{ "filters": { "time": "tomorrow" }, "events": [ { "@context": "https://schema.org", "@type": "MusicEvent", "id": "6e8eef838d82fb14", "title": "Men in Exile", "description": "", "fullDescription": "Men in Exile is a concert at the Megaron Mousikis Teaching Hall in Ampelokipoi, Athens, on 16 April 2026. The trio — Panos Skouteris on clarinet, Thodoris Ziarkas on double bass, Manousos Klapakis on percussion — works between Greek traditional music and contemporary improvisation.\n\nTheir debut EP Exile I reimagines village tunes through jazz and modal frameworks. The group has toured the Netherlands, Belgium, and the Czech Republic.\n\nIf you want polished orchestral programming, this is three musicians and a hundred seats. The Teaching Hall sits inside the Megaron complex, accessible from Megaro Moussikis metro. Three instruments, one room — the scale is the point.", "fullDescriptionEn": "Men in Exile is a concert at the Megaron Mousikis Teaching Hall in Ampelokipoi, Athens, on 16 April 2026. The trio — Panos Skouteris on clarinet, Thodoris Ziarkas on double bass, Manousos Klapakis on percussion — works between Greek traditional music and contemporary improvisation.\n\nTheir debut EP Exile I reimagines village tunes through jazz and modal frameworks. The group has toured the Netherlands, Belgium, and the Czech Republic.\n\nIf you want polished orchestral programming, this is three musicians and a hundred seats. The Teaching Hall sits inside the Megaron complex, accessible from Megaro Moussikis metro. Three instruments, one room — the scale is the point.", "fullDescriptionGr": "Men in Exile is a concert at the Megaron Mousikis Teaching Hall in Ampelokipoi, Athens, on 16 April 2026. The trio — Panos Skouteris on clarinet, Thodoris Ziarkas on double bass, Manousos Klapakis on percussion — works between Greek traditional music and contemporary improvisation.\n\nTheir debut EP Exile I reimagines village tunes through jazz and modal frameworks. The group has toured the Netherlands, Belgium, and the Czech Republic.\n\nIf you want polished orchestral programming, this is three musicians and a hundred seats. The Teaching Hall sits inside the Megaron complex, accessible from Megaro Moussikis metro. Three instruments, one room — the scale is the point.", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "concert", "genres": [], "tags": [ "Greek-Traditional", "Experimental", "Jazz", "Ampelokipoi", "Intimate", "Listening-room", "Seated", "Concert-format", "Metro-accessible" ], "venue": { "name": "Αίθουσα Διδασκαλίας Μεγάρου Μουσικής", "address": "Megaro Mousikis, Athina 115 21", "neighborhood": "", "coordinates": { "lat": 37.981015, "lon": 23.754098 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/men_in_exile-10087959/", "ticketUrl": "https://www.athinorama.gr/music/gig/men_in_exile-10087959/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:12:34", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "ad3ab507bca6b5a3", "title": "Kassetas-Riniotis Duet ft. Ntolas", "description": "", "fullDescription": "Kassetas-Riniotis Duet ft. Ntolas is a free improvisation concert at Poetry Bar in Exarcheia, Athens, on 16 April 2026.\n\nYiannis Kassetas on saxophone and Simos Riniotis on drums build compositions of the moment — no setlist, no predetermined structure. Kassetas earned a Berklee scholarship at fifteen, holds three albums on the Puzzlemusik label, and has played every major jazz festival in Greece. Riniotis uses drums and small objects to build soundscapes, with credits at the Onassis Foundation and Aarhus Jazz Festival. Guitarist Vyronas Ntolas joins as guest.\n\nPoetry Bar is at Soultani 4 — a small room where the improvisers are close enough that you watch the decisions pass between them in real time.\n", "fullDescriptionEn": "Kassetas-Riniotis Duet ft. Ntolas is a free improvisation concert at Poetry Bar in Exarcheia, Athens, on 16 April 2026.\n\nYiannis Kassetas on saxophone and Simos Riniotis on drums build compositions of the moment — no setlist, no predetermined structure. Kassetas earned a Berklee scholarship at fifteen, holds three albums on the Puzzlemusik label, and has played every major jazz festival in Greece. Riniotis uses drums and small objects to build soundscapes, with credits at the Onassis Foundation and Aarhus Jazz Festival. Guitarist Vyronas Ntolas joins as guest.\n\nPoetry Bar is at Soultani 4 — a small room where the improvisers are close enough that you watch the decisions pass between them in real time.\n", "fullDescriptionGr": "Kassetas-Riniotis Duet ft. Ntolas is a free improvisation concert at Poetry Bar in Exarcheia, Athens, on 16 April 2026.\n\nYiannis Kassetas on saxophone and Simos Riniotis on drums build compositions of the moment — no setlist, no predetermined structure. Kassetas earned a Berklee scholarship at fifteen, holds three albums on the Puzzlemusik label, and has played every major jazz festival in Greece. Riniotis uses drums and small objects to build soundscapes, with credits at the Onassis Foundation and Aarhus Jazz Festival. Guitarist Vyronas Ntolas joins as guest.\n\nPoetry Bar is at Soultani 4 — a small room where the improvisers are close enough that you watch the decisions pass between them in real time.\n", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "concert", "genres": [], "tags": [ "Free-improvisation", "Jazz", "Saxophone", "Drums", "Guitar", "Experimental", "Exarcheia", "Intimate", "Small-venue", "Solo-friendly" ], "venue": { "name": "Poetry Bar", "address": "Poetry bar, 2-4", "neighborhood": "", "coordinates": { "lat": 37.985952, "lon": 23.733488 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/kassetas_riniotis_duet_ft_ntolas-10089804/", "ticketUrl": "https://www.athinorama.gr/music/gig/kassetas_riniotis_duet_ft_ntolas-10089804/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-14 14:12:29", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "Festival", "id": "932bd97aa7bd6fca", "title": "39ο Διεθνές Φεστιβάλ Κιθάρας Αθηνών", "description": "", "fullDescription": "The 39th Athens International Guitar Festival runs 16-19 April 2026 at the Athens Conservatoire in Kolonaki, bringing four days of classical, flamenco, and gypsy jazz guitar to a Bauhaus landmark designed by Ioannis Despotopoulos. You walk through a 160-metre facade into halls where the acoustics were shaped for unamplified strings — and for thirty-nine years, the festival founded by Kostas Kotsiolidis has filled them.\n\nThe lineup spans continents and traditions. Opening night pairs two Italian duets: Aniello and Gennaro Desiderio on guitar and violin, Giampaolo Bandini and Cesare Chiacchiaretta on guitar and bandoneon. Friday brings solo recitals by Michalis Sourvinos and Vojin Kocic. Saturday belongs to flamenco and gypsy jazz — Grisha Goryachev followed by the Rosenberg Trio, with Stochelo and Mozes Rosenberg joined by Matheus Nikolaiewsky. The festival closes Sunday with three afternoon recitals and an evening finale: Project Rodrigo, performing three Joaquin Rodrigo concertos with soloists and the Underground Youth Orchestra conducted by Costas Eliades.\n\nThe setting is the Conservatoire's two concert halls — the Aris Garoufalis Hall for intimate recitals, the larger I. Despotopoulos Hall for ensemble evenings. The vibe runs closer to attentive listening than festival energy. The sound is acoustic, unamplified, shaped by the rooms themselves. The door is open to anyone with a ticket.