{ "filters": { "type": "concert", "price": "with-ticket", "time": "this-month" }, "events": [ { "@context": "https://schema.org", "@type": "MusicEvent", "id": "6e8eef838d82fb14", "title": "Men in Exile", "description": "", "fullDescription": "Men in Exile is a concert at the Megaron Mousikis Teaching Hall in Ampelokipoi, Athens, on 16 April 2026. The trio — Panos Skouteris on clarinet, Thodoris Ziarkas on double bass, Manousos Klapakis on percussion — works between Greek traditional music and contemporary improvisation.\n\nTheir debut EP Exile I reimagines village tunes through jazz and modal frameworks. The group has toured the Netherlands, Belgium, and the Czech Republic.\n\nIf you want polished orchestral programming, this is three musicians and a hundred seats. The Teaching Hall sits inside the Megaron complex, accessible from Megaro Moussikis metro. Three instruments, one room — the scale is the point.", "fullDescriptionEn": "Men in Exile is a concert at the Megaron Mousikis Teaching Hall in Ampelokipoi, Athens, on 16 April 2026. The trio — Panos Skouteris on clarinet, Thodoris Ziarkas on double bass, Manousos Klapakis on percussion — works between Greek traditional music and contemporary improvisation.\n\nTheir debut EP Exile I reimagines village tunes through jazz and modal frameworks. The group has toured the Netherlands, Belgium, and the Czech Republic.\n\nIf you want polished orchestral programming, this is three musicians and a hundred seats. The Teaching Hall sits inside the Megaron complex, accessible from Megaro Moussikis metro. Three instruments, one room — the scale is the point.", "fullDescriptionGr": "Men in Exile is a concert at the Megaron Mousikis Teaching Hall in Ampelokipoi, Athens, on 16 April 2026. The trio — Panos Skouteris on clarinet, Thodoris Ziarkas on double bass, Manousos Klapakis on percussion — works between Greek traditional music and contemporary improvisation.\n\nTheir debut EP Exile I reimagines village tunes through jazz and modal frameworks. The group has toured the Netherlands, Belgium, and the Czech Republic.\n\nIf you want polished orchestral programming, this is three musicians and a hundred seats. The Teaching Hall sits inside the Megaron complex, accessible from Megaro Moussikis metro. Three instruments, one room — the scale is the point.", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "concert", "genres": [], "tags": [ "Greek-Traditional", "Experimental", "Jazz", "Ampelokipoi", "Intimate", "Listening-room", "Seated", "Concert-format", "Metro-accessible" ], "venue": { "name": "Αίθουσα Διδασκαλίας Μεγάρου Μουσικής", "address": "Megaro Mousikis, Athina 115 21", "neighborhood": "", "coordinates": { "lat": 37.981015, "lon": 23.754098 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/men_in_exile-10087959/", "ticketUrl": "https://www.athinorama.gr/music/gig/men_in_exile-10087959/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:12:34", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "ad3ab507bca6b5a3", "title": "Kassetas-Riniotis Duet ft. Ntolas", "description": "", "fullDescription": "Kassetas-Riniotis Duet ft. Ntolas is a free improvisation concert at Poetry Bar in Exarcheia, Athens, on 16 April 2026.\n\nYiannis Kassetas on saxophone and Simos Riniotis on drums build compositions of the moment — no setlist, no predetermined structure. Kassetas earned a Berklee scholarship at fifteen, holds three albums on the Puzzlemusik label, and has played every major jazz festival in Greece. Riniotis uses drums and small objects to build soundscapes, with credits at the Onassis Foundation and Aarhus Jazz Festival. Guitarist Vyronas Ntolas joins as guest.\n\nPoetry Bar is at Soultani 4 — a small room where the improvisers are close enough that you watch the decisions pass between them in real time.\n", "fullDescriptionEn": "Kassetas-Riniotis Duet ft. Ntolas is a free improvisation concert at Poetry Bar in Exarcheia, Athens, on 16 April 2026.\n\nYiannis Kassetas on saxophone and Simos Riniotis on drums build compositions of the moment — no setlist, no predetermined structure. Kassetas earned a Berklee scholarship at fifteen, holds three albums on the Puzzlemusik label, and has played every major jazz festival in Greece. Riniotis uses drums and small objects to build soundscapes, with credits at the Onassis Foundation and Aarhus Jazz Festival. Guitarist Vyronas Ntolas joins as guest.\n\nPoetry Bar is at Soultani 4 — a small room where the improvisers are close enough that you watch the decisions pass between them in real time.\n", "fullDescriptionGr": "Kassetas-Riniotis Duet ft. Ntolas is a free improvisation concert at Poetry Bar in Exarcheia, Athens, on 16 April 2026.\n\nYiannis Kassetas on saxophone and Simos Riniotis on drums build compositions of the moment — no setlist, no predetermined structure. Kassetas earned a Berklee scholarship at fifteen, holds three albums on the Puzzlemusik label, and has played every major jazz festival in Greece. Riniotis uses drums and small objects to build soundscapes, with credits at the Onassis Foundation and Aarhus Jazz Festival. Guitarist Vyronas Ntolas joins as guest.\n\nPoetry Bar is at Soultani 4 — a small room where the improvisers are close enough that you watch the decisions pass between them in real time.\n", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "concert", "genres": [], "tags": [ "Free-improvisation", "Jazz", "Saxophone", "Drums", "Guitar", "Experimental", "Exarcheia", "Intimate", "Small-venue", "Solo-friendly" ], "venue": { "name": "Poetry Bar", "address": "Poetry bar, 2-4", "neighborhood": "", "coordinates": { "lat": 37.985952, "lon": 23.733488 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/kassetas_riniotis_duet_ft_ntolas-10089804/", "ticketUrl": "https://www.athinorama.gr/music/gig/kassetas_riniotis_duet_ft_ntolas-10089804/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-14 14:12:29", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "af299bbd9ab94636", "title": "Godspeed You! Black Emperor 2026", "description": "16 Απριλιου Godspeed You! Black Emperor 2026 Floyd", "fullDescription": "The drones build for what feels like years. Guitars layer on guitars, each adding density until the room becomes more sound than air. You're inside the music now, swallowed by frequencies that operate below conscious hearing. Floyd's sound system strains and delivers, the walls vibrating with intention. Godspeed You! Black Emperor is happening to you.\n\nThe Montreal collective has spent three decades creating music that refuses categorization. Post-rock doesn't quite cover it. Instrumental doesn't capture the narrative arc. Film scores without films approaches the territory but misses the politics, the anger, the hope buried in the noise. GY!BE builds compositions the way architects build cathedrals — slowly, with intention, designed to outlast the moment of their creation.\n\nFloyd venue handles the scale this music demands. The room's two thousand capacity fills with listeners who understand they're not here for songs but movements, not tracks but experiences. The band performs in near darkness, their faces often obscured, ego subsumed into collective creation. Visuals accompany but never dominate — fragments of film loops, projected words, images that reinforce rather than illustrate.\n\nThe 2026 tour brings whatever the band is exploring now to Athens. Expect pieces from across the catalog — the surging crescendos of Lift Your Skinny Fists, the slow-burning tension of F# A# Infinity, newer material that continues the evolution. But expect also the experience of transition, the way GY!BE moves between passages with patience that most bands would fear.\n\nThe crowd at Godspeed shows shares particular characteristics. These are listeners who've found their way to the edges of guitar music, who've followed the threads from rock to its most abstract expressions. Many stand with eyes closed, the visual secondary to the physical experience of sound. When the crescendos finally arrive — and they always arrive — the release is collective, cathartic.\n\nIf you need conventional song structure or music that respects running time, Godspeed will test your conditioning. Sets often exceed two hours. Patience is required and rewarded. But if you've been searching for live music that functions as ritual, for collective sonic experience that leaves you changed — Floyd holds this particular temple.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, April 16, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:30 |\n| **Venue** | Floyd Live Music Venue, Pireos 117, Gazi |\n| **Getting there** | Kerameikos Metro |\n| **Capacity** | 2,000+ |\n| **Duration** | Expect 2+ hours |\n| **Price** | Check more.com |\n\nGodspeed You! Black Emperor — where rock becomes ritual.", "fullDescriptionEn": "The drones build for what feels like years. Guitars layer on guitars, each adding density until the room becomes more sound than air. You're inside the music now, swallowed by frequencies that operate below conscious hearing. Floyd's sound system strains and delivers, the walls vibrating with intention. Godspeed You! Black Emperor is happening to you.\n\nThe Montreal collective has spent three decades creating music that refuses categorization. Post-rock doesn't quite cover it. Instrumental doesn't capture the narrative arc. Film scores without films approaches the territory but misses the politics, the anger, the hope buried in the noise. GY!BE builds compositions the way architects build cathedrals — slowly, with intention, designed to outlast the moment of their creation.\n\nFloyd venue handles the scale this music demands. The room's two thousand capacity fills with listeners who understand they're not here for songs but movements, not tracks but experiences. The band performs in near darkness, their faces often obscured, ego subsumed into collective creation. Visuals accompany but never dominate — fragments of film loops, projected words, images that reinforce rather than illustrate.\n\nThe 2026 tour brings whatever the band is exploring now to Athens. Expect pieces from across the catalog — the surging crescendos of Lift Your Skinny Fists, the slow-burning tension of F# A# Infinity, newer material that continues the evolution. But expect also the experience of transition, the way GY!BE moves between passages with patience that most bands would fear.\n\nThe crowd at Godspeed shows shares particular characteristics. These are listeners who've found their way to the edges of guitar music, who've followed the threads from rock to its most abstract expressions. Many stand with eyes closed, the visual secondary to the physical experience of sound. When the crescendos finally arrive — and they always arrive — the release is collective, cathartic.\n\nIf you need conventional song structure or music that respects running time, Godspeed will test your conditioning. Sets often exceed two hours. Patience is required and rewarded. But if you've been searching for live music that functions as ritual, for collective sonic experience that leaves you changed — Floyd holds this particular temple.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, April 16, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:30 |\n| **Venue** | Floyd Live Music Venue, Pireos 117, Gazi |\n| **Getting there** | Kerameikos Metro |\n| **Capacity** | 2,000+ |\n| **Duration** | Expect 2+ hours |\n| **Price** | Check more.com |\n\nGodspeed You! Black Emperor — where rock becomes ritual.", "fullDescriptionGr": "The drones build for what feels like years. Guitars layer on guitars, each adding density until the room becomes more sound than air. You're inside the music now, swallowed by frequencies that operate below conscious hearing. Floyd's sound system strains and delivers, the walls vibrating with intention. Godspeed You! Black Emperor is happening to you.\n\nThe Montreal collective has spent three decades creating music that refuses categorization. Post-rock doesn't quite cover it. Instrumental doesn't capture the narrative arc. Film scores without films approaches the territory but misses the politics, the anger, the hope buried in the noise. GY!BE builds compositions the way architects build cathedrals — slowly, with intention, designed to outlast the moment of their creation.\n\nFloyd venue handles the scale this music demands. The room's two thousand capacity fills with listeners who understand they're not here for songs but movements, not tracks but experiences. The band performs in near darkness, their faces often obscured, ego subsumed into collective creation. Visuals accompany but never dominate — fragments of film loops, projected words, images that reinforce rather than illustrate.\n\nThe 2026 tour brings whatever the band is exploring now to Athens. Expect pieces from across the catalog — the surging crescendos of Lift Your Skinny Fists, the slow-burning tension of F# A# Infinity, newer material that continues the evolution. But expect also the experience of transition, the way GY!BE moves between passages with patience that most bands would fear.\n\nThe crowd at Godspeed shows shares particular characteristics. These are listeners who've found their way to the edges of guitar music, who've followed the threads from rock to its most abstract expressions. Many stand with eyes closed, the visual secondary to the physical experience of sound. When the crescendos finally arrive — and they always arrive — the release is collective, cathartic.\n\nIf you need conventional song structure or music that respects running time, Godspeed will test your conditioning. Sets often exceed two hours. Patience is required and rewarded. But if you've been searching for live music that functions as ritual, for collective sonic experience that leaves you changed — Floyd holds this particular temple.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, April 16, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:30 |\n| **Venue** | Floyd Live Music Venue, Pireos 117, Gazi |\n| **Getting there** | Kerameikos Metro |\n| **Capacity** | 2,000+ |\n| **Duration** | Expect 2+ hours |\n| **Price** | Check more.com |\n\nGodspeed You! Black Emperor — where rock becomes ritual.", "hasNativeGreek": false, "startDate": "2026-04-16T20:00:00+03:00", "endDate": null, "type": "concert", "genres": [ "music" ], "tags": [], "venue": { "name": "Floyd", "address": "Πειραιώς 117", "neighborhood": "Keramikos / Metaxourgeio", "coordinates": { "lat": 37.9795, "lon": 23.718 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 39, "currency": "EUR", "range": "€39-€42" }, "url": "https://www.more.com/gr-el/tickets/music/godspeed-you-black-emperor-2026/", "ticketUrl": "https://www.viva.gr/gr-el/tickets/music/godspeed-you-black-emperor-2026/", "source": "more.com", "createdAt": "2026-01-19T23:07:36.324Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/6f36696f-6725-4f8a-bc82-6c092a3c0a71/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/af299bbd9ab94636.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "d5ce4186d296e600", "title": "Panos Alexiadis, Rooms In Negative & Ioannis Savvaidis", "description": "", "fullDescription": "A former TV repair workshop in Kipseli, run since 2012 by Fotini Banou and Dimitris Alexakis, hosts three sets of improvised sound. Panos Alexiadis is an Athens composer with releases on Rekem and B.A.A.D.M.; he runs the Thalamos tape label. Rooms In Negative is Andreas Ragnar Kasapis, working across sound and installation. Ioannis Savvaidis joins on composition and live interaction.