { "lat": 37.9746, "lon": 23.7028 }, "capacity": null }, "price": { "type": "tba", "amount": 10, "currency": "EUR", "range": "€8-15" }, "url": "https://www.athinorama.gr/music/gig/the_vulcan_itch_kai_rainyard_-10089751/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "71200e57557b9ea5", "title": "George Kontrafouris Piano Quartet", "description": "", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Σπίτι Art Bar", "address": "Efpatridon 7, Athens 118 54", "neighborhood": "Kerameikos", "coordinates": { "lat": 37.9799, "lon": 23.7128 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/george_kontrafouris_piano_quartet-10066298/", "ticketUrl": "https://www.athinorama.gr/music/gig/george_kontrafouris_piano_quartet-10066298/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "518690abbccaa9b8", "title": "Takis Paterelis-New friends Quartet", "description": "", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Poetry Bar", "address": "Poetry bar, 2-4", "neighborhood": "", "coordinates": { "lat": 37.985952, "lon": 23.733488 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/takis_paterelis_new_friends_quartet-10066666/", "ticketUrl": "https://www.athinorama.gr/music/gig/takis_paterelis_new_friends_quartet-10066666/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-14 14:12:29", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "d252b6d1dfcd5e5a", "title": "«Voix d' Or»", "description": "", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Αίθουσα Διδασκαλίας Μεγάρου Μουσικής", "address": "Megaro Mousikis, Athina 115 21", "neighborhood": "", "coordinates": { "lat": 37.981015, "lon": 23.754098 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/voix_d_or-10089779/", "ticketUrl": "https://www.athinorama.gr/music/gig/voix_d_or-10089779/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:12:34", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "1da18e089dbe7ba3", "title": "Koni is calling", "description": "", "hasNativeGreek": false, "startDate": "2026-04-17T18:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Island Athens Riviera", "address": "3 Vasileos Georgiou A, Pl. Sintagmatos Str", "neighborhood": "", "coordinates": { "lat": 37.976435, "lon": 23.734889 }, "capacity": null }, "price": { "type": "paid", "amount": 20, "currency": "EUR", "range": "€20" }, "url": "https://www.athinorama.gr/music/gig/koni_is_calling-10089796/", "ticketUrl": "https://www.athinorama.gr/music/gig/koni_is_calling-10089796/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:12:34", "language": "en", "timeDoors": "18:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "fa2c9beb75e9127b", "title": "Nine Below Zero", "description": "", "hasNativeGreek": false, "startDate": "2026-04-17T20:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Piraeus Club Academy", "address": "Piraeus 105, Athens 118 54", "neighborhood": "Omonia / Central Athens", "coordinates": { "lat": 37.98, "lon": 23.731 }, "capacity": null }, "price": { "type": "paid", "amount": 25, "currency": "EUR", "range": "€25 - €32" }, "url": "https://www.athinorama.gr/music/gig/nine_below_zero-10058532/", "ticketUrl": "https://www.athinorama.gr/music/gig/nine_below_zero-10058532/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "456faf6f0d7dacb9", "title": "VOIX D'OR", "description": "", "hasNativeGreek": false, "startDate": "2026-04-17T20:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15" }, "url": "https://www.ticketservices.gr/event/14397/", "ticketUrl": "https://www.ticketservices.gr/event/14397/", "source": "ticketservices", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_62081_or_3.jpg", "imageSource": "backfill", "imageLocal": "/images/events/456faf6f0d7dacb9.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "1518fa9ca26bd119", "title": "Oinopios", "description": "", "hasNativeGreek": false, "startDate": "2026-04-17T20:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "AN Club", "address": "13-15 Solomou Street, Athens 106 82", "neighborhood": "Exarchia", "coordinates": { "lat": 37.9885, "lon": 23.733 }, "capacity": null }, "price": { "type": "paid", "amount": 8, "currency": "EUR", "range": "€8" }, "url": "https://www.athinorama.gr/music/gig/oinopios_-10077572/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "34f86d05d3854d42", "title": "COLLEEN COSMO MURPHY", "description": "", "hasNativeGreek": false, "startDate": "2026-04-17T20:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "Burger Disco Club", "address": "Nikis 11, Downtown 105 57, Greece", "neighborhood": "Syntagma", "coordinates": { "lat": 37.9749, "lon": 23.7332 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10" }, "url": "https://ra.co/events/2414999", "ticketUrl": "https://ra.co/events/2414999", "source": "residentadvisor", "createdAt": "2026-04-12 07:53:04", "updatedAt": "2026-04-15 12:57:15", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/1514b28f1e621afbafc006536cac91d3dbc2851d.png", "imageSource": "scraped_listing", "imageLocal": "/images/events/34f86d05d3854d42.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "9443dd669da7c6cc", "title": "FREDDIE GIBBS (US) LIVE IN ATHENS", "description": "17 Απριλιου FREDDIE GIBBS (US) LIVE IN ATHENS Universe / Saturn Area", "fullDescription": "The bass drops and the room adjusts its collective posture. You feel the beat before you consciously hear it, your body already moving while your brain catches up. Universe has configured its sound system for hip-hop, and Freddie Gibbs is about to demonstrate why he's spent a decade becoming impossible to ignore.\n\nGibbs arrives in Athens carrying the weight of a catalog that's earned him critical devotion and street credibility in equal measure. From Gary, Indiana to everywhere — the journey shows in his delivery, the controlled aggression that never sacrifices technical precision. Albums like \"Alfredo\" (with The Alchemist) and \"Bandana\" (with Madlib) established him as a rapper's rapper, someone whose features get studied by people who study features.\n\nThe 2026 tour brings whatever he's cooking now plus the hits that built the reputation. Expect bars delivered with the confidence of someone who knows his place in the hierarchy. Expect beats that reference hip-hop's history while pushing its future. Expect a performer who treats every room like it matters, who gives Athens the same energy he'd give any city that shows up.\n\nUniverse provides the proper setting for this level of performance. The room's configuration allows the bass to hit without muddying, the mid-range to carry Gibbs' delivery with clarity. The lighting will complement without distracting — this is hip-hop, and the focus stays on the voice, the words, the flow that makes Freddie Gibbs worth crossing cities to witness.\n\nThe crowd arriving tonight mixes demographics but shares characteristic intensity. Hip-hop heads who've tracked Gibbs since Jeezy days. Newer fans who came through the Madlib collaborations. The common thread is appreciation for lyricism that rewards attention, for a performer who doesn't rely on backing tracks to carry the show.\n\nIf you need pop-rap accessibility or music that stays in the background, Gibbs operates in different territory. The lyrics demand attention, the delivery assumes you're listening, the content doesn't soften its edges for comfort. But if you've been waiting for hip-hop that respects its audience's intelligence while hitting hard enough to move your body — Universe holds this night.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Time** | Evening |\n| **Venue** | Universe |\n| **Genre** | Hip-hop |\n| **Price** | Check venue |\n| **Prepare for** | Standing, bass-heavy |\n\nFreddie Gibbs in Athens — bars that hit as hard as the beats.", "fullDescriptionEn": "The bass drops and the room adjusts its collective posture. You feel the beat before you consciously hear it, your body already moving while your brain catches up. Universe has configured its sound system for hip-hop, and Freddie Gibbs is about to demonstrate why he's spent a decade becoming impossible to ignore.\n\nGibbs arrives in Athens carrying the weight of a catalog that's earned him critical devotion and street credibility in equal measure. From Gary, Indiana to everywhere — the journey shows in his delivery, the controlled aggression that never sacrifices technical precision. Albums like \"Alfredo\" (with The Alchemist) and \"Bandana\" (with Madlib) established him as a rapper's rapper, someone whose features get studied by people who study features.\n\nThe 2026 tour brings whatever he's cooking now plus the hits that built the reputation. Expect bars delivered with the confidence of someone who knows his place in the hierarchy. Expect beats that reference hip-hop's history while pushing its future. Expect a performer who treats every room like it matters, who gives Athens the same energy he'd give any city that shows up.\n\nUniverse provides the proper setting for this level of performance. The room's configuration allows the bass to hit without muddying, the mid-range to carry Gibbs' delivery with clarity. The lighting will complement without distracting — this is hip-hop, and the focus stays on the voice, the words, the flow that makes Freddie Gibbs worth crossing cities to witness.\n\nThe crowd arriving tonight mixes demographics but shares characteristic intensity. Hip-hop heads who've tracked Gibbs since Jeezy days. Newer fans who came through the Madlib collaborations. The common thread is appreciation for lyricism that rewards attention, for a performer who doesn't rely on backing tracks to carry the show.\n\nIf you need pop-rap accessibility or music that stays in the background, Gibbs operates in different territory. The lyrics demand attention, the delivery assumes you're listening, the content doesn't soften its edges for comfort. But if you've been waiting for hip-hop that respects its audience's intelligence while hitting hard enough to move your body — Universe holds this night.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Time** | Evening |\n| **Venue** | Universe |\n| **Genre** | Hip-hop |\n| **Price** | Check venue |\n| **Prepare for** | Standing, bass-heavy |\n\nFreddie Gibbs in Athens — bars that hit as hard as the beats.", "fullDescriptionGr": "The bass drops and the room adjusts its collective posture. You feel the beat before you consciously hear it, your body already moving while your brain catches up. Universe has configured its sound system for hip-hop, and Freddie Gibbs is about to demonstrate why he's spent a decade becoming impossible to ignore.\n\nGibbs arrives in Athens carrying the weight of a catalog that's earned him critical devotion and street credibility in equal measure. From Gary, Indiana to everywhere — the journey shows in his delivery, the controlled aggression that never sacrifices technical precision. Albums like \"Alfredo\" (with The Alchemist) and \"Bandana\" (with Madlib) established him as a rapper's rapper, someone whose features get studied by people who study features.\n\nThe 2026 tour brings whatever he's cooking now plus the hits that built the reputation. Expect bars delivered with the confidence of someone who knows his place in the hierarchy. Expect beats that reference hip-hop's history while pushing its future. Expect a performer who treats every room like it matters, who gives Athens the same energy he'd give any city that shows up.\n\nUniverse provides the proper setting for this level of performance. The room's configuration allows the bass to hit without muddying, the mid-range to carry Gibbs' delivery with clarity. The lighting will complement without distracting — this is hip-hop, and the focus stays on the voice, the words, the flow that makes Freddie Gibbs worth crossing cities to witness.\n\nThe crowd arriving tonight mixes demographics but shares characteristic intensity. Hip-hop heads who've tracked Gibbs since Jeezy days. Newer fans who came through the Madlib collaborations. The common thread is appreciation for lyricism that rewards attention, for a performer who doesn't rely on backing tracks to carry the show.\n\nIf you need pop-rap accessibility or music that stays in the background, Gibbs operates in different territory. The lyrics demand attention, the delivery assumes you're listening, the content doesn't soften its edges for comfort. 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"description": "", "hasNativeGreek": false, "startDate": "2026-04-17T23:59:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "2ten", "address": "Ermou 135, Athina 105 55", "neighborhood": "", "coordinates": { "lat": 37.97717, "lon": 23.721469 }, "capacity": null }, "price": { "type": "paid", "amount": 6, "currency": "EUR", "range": "€6" }, "url": "https://ra.co/events/2409968", "ticketUrl": "https://ra.co/events/2409968", "source": "residentadvisor", "createdAt": "2026-04-04 05:08:43", "updatedAt": "2026-04-15 12:12:34", "language": "en", "timeDoors": "23:59", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/64adf7549c99c137ce22394c94a727085e9a125e.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/848bc1a2415334db.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "c0d9e3ffc5606833", "title": "Ritual Is A Mantra", "description": "", "hasNativeGreek": false, "startDate": "2026-04-17T23:59:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "IT Athens", "address": "Solomou 30 & Botasi 9, Athens 106 82", "neighborhood": "Exarchia", "coordinates": { "lat": 37.987, "lon": 23.7325 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://ra.co/events/2412658", "source": "residentadvisor", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "23:59", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/1ffb74d0badc70e683ba99b9644145b2dcb45d92.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/c0d9e3ffc5606833.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "5e2da0fcd930c916", "title": "The Organ-ization Sessions & Yiannis Kassetas", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Poetry Bar", "address": "Poetry bar, 2-4", "neighborhood": "", "coordinates": { "lat": 37.985952, "lon": 23.733488 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/the_organ_ization_sessions_kai_yiannis_kassetas-10052168/", "ticketUrl": "https://www.athinorama.gr/music/gig/the_organ_ization_sessions_kai_yiannis_kassetas-10052168/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-14 14:12:29", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "65e32c40db6e9472", "title": "«Πασχαλινές καντάδες στο Μέγαρο»", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Αίθουσα Διδασκαλίας Μεγάρου Μουσικής", "address": "Megaro Mousikis, Athina 115 21", "neighborhood": "", "coordinates": { "lat": 37.981015, "lon": 23.754098 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/pasxalines_kantades_sto_megaro-10089781/", "ticketUrl": "https://www.athinorama.gr/music/gig/pasxalines_kantades_sto_megaro-10089781/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:12:34", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "70c61bfa3a2153d8", "title": "Σιρόκος", "description": "Εως 2026-05-19", "hasNativeGreek": false, "startDate": "2026-04-18T18:00:00", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Θέατρο Μπέλλος", "address": "Θέατρο Μπέλλος, 1", "neighborhood": "", "coordinates": { "lat": 37.973037, "lon": 23.731352 }, "capacity": null }, "price": { "type": "paid", "amount": 18, "currency": "EUR", "range": "€18" }, "url": "https://www.athinorama.gr/theatre/performance/sirokos-10089823/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/sirokos-10089823/", "source": "athinorama.gr", "createdAt": "2026-04-08 17:29:31", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "18:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/b7/b7dec8762b904d69a7fb0f9529f6c512.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/70c61bfa3a2153d8.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "184d361555db6213", "title": "Νέγρος Του Μοριά", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18T19:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Floyd", "address": "Pireos 117, Athens 118 54", "neighborhood": "Keramikos / Metaxourgeio", "coordinates": { "lat": 37.9795, "lon": 23.718 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15 - €18" }, "url": "https://www.athinorama.gr/music/gig/negros_tou_moria_-10077955/", "ticketUrl": "https://www.athinorama.gr/music/gig/negros_tou_moria_-10077955/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "19:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "13efe10aa940b66f", "title": "Konstantinos Asimakis Quartet", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18T19:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "€12" }, "url": "https://www.athinorama.gr/music/gig/konstantinos_asimakis_quartet-10076425/", "ticketUrl": "https://www.athinorama.gr/music/gig/konstantinos_asimakis_quartet-10076425/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "19:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "6d568753a146934b", "title": "FM", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18T19:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Κύτταρο", "address": "Αχαρνών, Ipeirou και", "neighborhood": "", "coordinates": { "lat": 37.990675, "lon": 23.726265 }, "capacity": null }, "price": { "type": "paid", "amount": 30, "currency": "EUR", "range": "€30" }, "url": "https://www.athinorama.gr/music/gig/fm_-10083412/", "ticketUrl": "https://www.athinorama.gr/music/gig/fm_-10083412/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "19:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "6438ebf8b7d47477", "title": "Warrel Dane tribute", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18T20:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "AN Club", "address": "13-15 Solomou Street, Athens 106 82", "neighborhood": "Exarchia", "coordinates": { "lat": 37.9885, "lon": 23.733 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "€12" }, "url": "https://www.athinorama.gr/music/gig/warrel_dane_tribute-10063813/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "5b80b55f3baac9ed", "title": "A PLACE TO BURY STRANGERS live in Athens", "description": "18 Απριλιου A PLACE TO BURY STRANGERS live in Athens Gazarte - Ground Stage", "fullDescription": "The feedback starts before you find the bar. Sheets of guitar noise crash against the walls of Gazarte's Ground Stage, the sound physical before it becomes musical. You've walked into a room where three people are making enough noise for an orchestra, and somehow it all coheres into something beautiful. A Place To Bury Strangers is teaching Athens about controlled destruction.\n\nThe Brooklyn trio has spent two decades refining the art of beautiful noise. Since 2003, Oliver Ackermann and company have been building walls of sound that tower and collapse, melodies buried under distortion that gradually reveal themselves to the patient listener. Their reputation as \"the loudest band in New York\" isn't marketing — it's a physical reality that Gazarte's Ground Stage is about to verify.\n\nThe venue's basement configuration suits this music perfectly. The low ceiling contains the noise, creates the compression that makes APTBS shows feel engulfing rather than merely loud. The Ground Stage has hosted enough volume to know what it's doing. Tonight it earns its specifications.\n\nNoise rock operates in the space between intention and accident. Ackermann's guitar work layers effect upon effect, the original signal long buried under processing that sounds chaotic but follows internal logic. The rhythm section provides anchor points — you can dance to this if you let your body find the pulse beneath the storm. Many do, heads nodding to beats they feel rather than hear clearly.\n\nThe crowd at APTBS shows self-selects for intensity. These are listeners who've found their way to music's edges, who understand that loud and beautiful aren't mutually exclusive. Earplugs appear throughout the room — not signs of weakness but acknowledgment of what's coming. The conversations between songs are shouted, the silence when the band starts is collective surrender.\n\nIf you need lyrical clarity or dynamic range in the conventional sense, A Place To Bury Strangers will bury your expectations under noise. The volume stays high, the approach stays uncompromising. But if you've been hunting for music that operates at the border between sound and sensation — Gazarte's Ground Stage holds this particular intensity.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:30 |\n| **Music** | 21:30 |\n| **Venue** | Gazarte Ground Stage, Voutadon Street, Gazi |\n| **Getting there** | Kerameikos Metro, 5 min walk |\n| **Price** | Check more.com |\n| **Bring** | Earplugs |\n\nA Place To Bury Strangers — noise as a form of meditation.", "fullDescriptionEn": "The feedback starts before you find the bar. Sheets of guitar noise crash against the walls of Gazarte's Ground Stage, the sound physical before it becomes musical. You've walked into a room where three people are making enough noise for an orchestra, and somehow it all coheres into something beautiful. A Place To Bury Strangers is teaching Athens about controlled destruction.\n\nThe Brooklyn trio has spent two decades refining the art of beautiful noise. Since 2003, Oliver Ackermann and company have been building walls of sound that tower and collapse, melodies buried under distortion that gradually reveal themselves to the patient listener. Their reputation as \"the loudest band in New York\" isn't marketing — it's a physical reality that Gazarte's Ground Stage is about to verify.\n\nThe venue's basement configuration suits this music perfectly. The low ceiling contains the noise, creates the compression that makes APTBS shows feel engulfing rather than merely loud. The Ground Stage has hosted enough volume to know what it's doing. Tonight it earns its specifications.\n\nNoise rock operates in the space between intention and accident. Ackermann's guitar work layers effect upon effect, the original signal long buried under processing that sounds chaotic but follows internal logic. The rhythm section provides anchor points — you can dance to this if you let your body find the pulse beneath the storm. Many do, heads nodding to beats they feel rather than hear clearly.\n\nThe crowd at APTBS shows self-selects for intensity. These are listeners who've found their way to music's edges, who understand that loud and beautiful aren't mutually exclusive. Earplugs appear throughout the room — not signs of weakness but acknowledgment of what's coming. The conversations between songs are shouted, the silence when the band starts is collective surrender.\n\nIf you need lyrical clarity or dynamic range in the conventional sense, A Place To Bury Strangers will bury your expectations under noise. The volume stays high, the approach stays uncompromising. But if you've been hunting for music that operates at the border between sound and sensation — Gazarte's Ground Stage holds this particular intensity.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:30 |\n| **Music** | 21:30 |\n| **Venue** | Gazarte Ground Stage, Voutadon Street, Gazi |\n| **Getting there** | Kerameikos Metro, 5 min walk |\n| **Price** | Check more.com |\n| **Bring** | Earplugs |\n\nA Place To Bury Strangers — noise as a form of meditation.", "fullDescriptionGr": "The feedback starts before you find the bar. Sheets of guitar noise crash against the walls of Gazarte's Ground Stage, the sound physical before it becomes musical. You've walked into a room where three people are making enough noise for an orchestra, and somehow it all coheres into something beautiful. A Place To Bury Strangers is teaching Athens about controlled destruction.\n\nThe Brooklyn trio has spent two decades refining the art of beautiful noise. Since 2003, Oliver Ackermann and company have been building walls of sound that tower and collapse, melodies buried under distortion that gradually reveal themselves to the patient listener. Their reputation as \"the loudest band in New York\" isn't marketing — it's a physical reality that Gazarte's Ground Stage is about to verify.\n\nThe venue's basement configuration suits this music perfectly. The low ceiling contains the noise, creates the compression that makes APTBS shows feel immersive rather than merely loud. The Ground Stage has hosted enough volume to know what it's doing. Tonight it earns its specifications.\n\nNoise rock operates in the space between intention and accident. Ackermann's guitar work layers effect upon effect, the original signal long buried under processing that sounds chaotic but follows internal logic. The rhythm section provides anchor points — you can dance to this if you let your body find the pulse beneath the storm. Many do, heads nodding to beats they feel rather than hear clearly.\n\nThe crowd at APTBS shows self-selects for intensity. These are listeners who've found their way to music's edges, who understand that loud and beautiful aren't mutually exclusive. Earplugs appear throughout the room — not signs of weakness but acknowledgment of what's coming. The conversations between songs are shouted, the silence when the band starts is collective surrender.\n\nIf you need lyrical clarity or dynamic range in the conventional sense, A Place To Bury Strangers will bury your expectations under noise. The volume stays high, the approach stays uncompromising. But if you've been hunting for music that operates at the border between sound and sensation — Gazarte's Ground Stage holds this particular intensity.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:30 |\n| **Music** | 21:30 |\n| **Venue** | Gazarte Ground Stage, Voutadon Street, Gazi |\n| **Getting there** | Kerameikos Metro, 5 min walk |\n| **Price** | Check more.com |\n| **Bring** | Earplugs |\n\nA Place To Bury Strangers — noise as a form of meditation.", "hasNativeGreek": false, "startDate": "2026-04-18T20:00:00+03:00", "endDate": null, "type": "concert", "genres": [ "music" ], "tags": [], "venue": { "name": "Gazarte", "address": "32-34 Voutadon St, Gazi, Athens", "neighborhood": "Gazi / Keramikos", "coordinates": { "lat": 37.9775, "lon": 23.7153 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 15, "currency": "EUR", "range": "€10-25" }, "url": "https://www.viva.gr/gr-el/tickets/music/a-place-to-bury-strangers-1/", "ticketUrl": "https://www.viva.gr/gr-el/tickets/music/a-place-to-bury-strangers-1/", "source": "more.com", "createdAt": "2026-01-19T23:07:36.324Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:30", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/site/images/opengraph.png", "imageSource": "backfill", "imageLocal": "/images/events/5b80b55f3baac9ed.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "c4f9d1e4dd4573a6", "title": "FM – 40 Years of “Indiscreet”, Live in Athens", "description": "18 Απριλιου FM – 40 Years of “Indiscreet”, Live in Athens Κυτταρο Live", "fullDescription": "The keyboards shimmer in that specific way that marks 1986 as clearly as a timestamp. You hear it and you're somewhere else — driving at night, the city lights streaking past, the radio finally playing what your heart needed. Kyttaro prepares for FM, and the room fills with people who've been waiting forty years for this evening.\n\n\"Indiscreet\" turns forty. FM's second album landed in a world that was ready for its particular blend of melodic rock and sophisticated production. Songs like \"Bad Luck,\" \"That Girl,\" and the title track became radio staples in markets where AOR still ruled. Tonight's performance celebrates that record's anniversary with the focus it deserves — a full album performance plus deep cuts that reward devoted fans.\n\nKyttaro Live Club provides the historically appropriate setting. This room — Athens' \"mecca of Greek rock,\" recently restored with purpose-built sound — has hosted legends since the Hendrix era. Its 800-capacity creates intimacy without losing the power these songs require. The sound system handles AOR's specific demands — the layered keyboards, the guitar harmonies, the production values that made this music shimmer.\n\nFM in 2026 carries the weight of survival. The band that emerged from Steve Howe's Asia connections has outlasted genre trends, lineup changes, and industry indifference to remain working, touring, still believing in what they do. Tonight's performance offers both nostalgia and proof of ongoing vitality — the songs sound like themselves, the delivery carries decades of road-tested expertise.\n\nThe crowd knows every word. These are the listeners who kept \"Indiscreet\" in rotation when fashion moved elsewhere, who found the album in record bins or discovered it through parents' collections. Conversations before the show swap stories about first encounters with the record, debate favorite deep cuts, establish the shared context that makes celebrations like this meaningful.\n\nIf you need contemporary sounds or ironic distance from 80s production values, FM will challenge your positioning. This is unabashed AOR, committed to the premise that melody and sophistication aren't opposites. But if you've been waiting to hear \"Indiscreet\" performed complete by the artists who made it — Kyttaro hosts this anniversary.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:00 |\n| **Music** | 21:00 |\n| **Venue** | Kyttaro Live Club, Ipeirou 48, near Viktoria Square |\n| **Getting there** | Victoria Metro, then walk/taxi |\n| **Capacity** | 800+ |\n| **Special** | 40th Anniversary of \"Indiscreet\" |\n| **Price** | Check venue |\n\nFM celebrates \"Indiscreet\" at 40 — the album that proved sophistication could rock.", "fullDescriptionEn": "The keyboards shimmer in that specific way that marks 1986 as clearly as a timestamp. You hear it and you're somewhere else — driving at night, the city lights streaking past, the radio finally playing what your heart needed. Kyttaro prepares for FM, and the room fills with people who've been waiting forty years for this evening.