\n\nYou will share these halls with classical guitar devotees who track performers across European festival circuits, conservatory students taking notes, and the particular species of listener who closes their eyes when a flamenco passage accelerates.\n\nIf you want amplified music and a standing crowd, this is not the room. But if you want to hear what a guitar can do when nothing stands between the instrument and the architecture, the Conservatoire was built for this conversation.\n\nThe Athens Conservatoire is on Rigillis and Vasileos Georgiou, a ten-minute walk from Evangelismos metro. Tickets EUR 10-30 through Ticketmaster. Individual concerts carry separate pricing — the opening night on 16 April at 19:30 is EUR 25.\n\nThirty-nine years. The same building. The guitar keeps finding new things to say in it.", "fullDescriptionEn": "The 39th Athens International Guitar Festival runs 16-19 April 2026 at the Athens Conservatoire in Kolonaki, bringing four days of classical, flamenco, and gypsy jazz guitar to a Bauhaus landmark designed by Ioannis Despotopoulos. You walk through a 160-metre facade into halls where the acoustics were shaped for unamplified strings — and for thirty-nine years, the festival founded by Kostas Kotsiolidis has filled them.\n\nThe lineup spans continents and traditions. Opening night pairs two Italian duets: Aniello and Gennaro Desiderio on guitar and violin, Giampaolo Bandini and Cesare Chiacchiaretta on guitar and bandoneon. Friday brings solo recitals by Michalis Sourvinos and Vojin Kocic. Saturday belongs to flamenco and gypsy jazz — Grisha Goryachev followed by the Rosenberg Trio, with Stochelo and Mozes Rosenberg joined by Matheus Nikolaiewsky. The festival closes Sunday with three afternoon recitals and an evening finale: Project Rodrigo, performing three Joaquin Rodrigo concertos with soloists and the Underground Youth Orchestra conducted by Costas Eliades.\n\nThe setting is the Conservatoire's two concert halls — the Aris Garoufalis Hall for intimate recitals, the larger I. Despotopoulos Hall for ensemble evenings. The vibe runs closer to attentive listening than festival energy. The sound is acoustic, unamplified, shaped by the rooms themselves. The door is open to anyone with a ticket.\n\nYou will share these halls with classical guitar devotees who track performers across European festival circuits, conservatory students taking notes, and the particular species of listener who closes their eyes when a flamenco passage accelerates.\n\nIf you want amplified music and a standing crowd, this is not the room. But if you want to hear what a guitar can do when nothing stands between the instrument and the architecture, the Conservatoire was built for this conversation.\n\nThe Athens Conservatoire is on Rigillis and Vasileos Georgiou, a ten-minute walk from Evangelismos metro. Tickets EUR 10-30 through Ticketmaster. Individual concerts carry separate pricing — the opening night on 16 April at 19:30 is EUR 25.\n\nThirty-nine years. The same building. The guitar keeps finding new things to say in it.", "fullDescriptionGr": "The 39th Athens International Guitar Festival runs 16-19 April 2026 at the Athens Conservatoire in Kolonaki, bringing four days of classical, flamenco, and gypsy jazz guitar to a Bauhaus landmark designed by Ioannis Despotopoulos. You walk through a 160-metre facade into halls where the acoustics were shaped for unamplified strings — and for thirty-nine years, the festival founded by Kostas Kotsiolidis has filled them.\n\nThe lineup spans continents and traditions. Opening night pairs two Italian duets: Aniello and Gennaro Desiderio on guitar and violin, Giampaolo Bandini and Cesare Chiacchiaretta on guitar and bandoneon. Friday brings solo recitals by Michalis Sourvinos and Vojin Kocic. Saturday belongs to flamenco and gypsy jazz — Grisha Goryachev followed by the Rosenberg Trio, with Stochelo and Mozes Rosenberg joined by Matheus Nikolaiewsky. The festival closes Sunday with three afternoon recitals and an evening finale: Project Rodrigo, performing three Joaquin Rodrigo concertos with soloists and the Underground Youth Orchestra conducted by Costas Eliades.\n\nThe setting is the Conservatoire's two concert halls — the Aris Garoufalis Hall for intimate recitals, the larger I. Despotopoulos Hall for ensemble evenings. The vibe runs closer to attentive listening than festival energy. The sound is acoustic, unamplified, shaped by the rooms themselves. The door is open to anyone with a ticket.\n\nYou will share these halls with classical guitar devotees who track performers across European festival circuits, conservatory students taking notes, and the particular species of listener who closes their eyes when a flamenco passage accelerates.\n\nIf you want amplified music and a standing crowd, this is not the room. But if you want to hear what a guitar can do when nothing stands between the instrument and the architecture, the Conservatoire was built for this conversation.\n\nThe Athens Conservatoire is on Rigillis and Vasileos Georgiou, a ten-minute walk from Evangelismos metro. Tickets EUR 10-30 through Ticketmaster. Individual concerts carry separate pricing — the opening night on 16 April at 19:30 is EUR 25.\n\nThirty-nine years. The same building. The guitar keeps finding new things to say in it.", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "festival", "genres": [], "tags": [ "Classical", "World", "Kolonaki", "Historic", "Seated", "Multi-day", "Music-heads", "Metro-accessible" ], "venue": { "name": "Ωδείο Αθηνών", "address": "Rigillis & Vasileos Georgiou B' 17-19, Athens 106 75", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.753 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10 - €31" }, "url": "https://www.athinorama.gr/music/gig/39o_diethnes_festibal_kitharas_athinon-10089805/", "ticketUrl": "https://www.athinorama.gr/music/gig/39o_diethnes_festibal_kitharas_athinon-10089805/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 13:24:38", "language": "en", "timeDoors": "19:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "9edfbaa6d7703bdb", "title": "Αρχιμάστορας Σόλνες", "description": "Εως 2026-05-10", "fullDescription": "Archimastoras Solnes is a production of Henrik Ibsen's The Master Builder at Theatro Technis in central Athens, running 16 April to 10 May 2026. You descend to the Ypogheio — the basement stage at Pesmazoglou 5 — and an architect starts dismantling his own certainties.\n\nDirected by K. Aspiotis, with K. Dandoulaki and Th. Grampsas leading the cast, the production centres on Halvard Solness: a builder who abandoned towers for houses, ambition for safety, until a young woman named Hilda arrives and asks why he stopped climbing. Ibsen wrote Solness at sixty-four, mapping his own anxiety about younger rivals onto a man terrified of the generation rising behind him.\n\nIf you want spectacle and elaborate staging, the Ypogheio trades scale for proximity — the actors' choices are visible at arm's length. If you want a ninety-minute study of ambition corroding from inside, this is Ibsen at his most compressed.\n\nTickets from EUR 13. The Ypogheio is at Pesmazoglou 5, central Athens.\n\nAt sixty-four, Ibsen climbed into Solness and never fully climbed back out.", "fullDescriptionEn": "Archimastoras Solnes is a production of Henrik Ibsen's The Master Builder at Theatro Technis in central Athens, running 16 April to 10 May 2026. You descend to the Ypogheio — the basement stage at Pesmazoglou 5 — and an architect starts dismantling his own certainties.