{
  "hub": {
    "slug": "this-weekend",
    "titleEl": "Εκδηλώσεις Σαββατοκύριακο στην Αθήνα",
    "titleEn": "Weekend Events in Athens",
    "answerCapsule": "Αυτό το Σαββατοκύριακο στην Αθήνα περιλαμβάνει ζωντανές συναυλίες, εκθέσεις τέχνης, θεατρικές παραστάσεις και πολιτιστικές δράσεις. Από μουσικές σκηνές στο Μετς και Εξάρχεια ως γκαλερί στο Κολωνάκι, υπάρχουν επιλογές για κάθε γούστο.",
    "faqCount": 8
  },
  "events": [
    {
      "@context": "https://schema.org",
      "@type": "ExhibitionEvent",
      "id": "580fe29c88b0d8f1",
      "title": "Συλλογή ΜΙΕΤ: Ελληνική τέχνη του 20ού αιώνα",
      "description": "More than 100 works from the collection of the Cultural Foundation of the National Bank of Greece (MIET), covering most of the Greek twentieth century. Printmaking holds a prominent place, along with sculpture.",
      "fullDescription": "You walk through the converted warehouse on Pireos Street and the scale of what MIET has collected becomes apparent. Room after room of Greek art spanning a century — canvases that trace the country's visual evolution from traditionalism through modernism and into contemporary expression. The walls hold more than paintings; they hold arguments about what Greek art should be.\n\nThe Benaki Museum at Pireos houses MIET's permanent collection of 20th-century Greek art — an assembly that functions as both education and provocation. You'll find works by artists whose names anchor any serious conversation about Greek modernism, alongside pieces by figures who remain underappreciated beyond specialist circles. The chronological arrangement creates its own narrative, each room representing a different moment in the country's cultural self-definition.\n\nThe visitors here move differently than typical museum crowds. These are people who pause at specific works, who return to earlier rooms after seeing what came later, who understand that collections tell stories through juxtaposition. Art students with notebooks share space with older visitors who remember when some of these works first appeared. The quiet is purposeful, the attention genuine.\n\nThe Pireos branch of the Benaki provides the industrial shell this collection needs. High ceilings accommodate larger works without overwhelming them. Natural light from the converted warehouse spaces changes throughout the day, offering different perspectives on the same pieces. The building's former life as a working space adds layers to experiencing art made during periods when Greece was itself being rebuilt.\n\nIf you want international celebrity names and blockbuster exhibitions, this collection will seem local and unfamiliar. The focus here is specifically Greek — the questions these artists asked about identity, tradition, and modernity emerged from a particular history. But if you're ready to understand what 20th-century Greek artists were wrestling with, how they positioned themselves between East and West, tradition and rupture — this collection rewards the investment.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, February 25, 2026 |\n| **Hours** | 10:00-18:00 |\n| **Venue** | Benaki Museum Pireos, Pireos 138 |\n| **Getting there** | Kerameikos Metro, 10 min walk |\n| **Admission** | Standard museum entry |\n\nA century of Greek art arguing with itself about what Greek art should become.",
      "fullDescriptionEn": "You walk through the converted warehouse on Pireos Street and the scale of what MIET has collected becomes apparent. Room after room of Greek art spanning a century — canvases that trace the country's visual evolution from traditionalism through modernism and into contemporary expression. The walls hold more than paintings; they hold arguments about what Greek art should be.\n\nThe Benaki Museum at Pireos houses MIET's permanent collection of 20th-century Greek art — an assembly that functions as both education and provocation. You'll find works by artists whose names anchor any serious conversation about Greek modernism, alongside pieces by figures who remain underappreciated beyond specialist circles. The chronological arrangement creates its own narrative, each room representing a different moment in the country's cultural self-definition.\n\nThe visitors here move differently than typical museum crowds. These are people who pause at specific works, who return to earlier rooms after seeing what came later, who understand that collections tell stories through juxtaposition. Art students with notebooks share space with older visitors who remember when some of these works first appeared. The quiet is purposeful, the attention genuine.\n\nThe Pireos branch of the Benaki provides the industrial shell this collection needs. High ceilings accommodate larger works without overwhelming them. Natural light from the converted warehouse spaces changes throughout the day, offering different perspectives on the same pieces. The building's former life as a working space adds layers to experiencing art made during periods when Greece was itself being rebuilt.\n\nIf you want international celebrity names and blockbuster exhibitions, this collection will seem local and unfamiliar. The focus here is specifically Greek — the questions these artists asked about identity, tradition, and modernity emerged from a particular history. But if you're ready to understand what 20th-century Greek artists were wrestling with, how they positioned themselves between East and West, tradition and rupture — this collection rewards the investment.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, February 25, 2026 |\n| **Hours** | 10:00-18:00 |\n| **Venue** | Benaki Museum Pireos, Pireos 138 |\n| **Getting there** | Kerameikos Metro, 10 min walk |\n| **Admission** | Standard museum entry |\n\nA century of Greek art arguing with itself about what Greek art should become.",
      "fullDescriptionGr": "You walk through the converted warehouse on Pireos Street and the scale of what MIET has collected becomes apparent. Room after room of Greek art spanning a century — canvases that trace the country's visual evolution from traditionalism through modernism and into contemporary expression. The walls hold more than paintings; they hold arguments about what Greek art should be.\n\nThe Benaki Museum at Pireos houses MIET's permanent collection of 20th-century Greek art — an assembly that functions as both education and provocation. You'll find works by artists whose names anchor any serious conversation about Greek modernism, alongside pieces by figures who remain underappreciated beyond specialist circles. The chronological arrangement creates its own narrative, each room representing a different moment in the country's cultural self-definition.\n\nThe visitors here move differently than typical museum crowds. These are people who pause at specific works, who return to earlier rooms after seeing what came later, who understand that collections tell stories through juxtaposition. Art students with notebooks share space with older visitors who remember when some of these works first appeared. The quiet is purposeful, the attention genuine.\n\nThe Pireos branch of the Benaki provides the industrial shell this collection needs. High ceilings accommodate larger works without overwhelming them. Natural light from the converted warehouse spaces changes throughout the day, offering different perspectives on the same pieces. The building's former life as a working space adds layers to experiencing art made during periods when Greece was itself being rebuilt.\n\nIf you want international celebrity names and blockbuster exhibitions, this collection will seem local and unfamiliar. The focus here is specifically Greek — the questions these artists asked about identity, tradition, and modernity emerged from a particular history. But if you're ready to understand what 20th-century Greek artists were wrestling with, how they positioned themselves between East and West, tradition and rupture — this collection rewards the investment.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, February 25, 2026 |\n| **Hours** | 10:00-18:00 |\n| **Venue** | Benaki Museum Pireos, Pireos 138 |\n| **Getting there** | Kerameikos Metro, 10 min walk |\n| **Admission** | Standard museum entry |\n\nA century of Greek art arguing with itself about what Greek art should become.",
      "hasNativeGreek": false,
      "startDate": "2026-02-25",
      "endDate": "2026-04-26",
      "type": "exhibition",
      "genres": [
        "visual-arts",
        "Art",
        "History",
        "Culture"
      ],
      "tags": [],
      "venue": {
        "name": "Μουσείο Μπενάκη - Πειραιώς 138",
        "address": "Πειραιώς 138, Αθήνα",
        "neighborhood": "Γκάζι",
        "coordinates": {
          "lat": 37.974474,
          "lon": 23.708603
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.benaki.org",
      "ticketUrl": "https://www.benaki.org",
      "source": "benaki",
      "createdAt": "2026-01-30T15:08:45.203Z",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "10:00",
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      "openingHours": {
        "mon": "closed",
        "tue": "closed",
        "wed": "10:00-18:00",
        "thu": "10:00-22:00",
        "fri": "10:00-18:00",
        "sat": "10:00-18:00",
        "sun": "10:00-16:00"
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    {
      "@context": "https://schema.org",
      "@type": "ExhibitionEvent",
      "id": "1b7ed35a3b33c973",
      "title": "Yorgos Lanthimos: Photographs",
      "description": "Photographs from the past five years by acclaimed filmmaker Yorgos Lanthimos, including work made around film productions and soundstage environments, alongside a distinct series created in Athens and the Aegean.",
      "fullDescription": "You walk into a structure built to resemble a Greek temple, and the photographs on the walls do not explain themselves. A figure on a film set in New Orleans holds a pose that could be direction or exhaustion. A cracked wall on an Aegean island offers no context beyond its own texture. The frames are hung at a height that forces you to stand close, and the room is quiet enough to hear the person next to you breathing.\n\nYorgos Lanthimos: Photographs is the first exhibition in Greece dedicated to the photographic work of the Oscar-nominated director of Poor Things, The Favourite, and The Lobster. Curated by Michael Mack, the exhibition brings together 182 photographs from four bodies of work spanning five years. Three series document life on and around film sets in New Orleans, Atlanta, and Budapest — material shot during the production of Poor Things, Kinds of Kindness, and Bugonia. The fourth, previously unseen, was shot during solitary walks in Athens and on Aegean islands: quieter images focused on the everyday and the seemingly insignificant. The exhibition coincides with Lanthimos's photo book viscin (2026). The architectural design, shaped like a classical Greek temple, places 110 new works in a central altar-like space, with the three film-connected series around the outer perimeter.\n\nThe crowd divides into two camps: cinephiles who know Lanthimos's filmography frame by frame and want to see how his eye operates in still photography, and the contemporary art audience that follows Onassis Stegi's programming. You will recognize the film people by how long they linger at the set photographs, trying to identify which scene was being shot. The art crowd moves differently — reading composition, not looking for Easter eggs.