\n\n\"Indiscreet\" turns forty. FM's second album landed in a world that was ready for its particular blend of melodic rock and sophisticated production. Songs like \"Bad Luck,\" \"That Girl,\" and the title track became radio staples in markets where AOR still ruled. Tonight's performance celebrates that record's anniversary with the focus it deserves — a full album performance plus deep cuts that reward devoted fans.\n\nKyttaro Live Club provides the historically appropriate setting. This room — Athens' \"mecca of Greek rock,\" recently restored with purpose-built sound — has hosted legends since the Hendrix era. Its 800-capacity creates intimacy without losing the power these songs require. The sound system handles AOR's specific demands — the layered keyboards, the guitar harmonies, the production values that made this music shimmer.\n\nFM in 2026 carries the weight of survival. The band that emerged from Steve Howe's Asia connections has outlasted genre trends, lineup changes, and industry indifference to remain working, touring, still believing in what they do. Tonight's performance offers both nostalgia and proof of ongoing vitality — the songs sound like themselves, the delivery carries decades of road-tested expertise.\n\nThe crowd knows every word. These are the listeners who kept \"Indiscreet\" in rotation when fashion moved elsewhere, who found the album in record bins or discovered it through parents' collections. Conversations before the show swap stories about first encounters with the record, debate favorite deep cuts, establish the shared context that makes celebrations like this meaningful.\n\nIf you need contemporary sounds or ironic distance from 80s production values, FM will challenge your positioning. This is unabashed AOR, committed to the premise that melody and sophistication aren't opposites. But if you've been waiting to hear \"Indiscreet\" performed complete by the artists who made it — Kyttaro hosts this anniversary.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:00 |\n| **Music** | 21:00 |\n| **Venue** | Kyttaro Live Club, Ipeirou 48, near Viktoria Square |\n| **Getting there** | Victoria Metro, then walk/taxi |\n| **Capacity** | 800+ |\n| **Special** | 40th Anniversary of \"Indiscreet\" |\n| **Price** | Check venue |\n\nFM celebrates \"Indiscreet\" at 40 — the album that proved sophistication could rock.", "fullDescriptionGr": "The keyboards shimmer in that specific way that marks 1986 as clearly as a timestamp. You hear it and you're somewhere else — driving at night, the city lights streaking past, the radio finally playing what your heart needed. Kyttaro prepares for FM, and the room fills with people who've been waiting forty years for this evening.\n\n\"Indiscreet\" turns forty. FM's second album landed in a world that was ready for its particular blend of melodic rock and sophisticated production. Songs like \"Bad Luck,\" \"That Girl,\" and the title track became radio staples in markets where AOR still ruled. Tonight's performance celebrates that record's anniversary with the focus it deserves — a full album performance plus deep cuts that reward devoted fans.\n\nKyttaro Live Club provides the historically appropriate setting. This room — Athens' \"mecca of Greek rock,\" recently restored with state-of-the-art sound — has hosted legends since the Hendrix era. Its 800-capacity creates intimacy without losing the power these songs require. The sound system handles AOR's specific demands — the layered keyboards, the guitar harmonies, the production values that made this music shimmer.\n\nFM in 2026 carries the weight of survival. The band that emerged from Steve Howe's Asia connections has outlasted genre trends, lineup changes, and industry indifference to remain working, touring, still believing in what they do. Tonight's performance offers both nostalgia and proof of ongoing vitality — the songs sound like themselves, the delivery carries decades of road-tested expertise.\n\nThe crowd knows every word. These are the listeners who kept \"Indiscreet\" in rotation when fashion moved elsewhere, who found the album in record bins or discovered it through parents' collections. Conversations before the show swap stories about first encounters with the record, debate favorite deep cuts, establish the shared context that makes celebrations like this meaningful.\n\nIf you need contemporary sounds or ironic distance from 80s production values, FM will challenge your positioning. This is unabashed AOR, committed to the premise that melody and sophistication aren't opposites. 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"language": "en", "timeDoors": "23:00", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/8f211e3776ee8e1a877b4adf6bd807749936ad14.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/5efa8db9fdfc5e12.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "875f41549f40fc5a", "title": "VLCT Arena w/ CLOUDY-KUKO-JOHANNES SCHUSTER", "description": "", "fullDescription": "VLCT Arena is a hard techno event at Universe in Aigaleo, Athens, on 18 April 2026. The kick drum reaches your ribs before the acid line catches your ear.\n\nCloudy, KUKO, and Johannes Schuster all come from Cologne's Unreal and Adrenaline residency circuit — driving basslines, industrial textures, sequences that build across hours rather than tracks. Universe runs a main room and outdoor stage, and the room fills after midnight.\n\nIf you want conversation-volume music, this is not that night. If you want three DJs who share a city and a circuit bringing Cologne's warehouse sound to Athens, VLCT Arena is that transfer.\n\nDoors at 23:30. Tickets through more.com. Kifisou 87 — Egaleo metro is closest but taxi-required at this hour.", "fullDescriptionEn": "VLCT Arena is a hard techno event at Universe in Aigaleo, Athens, on 18 April 2026. The kick drum reaches your ribs before the acid line catches your ear.\n\nCloudy, KUKO, and Johannes Schuster all come from Cologne's Unreal and Adrenaline residency circuit — driving basslines, industrial textures, sequences that build across hours rather than tracks. Universe runs a main room and outdoor stage, and the room fills after midnight.\n\nIf you want conversation-volume music, this is not that night. If you want three DJs who share a city and a circuit bringing Cologne's warehouse sound to Athens, VLCT Arena is that transfer.\n\nDoors at 23:30. Tickets through more.com. Kifisou 87 — Egaleo metro is closest but taxi-required at this hour.", "fullDescriptionGr": "Το VLCT Arena είναι hard techno event στο Universe στο Αιγάλεω, Αθήνα, στις 18 Απριλίου 2026. Το kick drum φτάνει στα πλευρά πριν πιάσεις το acid line.\n\nCloudy, KUKO και Johannes Schuster — residents σε Unreal και Adrenaline στην Κολωνία — φέρνουν driving basslines, industrial textures και sequences που χτίζονται σε ώρες, όχι tracks. Κεντρικός χώρος και εξωτερική σκηνή. Γεμίζει μετά τα μεσάνυχτα.\n\nΑν θέλεις ήσυχο βράδυ, αυτό δεν είναι. Αν θέλεις τον ήχο της Κολωνίας σε αθηναϊκό warehouse, εδώ μεταφέρεται.\n\nΠόρτα 23:30. Εισιτήρια μέσω more.com. Κηφισού 87 — μετρό Αιγάλεω πιο κοντά, αλλά ταξί απαραίτητο τέτοια ώρα.", "hasNativeGreek": true, "startDate": "2026-04-18T23:30:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [ "Hard-techno", "Techno", "DJ-set", "Warehouse", "Late-night", "Standing-room", "Dance-floor", "Taxi-recommended", "20s-30s", "Music-heads" ], "venue": { "name": "Universe", "address": "Leoforos Kifisou 87, Athens 122 41", "neighborhood": "Egaleo", "coordinates": { "lat": 37.9708, "lon": 23.6733 }, "capacity": null }, "price": { "type": "paid", "amount": 25, "currency": "EUR", "range": "€25" }, "url": "https://www.more.com/gr-el/tickets/music/cloudy/", "ticketUrl": "https://www.more.com/gr-el/tickets/music/cloudy/", "source": "more.com", "createdAt": "2026-02-26 07:40:47", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "23:30", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/c6079a92-996b-4249-acd0-8d096483c400/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/875f41549f40fc5a.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "b39d6ee5524b0109", "title": "Somov: Ignez + Inox Traxx + Wala", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18T23:45:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "Smut, Βατσαξή 4, 10438, Αθήνα, Greece", "address": "Vatsaxi 4, Athina 104 38", "neighborhood": "", "coordinates": { "lat": 37.987531, "lon": 23.725211 }, "capacity": null }, "price": { "type": "door", "amount": null, "currency": "EUR", "range": "Door price" }, "url": "https://www.clubber.gr/events/somov-ignez-inox-traxx-wala/", "ticketUrl": "https://www.clubber.gr/events/somov-ignez-inox-traxx-wala/", "source": "clubber.gr", "createdAt": "2026-03-16 09:05:07", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "23:45", "timeSource": "scraped_listing", "imageUrl": "https://www.clubber.gr/wp-content/uploads/2025/02/20-years-clubber-gr.jpg", "imageSource": "backfill", "imageLocal": "/images/events/b39d6ee5524b0109.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "bf5dec5e337ab215", "title": "Groovepulse x Hardvision: Alisa Murphy + Emperør + Mechanist + Saniter + Ther3min", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18T23:45:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "Aux Club", "address": "Agiou Orous 15, Athens 104 47", "neighborhood": "Votanikos", "coordinates": { "lat": 37.9746, "lon": 23.7028 }, "capacity": null }, "price": { "type": "door", "amount": 10, "currency": "EUR", "range": "€8-15" }, "url": "https://www.clubber.gr/events/groovepulse-x-hardvision-alisa-murphy-emperor-mechanist-saniter-ther3min/", "source": "clubber.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "23:45", "timeSource": "scraped_listing", "imageUrl": "https://www.clubber.gr/wp-content/uploads/2026/04/21-years-clubbergr.jpg", "imageSource": "backfill", "imageLocal": "/images/events/bf5dec5e337ab215.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "e3370aed8d1d2854", "title": "SOMOV x SMUT with Ignez x Inox Traxx x Wala", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18T23:59:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "SMUT Athens", "address": "Vatsaxi 4, Athens 104 38", "neighborhood": "Psyrri", "coordinates": { "lat": 37.9841, "lon": 23.7284 }, "capacity": null }, "price": { "type": "tba", "amount": 15, "currency": "EUR", "range": "€15-20" }, "url": "https://ra.co/events/2387352", "ticketUrl": "https://ra.co/events/2387352", "source": "residentadvisor", "createdAt": "2026-03-06 07:38:39", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "23:59", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/ee87fb447fdbf47c7da0766790ee929b493208a5.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/e3370aed8d1d2854.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "e61dcb8499b2be25", "title": "Velocity Arena with Cloudy - KUKO - Johannes Schuster", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18T23:59:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "Universe", "address": "Leoforos Kifisou 87, Athens 122 41", "neighborhood": "Egaleo", "coordinates": { "lat": 37.9708, "lon": 23.6733 }, "capacity": null }, "price": { "type": "paid", "amount": 30, "currency": "EUR", "range": "€30" }, "url": "https://ra.co/events/2379691", "ticketUrl": "https://ra.co/events/2379691", "source": "residentadvisor", "createdAt": "2026-04-14 14:12:29", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "23:59", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/bf19a84edebb83dc870a91aac1016845f3a4ff08.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/e61dcb8499b2be25.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "1e65e1007917e82c", "title": "TRIUMPHER", "description": "", "hasNativeGreek": false, "startDate": "2026-04-19", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Κύτταρο", "address": "Ipeirou 48, Athens 104 39", "neighborhood": "Metaxourgeio / Viktoria", "coordinates": { "lat": 37.990675, "lon": 23.726265 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15 - €18" }, "url": "https://www.ticketservices.gr/event/14068/", "ticketUrl": "https://www.ticketservices.gr/event/14068/", "source": "ticketservices", "createdAt": "2026-02-08 12:53:02", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "22:00", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_60077_or_Triumpher-Banner Ticket Services Athens 2025 02.jpg", "imageSource": "backfill", "imageLocal": "/images/events/1e65e1007917e82c.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "39815e5a423befc2", "title": "Polis Ensemble Παρουσίαση άλμπουμ Polis Ensemble ΙΙ", "description": "", "hasNativeGreek": false, "startDate": "2026-04-19", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "€12" }, "url": "https://www.ticketservices.gr/event/14148/", "ticketUrl": "https://www.ticketservices.gr/event/14148/", "source": "ticketservices", "createdAt": "2026-02-19 08:49:27", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "19:00", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/main/main4_60623_th8888882222.jpg", "imageSource": "backfill", "imageLocal": "/images/events/39815e5a423befc2.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "7a74fb72e7efd162", "title": "«Στου Απρίλη το φως»", "description": "", "hasNativeGreek": false, "startDate": "2026-04-19", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Ίδρυμα Μιχάλης Κακογιάννης", "address": "Pireos 206, Athens 177 78", "neighborhood": "Tavros", "coordinates": { "lat": 37.9676, "lon": 23.6964 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/stou_aprili_to_fos-10089825/", "ticketUrl": "https://www.athinorama.gr/music/gig/stou_aprili_to_fos-10089825/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "9f04cd3ddeac384f", "title": "Το ποδήλατο της Ωραίας Ελένης", "description": "", "hasNativeGreek": false, "startDate": "2026-04-19", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Παραμυθίας", "address": "Παραμυθιάς, Μεταξουργείο", "neighborhood": "", "coordinates": { "lat": 37.982182, "lon": 23.713749 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15" }, "url": "https://www.athinorama.gr/theatre/performance/to_podilato_tis_oraias_elenis-10089830/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/to_podilato_tis_oraias_elenis-10089830/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/59/59315ffa06c34003ae6f974c89b0147a.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/9f04cd3ddeac384f.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "f3a34f7e81cc21bc", "title": "Το πόδι της χήνας", "description": "Εως 2026-05-19", "hasNativeGreek": false, "startDate": "2026-04-19", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Από Μηχανής Θέατρο", "address": "Από μηχανής Θέατρο, Ακάδημου", "neighborhood": "", "coordinates": { "lat": 37.981978, "lon": 23.720367 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15" }, "url": "https://www.athinorama.gr/theatre/performance/to_podi_tis_xinas-10089828/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/to_podi_tis_xinas-10089828/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:15", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/06/06762ccc5b8d4dddb244294d71df4dd7.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/f3a34f7e81cc21bc.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "f47bc412b3157871", "title": "Τικ και Τέλα: Ο βατραχάκος", "description": "Εως 2026-05-10", "fullDescription": "Somewhere between a suitcase and a bedside table, a handmade frog has gone missing. Tela packed for her sleepover at Tik's house but forgot her beloved toy, and the small fear every toddler knows becomes the engine of the show.\n\nParamythochora puppet theater brings Axel Scheffler's story to Theatre 104 with handmade puppets, original music, and a set built to hold attention spans measured in minutes. Maria and Spyridoula Papageorgiou design and perform, working at eye level with an audience aged two to five.\n\nThe front rows belong to children who grip their parents' hands during the scary parts and shout advice at the puppets during the rest.\n\nIf your child needs screen-quality effects, this is handmade and analog. But if you want a story that meets bedtime fears with humor and a handcrafted frog, Paramythochora knows how long a small person can sit still.\n\nTheatre 104 is at Evmolpidon 41 in Gazi, near Kerameikos metro. 19 April 2026 at 10:30. Tickets at 9 EUR.\n\nThe frog gets found. The audience leaves braver than it arrived.", "fullDescriptionEn": "Somewhere between a suitcase and a bedside table, a handmade frog has gone missing. Tela packed for her sleepover at Tik's house but forgot her beloved toy, and the small fear every toddler knows becomes the engine of the show.\n\nParamythochora puppet theater brings Axel Scheffler's story to Theatre 104 with handmade puppets, original music, and a set built to hold attention spans measured in minutes. Maria and Spyridoula Papageorgiou design and perform, working at eye level with an audience aged two to five.\n\nThe front rows belong to children who grip their parents' hands during the scary parts and shout advice at the puppets during the rest.\n\nIf your child needs screen-quality effects, this is handmade and analog. But if you want a story that meets bedtime fears with humor and a handcrafted frog, Paramythochora knows how long a small person can sit still.\n\nTheatre 104 is at Evmolpidon 41 in Gazi, near Kerameikos metro. 19 April 2026 at 10:30. Tickets at 9 EUR.\n\nThe frog gets found. The audience leaves braver than it arrived.", "fullDescriptionGr": "Somewhere between a suitcase and a bedside table, a handmade frog has gone missing. Tela packed for her sleepover at Tik's house but forgot her beloved toy, and the small fear every toddler knows becomes the engine of the show.\n\nParamythochora puppet theater brings Axel Scheffler's story to Theatre 104 with handmade puppets, original music, and a set built to hold attention spans measured in minutes. Maria and Spyridoula Papageorgiou design and perform, working at eye level with an audience aged two to five.\n\nThe front rows belong to children who grip their parents' hands during the scary parts and shout advice at the puppets during the rest.\n\nIf your child needs screen-quality effects, this is handmade and analog. But if you want a story that meets bedtime fears with humor and a handcrafted frog, Paramythochora knows how long a small person can sit still.\n\nTheatre 104 is at Evmolpidon 41 in Gazi, near Kerameikos metro. 19 April 2026 at 10:30. Tickets at 9 EUR.\n\nThe frog gets found. The audience leaves braver than it arrived.", "hasNativeGreek": false, "startDate": "2026-04-19T10:30:00", "endDate": null, "type": "theater", "genres": [], "tags": [ "Drama", "Child-friendly", "Families", "Seated", "Participatory", "Gazi", "Metro-accessible", "Greek-language" ], "venue": { "name": "104", "address": "Eumolpidon 41, Athens 118 54", "neighborhood": "Gazi", "coordinates": { "lat": 37.98, "lon": 23.7112 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/theatre/performance/tik_kai_tela_o_batraxakos-10072637/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/tik_kai_tela_o_batraxakos-10072637/", "source": "athinorama.gr", "createdAt": "2026-04-03 05:10:06", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "10:30", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/bc/bcfc3f2b87fe4bf489210acb6ced332a.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/f47bc412b3157871.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "572842cdd9303bab", "title": "Fantastic Twins & Justine Forever live in Athens", "description": "", "hasNativeGreek": false, "startDate": "2026-04-19T18:30:00", "endDate": null, "type": "concert", "genres": [ "electronic" ], "tags": [], "venue": { "name": "ΙΛΙΟΝ Plus", "address": "Kodrigktonos 17, Athens 104 34", "neighborhood": "Victoria / Neapoli", "coordinates": { "lat": 37.9944, "lon": 23.7369 }, "capacity": null }, "price": { "type": "paid", "amount": 20, "currency": "EUR", "range": "€20" }, "url": "https://ra.co/events/2414944", "ticketUrl": "https://www.athinorama.gr/music/gig/fantastic_twins_kai_justine_forever-10089752/", "source": "residentadvisor", "createdAt": "2026-04-12 07:53:04", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "18:30", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/06c732437dab3ff2fbc9407ba43f7bc123d2eeb7.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/572842cdd9303bab.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "d3b7712ad84bb7cf", "title": "Barakos Orchestra", "description": "", "hasNativeGreek": false, "startDate": "2026-04-19T19:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Concert #1 Baumstrasse", "address": "Servion 8, Athens 104 41", "neighborhood": "Votanikos", "coordinates": { "lat": 37.9854, "lon": 23.7113 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/barakos_orchestra-10088845/", "ticketUrl": "https://www.athinorama.gr/music/gig/barakos_orchestra-10088845/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "19:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "94566f8433e751a8", "title": "TFTK TAPES RELEASE PARTY", "description": "", "hasNativeGreek": false, "startDate": "2026-04-19T19:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "B side Athens", "address": "Μπη Σάιντ, Μαυροκορδάτου", "neighborhood": "", "coordinates": { "lat": 37.983779, "lon": 23.731955 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://ra.co/events/2417309", "ticketUrl": "https://ra.co/events/2417309", "source": "residentadvisor", "createdAt": "2026-04-14 14:12:29", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "19:00", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/700b9e3d2b33e1cf1ec461e0cc1b8b3328fda1e4.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/94566f8433e751a8.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "ac21c0c5f6cd2043", "title": "«ΜΠΛΙΜΠΛΙΚΙΑ»", "description": "", "hasNativeGreek": false, "startDate": "2026-04-19T20:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "ΚΠΙΣΝ", "address": "Κέντρο Πολιτισμού Ίδρυμα Σταύρος Νιάρχος, 364", "neighborhood": "", "coordinates": { "lat": 37.941042, "lon": 23.693306 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/mplimplikia-10089790/", "ticketUrl": "https://www.athinorama.gr/music/gig/mplimplikia-10089790/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "15c5d30110dc2f3e", "title": "«Γυναικείες φωνές στο Δημοτικό τραγούδι»", "description": "", "hasNativeGreek": false, "startDate": "2026-04-19T20:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Ολύμπια - Δημοτικό Μουσικό Θέατρο «Μαρία Κάλλας»", "address": "Akadimias 59, Athens 106 79", "neighborhood": "Omonia", "coordinates": { "lat": 37.9824, "lon": 23.7333 }, "capacity": null }, "price": { "type": "paid", "amount": 5, "currency": "EUR", "range": "€5 - €25" }, "url": "https://www.athinorama.gr/music/gig/gunaikeies_fones_sto_dimotiko_tragoudi-10089744/", "ticketUrl": "https://www.athinorama.gr/music/gig/gunaikeies_fones_sto_dimotiko_tragoudi-10089744/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "db24234b511e2126", "title": "Sneaky Mustard", "description": "", "hasNativeGreek": false, "startDate": "2026-04-19T20:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "AN Club", "address": "13-15 Solomou Street, Athens 106 82", "neighborhood": "Exarchia", "coordinates": { "lat": 37.9885, "lon": 23.733 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10" }, "url": "https://www.athinorama.gr/music/gig/sneaky_mustard-10089760/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "985cd39153307d16", "title": "ΑΜΛΕΤ (machine)", "description": "", "fullDescription": "Shakespeare wrote Hamlet in 1600. Heiner Muller disassembled it in 1977. Sofia Antoniou puts both on the same stage at Theatro Poreia and runs them simultaneously — a play inside a play inside a machine that refuses to stop.\n\nAntoniou layers Shakespeare's plot against Muller's five dense scenes of post-war European collapse. The result runs 120 minutes without intermission.\n\nTheatro Poreia draws the audience that reads the source texts before arrival and argues about them afterward in the bars around Plateia Victorias.\n\nHamlet asks whether to act. Muller asks whether action still means anything after the twentieth century dismantled the stage it stood on. Antoniou holds both questions open for two hours.\n\nIf you want a clear revenge narrative with a tidy fifth act, Shakespeare alone provides that. But if you want to watch one play eat another alive, this staging does not flinch.\n\nTheatro Poreia is at Trikorfon 3-5, near Victoria metro. 19 April 2026 at 21:00. Tickets from 15 EUR through more.com.\n\nTwo texts, four centuries apart, no intermission to recover between them.", "fullDescriptionEn": "Shakespeare wrote Hamlet in 1600. Heiner Muller disassembled it in 1977. Sofia Antoniou puts both on the same stage at Theatro Poreia and runs them simultaneously — a play inside a play inside a machine that refuses to stop.\n\nAntoniou layers Shakespeare's plot against Muller's five dense scenes of post-war European collapse. The result runs 120 minutes without intermission.\n\nTheatro Poreia draws the audience that reads the source texts before arrival and argues about them afterward in the bars around Plateia Victorias.\n\nHamlet asks whether to act. Muller asks whether action still means anything after the twentieth century dismantled the stage it stood on. Antoniou holds both questions open for two hours.\n\nIf you want a clear revenge narrative with a tidy fifth act, Shakespeare alone provides that. But if you want to watch one play eat another alive, this staging does not flinch.\n\nTheatro Poreia is at Trikorfon 3-5, near Victoria metro. 19 April 2026 at 21:00. Tickets from 15 EUR through more.com.\n\nTwo texts, four centuries apart, no intermission to recover between them.", "fullDescriptionGr": "Shakespeare wrote Hamlet in 1600. Heiner Muller disassembled it in 1977. Sofia Antoniou puts both on the same stage at Theatro Poreia and runs them simultaneously — a play inside a play inside a machine that refuses to stop.\n\nAntoniou layers Shakespeare's plot against Muller's five dense scenes of post-war European collapse. The result runs 120 minutes without intermission.\n\nTheatro Poreia draws the audience that reads the source texts before arrival and argues about them afterward in the bars around Plateia Victorias.\n\nHamlet asks whether to act. Muller asks whether action still means anything after the twentieth century dismantled the stage it stood on. Antoniou holds both questions open for two hours.\n\nIf you want a clear revenge narrative with a tidy fifth act, Shakespeare alone provides that. But if you want to watch one play eat another alive, this staging does not flinch.\n\nTheatro Poreia is at Trikorfon 3-5, near Victoria metro. 19 April 2026 at 21:00. Tickets from 15 EUR through more.com.\n\nTwo texts, four centuries apart, no intermission to recover between them.", "hasNativeGreek": false, "startDate": "2026-04-19T21:00:00", "endDate": null, "type": "theater", "genres": [], "tags": [ "Drama", "Experimental", "Seated", "Theater-regulars", "Greek-language", "Metro-accessible" ], "venue": { "name": "Πορεία at Victoria", "address": "Trikorfonon 3-5 & 3is Septemvriou 69, Athens 104 33", "neighborhood": "Plateia Viktorias", "coordinates": { "lat": 37.9912, "lon": 23.7294 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15" }, "url": "https://www.more.com/gr-el/tickets/theater/amlet-machine/", "ticketUrl": "https://www.more.com/gr-el/tickets/theater/amlet-machine/", "source": "more.com", "createdAt": "2026-03-31 05:08:52", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/e58cf839-66d4-428d-b0d7-fc60ddceb995/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/985cd39153307d16.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "865ef1d717bb789c", "title": "Μαρία Αλαμανή & Μαριάνα Κατσιμίχα", "description": "", "hasNativeGreek": false, "startDate": "2026-04-19T21:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Caja de Música", "address": "Sinopis 27 & Michalakopoulou, Athens 115 27", "neighborhood": "Ampelokipoi / Gkyzi", "coordinates": { "lat": 37.984, "lon": 23.7515 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10" }, "url": "https://www.athinorama.gr/music/gig/maria_alamani_kai_mariana_katsimixa-10085947/", "ticketUrl": "https://www.athinorama.gr/music/gig/maria_alamani_kai_mariana_katsimixa-10085947/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "f037ee639a98b3bc", "title": "Νικολέττα Φιλιππάκη", "description": "", "hasNativeGreek": false, "startDate": "2026-04-19T21:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Καφεθέατρο", "address": "Fokionos Negri area, Athens", "neighborhood": "Pedion Areos / Plateia Viktorias", "coordinates": { "lat": 38.001, "lon": 23.7335 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10" }, "url": "https://www.athinorama.gr/music/gig/nikoletta_filippaki-10089389/", "ticketUrl": "https://www.athinorama.gr/music/gig/nikoletta_filippaki-10089389/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "3aace4ed56b70aca", "title": "Otra Rota", "description": "", "hasNativeGreek": false, "startDate": "2026-04-19T21:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Σταυρός του Νότου", "address": "Σταυρός του Νότου Club, Αμβροσίου Φραντζή", "neighborhood": "", "coordinates": { "lat": 37.961929, "lon": 23.725973 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "€12" }, "url": "https://www.athinorama.gr/music/gig/otra_rota-10089792/", "ticketUrl": "https://www.athinorama.gr/music/gig/otra_rota-10089792/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "eea88a2b6f4156a0", "title": "Η γραμμή σκιάς", "description": "Εως 2026-05-12", "hasNativeGreek": false, "startDate": "2026-04-19T21:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Rabbithole", "address": "Lekka 12, Athens 105 62", "neighborhood": "Syntagma", "coordinates": { "lat": 37.9775, "lon": 23.7349 }, "capacity": null }, "price": { "type": "paid", "amount": 16, "currency": "EUR", "range": "€16" }, "url": "https://www.athinorama.gr/theatre/performance/i_grammi_skias-10085095/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/i_grammi_skias-10085095/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/41/41d49a0ee76b4c10b3527ad122e4ad09.