\n\nDirected by K. Aspiotis, with K. Dandoulaki and Th. Grampsas leading the cast, the production centres on Halvard Solness: a builder who abandoned towers for houses, ambition for safety, until a young woman named Hilda arrives and asks why he stopped climbing. Ibsen wrote Solness at sixty-four, mapping his own anxiety about younger rivals onto a man terrified of the generation rising behind him.\n\nIf you want spectacle and elaborate staging, the Ypogheio trades scale for proximity — the actors' choices are visible at arm's length. If you want a ninety-minute study of ambition corroding from inside, this is Ibsen at his most compressed.\n\nTickets from EUR 13. The Ypogheio is at Pesmazoglou 5, central Athens.\n\nAt sixty-four, Ibsen climbed into Solness and never fully climbed back out.", "fullDescriptionGr": "Archimastoras Solnes is a production of Henrik Ibsen's The Master Builder at Theatro Technis in central Athens, running 16 April to 10 May 2026. You descend to the Ypogheio — the basement stage at Pesmazoglou 5 — and an architect starts dismantling his own certainties.\n\nDirected by K. Aspiotis, with K. Dandoulaki and Th. Grampsas leading the cast, the production centres on Halvard Solness: a builder who abandoned towers for houses, ambition for safety, until a young woman named Hilda arrives and asks why he stopped climbing. Ibsen wrote Solness at sixty-four, mapping his own anxiety about younger rivals onto a man terrified of the generation rising behind him.\n\nIf you want spectacle and elaborate staging, the Ypogheio trades scale for proximity — the actors' choices are visible at arm's length. If you want a ninety-minute study of ambition corroding from inside, this is Ibsen at his most compressed.\n\nTickets from EUR 13. The Ypogheio is at Pesmazoglou 5, central Athens.\n\nAt sixty-four, Ibsen climbed into Solness and never fully climbed back out.", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "theater", "genres": [], "tags": [ "Drama", "Intimate", "Black-box-theater", "Historic", "Theater-regulars", "Seated", "Metro-accessible", "Greek-language" ], "venue": { "name": "Θέατρο Τέχνης", "address": "Θέατρο Τέχνης \"Κάρολος Κουν\", 14", "neighborhood": "", "coordinates": { "lat": 37.970104, "lon": 23.73057 }, "capacity": null }, "price": { "type": "paid", "amount": 13, "currency": "EUR", "range": "€13" }, "url": "https://www.athinorama.gr/theatre/performance/arximastoras_solnes-10089829/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/arximastoras_solnes-10089829/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 13:24:10", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/f3/f3d3b2870da74be4bc10d3aba5e2d679.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/9edfbaa6d7703bdb.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "ef6b199cbe204bb5", "title": "O θάνατος ενός ηθοποιού", "description": "Εως 2026-04-30", "fullDescription": "O thanatos enos ithopoiou is a theater production at PLYFA in Votanikos, Athens, premiering 16 April 2026 and running through 30 April. You enter a converted factory at Koritsas 39 — the former Athens Knitting-Weaving Works — and Chekhov's civil servant resurfaces as an actor dying by a different mechanism.\n\nDulcinea Compania, directed by An.-M. Iakovnou and K. Chatzigeorgiou, adapts Chekhov's short story \"The Death of a Civil Servant\" and weaves in two more — \"The Pianist\" and \"In the Cemetery.\" The transposition from clerk to actor sharpens the original question: does a person expire when their value depends entirely on who is watching?\n\nIf you want polished production values and a proscenium frame, PLYFA is a raw industrial space where audience and performers share the same room. If you want Chekhov stripped to framework, the factory walls do half the work.\n\nTickets EUR 14, reduced EUR 10. PLYFA is at Koritsas 39, Votanikos.\n\nChekhov wrote the civil servant's death in three pages. This company needs seventy minutes and a factory floor.", "fullDescriptionEn": "O thanatos enos ithopoiou is a theater production at PLYFA in Votanikos, Athens, premiering 16 April 2026 and running through 30 April. You enter a converted factory at Koritsas 39 — the former Athens Knitting-Weaving Works — and Chekhov's civil servant resurfaces as an actor dying by a different mechanism.\n\nDulcinea Compania, directed by An.-M. Iakovnou and K. Chatzigeorgiou, adapts Chekhov's short story \"The Death of a Civil Servant\" and weaves in two more — \"The Pianist\" and \"In the Cemetery.\" The transposition from clerk to actor sharpens the original question: does a person expire when their value depends entirely on who is watching?\n\nIf you want polished production values and a proscenium frame, PLYFA is a raw industrial space where audience and performers share the same room. If you want Chekhov stripped to framework, the factory walls do half the work.\n\nTickets EUR 14, reduced EUR 10. PLYFA is at Koritsas 39, Votanikos.\n\nChekhov wrote the civil servant's death in three pages. This company needs seventy minutes and a factory floor.", "fullDescriptionGr": "O thanatos enos ithopoiou is a theater production at PLYFA in Votanikos, Athens, premiering 16 April 2026 and running through 30 April. You enter a converted factory at Koritsas 39 — the former Athens Knitting-Weaving Works — and Chekhov's civil servant resurfaces as an actor dying by a different mechanism.\n\nDulcinea Compania, directed by An.-M. Iakovnou and K. Chatzigeorgiou, adapts Chekhov's short story \"The Death of a Civil Servant\" and weaves in two more — \"The Pianist\" and \"In the Cemetery.\" The transposition from clerk to actor sharpens the original question: does a person expire when their value depends entirely on who is watching?\n\nIf you want polished production values and a proscenium frame, PLYFA is a raw industrial space where audience and performers share the same room. If you want Chekhov stripped to framework, the factory walls do half the work.\n\nTickets EUR 14, reduced EUR 10. PLYFA is at Koritsas 39, Votanikos.\n\nChekhov wrote the civil servant's death in three pages. This company needs seventy minutes and a factory floor.", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "theater", "genres": [], "tags": [ "Drama", "Industrial-chic", "Raw", "Intimate", "Theater-regulars", "Seated", "Greek-language" ], "venue": { "name": "ΠΛΥΦΑ", "address": "Korytsas 39, Athens 104 47", "neighborhood": "Votanikos", "coordinates": { "lat": 37.9773, "lon": 23.7013 }, "capacity": null }, "price": { "type": "paid", "amount": 14, "currency": "EUR", "range": "€14" }, "url": "https://www.athinorama.gr/theatre/performance/o_thanatos_enos_ithopoiou-10089780/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/o_thanatos_enos_ithopoiou-10089780/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 13:24:10", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/54/5451c44866574ec9bc4e3140db3fbdb4.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/ef6b199cbe204bb5.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "fd17be055069bbf3", "title": "Κουκλίτσα", "description": "", "fullDescription": "Ibsen called it A Doll's House. Maria Panourgia calls it Kouklitsa — Little Doll — and stages it at the National Theatre's Nikos Kourkoulos Stage in central Athens, premiering 16 April 2026 and running through 24 May.