\n\nIf you want structured pieces with recognizable changes, nothing here stands still. But if you want to hear three Athens practitioners work without a net, KET's room makes every dropped breath audible.\n\nKET sits at Kyprou 91A, Kipseli. Doors 20:30, tickets €10 via more.com. Three sets, one small room, one short night.", "fullDescriptionEn": "A former TV repair workshop in Kipseli, run since 2012 by Fotini Banou and Dimitris Alexakis, hosts three sets of improvised sound. Panos Alexiadis is an Athens composer with releases on Rekem and B.A.A.D.M.; he runs the Thalamos tape label. Rooms In Negative is Andreas Ragnar Kasapis, working across sound and installation. Ioannis Savvaidis joins on composition and live interaction.\n\nIf you want structured pieces with recognizable changes, nothing here stands still. But if you want to hear three Athens practitioners work without a net, KET's room makes every dropped breath audible.\n\nKET sits at Kyprou 91A, Kipseli. Doors 20:30, tickets €10 via more.com. Three sets, one small room, one short night.", "fullDescriptionGr": "A former TV repair workshop in Kipseli, run since 2012 by Fotini Banou and Dimitris Alexakis, hosts three sets of improvised sound. Panos Alexiadis is an Athens composer with releases on Rekem and B.A.A.D.M.; he runs the Thalamos tape label. Rooms In Negative is Andreas Ragnar Kasapis, working across sound and installation. Ioannis Savvaidis joins on composition and live interaction.\n\nIf you want structured pieces with recognizable changes, nothing here stands still. But if you want to hear three Athens practitioners work without a net, KET's room makes every dropped breath audible.\n\nKET sits at Kyprou 91A, Kipseli. Doors 20:30, tickets €10 via more.com. Three sets, one small room, one short night.", "hasNativeGreek": false, "startDate": "2026-04-16T20:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "Experimental", "Kypseli", "Intimate", "Underground", "Listening-room", "Music-heads", "Concert-format", "Seated" ], "venue": { "name": "Κέντρο Ελέγχου Τηλεοράσεων", "address": "Kyprou 91A & Sikinou 35A, Athens 113 64", "neighborhood": "Kypseli", "coordinates": { "lat": 38.002, "lon": 23.7325 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10" }, "url": "https://www.athinorama.gr/music/gig/panos_alexiadis_rooms_in_negative_kai_ioannis_savvaidis-10089750/", "ticketUrl": "https://www.athinorama.gr/music/gig/panos_alexiadis_rooms_in_negative_kai_ioannis_savvaidis-10089750/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "395d804b3cdf9ecb", "title": "4ο Open Mic Challenge", "description": "", "fullDescription": "Open mic nights usually mean strangers playing cover songs. This one inverts the format: selected musicians present up to 45 minutes of their own original material, and the audience votes live for the performer they want to hear again. Theatre of the No, a ~100-seat room opposite City Hall that opened as Athens' first English-speaking theater, hosts the fourth edition.\n\nIf you want a pre-curated bill with familiar names, this is the opposite of that by design. But if you want to hear new Athens voices perform originals knowing the vote matters, the evening drops four sets onto one stage.\n\nTwo minutes from Syntagma metro. €5 entry, doors 21:00. Originals only, audience with the casting vote.", "fullDescriptionEn": "Open mic nights usually mean strangers playing cover songs. This one inverts the format: selected musicians present up to 45 minutes of their own original material, and the audience votes live for the performer they want to hear again. Theatre of the No, a ~100-seat room opposite City Hall that opened as Athens' first English-speaking theater, hosts the fourth edition.\n\nIf you want a pre-curated bill with familiar names, this is the opposite of that by design. But if you want to hear new Athens voices perform originals knowing the vote matters, the evening drops four sets onto one stage.\n\nTwo minutes from Syntagma metro. €5 entry, doors 21:00. Originals only, audience with the casting vote.", "fullDescriptionGr": "Open mic nights usually mean strangers playing cover songs. This one inverts the format: selected musicians present up to 45 minutes of their own original material, and the audience votes live for the performer they want to hear again. Theatre of the No, a ~100-seat room opposite City Hall that opened as Athens' first English-speaking theater, hosts the fourth edition.\n\nIf you want a pre-curated bill with familiar names, this is the opposite of that by design. But if you want to hear new Athens voices perform originals knowing the vote matters, the evening drops four sets onto one stage.\n\nTwo minutes from Syntagma metro. €5 entry, doors 21:00. Originals only, audience with the casting vote.", "hasNativeGreek": false, "startDate": "2026-04-16T21:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "Live-band", "Intimate", "Listening-room", "Seated", "Interactive", "Metro-accessible" ], "venue": { "name": "Theatre Of The No", "address": "Bouboulinas 17-19, Athens 106 82", "neighborhood": "Metaxourgeio", "coordinates": { "lat": 37.987, "lon": 23.7285 }, "capacity": null }, "price": { "type": "paid", "amount": 5, "currency": "EUR", "range": "€5" }, "url": "https://www.athinorama.gr/music/gig/4o_open_mic_challenge-10089118/", "ticketUrl": "https://www.athinorama.gr/music/gig/4o_open_mic_challenge-10089118/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "86cb62f00a8783c6", "title": "ROY KHAN (Norway) The Black Halo And Beyond +SEVEN SPIRES (USA)", "description": "", "fullDescription": "The first notes ring out like bells from a tower you forgot existed. That voice — operatic, powerful, somehow intimate despite the metal instrumentation — fills Gagarin's hall. You feel the hairs rise on your forearms. Roy Khan is back, and he's brought The Black Halo with him.\n\nFor fans of Kamelot, Khan's return represents something close to resurrection. His departure in 2011 left a void that years of replacement vocalists couldn't quite fill. \"The Black Halo And Beyond\" tour acknowledges what that album meant while promising a future. The setlist will draw from the heights of Kamelot's progressive metal catalog — \"Ghost Opera,\" \"The Haunting,\" material that showcased Khan's extraordinary range.\n\nGagarin 205 provides the acoustic architecture this music demands. The venue has established itself as Athens' premier metal destination, its sound system calibrated for the dynamics that progressive metal requires — the quiet passages that build toward crushing choruses, the instrumental sections that demand clarity even at volume. The room's 1,200 capacity creates density without losing the precision these compositions require.\n\nSEVEN SPIRES opens the evening, their own brand of symphonic metal establishing the night's emotional register. The pairing makes sense — both acts occupy the space where metal's heaviness meets orchestral ambition, where harsh and clean vocals coexist in the same songs. By the time Khan takes the stage, the room has been properly prepared.\n\nThe crowd filtering into Gagarin tonight has waited years for this moment. Metal fans who remember where they were when they first heard \"Center of the Universe.\" Younger listeners who discovered Khan through Conception's reunion. The conversations before doors open mix Greek and English, strangers bonding over shared devotion to this specific voice, this specific catalog.\n\nIf you need accessible entry points or music that stays in comfortable territory, progressive metal will challenge your patience. The songs run long, the arrangements complex, the emotional intensity sustained rather than peaked. But if you've been waiting for Roy Khan to remind Athens what he's capable of, for a voice that defined an era of metal — Gagarin holds this homecoming.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:00 |\n| **Venue** | Gagarin 205, Liosion 205, Attiki |\n| **Getting there** | Attiki Metro, taxi recommended after |\n| **Capacity** | 1,200 |\n| **Support** | Seven Spires |\n| **Price** | Check more.com |\n\nRoy Khan returns — The Black Halo rendered live.", "fullDescriptionEn": "The first notes ring out like bells from a tower you forgot existed. That voice — operatic, powerful, somehow intimate despite the metal instrumentation — fills Gagarin's hall. You feel the hairs rise on your forearms. Roy Khan is back, and he's brought The Black Halo with him.\n\nFor fans of Kamelot, Khan's return represents something close to resurrection. His departure in 2011 left a void that years of replacement vocalists couldn't quite fill. \"The Black Halo And Beyond\" tour acknowledges what that album meant while promising a future. The setlist will draw from the heights of Kamelot's progressive metal catalog — \"Ghost Opera,\" \"The Haunting,\" material that showcased Khan's extraordinary range.\n\nGagarin 205 provides the acoustic architecture this music demands. The venue has established itself as Athens' premier metal destination, its sound system calibrated for the dynamics that progressive metal requires — the quiet passages that build toward crushing choruses, the instrumental sections that demand clarity even at volume. The room's 1,200 capacity creates density without losing the precision these compositions require.\n\nSEVEN SPIRES opens the evening, their own brand of symphonic metal establishing the night's emotional register. The pairing makes sense — both acts occupy the space where metal's heaviness meets orchestral ambition, where harsh and clean vocals coexist in the same songs. By the time Khan takes the stage, the room has been properly prepared.\n\nThe crowd filtering into Gagarin tonight has waited years for this moment. Metal fans who remember where they were when they first heard \"Center of the Universe.\" Younger listeners who discovered Khan through Conception's reunion. The conversations before doors open mix Greek and English, strangers bonding over shared devotion to this specific voice, this specific catalog.\n\nIf you need accessible entry points or music that stays in comfortable territory, progressive metal will challenge your patience. The songs run long, the arrangements complex, the emotional intensity sustained rather than peaked. But if you've been waiting for Roy Khan to remind Athens what he's capable of, for a voice that defined an era of metal — Gagarin holds this homecoming.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:00 |\n| **Venue** | Gagarin 205, Liosion 205, Attiki |\n| **Getting there** | Attiki Metro, taxi recommended after |\n| **Capacity** | 1,200 |\n| **Support** | Seven Spires |\n| **Price** | Check more.com |\n\nRoy Khan returns — The Black Halo rendered live.", "fullDescriptionGr": "The first notes ring out like bells from a tower you forgot existed. That voice — operatic, powerful, somehow intimate despite the metal instrumentation — fills Gagarin's hall. You feel the hairs rise on your forearms. Roy Khan is back, and he's brought The Black Halo with him.\n\nFor fans of Kamelot, Khan's return represents something close to resurrection. His departure in 2011 left a void that years of replacement vocalists couldn't quite fill. \"The Black Halo And Beyond\" tour acknowledges what that album meant while promising a future. The setlist will draw from the heights of Kamelot's progressive metal catalog — \"Ghost Opera,\" \"The Haunting,\" material that showcased Khan's extraordinary range.\n\nGagarin 205 provides the acoustic architecture this music demands. The venue has established itself as Athens' premier metal destination, its sound system calibrated for the dynamics that progressive metal requires — the quiet passages that build toward crushing choruses, the instrumental sections that demand clarity even at volume. The room's 1,200 capacity creates density without losing the precision these compositions require.\n\nSEVEN SPIRES opens the evening, their own brand of symphonic metal establishing the night's emotional register. The pairing makes sense — both acts occupy the space where metal's heaviness meets orchestral ambition, where harsh and clean vocals coexist in the same songs. By the time Khan takes the stage, the room has been properly prepared.\n\nThe crowd filtering into Gagarin tonight has waited years for this moment. Metal fans who remember where they were when they first heard \"Center of the Universe.\" Younger listeners who discovered Khan through Conception's reunion. The conversations before doors open mix Greek and English, strangers bonding over shared devotion to this specific voice, this specific catalog.\n\nIf you need accessible entry points or music that stays in comfortable territory, progressive metal will challenge your patience. The songs run long, the arrangements complex, the emotional intensity sustained rather than peaked. But if you've been waiting for Roy Khan to remind Athens what he's capable of, for a voice that defined an era of metal — Gagarin holds this homecoming.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Doors** | 19:00 |\n| **Music** | 20:00 |\n| **Venue** | Gagarin 205, Liosion 205, Attiki |\n| **Getting there** | Attiki Metro, taxi recommended after |\n| **Capacity** | 1,200 |\n| **Support** | Seven Spires |\n| **Price** | Check more.com |\n\nRoy Khan returns — The Black Halo rendered live.", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Gagarin 205", "address": "Liosion 205, Athens 104 45", "neighborhood": "Sepolia / Athens West", "coordinates": { "lat": 38.001, "lon": 23.7115 }, "capacity": null }, "price": { "type": "paid", "amount": 28, "currency": "EUR", "range": "€28 - €33" }, "url": "https://www.ticketservices.gr/event/13764/", "ticketUrl": "https://www.ticketservices.gr/event/13764/", "source": "ticketservices", "createdAt": "2026-01-26 13:11:15", "updatedAt": "2026-04-14 14:12:29", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_58230_or_Roy Khan (The Black Halo And Beyond)_Seven Spires-Banner Ticket Services Athens 2025 02.jpg", "imageSource": "backfill", "imageLocal": "/images/events/86cb62f00a8783c6.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "af431a46a7eb83ba", "title": "Oldschool Rednex", "description": "", "fullDescription": "Oldschool Rednex play Ilion Plus on 17 April 2026, their first Athens date in two years. The Thessaloniki punkers have been grinding since 1999, with a debut LP that finally landed in 2012 and the follow-up 'Orgi / Sti Gi tou Rock 'n' Roll' in 2022. GRAMM ELEVEN open the night.\n\nIf you want a seated room with a cocktail menu, this is a different economy. But if you want dirty guitars and amplifiers in the red, this is the room.\n\nIlion Plus is at Kodrigktonos 17 in Kypseli, off Patission Street. Two years is a long time between Athens dates.", "fullDescriptionEn": "Oldschool Rednex play Ilion Plus on 17 April 2026, their first Athens date in two years. The Thessaloniki punkers have been grinding since 1999, with a debut LP that finally landed in 2012 and the follow-up 'Orgi / Sti Gi tou Rock 'n' Roll' in 2022. GRAMM ELEVEN open the night.