{ "filters": { "type": "festival", "price": "with-ticket", "time": "this-month" }, "events": [ { "@context": "https://schema.org", "@type": "Festival", "id": "932bd97aa7bd6fca", "title": "39ο Διεθνές Φεστιβάλ Κιθάρας Αθηνών", "description": "", "fullDescription": "The 39th Athens International Guitar Festival runs 16-19 April 2026 at the Athens Conservatoire in Kolonaki, bringing four days of classical, flamenco, and gypsy jazz guitar to a Bauhaus landmark designed by Ioannis Despotopoulos. You walk through a 160-metre facade into halls where the acoustics were shaped for unamplified strings — and for thirty-nine years, the festival founded by Kostas Kotsiolidis has filled them.\n\nThe lineup spans continents and traditions. Opening night pairs two Italian duets: Aniello and Gennaro Desiderio on guitar and violin, Giampaolo Bandini and Cesare Chiacchiaretta on guitar and bandoneon. Friday brings solo recitals by Michalis Sourvinos and Vojin Kocic. Saturday belongs to flamenco and gypsy jazz — Grisha Goryachev followed by the Rosenberg Trio, with Stochelo and Mozes Rosenberg joined by Matheus Nikolaiewsky. The festival closes Sunday with three afternoon recitals and an evening finale: Project Rodrigo, performing three Joaquin Rodrigo concertos with soloists and the Underground Youth Orchestra conducted by Costas Eliades.\n\nThe setting is the Conservatoire's two concert halls — the Aris Garoufalis Hall for intimate recitals, the larger I. Despotopoulos Hall for ensemble evenings. The vibe runs closer to attentive listening than festival energy. The sound is acoustic, unamplified, shaped by the rooms themselves. The door is open to anyone with a ticket.\n\nYou will share these halls with classical guitar devotees who track performers across European festival circuits, conservatory students taking notes, and the particular species of listener who closes their eyes when a flamenco passage accelerates.\n\nIf you want amplified music and a standing crowd, this is not the room. But if you want to hear what a guitar can do when nothing stands between the instrument and the architecture, the Conservatoire was built for this conversation.\n\nThe Athens Conservatoire is on Rigillis and Vasileos Georgiou, a ten-minute walk from Evangelismos metro. Tickets EUR 10-30 through Ticketmaster. Individual concerts carry separate pricing — the opening night on 16 April at 19:30 is EUR 25.\n\nThirty-nine years. The same building. The guitar keeps finding new things to say in it.", "fullDescriptionEn": "The 39th Athens International Guitar Festival runs 16-19 April 2026 at the Athens Conservatoire in Kolonaki, bringing four days of classical, flamenco, and gypsy jazz guitar to a Bauhaus landmark designed by Ioannis Despotopoulos. You walk through a 160-metre facade into halls where the acoustics were shaped for unamplified strings — and for thirty-nine years, the festival founded by Kostas Kotsiolidis has filled them.\n\nThe lineup spans continents and traditions. Opening night pairs two Italian duets: Aniello and Gennaro Desiderio on guitar and violin, Giampaolo Bandini and Cesare Chiacchiaretta on guitar and bandoneon. Friday brings solo recitals by Michalis Sourvinos and Vojin Kocic. Saturday belongs to flamenco and gypsy jazz — Grisha Goryachev followed by the Rosenberg Trio, with Stochelo and Mozes Rosenberg joined by Matheus Nikolaiewsky. The festival closes Sunday with three afternoon recitals and an evening finale: Project Rodrigo, performing three Joaquin Rodrigo concertos with soloists and the Underground Youth Orchestra conducted by Costas Eliades.\n\nThe setting is the Conservatoire's two concert halls — the Aris Garoufalis Hall for intimate recitals, the larger I. Despotopoulos Hall for ensemble evenings. The vibe runs closer to attentive listening than festival energy. The sound is acoustic, unamplified, shaped by the rooms themselves. The door is open to anyone with a ticket.\n\nYou will share these halls with classical guitar devotees who track performers across European festival circuits, conservatory students taking notes, and the particular species of listener who closes their eyes when a flamenco passage accelerates.\n\nIf you want amplified music and a standing crowd, this is not the room. But if you want to hear what a guitar can do when nothing stands between the instrument and the architecture, the Conservatoire was built for this conversation.