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/eea88a2b6f4156a0.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "fd4bb6cf7d4a7014", "title": "Άμλετ (machine)", "description": "Εως 2026-06-02", "hasNativeGreek": false, "startDate": "2026-04-19T21:00:00", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Πορεία at Victoria", "address": "Trikorfonon 3-5 & 3is Septemvriou 69, Athens 104 33", "neighborhood": "Plateia Viktorias", "coordinates": { "lat": 37.9912, "lon": 23.7294 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15 - €25" }, "url": "https://www.athinorama.gr/theatre/performance/amlet_machine-10089807/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/amlet_machine-10089807/", "source": "athinorama.gr", "createdAt": "2026-04-08 17:29:31", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/22/229bc84deb4c4cf2af627c499aa6f5f9.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/fd4bb6cf7d4a7014.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "997230a2ad2d815a", "title": "Τέλος το θέατρο", "description": "Εως 2026-05-27", "hasNativeGreek": false, "startDate": "2026-04-19T21:00:00", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Θησείον", "address": "Apostolou Pavlou 7, Athens 118 51", "neighborhood": "Thiseio", "coordinates": { "lat": 37.9727, "lon": 23.7204 }, "capacity": null }, "price": { "type": "paid", "amount": 20, "currency": "EUR", "range": "€20" }, "url": "https://www.athinorama.gr/theatre/performance/telos_to_theatro-10089819/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/telos_to_theatro-10089819/", "source": "athinorama.gr", "createdAt": "2026-04-08 17:29:31", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/1d/1df983a223ed43459065c211ba89d8db.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/997230a2ad2d815a.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "79638bd5d1ffe23b", "title": "MISERY", "description": "", "hasNativeGreek": false, "startDate": "2026-04-19T21:15:00", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Άνεσις", "address": "Leof. Kifisias 14, Athens 115 26", "neighborhood": "Ambelokipoi", "coordinates": { "lat": 37.9873, "lon": 23.7622 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15" }, "url": "https://www.more.com/gr-el/tickets/theater/misery/", "ticketUrl": "https://www.more.com/gr-el/tickets/theater/misery/", "source": "more.com", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:15", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/66955d8f-121e-4f14-b3bb-8e0a5c3d5f99/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/79638bd5d1ffe23b.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "cb4bf40f58a9569e", "title": "JESSE DAVIS QUARTET", "description": "", "hasNativeGreek": false, "startDate": "2026-04-19T21:30:00", "endDate": null, "type": "concert", "genres": [ "jazz" ], "tags": [], "venue": { "name": "Half Note Jazz Club", "address": "17 Trivonianou Street, Athens 116 36", "neighborhood": "Mets", "coordinates": { "lat": 37.9661, "lon": 23.7463 }, "capacity": null }, "price": { "type": "paid", "amount": 25, "currency": "EUR", "range": "από €25" }, "url": "https://www.halfnote.gr/event/jesse-davis-quartet-3/2026-04-19/", "ticketUrl": "https://www.halfnote.gr/event/jesse-davis-quartet-3/2026-04-19/", "source": "halfnote", "createdAt": "2026-03-24 06:24:47", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:30", "timeSource": "scraped_listing", "imageUrl": "https://www.halfnote.gr/wp-content/uploads/2026/03/more2-1.jpg", "imageSource": "backfill", "imageLocal": "/images/events/cb4bf40f58a9569e.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "889e1649e4f1feb5", "title": "ΣΤΑΥΡΟΣ ΞΑΡΧΑΚΟΣ 5 Λαϊκές Μορφές «Με Τρόπον Εντόνως Ερωτικόν»", "description": "", "fullDescription": "Stavros Xarchakos sits at the center of a seven-piece orchestra inside Pallas Theatre on Voukourestiou. The program is 5 Laikes Morfes — five folk figures — spanning Markos Vamvakaris, Vassilis Tsitsanis, Manos Hadjidakis, Mikis Theodorakis, and Xarchakos himself. Iro Saia sings.\n\nXarchakos has composed for over six decades. He studied with Nadia Boulanger in Paris and David Diamond at Juilliard, then returned to Athens and scored the film Rembetiko. He directed the National Orchestra of Greek Music.\n\nThe audience knows these songs by heart and comes to hear what a master arranger does with material the whole country already owns.\n\nIf you want pop concert energy and a standing crowd, this is seated and attentive. But if you want to hear bouzouki, accordion, and double bass reshape songs you grew up with, Xarchakos conducts with six decades of authority.\n\nPallas Theatre is at Voukourestiou 5, accessible by metro. 20 April 2026 at 21:00. This performance is sold out.\n\nFive composers, one conductor, and a night being recorded for the archive.", "fullDescriptionEn": "Stavros Xarchakos sits at the center of a seven-piece orchestra inside Pallas Theatre on Voukourestiou. The program is 5 Laikes Morfes — five folk figures — spanning Markos Vamvakaris, Vassilis Tsitsanis, Manos Hadjidakis, Mikis Theodorakis, and Xarchakos himself. Iro Saia sings.\n\nXarchakos has composed for over six decades. He studied with Nadia Boulanger in Paris and David Diamond at Juilliard, then returned to Athens and scored the film Rembetiko. He directed the National Orchestra of Greek Music.\n\nThe audience knows these songs by heart and comes to hear what a master arranger does with material the whole country already owns.\n\nIf you want pop concert energy and a standing crowd, this is seated and attentive. But if you want to hear bouzouki, accordion, and double bass reshape songs you grew up with, Xarchakos conducts with six decades of authority.\n\nPallas Theatre is at Voukourestiou 5, accessible by metro. 20 April 2026 at 21:00. This performance is sold out.\n\nFive composers, one conductor, and a night being recorded for the archive.", "fullDescriptionGr": "Stavros Xarchakos sits at the center of a seven-piece orchestra inside Pallas Theatre on Voukourestiou. The program is 5 Laikes Morfes — five folk figures — spanning Markos Vamvakaris, Vassilis Tsitsanis, Manos Hadjidakis, Mikis Theodorakis, and Xarchakos himself. Iro Saia sings.\n\nXarchakos has composed for over six decades. He studied with Nadia Boulanger in Paris and David Diamond at Juilliard, then returned to Athens and scored the film Rembetiko. He directed the National Orchestra of Greek Music.\n\nThe audience knows these songs by heart and comes to hear what a master arranger does with material the whole country already owns.\n\nIf you want pop concert energy and a standing crowd, this is seated and attentive. But if you want to hear bouzouki, accordion, and double bass reshape songs you grew up with, Xarchakos conducts with six decades of authority.\n\nPallas Theatre is at Voukourestiou 5, accessible by metro. 20 April 2026 at 21:00. 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You will find ML engineers who want to talk about quantization techniques sitting next to startup founders who want to understand what is actually feasible to build on a seed budget. Data scientists from Greek enterprises rub shoulders with freelance developers who picked up PyTorch six months ago and are trying to figure out what to do with it. The conversations between talks are often where the real density lives -- someone sketching a system diagram on a napkin, two people discovering they have been independently working on similar retrieval-augmented pipelines, a quick exchange of GitHub handles.\n\nIf you work with AI daily and want a room where you can speak in acronyms without explaining them, this is that room. If you are earlier in the journey -- maybe you have completed some courses, built a side project, and want to see what practitioners in Athens are actually shipping -- this is equally your room. 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€30" }, "url": "https://www.athinorama.gr/music/gig/sanctuary-10041330/", "ticketUrl": "https://www.athinorama.gr/music/gig/sanctuary-10041330/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "DanceEvent", "id": "marcos-ayala-tango-the-golden-years-2026-04-22", "title": "MARCOS AYALA TANGO - The Golden Years", "description": "22 Απριλιου MARCOS AYALA TANGO - The Golden Years Christmas Theater, Athens", "fullDescription": "The bandoneon exhales its first note and the room transforms. You're no longer in Athens — you're in Buenos Aires, 1940-something, the air thick with smoke and longing and the particular tension that precedes the embrace. Christmas Theater's stage holds dancers who've spent lifetimes learning this single conversation between bodies.\n\nMarcos Ayala brings \"The Golden Years\" to Athens — a tango production that traces the dance's evolution through its most celebrated era. The golden age of tango, roughly 1935-1955, produced the music and movement vocabulary that still defines the form. Tonight's performance honors that heritage while proving its vitality, the choreography speaking a language that translates across decades and continents.\n\nAyala's company performs tango as it was meant to be witnessed — intimate enough to see the communication between partners, theatrical enough to appreciate the artistry involved in making such precise movement appear spontaneous. The dancers carry training from Buenos Aires studios where tradition passes person to person, their bodies archives of accumulated knowledge.\n\nChristmas Theater provides the proper frame for this presentation. The venue's theatrical configuration creates the distance that allows appreciation while maintaining connection. The music — likely a mix of golden age recordings and live orchestration — fills the space with the arrangements that made D'Arienzo and Troilo masters of their craft.\n\nThe audience for tango in Athens crosses cultural boundaries. Greek milongueros who've made the dance their practice. Argentinean expats seeking connection to home. Dance enthusiasts curious about tango's particular magic. Couples for whom this evening might spark something. The conversations at intermission mix languages, the shared vocabulary the dance itself.\n\nIf you need contemporary choreographic innovation or dance that distances itself from tradition, \"The Golden Years\" operates in different territory. This is tango as preservation and celebration, honoring the forms that made the dance celebrated. But if you've been looking for an evening where movement tells stories words cannot — Christmas Theater holds this particular poetry.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, April 22, 2026 |\n| **Time** | Evening |\n| **Venue** | Christmas Theater |\n| **Company** | Marcos Ayala Tango |\n| **Style** | Golden Age tango |\n| **Price** | Check venue |\n| **Duration** | ~90 minutes |\n\nMarcos Ayala — tango's golden years, alive tonight.", "fullDescriptionEn": "The bandoneon exhales its first note and the room transforms. You're no longer in Athens — you're in Buenos Aires, 1940-something, the air thick with smoke and longing and the particular tension that precedes the embrace. Christmas Theater's stage holds dancers who've spent lifetimes learning this single conversation between bodies.\n\nMarcos Ayala brings \"The Golden Years\" to Athens — a tango production that traces the dance's evolution through its most celebrated era. The golden age of tango, roughly 1935-1955, produced the music and movement vocabulary that still defines the form. Tonight's performance honors that heritage while proving its vitality, the choreography speaking a language that translates across decades and continents.\n\nAyala's company performs tango as it was meant to be witnessed — intimate enough to see the communication between partners, theatrical enough to appreciate the artistry involved in making such precise movement appear spontaneous. The dancers carry training from Buenos Aires studios where tradition passes person to person, their bodies archives of accumulated knowledge.\n\nChristmas Theater provides the proper frame for this presentation. The venue's theatrical configuration creates the distance that allows appreciation while maintaining connection. The music — likely a mix of golden age recordings and live orchestration — fills the space with the arrangements that made D'Arienzo and Troilo masters of their craft.\n\nThe audience for tango in Athens crosses cultural boundaries. Greek milongueros who've made the dance their practice. Argentinean expats seeking connection to home. Dance enthusiasts curious about tango's particular magic. Couples for whom this evening might spark something. The conversations at intermission mix languages, the shared vocabulary the dance itself.\n\nIf you need contemporary choreographic innovation or dance that distances itself from tradition, \"The Golden Years\" operates in different territory. This is tango as preservation and celebration, honoring the forms that made the dance celebrated. But if you've been looking for an evening where movement tells stories words cannot — Christmas Theater holds this particular poetry.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, April 22, 2026 |\n| **Time** | Evening |\n| **Venue** | Christmas Theater |\n| **Company** | Marcos Ayala Tango |\n| **Style** | Golden Age tango |\n| **Price** | Check venue |\n| **Duration** | ~90 minutes |\n\nMarcos Ayala — tango's golden years, alive tonight.", "fullDescriptionGr": "The bandoneon exhales its first note and the room transforms. You're no longer in Athens — you're in Buenos Aires, 1940-something, the air thick with smoke and longing and the particular tension that precedes the embrace. Christmas Theater's stage holds dancers who've spent lifetimes learning this single conversation between bodies.\n\nMarcos Ayala brings \"The Golden Years\" to Athens — a tango production that traces the dance's evolution through its most celebrated era. The golden age of tango, roughly 1935-1955, produced the music and movement vocabulary that still defines the form. Tonight's performance honors that heritage while proving its vitality, the choreography speaking a language that translates across decades and continents.\n\nAyala's company performs tango as it was meant to be witnessed — intimate enough to see the communication between partners, theatrical enough to appreciate the artistry involved in making such precise movement appear spontaneous. The dancers carry training from Buenos Aires studios where tradition passes person to person, their bodies archives of accumulated knowledge.\n\nChristmas Theater provides the proper frame for this presentation. The venue's theatrical configuration creates the distance that allows appreciation while maintaining connection. The music — likely a mix of golden age recordings and live orchestration — fills the space with the arrangements that made D'Arienzo and Troilo masters of their craft.\n\nThe audience for tango in Athens crosses cultural boundaries. Greek milongueros who've made the dance their practice. Argentinean expats seeking connection to home. Dance enthusiasts curious about tango's particular magic. Couples for whom this evening might spark something. The conversations at intermission mix languages, the shared vocabulary the dance itself.\n\nIf you need contemporary choreographic innovation or dance that distances itself from tradition, \"The Golden Years\" operates in different territory. This is tango as preservation and celebration, honoring the forms that made the dance legendary. But if you've been looking for an evening where movement tells stories words cannot — Christmas Theater holds this particular poetry.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, April 22, 2026 |\n| **Time** | Evening |\n| **Venue** | Christmas Theater |\n| **Company** | Marcos Ayala Tango |\n| **Style** | Golden Age tango |\n| **Price** | Check venue |\n| **Duration** | ~90 minutes |\n\nMarcos Ayala — tango's golden years, alive tonight.", "hasNativeGreek": false, "startDate": "2026-04-22T20:00:00+03:00", "endDate": null, "type": "performance", "genres": [ "general" ], "tags": [], "venue": { "name": "Christmas Theater", "address": "Leof. Veikou 137, Galatsi Olympic Hall, Athens 111 46", "neighborhood": "Galatsi", "coordinates": { "lat": 38.0165, "lon": 23.7545 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 15, "currency": "EUR", "range": "από €15" }, "url": "https://www.more.com/gr-el/tickets/dance/marcos-ayala-tango-the-golden-years/", "ticketUrl": "https://www.more.com/gr-el/tickets/dance/marcos-ayala-tango-the-golden-years/", "source": "more.com", "createdAt": "2025-10-31T12:22:35.864Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "extracted_from_start_date", "imageUrl": "https://www.more.com/getattachment/ec7a06de-9984-46d7-b1d2-6e66f8009570/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/marcos-ayala-tango-the-golden-years-2026-04-22.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "a1434a95d19eb636", "title": "ΕΛΛΗ ΠΑΣΠΑΛΑ “Elly loves jazz”", "description": "", "fullDescription": "Elli Paspala was born in New York and trained at the Manhattan School of Music under soprano Judith Raskin. She came to Athens in 1982 and spent six years working with Manos Hadjidakis. For Elly Loves Jazz she returns to the American songbook, performing at the Olympia Theatre Maria Callas.\n\nPaspala's voice covers classical, folk, and jazz without settling permanently in any one. This program places her inside a band working through standards and deep cuts from the tradition she absorbed before moving to Greece.\n\nThe crowd comes for a singer who treats jazz not as nostalgia but as living material.\n\nIf you want laiko or entechno, Paspala has recorded both — but not tonight. If you want a voice trained in New York performing jazz in a hall built for opera, the Olympia provides the acoustics and Paspala provides the phrasing.\n\nOn Akadimias Street, accessible by metro. 22 April 2026 at 20:30. Tickets from 10 EUR through more.com.\n\nA New York voice, an Athens stage, and a songbook that belongs to both.", "fullDescriptionEn": "Elli Paspala was born in New York and trained at the Manhattan School of Music under soprano Judith Raskin. She came to Athens in 1982 and spent six years working with Manos Hadjidakis. For Elly Loves Jazz she returns to the American songbook, performing at the Olympia Theatre Maria Callas.\n\nPaspala's voice covers classical, folk, and jazz without settling permanently in any one. This program places her inside a band working through standards and deep cuts from the tradition she absorbed before moving to Greece.\n\nThe crowd comes for a singer who treats jazz not as nostalgia but as living material.\n\nIf you want laiko or entechno, Paspala has recorded both — but not tonight. If you want a voice trained in New York performing jazz in a hall built for opera, the Olympia provides the acoustics and Paspala provides the phrasing.\n\nOn Akadimias Street, accessible by metro. 22 April 2026 at 20:30. Tickets from 10 EUR through more.com.\n\nA New York voice, an Athens stage, and a songbook that belongs to both.", "fullDescriptionGr": "Elli Paspala was born in New York and trained at the Manhattan School of Music under soprano Judith Raskin. She came to Athens in 1982 and spent six years working with Manos Hadjidakis. For Elly Loves Jazz she returns to the American songbook, performing at the Olympia Theatre Maria Callas.\n\nPaspala's voice covers classical, folk, and jazz without settling permanently in any one. This program places her inside a band working through standards and deep cuts from the tradition she absorbed before moving to Greece.\n\nThe crowd comes for a singer who treats jazz not as nostalgia but as living material.\n\nIf you want laiko or entechno, Paspala has recorded both — but not tonight. If you want a voice trained in New York performing jazz in a hall built for opera, the Olympia provides the acoustics and Paspala provides the phrasing.\n\nOn Akadimias Street, accessible by metro. 22 April 2026 at 20:30. Tickets from 10 EUR through more.com.\n\nA New York voice, an Athens stage, and a songbook that belongs to both.", "hasNativeGreek": false, "startDate": "2026-04-22T20:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "Jazz", "Live-band", "Historic", "Seated", "Listening-room", "Metro-accessible", "Mixed-ages" ], "venue": { "name": "Θέατρο Ολύμπια", "address": "Akadimias 59, Athens 106 79", "neighborhood": "Omonia", "coordinates": { "lat": 37.9824, "lon": 23.7333 }, "capacity": null }, "price": { "type": "tba", "amount": 8, "currency": "EUR", "range": "€8" }, "url": "https://www.more.com/gr-el/tickets/music/elli-paspala-elly-loves-jazz/", "ticketUrl": "https://www.more.com/gr-el/tickets/music/elli-paspala-elly-loves-jazz/", "source": "more.com", "createdAt": "2026-03-31 05:08:52", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/e3c53586-31f3-471e-b631-e917c50e7850/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/a1434a95d19eb636.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "d1c0418f4f497f48", "title": "Δήμητρα Γαλάνη & Ελένη Τσαλιγοπούλου", "description": "", "hasNativeGreek": false, "startDate": "2026-04-22T20:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "VOX", "address": "Iera Odos 16, Athens 104 35", "neighborhood": "Gazi / Keramikos", "coordinates": { "lat": 37.9785, "lon": 23.712 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15 - €50" }, "url": "https://www.athinorama.gr/music/gig/dimitra_galani_kai_eleni_tsaligopoulou-10052449/", "ticketUrl": "https://www.athinorama.gr/music/gig/dimitra_galani_kai_eleni_tsaligopoulou-10052449/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "df9b9df8184e0c45", "title": "Έλλη Πασπαλά", "description": "", "hasNativeGreek": false, "startDate": "2026-04-22T20:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Ολύμπια - Δημοτικό Μουσικό Θέατρο «Μαρία Κάλλας»", "address": "Akadimias 59, Athens 106 79", "neighborhood": "Omonia", "coordinates": { "lat": 37.9824, "lon": 23.7333 }, "capacity": null }, "price": { "type": "paid", "amount": 8, "currency": "EUR", "range": "€8 - €50" }, "url": "https://www.athinorama.gr/music/gig/elli_paspala-10078710/", "ticketUrl": "https://www.athinorama.gr/music/gig/elli_paspala-10078710/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "78209a609f06b08a", "title": "Μυρτώ Βασιλείου", "description": "", "hasNativeGreek": false, "startDate": "2026-04-22T21:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Σταυρός του Νότου", "address": "Σταυρός του Νότου Club, Αμβροσίου Φραντζή", "neighborhood": "", "coordinates": { "lat": 37.961929, "lon": 23.725973 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10" }, "url": "https://www.athinorama.gr/music/gig/murto_basileiou-10073633/", "ticketUrl": "https://www.athinorama.gr/music/gig/murto_basileiou-10073633/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "4c769581032c35e4", "title": "Ritual with Nikos Thanos", "description": "", "hasNativeGreek": false, "startDate": "2026-04-22T21:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "B side Athens", "address": "Μπη Σάιντ, Μαυροκορδάτου", "neighborhood": "", "coordinates": { "lat": 37.983779, "lon": 23.731955 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://ra.co/events/2416434", "ticketUrl": "https://ra.co/events/2416434", "source": "residentadvisor", "createdAt": "2026-04-12 07:53:04", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "4479f0d24904948b", "title": "ANDREAS POLYZOGOPOULOS 4ET", "description": "", "hasNativeGreek": false, "startDate": "2026-04-22T21:30:00", "endDate": null, "type": "concert", "genres": [ "jazz" ], "tags": [], "venue": { "name": "Half Note Jazz Club", "address": "17 Trivonianou Street, Athens 116 36", "neighborhood": "Mets", "coordinates": { "lat": 37.9661, "lon": 23.7463 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "από €12" }, "url": "https://www.halfnote.gr/event/andreas-polyzogopoulos-4et-2/", "ticketUrl": "https://www.halfnote.gr/event/andreas-polyzogopoulos-4et-2/", "source": "halfnote", "createdAt": "2026-03-31 05:08:52", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:30", "timeSource": "scraped_listing", "imageUrl": "https://www.halfnote.gr/wp-content/uploads/2026/03/816x465-7.jpg", "imageSource": "backfill", "imageLocal": "/images/events/4479f0d24904948b.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "68329cd100692005", "title": "Andreas Polyzogopoulos Quartet", "description": "", "hasNativeGreek": false, "startDate": "2026-04-22T21:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Half Note Jazz Club", "address": "17 Trivonianou Street, Athens 116 36", "neighborhood": "Mets", "coordinates": { "lat": 37.9661, "lon": 23.7463 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "€12 - €20" }, "url": "https://www.athinorama.gr/music/gig/andreas_polyzogopoulos_quartet-10072555/", "ticketUrl": "https://www.athinorama.gr/music/gig/andreas_polyzogopoulos_quartet-10072555/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "9054d739871fe8ff", "title": "ΚΟΜΜΑ", "description": "Εως 2026-05-27", "hasNativeGreek": false, "startDate": "2026-04-22T21:30:00", "endDate": null, "type": "theater", "genres": [], "tags": [], "venue": { "name": "Αλκμήνη", "address": "Alkminis 8-12, Athens 118 54", "neighborhood": "Petralona", "coordinates": { "lat": 37.9754, "lon": 23.7122 }, "capacity": null }, "price": { "type": "paid", "amount": 14, "currency": "EUR", "range": "€14" }, "url": "https://www.athinorama.gr/theatre/performance/komma-10089814/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/komma-10089814/", "source": "athinorama.gr", "createdAt": "2026-04-08 17:29:31", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:30", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/74/7464e58ed8ef4d9391adc078c127e378.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/9054d739871fe8ff.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "bd77e953d8d947b2", "title": "Joep Beving LIMINAL Tour 2026", "description": "", "fullDescription": "The piano speaks a single note that holds longer than seems possible. Silence surrounds it, the Parnassos hall hushing to receive what comes next. You feel your breathing slow to match the music's pace. Joep Beving has entered the room, and time is adjusting accordingly.\n\nThe Dutch composer brings his \"LIMINAL\" tour to one of Athens' most acoustically perfect venues. Beving's music operates in the space between — between classical and contemporary, between ambient and melodic, between listening and experiencing. The word \"liminal\" captures the territory precisely: threshold music, compositions that exist at the edge of states rather than within them.\n\nParnassos Literary Society provides the context this music requires. The hall's history — 150 years of Greek cultural life — adds weight to an evening already dense with intention. The acoustic treatment allows Beving's piano to speak at its natural volume, the dynamics between whisper and declaration uncompressed by amplification. When he plays soft, you lean forward. When he builds to climax, the room responds together.\n\nBeving's compositions reward patient attention. The melodies unfold slowly, developing through repetition and subtle variation. This is not background music — it demands presence, the kind of listening that becomes meditation. The \"LIMINAL\" material continues the evolution that began with viral success and deepened into something more considered.\n\nThe crowd at neo-classical performances in Athens carries particular qualities. These are listeners who've found their way to music that exists outside genre boundaries, who appreciate the space between notes as much as the notes themselves. Many arrive alone, this an evening for internal rather than social experience. The silence between pieces is complete — phones disappeared, conversations suspended.\n\nIf you need rhythmic drive or music that announces its emotions, Beving will test your patience. The pace is glacial by pop standards, the emotional content embedded rather than displayed. But if you've been seeking music for the hours between activities, for the liminal spaces in your own life — Parnassos holds this particular stillness.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, April 23, 2026 |\n| **Time** | Evening |\n| **Venue** | Parnassos Literary Society |\n| **Metro** | Syntagma or Monastiraki |\n| **Style** | Neo-classical piano |\n| **Price** | Check venue |\n| **Atmosphere** | Contemplative, seated |\n\nJoep Beving on the LIMINAL Tour — music for the spaces between.", "fullDescriptionEn": "The piano speaks a single note that holds longer than seems possible. Silence surrounds it, the Parnassos hall hushing to receive what comes next. You feel your breathing slow to match the music's pace. Joep Beving has entered the room, and time is adjusting accordingly.\n\nThe Dutch composer brings his \"LIMINAL\" tour to one of Athens' most acoustically perfect venues. Beving's music operates in the space between — between classical and contemporary, between ambient and melodic, between listening and experiencing. The word \"liminal\" captures the territory precisely: threshold music, compositions that exist at the edge of states rather than within them.