\n\nPanourgia approaches the text as a near-metaphysical visit to one of world drama's most famous interiors. The realism fractures. Dark corners surface, awkward pauses stretch, and the characters say things Ibsen left between the lines — all delivered with caustic humour inside the Ernst Ziller-designed building on Agiou Konstantinou.\n\nIf you want a faithful period staging, this production breaks faith with convention on purpose. If you want a director who cracks the furniture to see what Nora hid underneath, Panourgia has the tools.\n\nThe National Theatre is accessible by metro from Omonia. Tickets €5–22. English surtitles on select performances. Shows Wednesday and Sunday at 19:00, Thursday through Saturday at 20:30. Ibsen wrote the door slam in 1879 and audiences have not stopped arguing about it since.", "fullDescriptionEn": "Ibsen called it A Doll's House. Maria Panourgia calls it Kouklitsa — Little Doll — and stages it at the National Theatre's Nikos Kourkoulos Stage in central Athens, premiering 16 April 2026 and running through 24 May.\n\nPanourgia approaches the text as a near-metaphysical visit to one of world drama's most famous interiors. The realism fractures. Dark corners surface, awkward pauses stretch, and the characters say things Ibsen left between the lines — all delivered with caustic humour inside the Ernst Ziller-designed building on Agiou Konstantinou.\n\nIf you want a faithful period staging, this production breaks faith with convention on purpose. If you want a director who cracks the furniture to see what Nora hid underneath, Panourgia has the tools.\n\nThe National Theatre is accessible by metro from Omonia. Tickets €5–22. English surtitles on select performances. Shows Wednesday and Sunday at 19:00, Thursday through Saturday at 20:30. Ibsen wrote the door slam in 1879 and audiences have not stopped arguing about it since.", "fullDescriptionGr": "Ibsen called it A Doll's House. Maria Panourgia calls it Kouklitsa — Little Doll — and stages it at the National Theatre's Nikos Kourkoulos Stage in central Athens, premiering 16 April 2026 and running through 24 May.\n\nPanourgia approaches the text as a near-metaphysical visit to one of world drama's most famous interiors. The realism fractures. Dark corners surface, awkward pauses stretch, and the characters say things Ibsen left between the lines — all delivered with caustic humour inside the Ernst Ziller-designed building on Agiou Konstantinou.\n\nIf you want a faithful period staging, this production breaks faith with convention on purpose. If you want a director who cracks the furniture to see what Nora hid underneath, Panourgia has the tools.\n\nThe National Theatre is accessible by metro from Omonia. Tickets €5–22. English surtitles on select performances. Shows Wednesday and Sunday at 19:00, Thursday through Saturday at 20:30. Ibsen wrote the door slam in 1879 and audiences have not stopped arguing about it since.", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "theater", "genres": [], "tags": [ "Drama", "Historic", "Theater-regulars", "Mixed-ages", "Seated", "Metro-accessible", "Subtitled" ], "venue": { "name": "Εθνικό Θέατρο", "address": "Agiou Konstantinou 22-24, Athens 104 37", "neighborhood": "Omonia", "coordinates": { "lat": 37.9848, "lon": 23.7252 }, "capacity": null }, "price": { "type": "paid", "amount": 5, "currency": "EUR", "range": "€5 - €22" }, "url": "https://www.athinorama.gr/theatre/performance/kouklitsa-10089806/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/kouklitsa-10089806/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 13:43:15", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/8a/8a301e177d494fbe81b144202d384540.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/fd17be055069bbf3.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "af299bbd9ab94636", "title": "Godspeed You! Black Emperor 2026", "description": "16 Απριλιου Godspeed You! Black Emperor 2026 Floyd", "fullDescription": "The drones build for what feels like years. Guitars layer on guitars, each adding density until the room becomes more sound than air. You're inside the music now, swallowed by frequencies that operate below conscious hearing. Floyd's sound system strains and delivers, the walls vibrating with intention. Godspeed You! Black Emperor is happening to you.\n\nThe Montreal collective has spent three decades creating music that refuses categorization. Post-rock doesn't quite cover it. Instrumental doesn't capture the narrative arc. Film scores without films approaches the territory but misses the politics, the anger, the hope buried in the noise. GY!BE builds compositions the way architects build cathedrals — slowly, with intention, designed to outlast the moment of their creation.\n\nFloyd venue handles the scale this music demands. The room's two thousand capacity fills with listeners who understand they're not here for songs but movements, not tracks but experiences. The band performs in near darkness, their faces often obscured, ego subsumed into collective creation. Visuals accompany but never dominate — fragments of film loops, projected words, images that reinforce rather than illustrate.\n\nThe 2026 tour brings whatever the band is exploring now to Athens. Expect pieces from across the catalog — the surging crescendos of Lift Your Skinny Fists, the slow-burning tension of F# A# Infinity, newer material that continues the evolution. But expect also the experience of transition, the way GY!BE moves between passages with patience that most bands would fear.\n\nThe crowd at Godspeed shows shares particular characteristics. These are listeners who've found their way to the edges of guitar music, who've followed the threads from rock to its most abstract expressions. Many stand with eyes closed, the visual secondary to the physical experience of sound. When the crescendos finally arrive — and they always arrive — the release is collective, cathartic.\n\nIf you need conventional song structure or music that respects running time, Godspeed will test your conditioning. Sets often exceed two hours. Patience is required and rewarded. But if you've been searching for live music that functions as ritual, for collective sonic experience that leaves you changed — Floyd holds this particular temple.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, April 16, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:30 |\n| **Venue** | Floyd Live Music Venue, Pireos 117, Gazi |\n| **Getting there** | Kerameikos Metro |\n| **Capacity** | 2,000+ |\n| **Duration** | Expect 2+ hours |\n| **Price** | Check more.com |\n\nGodspeed You! Black Emperor — where rock becomes ritual.", "fullDescriptionEn": "The drones build for what feels like years. Guitars layer on guitars, each adding density until the room becomes more sound than air. You're inside the music now, swallowed by frequencies that operate below conscious hearing. Floyd's sound system strains and delivers, the walls vibrating with intention. Godspeed You! Black Emperor is happening to you.\n\nThe Montreal collective has spent three decades creating music that refuses categorization. Post-rock doesn't quite cover it. Instrumental doesn't capture the narrative arc. Film scores without films approaches the territory but misses the politics, the anger, the hope buried in the noise. GY!BE builds compositions the way architects build cathedrals — slowly, with intention, designed to outlast the moment of their creation.