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Onassis Stegi, Syngrou Avenue — 18,000 sq m cultural center, exhibition spaces across multiple floors |\n| **Vibe** | Contemplative, cinematic, architecturally deliberate — the exhibition design shapes the viewing experience |\n| **Format** | Photography exhibition, 182 works across four series, temple-shaped installation |\n| **Access** | Ticketed, timed entry |\n\nThe exhibition asks you to reconcile two versions of the same artist. The film-set photographs carry the controlled chaos of production — extras in costume, equipment at the edges of the frame, the tension between the constructed world and the world around it. The Greek series strips all of that away: no actors, no sets, no narrative apparatus. What remains is Lanthimos alone with a camera, finding images on the same unsettling register as his films but without any of the machinery. The juxtaposition is the argument — the director's eye does not depend on the director's apparatus.\n\nIf you are coming for behind-the-scenes film content or wall text that decodes each image, this operates more like a gallery show than a film retrospective — the photographs stand without context. But if you want to see how one of contemporary cinema's most distinctive visual minds translates to still images, inside a purpose-built architectural installation, this is the exhibition.\n\nOnassis Stegi is on Syngrou Avenue. The nearest metro is Syngrou Fix, a thirteen-minute walk south along Syngrou. The exhibition runs from March 7 through May 17, 2026. Hours are Thursday through Saturday 18:00 to 23:30, and Sunday 13:00 to 20:00. Tickets are €10 regular, €8 reduced, €5 for disabled visitors — available through the Onassis Stegi website.\n\nOne hundred eighty-two photographs, two months, and then the temple comes down. Lanthimos makes films that leave the room with you — these photographs operate on the same terms.",
      "fullDescriptionEn": "You walk into a structure built to resemble a Greek temple, and the photographs on the walls do not explain themselves. A figure on a film set in New Orleans holds a pose that could be direction or exhaustion. A cracked wall on an Aegean island offers no context beyond its own texture. The frames are hung at a height that forces you to stand close, and the room is quiet enough to hear the person next to you breathing.\n\nYorgos Lanthimos: Photographs is the first exhibition in Greece dedicated to the photographic work of the Oscar-nominated director of Poor Things, The Favourite, and The Lobster. Curated by Michael Mack, the exhibition brings together 182 photographs from four bodies of work spanning five years. Three series document life on and around film sets in New Orleans, Atlanta, and Budapest — material shot during the production of Poor Things, Kinds of Kindness, and Bugonia. The fourth, previously unseen, was shot during solitary walks in Athens and on Aegean islands: quieter images focused on the everyday and the seemingly insignificant. The exhibition coincides with Lanthimos's photo book viscin (2026). The architectural design, shaped like a classical Greek temple, places 110 new works in a central altar-like space, with the three film-connected series around the outer perimeter.\n\nThe crowd divides into two camps: cinephiles who know Lanthimos's filmography frame by frame and want to see how his eye operates in still photography, and the contemporary art audience that follows Onassis Stegi's programming. You will recognize the film people by how long they linger at the set photographs, trying to identify which scene was being shot. The art crowd moves differently — reading composition, not looking for Easter eggs.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Onassis Stegi, Syngrou Avenue — 18,000 sq m cultural center, exhibition spaces across multiple floors |\n| **Vibe** | Contemplative, cinematic, architecturally deliberate — the exhibition design shapes the viewing experience |\n| **Format** | Photography exhibition, 182 works across four series, temple-shaped installation |\n| **Access** | Ticketed, timed entry |\n\nThe exhibition asks you to reconcile two versions of the same artist. The film-set photographs carry the controlled chaos of production — extras in costume, equipment at the edges of the frame, the tension between the constructed world and the world around it. The Greek series strips all of that away: no actors, no sets, no narrative apparatus. What remains is Lanthimos alone with a camera, finding images on the same unsettling register as his films but without any of the machinery. The juxtaposition is the argument — the director's eye does not depend on the director's apparatus.\n\nIf you are coming for behind-the-scenes film content or wall text that decodes each image, this operates more like a gallery show than a film retrospective — the photographs stand without context. But if you want to see how one of contemporary cinema's most distinctive visual minds translates to still images, inside a purpose-built architectural installation, this is the exhibition.\n\nOnassis Stegi is on Syngrou Avenue. The nearest metro is Syngrou Fix, a thirteen-minute walk south along Syngrou. The exhibition runs from March 7 through May 17, 2026. Hours are Thursday through Saturday 18:00 to 23:30, and Sunday 13:00 to 20:00. Tickets are €10 regular, €8 reduced, €5 for disabled visitors — available through the Onassis Stegi website.\n\nOne hundred eighty-two photographs, two months, and then the temple comes down. Lanthimos makes films that leave the room with you — these photographs operate on the same terms.",
      "fullDescriptionGr": "You walk into a structure built to resemble a Greek temple, and the photographs on the walls do not explain themselves. A figure on a film set in New Orleans holds a pose that could be direction or exhaustion. A cracked wall on an Aegean island offers no context beyond its own texture. The frames are hung at a height that forces you to stand close, and the room is quiet enough to hear the person next to you breathing.\n\nYorgos Lanthimos: Photographs is the first exhibition in Greece dedicated to the photographic work of the Oscar-nominated director of Poor Things, The Favourite, and The Lobster. Curated by Michael Mack, the exhibition brings together 182 photographs from four bodies of work spanning five years. Three series document life on and around film sets in New Orleans, Atlanta, and Budapest — material shot during the production of Poor Things, Kinds of Kindness, and Bugonia. The fourth, previously unseen, was shot during solitary walks in Athens and on Aegean islands: quieter images focused on the everyday and the seemingly insignificant. The exhibition coincides with Lanthimos's photo book viscin (2026). The architectural design, shaped like a classical Greek temple, places 110 new works in a central altar-like space, with the three film-connected series around the outer perimeter.\n\nThe crowd divides into two camps: cinephiles who know Lanthimos's filmography frame by frame and want to see how his eye operates in still photography, and the contemporary art audience that follows Onassis Stegi's programming. You will recognize the film people by how long they linger at the set photographs, trying to identify which scene was being shot. The art crowd moves differently — reading composition, not looking for Easter eggs.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Onassis Stegi, Syngrou Avenue — 18,000 sq m cultural center, exhibition spaces across multiple floors |\n| **Vibe** | Contemplative, cinematic, architecturally deliberate — the exhibition design shapes the viewing experience |\n| **Format** | Photography exhibition, 182 works across four series, temple-shaped installation |\n| **Access** | Ticketed, timed entry |\n\nThe exhibition asks you to reconcile two versions of the same artist. The film-set photographs carry the controlled chaos of production — extras in costume, equipment at the edges of the frame, the tension between the constructed world and the world around it. The Greek series strips all of that away: no actors, no sets, no narrative apparatus. What remains is Lanthimos alone with a camera, finding images on the same unsettling register as his films but without any of the machinery. The juxtaposition is the argument — the director's eye does not depend on the director's apparatus.\n\nIf you are coming for behind-the-scenes film content or wall text that decodes each image, this operates more like a gallery show than a film retrospective — the photographs stand without context. But if you want to see how one of contemporary cinema's most distinctive visual minds translates to still images, inside a purpose-built architectural installation, this is the exhibition.\n\nOnassis Stegi is on Syngrou Avenue. The nearest metro is Syngrou Fix, a thirteen-minute walk south along Syngrou. The exhibition runs from March 7 through May 17, 2026. Hours are Thursday through Saturday 18:00 to 23:30, and Sunday 13:00 to 20:00. Tickets are €10 regular, €8 reduced, €5 for disabled visitors — available through the Onassis Stegi website.\n\nOne hundred eighty-two photographs, two months, and then the temple comes down. Lanthimos makes films that leave the room with you — these photographs operate on the same terms.",
      "hasNativeGreek": false,
      "startDate": "2026-03-07T11:00:00",
      "endDate": "2026-05-17",
      "type": "exhibition",
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      "venue": {
        "name": "Onassis Stegi",
        "address": "Leof. Andrea Siggrou 107-109, Athens 117 45",
        "neighborhood": "Neos Kosmos",
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      "createdAt": "2026-02-21 17:29:16",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "86cb62f00a8783c6",
      "title": "ROY KHAN (Norway) The Black Halo And Beyond +SEVEN SPIRES (USA)",
      "description": "",
      "fullDescription": "The first notes ring out like bells from a tower you forgot existed. That voice — operatic, powerful, somehow intimate despite the metal instrumentation — fills Gagarin's hall. You feel the hairs rise on your forearms. Roy Khan is back, and he's brought The Black Halo with him.\n\nFor fans of Kamelot, Khan's return represents something close to resurrection. His departure in 2011 left a void that years of replacement vocalists couldn't quite fill. \"The Black Halo And Beyond\" tour acknowledges what that album meant while promising a future. The setlist will draw from the heights of Kamelot's progressive metal catalog — \"Ghost Opera,\" \"The Haunting,\" material that showcased Khan's extraordinary range.\n\nGagarin 205 provides the acoustic architecture this music demands. The venue has established itself as Athens' premier metal destination, its sound system calibrated for the dynamics that progressive metal requires — the quiet passages that build toward crushing choruses, the instrumental sections that demand clarity even at volume. The room's 1,200 capacity creates density without losing the precision these compositions require.\n\nSEVEN SPIRES opens the evening, their own brand of symphonic metal establishing the night's emotional register. The pairing makes sense — both acts occupy the space where metal's heaviness meets orchestral ambition, where harsh and clean vocals coexist in the same songs. By the time Khan takes the stage, the room has been properly prepared.\n\nThe crowd filtering into Gagarin tonight has waited years for this moment. Metal fans who remember where they were when they first heard \"Center of the Universe.\" Younger listeners who discovered Khan through Conception's reunion. The conversations before doors open mix Greek and English, strangers bonding over shared devotion to this specific voice, this specific catalog.\n\nIf you need accessible entry points or music that stays in comfortable territory, progressive metal will challenge your patience. The songs run long, the arrangements complex, the emotional intensity sustained rather than peaked. But if you've been waiting for Roy Khan to remind Athens what he's capable of, for a voice that defined an era of metal — Gagarin holds this homecoming.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:00 |\n| **Venue** | Gagarin 205, Liosion 205, Attiki |\n| **Getting there** | Attiki Metro, taxi recommended after |\n| **Capacity** | 1,200 |\n| **Support** | Seven Spires |\n| **Price** | Check more.com |\n\nRoy Khan returns — The Black Halo rendered live.",