\n\nParnassos Literary Society provides the context this music requires. The hall's history — 150 years of Greek cultural life — adds weight to an evening already dense with intention. The acoustic treatment allows Beving's piano to speak at its natural volume, the dynamics between whisper and declaration uncompressed by amplification. When he plays soft, you lean forward. When he builds to climax, the room responds together.\n\nBeving's compositions reward patient attention. The melodies unfold slowly, developing through repetition and subtle variation. This is not background music — it demands presence, the kind of listening that becomes meditation. The \"LIMINAL\" material continues the evolution that began with viral success and deepened into something more considered.\n\nThe crowd at neo-classical performances in Athens carries particular qualities. These are listeners who've found their way to music that exists outside genre boundaries, who appreciate the space between notes as much as the notes themselves. Many arrive alone, this an evening for internal rather than social experience. The silence between pieces is complete — phones disappeared, conversations suspended.\n\nIf you need rhythmic drive or music that announces its emotions, Beving will test your patience. The pace is glacial by pop standards, the emotional content embedded rather than displayed. But if you've been seeking music for the hours between activities, for the liminal spaces in your own life — Parnassos holds this particular stillness.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, April 23, 2026 |\n| **Time** | Evening |\n| **Venue** | Parnassos Literary Society |\n| **Metro** | Syntagma or Monastiraki |\n| **Style** | Neo-classical piano |\n| **Price** | Check venue |\n| **Atmosphere** | Contemplative, seated |\n\nJoep Beving on the LIMINAL Tour — music for the spaces between.", "fullDescriptionGr": "The piano speaks a single note that holds longer than seems possible. Silence surrounds it, the Parnassos hall hushing to receive what comes next. You feel your breathing slow to match the music's pace. Joep Beving has entered the room, and time is adjusting accordingly.\n\nThe Dutch composer brings his \"LIMINAL\" tour to one of Athens' most acoustically perfect venues. Beving's music operates in the space between — between classical and contemporary, between ambient and melodic, between listening and experiencing. The word \"liminal\" captures the territory precisely: threshold music, compositions that exist at the edge of states rather than within them.\n\nParnassos Literary Society provides the context this music requires. The hall's history — 150 years of Greek cultural life — adds weight to an evening already dense with intention. The acoustic treatment allows Beving's piano to speak at its natural volume, the dynamics between whisper and declaration uncompressed by amplification. When he plays soft, you lean forward. When he builds to climax, the room responds together.\n\nBeving's compositions reward patient attention. The melodies unfold slowly, developing through repetition and subtle variation. This is not background music — it demands presence, the kind of listening that becomes meditation. The \"LIMINAL\" material continues the evolution that began with viral success and deepened into something more considered.\n\nThe crowd at neo-classical performances in Athens carries particular qualities. These are listeners who've found their way to music that exists outside genre boundaries, who appreciate the space between notes as much as the notes themselves. Many arrive alone, this an evening for internal rather than social experience. The silence between pieces is complete — phones disappeared, conversations suspended.\n\nIf you need rhythmic drive or music that announces its emotions, Beving will test your patience. The pace is glacial by pop standards, the emotional content embedded rather than displayed. But if you've been seeking music for the hours between activities, for the liminal spaces in your own life — Parnassos holds this particular stillness.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, April 23, 2026 |\n| **Time** | Evening |\n| **Venue** | Parnassos Literary Society |\n| **Metro** | Syntagma or Monastiraki |\n| **Style** | Neo-classical piano |\n| **Price** | Check venue |\n| **Atmosphere** | Contemplative, seated |\n\nJoep Beving on the LIMINAL Tour — music for the spaces between.", "hasNativeGreek": false, "startDate": "2026-04-23", "endDate": null, "type": "dj_set", "genres": [], "tags": [], "venue": { "name": "Parnassos Literary Society", "address": "Agiou Georgiou Karitsi 8, Athens 105 61", "neighborhood": "Syntagma", "coordinates": { "lat": 37.9774, "lon": 23.7314 }, "capacity": null }, "price": { "type": "tba", "amount": 27, "currency": "EUR", "range": "€27 - €45" }, "url": "https://www.ticketservices.gr/event/13724/", "ticketUrl": "https://www.ticketservices.gr/event/13724/", "source": "ticketservices", "createdAt": "2026-01-26 13:11:15", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_58025_or_Joep_Beving_social.jpg", "imageSource": "backfill", "imageLocal": "/images/events/bd77e953d8d947b2.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "1f89f6d32a1da8c4", "title": "ΤΖΕΝΗ ΤΖΕΝΗ", "description": "", "fullDescription": "The 1966 film Tzeni Tzeni sold 587,323 tickets and made Jenny Karezi a household name. Nikos Karathanos brings the comedy to the Municipal Theatre of Piraeus as A Sunny Requiem — part homage, part reinvention, timed to the centenary of screenwriter Kostas Pretendelis.\n\nKarathanos directs and plays the father, Kosmas Skoutari. Galini Chatzipaschali takes the title role. Christos Loulis, Haris Alexiou, Zeta Makrypoulia, and Ioanna Mavrea fill out a cast that treats the source with affection and nerve.\n\nThe audience arrives in two camps: those who have seen the film dozens of times and those who know the lines from their parents.\n\nIf you want a faithful screen-to-stage transfer, Karathanos does not do replicas. But if you want a director who understands why Greece remembers this story, this is the production.\n\nDimotiko Theatro is at Iroon Polytechneiou 32 in Piraeus, steps from Dimotiko Theatro metro. 23 April 2026. Tickets through more.com.\n\nSixty years later, the same story — staged by a director who trusts it enough to change it.", "fullDescriptionEn": "The 1966 film Tzeni Tzeni sold 587,323 tickets and made Jenny Karezi a household name. Nikos Karathanos brings the comedy to the Municipal Theatre of Piraeus as A Sunny Requiem — part homage, part reinvention, timed to the centenary of screenwriter Kostas Pretendelis.\n\nKarathanos directs and plays the father, Kosmas Skoutari. Galini Chatzipaschali takes the title role. Christos Loulis, Haris Alexiou, Zeta Makrypoulia, and Ioanna Mavrea fill out a cast that treats the source with affection and nerve.\n\nThe audience arrives in two camps: those who have seen the film dozens of times and those who know the lines from their parents.\n\nIf you want a faithful screen-to-stage transfer, Karathanos does not do replicas. But if you want a director who understands why Greece remembers this story, this is the production.\n\nDimotiko Theatro is at Iroon Polytechneiou 32 in Piraeus, steps from Dimotiko Theatro metro. 23 April 2026. Tickets through more.com.\n\nSixty years later, the same story — staged by a director who trusts it enough to change it.", "fullDescriptionGr": "The 1966 film Tzeni Tzeni sold 587,323 tickets and made Jenny Karezi a household name. Nikos Karathanos brings the comedy to the Municipal Theatre of Piraeus as A Sunny Requiem — part homage, part reinvention, timed to the centenary of screenwriter Kostas Pretendelis.\n\nKarathanos directs and plays the father, Kosmas Skoutari. Galini Chatzipaschali takes the title role. Christos Loulis, Haris Alexiou, Zeta Makrypoulia, and Ioanna Mavrea fill out a cast that treats the source with affection and nerve.\n\nThe audience arrives in two camps: those who have seen the film dozens of times and those who know the lines from their parents.\n\nIf you want a faithful screen-to-stage transfer, Karathanos does not do replicas. But if you want a director who understands why Greece remembers this story, this is the production.\n\nDimotiko Theatro is at Iroon Polytechneiou 32 in Piraeus, steps from Dimotiko Theatro metro. 23 April 2026. Tickets through more.com.\n\nSixty years later, the same story — staged by a director who trusts it enough to change it.", "hasNativeGreek": false, "startDate": "2026-04-23", "endDate": null, "type": "theater", "genres": [], "tags": [ "Drama", "Comedy", "Historic", "Seated", "Mainstream", "Piraeus", "Metro-accessible", "Greek-locals", "Mixed-ages", "Greek-language" ], "venue": { "name": "Δημοτικό Θέατρο Πειραιά", "address": "Iroon Polytechniou 32, Piraeus 185 35", "neighborhood": "Piraeus", "coordinates": { "lat": 37.9429, "lon": 23.647 }, "capacity": null }, "price": { "type": "paid", "amount": 25, "currency": "EUR", "range": "€25" }, "url": "https://www.more.com/gr-el/tickets/theater/tzeni-tzeni/", "ticketUrl": "https://www.more.com/gr-el/tickets/theater/tzeni-tzeni/", "source": "more.com", "createdAt": "2026-02-17 12:08:52", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/584d349e-a6f3-42ea-995f-40c5ce267da7/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/1f89f6d32a1da8c4.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "EducationEvent", "id": "e0abea86b2c50b69", "title": "Devoxx Greece 2026", "description": "3-day developer conference. Part of global Devoxx family. Covers Java, Cloud, AI/ML, Security, Architecture. Community-driven.", "fullDescription": "The marble-and-glass foyer of the Athens Concert Hall -- Megaron Mousikis -- fills with the sound of footsteps and badge scanners on the morning of April 23. Developers stream through the doors into a building designed for orchestras and now, for three days, repurposed for code. Devoxx Greece brings the global Devoxx conference family to the cultural district of Kolonaki, and the venue's multiple halls allow parallel tracks to run simultaneously across Java, Cloud, AI and machine learning, Security, and Architecture.\n\nYou pick up your badge and face the first real decision of the day: which track to follow. The program is built through a Call for Papers process, which means the sessions come from practitioners who submitted, were reviewed, and were selected -- not from sponsors who paid for a slot. This community-driven curation runs through the DNA of every Devoxx edition, from the original in Belgium to the events in the UK, France, Morocco, and Poland. The Greek edition carries the same editorial standards into a Mediterranean setting.\n\nMegaron Mousikis is one of Athens's architectural landmarks, a brutalist concert complex on Vasilissis Sofias Avenue at the edge of Kolonaki. The acoustics built for symphonies serve technical talks well: presenters do not fight the room, and code projected on screen remains legible from the back rows. Between sessions, the building's corridors and outdoor terraces offer space to decompress, compare notes, and argue about whether the talk on microservices actually addressed the hard parts.\n\nThe three-day format allows a rhythm that single-day events cannot. Day one, you orient -- scanning sessions, finding your cohort, calibrating the depth of content. Day two, you go deep, staying in one track or deliberately cross-pollinating between two. Day three, you consolidate, revisiting speakers, following up on hallway conversations, collecting the references and repository links that will matter when you are back at your desk on Monday.\n\nThe Devoxx audience skews toward working developers and architects -- people who ship software and need to make technology choices with consequences. The AI/ML track sits alongside Java and Cloud, which reflects how machine learning has moved from a specialty to an integrated concern in mainstream software engineering.\n\nIf you build software professionally and want three days of dense, peer-reviewed technical content delivered in a top-tier venue, Devoxx Greece earns its place on your calendar. If you are looking for high-level trend overviews or executive-oriented programming, the granularity here will feel too deep.\n\nLate April in Athens is warm without the summer intensity. The walk from Megaron to Syntagma Square takes fifteen minutes through tree-lined streets, and the evening light lasts long enough for post-conference dinners to start on outdoor terraces.", "fullDescriptionEn": "The marble-and-glass foyer of the Athens Concert Hall -- Megaron Mousikis -- fills with the sound of footsteps and badge scanners on the morning of April 23. Developers stream through the doors into a building designed for orchestras and now, for three days, repurposed for code. Devoxx Greece brings the global Devoxx conference family to the cultural district of Kolonaki, and the venue's multiple halls allow parallel tracks to run simultaneously across Java, Cloud, AI and machine learning, Security, and Architecture.\n\nYou pick up your badge and face the first real decision of the day: which track to follow. The program is built through a Call for Papers process, which means the sessions come from practitioners who submitted, were reviewed, and were selected -- not from sponsors who paid for a slot. This community-driven curation runs through the DNA of every Devoxx edition, from the original in Belgium to the events in the UK, France, Morocco, and Poland. The Greek edition carries the same editorial standards into a Mediterranean setting.\n\nMegaron Mousikis is one of Athens's architectural landmarks, a brutalist concert complex on Vasilissis Sofias Avenue at the edge of Kolonaki. The acoustics built for symphonies serve technical talks well: presenters do not fight the room, and code projected on screen remains legible from the back rows. Between sessions, the building's corridors and outdoor terraces offer space to decompress, compare notes, and argue about whether the talk on microservices actually addressed the hard parts.\n\nThe three-day format allows a rhythm that single-day events cannot. Day one, you orient -- scanning sessions, finding your cohort, calibrating the depth of content. Day two, you go deep, staying in one track or deliberately cross-pollinating between two. Day three, you consolidate, revisiting speakers, following up on hallway conversations, collecting the references and repository links that will matter when you are back at your desk on Monday.\n\nThe Devoxx audience skews toward working developers and architects -- people who ship software and need to make technology choices with consequences. The AI/ML track sits alongside Java and Cloud, which reflects how machine learning has moved from a specialty to an integrated concern in mainstream software engineering.\n\nIf you build software professionally and want three days of dense, peer-reviewed technical content delivered in a top-tier venue, Devoxx Greece earns its place on your calendar. If you are looking for high-level trend overviews or executive-oriented programming, the granularity here will feel too deep.\n\nLate April in Athens is warm without the summer intensity. The walk from Megaron to Syntagma Square takes fifteen minutes through tree-lined streets, and the evening light lasts long enough for post-conference dinners to start on outdoor terraces.", "fullDescriptionGr": "The marble-and-glass foyer of the Athens Concert Hall -- Megaron Mousikis -- fills with the sound of footsteps and badge scanners on the morning of April 23. Developers stream through the doors into a building designed for orchestras and now, for three days, repurposed for code. Devoxx Greece brings the global Devoxx conference family to the cultural district of Kolonaki, and the venue's multiple halls allow parallel tracks to run simultaneously across Java, Cloud, AI and machine learning, Security, and Architecture.\n\nYou pick up your badge and face the first real decision of the day: which track to follow. The program is built through a Call for Papers process, which means the sessions come from practitioners who submitted, were reviewed, and were selected -- not from sponsors who paid for a slot. This community-driven curation runs through the DNA of every Devoxx edition, from the original in Belgium to the events in the UK, France, Morocco, and Poland. The Greek edition carries the same editorial standards into a Mediterranean setting.\n\nMegaron Mousikis is one of Athens's architectural landmarks, a brutalist concert complex on Vasilissis Sofias Avenue at the edge of Kolonaki. The acoustics built for symphonies serve technical talks well: presenters do not fight the room, and code projected on screen remains legible from the back rows. Between sessions, the building's corridors and outdoor terraces offer space to decompress, compare notes, and argue about whether the talk on microservices actually addressed the hard parts.\n\nThe three-day format allows a rhythm that single-day events cannot. Day one, you orient -- scanning sessions, finding your cohort, calibrating the depth of content. Day two, you go deep, staying in one track or deliberately cross-pollinating between two. Day three, you consolidate, revisiting speakers, following up on hallway conversations, collecting the references and repository links that will matter when you are back at your desk on Monday.\n\nThe Devoxx audience skews toward working developers and architects -- people who ship software and need to make technology choices with consequences. The AI/ML track sits alongside Java and Cloud, which reflects how machine learning has moved from a specialty to an integrated concern in mainstream software engineering.\n\nIf you build software professionally and want three days of dense, peer-reviewed technical content delivered in a world-class venue, Devoxx Greece earns its place on your calendar. If you are looking for high-level trend overviews or executive-oriented programming, the granularity here will feel too deep.\n\nLate April in Athens is warm without the summer intensity. The walk from Megaron to Syntagma Square takes fifteen minutes through tree-lined streets, and the evening light lasts long enough for post-conference dinners to start on outdoor terraces.", "hasNativeGreek": false, "startDate": "2026-04-23", "endDate": "2026-04-25", "type": "tech", "genres": [ "AI", "Tech" ], "tags": [], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 25, "currency": "EUR", "range": "€15-80" }, "url": "https://devoxx.gr/", "ticketUrl": "https://devoxx.gr/", "source": "devoxx.gr", "createdAt": "2026-02-20 16:12:10", "updatedAt": "2026-04-15 12:14:03", "language": "en", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "3f2a8a50faa222ea", "title": "Juilliard String Quartet", "description": "", "hasNativeGreek": false, "startDate": "2026-04-23T20:30:00", "endDate": null, "type": "concert", "genres": [ "Classical", "Concert" ], "tags": [], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 25, "currency": "EUR", "range": "€15-80" }, "url": "https://www.megaron.gr/event/juilliard-string-quartet-2/", "ticketUrl": "https://www.megaron.gr/event/juilliard-string-quartet-2/", "source": "megaron.gr", "createdAt": "2026-03-06 07:38:39", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://www.megaron.gr/wp-content/uploads/2026/02/JuilliardQuartet_03_copyright_RachelPapo.jpg", "imageSource": "backfill", "imageLocal": "/images/events/3f2a8a50faa222ea.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "9815096a89946a7a", "title": "Mama Athens with DEF & Homo Erectio", "description": "", "hasNativeGreek": false, "startDate": "2026-04-23T21:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "B side Athens", "address": "Μπη Σάιντ, Μαυροκορδάτου", "neighborhood": "", "coordinates": { "lat": 37.983779, "lon": 23.731955 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://ra.co/events/2417491", "ticketUrl": "https://ra.co/events/2417491", "source": "residentadvisor", "createdAt": "2026-04-14 14:12:29", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "d03fc230341a9db9", "title": "Bach in Blue", "description": "", "hasNativeGreek": false, "startDate": "2026-04-23T21:30:00", "endDate": null, "type": "concert", "genres": [ "jazz" ], "tags": [], "venue": { "name": "Half Note Jazz Club", "address": "17 Trivonianou Street, Athens 116 36", "neighborhood": "Mets", "coordinates": { "lat": 37.9661, "lon": 23.7463 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "από €12" }, "url": "https://www.halfnote.gr/event/bach-in-blue/", "ticketUrl": "https://www.halfnote.gr/event/bach-in-blue/", "source": "halfnote", "createdAt": "2026-04-04 05:08:43", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:30", "timeSource": "scraped_listing", "imageUrl": "https://www.halfnote.gr/wp-content/uploads/2026/04/816χ465.jpg", "imageSource": "backfill", "imageLocal": "/images/events/d03fc230341a9db9.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "fa0b54a245e1cb53", "title": "Γιώργος Κοντραφούρης", "description": "", "hasNativeGreek": false, "startDate": "2026-04-23T21:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Half Note Jazz Club", "address": "17 Trivonianou Street, Athens 116 36", "neighborhood": "Mets", "coordinates": { "lat": 37.9661, "lon": 23.7463 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "€12 - €18" }, "url": "https://www.athinorama.gr/music/gig/giorgos_kontrafouris_-10043079/", "ticketUrl": "https://www.athinorama.gr/music/gig/giorgos_kontrafouris_-10043079/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:11", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "8cd011f3b5af828a", "title": "Filippos + Decoup + Baby Jones", "description": "", "hasNativeGreek": false, "startDate": "2026-04-23T23:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "Dybbuk", "address": "Patriarchou Ioakim 37, Athina 105 62", "neighborhood": "", "coordinates": { "lat": 37.978224, "lon": 23.744387 }, "capacity": null }, "price": { "type": "door", "amount": 10, "currency": "EUR", "range": "€10-15" }, "url": "https://www.clubber.gr/events/filippos-decoup-baby-jones/", "ticketUrl": "https://www.clubber.gr/events/filippos-decoup-baby-jones/", "source": "clubber.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:12:34", "language": "en", "timeDoors": "23:00", "timeSource": "scraped_listing", "imageUrl": "https://www.clubber.gr/wp-content/uploads/2026/04/21-years-clubbergr.jpg", "imageSource": "backfill", "imageLocal": "/images/events/8cd011f3b5af828a.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "bd5fb4a28518147a", "title": "Cilia Katrali", "description": "", "hasNativeGreek": false, "startDate": "2026-04-24", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Death Disco", "address": "Ogygou 16, Psyrri, Athens 105 54", "neighborhood": "Psyrri", "coordinates": { "lat": 37.977, "lon": 23.7265 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10 - €12" }, "url": "https://www.ticketservices.gr/event/14321/", "source": "ticketservices", "createdAt": "2026-03-20 22:40:48", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_61515_or_poster.jpg", "imageSource": "backfill", "imageLocal": "/images/events/bd5fb4a28518147a.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "68ac9722ba67ba8a", "title": "Sophie Lies & Nefeli Walking Undercover", "description": "", "hasNativeGreek": false, "startDate": "2026-04-24", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Αγγλικανική Εκκλησία Αγίου Παύλου", "address": "Filellinon 27, Athina 105 57", "neighborhood": "", "coordinates": { "lat": 37.972325, "lon": 23.733681 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/sophie_lies_kai_nefeli_walking_undercover-10073845/", "ticketUrl": "https://www.athinorama.gr/music/gig/sophie_lies_kai_nefeli_walking_undercover-10073845/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:12:34", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "33dd00911c408436", "title": "Ivan Greko", "description": "", "hasNativeGreek": false, "startDate": "2026-04-24", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Universe", "address": "Leoforos Kifisou 87, Athens 122 41", "neighborhood": "Egaleo", "coordinates": { "lat": 37.9708, "lon": 23.6733 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/ivan_greko-10084216/", "ticketUrl": "https://www.athinorama.gr/music/gig/ivan_greko-10084216/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "6d101ed8de24211c", "title": "Nίκος Ξυδάκης", "description": "", "hasNativeGreek": false, "startDate": "2026-04-24", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Half Note Jazz Club", "address": "17 Trivonianou Street, Athens 116 36", "neighborhood": "Mets", "coordinates": { "lat": 37.9661, "lon": 23.7463 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15 - €25" }, "url": "https://www.athinorama.gr/music/gig/nikos_ksudakis-10089837/", "ticketUrl": "https://www.athinorama.gr/music/gig/nikos_ksudakis-10089837/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "22:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "dc063267ef76e899", "title": "Rio & Kako", "description": "", "hasNativeGreek": false, "startDate": "2026-04-24", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "AN Club", "address": "13-15 Solomou Street, Athens 106 82", "neighborhood": "Exarchia", "coordinates": { "lat": 37.9885, "lon": 23.733 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "€12" }, "url": "https://www.athinorama.gr/music/gig/rio_kai_kako-10089838/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "1239b09fb1fcc11a", "title": "House On The Beach", "description": "", "hasNativeGreek": false, "startDate": "2026-04-24T19:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "Burger Disco Club", "address": "Nikis 11, Downtown 105 57, Greece", "neighborhood": "Syntagma", "coordinates": { "lat": 37.9749, "lon": 23.7332 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10" }, "url": "https://ra.co/events/2417215", "ticketUrl": "https://ra.co/events/2417215", "source": "residentadvisor", "createdAt": "2026-04-14 14:12:29", "updatedAt": "2026-04-15 12:57:15", "language": "en", "timeDoors": "19:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "c32dafe4ae390b31", "title": "ΑΠΟΗΧΟΙ ΤΟΥ ΡΟΜΑΝΤΙΣΜΟΥ με τον Μιχάλη Παπαδόπουλο", "description": "", "hasNativeGreek": false, "startDate": "2026-04-24T20:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Ωδείο Αθηνών", "address": "Rigillis & Vasileos Georgiou B' 17-19, Athens 106 75", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.753 }, "capacity": null }, "price": { "type": "tba", "amount": 5, "currency": "EUR", "range": "€5 - €10" }, "url": "https://www.ticketservices.gr/event/14339/", "ticketUrl": "https://www.ticketservices.gr/event/14339/", "source": "ticketservices", "createdAt": "2026-03-27 10:02:14", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/main/main4_61708_1.jpg", "imageSource": "backfill", "imageLocal": "/images/events/c32dafe4ae390b31.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "Event", "id": "76812621a28658a5", "title": "CARMEN by Antonio Gades & Carlos Saura – Με την Compañía Antonio Gades", "description": "", "fullDescription": "Before the dancers move, you hear the heels. A sharp staccato against the stage floor of the Alexandra Trianti Hall — fifteen hundred seats and the sound reaches every one of them. Then the castanets answer. The flamenco announces itself through percussion before a single body crosses into the light.\n\nCarmen was created by choreographer Antonio Gades and filmmaker Carlos Saura in 1983, first staged in Paris shortly after their acclaimed film of the same name. Inspired by Prosper Merimee's 1845 novella rather than Bizet's opera, Gades stripped the story to its essentials — desire, jealousy, defiance, death — and rebuilt it in the language of flamenco. The result forged a stage heroine who came to embody Spanish dance itself. The production arriving at Megaron is staged by Stella Arauzo, Gades's longtime partner on stage and the artistic director of the Compania Antonio Gades since 2004. Arauzo faithfully revives the original choreography with the company that serves as the official custodian of Gades's artistic legacy. Esmeralda Manzanas dances Carmen, Alvaro Madrid takes Don Jose, Jairo Rodriguez is the Bullfighter, and Miguel Angel Rojas completes the principal cast.\n\nThe Megaron audience for international dance draws from across the spectrum — ballet subscribers in the first tiers who follow the season calendar, flamenco devotees who have waited years for the Gades company to return to Athens, and travelers who booked around the performance. The lobby before curtain has a different energy than a concert night — more formal, more anticipatory, the kind of room where people have dressed for the occasion.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Alexandra Trianti Hall, Megaron — 1,500 seats, acoustics inaugurated by the Berlin Philharmonic in 2004 |\n| **Vibe** | Formal, electric, reverential — a flagship stage for a flagship production |\n| **Sound** | Live flamenco guitar, castanets, footwork percussion — the dancers are the instruments |\n| **Door** | Ticketed, assigned seating |\n\nThe choreography moves through the narrative with the economy that defined Gades's approach — no wasted gesture, no decorative flourish. Carmen's defiance is communicated through the angle of a hip, the speed of a turn, the refusal to lower her gaze. The bullfight sequence translates violence into geometry. What Gades understood, and what Arauzo preserves, is that flamenco carries its drama in the body, not in the staging — and on the Trianti Hall stage, with its clean sightlines and precise acoustics, every footfall registers.