\n\nFloyd venue handles the scale this music demands. The room's two thousand capacity fills with listeners who understand they're not here for songs but movements, not tracks but experiences. The band performs in near darkness, their faces often obscured, ego subsumed into collective creation. Visuals accompany but never dominate — fragments of film loops, projected words, images that reinforce rather than illustrate.\n\nThe 2026 tour brings whatever the band is exploring now to Athens. Expect pieces from across the catalog — the surging crescendos of Lift Your Skinny Fists, the slow-burning tension of F# A# Infinity, newer material that continues the evolution. But expect also the experience of transition, the way GY!BE moves between passages with patience that most bands would fear.\n\nThe crowd at Godspeed shows shares particular characteristics. These are listeners who've found their way to the edges of guitar music, who've followed the threads from rock to its most abstract expressions. Many stand with eyes closed, the visual secondary to the physical experience of sound. When the crescendos finally arrive — and they always arrive — the release is collective, cathartic.\n\nIf you need conventional song structure or music that respects running time, Godspeed will test your conditioning. Sets often exceed two hours. Patience is required and rewarded. But if you've been searching for live music that functions as ritual, for collective sonic experience that leaves you changed — Floyd holds this particular temple.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, April 16, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:30 |\n| **Venue** | Floyd Live Music Venue, Pireos 117, Gazi |\n| **Getting there** | Kerameikos Metro |\n| **Capacity** | 2,000+ |\n| **Duration** | Expect 2+ hours |\n| **Price** | Check more.com |\n\nGodspeed You! Black Emperor — where rock becomes ritual.", "fullDescriptionGr": "The drones build for what feels like years. Guitars layer on guitars, each adding density until the room becomes more sound than air. You're inside the music now, swallowed by frequencies that operate below conscious hearing. Floyd's sound system strains and delivers, the walls vibrating with intention. Godspeed You! Black Emperor is happening to you.\n\nThe Montreal collective has spent three decades creating music that refuses categorization. Post-rock doesn't quite cover it. Instrumental doesn't capture the narrative arc. Film scores without films approaches the territory but misses the politics, the anger, the hope buried in the noise. GY!BE builds compositions the way architects build cathedrals — slowly, with intention, designed to outlast the moment of their creation.\n\nFloyd venue handles the scale this music demands. The room's two thousand capacity fills with listeners who understand they're not here for songs but movements, not tracks but experiences. The band performs in near darkness, their faces often obscured, ego subsumed into collective creation. Visuals accompany but never dominate — fragments of film loops, projected words, images that reinforce rather than illustrate.\n\nThe 2026 tour brings whatever the band is exploring now to Athens. Expect pieces from across the catalog — the surging crescendos of Lift Your Skinny Fists, the slow-burning tension of F# A# Infinity, newer material that continues the evolution. But expect also the experience of transition, the way GY!BE moves between passages with patience that most bands would fear.\n\nThe crowd at Godspeed shows shares particular characteristics. These are listeners who've found their way to the edges of guitar music, who've followed the threads from rock to its most abstract expressions. Many stand with eyes closed, the visual secondary to the physical experience of sound. When the crescendos finally arrive — and they always arrive — the release is collective, cathartic.\n\nIf you need conventional song structure or music that respects running time, Godspeed will test your conditioning. Sets often exceed two hours. Patience is required and rewarded. But if you've been searching for live music that functions as ritual, for collective sonic experience that leaves you changed — Floyd holds this particular temple.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, April 16, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:30 |\n| **Venue** | Floyd Live Music Venue, Pireos 117, Gazi |\n| **Getting there** | Kerameikos Metro |\n| **Capacity** | 2,000+ |\n| **Duration** | Expect 2+ hours |\n| **Price** | Check more.com |\n\nGodspeed You! Black Emperor — where rock becomes ritual.", "hasNativeGreek": false, "startDate": "2026-04-16T20:00:00+03:00", "endDate": null, "type": "concert", "genres": [ "music" ], "tags": [], "venue": { "name": "Floyd", "address": "Πειραιώς 117", "neighborhood": "Keramikos / Metaxourgeio", "coordinates": { "lat": 37.9795, "lon": 23.718 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 39, "currency": "EUR", "range": "€39-€42" }, "url": "https://www.more.com/gr-el/tickets/music/godspeed-you-black-emperor-2026/", "ticketUrl": "https://www.viva.gr/gr-el/tickets/music/godspeed-you-black-emperor-2026/", "source": "more.com", "createdAt": "2026-01-19T23:07:36.324Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/6f36696f-6725-4f8a-bc82-6c092a3c0a71/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/af299bbd9ab94636.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "d5ce4186d296e600", "title": "Panos Alexiadis, Rooms In Negative & Ioannis Savvaidis", "description": "", "fullDescription": "A former TV repair workshop in Kipseli, run since 2012 by Fotini Banou and Dimitris Alexakis, hosts three sets of improvised sound. Panos Alexiadis is an Athens composer with releases on Rekem and B.A.A.D.M.; he runs the Thalamos tape label. Rooms In Negative is Andreas Ragnar Kasapis, working across sound and installation. Ioannis Savvaidis joins on composition and live interaction.\n\nIf you want structured pieces with recognizable changes, nothing here stands still. But if you want to hear three Athens practitioners work without a net, KET's room makes every dropped breath audible.\n\nKET sits at Kyprou 91A, Kipseli. Doors 20:30, tickets €10 via more.com. Three sets, one small room, one short night.", "fullDescriptionEn": "A former TV repair workshop in Kipseli, run since 2012 by Fotini Banou and Dimitris Alexakis, hosts three sets of improvised sound. Panos Alexiadis is an Athens composer with releases on Rekem and B.A.A.D.M.; he runs the Thalamos tape label. Rooms In Negative is Andreas Ragnar Kasapis, working across sound and installation. Ioannis Savvaidis joins on composition and live interaction.\n\nIf you want structured pieces with recognizable changes, nothing here stands still. But if you want to hear three Athens practitioners work without a net, KET's room makes every dropped breath audible.\n\nKET sits at Kyprou 91A, Kipseli. Doors 20:30, tickets €10 via more.com. Three sets, one small room, one short night.", "fullDescriptionGr": "A former TV repair workshop in Kipseli, run since 2012 by Fotini Banou and Dimitris Alexakis, hosts three sets of improvised sound. Panos Alexiadis is an Athens composer with releases on Rekem and B.A.A.D.M.; he runs the Thalamos tape label. Rooms In Negative is Andreas Ragnar Kasapis, working across sound and installation. Ioannis Savvaidis joins on composition and live interaction.