      "fullDescriptionEn": "The first notes ring out like bells from a tower you forgot existed. That voice — operatic, powerful, somehow intimate despite the metal instrumentation — fills Gagarin's hall. You feel the hairs rise on your forearms. Roy Khan is back, and he's brought The Black Halo with him.\n\nFor fans of Kamelot, Khan's return represents something close to resurrection. His departure in 2011 left a void that years of replacement vocalists couldn't quite fill. \"The Black Halo And Beyond\" tour acknowledges what that album meant while promising a future. The setlist will draw from the heights of Kamelot's progressive metal catalog — \"Ghost Opera,\" \"The Haunting,\" material that showcased Khan's extraordinary range.\n\nGagarin 205 provides the acoustic architecture this music demands. The venue has established itself as Athens' premier metal destination, its sound system calibrated for the dynamics that progressive metal requires — the quiet passages that build toward crushing choruses, the instrumental sections that demand clarity even at volume. The room's 1,200 capacity creates density without losing the precision these compositions require.\n\nSEVEN SPIRES opens the evening, their own brand of symphonic metal establishing the night's emotional register. The pairing makes sense — both acts occupy the space where metal's heaviness meets orchestral ambition, where harsh and clean vocals coexist in the same songs. By the time Khan takes the stage, the room has been properly prepared.\n\nThe crowd filtering into Gagarin tonight has waited years for this moment. Metal fans who remember where they were when they first heard \"Center of the Universe.\" Younger listeners who discovered Khan through Conception's reunion. The conversations before doors open mix Greek and English, strangers bonding over shared devotion to this specific voice, this specific catalog.\n\nIf you need accessible entry points or music that stays in comfortable territory, progressive metal will challenge your patience. The songs run long, the arrangements complex, the emotional intensity sustained rather than peaked. But if you've been waiting for Roy Khan to remind Athens what he's capable of, for a voice that defined an era of metal — Gagarin holds this homecoming.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:00 |\n| **Venue** | Gagarin 205, Liosion 205, Attiki |\n| **Getting there** | Attiki Metro, taxi recommended after |\n| **Capacity** | 1,200 |\n| **Support** | Seven Spires |\n| **Price** | Check more.com |\n\nRoy Khan returns — The Black Halo rendered live.",
      "fullDescriptionGr": "The first notes ring out like bells from a tower you forgot existed. That voice — operatic, powerful, somehow intimate despite the metal instrumentation — fills Gagarin's hall. You feel the hairs rise on your forearms. Roy Khan is back, and he's brought The Black Halo with him.\n\nFor fans of Kamelot, Khan's return represents something close to resurrection. His departure in 2011 left a void that years of replacement vocalists couldn't quite fill. \"The Black Halo And Beyond\" tour acknowledges what that album meant while promising a future. The setlist will draw from the heights of Kamelot's progressive metal catalog — \"Ghost Opera,\" \"The Haunting,\" material that showcased Khan's extraordinary range.\n\nGagarin 205 provides the acoustic architecture this music demands. The venue has established itself as Athens' premier metal destination, its sound system calibrated for the dynamics that progressive metal requires — the quiet passages that build toward crushing choruses, the instrumental sections that demand clarity even at volume. The room's 1,200 capacity creates density without losing the precision these compositions require.\n\nSEVEN SPIRES opens the evening, their own brand of symphonic metal establishing the night's emotional register. The pairing makes sense — both acts occupy the space where metal's heaviness meets orchestral ambition, where harsh and clean vocals coexist in the same songs. By the time Khan takes the stage, the room has been properly prepared.\n\nThe crowd filtering into Gagarin tonight has waited years for this moment. Metal fans who remember where they were when they first heard \"Center of the Universe.\" Younger listeners who discovered Khan through Conception's reunion. The conversations before doors open mix Greek and English, strangers bonding over shared devotion to this specific voice, this specific catalog.\n\nIf you need accessible entry points or music that stays in comfortable territory, progressive metal will challenge your patience. The songs run long, the arrangements complex, the emotional intensity sustained rather than peaked. But if you've been waiting for Roy Khan to remind Athens what he's capable of, for a voice that defined an era of metal — Gagarin holds this homecoming.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:00 |\n| **Venue** | Gagarin 205, Liosion 205, Attiki |\n| **Getting there** | Attiki Metro, taxi recommended after |\n| **Capacity** | 1,200 |\n| **Support** | Seven Spires |\n| **Price** | Check more.com |\n\nRoy Khan returns — The Black Halo rendered live.",
      "hasNativeGreek": false,
      "startDate": "2026-04-17",
      "endDate": null,
      "type": "concert",
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      "venue": {
        "name": "Gagarin 205",
        "address": "Liosion 205, Athens 104 45",
        "neighborhood": "Sepolia / Athens West",
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          "lat": 38.001,
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      "price": {
        "type": "paid",
        "amount": 28,
        "currency": "EUR",
        "range": "€28 - €33"
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      "url": "https://www.ticketservices.gr/event/13764/",
      "ticketUrl": "https://www.ticketservices.gr/event/13764/",
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      "createdAt": "2026-01-26 13:11:15",
      "updatedAt": "2026-04-14 14:12:29",
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      "@type": "TheaterEvent",
      "id": "0878e121fcab6868",
      "title": "170 τετραγωνικά / Moonwalk",
      "description": "Εως 2026-05-10",
      "fullDescription": "The lights find two sisters in the house where they grew up. Their father is dead. The 170 square meters of the title is the apartment, and neither woman has set foot in it for years. Giorgis Tsouris wrote 170 Tetragonika (Moonwalk) and performs in it — now in its seventh consecutive season, with over 450 performances and the Dimitris Horn Award for best new Greek play.\n\nThe production, directed by Giorgos Palumpis, has drawn more than 120,000 audience members across Greece and toured to Melbourne. It moves this spring to Neos Akadimos.\n\nThe room fills with people who recognize Greek family architecture — the unspoken rules, the inherited furniture, the arguments that resume mid-sentence after a decade.\n\nIf you want escapism, this play walks you back into the rooms you left. But if you want Greek drama that earns its silences, Tsouris writes and acts with equal precision.\n\nNeos Akadimos is at Ippokratous 17, accessible by metro. 17 April 2026 at 21:00. Tickets through more.com.\n\nSeven years, 450 performances — and the apartment still has not been cleared out.",
      "fullDescriptionEn": "The lights find two sisters in the house where they grew up. Their father is dead. The 170 square meters of the title is the apartment, and neither woman has set foot in it for years. Giorgis Tsouris wrote 170 Tetragonika (Moonwalk) and performs in it — now in its seventh consecutive season, with over 450 performances and the Dimitris Horn Award for best new Greek play.\n\nThe production, directed by Giorgos Palumpis, has drawn more than 120,000 audience members across Greece and toured to Melbourne. It moves this spring to Neos Akadimos.\n\nThe room fills with people who recognize Greek family architecture — the unspoken rules, the inherited furniture, the arguments that resume mid-sentence after a decade.\n\nIf you want escapism, this play walks you back into the rooms you left. But if you want Greek drama that earns its silences, Tsouris writes and acts with equal precision.\n\nNeos Akadimos is at Ippokratous 17, accessible by metro. 17 April 2026 at 21:00. Tickets through more.com.\n\nSeven years, 450 performances — and the apartment still has not been cleared out.",
      "fullDescriptionGr": "The lights find two sisters in the house where they grew up. Their father is dead. The 170 square meters of the title is the apartment, and neither woman has set foot in it for years. Giorgis Tsouris wrote 170 Tetragonika (Moonwalk) and performs in it — now in its seventh consecutive season, with over 450 performances and the Dimitris Horn Award for best new Greek play.\n\nThe production, directed by Giorgos Palumpis, has drawn more than 120,000 audience members across Greece and toured to Melbourne. It moves this spring to Neos Akadimos.\n\nThe room fills with people who recognize Greek family architecture — the unspoken rules, the inherited furniture, the arguments that resume mid-sentence after a decade.\n\nIf you want escapism, this play walks you back into the rooms you left. But if you want Greek drama that earns its silences, Tsouris writes and acts with equal precision.\n\nNeos Akadimos is at Ippokratous 17, accessible by metro. 17 April 2026 at 21:00. Tickets through more.com.\n\nSeven years, 450 performances — and the apartment still has not been cleared out.",
      "hasNativeGreek": false,
      "startDate": "2026-04-17",
      "endDate": null,
      "type": "theater",
      "genres": [],
      "tags": [
        "Drama",
        "Seated",
        "Theater-regulars",
        "Greek-language",
        "Metro-accessible",
        "Greek-locals",
        "Mixed-ages"
      ],
      "venue": {
        "name": "Νέος Ακάδημος",
        "address": "Νέος Ακάδημος, 17",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.9822,
          "lon": 23.73426
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 120,
        "currency": "EUR",
        "range": "€120"
      },
      "url": "https://www.athinorama.gr/theatre/performance/170_tetragonika__moonwalk-10063940/",
      "ticketUrl": "https://www.viva.gr/tickets/theater/",
      "source": "athinorama.gr",
      "createdAt": "2026-02-08 12:53:02",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/2f/2f7bbe4116d94558b9293816a2f59759.jpg?quality=81&404=default&v=4",
      "imageSource": "scraped_listing",
      "imageLocal": "/images/events/0878e121fcab6868.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "af431a46a7eb83ba",