\n\nIf you want a seated room with a cocktail menu, this is a different economy. But if you want dirty guitars and amplifiers in the red, this is the room.\n\nIlion Plus is at Kodrigktonos 17 in Kypseli, off Patission Street. Two years is a long time between Athens dates.", "fullDescriptionGr": "Oldschool Rednex play Ilion Plus on 17 April 2026, their first Athens date in two years. The Thessaloniki punkers have been grinding since 1999, with a debut LP that finally landed in 2012 and the follow-up 'Orgi / Sti Gi tou Rock 'n' Roll' in 2022. GRAMM ELEVEN open the night.\n\nIf you want a seated room with a cocktail menu, this is a different economy. But if you want dirty guitars and amplifiers in the red, this is the room.\n\nIlion Plus is at Kodrigktonos 17 in Kypseli, off Patission Street. Two years is a long time between Athens dates.", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "concert", "genres": [], "tags": [ "Punk", "Rock", "Live-band", "Kypseli", "Intimate", "Local-favorite", "Music-heads", "Standing-room", "Metro-accessible" ], "venue": { "name": "ΙΛΙΟΝ Plus", "address": "Kodrigktonos 17, Athens 104 34", "neighborhood": "Victoria / Neapoli", "coordinates": { "lat": 37.9944, "lon": 23.7369 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/oldschool_rednex-10016427/", "ticketUrl": "https://www.athinorama.gr/music/gig/oldschool_rednex-10016427/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "25e4cd1b093b97e9", "title": "Freddie Gibbs", "description": "", "fullDescription": "Freddie Gibbs is from Gary, Indiana, and 17 April 2026 is his first Athens show. He plays Universe Multivenue in Egaleo, with redveil on support. The Last Rabbit tour follows Alfredo 2, his July 2025 reunion with producer The Alchemist that arrived with a companion short film.\n\nIf you want a clean-chorus radio rap set with stadium visuals, Gibbs runs a denser economy — bars piling on bars over sparse, sample-driven beats. But if you want to hear the rapper whose Alfredo records made him a critics' favorite, this is the stop.\n\nUniverse Multivenue is in Egaleo, accessible by metro from Egaleo station. Pre-sales via more.com.\n\nGibbs has never played Athens — this is the only date.", "fullDescriptionEn": "Freddie Gibbs is from Gary, Indiana, and 17 April 2026 is his first Athens show. He plays Universe Multivenue in Egaleo, with redveil on support. The Last Rabbit tour follows Alfredo 2, his July 2025 reunion with producer The Alchemist that arrived with a companion short film.\n\nIf you want a clean-chorus radio rap set with stadium visuals, Gibbs runs a denser economy — bars piling on bars over sparse, sample-driven beats. But if you want to hear the rapper whose Alfredo records made him a critics' favorite, this is the stop.\n\nUniverse Multivenue is in Egaleo, accessible by metro from Egaleo station. Pre-sales via more.com.\n\nGibbs has never played Athens — this is the only date.", "fullDescriptionGr": "Freddie Gibbs is from Gary, Indiana, and 17 April 2026 is his first Athens show. He plays Universe Multivenue in Egaleo, with redveil on support. The Last Rabbit tour follows Alfredo 2, his July 2025 reunion with producer The Alchemist that arrived with a companion short film.\n\nIf you want a clean-chorus radio rap set with stadium visuals, Gibbs runs a denser economy — bars piling on bars over sparse, sample-driven beats. But if you want to hear the rapper whose Alfredo records made him a critics' favorite, this is the stop.\n\nUniverse Multivenue is in Egaleo, accessible by metro from Egaleo station. Pre-sales via more.com.\n\nGibbs has never played Athens — this is the only date.", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "concert", "genres": [], "tags": [ "Hip-hop", "Live-act", "Music-heads", "Mixed-international", "Standing-room", "Concert-format", "Metro-accessible" ], "venue": { "name": "Universe", "address": "Leoforos Kifisou 87, Athens 122 41", "neighborhood": "Egaleo", "coordinates": { "lat": 37.9708, "lon": 23.6733 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/freddie_gibbs-10089454/", "ticketUrl": "https://www.athinorama.gr/music/gig/freddie_gibbs-10089454/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "95911057cd3cf15e", "title": "The Vulcan Itch & Rainyard", "description": "", "fullDescription": "The Vulcan Itch plays material from Rise of the Fallen — the Athens trio's 2024 album on The Lab Records — alongside their 2025 single Out Of My Head. Joining them at AUX Club in Gazi, Rainyard travels down from Thessaloniki with a '90s Seattle-rooted set drawn from debut album Powerslide. Druid fill out the bill as special guests.\n\nIf you want polished pop, this is the wrong floor. But if stoner-grunge riffs in a ~200-capacity Gazi room are what you came for, AUX runs a come-as-you-are door at Agiou Orous 15, a few minutes from Kerameikos metro.\n\nTypical entry at AUX runs 8-12 EUR at the door.", "fullDescriptionEn": "The Vulcan Itch plays material from Rise of the Fallen — the Athens trio's 2024 album on The Lab Records — alongside their 2025 single Out Of My Head. Joining them at AUX Club in Gazi, Rainyard travels down from Thessaloniki with a '90s Seattle-rooted set drawn from debut album Powerslide. Druid fill out the bill as special guests.\n\nIf you want polished pop, this is the wrong floor. But if stoner-grunge riffs in a ~200-capacity Gazi room are what you came for, AUX runs a come-as-you-are door at Agiou Orous 15, a few minutes from Kerameikos metro.\n\nTypical entry at AUX runs 8-12 EUR at the door.", "fullDescriptionGr": "The Vulcan Itch plays material from Rise of the Fallen — the Athens trio's 2024 album on The Lab Records — alongside their 2025 single Out Of My Head. Joining them at AUX Club in Gazi, Rainyard travels down from Thessaloniki with a '90s Seattle-rooted set drawn from debut album Powerslide. Druid fill out the bill as special guests.\n\nIf you want polished pop, this is the wrong floor. But if stoner-grunge riffs in a ~200-capacity Gazi room are what you came for, AUX runs a come-as-you-are door at Agiou Orous 15, a few minutes from Kerameikos metro.\n\nTypical entry at AUX runs 8-12 EUR at the door.", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "concert", "genres": [], "tags": [ "Rock", "Live-band", "Gazi", "Inclusive", "Standing-room", "Metro-accessible" ], "venue": { "name": "Aux Club", "address": "Agiou Orous 15, Athens 104 47", "neighborhood": "Votanikos", "coordinates": { "lat": 37.9746, "lon": 23.7028 }, "capacity": null }, "price": { "type": "tba", "amount": 10, "currency": "EUR", "range": "€8-15" }, "url": "https://www.athinorama.gr/music/gig/the_vulcan_itch_kai_rainyard_-10089751/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "71200e57557b9ea5", "title": "George Kontrafouris Piano Quartet", "description": "", "fullDescription": "George Kontrafouris Piano Quartet plays Spiti Art Bar in Kerameikos on 17 April 2026. Four musicians fill a room small enough to hear the piano's damper pedal lift — Kontrafouris at the keys, Eleftheria Papaiconomou on vocals, Nikoleta Floumi on double bass, Jason Waster on drums — and you hear them listening to each other between phrases.\n\nKontrafouris trained at the Sibelius Academy and has spent three decades in Greek jazz, playing alongside Arild Andersen, David Liebman, and Benny Golson.\n\nIf you need volume and a crowd, wrong room. If you want jazz close enough to watch the decisions happen, Spiti Art Bar is at Efpatridon 7, near Kerameikos metro. A quartet built for conversation in a room built for listening.", "fullDescriptionEn": "George Kontrafouris Piano Quartet plays Spiti Art Bar in Kerameikos on 17 April 2026. Four musicians fill a room small enough to hear the piano's damper pedal lift — Kontrafouris at the keys, Eleftheria Papaiconomou on vocals, Nikoleta Floumi on double bass, Jason Waster on drums — and you hear them listening to each other between phrases.\n\nKontrafouris trained at the Sibelius Academy and has spent three decades in Greek jazz, playing alongside Arild Andersen, David Liebman, and Benny Golson.\n\nIf you need volume and a crowd, wrong room. If you want jazz close enough to watch the decisions happen, Spiti Art Bar is at Efpatridon 7, near Kerameikos metro. A quartet built for conversation in a room built for listening.", "fullDescriptionGr": "George Kontrafouris Piano Quartet plays Spiti Art Bar in Kerameikos on 17 April 2026. Four musicians fill a room small enough to hear the piano's damper pedal lift — Kontrafouris at the keys, Eleftheria Papaiconomou on vocals, Nikoleta Floumi on double bass, Jason Waster on drums — and you hear them listening to each other between phrases.\n\nKontrafouris trained at the Sibelius Academy and has spent three decades in Greek jazz, playing alongside Arild Andersen, David Liebman, and Benny Golson.\n\nIf you need volume and a crowd, wrong room. If you want jazz close enough to watch the decisions happen, Spiti Art Bar is at Efpatridon 7, near Kerameikos metro. A quartet built for conversation in a room built for listening.", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "concert", "genres": [], "tags": [ "Jazz", "Intimate", "Local-favorite", "Listening-room", "Music-heads", "Metro-accessible" ], "venue": { "name": "Σπίτι Art Bar", "address": "Efpatridon 7, Athens 118 54", "neighborhood": "Kerameikos", "coordinates": { "lat": 37.9799, "lon": 23.7128 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/george_kontrafouris_piano_quartet-10066298/", "ticketUrl": "https://www.athinorama.gr/music/gig/george_kontrafouris_piano_quartet-10066298/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 13:24:38", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "518690abbccaa9b8", "title": "Takis Paterelis-New friends Quartet", "description": "", "fullDescription": "Takis Paterelis-New Friends Quartet is a jazz concert at Poetry Bar in Exarchia, Athens, on 17 April 2026. Paterelis studied saxophone and composition at Berklee College of Music in the early 1990s and has spent three decades on the Athens jazz circuit, collaborating with artists including John Hicks and Hamid Drake.\n\nIf you want a concert-hall production, this is not that night. If you want jazz at close range from a Berklee-trained saxophonist leading a freshly assembled quartet, sit down.\n\nPoetry Bar is at Soultani 4, a short walk from Omonia metro. Paterelis has been playing since the 1980s — the new friends have not.", "fullDescriptionEn": "Takis Paterelis-New Friends Quartet is a jazz concert at Poetry Bar in Exarchia, Athens, on 17 April 2026. Paterelis studied saxophone and composition at Berklee College of Music in the early 1990s and has spent three decades on the Athens jazz circuit, collaborating with artists including John Hicks and Hamid Drake.\n\nIf you want a concert-hall production, this is not that night. If you want jazz at close range from a Berklee-trained saxophonist leading a freshly assembled quartet, sit down.\n\nPoetry Bar is at Soultani 4, a short walk from Omonia metro. Paterelis has been playing since the 1980s — the new friends have not.", "fullDescriptionGr": "Takis Paterelis-New Friends Quartet is a jazz concert at Poetry Bar in Exarchia, Athens, on 17 April 2026. Paterelis studied saxophone and composition at Berklee College of Music in the early 1990s and has spent three decades on the Athens jazz circuit, collaborating with artists including John Hicks and Hamid Drake.\n\nIf you want a concert-hall production, this is not that night. If you want jazz at close range from a Berklee-trained saxophonist leading a freshly assembled quartet, sit down.\n\nPoetry Bar is at Soultani 4, a short walk from Omonia metro. Paterelis has been playing since the 1980s — the new friends have not.", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "concert", "genres": [], "tags": [ "Jazz", "Intimate", "Exarchia", "Music-heads", "Seated", "Metro-accessible", "Solo-friendly" ], "venue": { "name": "Poetry Bar", "address": "Poetry bar, 2-4", "neighborhood": "", "coordinates": { "lat": 37.985952, "lon": 23.733488 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/takis_paterelis_new_friends_quartet-10066666/", "ticketUrl": "https://www.athinorama.gr/music/gig/takis_paterelis_new_friends_quartet-10066666/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 13:43:27", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "d252b6d1dfcd5e5a", "title": "«Voix d' Or»", "description": "", "fullDescription": "«Voix d'Or» is a concert at the Teaching Hall of the Athens Concert Hall (Megaron Mousikis) in Athens, on 17 April 2026. The title translates from French as \"Golden Voice.\" The Teaching Hall sits within the Megaron complex at Vassilissis Sofias and Kokkali — a room scaled for recitals and chamber performances, not full orchestral programs.\n\nIf you want a symphonic evening, the Megaron's main halls serve that purpose. If you want a concert at close range in one of Athens's principal music institutions, this is the format.\n\nMegaro Moussikis metro is adjacent to the venue. The Megaron opened in 1991 — the Teaching Hall is where the program gets quiet.", "fullDescriptionEn": "«Voix d'Or» is a concert at the Teaching Hall of the Athens Concert Hall (Megaron Mousikis) in Athens, on 17 April 2026. The title translates from French as \"Golden Voice.\" The Teaching Hall sits within the Megaron complex at Vassilissis Sofias and Kokkali — a room scaled for recitals and chamber performances, not full orchestral programs.\n\nIf you want a symphonic evening, the Megaron's main halls serve that purpose. If you want a concert at close range in one of Athens's principal music institutions, this is the format.\n\nMegaro Moussikis metro is adjacent to the venue. The Megaron opened in 1991 — the Teaching Hall is where the program gets quiet.", "fullDescriptionGr": "«Voix d'Or» is a concert at the Teaching Hall of the Athens Concert Hall (Megaron Mousikis) in Athens, on 17 April 2026. The title translates from French as \"Golden Voice.\" The Teaching Hall sits within the Megaron complex at Vassilissis Sofias and Kokkali — a room scaled for recitals and chamber performances, not full orchestral programs.\n\nIf you want a symphonic evening, the Megaron's main halls serve that purpose. If you want a concert at close range in one of Athens's principal music institutions, this is the format.\n\nMegaro Moussikis metro is adjacent to the venue. The Megaron opened in 1991 — the Teaching Hall is where the program gets quiet.", "hasNativeGreek": false, "startDate": "2026-04-17", "endDate": null, "type": "concert", "genres": [], "tags": [ "Classical", "Intimate", "Seated", "Listening-room", "Metro-accessible", "Ampelokipoi" ], "venue": { "name": "Αίθουσα Διδασκαλίας Μεγάρου Μουσικής", "address": "Megaro Mousikis, Athina 115 21", "neighborhood": "", "coordinates": { "lat": 37.981015, "lon": 23.754098 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/voix_d_or-10089779/", "ticketUrl": "https://www.athinorama.gr/music/gig/voix_d_or-10089779/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 13:43:27", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "1da18e089dbe7ba3", "title": "Koni is calling", "description": "", "fullDescription": "Koni is calling is a house music party at Island Athens Riviera in Varkiza, Athens, on 17 April 2026. The venue sits on a cliff above the Saronic Gulf — gardens, dining terraces, and a dance floor open to the sea air.