\n\nIf you want structured pieces with recognizable changes, nothing here stands still. But if you want to hear three Athens practitioners work without a net, KET's room makes every dropped breath audible.\n\nKET sits at Kyprou 91A, Kipseli. Doors 20:30, tickets €10 via more.com. Three sets, one small room, one short night.", "hasNativeGreek": false, "startDate": "2026-04-16T20:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "Experimental", "Kypseli", "Intimate", "Underground", "Listening-room", "Music-heads", "Concert-format", "Seated" ], "venue": { "name": "Κέντρο Ελέγχου Τηλεοράσεων", "address": "Kyprou 91A & Sikinou 35A, Athens 113 64", "neighborhood": "Kypseli", "coordinates": { "lat": 38.002, "lon": 23.7325 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10" }, "url": "https://www.athinorama.gr/music/gig/panos_alexiadis_rooms_in_negative_kai_ioannis_savvaidis-10089750/", "ticketUrl": "https://www.athinorama.gr/music/gig/panos_alexiadis_rooms_in_negative_kai_ioannis_savvaidis-10089750/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "3052b2284de74873", "title": "Ο κήπος των επίγειων απολαύσεων", "description": "Εως 2026-04-21", "fullDescription": "Hieronymus Bosch painted The Garden of Earthly Delights in the early sixteenth century — a triptych where bodies twist between paradise and punishment. Spyros Kouvaras translates it into movement. O kipos ton epigeion apolauseon is a contemporary dance work by Synthesis 748 Dance Co. at Dimotiko Theatro Pirea, running 16–21 April 2026.\n\nKouvaras trained at the National Dance Centre of France and founded Synthesis 748 in Paris. The piece explores pleasure, desire, and intimacy through what the company calls kinetic gardens — bodies forming and dissolving boundaries between sacred and profane, nature and technology. The work runs fifty minutes and contains nudity.\n\nIf you want narrative dance with clear storylines, Bosch did not paint those. If you want bodies interpreting one of art history's most unsettling triptychs, this is the format.\n\nDimotiko Theatro Pirea is at Iroon Polytechniou in Piraeus, accessible by metro. Tickets €12–15. Shows at 20:30, Sunday at 19:00. Six performances only — a sixteenth-century garden made from living bodies inside an 1895 neoclassical theater.", "fullDescriptionEn": "Hieronymus Bosch painted The Garden of Earthly Delights in the early sixteenth century — a triptych where bodies twist between paradise and punishment. Spyros Kouvaras translates it into movement. O kipos ton epigeion apolauseon is a contemporary dance work by Synthesis 748 Dance Co. at Dimotiko Theatro Pirea, running 16–21 April 2026.\n\nKouvaras trained at the National Dance Centre of France and founded Synthesis 748 in Paris. The piece explores pleasure, desire, and intimacy through what the company calls kinetic gardens — bodies forming and dissolving boundaries between sacred and profane, nature and technology. The work runs fifty minutes and contains nudity.\n\nIf you want narrative dance with clear storylines, Bosch did not paint those. If you want bodies interpreting one of art history's most unsettling triptychs, this is the format.\n\nDimotiko Theatro Pirea is at Iroon Polytechniou in Piraeus, accessible by metro. Tickets €12–15. Shows at 20:30, Sunday at 19:00. Six performances only — a sixteenth-century garden made from living bodies inside an 1895 neoclassical theater.", "fullDescriptionGr": "Hieronymus Bosch painted The Garden of Earthly Delights in the early sixteenth century — a triptych where bodies twist between paradise and punishment. Spyros Kouvaras translates it into movement. O kipos ton epigeion apolauseon is a contemporary dance work by Synthesis 748 Dance Co. at Dimotiko Theatro Pirea, running 16–21 April 2026.\n\nKouvaras trained at the National Dance Centre of France and founded Synthesis 748 in Paris. The piece explores pleasure, desire, and intimacy through what the company calls kinetic gardens — bodies forming and dissolving boundaries between sacred and profane, nature and technology. The work runs fifty minutes and contains nudity.\n\nIf you want narrative dance with clear storylines, Bosch did not paint those. If you want bodies interpreting one of art history's most unsettling triptychs, this is the format.\n\nDimotiko Theatro Pirea is at Iroon Polytechniou in Piraeus, accessible by metro. Tickets €12–15. Shows at 20:30, Sunday at 19:00. Six performances only — a sixteenth-century garden made from living bodies inside an 1895 neoclassical theater.", "hasNativeGreek": false, "startDate": "2026-04-16T20:30:00", "endDate": null, "type": "theater", "genres": [], "tags": [ "Contemporary-Dance", "Physical-Theater", "Historic", "Art-crowd", "Seated", "Metro-accessible" ], "venue": { "name": "Δημοτικό Θέατρο Πειραιά", "address": "Iroon Polytechniou 32, Piraeus 185 35", "neighborhood": "Piraeus", "coordinates": { "lat": 37.9429, "lon": 23.647 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15" }, "url": "https://www.athinorama.gr/theatre/performance/o_kipos_ton_epigeion_apolauseon-10089817/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/o_kipos_ton_epigeion_apolauseon-10089817/", "source": "athinorama.gr", "createdAt": "2026-04-08 17:29:31", "updatedAt": "2026-04-15 13:43:15", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/91/91475e6b2c78493394d9bcce0b14dced.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/3052b2284de74873.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "395d804b3cdf9ecb", "title": "4ο Open Mic Challenge", "description": "", "fullDescription": "Open mic nights usually mean strangers playing cover songs. This one inverts the format: selected musicians present up to 45 minutes of their own original material, and the audience votes live for the performer they want to hear again. Theatre of the No, a ~100-seat room opposite City Hall that opened as Athens' first English-speaking theater, hosts the fourth edition.\n\nIf you want a pre-curated bill with familiar names, this is the opposite of that by design. But if you want to hear new Athens voices perform originals knowing the vote matters, the evening drops four sets onto one stage.\n\nTwo minutes from Syntagma metro. €5 entry, doors 21:00. Originals only, audience with the casting vote.", "fullDescriptionEn": "Open mic nights usually mean strangers playing cover songs. This one inverts the format: selected musicians present up to 45 minutes of their own original material, and the audience votes live for the performer they want to hear again. Theatre of the No, a ~100-seat room opposite City Hall that opened as Athens' first English-speaking theater, hosts the fourth edition.\n\nIf you want a pre-curated bill with familiar names, this is the opposite of that by design. But if you want to hear new Athens voices perform originals knowing the vote matters, the evening drops four sets onto one stage.\n\nTwo minutes from Syntagma metro. €5 entry, doors 21:00. Originals only, audience with the casting vote.", "fullDescriptionGr": "Open mic nights usually mean strangers playing cover songs. This one inverts the format: selected musicians present up to 45 minutes of their own original material, and the audience votes live for the performer they want to hear again. Theatre of the No, a ~100-seat room opposite City Hall that opened as Athens' first English-speaking theater, hosts the fourth edition.