\n\nIf you want contemporary experimental dance or multimedia spectacle, this is classical flamenco choreography presented with fidelity to its 1983 original. But if you want to see one of the defining works of twentieth-century Spanish dance performed by the company that inherited it directly from its creator, this is the production — and Athens dates for the Gades company are not annual events.\n\nMegaron sits directly adjacent to Megaro Moussikis metro station. The Alexandra Trianti Hall entrance is clearly signed from the main lobby. Performances run April 24, 25, and 26 at 20:30. Tickets range from thirty-five euros in the upper zones to ninety-five euros in the Grand Tier, with fifteen percent discounts available for groups of twenty or more. Purchase through the Megaron box office on Vasilissis Sofias Avenue or online at megaron.gr.\n\nThree nights. A choreography created over forty years ago, carried by the company its creator founded, performed in a hall built for exactly this scale of encounter.", "fullDescriptionEn": "Before the dancers move, you hear the heels. A sharp staccato against the stage floor of the Alexandra Trianti Hall — fifteen hundred seats and the sound reaches every one of them. Then the castanets answer. The flamenco announces itself through percussion before a single body crosses into the light.\n\nCarmen was created by choreographer Antonio Gades and filmmaker Carlos Saura in 1983, first staged in Paris shortly after their acclaimed film of the same name. Inspired by Prosper Merimee's 1845 novella rather than Bizet's opera, Gades stripped the story to its essentials — desire, jealousy, defiance, death — and rebuilt it in the language of flamenco. The result forged a stage heroine who came to embody Spanish dance itself. The production arriving at Megaron is staged by Stella Arauzo, Gades's longtime partner on stage and the artistic director of the Compania Antonio Gades since 2004. Arauzo faithfully revives the original choreography with the company that serves as the official custodian of Gades's artistic legacy. Esmeralda Manzanas dances Carmen, Alvaro Madrid takes Don Jose, Jairo Rodriguez is the Bullfighter, and Miguel Angel Rojas completes the principal cast.\n\nThe Megaron audience for international dance draws from across the spectrum — ballet subscribers in the first tiers who follow the season calendar, flamenco devotees who have waited years for the Gades company to return to Athens, and travelers who booked around the performance. The lobby before curtain has a different energy than a concert night — more formal, more anticipatory, the kind of room where people have dressed for the occasion.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Alexandra Trianti Hall, Megaron — 1,500 seats, acoustics inaugurated by the Berlin Philharmonic in 2004 |\n| **Vibe** | Formal, electric, reverential — a flagship stage for a flagship production |\n| **Sound** | Live flamenco guitar, castanets, footwork percussion — the dancers are the instruments |\n| **Door** | Ticketed, assigned seating |\n\nThe choreography moves through the narrative with the economy that defined Gades's approach — no wasted gesture, no decorative flourish. Carmen's defiance is communicated through the angle of a hip, the speed of a turn, the refusal to lower her gaze. The bullfight sequence translates violence into geometry. What Gades understood, and what Arauzo preserves, is that flamenco carries its drama in the body, not in the staging — and on the Trianti Hall stage, with its clean sightlines and precise acoustics, every footfall registers.\n\nIf you want contemporary experimental dance or multimedia spectacle, this is classical flamenco choreography presented with fidelity to its 1983 original. But if you want to see one of the defining works of twentieth-century Spanish dance performed by the company that inherited it directly from its creator, this is the production — and Athens dates for the Gades company are not annual events.\n\nMegaron sits directly adjacent to Megaro Moussikis metro station. The Alexandra Trianti Hall entrance is clearly signed from the main lobby. Performances run April 24, 25, and 26 at 20:30. Tickets range from thirty-five euros in the upper zones to ninety-five euros in the Grand Tier, with fifteen percent discounts available for groups of twenty or more. Purchase through the Megaron box office on Vasilissis Sofias Avenue or online at megaron.gr.\n\nThree nights. A choreography created over forty years ago, carried by the company its creator founded, performed in a hall built for exactly this scale of encounter.", "fullDescriptionGr": "Before the dancers move, you hear the heels. A sharp staccato against the stage floor of the Alexandra Trianti Hall — fifteen hundred seats and the sound reaches every one of them. Then the castanets answer. The flamenco announces itself through percussion before a single body crosses into the light.\n\nCarmen was created by choreographer Antonio Gades and filmmaker Carlos Saura in 1983, first staged in Paris shortly after their acclaimed film of the same name. Inspired by Prosper Merimee's 1845 novella rather than Bizet's opera, Gades stripped the story to its essentials — desire, jealousy, defiance, death — and rebuilt it in the language of flamenco. The result forged a stage heroine who came to embody Spanish dance itself. The production arriving at Megaron is staged by Stella Arauzo, Gades's longtime partner on stage and the artistic director of the Compania Antonio Gades since 2004. Arauzo faithfully revives the original choreography with the company that serves as the official custodian of Gades's artistic legacy. Esmeralda Manzanas dances Carmen, Alvaro Madrid takes Don Jose, Jairo Rodriguez is the Bullfighter, and Miguel Angel Rojas completes the principal cast.\n\nThe Megaron audience for international dance draws from across the spectrum — ballet subscribers in the first tiers who follow the season calendar, flamenco devotees who have waited years for the Gades company to return to Athens, and travelers who booked around the performance. The lobby before curtain has a different energy than a concert night — more formal, more anticipatory, the kind of room where people have dressed for the occasion.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Alexandra Trianti Hall, Megaron — 1,500 seats, acoustics inaugurated by the Berlin Philharmonic in 2004 |\n| **Vibe** | Formal, electric, reverential — a flagship stage for a flagship production |\n| **Sound** | Live flamenco guitar, castanets, footwork percussion — the dancers are the instruments |\n| **Door** | Ticketed, assigned seating |\n\nThe choreography moves through the narrative with the economy that defined Gades's approach — no wasted gesture, no decorative flourish. Carmen's defiance is communicated through the angle of a hip, the speed of a turn, the refusal to lower her gaze. The bullfight sequence translates violence into geometry. What Gades understood, and what Arauzo preserves, is that flamenco carries its drama in the body, not in the staging — and on the Trianti Hall stage, with its clean sightlines and precise acoustics, every footfall registers.\n\nIf you want contemporary experimental dance or multimedia spectacle, this is classical flamenco choreography presented with fidelity to its 1983 original. But if you want to see one of the defining works of twentieth-century Spanish dance performed by the company that inherited it directly from its creator, this is the production — and Athens dates for the Gades company are not annual events.\n\nMegaron sits directly adjacent to Megaro Moussikis metro station. The Alexandra Trianti Hall entrance is clearly signed from the main lobby. Performances run April 24, 25, and 26 at 20:30. Tickets range from thirty-five euros in the upper zones to ninety-five euros in the Grand Tier, with fifteen percent discounts available for groups of twenty or more. Purchase through the Megaron box office on Vasilissis Sofias Avenue or online at megaron.gr.\n\nThree nights. A choreography created over forty years ago, carried by the company its creator founded, performed in a hall built for exactly this scale of encounter.", "hasNativeGreek": false, "startDate": "2026-04-24T20:30:00+03:00", "endDate": null, "type": "dance", "genres": [ "classical" ], "tags": [], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Βασιλίσσης Σοφίας & Κόκκαλη", "neighborhood": "Kolonaki", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 25, "currency": "EUR", "range": "€15-80" }, "url": "https://www.megaron.gr/event/carmen-by-antonio-gades-carlos-saura-me-tin-compania-antonio-gades/", "ticketUrl": "https://www.megaron.gr/event/carmen-by-antonio-gades-carlos-saura-me-tin-compania-antonio-gades/", "source": "megaron.gr", "createdAt": "2026-02-28T06:00:10.205Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "imageUrl": "https://www.megaron.gr/wp-content/uploads/2026/01/CARMEN-34_©-Stanislav-Levshin.jpg", "imageSource": "backfill", "imageLocal": "/images/events/76812621a28658a5.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "47b03e95d3a1e64c", "title": "Bolivar & Seds pres. Oliver Huntemann + Steve Sai b2b Steph", "description": "", "fullDescription": "Sand shifts under your feet as the bass begins its work. The sun finished setting an hour ago, but the warmth remains — in the air, in the bodies beginning to move, in the sound system pushing frequencies that travel through the beach. Bolivar holds one of its signature collaborations, and Oliver Huntemann has taken the booth.\n\nThe German DJ brings decades of techno evolution to Athens' best-known beach venue. Huntemann's career spans eras — from early raw productions to the refined, driving techno that fills peak-time floors across continents. His sound operates in the space between minimal and maximal, grooves that build without cluttering, drops that earn their impact.\n\nSeds joins the billing, the collaborative nature of the night promising transitions and potential b2b moments that planned sets couldn't achieve. The chemistry between artists when they share decks creates unrepeatable moments — readings of the floor made together, decisions about direction negotiated in real time. Beach venue programming understands this magic.\n\nBolivar Beach Bar has spent over two decades earning its reputation as the Riviera's accessible techno destination. The entry remains reasonable, the sunbeds affordable, the atmosphere democratic in ways that more exclusive beach clubs aren't. Tonight's crowd will mix — dedicated techno heads who'd follow Huntemann anywhere, beach-goers who stayed after sunset, tourists who stumbled into something real.\n\nThe setting matters as much as the lineup. Dancing on sand changes the body, removes the rigidity of concrete floors. The Mediterranean air adds organic warmth to electronic precision. When the system really hits, you feel it in your chest while the waves provide backbeat. Summer in Athens means beach clubs, and Bolivar represents the strand where techno traditions run deepest.\n\nIf you need central location or metro access, Bolivar requires taxi commitment. The Alimos location serves its purpose but not your convenience. But if you've been waiting for techno on the beach, for sound systems under stars, for nights that last until the sun suggests you should stop — Bolivar holds what you're seeking.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 24, 2026 |\n| **Time** | Sunset onwards |\n| **Venue** | Bolivar Beach Bar, Alimos |\n| **Getting there** | Taxi required (no metro) |\n| **Entry** | Check for this event |\n| **Headliner** | Oliver Huntemann |\n| **Support** | Seds |\n| **Style** | Techno |\n\nOliver Huntemann at Bolivar — where techno meets the sea.", "fullDescriptionEn": "Sand shifts under your feet as the bass begins its work. The sun finished setting an hour ago, but the warmth remains — in the air, in the bodies beginning to move, in the sound system pushing frequencies that travel through the beach. Bolivar holds one of its signature collaborations, and Oliver Huntemann has taken the booth.\n\nThe German DJ brings decades of techno evolution to Athens' best-known beach venue. Huntemann's career spans eras — from early raw productions to the refined, driving techno that fills peak-time floors across continents. His sound operates in the space between minimal and maximal, grooves that build without cluttering, drops that earn their impact.\n\nSeds joins the billing, the collaborative nature of the night promising transitions and potential b2b moments that planned sets couldn't achieve. The chemistry between artists when they share decks creates unrepeatable moments — readings of the floor made together, decisions about direction negotiated in real time. Beach venue programming understands this magic.\n\nBolivar Beach Bar has spent over two decades earning its reputation as the Riviera's accessible techno destination. The entry remains reasonable, the sunbeds affordable, the atmosphere democratic in ways that more exclusive beach clubs aren't. Tonight's crowd will mix — dedicated techno heads who'd follow Huntemann anywhere, beach-goers who stayed after sunset, tourists who stumbled into something real.\n\nThe setting matters as much as the lineup. Dancing on sand changes the body, removes the rigidity of concrete floors. The Mediterranean air adds organic warmth to electronic precision. When the system really hits, you feel it in your chest while the waves provide backbeat. Summer in Athens means beach clubs, and Bolivar represents the strand where techno traditions run deepest.\n\nIf you need central location or metro access, Bolivar requires taxi commitment. The Alimos location serves its purpose but not your convenience. But if you've been waiting for techno on the beach, for sound systems under stars, for nights that last until the sun suggests you should stop — Bolivar holds what you're seeking.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 24, 2026 |\n| **Time** | Sunset onwards |\n| **Venue** | Bolivar Beach Bar, Alimos |\n| **Getting there** | Taxi required (no metro) |\n| **Entry** | Check for this event |\n| **Headliner** | Oliver Huntemann |\n| **Support** | Seds |\n| **Style** | Techno |\n\nOliver Huntemann at Bolivar — where techno meets the sea.", "fullDescriptionGr": "Sand shifts under your feet as the bass begins its work. The sun finished setting an hour ago, but the warmth remains — in the air, in the bodies beginning to move, in the sound system pushing frequencies that travel through the beach. Bolivar holds one of its signature collaborations, and Oliver Huntemann has taken the booth.\n\nThe German DJ brings decades of techno evolution to Athens' best-known beach venue. Huntemann's career spans eras — from early raw productions to the refined, driving techno that fills peak-time floors across continents. His sound operates in the space between minimal and maximal, grooves that build without cluttering, drops that earn their impact.\n\nSeds joins the billing, the collaborative nature of the night promising transitions and potential b2b moments that planned sets couldn't achieve. The chemistry between artists when they share decks creates unrepeatable moments — readings of the floor made together, decisions about direction negotiated in real time. Beach venue programming understands this magic.\n\nBolivar Beach Bar has spent over two decades earning its reputation as the Riviera's accessible techno destination. The entry remains reasonable, the sunbeds affordable, the atmosphere democratic in ways that more exclusive beach clubs aren't. Tonight's crowd will mix — dedicated techno heads who'd follow Huntemann anywhere, beach-goers who stayed after sunset, tourists who stumbled into something real.\n\nThe setting matters as much as the lineup. Dancing on sand changes the body, removes the rigidity of concrete floors. The Mediterranean air adds organic warmth to electronic precision. When the system really hits, you feel it in your chest while the waves provide backbeat. Summer in Athens means beach clubs, and Bolivar represents the strand where techno traditions run deepest.\n\nIf you need central location or metro access, Bolivar requires taxi commitment. The Alimos location serves its purpose but not your convenience. But if you've been waiting for techno on the beach, for sound systems under stars, for nights that last until the sun suggests you should stop — Bolivar holds what you're seeking.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 24, 2026 |\n| **Time** | Sunset onwards |\n| **Venue** | Bolivar Beach Bar, Alimos |\n| **Getting there** | Taxi required (no metro) |\n| **Entry** | Check for this event |\n| **Headliner** | Oliver Huntemann |\n| **Support** | Seds |\n| **Style** | Techno |\n\nOliver Huntemann at Bolivar — where techno meets the sea.", "hasNativeGreek": false, "startDate": "2026-04-24T21:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "Bolivar", "address": "Leoforos Poseidonos, Alimos 174 55", "neighborhood": "Alimos", "coordinates": { "lat": 37.9082, "lon": 23.7146 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 15, "currency": "EUR", "range": "€10-25" }, "url": "https://www.clubber.gr/events/bolivar-seds-pres-oliver-huntemann-steve-sai-b2b-steph/", "ticketUrl": "https://www.clubber.gr/events/bolivar-seds-pres-oliver-huntemann-steve-sai-b2b-steph/", "source": "clubber.gr", "createdAt": "2026-01-26 13:11:15", "updatedAt": "2026-04-15 12:14:03", "language": "en", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "ebc0fe82d7c03741", "title": "JAMIE DUFFY", "description": "", "hasNativeGreek": false, "startDate": "2026-04-24T21:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Ωδείο Αθηνών", "address": "Ρηγίλλης & Vasileos Georgiou B 17-19", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.753 }, "capacity": null }, "price": { "type": "paid", "amount": 22, "currency": "EUR", "range": "€22" }, "url": "https://www.more.com/gr-el/tickets/music/jamie-duffy/", "ticketUrl": "https://www.more.com/gr-el/tickets/music/jamie-duffy/", "source": "more.com", "createdAt": "2026-03-03 09:54:11", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/7252b890-c780-47e3-a8ed-9e395ad0f48b/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/ebc0fe82d7c03741.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "47ebf66b696a65d4", "title": "CAVEMAN", "description": "", "fullDescription": "A man in overalls walks to the center of the stage, draws a cave painting on an invisible wall, and starts explaining why his wife sends him to buy one thing at the supermarket and he comes back with seven wrong items.\n\nRob Becker wrote Defending the Caveman in 1991 and it became the longest-running one-man show in Broadway history. Sotiris Kalyvatsis performs the Greek adaptation, directed by Giorgos Galitis, wearing the role with the timing of someone who has toured it across Greece.\n\nIf you want nuanced relationship drama, this is ninety minutes of stand-up-meets-theater that trades in broad gender comedy. But if you want to laugh at recognizable domestic absurdity with a room full of couples nudging each other, Kalyvatsis keeps the gags landing.\n\nTheatro Argo, Elefsiniou 15 in Metaxourgio. Curtain at 21:00, duration ninety minutes.\n\nThe show has been filling rooms since 1991 and the material has not aged out of relevance — or out of arguments.", "fullDescriptionEn": "A man in overalls walks to the center of the stage, draws a cave painting on an invisible wall, and starts explaining why his wife sends him to buy one thing at the supermarket and he comes back with seven wrong items.\n\nRob Becker wrote Defending the Caveman in 1991 and it became the longest-running one-man show in Broadway history. Sotiris Kalyvatsis performs the Greek adaptation, directed by Giorgos Galitis, wearing the role with the timing of someone who has toured it across Greece.\n\nIf you want nuanced relationship drama, this is ninety minutes of stand-up-meets-theater that trades in broad gender comedy. But if you want to laugh at recognizable domestic absurdity with a room full of couples nudging each other, Kalyvatsis keeps the gags landing.\n\nTheatro Argo, Elefsiniou 15 in Metaxourgio. Curtain at 21:00, duration ninety minutes.\n\nThe show has been filling rooms since 1991 and the material has not aged out of relevance — or out of arguments.", "fullDescriptionGr": "A man in overalls walks to the center of the stage, draws a cave painting on an invisible wall, and starts explaining why his wife sends him to buy one thing at the supermarket and he comes back with seven wrong items.\n\nRob Becker wrote Defending the Caveman in 1991 and it became the longest-running one-man show in Broadway history. Sotiris Kalyvatsis performs the Greek adaptation, directed by Giorgos Galitis, wearing the role with the timing of someone who has toured it across Greece.\n\nIf you want nuanced relationship drama, this is ninety minutes of stand-up-meets-theater that trades in broad gender comedy. But if you want to laugh at recognizable domestic absurdity with a room full of couples nudging each other, Kalyvatsis keeps the gags landing.\n\nTheatro Argo, Elefsiniou 15 in Metaxourgio. Curtain at 21:00, duration ninety minutes.\n\nThe show has been filling rooms since 1991 and the material has not aged out of relevance — or out of arguments.", "hasNativeGreek": false, "startDate": "2026-04-24T21:00:00", "endDate": null, "type": "theater", "genres": [], "tags": [ "live-theater", "comedy", "one-person-show", "contemporary-theater", "intimate-venue" ], "venue": { "name": "Αργώ", "address": "Elefsinion 13-15, Athens 104 37", "neighborhood": "Metaxourgeio", "coordinates": { "lat": 37.9871, "lon": 23.7198 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15" }, "url": "https://www.more.com/gr-el/tickets/theater/caveman-athina/", "ticketUrl": "https://www.more.com/gr-el/tickets/theater/caveman-athina/", "source": "more.com", "createdAt": "2026-03-10 06:59:24", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/e189b504-b781-40d5-98d8-890e08914b25/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/47ebf66b696a65d4.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "6ada7ff26c158358", "title": "Maruja", "description": "", "hasNativeGreek": false, "startDate": "2026-04-24T21:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Gazarte", "address": "32-34 Voutadon St, Gazi, Athens", "neighborhood": "Gazi / Keramikos", "coordinates": { "lat": 37.9775, "lon": 23.7153 }, "capacity": null }, "price": { "type": "tba", "amount": 15, "currency": "EUR", "range": "€10-25" }, "url": "https://www.athinorama.gr/music/gig/maruja_-10080658/", "ticketUrl": "https://www.athinorama.gr/music/gig/maruja_-10080658/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "209695fc9873aed2", "title": "SOMA - Παρουσίαση δίσκου «Στη χώρα του φωτός»", "description": "", "hasNativeGreek": false, "startDate": "2026-04-24T22:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "ΙΛΙΟΝ Plus", "address": "Kodrigktonos 17, Athens 104 34", "neighborhood": "Victoria / Neapoli", "coordinates": { "lat": 37.9944, "lon": 23.7369 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10 - €13" }, "url": "https://www.ticketservices.gr/event/14293/", "ticketUrl": "https://www.ticketservices.gr/event/14293/", "source": "ticketservices", "createdAt": "2026-03-14 09:36:28", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "22:00", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/main/main4_61321_th8mn1000012729.jpg", "imageSource": "backfill", "imageLocal": "/images/events/209695fc9873aed2.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "b70ba51359f0eb86", "title": "Γεωργία Νταγάκη", "description": "", "hasNativeGreek": false, "startDate": "2026-04-24T22:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Κύτταρο", "address": "Αχαρνών, Ipeirou και", "neighborhood": "", "coordinates": { "lat": 37.990675, "lon": 23.726265 }, "capacity": null }, "price": { "type": "paid", "amount": 13, "currency": "EUR", "range": "€13" }, "url": "https://www.athinorama.gr/music/gig/georgia_ntagaki__-10039491/", "ticketUrl": "https://www.athinorama.gr/music/gig/georgia_ntagaki__-10039491/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:11", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "22:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "28a5df39b3a575ca", "title": "ΝΙΚΟΣ ΞΥΔΑΚΗΣ στο Half Note", "description": "", "hasNativeGreek": false, "startDate": "2026-04-24T22:30:00", "endDate": null, "type": "concert", "genres": [ "jazz" ], "tags": [], "venue": { "name": "Half Note Jazz Club", "address": "17 Trivonianou Street, Athens 116 36", "neighborhood": "Mets", "coordinates": { "lat": 37.9661, "lon": 23.7463 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "από €15" }, "url": "https://www.halfnote.gr/event/nikos-xydakis-sto-half-note/2026-04-24/", "ticketUrl": "https://www.halfnote.gr/event/nikos-xydakis-sto-half-note/2026-04-24/", "source": "halfnote", "createdAt": "2026-03-27 10:02:14", "updatedAt": "2026-04-15 12:14:03", "language": 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"language": "en", "timeDoors": "23:00", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/bbb6f96b2b061d6b1e36b04c8e40dd349df57e2c.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/868eddb1666b2ce1.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "2fdf5487fd1bd049", "title": "Miroloja + Useless Co", "description": "", "hasNativeGreek": false, "startDate": "2026-04-24T23:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "Dybbuk", "address": "Patriarchou Ioakim 37, Athina 105 62", "neighborhood": "", "coordinates": { "lat": 37.978224, "lon": 23.744387 }, "capacity": null }, "price": { "type": "door", "amount": 10, "currency": "EUR", "range": "€10-15" }, "url": "https://www.clubber.gr/events/miroloja-useless-co/", "ticketUrl": "https://www.clubber.gr/events/miroloja-useless-co/", "source": "clubber.gr", 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"https://www.clubber.gr/events/soundnow-with-fjush%d0%b0-nivk-jane-siasios-vssls/", "source": "clubber.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "23:45", "timeSource": "scraped_listing", "imageUrl": "https://www.clubber.gr/wp-content/uploads/2026/04/21-years-clubbergr.jpg", "imageSource": "backfill", "imageLocal": "/images/events/eacc60d5a4c6cd1c.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "db7591277f7c641e", "title": "Soundnow w\\ FJUSHA @ AUX Club", "description": "", "hasNativeGreek": false, "startDate": "2026-04-24T23:59:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "Aux Club", "address": "Agiou Orous 15, Athens 104 47", "neighborhood": "Votanikos", "coordinates": { "lat": 37.9746, "lon": 23.7028 }, "capacity": null }, "price": { "type": "paid", "amount": 18, "currency": "EUR", "range": "€18" }, "url": "https://ra.co/events/2411357", "source": "residentadvisor", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "23:59", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/c30e001877103f660a30015bc09c0df47fc7ebb9.png", "imageSource": "scraped_listing", "imageLocal": "/images/events/db7591277f7c641e.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "4e8e40b299105a83", "title": "Goa Generators", "description": "", "hasNativeGreek": false, "startDate": "2026-04-24T23:59:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "IT Athens", "address": "Solomou 30 & Botasi 9, Athens 106 82", "neighborhood": "Exarchia", "coordinates": { "lat": 37.987, "lon": 23.7325 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://ra.co/events/2414393", "source": "residentadvisor", "createdAt": "2026-04-09 09:02:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "23:59", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/f2a3e68f2e222897d2690018b8000e069991ebd3.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/4e8e40b299105a83.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "fbf319fdf29144ed", "title": "Ρούντολφ Νουρέγιεφ - Άλμα προς την Ελευθερία", "description": "", "fullDescription": "The curtain rises on a hospital bed. A dancer's body, decades past its prime, still holds the discipline of someone trained to defy gravity. This is Nureyev's final hours, and Sergei Yankovsky plays them in a production that has drawn over a million viewers since its 2007 premiere at the Mariinsky Theatre in Saint Petersburg.\n\nYankovsky studied classical ballet for this role, blurring the line between actor and dancer. The script moves between the dying man and his younger self: the boy from Ufa, the defection at Le Bourget, the obsessive rehearsals.\n\nIf you want light entertainment, a deathbed monologue about artistic obsession is not that. But if you want one performer carrying an entire life onstage, Yankovsky has been doing exactly that for nineteen years.\n\nTheatro Katia Dandoulaki, Agiou Meletiou 61A. Performances 25 and 26 April at 20:30.\n\nNureyev would have understood that kind of stamina.", "fullDescriptionEn": "The curtain rises on a hospital bed. A dancer's body, decades past its prime, still holds the discipline of someone trained to defy gravity. This is Nureyev's final hours, and Sergei Yankovsky plays them in a production that has drawn over a million viewers since its 2007 premiere at the Mariinsky Theatre in Saint Petersburg.\n\nYankovsky studied classical ballet for this role, blurring the line between actor and dancer. The script moves between the dying man and his younger self: the boy from Ufa, the defection at Le Bourget, the obsessive rehearsals.\n\nIf you want light entertainment, a deathbed monologue about artistic obsession is not that. But if you want one performer carrying an entire life onstage, Yankovsky has been doing exactly that for nineteen years.\n\nTheatro Katia Dandoulaki, Agiou Meletiou 61A. Performances 25 and 26 April at 20:30.