      "title": "Oldschool Rednex",
      "description": "",
      "fullDescription": "Oldschool Rednex play Ilion Plus on 17 April 2026, their first Athens date in two years. The Thessaloniki punkers have been grinding since 1999, with a debut LP that finally landed in 2012 and the follow-up 'Orgi / Sti Gi tou Rock 'n' Roll' in 2022. GRAMM ELEVEN open the night.\n\nIf you want a seated room with a cocktail menu, this is a different economy. But if you want dirty guitars and amplifiers in the red, this is the room.\n\nIlion Plus is at Kodrigktonos 17 in Kypseli, off Patission Street. Two years is a long time between Athens dates.",
      "fullDescriptionEn": "Oldschool Rednex play Ilion Plus on 17 April 2026, their first Athens date in two years. The Thessaloniki punkers have been grinding since 1999, with a debut LP that finally landed in 2012 and the follow-up 'Orgi / Sti Gi tou Rock 'n' Roll' in 2022. GRAMM ELEVEN open the night.\n\nIf you want a seated room with a cocktail menu, this is a different economy. But if you want dirty guitars and amplifiers in the red, this is the room.\n\nIlion Plus is at Kodrigktonos 17 in Kypseli, off Patission Street. Two years is a long time between Athens dates.",
      "fullDescriptionGr": "Oldschool Rednex play Ilion Plus on 17 April 2026, their first Athens date in two years. The Thessaloniki punkers have been grinding since 1999, with a debut LP that finally landed in 2012 and the follow-up 'Orgi / Sti Gi tou Rock 'n' Roll' in 2022. GRAMM ELEVEN open the night.\n\nIf you want a seated room with a cocktail menu, this is a different economy. But if you want dirty guitars and amplifiers in the red, this is the room.\n\nIlion Plus is at Kodrigktonos 17 in Kypseli, off Patission Street. Two years is a long time between Athens dates.",
      "hasNativeGreek": false,
      "startDate": "2026-04-17",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Punk",
        "Rock",
        "Live-band",
        "Kypseli",
        "Intimate",
        "Local-favorite",
        "Music-heads",
        "Standing-room",
        "Metro-accessible"
      ],
      "venue": {
        "name": "ΙΛΙΟΝ Plus",
        "address": "Kodrigktonos 17, Athens 104 34",
        "neighborhood": "Victoria / Neapoli",
        "coordinates": {
          "lat": 37.9944,
          "lon": 23.7369
        },
        "capacity": null
      },
      "price": {
        "type": "tba",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/oldschool_rednex-10016427/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/oldschool_rednex-10016427/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-07 11:26:09",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "25e4cd1b093b97e9",
      "title": "Freddie Gibbs",
      "description": "",
      "fullDescription": "Freddie Gibbs is from Gary, Indiana, and 17 April 2026 is his first Athens show. He plays Universe Multivenue in Egaleo, with redveil on support. The Last Rabbit tour follows Alfredo 2, his July 2025 reunion with producer The Alchemist that arrived with a companion short film.\n\nIf you want a clean-chorus radio rap set with stadium visuals, Gibbs runs a denser economy — bars piling on bars over sparse, sample-driven beats. But if you want to hear the rapper whose Alfredo records made him a critics' favorite, this is the stop.\n\nUniverse Multivenue is in Egaleo, accessible by metro from Egaleo station. Pre-sales via more.com.\n\nGibbs has never played Athens — this is the only date.",
      "fullDescriptionEn": "Freddie Gibbs is from Gary, Indiana, and 17 April 2026 is his first Athens show. He plays Universe Multivenue in Egaleo, with redveil on support. The Last Rabbit tour follows Alfredo 2, his July 2025 reunion with producer The Alchemist that arrived with a companion short film.\n\nIf you want a clean-chorus radio rap set with stadium visuals, Gibbs runs a denser economy — bars piling on bars over sparse, sample-driven beats. But if you want to hear the rapper whose Alfredo records made him a critics' favorite, this is the stop.\n\nUniverse Multivenue is in Egaleo, accessible by metro from Egaleo station. Pre-sales via more.com.\n\nGibbs has never played Athens — this is the only date.",
      "fullDescriptionGr": "Freddie Gibbs is from Gary, Indiana, and 17 April 2026 is his first Athens show. He plays Universe Multivenue in Egaleo, with redveil on support. The Last Rabbit tour follows Alfredo 2, his July 2025 reunion with producer The Alchemist that arrived with a companion short film.\n\nIf you want a clean-chorus radio rap set with stadium visuals, Gibbs runs a denser economy — bars piling on bars over sparse, sample-driven beats. But if you want to hear the rapper whose Alfredo records made him a critics' favorite, this is the stop.\n\nUniverse Multivenue is in Egaleo, accessible by metro from Egaleo station. Pre-sales via more.com.\n\nGibbs has never played Athens — this is the only date.",
      "hasNativeGreek": false,
      "startDate": "2026-04-17",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Hip-hop",
        "Live-act",
        "Music-heads",
        "Mixed-international",
        "Standing-room",
        "Concert-format",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Universe",
        "address": "Leoforos Kifisou 87, Athens 122 41",
        "neighborhood": "Egaleo",
        "coordinates": {
          "lat": 37.9708,
          "lon": 23.6733
        },
        "capacity": null
      },
      "price": {
        "type": "tba",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/freddie_gibbs-10089454/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/freddie_gibbs-10089454/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-07 11:26:09",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "95911057cd3cf15e",
      "title": "The Vulcan Itch &amp; Rainyard",
      "description": "",
      "fullDescription": "The Vulcan Itch plays material from Rise of the Fallen — the Athens trio's 2024 album on The Lab Records — alongside their 2025 single Out Of My Head. Joining them at AUX Club in Gazi, Rainyard travels down from Thessaloniki with a '90s Seattle-rooted set drawn from debut album Powerslide. Druid fill out the bill as special guests.\n\nIf you want polished pop, this is the wrong floor. But if stoner-grunge riffs in a ~200-capacity Gazi room are what you came for, AUX runs a come-as-you-are door at Agiou Orous 15, a few minutes from Kerameikos metro.\n\nTypical entry at AUX runs 8-12 EUR at the door.",
      "fullDescriptionEn": "The Vulcan Itch plays material from Rise of the Fallen — the Athens trio's 2024 album on The Lab Records — alongside their 2025 single Out Of My Head. Joining them at AUX Club in Gazi, Rainyard travels down from Thessaloniki with a '90s Seattle-rooted set drawn from debut album Powerslide. Druid fill out the bill as special guests.\n\nIf you want polished pop, this is the wrong floor. But if stoner-grunge riffs in a ~200-capacity Gazi room are what you came for, AUX runs a come-as-you-are door at Agiou Orous 15, a few minutes from Kerameikos metro.\n\nTypical entry at AUX runs 8-12 EUR at the door.",
      "fullDescriptionGr": "The Vulcan Itch plays material from Rise of the Fallen — the Athens trio's 2024 album on The Lab Records — alongside their 2025 single Out Of My Head. Joining them at AUX Club in Gazi, Rainyard travels down from Thessaloniki with a '90s Seattle-rooted set drawn from debut album Powerslide. Druid fill out the bill as special guests.\n\nIf you want polished pop, this is the wrong floor. But if stoner-grunge riffs in a ~200-capacity Gazi room are what you came for, AUX runs a come-as-you-are door at Agiou Orous 15, a few minutes from Kerameikos metro.\n\nTypical entry at AUX runs 8-12 EUR at the door.",
      "hasNativeGreek": false,
      "startDate": "2026-04-17",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [
        "Rock",
        "Live-band",
        "Gazi",
        "Inclusive",
        "Standing-room",
        "Metro-accessible"
      ],
      "venue": {
        "name": "Aux Club",
        "address": "Agiou Orous 15, Athens 104 47",
        "neighborhood": "Votanikos",
        "coordinates": {
          "lat": 37.9746,
          "lon": 23.7028
        },
        "capacity": null
      },
      "price": {
        "type": "tba",
        "amount": 10,
        "currency": "EUR",
        "range": "€8-15"
      },
      "url": "https://www.athinorama.gr/music/gig/the_vulcan_itch_kai_rainyard_-10089751/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-07 11:26:09",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "71200e57557b9ea5",
      "title": "George Kontrafouris Piano Quartet",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-17",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Σπίτι Art Bar",
        "address": "Efpatridon 7, Athens 118 54",
        "neighborhood": "Kerameikos",
        "coordinates": {
          "lat": 37.9799,
          "lon": 23.7128
        },
        "capacity": null
      },
      "price": {
        "type": "tba",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/george_kontrafouris_piano_quartet-10066298/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/george_kontrafouris_piano_quartet-10066298/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-08 10:46:13",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "518690abbccaa9b8",
      "title": "Takis Paterelis-New friends Quartet",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-17",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Poetry Bar",
        "address": "Poetry bar, 2-4",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.985952,
          "lon": 23.733488
        },
        "capacity": null
      },
      "price": {
        "type": "tba",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/takis_paterelis_new_friends_quartet-10066666/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/takis_paterelis_new_friends_quartet-10066666/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-08 10:46:13",
      "updatedAt": "2026-04-14 14:12:29",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "d252b6d1dfcd5e5a",
      "title": "&#171;Voix d&#39; Or&#187;",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-17",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Αίθουσα Διδασκαλίας Μεγάρου Μουσικής",
        "address": "Megaro Mousikis, Athina 115 21",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.981015,
          "lon": 23.754098
        },
        "capacity": null
      },
      "price": {
        "type": "tba",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.athinorama.gr/music/gig/voix_d_or-10089779/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/voix_d_or-10089779/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-08 10:46:13",
      "updatedAt": "2026-04-15 12:12:34",
      "language": "en",
      "timeSource": "not_found",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "1da18e089dbe7ba3",
      "title": "Koni is calling",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-17T18:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Island Athens Riviera",
        "address": "3 Vasileos Georgiou A, Pl. Sintagmatos Str",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.976435,
          "lon": 23.734889
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 20,
        "currency": "EUR",
        "range": "€20"
      },
      "url": "https://www.athinorama.gr/music/gig/koni_is_calling-10089796/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/koni_is_calling-10089796/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-08 10:46:13",