\n\nIf you want a pre-curated bill with familiar names, this is the opposite of that by design. But if you want to hear new Athens voices perform originals knowing the vote matters, the evening drops four sets onto one stage.\n\nTwo minutes from Syntagma metro. €5 entry, doors 21:00. Originals only, audience with the casting vote.", "hasNativeGreek": false, "startDate": "2026-04-16T21:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "Live-band", "Intimate", "Listening-room", "Seated", "Interactive", "Metro-accessible" ], "venue": { "name": "Theatre Of The No", "address": "Bouboulinas 17-19, Athens 106 82", "neighborhood": "Metaxourgeio", "coordinates": { "lat": 37.987, "lon": 23.7285 }, "capacity": null }, "price": { "type": "paid", "amount": 5, "currency": "EUR", "range": "€5" }, "url": "https://www.athinorama.gr/music/gig/4o_open_mic_challenge-10089118/", "ticketUrl": "https://www.athinorama.gr/music/gig/4o_open_mic_challenge-10089118/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "a60f1e8cfbceec63", "title": "Τα κύματα", "description": "Εως 2026-05-10", "fullDescription": "Six voices trace one lifetime from youth through death. Ta kymata, a theater adaptation of Virginia Woolf's The Waves, runs at Theatro Nous in Kypseli from 16 April to 10 May 2026, curtain at 21:00. Director En. Fezollari, who also performs, leads a cast of six through Woolf's plotless interior monologues — friendships, love, hatred, and the moments where a life bends and does not bend back.\n\nWoolf wrote The Waves without conventional narrative — six voices cycling through the same lifetime in overlapping rhythms. The stage adaptation, with design by G. Lyntzeris and an original score by The Kundera Project, translates stream-of-consciousness into physical presence for ninety minutes.\n\nIf you want straightforward storytelling with a clear arc, Woolf does not work that way. But if you want language that moves like tidal pull and a cast working without the safety net of plot, this production commits to the source.\n\nTheatro Nous is at Troias 34, Kypseli. Tickets EUR 12-16. The novel was published in 1931. Its questions have not aged.", "fullDescriptionEn": "Six voices trace one lifetime from youth through death. Ta kymata, a theater adaptation of Virginia Woolf's The Waves, runs at Theatro Nous in Kypseli from 16 April to 10 May 2026, curtain at 21:00. Director En. Fezollari, who also performs, leads a cast of six through Woolf's plotless interior monologues — friendships, love, hatred, and the moments where a life bends and does not bend back.\n\nWoolf wrote The Waves without conventional narrative — six voices cycling through the same lifetime in overlapping rhythms. The stage adaptation, with design by G. Lyntzeris and an original score by The Kundera Project, translates stream-of-consciousness into physical presence for ninety minutes.\n\nIf you want straightforward storytelling with a clear arc, Woolf does not work that way. But if you want language that moves like tidal pull and a cast working without the safety net of plot, this production commits to the source.\n\nTheatro Nous is at Troias 34, Kypseli. Tickets EUR 12-16. The novel was published in 1931. Its questions have not aged.", "fullDescriptionGr": "Six voices trace one lifetime from youth through death. Ta kymata, a theater adaptation of Virginia Woolf's The Waves, runs at Theatro Nous in Kypseli from 16 April to 10 May 2026, curtain at 21:00. Director En. Fezollari, who also performs, leads a cast of six through Woolf's plotless interior monologues — friendships, love, hatred, and the moments where a life bends and does not bend back.\n\nWoolf wrote The Waves without conventional narrative — six voices cycling through the same lifetime in overlapping rhythms. The stage adaptation, with design by G. Lyntzeris and an original score by The Kundera Project, translates stream-of-consciousness into physical presence for ninety minutes.\n\nIf you want straightforward storytelling with a clear arc, Woolf does not work that way. But if you want language that moves like tidal pull and a cast working without the safety net of plot, this production commits to the source.\n\nTheatro Nous is at Troias 34, Kypseli. Tickets EUR 12-16. The novel was published in 1931. Its questions have not aged.", "hasNativeGreek": false, "startDate": "2026-04-16T21:00:00", "endDate": null, "type": "theater", "genres": [], "tags": [ "Theater", "Drama", "Literary-adaptation", "Contemporary", "Intimate", "Kypseli", "Seated", "20s-40s" ], "venue": { "name": "Θέατρο Nous", "address": "Trias 34, Athens 112 55", "neighborhood": "Kypseli", "coordinates": { "lat": 37.9965, "lon": 23.732 }, "capacity": null }, "price": { "type": "paid", "amount": 16, "currency": "EUR", "range": "€16" }, "url": "https://www.athinorama.gr/theatre/performance/ta_kumata-10089762/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/ta_kumata-10089762/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 13:44:12", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/92/92bc35c1d4814ac2b7ef59462c8f6ec4.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/a60f1e8cfbceec63.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "TheaterEvent", "id": "855d33d7e193b3e4", "title": "Μόλις κοιμηθεί το κύμα", "description": "", "fullDescription": "In January 1801, Ali Pasha ordered seventeen women sewn into sacks and drowned in the lake at Ioannina. Euphrosyne — Kyra-Frosyne — was among them. Molis Koimithi to Kyma is a monologue at Theatro Fournos in Exarchia where one performer, P. Giannioti, becomes Euphrosyne and speaks the life she did not get to finish — her dreams, her memory, her unlived years. Four singers from the vocal group Polyphoniko Kafeneio accompany her with Epirote polyphonic songs, the tradition of the region where the drowning happened.\n\nIf you want spectacle and a large cast, this is a single voice in a sixty-minute room. But if you want regional history delivered through the body of one performer with polyphonic singing that predates the story it carries, Fournos is the right scale.\n\nTheatro Fournos is at Mavromichali 168 in Exarchia. Curtain at 21:00. Tickets €15–€17. Sixty minutes, no interval.\n\nA voice, four singers, and two hundred years of silence between them.", "fullDescriptionEn": "In January 1801, Ali Pasha ordered seventeen women sewn into sacks and drowned in the lake at Ioannina. Euphrosyne — Kyra-Frosyne — was among them. Molis Koimithi to Kyma is a monologue at Theatro Fournos in Exarchia where one performer, P. Giannioti, becomes Euphrosyne and speaks the life she did not get to finish — her dreams, her memory, her unlived years. Four singers from the vocal group Polyphoniko Kafeneio accompany her with Epirote polyphonic songs, the tradition of the region where the drowning happened.\n\nIf you want spectacle and a large cast, this is a single voice in a sixty-minute room. But if you want regional history delivered through the body of one performer with polyphonic singing that predates the story it carries, Fournos is the right scale.\n\nTheatro Fournos is at Mavromichali 168 in Exarchia. Curtain at 21:00. Tickets €15–€17. Sixty minutes, no interval.