\n\nThe Athens Conservatoire is on Rigillis and Vasileos Georgiou, a ten-minute walk from Evangelismos metro. Tickets EUR 10-30 through Ticketmaster. Individual concerts carry separate pricing — the opening night on 16 April at 19:30 is EUR 25.\n\nThirty-nine years. The same building. The guitar keeps finding new things to say in it.", "fullDescriptionGr": "The 39th Athens International Guitar Festival runs 16-19 April 2026 at the Athens Conservatoire in Kolonaki, bringing four days of classical, flamenco, and gypsy jazz guitar to a Bauhaus landmark designed by Ioannis Despotopoulos. You walk through a 160-metre facade into halls where the acoustics were shaped for unamplified strings — and for thirty-nine years, the festival founded by Kostas Kotsiolidis has filled them.\n\nThe lineup spans continents and traditions. Opening night pairs two Italian duets: Aniello and Gennaro Desiderio on guitar and violin, Giampaolo Bandini and Cesare Chiacchiaretta on guitar and bandoneon. Friday brings solo recitals by Michalis Sourvinos and Vojin Kocic. Saturday belongs to flamenco and gypsy jazz — Grisha Goryachev followed by the Rosenberg Trio, with Stochelo and Mozes Rosenberg joined by Matheus Nikolaiewsky. The festival closes Sunday with three afternoon recitals and an evening finale: Project Rodrigo, performing three Joaquin Rodrigo concertos with soloists and the Underground Youth Orchestra conducted by Costas Eliades.\n\nThe setting is the Conservatoire's two concert halls — the Aris Garoufalis Hall for intimate recitals, the larger I. Despotopoulos Hall for ensemble evenings. The vibe runs closer to attentive listening than festival energy. The sound is acoustic, unamplified, shaped by the rooms themselves. The door is open to anyone with a ticket.\n\nYou will share these halls with classical guitar devotees who track performers across European festival circuits, conservatory students taking notes, and the particular species of listener who closes their eyes when a flamenco passage accelerates.\n\nIf you want amplified music and a standing crowd, this is not the room. But if you want to hear what a guitar can do when nothing stands between the instrument and the architecture, the Conservatoire was built for this conversation.\n\nThe Athens Conservatoire is on Rigillis and Vasileos Georgiou, a ten-minute walk from Evangelismos metro. Tickets EUR 10-30 through Ticketmaster. Individual concerts carry separate pricing — the opening night on 16 April at 19:30 is EUR 25.\n\nThirty-nine years. The same building. The guitar keeps finding new things to say in it.", "hasNativeGreek": false, "startDate": "2026-04-16", "endDate": null, "type": "festival", "genres": [], "tags": [ "Classical", "World", "Kolonaki", "Historic", "Seated", "Multi-day", "Music-heads", "Metro-accessible" ], "venue": { "name": "Ωδείο Αθηνών", "address": "Rigillis & Vasileos Georgiou B' 17-19, Athens 106 75", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.753 }, "capacity": null }, "price": { "type": "paid", "amount": 10, "currency": "EUR", "range": "€10 - €31" }, "url": "https://www.athinorama.gr/music/gig/39o_diethnes_festibal_kitharas_athinon-10089805/", "ticketUrl": "https://www.athinorama.gr/music/gig/39o_diethnes_festibal_kitharas_athinon-10089805/", "source": "athinorama.gr", "createdAt": "2026-04-10 18:08:12", "updatedAt": "2026-04-15 13:24:38", "language": "en", "timeDoors": "19:30", "timeSource": "scraped_listing", "imageSource": "not_found", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "Festival", "id": "cat-festival-2026-2026-04-25", "title": "Cat Festival 2026", "description": "Γάτα Φεστιβάλ Γατα Φεστιβαλ Cat festival αμαξοστασιο συναυλίες, stand up, δραστηριοτητες για παιδια, ομιλίες φιλοζωικές", "fullDescription": "The old tram depot has transformed overnight. Stages emerge from industrial corners, food stalls line the central corridor, and everywhere — cats. Murals, sculptures, costumes, the feline aesthetic infiltrating every surface. You've entered Cat Festival, and Athens is celebrating something genuinely strange.\n\nThe Palaio Amaxostasio OSY provides the setting this festival deserves. The historic tram depot's industrial bones create atmosphere that new construction couldn't replicate. High ceilings allow sound to travel, while distinct spaces offer variety — move from stage to stage, from vendor to vendor, from experience to experience without leaving the site.