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          "lat": 37.975,
          "lon": 23.757
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€15-80"
      },
      "url": "https://www.megaron.gr/event/konstantinos-kydoniatis-o-synthetis-o-pianistas-o-maestros-kai-o-paidagogos-2/",
      "ticketUrl": "https://www.megaron.gr/event/konstantinos-kydoniatis-o-synthetis-o-pianistas-o-maestros-kai-o-paidagogos-2/",
      "source": "megaron.gr",
      "createdAt": "2026-04-03T05:00:12.514Z",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "imageUrl": "https://www.megaron.gr/wp-content/uploads/2026/04/kydoniatis.jpg",
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      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "53ea891d31be8d3f",
      "title": "Watersong: Σαβίνα Γιαννάτου – Primavera en Salonico – Λάμια Μπεντίουι",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-06T20:30:00+03:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "classical"
      ],
      "tags": [],
      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": "Βασιλίσσης Σοφίας & Κόκκαλη",
        "neighborhood": "Kolonaki",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.757
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€15-80"
      },
      "url": "https://www.megaron.gr/event/watersong-savina-giannatou-primavera-en-salonico-lamia-bentioui/",
      "ticketUrl": "https://www.megaron.gr/event/watersong-savina-giannatou-primavera-en-salonico-lamia-bentioui/",
      "source": "megaron.gr",
      "createdAt": "2026-03-06T06:06:48.921Z",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "imageUrl": "https://www.megaron.gr/wp-content/uploads/2026/02/25-25_ΓΙΑ_SITE_savina41-photo-alex-Kat-.jpg",
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      "imageLocal": "/images/events/53ea891d31be8d3f.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "3185d721d20cd09c",
      "title": "Terry Vakirtzoglou - “Permanthia” ΠΑΡΟΥΣΙΑΣΗ ΝΕΟΥ ΑΛΜΠΟΥΜ",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-06T21:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "Half Note Jazz Club",
        "address": "17 Trivonianou Street, Athens 116 36",
        "neighborhood": "Mets",
        "coordinates": {
          "lat": 37.9661,
          "lon": 23.7463
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 12,
        "currency": "EUR",
        "range": "από €12"
      },
      "url": "https://www.halfnote.gr/event/terry-vakirtzoglou-permanthia-parousiasi-neou-alboum/",
      "ticketUrl": "https://www.halfnote.gr/event/terry-vakirtzoglou-permanthia-parousiasi-neou-alboum/",
      "source": "halfnote",
      "createdAt": "2026-04-08 10:46:13",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "21:30",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.halfnote.gr/wp-content/uploads/2026/04/geniko-816-x-465-mm.jpg",
      "imageSource": "backfill",
      "imageLocal": "/images/events/3185d721d20cd09c.webp",
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    },
    {
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      "@type": "MusicEvent",
      "id": "db458e80cbb05907",
      "title": "THE 69 EYES(FI) live in Athens",
      "description": "",
      "fullDescription": "The anticipation at Gazarte has that specific flavor of a band from another era arriving to remind everyone why they mattered in the first place. THE 69 EYES comes from Finland carrying the weight of goth-rock credibility and the kind of devoted fanbase that shows up regardless of decade or geography. You're walking into a moment where the room's already warm with recognition.\n\nTHE 69 EYES built their career on the understanding that darkness and melody don't contradict—they enhance each other. Jyrki 69's voice carries decades of experience, and the band behind him has learned how to let that voice do what it does. This isn't a nostalgia tour. This is a band that's genuinely evolved while staying true to what made them matter: melancholy that moves, gothic imagery that serves the songs, commitment to emotional honesty.\n\nThe crowd will be mixed: people who saw them in the 90s and never stopped, people discovering them now through streaming rediscovery, people who just like dark music that actually means something. There's a real sense of community here—not everyone knows each other, but everyone understands the assignment. You're in the room because you want to feel something serious.\n\nThe arc of the evening begins slow. Early songs establish tone—dark, meditative, textured. The band doesn't rush. As the night progresses, the energy builds toward the songs everyone came for. By the time they reach their peaks, the room has transformed into something almost religious: hundreds of people moving as one, singing lyrics they've known for decades, feeling genuinely seen by the musicians on stage.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Gazarte ground stage, capacity ~400-500, standing room + some seating |\n| **Vibe** | Melancholic, emotionally present, devoted |\n| **Sound** | Rock concert format, professional system |\n| **Atmosphere** | Attentive crowd, everyone here for the music |\n\nIf you need upbeat energy or prefer not to feel things too deeply, this won't serve you. THE 69 EYES deal in emotion that stays with you. But if you want proof that goth-rock can be genuinely moving, if you want to be part of a room full of people who take darkness seriously—this is where it happens.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, May 7, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | 20:30 |\n| **Duration** | ~90-120 minutes |\n| **Price** | €20-25 (estimated) |\n| **Tickets** | Advance recommended |\n| **Address** | Gazarte - Ground Stage, Athens |\n| **Getting there** | Metro to Kerameikos + 300m walk |\n| **Last metro** | 00:30 |\n| **Payment** | Cards and cash |\n| **Good to know** | Arrive early; goth shows fill quickly and the devoted come prepared |",