\n\nPedrik, Koni, and Pande share the decks for an evening of house music starting at 18:00, when April light still reaches the water.\n\nIf you want a dark basement and a 02:00 start, this runs in the opposite direction. If you want house music where the ceiling is the sky and the walls are the Saronic Gulf, tickets are EUR 20.", "fullDescriptionEn": "Koni is calling is a house music party at Island Athens Riviera in Varkiza, Athens, on 17 April 2026. The venue sits on a cliff above the Saronic Gulf — gardens, dining terraces, and a dance floor open to the sea air.\n\nPedrik, Koni, and Pande share the decks for an evening of house music starting at 18:00, when April light still reaches the water.\n\nIf you want a dark basement and a 02:00 start, this runs in the opposite direction. If you want house music where the ceiling is the sky and the walls are the Saronic Gulf, tickets are EUR 20.", "fullDescriptionGr": "Koni is calling is a house music party at Island Athens Riviera in Varkiza, Athens, on 17 April 2026. The venue sits on a cliff above the Saronic Gulf — gardens, dining terraces, and a dance floor open to the sea air.\n\nPedrik, Koni, and Pande share the decks for an evening of house music starting at 18:00, when April light still reaches the water.\n\nIf you want a dark basement and a 02:00 start, this runs in the opposite direction. If you want house music where the ceiling is the sky and the walls are the Saronic Gulf, tickets are EUR 20.", "hasNativeGreek": false, "startDate": "2026-04-17T18:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "House", "DJ-set", "Athens-Riviera", "Open-air", "20s-30s", "Mixed-international", "Early-evening", "Dance-floor", "Taxi-recommended" ], "venue": { "name": "Island Athens Riviera", "address": "3 Vasileos Georgiou A, Pl. Sintagmatos Str", "neighborhood": "", "coordinates": { "lat": 37.976435, "lon": 23.734889 }, "capacity": null }, "price": { "type": "paid", "amount": 20, "currency": "EUR", "range": "€20" }, "url": "https://www.athinorama.gr/music/gig/koni_is_calling-10089796/", "ticketUrl": "https://www.athinorama.gr/music/gig/koni_is_calling-10089796/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 13:24:10", "language": "en", "timeDoors": "18:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "fa2c9beb75e9127b", "title": "Nine Below Zero", "description": "", "fullDescription": "Forty-nine years since Dennis Greaves and Mark Feltham started playing Chicago blues in South London pubs. Nine Below Zero performs at Piraeus Club Academy on 17 April 2026 — the largest live rock venue in central Athens.\n\nThe band formed in 1977, toured with The Who and The Kinks, and charted three albums in the early 1980s. Greaves still sings. Feltham still plays harmonica. The formula: high-energy British rhythm and blues, no safety net.\n\nIf you want polished production, this is not that room. If you need harmonica and sweat, Nine Below Zero has delivered both for nearly five decades. Piraeus 105. Tickets €25–32 via more.com. Doors at 20:00.", "fullDescriptionEn": "Forty-nine years since Dennis Greaves and Mark Feltham started playing Chicago blues in South London pubs. Nine Below Zero performs at Piraeus Club Academy on 17 April 2026 — the largest live rock venue in central Athens.\n\nThe band formed in 1977, toured with The Who and The Kinks, and charted three albums in the early 1980s. Greaves still sings. Feltham still plays harmonica. The formula: high-energy British rhythm and blues, no safety net.\n\nIf you want polished production, this is not that room. If you need harmonica and sweat, Nine Below Zero has delivered both for nearly five decades. Piraeus 105. Tickets €25–32 via more.com. Doors at 20:00.", "fullDescriptionGr": "Forty-nine years since Dennis Greaves and Mark Feltham started playing Chicago blues in South London pubs. Nine Below Zero performs at Piraeus Club Academy on 17 April 2026 — the largest live rock venue in central Athens.\n\nThe band formed in 1977, toured with The Who and The Kinks, and charted three albums in the early 1980s. Greaves still sings. Feltham still plays harmonica. The formula: high-energy British rhythm and blues, no safety net.\n\nIf you want polished production, this is not that room. If you need harmonica and sweat, Nine Below Zero has delivered both for nearly five decades. Piraeus 105. Tickets €25–32 via more.com. Doors at 20:00.", "hasNativeGreek": false, "startDate": "2026-04-17T20:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "Rock", "Concert-format", "Standing-room", "Mixed-ages", "Music-heads", "Metro-accessible" ], "venue": { "name": "Piraeus Club Academy", "address": "Piraeus 105, Athens 118 54", "neighborhood": "Omonia / Central Athens", "coordinates": { "lat": 37.98, "lon": 23.731 }, "capacity": null }, "price": { "type": "paid", "amount": 25, "currency": "EUR", "range": "€25 - €32" }, "url": "https://www.athinorama.gr/music/gig/nine_below_zero-10058532/", "ticketUrl": "https://www.athinorama.gr/music/gig/nine_below_zero-10058532/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 13:43:15", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "456faf6f0d7dacb9", "title": "VOIX D'OR", "description": "", "fullDescription": "VOIX D'OR is an opera vocal concert at Megaron Mousikis Athinon in Athens on 17 April 2026 at 20:00. Nineteen hundred and sixty seats rake upward inside the Christos Lambrakis Hall, a 6,080-pipe organ fills the back wall, and the acoustics hold a voice the way a glass holds water — nothing spills, nothing blurs.\n\nThe title translates from French as \"golden voices,\" and the hall was built for exactly that. The Lambrakis Hall, designed by Heinrich Keilholz with acoustic engineering by Theodore Timagenis, lets unamplified singing reach every seat without reinforcement. Its reputation among classical musicians is practical rather than ceremonial — a soprano can float a pianissimo to the last row of the upper circle and know it arrives intact.\n\nThe audience for a weeknight vocal concert at the Megaron arranges itself along familiar lines: season subscribers who plan by program booklet, conservatory students who come to study phrasing from the upper rows, couples for whom the foyer — 2,500 square metres of marble with sightlines toward Lycabettus — is the first act of the evening.\n\nThe program runs ninety minutes with a ten-minute intermission. In a room this size, engineered for the human voice, the experience shifts with your seat. Upper circle delivers the acoustic blend — voices and instruments merge into a single unified image. Stalls center places you close enough to read a singer's breathing. The 6,080-pipe organ behind the stage is a presence even in programs where it does not play — its pipes frame the visual field, a reminder that this room was designed around the full range of what acoustic instruments can produce.\n\nIf you want underground energy, late-night atmosphere, or music you can talk over, the Megaron exists in a different category entirely. But if you want to sit in a room built for unamplified voice and hear trained singers carry operatic repertoire without a microphone between stage and seat, this is what the Lambrakis Hall was designed to deliver.\n\nThe Megaron sits directly above Megaro Moussikis metro. Tickets start from EUR 15 through ticketservices.gr, with multiple tiers — center stalls for direct sightlines, upper circle for acoustic balance. The foyer opens before the performance and during intermission; arrive early for the space itself. Underground parking is available but fills quickly for evening concerts — metro is the cleaner option.\n\nNinety minutes of voice in a hall where 1,960 seats hear every breath — the Megaron does not need to decorate that.", "fullDescriptionEn": "VOIX D'OR is an opera vocal concert at Megaron Mousikis Athinon in Athens on 17 April 2026 at 20:00. Nineteen hundred and sixty seats rake upward inside the Christos Lambrakis Hall, a 6,080-pipe organ fills the back wall, and the acoustics hold a voice the way a glass holds water — nothing spills, nothing blurs.\n\nThe title translates from French as \"golden voices,\" and the hall was built for exactly that. The Lambrakis Hall, designed by Heinrich Keilholz with acoustic engineering by Theodore Timagenis, lets unamplified singing reach every seat without reinforcement. Its reputation among classical musicians is practical rather than ceremonial — a soprano can float a pianissimo to the last row of the upper circle and know it arrives intact.\n\nThe audience for a weeknight vocal concert at the Megaron arranges itself along familiar lines: season subscribers who plan by program booklet, conservatory students who come to study phrasing from the upper rows, couples for whom the foyer — 2,500 square metres of marble with sightlines toward Lycabettus — is the first act of the evening.\n\nThe program runs ninety minutes with a ten-minute intermission. In a room this size, engineered for the human voice, the experience shifts with your seat. Upper circle delivers the acoustic blend — voices and instruments merge into a single unified image. Stalls center places you close enough to read a singer's breathing. The 6,080-pipe organ behind the stage is a presence even in programs where it does not play — its pipes frame the visual field, a reminder that this room was designed around the full range of what acoustic instruments can produce.\n\nIf you want underground energy, late-night atmosphere, or music you can talk over, the Megaron exists in a different category entirely. But if you want to sit in a room built for unamplified voice and hear trained singers carry operatic repertoire without a microphone between stage and seat, this is what the Lambrakis Hall was designed to deliver.\n\nThe Megaron sits directly above Megaro Moussikis metro. Tickets start from EUR 15 through ticketservices.gr, with multiple tiers — center stalls for direct sightlines, upper circle for acoustic balance. The foyer opens before the performance and during intermission; arrive early for the space itself. Underground parking is available but fills quickly for evening concerts — metro is the cleaner option.\n\nNinety minutes of voice in a hall where 1,960 seats hear every breath — the Megaron does not need to decorate that.", "fullDescriptionGr": "VOIX D'OR is an opera vocal concert at Megaron Mousikis Athinon in Athens on 17 April 2026 at 20:00. Nineteen hundred and sixty seats rake upward inside the Christos Lambrakis Hall, a 6,080-pipe organ fills the back wall, and the acoustics hold a voice the way a glass holds water — nothing spills, nothing blurs.\n\nThe title translates from French as \"golden voices,\" and the hall was built for exactly that. The Lambrakis Hall, designed by Heinrich Keilholz with acoustic engineering by Theodore Timagenis, lets unamplified singing reach every seat without reinforcement. Its reputation among classical musicians is practical rather than ceremonial — a soprano can float a pianissimo to the last row of the upper circle and know it arrives intact.\n\nThe audience for a weeknight vocal concert at the Megaron arranges itself along familiar lines: season subscribers who plan by program booklet, conservatory students who come to study phrasing from the upper rows, couples for whom the foyer — 2,500 square metres of marble with sightlines toward Lycabettus — is the first act of the evening.\n\nThe program runs ninety minutes with a ten-minute intermission. In a room this size, engineered for the human voice, the experience shifts with your seat. Upper circle delivers the acoustic blend — voices and instruments merge into a single unified image. Stalls center places you close enough to read a singer's breathing. The 6,080-pipe organ behind the stage is a presence even in programs where it does not play — its pipes frame the visual field, a reminder that this room was designed around the full range of what acoustic instruments can produce.\n\nIf you want underground energy, late-night atmosphere, or music you can talk over, the Megaron exists in a different category entirely. But if you want to sit in a room built for unamplified voice and hear trained singers carry operatic repertoire without a microphone between stage and seat, this is what the Lambrakis Hall was designed to deliver.\n\nThe Megaron sits directly above Megaro Moussikis metro. Tickets start from EUR 15 through ticketservices.gr, with multiple tiers — center stalls for direct sightlines, upper circle for acoustic balance. The foyer opens before the performance and during intermission; arrive early for the space itself. Underground parking is available but fills quickly for evening concerts — metro is the cleaner option.\n\nNinety minutes of voice in a hall where 1,960 seats hear every breath — the Megaron does not need to decorate that.", "hasNativeGreek": false, "startDate": "2026-04-17T20:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "Classical", "Opera", "Vocal-recital", "Concert-hall", "Formal", "Seated", "Listening-room", "Ampelokipoi", "Metro-accessible", "Card-accepted", "Date-night", "Mixed-ages", "Solo-friendly" ], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15" }, "url": "https://www.ticketservices.gr/event/14397/", "ticketUrl": "https://www.ticketservices.gr/event/14397/", "source": "ticketservices", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 13:44:12", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/original/b_62081_or_3.jpg", "imageSource": "backfill", "imageLocal": "/images/events/456faf6f0d7dacb9.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "1518fa9ca26bd119", "title": "Oinopios", "description": "", "fullDescription": "Oinopios brings his new album macho to AN Club in Exarchia on 17 April 2026, doors at 20:00. The rapper's material runs on battle rap intensity blended with old-school and new-school hip hop — bars built for volume, not headphones.\n\nIf you want polished pop-rap crossover, macho sits at a rawer frequency. But if you want hip hop with edge in a venue that has hosted Athens' loudest acts for over thirty years, the room at Solomou 13-15 can hold it.\n\nAN Club is walkable from Omonoia or Panepistimio metro. Tickets EUR 8 through more.com — doors say 20:00 but AN Club runs late. Eight euros and a room that has held its ground for over thirty years.", "fullDescriptionEn": "Oinopios brings his new album macho to AN Club in Exarchia on 17 April 2026, doors at 20:00. The rapper's material runs on battle rap intensity blended with old-school and new-school hip hop — bars built for volume, not headphones.\n\nIf you want polished pop-rap crossover, macho sits at a rawer frequency. But if you want hip hop with edge in a venue that has hosted Athens' loudest acts for over thirty years, the room at Solomou 13-15 can hold it.\n\nAN Club is walkable from Omonoia or Panepistimio metro. Tickets EUR 8 through more.com — doors say 20:00 but AN Club runs late. Eight euros and a room that has held its ground for over thirty years.", "fullDescriptionGr": "Oinopios brings his new album macho to AN Club in Exarchia on 17 April 2026, doors at 20:00. The rapper's material runs on battle rap intensity blended with old-school and new-school hip hop — bars built for volume, not headphones.