\n\nCat Festival brings together music, art, and Athens' peculiar ability to make festivals feel like parties you stumbled into rather than events you bought tickets for. The lineup spans genres, the art installations reward exploration, the food options fuel extended stays. The cat theme provides organizing principle without demanding explanation — Athens loves its cats, festivals love themes, the synthesis makes its own sense.\n\nMultiple stages mean programming runs simultaneous rather than sequential. You'll miss things while watching other things. This is the festival's gift — forcing choices that make each person's experience unique. The decisions you make shape your night. The stages you skip become stories other people tell you later.\n\nThe crowd at Greek festivals carries particular energy. Families early, young adults later, the demographic shifting as hours pass. Everyone seems to know someone, the small world of Athens nightlife collapsing into encounters and reunions. By midnight the stranger-to-friend conversion rate exceeds normal event parameters.\n\nIf you need predictable scheduling or comprehensive coverage, Cat Festival's sprawl will frustrate your completionist instincts. The experience here rewards wandering over planning, discovery over optimization. But if you've been seeking festivals that feel organic rather than corporate, where the venues matter as much as the lineup — the old tram depot holds this particular celebration.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Time** | All day and evening |\n| **Venue** | Palaio Amaxostasio OSY (Old Tram Depot) |\n| **Format** | Multi-stage festival |\n| **Price** | Check organizers |\n| **Prepare for** | Walking, exploring |\n\nCat Festival 2026 — where Athens celebrates its strangest enthusiasms.", "fullDescriptionEn": "The old tram depot has transformed overnight. Stages emerge from industrial corners, food stalls line the central corridor, and everywhere — cats. Murals, sculptures, costumes, the feline aesthetic infiltrating every surface. You've entered Cat Festival, and Athens is celebrating something genuinely strange.\n\nThe Palaio Amaxostasio OSY provides the setting this festival deserves. The historic tram depot's industrial bones create atmosphere that new construction couldn't replicate. High ceilings allow sound to travel, while distinct spaces offer variety — move from stage to stage, from vendor to vendor, from experience to experience without leaving the site.\n\nCat Festival brings together music, art, and Athens' peculiar ability to make festivals feel like parties you stumbled into rather than events you bought tickets for. The lineup spans genres, the art installations reward exploration, the food options fuel extended stays. The cat theme provides organizing principle without demanding explanation — Athens loves its cats, festivals love themes, the synthesis makes its own sense.\n\nMultiple stages mean programming runs simultaneous rather than sequential. You'll miss things while watching other things. This is the festival's gift — forcing choices that make each person's experience unique. The decisions you make shape your night. The stages you skip become stories other people tell you later.\n\nThe crowd at Greek festivals carries particular energy. Families early, young adults later, the demographic shifting as hours pass. Everyone seems to know someone, the small world of Athens nightlife collapsing into encounters and reunions. By midnight the stranger-to-friend conversion rate exceeds normal event parameters.\n\nIf you need predictable scheduling or comprehensive coverage, Cat Festival's sprawl will frustrate your completionist instincts. The experience here rewards wandering over planning, discovery over optimization. But if you've been seeking festivals that feel organic rather than corporate, where the venues matter as much as the lineup — the old tram depot holds this particular celebration.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Time** | All day and evening |\n| **Venue** | Palaio Amaxostasio OSY (Old Tram Depot) |\n| **Format** | Multi-stage festival |\n| **Price** | Check organizers |\n| **Prepare for** | Walking, exploring |\n\nCat Festival 2026 — where Athens celebrates its strangest enthusiasms.", "fullDescriptionGr": "The old tram depot has transformed overnight. Stages emerge from industrial corners, food stalls line the central corridor, and everywhere — cats. Murals, sculptures, costumes, the feline aesthetic infiltrating every surface. You've entered Cat Festival, and Athens is celebrating something genuinely strange.