      "updatedAt": "2026-04-15 12:12:34",
      "language": "en",
      "timeDoors": "18:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "fa2c9beb75e9127b",
      "title": "Nine Below Zero",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-17T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Piraeus Club Academy",
        "address": "Piraeus 105, Athens 118 54",
        "neighborhood": "Omonia / Central Athens",
        "coordinates": {
          "lat": 37.98,
          "lon": 23.731
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 25,
        "currency": "EUR",
        "range": "€25 - €32"
      },
      "url": "https://www.athinorama.gr/music/gig/nine_below_zero-10058532/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/nine_below_zero-10058532/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-07 11:26:09",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "456faf6f0d7dacb9",
      "title": "VOIX D&apos;OR",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-17T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21",
        "neighborhood": "Ilisia",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.757
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 15,
        "currency": "EUR",
        "range": "€15"
      },
      "url": "https://www.ticketservices.gr/event/14397/",
      "ticketUrl": "https://www.ticketservices.gr/event/14397/",
      "source": "ticketservices",
      "createdAt": "2026-04-07 11:26:09",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_62081_or_3.jpg",
      "imageSource": "backfill",
      "imageLocal": "/images/events/456faf6f0d7dacb9.webp",
      "permanentCollection": false,
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    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "1518fa9ca26bd119",
      "title": "Oinopios",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-17T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "AN Club",
        "address": "13-15 Solomou Street, Athens 106 82",
        "neighborhood": "Exarchia",
        "coordinates": {
          "lat": 37.9885,
          "lon": 23.733
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 8,
        "currency": "EUR",
        "range": "€8"
      },
      "url": "https://www.athinorama.gr/music/gig/oinopios_-10077572/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-08 10:46:13",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "34f86d05d3854d42",
      "title": "COLLEEN COSMO MURPHY",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-17T20:00:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
        "electronic"
      ],
      "tags": [],
      "venue": {
        "name": "Burger Disco Club",
        "address": "Nikis 11, Downtown 105 57, Greece",
        "neighborhood": "Syntagma",
        "coordinates": {
          "lat": 37.9749,
          "lon": 23.7332
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 10,
        "currency": "EUR",
        "range": "€10"
      },
      "url": "https://ra.co/events/2414999",
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      "id": "9443dd669da7c6cc",
      "title": "FREDDIE GIBBS (US) LIVE IN ATHENS",
      "description": "17 Απριλιου FREDDIE GIBBS (US) LIVE IN ATHENS Universe / Saturn Area",
      "fullDescription": "The bass drops and the room adjusts its collective posture. You feel the beat before you consciously hear it, your body already moving while your brain catches up. Universe has configured its sound system for hip-hop, and Freddie Gibbs is about to demonstrate why he's spent a decade becoming impossible to ignore.\n\nGibbs arrives in Athens carrying the weight of a catalog that's earned him critical devotion and street credibility in equal measure. From Gary, Indiana to everywhere — the journey shows in his delivery, the controlled aggression that never sacrifices technical precision. Albums like \"Alfredo\" (with The Alchemist) and \"Bandana\" (with Madlib) established him as a rapper's rapper, someone whose features get studied by people who study features.\n\nThe 2026 tour brings whatever he's cooking now plus the hits that built the reputation. Expect bars delivered with the confidence of someone who knows his place in the hierarchy. Expect beats that reference hip-hop's history while pushing its future. Expect a performer who treats every room like it matters, who gives Athens the same energy he'd give any city that shows up.\n\nUniverse provides the proper setting for this level of performance. The room's configuration allows the bass to hit without muddying, the mid-range to carry Gibbs' delivery with clarity. The lighting will complement without distracting — this is hip-hop, and the focus stays on the voice, the words, the flow that makes Freddie Gibbs worth crossing cities to witness.\n\nThe crowd arriving tonight mixes demographics but shares characteristic intensity. Hip-hop heads who've tracked Gibbs since Jeezy days. Newer fans who came through the Madlib collaborations. The common thread is appreciation for lyricism that rewards attention, for a performer who doesn't rely on backing tracks to carry the show.\n\nIf you need pop-rap accessibility or music that stays in the background, Gibbs operates in different territory. The lyrics demand attention, the delivery assumes you're listening, the content doesn't soften its edges for comfort. But if you've been waiting for hip-hop that respects its audience's intelligence while hitting hard enough to move your body — Universe holds this night.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Time** | Evening |\n| **Venue** | Universe |\n| **Genre** | Hip-hop |\n| **Price** | Check venue |\n| **Prepare for** | Standing, bass-heavy |\n\nFreddie Gibbs in Athens — bars that hit as hard as the beats.",
      "fullDescriptionEn": "The bass drops and the room adjusts its collective posture. You feel the beat before you consciously hear it, your body already moving while your brain catches up. Universe has configured its sound system for hip-hop, and Freddie Gibbs is about to demonstrate why he's spent a decade becoming impossible to ignore.\n\nGibbs arrives in Athens carrying the weight of a catalog that's earned him critical devotion and street credibility in equal measure. From Gary, Indiana to everywhere — the journey shows in his delivery, the controlled aggression that never sacrifices technical precision. Albums like \"Alfredo\" (with The Alchemist) and \"Bandana\" (with Madlib) established him as a rapper's rapper, someone whose features get studied by people who study features.\n\nThe 2026 tour brings whatever he's cooking now plus the hits that built the reputation. Expect bars delivered with the confidence of someone who knows his place in the hierarchy. Expect beats that reference hip-hop's history while pushing its future. Expect a performer who treats every room like it matters, who gives Athens the same energy he'd give any city that shows up.\n\nUniverse provides the proper setting for this level of performance. The room's configuration allows the bass to hit without muddying, the mid-range to carry Gibbs' delivery with clarity. The lighting will complement without distracting — this is hip-hop, and the focus stays on the voice, the words, the flow that makes Freddie Gibbs worth crossing cities to witness.\n\nThe crowd arriving tonight mixes demographics but shares characteristic intensity. Hip-hop heads who've tracked Gibbs since Jeezy days. Newer fans who came through the Madlib collaborations. The common thread is appreciation for lyricism that rewards attention, for a performer who doesn't rely on backing tracks to carry the show.\n\nIf you need pop-rap accessibility or music that stays in the background, Gibbs operates in different territory. The lyrics demand attention, the delivery assumes you're listening, the content doesn't soften its edges for comfort. But if you've been waiting for hip-hop that respects its audience's intelligence while hitting hard enough to move your body — Universe holds this night.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Time** | Evening |\n| **Venue** | Universe |\n| **Genre** | Hip-hop |\n| **Price** | Check venue |\n| **Prepare for** | Standing, bass-heavy |\n\nFreddie Gibbs in Athens — bars that hit as hard as the beats.",
      "fullDescriptionGr": "The bass drops and the room adjusts its collective posture. You feel the beat before you consciously hear it, your body already moving while your brain catches up. Universe has configured its sound system for hip-hop, and Freddie Gibbs is about to demonstrate why he's spent a decade becoming impossible to ignore.\n\nGibbs arrives in Athens carrying the weight of a catalog that's earned him critical devotion and street credibility in equal measure. From Gary, Indiana to everywhere — the journey shows in his delivery, the controlled aggression that never sacrifices technical precision. Albums like \"Alfredo\" (with The Alchemist) and \"Bandana\" (with Madlib) established him as a rapper's rapper, someone whose features get studied by people who study features.\n\nThe 2026 tour brings whatever he's cooking now plus the hits that built the reputation. Expect bars delivered with the confidence of someone who knows his place in the hierarchy. Expect beats that reference hip-hop's history while pushing its future. Expect a performer who treats every room like it matters, who gives Athens the same energy he'd give any city that shows up.\n\nUniverse provides the proper setting for this level of performance. The room's configuration allows the bass to hit without muddying, the mid-range to carry Gibbs' delivery with clarity. The lighting will complement without distracting — this is hip-hop, and the focus stays on the voice, the words, the flow that makes Freddie Gibbs worth crossing cities to witness.\n\nThe crowd arriving tonight mixes demographics but shares characteristic intensity. Hip-hop heads who've tracked Gibbs since Jeezy days. Newer fans who came through the Madlib collaborations. The common thread is appreciation for lyricism that rewards attention, for a performer who doesn't rely on backing tracks to carry the show.\n\nIf you need pop-rap accessibility or music that stays in the background, Gibbs operates in different territory. The lyrics demand attention, the delivery assumes you're listening, the content doesn't soften its edges for comfort. But if you've been waiting for hip-hop that respects its audience's intelligence while hitting hard enough to move your body — Universe holds this night.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Time** | Evening |\n| **Venue** | Universe |\n| **Genre** | Hip-hop |\n| **Price** | Check venue |\n| **Prepare for** | Standing, bass-heavy |\n\nFreddie Gibbs in Athens — bars that hit as hard as the beats.",
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      "ticketUrl": "https://www.athinorama.gr/music/gig/xat_trik-10013534/",
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        "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21",
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      "ticketUrl": "https://www.athinorama.gr/music/gig/kratiki_orxistra_athinon-10083788/",
      "source": "athinorama.gr",
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      "title": "Ο Μαγιακόφσκι στους αιώνες",
      "description": "Εως 2026-05-29",
      "hasNativeGreek": false,
      "startDate": "2026-04-17T20:30:00",
      "endDate": null,
      "type": "theater",
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        "name": "Χώρος Τέχνης Ηχόδραση",
        "address": "Genneou Kolokotroni 12, Athina 117 41",