\n\nIf you want polished pop-rap crossover, macho sits at a rawer frequency. But if you want hip hop with edge in a venue that has hosted Athens' loudest acts for over thirty years, the room at Solomou 13-15 can hold it.\n\nAN Club is walkable from Omonoia or Panepistimio metro. Tickets EUR 8 through more.com — doors say 20:00 but AN Club runs late. Eight euros and a room that has held its ground for over thirty years.", "hasNativeGreek": false, "startDate": "2026-04-17T20:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "Hip-hop", "Rap", "Album-launch", "Live-music", "Underground", "Exarchia", "Metro-accessible", "20s-30s" ], "venue": { "name": "AN Club", "address": "13-15 Solomou Street, Athens 106 82", "neighborhood": "Exarchia", "coordinates": { "lat": 37.9885, "lon": 23.733 }, "capacity": null }, "price": { "type": "paid", "amount": 8, "currency": "EUR", "range": "€8" }, "url": "https://www.athinorama.gr/music/gig/oinopios_-10077572/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 13:44:12", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "9443dd669da7c6cc", "title": "FREDDIE GIBBS (US) LIVE IN ATHENS", "description": "17 Απριλιου FREDDIE GIBBS (US) LIVE IN ATHENS Universe / Saturn Area", "fullDescription": "The bass drops and the room adjusts its collective posture. You feel the beat before you consciously hear it, your body already moving while your brain catches up. Universe has configured its sound system for hip-hop, and Freddie Gibbs is about to demonstrate why he's spent a decade becoming impossible to ignore.\n\nGibbs arrives in Athens carrying the weight of a catalog that's earned him critical devotion and street credibility in equal measure. From Gary, Indiana to everywhere — the journey shows in his delivery, the controlled aggression that never sacrifices technical precision. Albums like \"Alfredo\" (with The Alchemist) and \"Bandana\" (with Madlib) established him as a rapper's rapper, someone whose features get studied by people who study features.\n\nThe 2026 tour brings whatever he's cooking now plus the hits that built the reputation. Expect bars delivered with the confidence of someone who knows his place in the hierarchy. Expect beats that reference hip-hop's history while pushing its future. Expect a performer who treats every room like it matters, who gives Athens the same energy he'd give any city that shows up.\n\nUniverse provides the proper setting for this level of performance. The room's configuration allows the bass to hit without muddying, the mid-range to carry Gibbs' delivery with clarity. The lighting will complement without distracting — this is hip-hop, and the focus stays on the voice, the words, the flow that makes Freddie Gibbs worth crossing cities to witness.\n\nThe crowd arriving tonight mixes demographics but shares characteristic intensity. Hip-hop heads who've tracked Gibbs since Jeezy days. Newer fans who came through the Madlib collaborations. The common thread is appreciation for lyricism that rewards attention, for a performer who doesn't rely on backing tracks to carry the show.\n\nIf you need pop-rap accessibility or music that stays in the background, Gibbs operates in different territory. The lyrics demand attention, the delivery assumes you're listening, the content doesn't soften its edges for comfort. But if you've been waiting for hip-hop that respects its audience's intelligence while hitting hard enough to move your body — Universe holds this night.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Time** | Evening |\n| **Venue** | Universe |\n| **Genre** | Hip-hop |\n| **Price** | Check venue |\n| **Prepare for** | Standing, bass-heavy |\n\nFreddie Gibbs in Athens — bars that hit as hard as the beats.", "fullDescriptionEn": "The bass drops and the room adjusts its collective posture. You feel the beat before you consciously hear it, your body already moving while your brain catches up. Universe has configured its sound system for hip-hop, and Freddie Gibbs is about to demonstrate why he's spent a decade becoming impossible to ignore.\n\nGibbs arrives in Athens carrying the weight of a catalog that's earned him critical devotion and street credibility in equal measure. From Gary, Indiana to everywhere — the journey shows in his delivery, the controlled aggression that never sacrifices technical precision. Albums like \"Alfredo\" (with The Alchemist) and \"Bandana\" (with Madlib) established him as a rapper's rapper, someone whose features get studied by people who study features.\n\nThe 2026 tour brings whatever he's cooking now plus the hits that built the reputation. Expect bars delivered with the confidence of someone who knows his place in the hierarchy. Expect beats that reference hip-hop's history while pushing its future. Expect a performer who treats every room like it matters, who gives Athens the same energy he'd give any city that shows up.\n\nUniverse provides the proper setting for this level of performance. The room's configuration allows the bass to hit without muddying, the mid-range to carry Gibbs' delivery with clarity. The lighting will complement without distracting — this is hip-hop, and the focus stays on the voice, the words, the flow that makes Freddie Gibbs worth crossing cities to witness.\n\nThe crowd arriving tonight mixes demographics but shares characteristic intensity. Hip-hop heads who've tracked Gibbs since Jeezy days. Newer fans who came through the Madlib collaborations. The common thread is appreciation for lyricism that rewards attention, for a performer who doesn't rely on backing tracks to carry the show.\n\nIf you need pop-rap accessibility or music that stays in the background, Gibbs operates in different territory. The lyrics demand attention, the delivery assumes you're listening, the content doesn't soften its edges for comfort. But if you've been waiting for hip-hop that respects its audience's intelligence while hitting hard enough to move your body — Universe holds this night.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Time** | Evening |\n| **Venue** | Universe |\n| **Genre** | Hip-hop |\n| **Price** | Check venue |\n| **Prepare for** | Standing, bass-heavy |\n\nFreddie Gibbs in Athens — bars that hit as hard as the beats.", "fullDescriptionGr": "The bass drops and the room adjusts its collective posture. You feel the beat before you consciously hear it, your body already moving while your brain catches up. Universe has configured its sound system for hip-hop, and Freddie Gibbs is about to demonstrate why he's spent a decade becoming impossible to ignore.\n\nGibbs arrives in Athens carrying the weight of a catalog that's earned him critical devotion and street credibility in equal measure. From Gary, Indiana to everywhere — the journey shows in his delivery, the controlled aggression that never sacrifices technical precision. Albums like \"Alfredo\" (with The Alchemist) and \"Bandana\" (with Madlib) established him as a rapper's rapper, someone whose features get studied by people who study features.\n\nThe 2026 tour brings whatever he's cooking now plus the hits that built the reputation. Expect bars delivered with the confidence of someone who knows his place in the hierarchy. Expect beats that reference hip-hop's history while pushing its future. Expect a performer who treats every room like it matters, who gives Athens the same energy he'd give any city that shows up.\n\nUniverse provides the proper setting for this level of performance. The room's configuration allows the bass to hit without muddying, the mid-range to carry Gibbs' delivery with clarity. The lighting will complement without distracting — this is hip-hop, and the focus stays on the voice, the words, the flow that makes Freddie Gibbs worth crossing cities to witness.\n\nThe crowd arriving tonight mixes demographics but shares characteristic intensity. Hip-hop heads who've tracked Gibbs since Jeezy days. Newer fans who came through the Madlib collaborations. The common thread is appreciation for lyricism that rewards attention, for a performer who doesn't rely on backing tracks to carry the show.\n\nIf you need pop-rap accessibility or music that stays in the background, Gibbs operates in different territory. The lyrics demand attention, the delivery assumes you're listening, the content doesn't soften its edges for comfort. But if you've been waiting for hip-hop that respects its audience's intelligence while hitting hard enough to move your body — Universe holds this night.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, April 17, 2026 |\n| **Time** | Evening |\n| **Venue** | Universe |\n| **Genre** | Hip-hop |\n| **Price** | Check venue |\n| **Prepare for** | Standing, bass-heavy |\n\nFreddie Gibbs in Athens — bars that hit as hard as the beats.", "hasNativeGreek": false, "startDate": "2026-04-17T20:00:00+03:00", "endDate": null, "type": "concert", "genres": [ "music" ], "tags": [], "venue": { "name": "Πολλαπλοί Χώροι", "address": "-", "neighborhood": null, "coordinates": { "lat": 37.9838, "lon": 23.7276 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 30, "currency": "EUR", "range": "από €30" }, "url": "https://www.more.com/gr-el/tickets/music/freddie-gibbs-us-live-in-athens/", "ticketUrl": "https://www.more.com/gr-el/tickets/music/freddie-gibbs-us-live-in-athens/", "source": "more.com", "createdAt": "2026-01-12T21:21:44.838Z", "updatedAt": "2026-02-26 09:05:42", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/a516c733-c900-4ba9-a79f-024bf7618afe/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/9443dd669da7c6cc.webp", "permanentCollection": false, "locationStatus": "pass_through" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "ee2711493d187f7b", "title": "ΧΑΤ ΤΡΙΚ", "description": "", "fullDescription": "Three people, one stage, and the volume of a band twice their size. Xat Trik from Thessaloniki — five albums since 2006, most recently The King Is Naked — return to Athens for two nights at ARCH Club in Tavros with The Meffs, an Essex punk duo whose EPs were produced by Frank Turner, and Ano Throsko.\n\nIf you want quiet conversation, a 650-capacity room at punk volume is not that. But if you want three people making more noise than the headcount suggests, this is the bill.\n\nARCH Club is at Petrou Ralli 29 in Tavros. Doors at 20:30. Tickets €12 via more.com. Two nights only — 17 and 18 April — and the Thessaloniki-to-Athens run does not happen often.", "fullDescriptionEn": "Three people, one stage, and the volume of a band twice their size. Xat Trik from Thessaloniki — five albums since 2006, most recently The King Is Naked — return to Athens for two nights at ARCH Club in Tavros with The Meffs, an Essex punk duo whose EPs were produced by Frank Turner, and Ano Throsko.\n\nIf you want quiet conversation, a 650-capacity room at punk volume is not that. But if you want three people making more noise than the headcount suggests, this is the bill.\n\nARCH Club is at Petrou Ralli 29 in Tavros. Doors at 20:30. Tickets €12 via more.com. Two nights only — 17 and 18 April — and the Thessaloniki-to-Athens run does not happen often.", "fullDescriptionGr": "Three people, one stage, and the volume of a band twice their size. Xat Trik from Thessaloniki — five albums since 2006, most recently The King Is Naked — return to Athens for two nights at ARCH Club in Tavros with The Meffs, an Essex punk duo whose EPs were produced by Frank Turner, and Ano Throsko.\n\nIf you want quiet conversation, a 650-capacity room at punk volume is not that. But if you want three people making more noise than the headcount suggests, this is the bill.\n\nARCH Club is at Petrou Ralli 29 in Tavros. Doors at 20:30. Tickets €12 via more.com. Two nights only — 17 and 18 April — and the Thessaloniki-to-Athens run does not happen often.", "hasNativeGreek": false, "startDate": "2026-04-17T20:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "Punk", "Live-band", "Greek-punk", "Standing", "Dance-floor", "Tavros", "Walk-in-friendly", "20s-30s", "Mixed-ages" ], "venue": { "name": "ARCH Club", "address": "Konstantinoupoleos Ave. 111, Athina 104 47", "neighborhood": "", "coordinates": { "lat": 37.981791, "lon": 23.711975 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "€12" }, "url": "https://www.athinorama.gr/music/gig/xat_trik-10013534/", "ticketUrl": "https://www.athinorama.gr/music/gig/xat_trik-10013534/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 16:15:11", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "fc050745e618f7e6", "title": "Κρατική Ορχήστρα Αθηνών", "description": "", "fullDescription": "The Athens State Orchestra performs Neos Kosmos kai Nostos at the Christos Lambrakis Hall in Megaron Mousikis on 17 April 2026, with Dinís Sousa conducting, Manos Kitsikopoulos at the piano, and Eleni Calenos as soprano soloist. The program title — New World and Nostos — invokes nostos, the Greek word for homecoming that gave English the word nostalgia. Four works trace what happened when European musical traditions crossed the Atlantic and came back changed, marking the 250th anniversary of American independence.\n\nSousa is Portuguese, Music Director of the Royal Northern Sinfonia, and the first assistant conductor of Sir John Eliot Gardiner's Monteverdi Choir and Orchestras. He won the Critics' Circle Young Talent Award in 2023 and drew praise from The Guardian for an \"electrifying\" Les Troyens at the Salzburg Festival that year. Kitsikopoulos trained at the Royal Academy of Music in London, holds the DipRAM — the Academy's highest performance distinction — and won the Grand Prix at the ClaMo International Piano Competition in 2019. Calenos is a Greek soprano born in Thessaloniki who began as a cellist before shifting to opera in the United States, performing more than twenty roles including Tosca and Cio-Cio San.\n\nThe audience for a Friday evening orchestral concert at the Lambrakis Hall splits by interest: subscribers following the KOA season, piano students watching Kitsikopoulos navigate Beethoven from the stalls, and those drawn by the rarity of hearing Barber's Knoxville performed live with full orchestra.\n\nThe concert opens with Christos Samaras's Nostos III, commissioned by the Athens State Orchestra — a contemporary Greek composition framing the evening's theme of departure and return. Beethoven's Piano Concerto No. 1 follows — his first published concerto, a work of architectural clarity that gives Kitsikopoulos room for the fingerwork that won him the ClaMo competition. After the interval, Barber's Knoxville: Summer of 1915 sets James Agee's prose poem about a childhood evening in Tennessee — a soprano over a warm orchestral bed singing about lying in the grass while streetcars pass, carrying the weight of remembering something you did not know you were losing. Copland's Appalachian Spring closes — originally a ballet for Martha Graham in 1944, now an orchestral suite building from Shaker simplicity to variations on the hymn Simple Gifts.\n\nIf you prefer intimate chamber settings where you hear a bow touch a string from three metres, the Lambrakis Hall at full orchestral scale is a different animal. But if you want a program connecting a Greek commission to Beethoven to the American pastoral in a single arc, this is one of the more thoughtfully constructed evenings in the KOA season.