\n\nThe Palaio Amaxostasio OSY provides the setting this festival deserves. The historic tram depot's industrial bones create atmosphere that new construction couldn't replicate. High ceilings allow sound to travel, while distinct spaces offer variety — move from stage to stage, from vendor to vendor, from experience to experience without leaving the site.\n\nCat Festival brings together music, art, and Athens' peculiar ability to make festivals feel like parties you stumbled into rather than events you bought tickets for. The lineup spans genres, the art installations reward exploration, the food options fuel extended stays. The cat theme provides organizing principle without demanding explanation — Athens loves its cats, festivals love themes, the synthesis makes its own sense.\n\nMultiple stages mean programming runs simultaneous rather than sequential. You'll miss things while watching other things. This is the festival's gift — forcing choices that make each person's experience unique. The decisions you make shape your night. The stages you skip become stories other people tell you later.\n\nThe crowd at Greek festivals carries particular energy. Families early, young adults later, the demographic shifting as hours pass. Everyone seems to know someone, the small world of Athens nightlife collapsing into encounters and reunions. By midnight the stranger-to-friend conversion rate exceeds normal event parameters.\n\nIf you need predictable scheduling or comprehensive coverage, Cat Festival's sprawl will frustrate your completionist instincts. The experience here rewards wandering over planning, discovery over optimization. But if you've been seeking festivals that feel organic rather than corporate, where the venues matter as much as the lineup — the old tram depot holds this particular celebration.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, April 25, 2026 |\n| **Time** | All day and evening |\n| **Venue** | Palaio Amaxostasio OSY (Old Tram Depot) |\n| **Format** | Multi-stage festival |\n| **Price** | Check organizers |\n| **Prepare for** | Walking, exploring |\n\nCat Festival 2026 — where Athens celebrates its strangest enthusiasms.", "hasNativeGreek": false, "startDate": "2026-04-25T10:00:00+03:00", "endDate": null, "type": "festival", "genres": [ "festival" ], "tags": [], "venue": { "name": "Παλιό Αμαξοστάσιο ΟΣΥ", "address": "Ερμού 1 & Πειραιώς, 11854, Γκάζι", "neighborhood": "Gazi / Keramikos", "coordinates": { "lat": 37.9778, "lon": 23.7155 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 0, "currency": "EUR", "range": "Δωρεάν" }, "url": "https://www.more.com/gr-el/tickets/happenings/festival/cat-festival-2026/", "ticketUrl": "https://www.more.com/gr-el/tickets/happenings/festival/cat-festival-2026/", "source": "more.com", "createdAt": "2025-10-31T12:22:35.864Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "10:00", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/38375918-d599-4fd3-b220-e01aa7daa7fd/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/cat-festival-2026-2026-04-25.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "Festival", "id": "8fa3b804c0907b5a", "title": "Engineering the World 2026", "description": "Where engineers, innovators and industry leaders come together for a 3-day global event to tackle Data Scarcity and build what’s next.", "fullDescription": "Red brick smokestacks rise above a complex of 19th-century gasworks buildings, their industrial silhouettes softened by the late-April light that slants across the Gazi neighborhood around five in the afternoon. Technopolis -- Athens's converted industrial museum and event campus -- is the kind of venue where you walk between sessions through open courtyards framed by preserved machinery and iron structural beams, the history of one engineering era literally surrounding the conversations about the next one.\n\nEngineering the World runs for three days at the end of April, and its central focus is a problem that has quietly become one of the defining constraints of the current technical moment: data scarcity. The conference gathers engineers, innovators, and industry leaders who are working at the edges of what you can build when the data you need does not exist in convenient, labeled abundance. That means sessions touching synthetic data generation, few-shot and zero-shot learning approaches, transfer learning strategies, data augmentation pipelines, and the organizational challenges of building products when your training set is thin, biased, expensive to acquire, or all three at once.