\n\nNureyev would have understood that kind of stamina.", "fullDescriptionGr": "The curtain rises on a hospital bed. A dancer's body, decades past its prime, still holds the discipline of someone trained to defy gravity. This is Nureyev's final hours, and Sergei Yankovsky plays them in a production that has drawn over a million viewers since its 2007 premiere at the Mariinsky Theatre in Saint Petersburg.\n\nYankovsky studied classical ballet for this role, blurring the line between actor and dancer. The script moves between the dying man and his younger self: the boy from Ufa, the defection at Le Bourget, the obsessive rehearsals.\n\nIf you want light entertainment, a deathbed monologue about artistic obsession is not that. But if you want one performer carrying an entire life onstage, Yankovsky has been doing exactly that for nineteen years.\n\nTheatro Katia Dandoulaki, Agiou Meletiou 61A. Performances 25 and 26 April at 20:30.\n\nNureyev would have understood that kind of stamina.", "hasNativeGreek": false, "startDate": "2026-04-25", "endDate": null, "type": "theater", "genres": [], "tags": [ "live-theater", "drama", "biographical", "one-person-show", "international-production" ], "venue": { "name": "Θέατρο Κάτια Δανδουλάκη", "address": "Agiou Meletiou 61, Athina 112 51", "neighborhood": "", "coordinates": { "lat": 38.000067, "lon": 23.733053 }, "capacity": null }, "price": { "type": "paid", "amount": 17, "currency": "EUR", "range": "€17" }, "url": "https://www.more.com/gr-el/tickets/theater/rountolf-nouregief-alma-pros-tin-eleutheria-2/", "ticketUrl": "https://www.more.com/gr-el/tickets/theater/rountolf-nouregief-alma-pros-tin-eleutheria-2/", "source": "more.com", "createdAt": "2026-02-09 16:48:30", "updatedAt": "2026-04-15 12:12:34", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/d4f1ffab-73c4-4462-9e52-419625e4b2f4/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/fbf319fdf29144ed.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "bb734856786c5a38", "title": "Desir - Arietta female choir", "description": "", "hasNativeGreek": false, "startDate": "2026-04-25", "endDate": null, "type": "dj_set", "genres": [], "tags": [], "venue": { "name": "Parnassos Literary Society", "address": "Agiou Georgiou Karitsi 8, Athens 105 61", "neighborhood": "Syntagma", "coordinates": { "lat": 37.9774, "lon": 23.7314 }, "capacity": null }, "price": { "type": "paid", "amount": 6, "currency": "EUR", "range": "€6 - €10" }, "url": "https://www.ticketservices.gr/event/14401/", "ticketUrl": "https://www.ticketservices.gr/event/14401/", "source": "ticketservices", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_62090_or_Desir Post (1020 x 408 px).jpg", "imageSource": "backfill", "imageLocal": "/images/events/bb734856786c5a38.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "249beabea3ecb432", "title": "Fann", "description": "", "hasNativeGreek": false, "startDate": "2026-04-25", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Universe", "address": "Leoforos Kifisou 87, Athens 122 41", "neighborhood": "Egaleo", "coordinates": { "lat": 37.9708, "lon": 23.6733 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/fann-10081724/", "ticketUrl": "https://www.athinorama.gr/music/gig/fann-10081724/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "ddeab8d769ce0875", "title": "YOU ARE WHAT YOU DANCE", "description": "", "fullDescription": "The floor moves before you understand why. Skull Bar's sound system has locked into something that bypasses consciousness — your body responds while your brain catches up. The room pulses together, strangers synchronized by frequencies that insist on physical response. You are what you dance, and tonight you dance.\n\n\"YOU ARE WHAT YOU DANCE\" operates as philosophy and promise. The night's programming builds around the premise that movement reveals identity, that the floor becomes a space of truth-telling. The DJs tonight understand this assignment — they're not providing background but facilitating transformation. The sets run deep, the transitions intentional, the arc of the evening designed to take you somewhere.\n\nSkull Bar provides the appropriate container for this kind of evening. The venue's reputation for electronic music programming means the crowd arrives pre-selected — these are dancers first, spectators never. The sound system has been calibrated for the frequencies this music requires, bass that hits your chest without muddying the mid-range that carries the melodies.\n\nThe philosophy embedded in the night's title deserves consideration. When you dance, you reveal something — how you interpret rhythm, whether you move for yourself or for observers, what joy looks like in your body. The room tonight becomes a collection of these revelations, each dancer contributing to a collective portrait of what movement means.\n\nElectronic music events in Athens operate in the space between international circuit and local scene. Tonight's programming acknowledges both — sounds that would work in Berlin or London, presented in a room where the conversations happen in Greek, where the context is specifically Athenian. The synthesis creates something particular, belonging to this night in this city.\n\nIf you need seats or music that allows conversation, Skull Bar's format will frustrate your expectations. This is a dance floor, full stop. The music demands movement, the crowd expects participation. But if you've been looking for nights where the DJ understands that their job is facilitating collective experience — you find your way here.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Time** | Late night |\n| **Venue** | Skull Bar |\n| **Style** | Electronic / Dance |\n| **Price** | Check venue |\n| **Atmosphere** | Dance-focused |\n\nYou Are What You Dance — movement as revelation.", "fullDescriptionEn": "The floor moves before you understand why. Skull Bar's sound system has locked into something that bypasses consciousness — your body responds while your brain catches up. The room pulses together, strangers synchronized by frequencies that insist on physical response. You are what you dance, and tonight you dance.\n\n\"YOU ARE WHAT YOU DANCE\" operates as philosophy and promise. The night's programming builds around the premise that movement reveals identity, that the floor becomes a space of truth-telling. The DJs tonight understand this assignment — they're not providing background but facilitating transformation. The sets run deep, the transitions intentional, the arc of the evening designed to take you somewhere.\n\nSkull Bar provides the appropriate container for this kind of evening. The venue's reputation for electronic music programming means the crowd arrives pre-selected — these are dancers first, spectators never. The sound system has been calibrated for the frequencies this music requires, bass that hits your chest without muddying the mid-range that carries the melodies.\n\nThe philosophy embedded in the night's title deserves consideration. When you dance, you reveal something — how you interpret rhythm, whether you move for yourself or for observers, what joy looks like in your body. The room tonight becomes a collection of these revelations, each dancer contributing to a collective portrait of what movement means.\n\nElectronic music events in Athens operate in the space between international circuit and local scene. Tonight's programming acknowledges both — sounds that would work in Berlin or London, presented in a room where the conversations happen in Greek, where the context is specifically Athenian. The synthesis creates something particular, belonging to this night in this city.\n\nIf you need seats or music that allows conversation, Skull Bar's format will frustrate your expectations. This is a dance floor, full stop. The music demands movement, the crowd expects participation. But if you've been looking for nights where the DJ understands that their job is facilitating collective experience — you find your way here.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Time** | Late night |\n| **Venue** | Skull Bar |\n| **Style** | Electronic / Dance |\n| **Price** | Check venue |\n| **Atmosphere** | Dance-focused |\n\nYou Are What You Dance — movement as revelation.", "fullDescriptionGr": "The floor moves before you understand why. Skull Bar's sound system has locked into something that bypasses consciousness — your body responds while your brain catches up. The room pulses together, strangers synchronized by frequencies that insist on physical response. You are what you dance, and tonight you dance.\n\n\"YOU ARE WHAT YOU DANCE\" operates as philosophy and promise. The night's programming builds around the premise that movement reveals identity, that the floor becomes a space of truth-telling. The DJs tonight understand this assignment — they're not providing background but facilitating transformation. The sets run deep, the transitions intentional, the arc of the evening designed to take you somewhere.\n\nSkull Bar provides the appropriate container for this kind of evening. The venue's reputation for electronic music programming means the crowd arrives pre-selected — these are dancers first, spectators never. The sound system has been calibrated for the frequencies this music requires, bass that hits your chest without muddying the mid-range that carries the melodies.\n\nThe philosophy embedded in the night's title deserves consideration. When you dance, you reveal something — how you interpret rhythm, whether you move for yourself or for observers, what joy looks like in your body. The room tonight becomes a collection of these revelations, each dancer contributing to a collective portrait of what movement means.\n\nElectronic music events in Athens operate in the space between international circuit and local scene. Tonight's programming acknowledges both — sounds that would work in Berlin or London, presented in a room where the conversations happen in Greek, where the context is specifically Athenian. The synthesis creates something particular, belonging to this night in this city.\n\nIf you need seats or music that allows conversation, Skull Bar's format will frustrate your expectations. This is a dance floor, full stop. The music demands movement, the crowd expects participation. But if you've been looking for nights where the DJ understands that their job is facilitating collective experience — you find your way here.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Time** | Late night |\n| **Venue** | Skull Bar |\n| **Style** | Electronic / Dance |\n| **Price** | Check venue |\n| **Atmosphere** | Dance-focused |\n\nYou Are What You Dance — movement as revelation.", "hasNativeGreek": false, "startDate": "2026-04-25T05:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [], "venue": { "name": "Skull Bar", "address": "Lamprou Katsoni 13 & Ippokratous, Athens 114 72", "neighborhood": "Exarchia", "coordinates": { "lat": 37.9875, "lon": 23.7375 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10" }, "url": "https://ra.co/events/2355608", "ticketUrl": "https://ra.co/events/2355608", "source": "residentadvisor", "createdAt": "2026-02-02 14:58:08", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "05:00", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/6fb219d2ea655ed840c83e4fb38dd915496108ba.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/ddeab8d769ce0875.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "Festival", "id": "cat-festival-2026-2026-04-25", "title": "Cat Festival 2026", "description": "Γάτα Φεστιβάλ Γατα Φεστιβαλ Cat festival αμαξοστασιο συναυλίες, stand up, δραστηριοτητες για παιδια, ομιλίες φιλοζωικές", "fullDescription": "The old tram depot has transformed overnight. Stages emerge from industrial corners, food stalls line the central corridor, and everywhere — cats. Murals, sculptures, costumes, the feline aesthetic infiltrating every surface. You've entered Cat Festival, and Athens is celebrating something genuinely strange.\n\nThe Palaio Amaxostasio OSY provides the setting this festival deserves. The historic tram depot's industrial bones create atmosphere that new construction couldn't replicate. High ceilings allow sound to travel, while distinct spaces offer variety — move from stage to stage, from vendor to vendor, from experience to experience without leaving the site.\n\nCat Festival brings together music, art, and Athens' peculiar ability to make festivals feel like parties you stumbled into rather than events you bought tickets for. The lineup spans genres, the art installations reward exploration, the food options fuel extended stays. The cat theme provides organizing principle without demanding explanation — Athens loves its cats, festivals love themes, the synthesis makes its own sense.\n\nMultiple stages mean programming runs simultaneous rather than sequential. You'll miss things while watching other things. This is the festival's gift — forcing choices that make each person's experience unique. The decisions you make shape your night. The stages you skip become stories other people tell you later.\n\nThe crowd at Greek festivals carries particular energy. Families early, young adults later, the demographic shifting as hours pass. Everyone seems to know someone, the small world of Athens nightlife collapsing into encounters and reunions. By midnight the stranger-to-friend conversion rate exceeds normal event parameters.\n\nIf you need predictable scheduling or comprehensive coverage, Cat Festival's sprawl will frustrate your completionist instincts. The experience here rewards wandering over planning, discovery over optimization. But if you've been seeking festivals that feel organic rather than corporate, where the venues matter as much as the lineup — the old tram depot holds this particular celebration.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Time** | All day and evening |\n| **Venue** | Palaio Amaxostasio OSY (Old Tram Depot) |\n| **Format** | Multi-stage festival |\n| **Price** | Check organizers |\n| **Prepare for** | Walking, exploring |\n\nCat Festival 2026 — where Athens celebrates its strangest enthusiasms.", "fullDescriptionEn": "The old tram depot has transformed overnight. Stages emerge from industrial corners, food stalls line the central corridor, and everywhere — cats. Murals, sculptures, costumes, the feline aesthetic infiltrating every surface. You've entered Cat Festival, and Athens is celebrating something genuinely strange.\n\nThe Palaio Amaxostasio OSY provides the setting this festival deserves. The historic tram depot's industrial bones create atmosphere that new construction couldn't replicate. High ceilings allow sound to travel, while distinct spaces offer variety — move from stage to stage, from vendor to vendor, from experience to experience without leaving the site.\n\nCat Festival brings together music, art, and Athens' peculiar ability to make festivals feel like parties you stumbled into rather than events you bought tickets for. The lineup spans genres, the art installations reward exploration, the food options fuel extended stays. The cat theme provides organizing principle without demanding explanation — Athens loves its cats, festivals love themes, the synthesis makes its own sense.\n\nMultiple stages mean programming runs simultaneous rather than sequential. You'll miss things while watching other things. This is the festival's gift — forcing choices that make each person's experience unique. The decisions you make shape your night. The stages you skip become stories other people tell you later.\n\nThe crowd at Greek festivals carries particular energy. Families early, young adults later, the demographic shifting as hours pass. Everyone seems to know someone, the small world of Athens nightlife collapsing into encounters and reunions. By midnight the stranger-to-friend conversion rate exceeds normal event parameters.\n\nIf you need predictable scheduling or comprehensive coverage, Cat Festival's sprawl will frustrate your completionist instincts. The experience here rewards wandering over planning, discovery over optimization. But if you've been seeking festivals that feel organic rather than corporate, where the venues matter as much as the lineup — the old tram depot holds this particular celebration.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Time** | All day and evening |\n| **Venue** | Palaio Amaxostasio OSY (Old Tram Depot) |\n| **Format** | Multi-stage festival |\n| **Price** | Check organizers |\n| **Prepare for** | Walking, exploring |\n\nCat Festival 2026 — where Athens celebrates its strangest enthusiasms.", "fullDescriptionGr": "The old tram depot has transformed overnight. Stages emerge from industrial corners, food stalls line the central corridor, and everywhere — cats. Murals, sculptures, costumes, the feline aesthetic infiltrating every surface. You've entered Cat Festival, and Athens is celebrating something genuinely strange.\n\nThe Palaio Amaxostasio OSY provides the setting this festival deserves. The historic tram depot's industrial bones create atmosphere that new construction couldn't replicate. High ceilings allow sound to travel, while distinct spaces offer variety — move from stage to stage, from vendor to vendor, from experience to experience without leaving the site.\n\nCat Festival brings together music, art, and Athens' peculiar ability to make festivals feel like parties you stumbled into rather than events you bought tickets for. The lineup spans genres, the art installations reward exploration, the food options fuel extended stays. The cat theme provides organizing principle without demanding explanation — Athens loves its cats, festivals love themes, the synthesis makes its own sense.\n\nMultiple stages mean programming runs simultaneous rather than sequential. You'll miss things while watching other things. This is the festival's gift — forcing choices that make each person's experience unique. The decisions you make shape your night. The stages you skip become stories other people tell you later.\n\nThe crowd at Greek festivals carries particular energy. Families early, young adults later, the demographic shifting as hours pass. Everyone seems to know someone, the small world of Athens nightlife collapsing into encounters and reunions. By midnight the stranger-to-friend conversion rate exceeds normal event parameters.\n\nIf you need predictable scheduling or comprehensive coverage, Cat Festival's sprawl will frustrate your completionist instincts. The experience here rewards wandering over planning, discovery over optimization. But if you've been seeking festivals that feel organic rather than corporate, where the venues matter as much as the lineup — the old tram depot holds this particular celebration.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Time** | All day and evening |\n| **Venue** | Palaio Amaxostasio OSY (Old Tram Depot) |\n| **Format** | Multi-stage festival |\n| **Price** | Check organizers |\n| **Prepare for** | Walking, exploring |\n\nCat Festival 2026 — where Athens celebrates its strangest enthusiasms.", "hasNativeGreek": false, "startDate": "2026-04-25T10:00:00+03:00", "endDate": null, "type": "festival", "genres": [ "festival" ], "tags": [], "venue": { "name": "Παλιό Αμαξοστάσιο ΟΣΥ", "address": "Ερμού 1 & Πειραιώς, 11854, Γκάζι", "neighborhood": "Gazi / Keramikos", "coordinates": { "lat": 37.9778, "lon": 23.7155 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 0, "currency": "EUR", "range": "Δωρεάν" }, "url": "https://www.more.com/gr-el/tickets/happenings/festival/cat-festival-2026/", "ticketUrl": "https://www.more.com/gr-el/tickets/happenings/festival/cat-festival-2026/", "source": "more.com", "createdAt": "2025-10-31T12:22:35.864Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "10:00", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/38375918-d599-4fd3-b220-e01aa7daa7fd/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/cat-festival-2026-2026-04-25.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "58a7ac7af60d7862", "title": "ΚΟΛΟΣΣΟΣ H HOTELS - ΕΙΣΙΤΗΡΙΑ ΑΓΩΝΩΝ 2025-2026", "description": "", "hasNativeGreek": false, "startDate": "2026-04-25T18:30:00", "endDate": null, "type": "dj_set", "genres": [], "tags": [], "venue": { "name": "Κλειστό Καλλιθέας", "address": "Δημοτικό Κλειστό Γυμναστήριο, Ηρακλέους", "neighborhood": "", "coordinates": { "lat": 37.944755, "lon": 23.696367 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.more.com/gr-el/tickets/sports/kolossos-h-hotels-eisitiria-agonon-2025-2026/", "ticketUrl": "https://www.more.com/gr-el/tickets/sports/kolossos-h-hotels-eisitiria-agonon-2025-2026/", "source": "more.com", "createdAt": "2026-03-30 05:09:48", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "18:30", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/18ee6e2e-529d-4f80-b6b0-e6c75fbfd6fb/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/58a7ac7af60d7862.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "ef75962ff55097e4", "title": "Μελωδίες στον χρόνο", "description": "", "hasNativeGreek": false, "startDate": "2026-04-25T19:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15" }, "url": "https://www.ticketservices.gr/event/14413/", "ticketUrl": "https://www.ticketservices.gr/event/14413/", "source": "ticketservices", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "19:00", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/main/main4_62148_MPERHS 25_4.jpg", "imageSource": "backfill", "imageLocal": "/images/events/ef75962ff55097e4.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "5e455aedf64bcab6", "title": "NAYRA «Paradox Sounds»", "description": "", "hasNativeGreek": false, "startDate": "2026-04-25T20:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "St. Paul's Anglican Church", "address": "Filellinon 27, Athina 105 57", "neighborhood": "", "coordinates": { "lat": 37.972325, "lon": 23.733681 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15" }, "url": "https://www.ticketservices.gr/event/14225/", "ticketUrl": "https://www.ticketservices.gr/event/14225/", "source": "ticketservices", "createdAt": "2026-03-06 07:38:39", "updatedAt": "2026-04-15 12:12:34", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_60916_or_NAYRA-summer-2026-event-1920x1005.jpg", "imageSource": "backfill", "imageLocal": "/images/events/5e455aedf64bcab6.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "232ba037647ed8c6", "title": "Black Country, New Road", "description": "", "hasNativeGreek": false, "startDate": "2026-04-25T20:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Floyd", "address": "Pireos 117, Athens 118 54", "neighborhood": "Keramikos / Metaxourgeio", "coordinates": { "lat": 37.9795, "lon": 23.718 }, "capacity": null }, "price": { "type": "paid", "amount": 30, "currency": "EUR", "range": "€30" }, "url": "https://www.athinorama.gr/music/gig/black_country_new_road-10080056/", "ticketUrl": "https://www.athinorama.gr/music/gig/black_country_new_road-10080056/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "7ff9193d1c160114", "title": "0-100 Seirene", "description": "", "hasNativeGreek": false, "startDate": "2026-04-25T20:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Fuzz Club", "address": "Patriarchou Ioakeim 1, Moschato, Athens", "neighborhood": "Tavros / Moschato", "coordinates": { "lat": 37.9545, "lon": 23.6905 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "€12" }, "url": "https://www.athinorama.gr/music/gig/0_100_seirene-10085342/", "ticketUrl": "https://www.athinorama.gr/music/gig/0_100_seirene-10085342/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "3e889d176220fecb", "title": "FANN Live Παρουσίαση Album \"Lilith Tape 2\"", "description": "25 Απρ - 2 Μαι FANN Live Παρουσίαση Album \"Lilith Tape 2\" Πολλαπλοι χωροι", "fullDescription": "The bass frequencies from Lilith Tape 2 fill multiple spaces across the city. You're not sure which venue is headquarters — that ambiguity is part of the design. FANN's release party spreads across Athens like a decentralized rave, each location holding a piece of the whole. Your night becomes a journey between nodes.\n\nFANN brings \"Lilith Tape 2\" into physical reality through events that match the release's ambition. The collective has built a reputation for productions that transcend single-venue limitations, treating the city itself as the venue. Tonight's programming connects locations through shared intent if not shared walls.\n\nThe multiple venue format creates opportunities and requires decisions. Each space hosts its own programming, its own crowd dynamics, its own chapter of the evening. Moving between them means navigating Athens' nighttime geography — taxis, walks, the particular logistics of event-hopping in a city that reveals itself differently after midnight.\n\nElectronic music in Athens increasingly operates through collectives rather than individual artists. FANN represents this model — a shared identity that allows fluid lineups, collaborative programming, community rather than hierarchy. Tonight's event celebrates not just an album but an approach, the tape becoming occasion for demonstrating the philosophy.\n\nThe crowd will fragment and reconvene, different combinations of faces at each location. The conversations between venues become part of the experience — comparing what you saw at one spot, recommending another, building collective understanding of a night that exists in pieces. By morning, the complete picture emerges only through shared accounts.\n\nIf you need single-location simplicity or music that stays in one room, FANN's decentralized approach will exceed your navigation tolerance. The experience here rewards adventurers, those willing to treat the evening as exploration. But if you've been seeking events that use Athens itself as the venue — FANN's Lilith Tape 2 release maps the territory.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Time** | Night |\n| **Venues** | Multiple locations |\n| **Format** | Multi-venue release party |\n| **Price** | Check FANN channels |\n| **Prepare for** | Movement between venues |\n\nFANN's Lilith Tape 2 — the city as the venue.", "fullDescriptionEn": "The bass frequencies from Lilith Tape 2 fill multiple spaces across the city. You're not sure which venue is headquarters — that ambiguity is part of the design. FANN's release party spreads across Athens like a decentralized rave, each location holding a piece of the whole. Your night becomes a journey between nodes.\n\nFANN brings \"Lilith Tape 2\" into physical reality through events that match the release's ambition. The collective has built a reputation for productions that transcend single-venue limitations, treating the city itself as the venue. Tonight's programming connects locations through shared intent if not shared walls.\n\nThe multiple venue format creates opportunities and requires decisions. Each space hosts its own programming, its own crowd dynamics, its own chapter of the evening. Moving between them means navigating Athens' nighttime geography — taxis, walks, the particular logistics of event-hopping in a city that reveals itself differently after midnight.\n\nElectronic music in Athens increasingly operates through collectives rather than individual artists. FANN represents this model — a shared identity that allows fluid lineups, collaborative programming, community rather than hierarchy. Tonight's event celebrates not just an album but an approach, the tape becoming occasion for demonstrating the philosophy.\n\nThe crowd will fragment and reconvene, different combinations of faces at each location. The conversations between venues become part of the experience — comparing what you saw at one spot, recommending another, building collective understanding of a night that exists in pieces. By morning, the complete picture emerges only through shared accounts.\n\nIf you need single-location simplicity or music that stays in one room, FANN's decentralized approach will exceed your navigation tolerance. The experience here rewards adventurers, those willing to treat the evening as exploration. But if you've been seeking events that use Athens itself as the venue — FANN's Lilith Tape 2 release maps the territory.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Time** | Night |\n| **Venues** | Multiple locations |\n| **Format** | Multi-venue release party |\n| **Price** | Check FANN channels |\n| **Prepare for** | Movement between venues |\n\nFANN's Lilith Tape 2 — the city as the venue.", "fullDescriptionGr": "The bass frequencies from Lilith Tape 2 fill multiple spaces across the city. You're not sure which venue is headquarters — that ambiguity is part of the design. FANN's release party spreads across Athens like a decentralized rave, each location holding a piece of the whole. Your night becomes a journey between nodes.\n\nFANN brings \"Lilith Tape 2\" into physical reality through events that match the release's ambition. The collective has built a reputation for productions that transcend single-venue limitations, treating the city itself as the venue. Tonight's programming connects locations through shared intent if not shared walls.\n\nThe multiple venue format creates opportunities and requires decisions. Each space hosts its own programming, its own crowd dynamics, its own chapter of the evening. Moving between them means navigating Athens' nighttime geography — taxis, walks, the particular logistics of event-hopping in a city that reveals itself differently after midnight.\n\nElectronic music in Athens increasingly operates through collectives rather than individual artists. FANN represents this model — a shared identity that allows fluid lineups, collaborative programming, community rather than hierarchy. Tonight's event celebrates not just an album but an approach, the tape becoming occasion for demonstrating the philosophy.