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      },
      "url": "https://www.athinorama.gr/theatre/performance/o_magiakofski_stous_aiones-10085896/",
      "ticketUrl": "https://www.athinorama.gr/theatre/performance/o_magiakofski_stous_aiones-10085896/",
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      "language": "en",
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      "title": "Λεονάρντα",
      "description": "Εως 2026-04-26",
      "hasNativeGreek": false,
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      "venue": {
        "name": "Δημοτικό Θέατρο Πειραιά",
        "address": "Iroon Polytechniou 32, Piraeus 185 35",
        "neighborhood": "Piraeus",
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        "currency": "EUR",
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      "url": "https://www.athinorama.gr/theatre/performance/leonarnta-10078115/",
      "ticketUrl": "https://www.athinorama.gr/theatre/performance/leonarnta-10078115/",
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      "fullDescription": "A mother and daughter meet in a house full of ghosts — a dead father, a racist brother, the phantom of a normal family. Sofianna Theofanou's BLUNTED filters Demeter and Persephone through a middle-class Greek living room where love and denial share the same chair.\n\nTheofanou trained at the Karolos Koun School of Drama and spent twelve years with the National Theatre. She holds the State Award for children's theatrical work. Maria Xanthopoulidou directs.\n\nThe seats fill with people who know family reunions are negotiations without a ceasefire.\n\nThe Persephone myth provides the frame: a separation never completed, a mother who cannot release, a daughter who cannot return on her own terms. Theofanou writes both women with equal weight.\n\nIf you want mythology at a comfortable distance, this play puts it in the kitchen. But if you want a new Greek text that earns its source material, the writing is precise.\n\nKamiros is at Ithakis 32. 17 April 2026 at 21:00. Tickets through more.com.\n\nTwo women, one myth, a living room that holds what neither can say aloud.",
      "fullDescriptionEn": "A mother and daughter meet in a house full of ghosts — a dead father, a racist brother, the phantom of a normal family. Sofianna Theofanou's BLUNTED filters Demeter and Persephone through a middle-class Greek living room where love and denial share the same chair.\n\nTheofanou trained at the Karolos Koun School of Drama and spent twelve years with the National Theatre. She holds the State Award for children's theatrical work. Maria Xanthopoulidou directs.\n\nThe seats fill with people who know family reunions are negotiations without a ceasefire.\n\nThe Persephone myth provides the frame: a separation never completed, a mother who cannot release, a daughter who cannot return on her own terms. Theofanou writes both women with equal weight.\n\nIf you want mythology at a comfortable distance, this play puts it in the kitchen. But if you want a new Greek text that earns its source material, the writing is precise.\n\nKamiros is at Ithakis 32. 17 April 2026 at 21:00. Tickets through more.com.\n\nTwo women, one myth, a living room that holds what neither can say aloud.",
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      "hasNativeGreek": false,
      "startDate": "2026-04-17T21:00:00",
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        "Intimate",
        "Seated",
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        "Metro-accessible"
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        "address": "Ithakis 32, Athens 112 57",
        "neighborhood": "Kypseli",
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      "@type": "MusicEvent",
      "id": "6d568753a146934b",
      "title": "FM",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-18T19:30:00",
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      "venue": {
        "name": "Κύτταρο",
        "address": "Αχαρνών, Ipeirou και",
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      "url": "https://www.athinorama.gr/music/gig/fm_-10083412/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/fm_-10083412/",
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      "id": "6438ebf8b7d47477",
      "title": "Warrel Dane tribute",
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      "startDate": "2026-04-18T20:00:00",
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      "venue": {
        "name": "AN Club",
        "address": "13-15 Solomou Street, Athens 106 82",
        "neighborhood": "Exarchia",
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          "lat": 37.9885,
          "lon": 23.733
        },
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      },
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      "title": "A PLACE TO BURY STRANGERS live in Athens",
      "description": "18 Απριλιου A PLACE TO BURY STRANGERS live in Athens Gazarte - Ground Stage",
      "fullDescription": "The feedback starts before you find the bar. Sheets of guitar noise crash against the walls of Gazarte's Ground Stage, the sound physical before it becomes musical. You've walked into a room where three people are making enough noise for an orchestra, and somehow it all coheres into something beautiful. A Place To Bury Strangers is teaching Athens about controlled destruction.\n\nThe Brooklyn trio has spent two decades refining the art of beautiful noise. Since 2003, Oliver Ackermann and company have been building walls of sound that tower and collapse, melodies buried under distortion that gradually reveal themselves to the patient listener. Their reputation as \"the loudest band in New York\" isn't marketing — it's a physical reality that Gazarte's Ground Stage is about to verify.\n\nThe venue's basement configuration suits this music perfectly. The low ceiling contains the noise, creates the compression that makes APTBS shows feel engulfing rather than merely loud. The Ground Stage has hosted enough volume to know what it's doing. Tonight it earns its specifications.\n\nNoise rock operates in the space between intention and accident. Ackermann's guitar work layers effect upon effect, the original signal long buried under processing that sounds chaotic but follows internal logic. The rhythm section provides anchor points — you can dance to this if you let your body find the pulse beneath the storm. Many do, heads nodding to beats they feel rather than hear clearly.\n\nThe crowd at APTBS shows self-selects for intensity. These are listeners who've found their way to music's edges, who understand that loud and beautiful aren't mutually exclusive. Earplugs appear throughout the room — not signs of weakness but acknowledgment of what's coming. The conversations between songs are shouted, the silence when the band starts is collective surrender.\n\nIf you need lyrical clarity or dynamic range in the conventional sense, A Place To Bury Strangers will bury your expectations under noise. The volume stays high, the approach stays uncompromising. But if you've been hunting for music that operates at the border between sound and sensation — Gazarte's Ground Stage holds this particular intensity.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:30 |\n| **Music** | 21:30 |\n| **Venue** | Gazarte Ground Stage, Voutadon Street, Gazi |\n| **Getting there** | Kerameikos Metro, 5 min walk |\n| **Price** | Check more.com |\n| **Bring** | Earplugs |\n\nA Place To Bury Strangers — noise as a form of meditation.",
      "fullDescriptionEn": "The feedback starts before you find the bar. Sheets of guitar noise crash against the walls of Gazarte's Ground Stage, the sound physical before it becomes musical. You've walked into a room where three people are making enough noise for an orchestra, and somehow it all coheres into something beautiful. A Place To Bury Strangers is teaching Athens about controlled destruction.\n\nThe Brooklyn trio has spent two decades refining the art of beautiful noise. Since 2003, Oliver Ackermann and company have been building walls of sound that tower and collapse, melodies buried under distortion that gradually reveal themselves to the patient listener. Their reputation as \"the loudest band in New York\" isn't marketing — it's a physical reality that Gazarte's Ground Stage is about to verify.\n\nThe venue's basement configuration suits this music perfectly. The low ceiling contains the noise, creates the compression that makes APTBS shows feel engulfing rather than merely loud. The Ground Stage has hosted enough volume to know what it's doing. Tonight it earns its specifications.\n\nNoise rock operates in the space between intention and accident. Ackermann's guitar work layers effect upon effect, the original signal long buried under processing that sounds chaotic but follows internal logic. The rhythm section provides anchor points — you can dance to this if you let your body find the pulse beneath the storm. Many do, heads nodding to beats they feel rather than hear clearly.\n\nThe crowd at APTBS shows self-selects for intensity. These are listeners who've found their way to music's edges, who understand that loud and beautiful aren't mutually exclusive. Earplugs appear throughout the room — not signs of weakness but acknowledgment of what's coming. The conversations between songs are shouted, the silence when the band starts is collective surrender.\n\nIf you need lyrical clarity or dynamic range in the conventional sense, A Place To Bury Strangers will bury your expectations under noise. The volume stays high, the approach stays uncompromising. But if you've been hunting for music that operates at the border between sound and sensation — Gazarte's Ground Stage holds this particular intensity.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:30 |\n| **Music** | 21:30 |\n| **Venue** | Gazarte Ground Stage, Voutadon Street, Gazi |\n| **Getting there** | Kerameikos Metro, 5 min walk |\n| **Price** | Check more.com |\n| **Bring** | Earplugs |\n\nA Place To Bury Strangers — noise as a form of meditation.",
      "fullDescriptionGr": "The feedback starts before you find the bar. Sheets of guitar noise crash against the walls of Gazarte's Ground Stage, the sound physical before it becomes musical. You've walked into a room where three people are making enough noise for an orchestra, and somehow it all coheres into something beautiful. A Place To Bury Strangers is teaching Athens about controlled destruction.\n\nThe Brooklyn trio has spent two decades refining the art of beautiful noise. Since 2003, Oliver Ackermann and company have been building walls of sound that tower and collapse, melodies buried under distortion that gradually reveal themselves to the patient listener. Their reputation as \"the loudest band in New York\" isn't marketing — it's a physical reality that Gazarte's Ground Stage is about to verify.\n\nThe venue's basement configuration suits this music perfectly. The low ceiling contains the noise, creates the compression that makes APTBS shows feel immersive rather than merely loud. The Ground Stage has hosted enough volume to know what it's doing. Tonight it earns its specifications.\n\nNoise rock operates in the space between intention and accident. Ackermann's guitar work layers effect upon effect, the original signal long buried under processing that sounds chaotic but follows internal logic. The rhythm section provides anchor points — you can dance to this if you let your body find the pulse beneath the storm. Many do, heads nodding to beats they feel rather than hear clearly.\n\nThe crowd at APTBS shows self-selects for intensity. These are listeners who've found their way to music's edges, who understand that loud and beautiful aren't mutually exclusive. Earplugs appear throughout the room — not signs of weakness but acknowledgment of what's coming. The conversations between songs are shouted, the silence when the band starts is collective surrender.\n\nIf you need lyrical clarity or dynamic range in the conventional sense, A Place To Bury Strangers will bury your expectations under noise. The volume stays high, the approach stays uncompromising. But if you've been hunting for music that operates at the border between sound and sensation — Gazarte's Ground Stage holds this particular intensity.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:30 |\n| **Music** | 21:30 |\n| **Venue** | Gazarte Ground Stage, Voutadon Street, Gazi |\n| **Getting there** | Kerameikos Metro, 5 min walk |\n| **Price** | Check more.com |\n| **Bring** | Earplugs |\n\nA Place To Bury Strangers — noise as a form of meditation.",