\n\nMegaron Mousikis sits directly above Megaro Moussikis metro. Tickets range from €10 to €35 — upper circle carries the sound cleanly, centre stalls give direct sightlines to the piano.\n\nA Greek commission, a Beethoven concerto, a soprano singing Tennessee childhood memories in the hall where Athens hears its orchestral season — four works, three soloists, and a conductor who built his career making borrowed traditions sound inevitable.", "fullDescriptionEn": "The Athens State Orchestra performs Neos Kosmos kai Nostos at the Christos Lambrakis Hall in Megaron Mousikis on 17 April 2026, with Dinís Sousa conducting, Manos Kitsikopoulos at the piano, and Eleni Calenos as soprano soloist. The program title — New World and Nostos — invokes nostos, the Greek word for homecoming that gave English the word nostalgia. Four works trace what happened when European musical traditions crossed the Atlantic and came back changed, marking the 250th anniversary of American independence.\n\nSousa is Portuguese, Music Director of the Royal Northern Sinfonia, and the first assistant conductor of Sir John Eliot Gardiner's Monteverdi Choir and Orchestras. He won the Critics' Circle Young Talent Award in 2023 and drew praise from The Guardian for an \"electrifying\" Les Troyens at the Salzburg Festival that year. Kitsikopoulos trained at the Royal Academy of Music in London, holds the DipRAM — the Academy's highest performance distinction — and won the Grand Prix at the ClaMo International Piano Competition in 2019. Calenos is a Greek soprano born in Thessaloniki who began as a cellist before shifting to opera in the United States, performing more than twenty roles including Tosca and Cio-Cio San.\n\nThe audience for a Friday evening orchestral concert at the Lambrakis Hall splits by interest: subscribers following the KOA season, piano students watching Kitsikopoulos navigate Beethoven from the stalls, and those drawn by the rarity of hearing Barber's Knoxville performed live with full orchestra.\n\nThe concert opens with Christos Samaras's Nostos III, commissioned by the Athens State Orchestra — a contemporary Greek composition framing the evening's theme of departure and return. Beethoven's Piano Concerto No. 1 follows — his first published concerto, a work of architectural clarity that gives Kitsikopoulos room for the fingerwork that won him the ClaMo competition. After the interval, Barber's Knoxville: Summer of 1915 sets James Agee's prose poem about a childhood evening in Tennessee — a soprano over a warm orchestral bed singing about lying in the grass while streetcars pass, carrying the weight of remembering something you did not know you were losing. Copland's Appalachian Spring closes — originally a ballet for Martha Graham in 1944, now an orchestral suite building from Shaker simplicity to variations on the hymn Simple Gifts.\n\nIf you prefer intimate chamber settings where you hear a bow touch a string from three metres, the Lambrakis Hall at full orchestral scale is a different animal. But if you want a program connecting a Greek commission to Beethoven to the American pastoral in a single arc, this is one of the more thoughtfully constructed evenings in the KOA season.\n\nMegaron Mousikis sits directly above Megaro Moussikis metro. Tickets range from €10 to €35 — upper circle carries the sound cleanly, centre stalls give direct sightlines to the piano.\n\nA Greek commission, a Beethoven concerto, a soprano singing Tennessee childhood memories in the hall where Athens hears its orchestral season — four works, three soloists, and a conductor who built his career making borrowed traditions sound inevitable.", "fullDescriptionGr": "The Athens State Orchestra performs Neos Kosmos kai Nostos at the Christos Lambrakis Hall in Megaron Mousikis on 17 April 2026, with Dinís Sousa conducting, Manos Kitsikopoulos at the piano, and Eleni Calenos as soprano soloist. The program title — New World and Nostos — invokes nostos, the Greek word for homecoming that gave English the word nostalgia. Four works trace what happened when European musical traditions crossed the Atlantic and came back changed, marking the 250th anniversary of American independence.\n\nSousa is Portuguese, Music Director of the Royal Northern Sinfonia, and the first assistant conductor of Sir John Eliot Gardiner's Monteverdi Choir and Orchestras. He won the Critics' Circle Young Talent Award in 2023 and drew praise from The Guardian for an \"electrifying\" Les Troyens at the Salzburg Festival that year. Kitsikopoulos trained at the Royal Academy of Music in London, holds the DipRAM — the Academy's highest performance distinction — and won the Grand Prix at the ClaMo International Piano Competition in 2019. Calenos is a Greek soprano born in Thessaloniki who began as a cellist before shifting to opera in the United States, performing more than twenty roles including Tosca and Cio-Cio San.\n\nThe audience for a Friday evening orchestral concert at the Lambrakis Hall splits by interest: subscribers following the KOA season, piano students watching Kitsikopoulos navigate Beethoven from the stalls, and those drawn by the rarity of hearing Barber's Knoxville performed live with full orchestra.\n\nThe concert opens with Christos Samaras's Nostos III, commissioned by the Athens State Orchestra — a contemporary Greek composition framing the evening's theme of departure and return. Beethoven's Piano Concerto No. 1 follows — his first published concerto, a work of architectural clarity that gives Kitsikopoulos room for the fingerwork that won him the ClaMo competition. After the interval, Barber's Knoxville: Summer of 1915 sets James Agee's prose poem about a childhood evening in Tennessee — a soprano over a warm orchestral bed singing about lying in the grass while streetcars pass, carrying the weight of remembering something you did not know you were losing. Copland's Appalachian Spring closes — originally a ballet for Martha Graham in 1944, now an orchestral suite building from Shaker simplicity to variations on the hymn Simple Gifts.\n\nIf you prefer intimate chamber settings where you hear a bow touch a string from three metres, the Lambrakis Hall at full orchestral scale is a different animal. But if you want a program connecting a Greek commission to Beethoven to the American pastoral in a single arc, this is one of the more thoughtfully constructed evenings in the KOA season.\n\nMegaron Mousikis sits directly above Megaro Moussikis metro. Tickets range from €10 to €35 — upper circle carries the sound cleanly, centre stalls give direct sightlines to the piano.\n\nA Greek commission, a Beethoven concerto, a soprano singing Tennessee childhood memories in the hall where Athens hears its orchestral season — four works, three soloists, and a conductor who built his career making borrowed traditions sound inevitable.", "hasNativeGreek": false, "startDate": "2026-04-17T20:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "Classical", "Orchestral", "Piano-concerto", "Soprano", "Opera", "Contemporary-classical", "American-repertoire", "Beethoven", "Barber", "Copland", "Metro-accessible", "Seated", "Mixed-ages", "Date-night" ], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10 - €35" }, "url": "https://www.athinorama.gr/music/gig/kratiki_orxistra_athinon-10083788/", "ticketUrl": "https://www.athinorama.gr/music/gig/kratiki_orxistra_athinon-10083788/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 16:15:11", "language": "en", "timeDoors": "20:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "c653d477ab0444c3", "title": "Garvin", "description": "", "fullDescription": "Garvin is a concert at Death Disco in Psiri, Athens, on 17 April 2026 at 21:00. The set draws from debut album Midnight Stories and previews new material from the forthcoming Shades of Us, with guest musicians joining through the evening.\n\nDeath Disco holds around two hundred people in a room built for darkwave and synth, but the venue's programming runs wider than its name suggests. Garvin brings rock-pop-folk into that equation.\n\nIf you need a polished seated affair, this is standing-room with a bar. If you want guitar-driven songs at volume in a compact Psiri basement, tickets are €12 through more.com.", "fullDescriptionEn": "Garvin is a concert at Death Disco in Psiri, Athens, on 17 April 2026 at 21:00. The set draws from debut album Midnight Stories and previews new material from the forthcoming Shades of Us, with guest musicians joining through the evening.\n\nDeath Disco holds around two hundred people in a room built for darkwave and synth, but the venue's programming runs wider than its name suggests. Garvin brings rock-pop-folk into that equation.\n\nIf you need a polished seated affair, this is standing-room with a bar. If you want guitar-driven songs at volume in a compact Psiri basement, tickets are €12 through more.com.", "fullDescriptionGr": "Garvin is a concert at Death Disco in Psiri, Athens, on 17 April 2026 at 21:00. The set draws from debut album Midnight Stories and previews new material from the forthcoming Shades of Us, with guest musicians joining through the evening.\n\nDeath Disco holds around two hundred people in a room built for darkwave and synth, but the venue's programming runs wider than its name suggests. Garvin brings rock-pop-folk into that equation.\n\nIf you need a polished seated affair, this is standing-room with a bar. If you want guitar-driven songs at volume in a compact Psiri basement, tickets are €12 through more.com.", "hasNativeGreek": false, "startDate": "2026-04-17T21:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "Rock", "Indie", "Live-band", "Psiri", "Basement", "Underground", "Standing-room", "Concert-format", "20s-30s", "Music-heads", "Metro-accessible" ], "venue": { "name": "Death Disco", "address": "Ogygou 16, Psyrri, Athens 105 54", "neighborhood": "Psyrri", "coordinates": { "lat": 37.977, "lon": 23.7265 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "€12" }, "url": "https://www.athinorama.gr/music/gig/garvin_-10085597/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 16:09:50", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "b9b88d4dc1f19059", "title": "6daEXIt Improvisation Ensemble", "description": "", "fullDescription": "6daEXIt Improvisation Ensemble is a concert at Kentro Elegchou Tileoraseon in Kypseli, Athens, on 17 April 2026 at 21:00. The ensemble formed in 2007 from a music improvisation class at Aristotle University in Thessaloniki and has spent nineteen years practicing free improvisation and performing graphic scores. This concert presents four world premieres by lo wie, Andrew Weathers, Kevin Corcoran, and Anton Lukoszevieze.\n\nEvery performance differs — the final form emerges in real time, and the line between composed and improvised dissolves by design.\n\nIf you want predictable setlists and recognizable melodies, this is the opposite. If you want to hear notation that leaves decisions to the performers in a former TV repair shop, KET is at Kiprou 91A. Tickets €10.", "fullDescriptionEn": "6daEXIt Improvisation Ensemble is a concert at Kentro Elegchou Tileoraseon in Kypseli, Athens, on 17 April 2026 at 21:00. The ensemble formed in 2007 from a music improvisation class at Aristotle University in Thessaloniki and has spent nineteen years practicing free improvisation and performing graphic scores. This concert presents four world premieres by lo wie, Andrew Weathers, Kevin Corcoran, and Anton Lukoszevieze.\n\nEvery performance differs — the final form emerges in real time, and the line between composed and improvised dissolves by design.\n\nIf you want predictable setlists and recognizable melodies, this is the opposite. If you want to hear notation that leaves decisions to the performers in a former TV repair shop, KET is at Kiprou 91A. Tickets €10.", "fullDescriptionGr": "6daEXIt Improvisation Ensemble is a concert at Kentro Elegchou Tileoraseon in Kypseli, Athens, on 17 April 2026 at 21:00. The ensemble formed in 2007 from a music improvisation class at Aristotle University in Thessaloniki and has spent nineteen years practicing free improvisation and performing graphic scores. This concert presents four world premieres by lo wie, Andrew Weathers, Kevin Corcoran, and Anton Lukoszevieze.\n\nEvery performance differs — the final form emerges in real time, and the line between composed and improvised dissolves by design.\n\nIf you want predictable setlists and recognizable melodies, this is the opposite. If you want to hear notation that leaves decisions to the performers in a former TV repair shop, KET is at Kiprou 91A. Tickets €10.", "hasNativeGreek": false, "startDate": "2026-04-17T21:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "Experimental", "Kypseli", "Intimate", "Music-heads", "Seated", "Concert-format", "Metro-accessible" ], "venue": { "name": "Κέντρο Ελέγχου Τηλεοράσεων", "address": "Kyprou 91A & Sikinou 35A, Athens 113 64", "neighborhood": "Kypseli", "coordinates": { "lat": 38.002, "lon": 23.7325 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10" }, "url": "https://www.athinorama.gr/music/gig/6daexit_improvisation_ensemble-10089757/", "ticketUrl": "https://www.athinorama.gr/music/gig/6daexit_improvisation_ensemble-10089757/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 16:09:50", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "904e2e8e5a1fccd1", "title": "Matina Sous Peau", "description": "", "fullDescription": "Friday night in the foyer of a neoclassical theater built in 1895 — Matina Sous Peau plays a DJ set at Foyer Art Stage inside the Piraeus Municipal Theater on 17 April 2026 at 21:00. Fifteen years of sets that pull from early house, disco, electronica, and R&B. Releases on Inner Ear Records and Eskimo Recordings, sets at Plissken Festival and Athens Technopolis Jazz.\n\nIf you want genre purity, her approach crosses too many lines. But if you want a Friday set that moves between decades without losing the thread, the foyer is the room.\n\nLeoforos Iroon Polytechneiou 32, Piraeus. Tickets EUR 10.", "fullDescriptionEn": "Friday night in the foyer of a neoclassical theater built in 1895 — Matina Sous Peau plays a DJ set at Foyer Art Stage inside the Piraeus Municipal Theater on 17 April 2026 at 21:00. Fifteen years of sets that pull from early house, disco, electronica, and R&B. Releases on Inner Ear Records and Eskimo Recordings, sets at Plissken Festival and Athens Technopolis Jazz.\n\nIf you want genre purity, her approach crosses too many lines. But if you want a Friday set that moves between decades without losing the thread, the foyer is the room.\n\nLeoforos Iroon Polytechneiou 32, Piraeus. Tickets EUR 10.", "fullDescriptionGr": "Friday night in the foyer of a neoclassical theater built in 1895 — Matina Sous Peau plays a DJ set at Foyer Art Stage inside the Piraeus Municipal Theater on 17 April 2026 at 21:00. Fifteen years of sets that pull from early house, disco, electronica, and R&B. Releases on Inner Ear Records and Eskimo Recordings, sets at Plissken Festival and Athens Technopolis Jazz.