\n\nThe crowd will fragment and reconvene, different combinations of faces at each location. The conversations between venues become part of the experience — comparing what you saw at one spot, recommending another, building collective understanding of a night that exists in pieces. By morning, the complete picture emerges only through shared accounts.\n\nIf you need single-location simplicity or music that stays in one room, FANN's decentralized approach will exceed your navigation tolerance. The experience here rewards adventurers, those willing to treat the evening as exploration. But if you've been seeking events that use Athens itself as the venue — FANN's Lilith Tape 2 release maps the territory.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Time** | Night |\n| **Venues** | Multiple locations |\n| **Format** | Multi-venue release party |\n| **Price** | Check FANN channels |\n| **Prepare for** | Movement between venues |\n\nFANN's Lilith Tape 2 — the city as the venue.", "hasNativeGreek": false, "startDate": "2026-04-25T20:00:00+03:00", "endDate": null, "type": "concert", "genres": [ "music" ], "tags": [], "venue": { "name": "2\" Πολλαπλοι χωροι", "address": "Athens, Greece", "neighborhood": null, "coordinates": { "lat": 37.9838, "lon": 23.7276 }, "capacity": null }, "price": { "type": "with-ticket", "amount": null, "currency": "EUR", "range": "with-ticket" }, "url": "https://www.viva.gr/gr-el/tickets/music/fann-live-parousiasi-album-lilith-tape-2/", "ticketUrl": "https://www.viva.gr/gr-el/tickets/music/fann-live-parousiasi-album-lilith-tape-2/", "source": "more.com", "createdAt": "2026-01-19T23:07:36.324Z", "updatedAt": "2026-02-26 09:05:42", "language": "en", "timeDoors": "20:00", "timeSource": "extracted_from_start_date", "imageUrl": "https://www.more.com/site/images/opengraph.png", "imageSource": "backfill", "imageLocal": "/images/events/3e889d176220fecb.webp", "permanentCollection": false, "locationStatus": "pass_through" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "2af0ddacfee144e3", "title": "annexM: Τζένη Μαρκέτου – Folly for Songs for Funk Kinships – Μικρές φωλιές, μεγάλοι κόσμοι", "description": "", "hasNativeGreek": false, "startDate": "2026-04-25T20:30:00", "endDate": null, "type": "concert", "genres": [ "Classical", "Concert" ], "tags": [], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 25, "currency": "EUR", "range": "€15-80" }, "url": "https://www.megaron.gr/event/annexm-tzeni-marketou-folly-for-songs-for-funk-kinships-mikres-folies-megaloi-kosmoi/", "ticketUrl": "https://www.megaron.gr/event/annexm-tzeni-marketou-folly-for-songs-for-funk-kinships-mikres-folies-megaloi-kosmoi/", "source": "megaron.gr", "createdAt": "2026-03-06 07:38:39", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://www.megaron.gr/wp-content/uploads/2025/09/@Pinelopi_Gerasimou-3.jpg", "imageSource": "backfill", "imageLocal": "/images/events/2af0ddacfee144e3.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "fc2a3144884da661", "title": "Bolivar Opening with Gioli & Assia I Sat April 25", "description": "", "fullDescription": "The sound arrives before the venue does—bass filtering through the trees lining the waterfront as you approach Bolivar. By the time you're at the entrance, you can feel the season shifting: this is Athens choosing to open itself up again, and the beach bars along Alimos are where that decision gets celebrated.\n\nGiolì & Assia have spent the last year building something particular in European electronic music. Their production sits between crystalline melody and physical bass, the kind of sound that makes you want to move even while you're standing still. This opening party is the moment they stop being club fixtures and become something more permanent in the Athens summer circuit.\n\nYou'll find the people who've been waiting for this—regulars at Bolivar who mark their calendar by the seasonal reopenings, newer faces testing whether beach club energy is their thing. The room fills with a mix of those who came specifically for the DJs and those who came for the view and stayed for the music. Everyone's dressed for the occasion, which means the vibe is both relaxed and intentional.\n\nThe experience unfolds across a sprawling outdoor space where the sea creates natural acoustics. Early in the evening it's social—drinks, conversations strung out across tables and standing areas. As the night progresses and the DJs hit their stride, the energy consolidates around whoever's dancing. By midnight the distinction between \"clubbing\" and \"being at the beach\" has dissolved entirely.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Waterfront club with sea views, open-air terrace, capacity ~800 |\n| **Vibe** | Celebratory, summer-opening energy, sophisticated but not pretentious |\n| **Sound** | Dance floor with quality system, designed for movement |\n| **Atmosphere** | Sunset to late night, good to arrive 10pm or later |\n\nIf you need a seated table experience or prefer to observe from the margins, this isn't subtle enough for that. Everyone's either moving or will be soon. But if you want the first real night of Athens summer—the moment when the city remembers what beach clubbing actually means—this is where you start.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Doors** | 21:00 |\n| **Music starts** | ~22:00 |\n| **Peak time** | 00:00-03:00 |\n| **Duration** | Until ~04:00 |\n| **Price** | €15-20 (estimated) |\n| **Tickets** | Door and advance via clubber.gr |\n| **Address** | Ακτή Ηλίου, Άλιμος, Athens |\n| **Getting there** | Tram to Kalamaki (~500m walk) or taxi/car recommended |\n| **Parking** | Available on-site |\n| **Payment** | Cards and cash |\n| **Good to know** | Beach clubs get busy post-10pm; earlier arrival means better positioning |", "fullDescriptionEn": "The sound arrives before the venue does—bass filtering through the trees lining the waterfront as you approach Bolivar. By the time you're at the entrance, you can feel the season shifting: this is Athens choosing to open itself up again, and the beach bars along Alimos are where that decision gets celebrated.\n\nGiolì & Assia have spent the last year building something particular in European electronic music. Their production sits between crystalline melody and physical bass, the kind of sound that makes you want to move even while you're standing still. This opening party is the moment they stop being club fixtures and become something more permanent in the Athens summer circuit.\n\nYou'll find the people who've been waiting for this—regulars at Bolivar who mark their calendar by the seasonal reopenings, newer faces testing whether beach club energy is their thing. The room fills with a mix of those who came specifically for the DJs and those who came for the view and stayed for the music. Everyone's dressed for the occasion, which means the vibe is both relaxed and intentional.\n\nThe experience unfolds across a sprawling outdoor space where the sea creates natural acoustics. Early in the evening it's social—drinks, conversations strung out across tables and standing areas. As the night progresses and the DJs hit their stride, the energy consolidates around whoever's dancing. By midnight the distinction between \"clubbing\" and \"being at the beach\" has dissolved entirely.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Waterfront club with sea views, open-air terrace, capacity ~800 |\n| **Vibe** | Celebratory, summer-opening energy, sophisticated but not pretentious |\n| **Sound** | Dance floor with quality system, designed for movement |\n| **Atmosphere** | Sunset to late night, good to arrive 10pm or later |\n\nIf you need a seated table experience or prefer to observe from the margins, this isn't subtle enough for that. Everyone's either moving or will be soon. But if you want the first real night of Athens summer—the moment when the city remembers what beach clubbing actually means—this is where you start.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Doors** | 21:00 |\n| **Music starts** | ~22:00 |\n| **Peak time** | 00:00-03:00 |\n| **Duration** | Until ~04:00 |\n| **Price** | €15-20 (estimated) |\n| **Tickets** | Door and advance via clubber.gr |\n| **Address** | Ακτή Ηλίου, Άλιμος, Athens |\n| **Getting there** | Tram to Kalamaki (~500m walk) or taxi/car recommended |\n| **Parking** | Available on-site |\n| **Payment** | Cards and cash |\n| **Good to know** | Beach clubs get busy post-10pm; earlier arrival means better positioning |", "fullDescriptionGr": "The sound arrives before the venue does—bass filtering through the trees lining the waterfront as you approach Bolivar. By the time you're at the entrance, you can feel the season shifting: this is Athens choosing to open itself up again, and the beach bars along Alimos are where that decision gets celebrated.\n\nGiolì & Assia have spent the last year building something particular in European electronic music. Their production sits between crystalline melody and physical bass, the kind of sound that makes you want to move even while you're standing still. This opening party is the moment they stop being club fixtures and become something more permanent in the Athens summer circuit.\n\nYou'll find the people who've been waiting for this—regulars at Bolivar who mark their calendar by the seasonal reopenings, newer faces testing whether beach club energy is their thing. The room fills with a mix of those who came specifically for the DJs and those who came for the view and stayed for the music. Everyone's dressed for the occasion, which means the vibe is both relaxed and intentional.\n\nThe experience unfolds across a sprawling outdoor space where the sea creates natural acoustics. Early in the evening it's social—drinks, conversations strung out across tables and standing areas. As the night progresses and the DJs hit their stride, the energy consolidates around whoever's dancing. By midnight the distinction between \"clubbing\" and \"being at the beach\" has dissolved entirely.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Waterfront club with sea views, open-air terrace, capacity ~800 |\n| **Vibe** | Celebratory, summer-opening energy, sophisticated but not pretentious |\n| **Sound** | Dance floor with quality system, designed for movement |\n| **Atmosphere** | Sunset to late night, good to arrive 10pm or later |\n\nIf you need a seated table experience or prefer to observe from the margins, this isn't subtle enough for that. Everyone's either moving or will be soon. But if you want the first real night of Athens summer—the moment when the city remembers what beach clubbing actually means—this is where you start.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Doors** | 21:00 |\n| **Music starts** | ~22:00 |\n| **Peak time** | 00:00-03:00 |\n| **Duration** | Until ~04:00 |\n| **Price** | €15-20 (estimated) |\n| **Tickets** | Door and advance via clubber.gr |\n| **Address** | Ακτή Ηλίου, Άλιμος, Athens |\n| **Getting there** | Tram to Kalamaki (~500m walk) or taxi/car recommended |\n| **Parking** | Available on-site |\n| **Payment** | Cards and cash |\n| **Good to know** | Beach clubs get busy post-10pm; earlier arrival means better positioning |", "hasNativeGreek": false, "startDate": "2026-04-25T21:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic", "music" ], "tags": [], "venue": { "name": "Bolivar", "address": "Leoforos Poseidonos, Alimos 174 55", "neighborhood": "Alimos", "coordinates": { "lat": 37.9082, "lon": 23.7146 }, "capacity": null }, "price": { "type": "tba", "amount": 15, "currency": "EUR", "range": "€10-25" }, "url": "https://ra.co/events/2348719", "ticketUrl": "https://ra.co/events/2348719", "source": "residentadvisor", "createdAt": "2026-01-26 13:11:15", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "928bc5fd478f8fbe", "title": "ΑΚΡΟΠΟΛΗ ΣΤΑΛΙΝΓΚΡΑΝT", "description": "", "fullDescription": "What happens when you compress the largest battle in human history into a room with two actors and no scenery? The question is the production. Dimitris Athanitis wrote and directs Akropoli Stalingrant, and also performs alongside Giannis Apostolidis on a stage stripped to bare lights where every word carries the weight that set decoration normally would.\n\nAthanitis is a European Film Academy member whose work spans cinema and theater, including his 2023 stage production of Lady Macbeth. Here he turns from Shakespeare's ambition to Stalingrad's annihilation, with language doing the work of an army.\n\nIf you want spectacle and large-cast war drama, two actors and a bare stage offer none of that. But if you want text that turns a world-shaping battle into something you feel at close range, this is that kind of theater.\n\nTheatro Vafeio - Lakis Karalis, Agion Orous 16 in Votanikos. Curtain at 21:00.\n\nThe Battle of Stalingrad ended in 1943 and the arguments about what it meant have not.", "fullDescriptionEn": "What happens when you compress the largest battle in human history into a room with two actors and no scenery? The question is the production. Dimitris Athanitis wrote and directs Akropoli Stalingrant, and also performs alongside Giannis Apostolidis on a stage stripped to bare lights where every word carries the weight that set decoration normally would.\n\nAthanitis is a European Film Academy member whose work spans cinema and theater, including his 2023 stage production of Lady Macbeth. Here he turns from Shakespeare's ambition to Stalingrad's annihilation, with language doing the work of an army.\n\nIf you want spectacle and large-cast war drama, two actors and a bare stage offer none of that. But if you want text that turns a world-shaping battle into something you feel at close range, this is that kind of theater.\n\nTheatro Vafeio - Lakis Karalis, Agion Orous 16 in Votanikos. Curtain at 21:00.\n\nThe Battle of Stalingrad ended in 1943 and the arguments about what it meant have not.", "fullDescriptionGr": "What happens when you compress the largest battle in human history into a room with two actors and no scenery? The question is the production. Dimitris Athanitis wrote and directs Akropoli Stalingrant, and also performs alongside Giannis Apostolidis on a stage stripped to bare lights where every word carries the weight that set decoration normally would.\n\nAthanitis is a European Film Academy member whose work spans cinema and theater, including his 2023 stage production of Lady Macbeth. Here he turns from Shakespeare's ambition to Stalingrad's annihilation, with language doing the work of an army.\n\nIf you want spectacle and large-cast war drama, two actors and a bare stage offer none of that. But if you want text that turns a world-shaping battle into something you feel at close range, this is that kind of theater.\n\nTheatro Vafeio - Lakis Karalis, Agion Orous 16 in Votanikos. 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Kitty Arseni was an actress arrested in the summer of 1967, tortured at the security headquarters on Bouboulinas Street, and released in 1968 — when she fled Greece and testified before the Council of Europe, exposing the marks on her body to international observers.\n\nSofia Karagianni directs this stage adaptation of Arseni's memoir, placing the story on the main stage of Theatro tou Neou Kosmou. The premiere falls on 25 April, the anniversary of the restoration of democracy.\n\nIf you want comfortable theater that keeps its distance from history, this production puts you inside a detention cell. But if you want testimony turned into performance — personal memory made public and physical — this is the form it takes.\n\nTheatro tou Neou Kosmou, Antisthenous 7 in Neos Kosmos. Saturdays at 21:00, Sundays at 20:00.\n\nSome stories survive because someone chose to speak when silence was safer.", "fullDescriptionGr": "Amalia Arseni walks onstage carrying her aunt's words. 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"@context": "https://schema.org", "@type": "MusicEvent", "id": "ba32135705066650", "title": "GRAVE DIGGER «Tunes Of War» 30 Years Anniversary Set +BRAINSTORM +BLAZON STONE", "description": "", "fullDescription": "The room smells like distortion and intentionality—two things that rarely arrive in polite settings. Gagarin 205 is the kind of venue where the sound system matters more than decoration, where the bar serves function over aesthetic. This is a space built for people who want to feel heavy music physically.\n\nGRAVE DIGGER doesn't need introduction in metal circles. Thirty years is a lifetime in any genre, and this 30 Years Anniversary set is a statement: we're still here, we're still relevant, we still know how to make your spine remember it has a skeleton. They'll be running through the decades—the record that made them matter, the moment they understood their own voice, the evolution that's kept them relevant through genuine change, not nostalgia.\n\nYou'll find people who were there in 1996 and people who weren't born yet when those albums dropped. Metal has this specific quality where generational time doesn't matter—a riff is a riff, and if it's true it's true regardless. Everyone here speaks the same language: the language of commitment to heaviness, of refusing to apologize for wanting music that *feels*.\n\nBRAINSTORM and BLAZON STONE are the supporting evidence that this isn't just nostalgia tourism. This is a showcase of what's still alive in metal. The night builds from pure heaviness toward accumulated power. Early sets establish the foundation—these bands aren't warming up, they're *warming* the space, getting the room to the right temperature. By the time GRAVE DIGGER takes the stage, everyone's ready to feel something fundamental.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Intimate live venue, standing-room only, capacity ~400 |\n| **Vibe** | Focused, reverent, physically engaged |\n| **Sound** | Professional sound system calibrated for bass and clarity |\n| **Atmosphere** | Dense crowd, movement encouraged but crowded |\n\nIf you need personal space or prefer to observe passively, this won't provide it. The crowd exists because the music demands it. But if you want to feel heavy music in its most honest form, if you want to be part of a community that refuses to grow quiet about what matters to them—this is the room.\n\n| Info | Details |\n|------|---------|\n| **Date** | Monday, April 27, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | 20:30 |\n| **Peak time** | 22:00-23:30 |\n| **Duration** | Until ~23:45 |\n| **Price** | €22-28 (estimated) |\n| **Tickets** | Advance recommended |\n| **Address** | Gagarin 205 Live Music Space, Athens |\n| **Getting there** | Metro to Attiki + 400m walk |\n| **Last metro** | 00:30 |\n| **Payment** | Cards and cash |\n| **Good to know** | Arrive early for positioning; this crowd takes the music seriously |", "fullDescriptionEn": "The room smells like distortion and intentionality—two things that rarely arrive in polite settings. Gagarin 205 is the kind of venue where the sound system matters more than decoration, where the bar serves function over aesthetic. This is a space built for people who want to feel heavy music physically.\n\nGRAVE DIGGER doesn't need introduction in metal circles. Thirty years is a lifetime in any genre, and this 30 Years Anniversary set is a statement: we're still here, we're still relevant, we still know how to make your spine remember it has a skeleton. They'll be running through the decades—the record that made them matter, the moment they understood their own voice, the evolution that's kept them relevant through genuine change, not nostalgia.\n\nYou'll find people who were there in 1996 and people who weren't born yet when those albums dropped. Metal has this specific quality where generational time doesn't matter—a riff is a riff, and if it's true it's true regardless. Everyone here speaks the same language: the language of commitment to heaviness, of refusing to apologize for wanting music that *feels*.\n\nBRAINSTORM and BLAZON STONE are the supporting evidence that this isn't just nostalgia tourism. This is a showcase of what's still alive in metal. The night builds from pure heaviness toward accumulated power. Early sets establish the foundation—these bands aren't warming up, they're *warming* the space, getting the room to the right temperature. By the time GRAVE DIGGER takes the stage, everyone's ready to feel something fundamental.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Intimate live venue, standing-room only, capacity ~400 |\n| **Vibe** | Focused, reverent, physically engaged |\n| **Sound** | Professional sound system calibrated for bass and clarity |\n| **Atmosphere** | Dense crowd, movement encouraged but crowded |\n\nIf you need personal space or prefer to observe passively, this won't provide it. The crowd exists because the music demands it. But if you want to feel heavy music in its most honest form, if you want to be part of a community that refuses to grow quiet about what matters to them—this is the room.\n\n| Info | Details |\n|------|---------|\n| **Date** | Monday, April 27, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | 20:30 |\n| **Peak time** | 22:00-23:30 |\n| **Duration** | Until ~23:45 |\n| **Price** | €22-28 (estimated) |\n| **Tickets** | Advance recommended |\n| **Address** | Gagarin 205 Live Music Space, Athens |\n| **Getting there** | Metro to Attiki + 400m walk |\n| **Last metro** | 00:30 |\n| **Payment** | Cards and cash |\n| **Good to know** | Arrive early for positioning; this crowd takes the music seriously |", "fullDescriptionGr": "The room smells like distortion and intentionality—two things that rarely arrive in polite settings. Gagarin 205 is the kind of venue where the sound system matters more than decoration, where the bar serves function over aesthetic. This is a space built for people who want to feel heavy music physically.\n\nGRAVE DIGGER doesn't need introduction in metal circles. Thirty years is a lifetime in any genre, and this 30 Years Anniversary set is a statement: we're still here, we're still relevant, we still know how to make your spine remember it has a skeleton. They'll be running through the decades—the record that made them matter, the moment they understood their own voice, the evolution that's kept them relevant through genuine change, not nostalgia.\n\nYou'll find people who were there in 1996 and people who weren't born yet when those albums dropped. Metal has this specific quality where generational time doesn't matter—a riff is a riff, and if it's true it's true regardless. Everyone here speaks the same language: the language of commitment to heaviness, of refusing to apologize for wanting music that *feels*.\n\nBRAINSTORM and BLAZON STONE are the supporting evidence that this isn't just nostalgia tourism. This is a showcase of what's still alive in metal. The night builds from pure heaviness toward accumulated power. Early sets establish the foundation—these bands aren't warming up, they're *warming* the space, getting the room to the right temperature. By the time GRAVE DIGGER takes the stage, everyone's ready to feel something fundamental.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Intimate live venue, standing-room only, capacity ~400 |\n| **Vibe** | Focused, reverent, physically engaged |\n| **Sound** | Professional sound system calibrated for bass and clarity |\n| **Atmosphere** | Dense crowd, movement encouraged but crowded |\n\nIf you need personal space or prefer to observe passively, this won't provide it. The crowd exists because the music demands it. But if you want to feel heavy music in its most honest form, if you want to be part of a community that refuses to grow quiet about what matters to them—this is the room.\n\n| Info | Details |\n|------|---------|\n| **Date** | Monday, April 27, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | 20:30 |\n| **Peak time** | 22:00-23:30 |\n| **Duration** | Until ~23:45 |\n| **Price** | €22-28 (estimated) |\n| **Tickets** | Advance recommended |\n| **Address** | Gagarin 205 Live Music Space, Athens |\n| **Getting there** | Metro to Attiki + 400m walk |\n| **Last metro** | 00:30 |\n| **Payment** | Cards and cash |\n| **Good to know** | Arrive early for positioning; this crowd takes the music seriously |", "hasNativeGreek": false, "startDate": "2026-04-27", "endDate": null, "type": "dj_set", "genres": [], "tags": [], "venue": { "name": "Gagarin 205", "address": "Liosion 205, Athens 104 45", "neighborhood": "Sepolia / Athens West", "coordinates": { "lat": 38.001, "lon": 23.7115 }, "capacity": null }, "price": { "type": "paid", "amount": 35, "currency": "EUR", "range": "€35 - €40" }, "url": "https://www.ticketservices.gr/event/13960/", "ticketUrl": "https://www.ticketservices.gr/event/13960/", "source": "ticketservices", "createdAt": "2026-01-26 13:11:15", "updatedAt": "2026-04-14 14:12:29", "language": "en", "timeDoors": "19:00", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_59387_or_Grave Digger_Brainstorm_Blazon Stone-Banner Ticket Services Athens 2025 02.jpg", "imageSource": "backfill", "imageLocal": "/images/events/ba32135705066650.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "974bbe9d957643a0", "title": "«Τα τραγούδια των χρωμάτων»", "description": "", "hasNativeGreek": false, "startDate": "2026-04-27", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Christmas Theater", "address": "Leof. Veikou 137, Galatsi Olympic Hall, Athens 111 46", "neighborhood": "Galatsi", "coordinates": { "lat": 38.0165, "lon": 23.7545 }, "capacity": null }, "price": { "type": "paid", "amount": 5, "currency": "EUR", "range": "€5 - €13" }, "url": "https://www.athinorama.gr/music/gig/ta_tragoudia_ton_xromaton-10089833/", "ticketUrl": "https://www.athinorama.gr/music/gig/ta_tragoudia_ton_xromaton-10089833/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "b62a4981c960af10", "title": "Γιώργος Βαρουξάκης: Τι είναι Δύση; Ποιοι είναι Δυτικοί; Η ιστορία μιας ιδέας", "description": "", "hasNativeGreek": false, "startDate": "2026-04-27T20:30:00", "endDate": null, "type": "concert", "genres": [ "Classical", "Concert" ], "tags": [], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 25, "currency": "EUR", "range": "€15-80" }, "url": "https://www.megaron.gr/event/giorgos-varouxakis-ti-einai-dysi-poioi-einai-dytikoi-i-istoria-mias-ideas/", "ticketUrl": "https://www.megaron.gr/event/giorgos-varouxakis-ti-einai-dysi-poioi-einai-dytikoi-i-istoria-mias-ideas/", "source": "megaron.gr", "createdAt": "2026-03-06 07:38:39", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://www.megaron.gr/wp-content/uploads/2026/02/varouxakis-georgios.jpeg", "imageSource": "backfill", "imageLocal": "/images/events/b62a4981c960af10.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "6a011656b0945d76", "title": "Ραψωδία Ω / Ιλιάδος Ηχώ", "description": "", "hasNativeGreek": false, "startDate": "2026-04-27T20:30:00+03:00", "endDate": null, "type": "theater", "genres": [ "classical" ], "tags": [], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Βασιλίσσης Σοφίας & Κόκκαλη", "neighborhood": "Kolonaki", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 25, "currency": "EUR", "range": "€15-80" }, "url": "https://www.megaron.gr/event/rapsodia-o-iliados-icho/", "ticketUrl": "https://www.megaron.gr/event/rapsodia-o-iliados-icho/", "source": "megaron.gr", "createdAt": "2026-03-06T06:06:48.916Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "imageUrl": "https://www.megaron.gr/wp-content/uploads/2026/02/╬σ_QV9A4246-Large.jpeg", "imageSource": "backfill", "imageLocal": "/images/events/6a011656b0945d76.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "f9ba151cf8df166c", "title": "PANIK AT THE OPERA ‘The Spaceman’", "description": "", "hasNativeGreek": false, "startDate": "2026-04-27T21:30:00", "endDate": null, "type": "concert", "genres": [ "jazz" ], "tags": [], "venue": { "name": "Half Note Jazz Club", "address": "17 Trivonianou Street, Athens 116 36", "neighborhood": "Mets", "coordinates": { "lat": 37.9661, "lon": 23.7463 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "από €12" }, "url": "https://www.halfnote.gr/event/panik-at-the-opera-the-spaceman/", "ticketUrl": "https://www.halfnote.gr/event/panik-at-the-opera-the-spaceman/", "source": "halfnote", "createdAt": "2026-04-08 17:29:31", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:30", "timeSource": "scraped_listing", "imageUrl": "https://www.halfnote.gr/wp-content/uploads/2026/04/816X465.jpg", "imageSource": "backfill", "imageLocal": "/images/events/f9ba151cf8df166c.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "46455c2090590296", "title": "THE NECKS Athens Residency", "description": "", "fullDescription": "Silence has weight in the Parnassos Literary Society building. The room itself is an instrument—wooden floors that resonate, high ceilings that don't swallow sound but hold it. You can feel the space's history before the music arrives, which is exactly where THE NECKS starts.\n\nTHE NECKS' residency in Athens is the opposite of a tour. This isn't them playing hits for an audience—this is them living in a room for three days, exploring what emerges when three musicians commit to patience and listening. Each night will be completely different. Each night will feel like you're overhearing something that wasn't meant for public consumption.\n\nThe people who fill these chairs came because they trust the proposition: that patience can be more exciting than obvious drama, that listening is an active choice, that music doesn't need to prove itself immediately. You'll find musicians in the crowd, people who've followed THE NECKS through decades, people who came because a friend said \"you need to experience this.\" Everyone becomes focused the moment the sound begins.