\n\nThe venue itself shapes the experience. Technopolis is not a single auditorium -- it is a campus of multiple buildings and outdoor areas near Keramikos metro station. You move between indoor presentation halls with high ceilings and exposed industrial architecture and open-air zones where the break conversations happen against a backdrop that reminds you engineering has always been about building with constraints. The mix of spaces means the event breathes differently than a hotel conference center. There is room to step outside, decompress, and return.\n\nIf you are an engineer or technical leader dealing with real-world data limitations -- in machine learning, in IoT, in manufacturing, in any domain where the textbook assumption of plentiful clean data collides with reality -- the program is built around your actual problems. If you are a researcher whose work touches data efficiency, or a founder building products where data acquisition cost is a line item that keeps you awake, the three-day format gives enough time to go past surface-level overviews.\n\nThis is a ticketed event, so plan accordingly. The multi-day structure starting at 17:00 each day suggests an afternoon-and-evening cadence, which means you can work during the day and arrive for focused sessions as Athens shifts into its evening energy.\n\nThe neighborhood rewards sticking around after hours. Gazi's density of restaurants, bars, and rooftop terraces sits directly outside the Technopolis gates. Three days in the same venue builds the kind of accumulating familiarity with fellow attendees that single-day events rarely achieve -- by the final evening, the conversations will be different from where they started.", "fullDescriptionEn": "Red brick smokestacks rise above a complex of 19th-century gasworks buildings, their industrial silhouettes softened by the late-April light that slants across the Gazi neighborhood around five in the afternoon. Technopolis -- Athens's converted industrial museum and event campus -- is the kind of venue where you walk between sessions through open courtyards framed by preserved machinery and iron structural beams, the history of one engineering era literally surrounding the conversations about the next one.\n\nEngineering the World runs for three days at the end of April, and its central focus is a problem that has quietly become one of the defining constraints of the current technical moment: data scarcity. The conference gathers engineers, innovators, and industry leaders who are working at the edges of what you can build when the data you need does not exist in convenient, labeled abundance. That means sessions touching synthetic data generation, few-shot and zero-shot learning approaches, transfer learning strategies, data augmentation pipelines, and the organizational challenges of building products when your training set is thin, biased, expensive to acquire, or all three at once.\n\nThe venue itself shapes the experience. Technopolis is not a single auditorium -- it is a campus of multiple buildings and outdoor areas near Keramikos metro station. You move between indoor presentation halls with high ceilings and exposed industrial architecture and open-air zones where the break conversations happen against a backdrop that reminds you engineering has always been about building with constraints. The mix of spaces means the event breathes differently than a hotel conference center. There is room to step outside, decompress, and return.\n\nIf you are an engineer or technical leader dealing with real-world data limitations -- in machine learning, in IoT, in manufacturing, in any domain where the textbook assumption of plentiful clean data collides with reality -- the program is built around your actual problems. If you are a researcher whose work touches data efficiency, or a founder building products where data acquisition cost is a line item that keeps you awake, the three-day format gives enough time to go past surface-level overviews.\n\nThis is a ticketed event, so plan accordingly. The multi-day structure starting at 17:00 each day suggests an afternoon-and-evening cadence, which means you can work during the day and arrive for focused sessions as Athens shifts into its evening energy.