\n\nA voice, four singers, and two hundred years of silence between them.", "fullDescriptionGr": "In January 1801, Ali Pasha ordered seventeen women sewn into sacks and drowned in the lake at Ioannina. Euphrosyne — Kyra-Frosyne — was among them. Molis Koimithi to Kyma is a monologue at Theatro Fournos in Exarchia where one performer, P. Giannioti, becomes Euphrosyne and speaks the life she did not get to finish — her dreams, her memory, her unlived years. Four singers from the vocal group Polyphoniko Kafeneio accompany her with Epirote polyphonic songs, the tradition of the region where the drowning happened.\n\nIf you want spectacle and a large cast, this is a single voice in a sixty-minute room. But if you want regional history delivered through the body of one performer with polyphonic singing that predates the story it carries, Fournos is the right scale.\n\nTheatro Fournos is at Mavromichali 168 in Exarchia. Curtain at 21:00. Tickets €15–€17. Sixty minutes, no interval.\n\nA voice, four singers, and two hundred years of silence between them.", "hasNativeGreek": false, "startDate": "2026-04-16T21:00:00", "endDate": null, "type": "theater", "genres": [], "tags": [ "Theater", "Monologue", "Polyphonic", "Epirote-tradition", "Historical", "Intimate", "Exarchia", "Metro-accessible", "Seated", "Solo-friendly" ], "venue": { "name": "Θέατρο Φούρνος", "address": "Mavromichali 168, Athens 114 72", "neighborhood": "Kypseli / Patission", "coordinates": { "lat": 37.9965, "lon": 23.7395 }, "capacity": null }, "price": { "type": "paid", "amount": 17, "currency": "EUR", "range": "€17" }, "url": "https://www.athinorama.gr/theatre/performance/molis_koimithei_to_kuma-10089822/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/molis_koimithei_to_kuma-10089822/", "source": "athinorama.gr", "createdAt": "2026-04-08 17:29:31", "updatedAt": "2026-04-15 16:15:11", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/5a/5a344120efea45cf8550cc4e3f75199f.jpg?quality=81&404=default&v=4", "imageSource": "scraped_listing", "imageLocal": "/images/events/855d33d7e193b3e4.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "412f21f47530e157", "title": "Fragk", "description": "", "fullDescription": "Fragk is a DJ set at B side Athens in Exarchia, Athens, on 16 April 2026. The bar at Mavrokordatou 6 has anchored the local electronic circuit since 2018, doubling as the Cannibal Radio studio.\n\nFragk works across house and techno, a selector who has shared the B side decks before on Useless Co nights. The room is compact — inside dance floor, outside terrace, and a cocktail menu sorted by bass, mid, and treble.\n\nIf you want big-room production, wrong postcode. If you want to hear the set from two metres away, doors at 21:00.", "fullDescriptionEn": "Fragk is a DJ set at B side Athens in Exarchia, Athens, on 16 April 2026. The bar at Mavrokordatou 6 has anchored the local electronic circuit since 2018, doubling as the Cannibal Radio studio.\n\nFragk works across house and techno, a selector who has shared the B side decks before on Useless Co nights. The room is compact — inside dance floor, outside terrace, and a cocktail menu sorted by bass, mid, and treble.\n\nIf you want big-room production, wrong postcode. If you want to hear the set from two metres away, doors at 21:00.", "fullDescriptionGr": "Fragk is a DJ set at B side Athens in Exarchia, Athens, on 16 April 2026. The bar at Mavrokordatou 6 has anchored the local electronic circuit since 2018, doubling as the Cannibal Radio studio.\n\nFragk works across house and techno, a selector who has shared the B side decks before on Useless Co nights. The room is compact — inside dance floor, outside terrace, and a cocktail menu sorted by bass, mid, and treble.\n\nIf you want big-room production, wrong postcode. If you want to hear the set from two metres away, doors at 21:00.", "hasNativeGreek": false, "startDate": "2026-04-16T21:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [ "House", "Techno", "DJ-set", "Exarchia", "Underground", "Intimate", "Local-favorite", "Music-heads", "Late-night", "Dance-floor", "Standing-room", "Walk-in-friendly", "Metro-accessible" ], "venue": { "name": "B side Athens", "address": "Μπη Σάιντ, Μαυροκορδάτου", "neighborhood": "", "coordinates": { "lat": 37.983779, "lon": 23.731955 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://ra.co/events/2416433", "ticketUrl": "https://ra.co/events/2416433", "source": "residentadvisor", "createdAt": "2026-04-12 07:53:04", "updatedAt": "2026-04-15 13:24:10", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://images.ra.co/9365c7ff120a56aa87735fbde7f2e0745740e7f6.jpg", "imageSource": "scraped_listing", "imageLocal": "/images/events/412f21f47530e157.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "8653e81f473481c4", "title": "Kismet by Kayf", "description": "", "fullDescription": "Kismet by Kayf is a DJ set at Dybbuk in Kolonaki, Athens, on 16 April 2026. The club at Patriarchou Ioakeim 37 has operated since 2009 — industrial lines, a New York-influenced room, and a sound policy built around house and techno.\n\nKayf hosts the night. The programme sits in house territory, and the room fills accordingly — Dybbuk draws a crowd that arrives for the music, not the postcode.\n\nIf you want conversation-level volume, Dybbuk opens at 23:00 and finds its rhythm well after midnight. If you want to dance in a Kolonaki basement before summer shuts the doors, door policy applies at the entrance.", "fullDescriptionEn": "Kismet by Kayf is a DJ set at Dybbuk in Kolonaki, Athens, on 16 April 2026. The club at Patriarchou Ioakeim 37 has operated since 2009 — industrial lines, a New York-influenced room, and a sound policy built around house and techno.\n\nKayf hosts the night. The programme sits in house territory, and the room fills accordingly — Dybbuk draws a crowd that arrives for the music, not the postcode.\n\nIf you want conversation-level volume, Dybbuk opens at 23:00 and finds its rhythm well after midnight. If you want to dance in a Kolonaki basement before summer shuts the doors, door policy applies at the entrance.", "fullDescriptionGr": "Kismet by Kayf is a DJ set at Dybbuk in Kolonaki, Athens, on 16 April 2026. The club at Patriarchou Ioakeim 37 has operated since 2009 — industrial lines, a New York-influenced room, and a sound policy built around house and techno.\n\nKayf hosts the night. The programme sits in house territory, and the room fills accordingly — Dybbuk draws a crowd that arrives for the music, not the postcode.\n\nIf you want conversation-level volume, Dybbuk opens at 23:00 and finds its rhythm well after midnight. If you want to dance in a Kolonaki basement before summer shuts the doors, door policy applies at the entrance.", "hasNativeGreek": false, "startDate": "2026-04-16T23:00:00", "endDate": null, "type": "dj_set", "genres": [ "electronic" ], "tags": [ "House", "DJ-set", "Kolonaki", "Underground", "Industrial-chic", "Music-heads", "Late-night", "All-night", "Dance-floor", "Metro-accessible", "Selective-door" ], "venue": { "name": "Dybbuk", "address": "Patriarchou Ioakim 37, Athina 105 62", "neighborhood": "", "coordinates": { "lat": 37.978224, "lon": 23.744387 }, "capacity": null }, "price": { "type": "door", "amount": 10, "currency": "EUR", "range": "€10-15" }, "url": "https://www.clubber.gr/events/kismet-by-kayf-2/", "ticketUrl": "https://www.clubber.gr/events/kismet-by-kayf-2/", "source": "clubber.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 13:24:10", "language": "en", "timeDoors": "23:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" } ], "meta": { "total": 14, "lastUpdate": "2026-04-15T16:28:50.834Z", "url": "https://agentathens.com/tomorrow" } }