\n\nThe experience is almost architectural. The trio moves through structures they're building in real time. Nothing's predetermined—each solo, each rhythm shift, each moment of silence is a choice made in response to what the other musicians are doing. You'll hear things collapse and reform, conversations between instruments that never quite settle. Some passages will feel like pure jazz language. Others will feel like something unnamed. This is the point: THE NECKS play in the space between categories.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Literary society hall, intimate seated configuration, capacity ~200 |\n| **Vibe** | Reverent, focused, exploratory |\n| **Sound** | Acoustic, unamplified, designed for listening rooms |\n| **Atmosphere** | Complete silence during performances, community atmosphere |\n\nIf you need obvious hooks or want music that announces its intentions clearly, this will frustrate you. This is 75 minutes of three musicians deciding together what the night becomes. But if you want to experience improvisation at the level where it becomes almost spiritual—if you want to understand what happens when musicians stop following a plan and start having a real conversation—this is where it happens.\n\n| Info | Details |\n|------|---------|\n| **Date** | Tuesday, April 28, 2026 |\n| **Doors** | 19:30 |\n| **Music starts** | 20:00 |\n| **Duration** | ~75 minutes, no interval |\n| **Price** | €18-22 (estimated) |\n| **Tickets** | Advance recommended |\n| **Address** | Parnassos Literary Society, Athens |\n| **Getting there** | Metro to Omonia (Lines 1, 2, 3) + 500m walk, or central taxi |\n| **Last metro** | 23:30 |\n| **Payment** | Cash and cards |\n| **Good to know** | Arrive early to find parking; this venue draws serious listeners who respect the space |", "fullDescriptionEn": "Silence has weight in the Parnassos Literary Society building. The room itself is an instrument—wooden floors that resonate, high ceilings that don't swallow sound but hold it. You can feel the space's history before the music arrives, which is exactly where THE NECKS starts.\n\nTHE NECKS' residency in Athens is the opposite of a tour. This isn't them playing hits for an audience—this is them living in a room for three days, exploring what emerges when three musicians commit to patience and listening. Each night will be completely different. Each night will feel like you're overhearing something that wasn't meant for public consumption.\n\nThe people who fill these chairs came because they trust the proposition: that patience can be more exciting than obvious drama, that listening is an active choice, that music doesn't need to prove itself immediately. You'll find musicians in the crowd, people who've followed THE NECKS through decades, people who came because a friend said \"you need to experience this.\" Everyone becomes focused the moment the sound begins.\n\nThe experience is almost architectural. The trio moves through structures they're building in real time. Nothing's predetermined—each solo, each rhythm shift, each moment of silence is a choice made in response to what the other musicians are doing. You'll hear things collapse and reform, conversations between instruments that never quite settle. Some passages will feel like pure jazz language. Others will feel like something unnamed. This is the point: THE NECKS play in the space between categories.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Literary society hall, intimate seated configuration, capacity ~200 |\n| **Vibe** | Reverent, focused, exploratory |\n| **Sound** | Acoustic, unamplified, designed for listening rooms |\n| **Atmosphere** | Complete silence during performances, community atmosphere |\n\nIf you need obvious hooks or want music that announces its intentions clearly, this will frustrate you. This is 75 minutes of three musicians deciding together what the night becomes. But if you want to experience improvisation at the level where it becomes almost spiritual—if you want to understand what happens when musicians stop following a plan and start having a real conversation—this is where it happens.\n\n| Info | Details |\n|------|---------|\n| **Date** | Tuesday, April 28, 2026 |\n| **Doors** | 19:30 |\n| **Music starts** | 20:00 |\n| **Duration** | ~75 minutes, no interval |\n| **Price** | €18-22 (estimated) |\n| **Tickets** | Advance recommended |\n| **Address** | Parnassos Literary Society, Athens |\n| **Getting there** | Metro to Omonia (Lines 1, 2, 3) + 500m walk, or central taxi |\n| **Last metro** | 23:30 |\n| **Payment** | Cash and cards |\n| **Good to know** | Arrive early to find parking; this venue draws serious listeners who respect the space |", "fullDescriptionGr": "Silence has weight in the Parnassos Literary Society building. The room itself is an instrument—wooden floors that resonate, high ceilings that don't swallow sound but hold it. You can feel the space's history before the music arrives, which is exactly where THE NECKS starts.\n\nTHE NECKS' residency in Athens is the opposite of a tour. This isn't them playing hits for an audience—this is them living in a room for three days, exploring what emerges when three musicians commit to patience and listening. Each night will be completely different. Each night will feel like you're overhearing something that wasn't meant for public consumption.\n\nThe people who fill these chairs came because they trust the proposition: that patience can be more exciting than obvious drama, that listening is an active choice, that music doesn't need to prove itself immediately. You'll find musicians in the crowd, people who've followed THE NECKS through decades, people who came because a friend said \"you need to experience this.\" Everyone becomes focused the moment the sound begins.\n\nThe experience is almost architectural. The trio moves through structures they're building in real time. Nothing's predetermined—each solo, each rhythm shift, each moment of silence is a choice made in response to what the other musicians are doing. You'll hear things collapse and reform, conversations between instruments that never quite settle. Some passages will feel like pure jazz language. Others will feel like something unnamed. This is the point: THE NECKS play in the space between categories.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Literary society hall, intimate seated configuration, capacity ~200 |\n| **Vibe** | Reverent, focused, exploratory |\n| **Sound** | Acoustic, unamplified, designed for listening rooms |\n| **Atmosphere** | Complete silence during performances, community atmosphere |\n\nIf you need obvious hooks or want music that announces its intentions clearly, this will frustrate you. This is 75 minutes of three musicians deciding together what the night becomes. But if you want to experience improvisation at the level where it becomes almost spiritual—if you want to understand what happens when musicians stop following a plan and start having a real conversation—this is where it happens.\n\n| Info | Details |\n|------|---------|\n| **Date** | Tuesday, April 28, 2026 |\n| **Doors** | 19:30 |\n| **Music starts** | 20:00 |\n| **Duration** | ~75 minutes, no interval |\n| **Price** | €18-22 (estimated) |\n| **Tickets** | Advance recommended |\n| **Address** | Parnassos Literary Society, Athens |\n| **Getting there** | Metro to Omonia (Lines 1, 2, 3) + 500m walk, or central taxi |\n| **Last metro** | 23:30 |\n| **Payment** | Cash and cards |\n| **Good to know** | Arrive early to find parking; this venue draws serious listeners who respect the space |", "hasNativeGreek": false, "startDate": "2026-04-28", "endDate": null, "type": "dj_set", "genres": [], "tags": [], "venue": { "name": "Parnassos Literary Society", "address": "Agiou Georgiou Karitsi 8, Athens 105 61", "neighborhood": "Syntagma", "coordinates": { "lat": 37.9774, "lon": 23.7314 }, "capacity": null }, "price": { "type": "tba", "amount": 25, "currency": "EUR", "range": "€25 - €70" }, "url": "https://www.ticketservices.gr/event/13951/", "ticketUrl": "https://www.ticketservices.gr/event/13951/", "source": "ticketservices", "createdAt": "2026-01-26 13:11:15", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_59376_or_1.jpg", "imageSource": "backfill", "imageLocal": "/images/events/46455c2090590296.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "Festival", "id": "8fa3b804c0907b5a", "title": "Engineering the World 2026", "description": "Where engineers, innovators and industry leaders come together for a 3-day global event to tackle Data Scarcity and build what’s next.", "fullDescription": "Red brick smokestacks rise above a complex of 19th-century gasworks buildings, their industrial silhouettes softened by the late-April light that slants across the Gazi neighborhood around five in the afternoon. Technopolis -- Athens's converted industrial museum and event campus -- is the kind of venue where you walk between sessions through open courtyards framed by preserved machinery and iron structural beams, the history of one engineering era literally surrounding the conversations about the next one.\n\nEngineering the World runs for three days at the end of April, and its central focus is a problem that has quietly become one of the defining constraints of the current technical moment: data scarcity. The conference gathers engineers, innovators, and industry leaders who are working at the edges of what you can build when the data you need does not exist in convenient, labeled abundance. That means sessions touching synthetic data generation, few-shot and zero-shot learning approaches, transfer learning strategies, data augmentation pipelines, and the organizational challenges of building products when your training set is thin, biased, expensive to acquire, or all three at once.\n\nThe venue itself shapes the experience. Technopolis is not a single auditorium -- it is a campus of multiple buildings and outdoor areas near Keramikos metro station. You move between indoor presentation halls with high ceilings and exposed industrial architecture and open-air zones where the break conversations happen against a backdrop that reminds you engineering has always been about building with constraints. The mix of spaces means the event breathes differently than a hotel conference center. There is room to step outside, decompress, and return.\n\nIf you are an engineer or technical leader dealing with real-world data limitations -- in machine learning, in IoT, in manufacturing, in any domain where the textbook assumption of plentiful clean data collides with reality -- the program is built around your actual problems. If you are a researcher whose work touches data efficiency, or a founder building products where data acquisition cost is a line item that keeps you awake, the three-day format gives enough time to go past surface-level overviews.\n\nThis is a ticketed event, so plan accordingly. The multi-day structure starting at 17:00 each day suggests an afternoon-and-evening cadence, which means you can work during the day and arrive for focused sessions as Athens shifts into its evening energy.\n\nThe neighborhood rewards sticking around after hours. Gazi's density of restaurants, bars, and rooftop terraces sits directly outside the Technopolis gates. Three days in the same venue builds the kind of accumulating familiarity with fellow attendees that single-day events rarely achieve -- by the final evening, the conversations will be different from where they started.", "fullDescriptionEn": "Red brick smokestacks rise above a complex of 19th-century gasworks buildings, their industrial silhouettes softened by the late-April light that slants across the Gazi neighborhood around five in the afternoon. Technopolis -- Athens's converted industrial museum and event campus -- is the kind of venue where you walk between sessions through open courtyards framed by preserved machinery and iron structural beams, the history of one engineering era literally surrounding the conversations about the next one.\n\nEngineering the World runs for three days at the end of April, and its central focus is a problem that has quietly become one of the defining constraints of the current technical moment: data scarcity. The conference gathers engineers, innovators, and industry leaders who are working at the edges of what you can build when the data you need does not exist in convenient, labeled abundance. That means sessions touching synthetic data generation, few-shot and zero-shot learning approaches, transfer learning strategies, data augmentation pipelines, and the organizational challenges of building products when your training set is thin, biased, expensive to acquire, or all three at once.\n\nThe venue itself shapes the experience. Technopolis is not a single auditorium -- it is a campus of multiple buildings and outdoor areas near Keramikos metro station. You move between indoor presentation halls with high ceilings and exposed industrial architecture and open-air zones where the break conversations happen against a backdrop that reminds you engineering has always been about building with constraints. The mix of spaces means the event breathes differently than a hotel conference center. There is room to step outside, decompress, and return.\n\nIf you are an engineer or technical leader dealing with real-world data limitations -- in machine learning, in IoT, in manufacturing, in any domain where the textbook assumption of plentiful clean data collides with reality -- the program is built around your actual problems. If you are a researcher whose work touches data efficiency, or a founder building products where data acquisition cost is a line item that keeps you awake, the three-day format gives enough time to go past surface-level overviews.\n\nThis is a ticketed event, so plan accordingly. The multi-day structure starting at 17:00 each day suggests an afternoon-and-evening cadence, which means you can work during the day and arrive for focused sessions as Athens shifts into its evening energy.\n\nThe neighborhood rewards sticking around after hours. Gazi's density of restaurants, bars, and rooftop terraces sits directly outside the Technopolis gates. Three days in the same venue builds the kind of accumulating familiarity with fellow attendees that single-day events rarely achieve -- by the final evening, the conversations will be different from where they started.", "fullDescriptionGr": "Red brick smokestacks rise above a complex of 19th-century gasworks buildings, their industrial silhouettes softened by the late-April light that slants across the Gazi neighborhood around five in the afternoon. Technopolis -- Athens's converted industrial museum and event campus -- is the kind of venue where you walk between sessions through open courtyards framed by preserved machinery and iron structural beams, the history of one engineering era literally surrounding the conversations about the next one.\n\nEngineering the World runs for three days at the end of April, and its central focus is a problem that has quietly become one of the defining constraints of the current technical moment: data scarcity. The conference gathers engineers, innovators, and industry leaders who are working at the edges of what you can build when the data you need does not exist in convenient, labeled abundance. That means sessions touching synthetic data generation, few-shot and zero-shot learning approaches, transfer learning strategies, data augmentation pipelines, and the organizational challenges of building products when your training set is thin, biased, expensive to acquire, or all three at once.\n\nThe venue itself shapes the experience. Technopolis is not a single auditorium -- it is a campus of multiple buildings and outdoor areas near Keramikos metro station. You move between indoor presentation halls with high ceilings and exposed industrial architecture and open-air zones where the break conversations happen against a backdrop that reminds you engineering has always been about building with constraints. The mix of spaces means the event breathes differently than a hotel conference center. There is room to step outside, decompress, and return.\n\nIf you are an engineer or technical leader dealing with real-world data limitations -- in machine learning, in IoT, in manufacturing, in any domain where the textbook assumption of plentiful clean data collides with reality -- the program is built around your actual problems. If you are a researcher whose work touches data efficiency, or a founder building products where data acquisition cost is a line item that keeps you awake, the three-day format gives enough time to go past surface-level overviews.\n\nThis is a ticketed event, so plan accordingly. The multi-day structure starting at 17:00 each day suggests an afternoon-and-evening cadence, which means you can work during the day and arrive for focused sessions as Athens shifts into its evening energy.\n\nThe neighborhood rewards sticking around after hours. Gazi's density of restaurants, bars, and rooftop terraces sits directly outside the Technopolis gates. Three days in the same venue builds the kind of accumulating familiarity with fellow attendees that single-day events rarely achieve -- by the final evening, the conversations will be different from where they started.", "hasNativeGreek": false, "startDate": "2026-04-28T17:00:00", "endDate": "2026-04-30", "type": "festival", "genres": [ "AI", "Tech" ], "tags": [], "venue": { "name": "Τεχνόπολη", "address": "Pireos 100, Athens 118 54", "neighborhood": "Gazi / Keramikos", "coordinates": { "lat": 37.978226, "lon": 23.713648 }, "capacity": null }, "price": { "type": "with-ticket", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.eventbrite.com/e/engineering-the-world-2026-tickets-1981954401969", "ticketUrl": "https://www.eventbrite.com/e/engineering-the-world-2026-tickets-1981954401969", "source": "eventbrite", "createdAt": "2026-02-20 18:03:59", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "17:00", "imageUrl": "https://www.eventbrite.com/e/_next/image?url=https%3A%2F%2Fimg.evbuc.com%2Fhttps%253A%252F%252Fcdn.evbuc.com%252Fimages%252F1176202354%252F2693504611001%252F1%252Foriginal.20260129-205212%3Fcrop%3Dfocalpoint%26fit%3Dcrop%26w%3D480%26auto%3Dformat%252Ccompress%26q%3D75%26sharp%3D10%26fp-x%3D0.5%26fp-y%3D0.5%26s%3Db70d2fdfef74c67921bf021a5632e465&w=940&q=75", "imageSource": "backfill", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "8ea2d5a15c6d421f", "title": ""Lieder Schumann - Brahms"", "description": "", "hasNativeGreek": false, "startDate": "2026-04-28T20:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "€12" }, "url": "https://www.ticketservices.gr/event/14398/", "ticketUrl": "https://www.ticketservices.gr/event/14398/", "source": "ticketservices", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_62084_or_afisa.jpg", "imageSource": "backfill", "imageLocal": "/images/events/8ea2d5a15c6d421f.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "67e0353d8f249fda", "title": "National Theatre: All My Sons", "description": "", "fullDescription": "The house lights dim in the Alexandra Trianti Hall and a living room appears on the screen — an American backyard, a broken tree, a family sitting in lawn chairs as if nothing is wrong. Bryan Cranston sits at the center of it, playing a man who has gotten away with something, and you can see it in the way his shoulders hold a stillness that is not quite relaxation.\n\nArthur Miller wrote All My Sons in 1947 as his first Broadway hit. Joe Keller manufactured faulty aircraft engine parts during the war; twenty-one pilots died. The play follows what happens when the past arrives at his front door in the form of his surviving son's fiancee. Ivo van Hove directs this production, filmed live at London's Wyndham's Theatre, reuniting with Cranston after their collaboration on Network. Marianne Jean-Baptiste plays Kate Keller and Paapa Essiedu plays Chris, the son who still believes his father is a good man.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Megaron's Alexandra Trianti Hall — 1,750 seats, full cinema-grade projection, the recorded performance filling the room at a scale that keeps the intimacy of theater while adding the precision of close-up camera work |\n| Vibe | Focused, quiet between scenes — this is an audience that came for Miller, not for popcorn |\n| Sound | Cranston's voice carries the particular weight of someone who knows exactly when to drop to a whisper — van Hove keeps the staging spare enough that dialogue does the damage |\n| Door | Tickets through megaron.gr, presented in English with Greek subtitles, in collaboration with the British Council and the British Embassy in Athens |\n\nVan Hove strips Miller's naturalism back further than most directors dare. No clutter on stage, no busy blocking — just the architecture of a lie collapsing in real time. Cranston plays Joe Keller as a man who genuinely believes he had no choice, and that conviction is what makes the performance work. You do not watch a villain. You watch a father who decided that his family mattered more than someone else's sons, and the play asks whether you would have done differently.\n\nJean-Baptiste's Kate knows the truth and has chosen not to. Essiedu's Chris carries the particular anguish of someone whose idealism is about to cost him everything. The three of them build a pressure that has nowhere to go except through the final scene.\n\nIf you want a feel-good evening, Miller wrote this play specifically to make that impossible. The moral argument has no comfortable exit. But if you want to watch first-rate actors work through one of the twentieth century's sharpest examinations of American guilt, van Hove's production earned five stars across London for a reason.\n\nMegaron Mousikis Athinon, Vasilissis Sofias Avenue — two-minute walk from Megaro Moussikis metro station. Screening on 28 April at 20:30. Tickets through megaron.gr.\n\nMiller wrote All My Sons seventy-nine years ago about wartime profiteering and parental self-deception — and the play still arrives before you are ready for it.", "fullDescriptionEn": "The house lights dim in the Alexandra Trianti Hall and a living room appears on the screen — an American backyard, a broken tree, a family sitting in lawn chairs as if nothing is wrong. Bryan Cranston sits at the center of it, playing a man who has gotten away with something, and you can see it in the way his shoulders hold a stillness that is not quite relaxation.\n\nArthur Miller wrote All My Sons in 1947 as his first Broadway hit. Joe Keller manufactured faulty aircraft engine parts during the war; twenty-one pilots died. The play follows what happens when the past arrives at his front door in the form of his surviving son's fiancee. Ivo van Hove directs this production, filmed live at London's Wyndham's Theatre, reuniting with Cranston after their collaboration on Network. Marianne Jean-Baptiste plays Kate Keller and Paapa Essiedu plays Chris, the son who still believes his father is a good man.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Megaron's Alexandra Trianti Hall — 1,750 seats, full cinema-grade projection, the recorded performance filling the room at a scale that keeps the intimacy of theater while adding the precision of close-up camera work |\n| Vibe | Focused, quiet between scenes — this is an audience that came for Miller, not for popcorn |\n| Sound | Cranston's voice carries the particular weight of someone who knows exactly when to drop to a whisper — van Hove keeps the staging spare enough that dialogue does the damage |\n| Door | Tickets through megaron.gr, presented in English with Greek subtitles, in collaboration with the British Council and the British Embassy in Athens |\n\nVan Hove strips Miller's naturalism back further than most directors dare. No clutter on stage, no busy blocking — just the architecture of a lie collapsing in real time. Cranston plays Joe Keller as a man who genuinely believes he had no choice, and that conviction is what makes the performance work. You do not watch a villain. You watch a father who decided that his family mattered more than someone else's sons, and the play asks whether you would have done differently.\n\nJean-Baptiste's Kate knows the truth and has chosen not to. Essiedu's Chris carries the particular anguish of someone whose idealism is about to cost him everything. The three of them build a pressure that has nowhere to go except through the final scene.\n\nIf you want a feel-good evening, Miller wrote this play specifically to make that impossible. The moral argument has no comfortable exit. But if you want to watch first-rate actors work through one of the twentieth century's sharpest examinations of American guilt, van Hove's production earned five stars across London for a reason.\n\nMegaron Mousikis Athinon, Vasilissis Sofias Avenue — two-minute walk from Megaro Moussikis metro station. Screening on 28 April at 20:30. Tickets through megaron.gr.\n\nMiller wrote All My Sons seventy-nine years ago about wartime profiteering and parental self-deception — and the play still arrives before you are ready for it.", "fullDescriptionGr": "The house lights dim in the Alexandra Trianti Hall and a living room appears on the screen — an American backyard, a broken tree, a family sitting in lawn chairs as if nothing is wrong. Bryan Cranston sits at the center of it, playing a man who has gotten away with something, and you can see it in the way his shoulders hold a stillness that is not quite relaxation.\n\nArthur Miller wrote All My Sons in 1947 as his first Broadway hit. Joe Keller manufactured faulty aircraft engine parts during the war; twenty-one pilots died. The play follows what happens when the past arrives at his front door in the form of his surviving son's fiancee. Ivo van Hove directs this production, filmed live at London's Wyndham's Theatre, reuniting with Cranston after their collaboration on Network. Marianne Jean-Baptiste plays Kate Keller and Paapa Essiedu plays Chris, the son who still believes his father is a good man.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Megaron's Alexandra Trianti Hall — 1,750 seats, full cinema-grade projection, the recorded performance filling the room at a scale that keeps the intimacy of theater while adding the precision of close-up camera work |\n| Vibe | Focused, quiet between scenes — this is an audience that came for Miller, not for popcorn |\n| Sound | Cranston's voice carries the particular weight of someone who knows exactly when to drop to a whisper — van Hove keeps the staging spare enough that dialogue does the damage |\n| Door | Tickets through megaron.gr, presented in English with Greek subtitles, in collaboration with the British Council and the British Embassy in Athens |\n\nVan Hove strips Miller's naturalism back further than most directors dare. No clutter on stage, no busy blocking — just the architecture of a lie collapsing in real time. Cranston plays Joe Keller as a man who genuinely believes he had no choice, and that conviction is what makes the performance work. You do not watch a villain. You watch a father who decided that his family mattered more than someone else's sons, and the play asks whether you would have done differently.\n\nJean-Baptiste's Kate knows the truth and has chosen not to. Essiedu's Chris carries the particular anguish of someone whose idealism is about to cost him everything. The three of them build a pressure that has nowhere to go except through the final scene.\n\nIf you want a feel-good evening, Miller wrote this play specifically to make that impossible. The moral argument has no comfortable exit. But if you want to watch first-rate actors work through one of the twentieth century's sharpest examinations of American guilt, van Hove's production earned five stars across London for a reason.\n\nMegaron Mousikis Athinon, Vasilissis Sofias Avenue — two-minute walk from Megaro Moussikis metro station. Screening on 28 April at 20:30. Tickets through megaron.gr.\n\nMiller wrote All My Sons seventy-nine years ago about wartime profiteering and parental self-deception — and the play still arrives before you are ready for it.", "hasNativeGreek": false, "startDate": "2026-04-28T20:30:00", "endDate": null, "type": "theater", "genres": [ "Classical", "Concert" ], "tags": [ "live-theater", "drama", "classic-play", "premium-venue", "international-production" ], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 25, "currency": "EUR", "range": "€15-80" }, "url": "https://www.megaron.gr/event/national-theatre-all-my-sons-2/", "ticketUrl": "https://www.megaron.gr/event/national-theatre-all-my-sons-2/", "source": "megaron.gr", "createdAt": "2026-03-06 07:38:39", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://www.megaron.gr/wp-content/uploads/2026/02/NTL-2026-All-My-Sons-Listing-Image-1240x874-1.jpg", "imageSource": "backfill", "imageLocal": "/images/events/67e0353d8f249fda.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "c03918971bd9b219", "title": "Κατσιμίχα, Αθανασίου & Βασιλείου", "description": "", "hasNativeGreek": false, "startDate": "2026-04-28T21:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Σταυρός του Νότου", "address": "Σταυρός του Νότου Club, Αμβροσίου Φραντζή", "neighborhood": "", "coordinates": { "lat": 37.961929, "lon": 23.725973 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "€12" }, "url": "https://www.athinorama.gr/music/gig/_katsimixa_athanasiou_kai_basileiou-10088356/", "ticketUrl": "https://www.athinorama.gr/music/gig/_katsimixa_athanasiou_kai_basileiou-10088356/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "73982319660f7441", "title": "«Οι Ελεύθεροι Πολιορκημένοι»", "description": "", "hasNativeGreek": false, "startDate": "2026-04-29", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Ολύμπια - 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