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      "title": "FM – 40 Years of “Indiscreet”, Live in Athens",
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      "fullDescription": "The keyboards shimmer in that specific way that marks 1986 as clearly as a timestamp. You hear it and you're somewhere else — driving at night, the city lights streaking past, the radio finally playing what your heart needed. Kyttaro prepares for FM, and the room fills with people who've been waiting forty years for this evening.\n\n\"Indiscreet\" turns forty. FM's second album landed in a world that was ready for its particular blend of melodic rock and sophisticated production. Songs like \"Bad Luck,\" \"That Girl,\" and the title track became radio staples in markets where AOR still ruled. Tonight's performance celebrates that record's anniversary with the focus it deserves — a full album performance plus deep cuts that reward devoted fans.\n\nKyttaro Live Club provides the historically appropriate setting. This room — Athens' \"mecca of Greek rock,\" recently restored with purpose-built sound — has hosted legends since the Hendrix era. Its 800-capacity creates intimacy without losing the power these songs require. The sound system handles AOR's specific demands — the layered keyboards, the guitar harmonies, the production values that made this music shimmer.\n\nFM in 2026 carries the weight of survival. The band that emerged from Steve Howe's Asia connections has outlasted genre trends, lineup changes, and industry indifference to remain working, touring, still believing in what they do. Tonight's performance offers both nostalgia and proof of ongoing vitality — the songs sound like themselves, the delivery carries decades of road-tested expertise.\n\nThe crowd knows every word. These are the listeners who kept \"Indiscreet\" in rotation when fashion moved elsewhere, who found the album in record bins or discovered it through parents' collections. Conversations before the show swap stories about first encounters with the record, debate favorite deep cuts, establish the shared context that makes celebrations like this meaningful.\n\nIf you need contemporary sounds or ironic distance from 80s production values, FM will challenge your positioning. This is unabashed AOR, committed to the premise that melody and sophistication aren't opposites. But if you've been waiting to hear \"Indiscreet\" performed complete by the artists who made it — Kyttaro hosts this anniversary.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:00 |\n| **Music** | 21:00 |\n| **Venue** | Kyttaro Live Club, Ipeirou 48, near Viktoria Square |\n| **Getting there** | Victoria Metro, then walk/taxi |\n| **Capacity** | 800+ |\n| **Special** | 40th Anniversary of \"Indiscreet\" |\n| **Price** | Check venue |\n\nFM celebrates \"Indiscreet\" at 40 — the album that proved sophistication could rock.",
      "fullDescriptionEn": "The keyboards shimmer in that specific way that marks 1986 as clearly as a timestamp. You hear it and you're somewhere else — driving at night, the city lights streaking past, the radio finally playing what your heart needed. Kyttaro prepares for FM, and the room fills with people who've been waiting forty years for this evening.\n\n\"Indiscreet\" turns forty. FM's second album landed in a world that was ready for its particular blend of melodic rock and sophisticated production. Songs like \"Bad Luck,\" \"That Girl,\" and the title track became radio staples in markets where AOR still ruled. Tonight's performance celebrates that record's anniversary with the focus it deserves — a full album performance plus deep cuts that reward devoted fans.\n\nKyttaro Live Club provides the historically appropriate setting. This room — Athens' \"mecca of Greek rock,\" recently restored with purpose-built sound — has hosted legends since the Hendrix era. Its 800-capacity creates intimacy without losing the power these songs require. The sound system handles AOR's specific demands — the layered keyboards, the guitar harmonies, the production values that made this music shimmer.\n\nFM in 2026 carries the weight of survival. The band that emerged from Steve Howe's Asia connections has outlasted genre trends, lineup changes, and industry indifference to remain working, touring, still believing in what they do. Tonight's performance offers both nostalgia and proof of ongoing vitality — the songs sound like themselves, the delivery carries decades of road-tested expertise.\n\nThe crowd knows every word. These are the listeners who kept \"Indiscreet\" in rotation when fashion moved elsewhere, who found the album in record bins or discovered it through parents' collections. Conversations before the show swap stories about first encounters with the record, debate favorite deep cuts, establish the shared context that makes celebrations like this meaningful.\n\nIf you need contemporary sounds or ironic distance from 80s production values, FM will challenge your positioning. This is unabashed AOR, committed to the premise that melody and sophistication aren't opposites. But if you've been waiting to hear \"Indiscreet\" performed complete by the artists who made it — Kyttaro hosts this anniversary.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:00 |\n| **Music** | 21:00 |\n| **Venue** | Kyttaro Live Club, Ipeirou 48, near Viktoria Square |\n| **Getting there** | Victoria Metro, then walk/taxi |\n| **Capacity** | 800+ |\n| **Special** | 40th Anniversary of \"Indiscreet\" |\n| **Price** | Check venue |\n\nFM celebrates \"Indiscreet\" at 40 — the album that proved sophistication could rock.",
      "fullDescriptionGr": "The keyboards shimmer in that specific way that marks 1986 as clearly as a timestamp. You hear it and you're somewhere else — driving at night, the city lights streaking past, the radio finally playing what your heart needed. Kyttaro prepares for FM, and the room fills with people who've been waiting forty years for this evening.\n\n\"Indiscreet\" turns forty. FM's second album landed in a world that was ready for its particular blend of melodic rock and sophisticated production. Songs like \"Bad Luck,\" \"That Girl,\" and the title track became radio staples in markets where AOR still ruled. Tonight's performance celebrates that record's anniversary with the focus it deserves — a full album performance plus deep cuts that reward devoted fans.\n\nKyttaro Live Club provides the historically appropriate setting. This room — Athens' \"mecca of Greek rock,\" recently restored with state-of-the-art sound — has hosted legends since the Hendrix era. Its 800-capacity creates intimacy without losing the power these songs require. The sound system handles AOR's specific demands — the layered keyboards, the guitar harmonies, the production values that made this music shimmer.\n\nFM in 2026 carries the weight of survival. The band that emerged from Steve Howe's Asia connections has outlasted genre trends, lineup changes, and industry indifference to remain working, touring, still believing in what they do. Tonight's performance offers both nostalgia and proof of ongoing vitality — the songs sound like themselves, the delivery carries decades of road-tested expertise.\n\nThe crowd knows every word. These are the listeners who kept \"Indiscreet\" in rotation when fashion moved elsewhere, who found the album in record bins or discovered it through parents' collections. Conversations before the show swap stories about first encounters with the record, debate favorite deep cuts, establish the shared context that makes celebrations like this meaningful.\n\nIf you need contemporary sounds or ironic distance from 80s production values, FM will challenge your positioning. This is unabashed AOR, committed to the premise that melody and sophistication aren't opposites. But if you've been waiting to hear \"Indiscreet\" performed complete by the artists who made it — Kyttaro hosts this anniversary.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:00 |\n| **Music** | 21:00 |\n| **Venue** | Kyttaro Live Club, Ipeirou 48, near Viktoria Square |\n| **Getting there** | Victoria Metro, then walk/taxi |\n| **Capacity** | 800+ |\n| **Special** | 40th Anniversary of \"Indiscreet\" |\n| **Price** | Check venue |\n\nFM celebrates \"Indiscreet\" at 40 — the album that proved sophistication could rock.",
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      "ticketUrl": "https://www.ticketservices.gr/event/14251/",
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      "type": "concert",
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        "name": "Ίλιον Plus",
        "address": "Kodrigktonos 17, Athens 104 34",
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      "url": "https://www.athinorama.gr/music/gig/kapten_-10081479/",
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        "name": "Underflow",
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      "source": "athinorama.gr",
      "createdAt": "2026-04-08 10:46:13",
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    {
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      "id": "6f42e62a5bb6f9ac",
      "title": "Shiny Darkness",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-18T21:00:00",
      "endDate": null,
      "type": "concert",
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      "venue": {
        "name": "Death Disco",
        "address": "Ogygou 16, Psyrri, Athens 105 54",
        "neighborhood": "Psyrri",
        "coordinates": {
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      },
      "price": {
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        "currency": "EUR",
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    },
    {
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      "id": "f00de8c3a941be37",
      "title": "Ο ουρανός κατακόκκινος στον γαλαξία της Αναγνωστάκη",
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      "startDate": "2026-04-18T21:00:00",
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      "title": "&#171;Black Music Revolution&#187;",
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      "startDate": "2026-04-18T21:30:00",
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      "type": "concert",
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      "venue": {
        "name": "Theatre Of The No",
        "address": "Bouboulinas 17-19, Athens 106 82",
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    {