\n\nThe neighborhood rewards sticking around after hours. Gazi's density of restaurants, bars, and rooftop terraces sits directly outside the Technopolis gates. Three days in the same venue builds the kind of accumulating familiarity with fellow attendees that single-day events rarely achieve -- by the final evening, the conversations will be different from where they started.", "fullDescriptionGr": "Red brick smokestacks rise above a complex of 19th-century gasworks buildings, their industrial silhouettes softened by the late-April light that slants across the Gazi neighborhood around five in the afternoon. Technopolis -- Athens's converted industrial museum and event campus -- is the kind of venue where you walk between sessions through open courtyards framed by preserved machinery and iron structural beams, the history of one engineering era literally surrounding the conversations about the next one.\n\nEngineering the World runs for three days at the end of April, and its central focus is a problem that has quietly become one of the defining constraints of the current technical moment: data scarcity. The conference gathers engineers, innovators, and industry leaders who are working at the edges of what you can build when the data you need does not exist in convenient, labeled abundance. That means sessions touching synthetic data generation, few-shot and zero-shot learning approaches, transfer learning strategies, data augmentation pipelines, and the organizational challenges of building products when your training set is thin, biased, expensive to acquire, or all three at once.\n\nThe venue itself shapes the experience. Technopolis is not a single auditorium -- it is a campus of multiple buildings and outdoor areas near Keramikos metro station. You move between indoor presentation halls with high ceilings and exposed industrial architecture and open-air zones where the break conversations happen against a backdrop that reminds you engineering has always been about building with constraints. The mix of spaces means the event breathes differently than a hotel conference center. There is room to step outside, decompress, and return.\n\nIf you are an engineer or technical leader dealing with real-world data limitations -- in machine learning, in IoT, in manufacturing, in any domain where the textbook assumption of plentiful clean data collides with reality -- the program is built around your actual problems. If you are a researcher whose work touches data efficiency, or a founder building products where data acquisition cost is a line item that keeps you awake, the three-day format gives enough time to go past surface-level overviews.\n\nThis is a ticketed event, so plan accordingly. The multi-day structure starting at 17:00 each day suggests an afternoon-and-evening cadence, which means you can work during the day and arrive for focused sessions as Athens shifts into its evening energy.\n\nThe neighborhood rewards sticking around after hours. Gazi's density of restaurants, bars, and rooftop terraces sits directly outside the Technopolis gates. Three days in the same venue builds the kind of accumulating familiarity with fellow attendees that single-day events rarely achieve -- by the final evening, the conversations will be different from where they started.", "hasNativeGreek": false, "startDate": "2026-04-28T17:00:00", "endDate": "2026-04-30", "type": "festival", "genres": [ "AI", "Tech" ], "tags": [], "venue": { "name": "Τεχνόπολη", "address": "Pireos 100, Athens 118 54", "neighborhood": "Gazi / Keramikos", "coordinates": { "lat": 37.978226, "lon": 23.713648 }, "capacity": null }, "price": { "type": "with-ticket", "amount": null, "currency": "EUR", "range": null }, "url": "https://www.eventbrite.com/e/engineering-the-world-2026-tickets-1981954401969", "ticketUrl": "https://www.eventbrite.com/e/engineering-the-world-2026-tickets-1981954401969", "source": "eventbrite", "createdAt": "2026-02-20 18:03:59", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "17:00", "imageUrl": "https://www.eventbrite.com/e/_next/image?url=https%3A%2F%2Fimg.evbuc.com%2Fhttps%253A%252F%252Fcdn.evbuc.com%252Fimages%252F1176202354%252F2693504611001%252F1%252Foriginal.20260129-205212%3Fcrop%3Dfocalpoint%26fit%3Dcrop%26w%3D480%26auto%3Dformat%252Ccompress%26q%3D75%26sharp%3D10%26fp-x%3D0.5%26fp-y%3D0.5%26s%3Db70d2fdfef74c67921bf021a5632e465&w=940&q=75", "imageSource": "backfill", "permanentCollection": false, "locationStatus": "verified_athens" } ], "meta": { "total": 3, "lastUpdate": "2026-04-15T16:28:51.126Z", "url": "https://agentathens.com/with-ticket-festival-this-month" } }