\n\nIf you want genre purity, her approach crosses too many lines. But if you want a Friday set that moves between decades without losing the thread, the foyer is the room.\n\nLeoforos Iroon Polytechneiou 32, Piraeus. Tickets EUR 10.", "hasNativeGreek": false, "startDate": "2026-04-17T21:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [ "DJ-set", "House", "Disco", "Electronica", "Piraeus", "With-ticket", "Dance-floor", "Mixed-ages" ], "venue": { "name": "Foyer Art Stage", "address": "Ierou Lochou 7, Peristeri 121 31", "neighborhood": "", "coordinates": { "lat": 38.006775, "lon": 23.69808 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10" }, "url": "https://www.athinorama.gr/music/gig/matina_sous_peau-10089774/", "ticketUrl": "https://www.athinorama.gr/music/gig/matina_sous_peau-10089774/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 16:14:06", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "197105e877a4e835", "title": "Kasimmavik", "description": "", "hasNativeGreek": false, "startDate": "2026-04-17T21:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Underflow", "address": "Underflow Record Store and Art Gallery, 39", "neighborhood": "", "coordinates": { "lat": 37.964524, "lon": 23.727708 }, "capacity": null }, "price": { "type": "paid", "amount": 5, "currency": "EUR", "range": "€5" }, "url": "https://www.athinorama.gr/music/gig/kasimmavik-10089802/", "ticketUrl": "https://www.athinorama.gr/music/gig/kasimmavik-10089802/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "0d9f288819fe827f", "title": "Picos Apicos & The Pina Coladas", "description": "", "hasNativeGreek": false, "startDate": "2026-04-17T21:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Θέατρο Μεταξουργείο", "address": "Akademou 14, Athens 104 36", "neighborhood": "Metaxourgeio", "coordinates": { "lat": 37.9821, "lon": 23.7206 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10" }, "url": "https://www.athinorama.gr/music/gig/picos_apicos_kai_the_pina_coladas-10030075/", "ticketUrl": "https://www.athinorama.gr/music/gig/picos_apicos_kai_the_pina_coladas-10030075/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "6a759b627957cd5b", "title": "Alexandra Sieti", "description": "", "hasNativeGreek": false, "startDate": "2026-04-17T21:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Κύτταρο", "address": "Αχαρνών, Ipeirou και", "neighborhood": "", "coordinates": { "lat": 37.990675, "lon": 23.726265 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10" }, "url": "https://www.athinorama.gr/music/gig/alexandra_sieti-10085166/", "ticketUrl": "https://www.athinorama.gr/music/gig/alexandra_sieti-10085166/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "89d6a617a84e8b79", "title": "«You must believe in Spring»", "description": "", "hasNativeGreek": false, "startDate": "2026-04-17T21:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Το Τρένο στο Ρουφ", "address": "Konstantinoupoleos, Rouf Station, Athens 118 54", "neighborhood": "Rouf / Gazi", "coordinates": { "lat": 37.9742, "lon": 23.7037 }, "capacity": null }, "price": { "type": "paid", "amount": 18, "currency": "EUR", "range": "€18" }, "url": "https://www.athinorama.gr/music/gig/you_must_believe_in_spring-10089749/", "ticketUrl": "https://www.athinorama.gr/music/gig/you_must_believe_in_spring-10089749/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "bdccc23befae80f1", "title": "Σταμάτης Μουστάκας", "description": "", "hasNativeGreek": false, "startDate": "2026-04-17T22:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Caja de Música", "address": "Sinopis 27 & Michalakopoulou, Athens 115 27", "neighborhood": "Ampelokipoi / Gkyzi", "coordinates": { "lat": 37.984, "lon": 23.7515 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10" }, "url": "https://www.athinorama.gr/music/gig/stamatis_moustakas-10087438/", "ticketUrl": "https://www.athinorama.gr/music/gig/stamatis_moustakas-10087438/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "22:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "533a96a5b9f137c2", "title": "JESSE DAVIS QUARTET", "description": "", "hasNativeGreek": false, "startDate": "2026-04-17T22:30:00", "endDate": null, "type": "concert", "genres": [ "jazz" ], "tags": [], "venue": { "name": "Half Note Jazz Club", "address": "17 Trivonianou Street, Athens 116 36", "neighborhood": "Mets", "coordinates": { "lat": 37.9661, "lon": 23.7463 }, "capacity": null }, "price": { "type": "paid", "amount": 25, "currency": "EUR", "range": "από €25" }, "url": "https://www.halfnote.gr/event/jesse-davis-quartet-3/2026-04-17/", "ticketUrl": "https://www.halfnote.gr/event/jesse-davis-quartet-3/2026-04-17/", "source": "halfnote", "createdAt": "2026-03-24 06:24:47", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "22:30", "timeSource": "scraped_listing", "imageUrl": "https://www.halfnote.gr/wp-content/uploads/2026/03/more2-1.jpg", "imageSource": "backfill", "imageLocal": "/images/events/533a96a5b9f137c2.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "5e2da0fcd930c916", "title": "The Organ-ization Sessions & Yiannis Kassetas", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Poetry Bar", "address": "Poetry bar, 2-4", "neighborhood": "", "coordinates": { "lat": 37.985952, "lon": 23.733488 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/the_organ_ization_sessions_kai_yiannis_kassetas-10052168/", "ticketUrl": "https://www.athinorama.gr/music/gig/the_organ_ization_sessions_kai_yiannis_kassetas-10052168/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-14 14:12:29", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "65e32c40db6e9472", "title": "«Πασχαλινές καντάδες στο Μέγαρο»", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Αίθουσα Διδασκαλίας Μεγάρου Μουσικής", "address": "Megaro Mousikis, Athina 115 21", "neighborhood": "", "coordinates": { "lat": 37.981015, "lon": 23.754098 }, "capacity": null }, "price": { "type": "tba", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/music/gig/pasxalines_kantades_sto_megaro-10089781/", "ticketUrl": "https://www.athinorama.gr/music/gig/pasxalines_kantades_sto_megaro-10089781/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:12:34", "language": "en", "timeSource": "not_found", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "184d361555db6213", "title": "Νέγρος Του Μοριά", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18T19:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Floyd", "address": "Pireos 117, Athens 118 54", "neighborhood": "Keramikos / Metaxourgeio", "coordinates": { "lat": 37.9795, "lon": 23.718 }, "capacity": null }, "price": { "type": "paid", "amount": 15, "currency": "EUR", "range": "€15 - €18" }, "url": "https://www.athinorama.gr/music/gig/negros_tou_moria_-10077955/", "ticketUrl": "https://www.athinorama.gr/music/gig/negros_tou_moria_-10077955/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "19:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "13efe10aa940b66f", "title": "Konstantinos Asimakis Quartet", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18T19:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "€12" }, "url": "https://www.athinorama.gr/music/gig/konstantinos_asimakis_quartet-10076425/", "ticketUrl": "https://www.athinorama.gr/music/gig/konstantinos_asimakis_quartet-10076425/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "19:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "6d568753a146934b", "title": "FM", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18T19:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Κύτταρο", "address": "Αχαρνών, Ipeirou και", "neighborhood": "", "coordinates": { "lat": 37.990675, "lon": 23.726265 }, "capacity": null }, "price": { "type": "paid", "amount": 30, "currency": "EUR", "range": "€30" }, "url": "https://www.athinorama.gr/music/gig/fm_-10083412/", "ticketUrl": "https://www.athinorama.gr/music/gig/fm_-10083412/", "source": "athinorama.gr", "createdAt": "2026-04-07 11:26:09", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "19:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "6438ebf8b7d47477", "title": "Warrel Dane tribute", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18T20:00:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "AN Club", "address": "13-15 Solomou Street, Athens 106 82", "neighborhood": "Exarchia", "coordinates": { "lat": 37.9885, "lon": 23.733 }, "capacity": null }, "price": { "type": "paid", "amount": 12, "currency": "EUR", "range": "€12" }, "url": "https://www.athinorama.gr/music/gig/warrel_dane_tribute-10063813/", "source": "athinorama.gr", "createdAt": "2026-04-08 10:46:13", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "5b80b55f3baac9ed", "title": "A PLACE TO BURY STRANGERS live in Athens", "description": "18 Απριλιου A PLACE TO BURY STRANGERS live in Athens Gazarte - Ground Stage", "fullDescription": "The feedback starts before you find the bar. Sheets of guitar noise crash against the walls of Gazarte's Ground Stage, the sound physical before it becomes musical. You've walked into a room where three people are making enough noise for an orchestra, and somehow it all coheres into something beautiful. A Place To Bury Strangers is teaching Athens about controlled destruction.\n\nThe Brooklyn trio has spent two decades refining the art of beautiful noise. Since 2003, Oliver Ackermann and company have been building walls of sound that tower and collapse, melodies buried under distortion that gradually reveal themselves to the patient listener. Their reputation as \"the loudest band in New York\" isn't marketing — it's a physical reality that Gazarte's Ground Stage is about to verify.\n\nThe venue's basement configuration suits this music perfectly. The low ceiling contains the noise, creates the compression that makes APTBS shows feel engulfing rather than merely loud. The Ground Stage has hosted enough volume to know what it's doing. Tonight it earns its specifications.\n\nNoise rock operates in the space between intention and accident. Ackermann's guitar work layers effect upon effect, the original signal long buried under processing that sounds chaotic but follows internal logic. The rhythm section provides anchor points — you can dance to this if you let your body find the pulse beneath the storm. Many do, heads nodding to beats they feel rather than hear clearly.\n\nThe crowd at APTBS shows self-selects for intensity. These are listeners who've found their way to music's edges, who understand that loud and beautiful aren't mutually exclusive. Earplugs appear throughout the room — not signs of weakness but acknowledgment of what's coming. The conversations between songs are shouted, the silence when the band starts is collective surrender.\n\nIf you need lyrical clarity or dynamic range in the conventional sense, A Place To Bury Strangers will bury your expectations under noise. The volume stays high, the approach stays uncompromising. But if you've been hunting for music that operates at the border between sound and sensation — Gazarte's Ground Stage holds this particular intensity.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:30 |\n| **Music** | 21:30 |\n| **Venue** | Gazarte Ground Stage, Voutadon Street, Gazi |\n| **Getting there** | Kerameikos Metro, 5 min walk |\n| **Price** | Check more.com |\n| **Bring** | Earplugs |\n\nA Place To Bury Strangers — noise as a form of meditation.", "fullDescriptionEn": "The feedback starts before you find the bar. Sheets of guitar noise crash against the walls of Gazarte's Ground Stage, the sound physical before it becomes musical. You've walked into a room where three people are making enough noise for an orchestra, and somehow it all coheres into something beautiful. A Place To Bury Strangers is teaching Athens about controlled destruction.\n\nThe Brooklyn trio has spent two decades refining the art of beautiful noise. Since 2003, Oliver Ackermann and company have been building walls of sound that tower and collapse, melodies buried under distortion that gradually reveal themselves to the patient listener. Their reputation as \"the loudest band in New York\" isn't marketing — it's a physical reality that Gazarte's Ground Stage is about to verify.\n\nThe venue's basement configuration suits this music perfectly. The low ceiling contains the noise, creates the compression that makes APTBS shows feel engulfing rather than merely loud. The Ground Stage has hosted enough volume to know what it's doing. Tonight it earns its specifications.\n\nNoise rock operates in the space between intention and accident. Ackermann's guitar work layers effect upon effect, the original signal long buried under processing that sounds chaotic but follows internal logic. The rhythm section provides anchor points — you can dance to this if you let your body find the pulse beneath the storm. Many do, heads nodding to beats they feel rather than hear clearly.\n\nThe crowd at APTBS shows self-selects for intensity. These are listeners who've found their way to music's edges, who understand that loud and beautiful aren't mutually exclusive. Earplugs appear throughout the room — not signs of weakness but acknowledgment of what's coming. The conversations between songs are shouted, the silence when the band starts is collective surrender.\n\nIf you need lyrical clarity or dynamic range in the conventional sense, A Place To Bury Strangers will bury your expectations under noise. The volume stays high, the approach stays uncompromising. But if you've been hunting for music that operates at the border between sound and sensation — Gazarte's Ground Stage holds this particular intensity.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:30 |\n| **Music** | 21:30 |\n| **Venue** | Gazarte Ground Stage, Voutadon Street, Gazi |\n| **Getting there** | Kerameikos Metro, 5 min walk |\n| **Price** | Check more.com |\n| **Bring** | Earplugs |\n\nA Place To Bury Strangers — noise as a form of meditation.", "fullDescriptionGr": "The feedback starts before you find the bar. Sheets of guitar noise crash against the walls of Gazarte's Ground Stage, the sound physical before it becomes musical. You've walked into a room where three people are making enough noise for an orchestra, and somehow it all coheres into something beautiful. A Place To Bury Strangers is teaching Athens about controlled destruction.\n\nThe Brooklyn trio has spent two decades refining the art of beautiful noise. Since 2003, Oliver Ackermann and company have been building walls of sound that tower and collapse, melodies buried under distortion that gradually reveal themselves to the patient listener. Their reputation as \"the loudest band in New York\" isn't marketing — it's a physical reality that Gazarte's Ground Stage is about to verify.\n\nThe venue's basement configuration suits this music perfectly. The low ceiling contains the noise, creates the compression that makes APTBS shows feel immersive rather than merely loud. The Ground Stage has hosted enough volume to know what it's doing. Tonight it earns its specifications.\n\nNoise rock operates in the space between intention and accident. Ackermann's guitar work layers effect upon effect, the original signal long buried under processing that sounds chaotic but follows internal logic. The rhythm section provides anchor points — you can dance to this if you let your body find the pulse beneath the storm. Many do, heads nodding to beats they feel rather than hear clearly.