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      "title": "Mizoki",
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      "startDate": "2026-04-18T21:30:00",
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      "type": "concert",
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      "venue": {
        "name": "Ορφέας Cafe Bar",
        "address": "Fokionos Negri 25, Athina 113 61",
        "neighborhood": "",
        "coordinates": {
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      "url": "https://www.athinorama.gr/music/gig/mizoki-10089798/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/mizoki-10089798/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-08 10:46:13",
      "updatedAt": "2026-04-15 12:12:34",
      "language": "en",
      "timeDoors": "21:30",
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    {
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      "@type": "MusicEvent",
      "id": "238582b80b710950",
      "title": "Η Κατερίνα Ντίνου στο Caja de Música",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-18T22:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Caja de Música",
        "address": "Sinopis 27 & Michalakopoulou, Athens 115 27",
        "neighborhood": "Ampelokipoi / Gkyzi",
        "coordinates": {
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      },
      "price": {
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        "amount": 12,
        "currency": "EUR",
        "range": "€12"
      },
      "url": "https://www.more.com/gr-el/tickets/music/i-katerina-ntinou-sto-caja-de-musica-6/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/i-katerina-ntinou-sto-caja-de-musica-6/",
      "source": "more.com",
      "createdAt": "2026-03-31 05:08:52",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "22:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/f0cf3b13-89e4-4e5c-8aac-55237fa51094/viva-tickets.png",
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    {
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      "@type": "MusicEvent",
      "id": "6bb9a736b2a31980",
      "title": "Roussos / Bonso / Datalogs",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-18T22:00:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
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      "tags": [],
      "venue": {
        "name": "B side Athens",
        "address": "Μπη Σάιντ, Μαυροκορδάτου",
        "neighborhood": "",
        "coordinates": {
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          "lon": 23.731955
        },
        "capacity": null
      },
      "price": {
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        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://ra.co/events/2416431",
      "ticketUrl": "https://ra.co/events/2416431",
      "source": "residentadvisor",
      "createdAt": "2026-04-14 14:12:29",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "22:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://images.ra.co/89bf9ae6fdd4f50b368e5fd04768ed37ae64fa9e.jpg",
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      "@type": "MusicEvent",
      "id": "78146f5e0114a785",
      "title": "Trashformers",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-18T22:25:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Fuzz Club",
        "address": "Patriarchou Ioakeim 1, Moschato, Athens",
        "neighborhood": "Tavros / Moschato",
        "coordinates": {
          "lat": 37.9545,
          "lon": 23.6905
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 8,
        "currency": "EUR",
        "range": "€8"
      },
      "url": "https://www.athinorama.gr/music/gig/trashformers-10037685/",
      "ticketUrl": "https://www.athinorama.gr/music/gig/trashformers-10037685/",
      "source": "athinorama.gr",
      "createdAt": "2026-04-07 11:26:09",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "22:25",
      "timeSource": "scraped_listing",
      "imageSource": "not_found",
      "permanentCollection": false,
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    },
    {
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      "@type": "MusicEvent",
      "id": "625992f903248ab6",
      "title": "JESSE DAVIS QUARTET",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-18T22:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "Half Note Jazz Club",
        "address": "17 Trivonianou Street, Athens 116 36",
        "neighborhood": "Mets",
        "coordinates": {
          "lat": 37.9661,
          "lon": 23.7463
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 25,
        "currency": "EUR",
        "range": "από €25"
      },
      "url": "https://www.halfnote.gr/event/jesse-davis-quartet-3/2026-04-18/",
      "ticketUrl": "https://www.halfnote.gr/event/jesse-davis-quartet-3/2026-04-18/",
      "source": "halfnote",
      "createdAt": "2026-03-24 06:24:47",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "22:30",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.halfnote.gr/wp-content/uploads/2026/03/more2-1.jpg",
      "imageSource": "backfill",
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      "permanentCollection": false,
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    },
    {
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      "@type": "MusicEvent",
      "id": "a674e355d898c595",
      "title": "Kaos London x Astron: Samuel Kerridge (live) + Sawf + Choronzon",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-18T23:00:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "Astron",
        "address": "Konstantinoupoleos 121, Athens 104 47",
        "neighborhood": "Kerameikos",
        "coordinates": {
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          "lon": 23.709
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 17,
        "currency": "EUR",
        "range": "€17"
      },
      "url": "https://www.clubber.gr/events/kaos-london-x-astron-samuel-kerridge-live-sawf-choronzon/",
      "ticketUrl": "https://www.clubber.gr/events/kaos-london-x-astron-samuel-kerridge-live-sawf-choronzon/",
      "source": "clubber.gr",
      "createdAt": "2026-04-08 10:46:13",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "23:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.clubber.gr/wp-content/uploads/2026/04/21-years-clubbergr.jpg",
      "imageSource": "backfill",
      "imageLocal": "/images/events/a674e355d898c595.webp",
      "permanentCollection": false,
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    },
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      "@type": "MusicEvent",
      "id": "d9fae714dde9f372",
      "title": "Barac + Miller",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-18T23:00:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "Dybbuk",
        "address": "Patriarchou Ioakim 37, Athina 105 62",
        "neighborhood": "",
        "coordinates": {
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          "lon": 23.744387
        },
        "capacity": null
      },
      "price": {
        "type": "door",
        "amount": 10,
        "currency": "EUR",
        "range": "€10-15"
      },
      "url": "https://www.clubber.gr/events/barac-miller/",
      "ticketUrl": "https://www.clubber.gr/events/barac-miller/",
      "source": "clubber.gr",
      "createdAt": "2026-04-08 10:46:13",
      "updatedAt": "2026-04-15 12:12:34",
      "language": "en",
      "timeDoors": "23:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.clubber.gr/wp-content/uploads/2026/04/21-years-clubbergr.jpg",
      "imageSource": "backfill",
      "imageLocal": "/images/events/d9fae714dde9f372.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
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      "@type": "MusicEvent",
      "id": "5efa8db9fdfc5e12",
      "title": "CLUB 5 ✮ IRL 1 YEAR ANNIVERSARY w/ pink.wav, AIEL, Miss Trouli, 555ivas ",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-04-18T23:00:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "Bios Ρομάντσο",
        "address": "Anaxagora 3, Athina 105 52",
        "neighborhood": "",
        "coordinates": {
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          "lon": 23.725872
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 8,
        "currency": "EUR",
        "range": "€8 - €10"
      },
      "url": "https://ra.co/events/2413710",
      "source": "residentadvisor",
      "createdAt": "2026-04-08 17:29:31",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "23:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://images.ra.co/8f211e3776ee8e1a877b4adf6bd807749936ad14.jpg",
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      "permanentCollection": false,
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      "id": "875f41549f40fc5a",
      "title": "VLCT Arena w/ CLOUDY-KUKO-JOHANNES SCHUSTER",
      "description": "",
      "fullDescription": "VLCT Arena is a hard techno event at Universe in Aigaleo, Athens, on 18 April 2026. The kick drum reaches your ribs before the acid line catches your ear.\n\nCloudy, KUKO, and Johannes Schuster all come from Cologne's Unreal and Adrenaline residency circuit — driving basslines, industrial textures, sequences that build across hours rather than tracks. Universe runs a main room and outdoor stage, and the room fills after midnight.\n\nIf you want conversation-volume music, this is not that night. If you want three DJs who share a city and a circuit bringing Cologne's warehouse sound to Athens, VLCT Arena is that transfer.\n\nDoors at 23:30. Tickets through more.com. Kifisou 87 — Egaleo metro is closest but taxi-required at this hour.",
      "fullDescriptionEn": "VLCT Arena is a hard techno event at Universe in Aigaleo, Athens, on 18 April 2026. The kick drum reaches your ribs before the acid line catches your ear.\n\nCloudy, KUKO, and Johannes Schuster all come from Cologne's Unreal and Adrenaline residency circuit — driving basslines, industrial textures, sequences that build across hours rather than tracks. Universe runs a main room and outdoor stage, and the room fills after midnight.\n\nIf you want conversation-volume music, this is not that night. If you want three DJs who share a city and a circuit bringing Cologne's warehouse sound to Athens, VLCT Arena is that transfer.\n\nDoors at 23:30. Tickets through more.com. Kifisou 87 — Egaleo metro is closest but taxi-required at this hour.",
      "fullDescriptionGr": "Το VLCT Arena είναι hard techno event στο Universe στο Αιγάλεω, Αθήνα, στις 18 Απριλίου 2026. Το kick drum φτάνει στα πλευρά πριν πιάσεις το acid line.\n\nCloudy, KUKO και Johannes Schuster — residents σε Unreal και Adrenaline στην Κολωνία — φέρνουν driving basslines, industrial textures και sequences που χτίζονται σε ώρες, όχι tracks. Κεντρικός χώρος και εξωτερική σκηνή. Γεμίζει μετά τα μεσάνυχτα.\n\nΑν θέλεις ήσυχο βράδυ, αυτό δεν είναι. Αν θέλεις τον ήχο της Κολωνίας σε αθηναϊκό warehouse, εδώ μεταφέρεται.\n\nΠόρτα 23:30. Εισιτήρια μέσω more.com. Κηφισού 87 — μετρό Αιγάλεω πιο κοντά, αλλά ταξί απαραίτητο τέτοια ώρα.",
      "hasNativeGreek": true,
      "startDate": "2026-04-18T23:30:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
        "electronic"
      ],
      "tags": [
        "Hard-techno",
        "Techno",
        "DJ-set",
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        "neighborhood": "Thiseio",
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        "address": "Leof. Kifisias 14, Athens 115 26",
        "neighborhood": "Ambelokipoi",
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