\n\nThe crowd at APTBS shows self-selects for intensity. These are listeners who've found their way to music's edges, who understand that loud and beautiful aren't mutually exclusive. Earplugs appear throughout the room — not signs of weakness but acknowledgment of what's coming. The conversations between songs are shouted, the silence when the band starts is collective surrender.\n\nIf you need lyrical clarity or dynamic range in the conventional sense, A Place To Bury Strangers will bury your expectations under noise. The volume stays high, the approach stays uncompromising. But if you've been hunting for music that operates at the border between sound and sensation — Gazarte's Ground Stage holds this particular intensity.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:30 |\n| **Music** | 21:30 |\n| **Venue** | Gazarte Ground Stage, Voutadon Street, Gazi |\n| **Getting there** | Kerameikos Metro, 5 min walk |\n| **Price** | Check more.com |\n| **Bring** | Earplugs |\n\nA Place To Bury Strangers — noise as a form of meditation.", "hasNativeGreek": false, "startDate": "2026-04-18T20:00:00+03:00", "endDate": null, "type": "concert", "genres": [ "music" ], "tags": [], "venue": { "name": "Gazarte", "address": "32-34 Voutadon St, Gazi, Athens", "neighborhood": "Gazi / Keramikos", "coordinates": { "lat": 37.9775, "lon": 23.7153 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 15, "currency": "EUR", "range": "€10-25" }, "url": "https://www.viva.gr/gr-el/tickets/music/a-place-to-bury-strangers-1/", "ticketUrl": "https://www.viva.gr/gr-el/tickets/music/a-place-to-bury-strangers-1/", "source": "more.com", "createdAt": "2026-01-19T23:07:36.324Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:30", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/site/images/opengraph.png", "imageSource": "backfill", "imageLocal": "/images/events/5b80b55f3baac9ed.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "c4f9d1e4dd4573a6", "title": "FM – 40 Years of “Indiscreet”, Live in Athens", "description": "18 Απριλιου FM – 40 Years of “Indiscreet”, Live in Athens Κυτταρο Live", "fullDescription": "The keyboards shimmer in that specific way that marks 1986 as clearly as a timestamp. You hear it and you're somewhere else — driving at night, the city lights streaking past, the radio finally playing what your heart needed. Kyttaro prepares for FM, and the room fills with people who've been waiting forty years for this evening.\n\n\"Indiscreet\" turns forty. FM's second album landed in a world that was ready for its particular blend of melodic rock and sophisticated production. Songs like \"Bad Luck,\" \"That Girl,\" and the title track became radio staples in markets where AOR still ruled. Tonight's performance celebrates that record's anniversary with the focus it deserves — a full album performance plus deep cuts that reward devoted fans.\n\nKyttaro Live Club provides the historically appropriate setting. This room — Athens' \"mecca of Greek rock,\" recently restored with purpose-built sound — has hosted legends since the Hendrix era. Its 800-capacity creates intimacy without losing the power these songs require. The sound system handles AOR's specific demands — the layered keyboards, the guitar harmonies, the production values that made this music shimmer.\n\nFM in 2026 carries the weight of survival. The band that emerged from Steve Howe's Asia connections has outlasted genre trends, lineup changes, and industry indifference to remain working, touring, still believing in what they do. Tonight's performance offers both nostalgia and proof of ongoing vitality — the songs sound like themselves, the delivery carries decades of road-tested expertise.\n\nThe crowd knows every word. These are the listeners who kept \"Indiscreet\" in rotation when fashion moved elsewhere, who found the album in record bins or discovered it through parents' collections. Conversations before the show swap stories about first encounters with the record, debate favorite deep cuts, establish the shared context that makes celebrations like this meaningful.\n\nIf you need contemporary sounds or ironic distance from 80s production values, FM will challenge your positioning. This is unabashed AOR, committed to the premise that melody and sophistication aren't opposites. But if you've been waiting to hear \"Indiscreet\" performed complete by the artists who made it — Kyttaro hosts this anniversary.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:00 |\n| **Music** | 21:00 |\n| **Venue** | Kyttaro Live Club, Ipeirou 48, near Viktoria Square |\n| **Getting there** | Victoria Metro, then walk/taxi |\n| **Capacity** | 800+ |\n| **Special** | 40th Anniversary of \"Indiscreet\" |\n| **Price** | Check venue |\n\nFM celebrates \"Indiscreet\" at 40 — the album that proved sophistication could rock.", "fullDescriptionEn": "The keyboards shimmer in that specific way that marks 1986 as clearly as a timestamp. You hear it and you're somewhere else — driving at night, the city lights streaking past, the radio finally playing what your heart needed. Kyttaro prepares for FM, and the room fills with people who've been waiting forty years for this evening.\n\n\"Indiscreet\" turns forty. FM's second album landed in a world that was ready for its particular blend of melodic rock and sophisticated production. Songs like \"Bad Luck,\" \"That Girl,\" and the title track became radio staples in markets where AOR still ruled. Tonight's performance celebrates that record's anniversary with the focus it deserves — a full album performance plus deep cuts that reward devoted fans.\n\nKyttaro Live Club provides the historically appropriate setting. This room — Athens' \"mecca of Greek rock,\" recently restored with purpose-built sound — has hosted legends since the Hendrix era. Its 800-capacity creates intimacy without losing the power these songs require. The sound system handles AOR's specific demands — the layered keyboards, the guitar harmonies, the production values that made this music shimmer.\n\nFM in 2026 carries the weight of survival. The band that emerged from Steve Howe's Asia connections has outlasted genre trends, lineup changes, and industry indifference to remain working, touring, still believing in what they do. Tonight's performance offers both nostalgia and proof of ongoing vitality — the songs sound like themselves, the delivery carries decades of road-tested expertise.\n\nThe crowd knows every word. These are the listeners who kept \"Indiscreet\" in rotation when fashion moved elsewhere, who found the album in record bins or discovered it through parents' collections. Conversations before the show swap stories about first encounters with the record, debate favorite deep cuts, establish the shared context that makes celebrations like this meaningful.\n\nIf you need contemporary sounds or ironic distance from 80s production values, FM will challenge your positioning. This is unabashed AOR, committed to the premise that melody and sophistication aren't opposites. But if you've been waiting to hear \"Indiscreet\" performed complete by the artists who made it — Kyttaro hosts this anniversary.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:00 |\n| **Music** | 21:00 |\n| **Venue** | Kyttaro Live Club, Ipeirou 48, near Viktoria Square |\n| **Getting there** | Victoria Metro, then walk/taxi |\n| **Capacity** | 800+ |\n| **Special** | 40th Anniversary of \"Indiscreet\" |\n| **Price** | Check venue |\n\nFM celebrates \"Indiscreet\" at 40 — the album that proved sophistication could rock.", "fullDescriptionGr": "The keyboards shimmer in that specific way that marks 1986 as clearly as a timestamp. You hear it and you're somewhere else — driving at night, the city lights streaking past, the radio finally playing what your heart needed. Kyttaro prepares for FM, and the room fills with people who've been waiting forty years for this evening.\n\n\"Indiscreet\" turns forty. FM's second album landed in a world that was ready for its particular blend of melodic rock and sophisticated production. Songs like \"Bad Luck,\" \"That Girl,\" and the title track became radio staples in markets where AOR still ruled. Tonight's performance celebrates that record's anniversary with the focus it deserves — a full album performance plus deep cuts that reward devoted fans.\n\nKyttaro Live Club provides the historically appropriate setting. This room — Athens' \"mecca of Greek rock,\" recently restored with state-of-the-art sound — has hosted legends since the Hendrix era. Its 800-capacity creates intimacy without losing the power these songs require. The sound system handles AOR's specific demands — the layered keyboards, the guitar harmonies, the production values that made this music shimmer.\n\nFM in 2026 carries the weight of survival. The band that emerged from Steve Howe's Asia connections has outlasted genre trends, lineup changes, and industry indifference to remain working, touring, still believing in what they do. Tonight's performance offers both nostalgia and proof of ongoing vitality — the songs sound like themselves, the delivery carries decades of road-tested expertise.\n\nThe crowd knows every word. These are the listeners who kept \"Indiscreet\" in rotation when fashion moved elsewhere, who found the album in record bins or discovered it through parents' collections. Conversations before the show swap stories about first encounters with the record, debate favorite deep cuts, establish the shared context that makes celebrations like this meaningful.\n\nIf you need contemporary sounds or ironic distance from 80s production values, FM will challenge your positioning. This is unabashed AOR, committed to the premise that melody and sophistication aren't opposites. But if you've been waiting to hear \"Indiscreet\" performed complete by the artists who made it — Kyttaro hosts this anniversary.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 18, 2026 |\n| **Doors** | 20:00 |\n| **Music** | 21:00 |\n| **Venue** | Kyttaro Live Club, Ipeirou 48, near Viktoria Square |\n| **Getting there** | Victoria Metro, then walk/taxi |\n| **Capacity** | 800+ |\n| **Special** | 40th Anniversary of \"Indiscreet\" |\n| **Price** | Check venue |\n\nFM celebrates \"Indiscreet\" at 40 — the album that proved sophistication could rock.", "hasNativeGreek": false, "startDate": "2026-04-18T20:00:00+03:00", "endDate": null, "type": "concert", "genres": [ "music" ], "tags": [], "venue": { "name": "Κύτταρο", "address": "Ipeirou 48, Athens 104 39", "neighborhood": "Metaxourgeio / Viktoria", "coordinates": { "lat": 37.990675, "lon": 23.726265 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 20, "currency": "EUR", "range": "€15-35" }, "url": "https://www.viva.gr/gr-el/tickets/music/fm-40-years-of-indiscreet-live-in-athens/", "ticketUrl": "https://www.viva.gr/gr-el/tickets/music/fm-40-years-of-indiscreet-live-in-athens/", "source": "more.com", "createdAt": "2026-01-19T23:07:36.324Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "19:30", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/site/images/opengraph.png", "imageSource": "backfill", "imageLocal": "/images/events/c4f9d1e4dd4573a6.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "e344a237f2e52577", "title": "ΠΑΣΧΑΛΙΝΕΣ ΚΑΝΤΑΔΕΣ ΣΤΟ ΜΕΓΑΡΟ Ετήσια Συναυλία Ελληνικής Καντάδας", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18T20:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "tba", "amount": 15, "currency": "EUR", "range": "€15 - €30" }, "url": "https://www.ticketservices.gr/event/14329/", "ticketUrl": "https://www.ticketservices.gr/event/14329/", "source": "ticketservices", "createdAt": "2026-03-24 06:24:47", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "18:00", "timeSource": "scraped_listing", "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/main/main4_61612_th8mnposter_pasxa 2026.jpg", "imageSource": "backfill", "imageLocal": "/images/events/e344a237f2e52577.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "MusicEvent", "id": "0feba86fd441fe9f", "title": "«Η λέξη»", "description": "", "hasNativeGreek": false, "startDate": "2026-04-18T20:30:00", "endDate": null, "type": "concert", "genres": [], "tags": [], "venue": { "name": "Εθνική Λυρική Σκηνή", "address": "Leof. 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She came to Athens in 1982 and spent six years working with Manos Hadjidakis. For Elly Loves Jazz she returns to the American songbook, performing at the Olympia Theatre Maria Callas.\n\nPaspala's voice covers classical, folk, and jazz without settling permanently in any one. This program places her inside a band working through standards and deep cuts from the tradition she absorbed before moving to Greece.\n\nThe crowd comes for a singer who treats jazz not as nostalgia but as living material.\n\nIf you want laiko or entechno, Paspala has recorded both — but not tonight. If you want a voice trained in New York performing jazz in a hall built for opera, the Olympia provides the acoustics and Paspala provides the phrasing.\n\nOn Akadimias Street, accessible by metro. 22 April 2026 at 20:30. Tickets from 10 EUR through more.com.\n\nA New York voice, an Athens stage, and a songbook that belongs to both.", "fullDescriptionEn": "Elli Paspala was born in New York and trained at the Manhattan School of Music under soprano Judith Raskin. She came to Athens in 1982 and spent six years working with Manos Hadjidakis. For Elly Loves Jazz she returns to the American songbook, performing at the Olympia Theatre Maria Callas.\n\nPaspala's voice covers classical, folk, and jazz without settling permanently in any one. This program places her inside a band working through standards and deep cuts from the tradition she absorbed before moving to Greece.\n\nThe crowd comes for a singer who treats jazz not as nostalgia but as living material.\n\nIf you want laiko or entechno, Paspala has recorded both — but not tonight. If you want a voice trained in New York performing jazz in a hall built for opera, the Olympia provides the acoustics and Paspala provides the phrasing.\n\nOn Akadimias Street, accessible by metro. 22 April 2026 at 20:30. Tickets from 10 EUR through more.com.\n\nA New York voice, an Athens stage, and a songbook that belongs to both.", "fullDescriptionGr": "Elli Paspala was born in New York and trained at the Manhattan School of Music under soprano Judith Raskin. She came to Athens in 1982 and spent six years working with Manos Hadjidakis. For Elly Loves Jazz she returns to the American songbook, performing at the Olympia Theatre Maria Callas.\n\nPaspala's voice covers classical, folk, and jazz without settling permanently in any one. This program places her inside a band working through standards and deep cuts from the tradition she absorbed before moving to Greece.\n\nThe crowd comes for a singer who treats jazz not as nostalgia but as living material.\n\nIf you want laiko or entechno, Paspala has recorded both — but not tonight. If you want a voice trained in New York performing jazz in a hall built for opera, the Olympia provides the acoustics and Paspala provides the phrasing.\n\nOn Akadimias Street, accessible by metro. 22 April 2026 at 20:30. 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