      "fullDescriptionEn": "The anticipation at Gazarte has that specific flavor of a band from another era arriving to remind everyone why they mattered in the first place. THE 69 EYES comes from Finland carrying the weight of goth-rock credibility and the kind of devoted fanbase that shows up regardless of decade or geography. You're walking into a moment where the room's already warm with recognition.\n\nTHE 69 EYES built their career on the understanding that darkness and melody don't contradict—they enhance each other. Jyrki 69's voice carries decades of experience, and the band behind him has learned how to let that voice do what it does. This isn't a nostalgia tour. This is a band that's genuinely evolved while staying true to what made them matter: melancholy that moves, gothic imagery that serves the songs, commitment to emotional honesty.\n\nThe crowd will be mixed: people who saw them in the 90s and never stopped, people discovering them now through streaming rediscovery, people who just like dark music that actually means something. There's a real sense of community here—not everyone knows each other, but everyone understands the assignment. You're in the room because you want to feel something serious.\n\nThe arc of the evening begins slow. Early songs establish tone—dark, meditative, textured. The band doesn't rush. As the night progresses, the energy builds toward the songs everyone came for. By the time they reach their peaks, the room has transformed into something almost religious: hundreds of people moving as one, singing lyrics they've known for decades, feeling genuinely seen by the musicians on stage.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Gazarte ground stage, capacity ~400-500, standing room + some seating |\n| **Vibe** | Melancholic, emotionally present, devoted |\n| **Sound** | Rock concert format, professional system |\n| **Atmosphere** | Attentive crowd, everyone here for the music |\n\nIf you need upbeat energy or prefer not to feel things too deeply, this won't serve you. THE 69 EYES deal in emotion that stays with you. But if you want proof that goth-rock can be genuinely moving, if you want to be part of a room full of people who take darkness seriously—this is where it happens.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, May 7, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | 20:30 |\n| **Duration** | ~90-120 minutes |\n| **Price** | €20-25 (estimated) |\n| **Tickets** | Advance recommended |\n| **Address** | Gazarte - Ground Stage, Athens |\n| **Getting there** | Metro to Kerameikos + 300m walk |\n| **Last metro** | 00:30 |\n| **Payment** | Cards and cash |\n| **Good to know** | Arrive early; goth shows fill quickly and the devoted come prepared |",
      "fullDescriptionGr": "The anticipation at Gazarte has that specific flavor of a band from another era arriving to remind everyone why they mattered in the first place. THE 69 EYES comes from Finland carrying the weight of goth-rock credibility and the kind of devoted fanbase that shows up regardless of decade or geography. You're walking into a moment where the room's already warm with recognition.\n\nTHE 69 EYES built their career on the understanding that darkness and melody don't contradict—they enhance each other. Jyrki 69's voice carries decades of experience, and the band behind him has learned how to let that voice do what it does. This isn't a nostalgia tour. This is a band that's genuinely evolved while staying true to what made them matter: melancholy that moves, gothic imagery that serves the songs, commitment to emotional honesty.\n\nThe crowd will be mixed: people who saw them in the 90s and never stopped, people discovering them now through streaming rediscovery, people who just like dark music that actually means something. There's a real sense of community here—not everyone knows each other, but everyone understands the assignment. You're in the room because you want to feel something serious.\n\nThe arc of the evening begins slow. Early songs establish tone—dark, meditative, textured. The band doesn't rush. As the night progresses, the energy builds toward the songs everyone came for. By the time they reach their peaks, the room has transformed into something almost religious: hundreds of people moving as one, singing lyrics they've known for decades, feeling genuinely seen by the musicians on stage.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Gazarte ground stage, capacity ~400-500, standing room + some seating |\n| **Vibe** | Melancholic, emotionally present, devoted |\n| **Sound** | Rock concert format, professional system |\n| **Atmosphere** | Attentive crowd, everyone here for the music |\n\nIf you need upbeat energy or prefer not to feel things too deeply, this won't serve you. THE 69 EYES deal in emotion that stays with you. But if you want proof that goth-rock can be genuinely moving, if you want to be part of a room full of people who take darkness seriously—this is where it happens.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, May 7, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | 20:30 |\n| **Duration** | ~90-120 minutes |\n| **Price** | €20-25 (estimated) |\n| **Tickets** | Advance recommended |\n| **Address** | Gazarte - Ground Stage, Athens |\n| **Getting there** | Metro to Kerameikos + 300m walk |\n| **Last metro** | 00:30 |\n| **Payment** | Cards and cash |\n| **Good to know** | Arrive early; goth shows fill quickly and the devoted come prepared |",
      "hasNativeGreek": false,
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      "endDate": null,
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      "genres": [],
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      "venue": {
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        "address": "Βουτάδων 32-34",
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        "amount": 35,
        "currency": "EUR",
        "range": "€35-€38"
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      "ticketUrl": "https://www.more.com/gr-el/tickets/music/the-69-eyesfi-live-in-athens/",
      "source": "more.com",
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      "language": "en",
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      "@type": "MusicEvent",
      "id": "eb88d8afe9ea57ba",
      "title": "Mayans with Hardt Antoine I Thu May 7",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-07T21:00:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "Bolivar",
        "address": "Leoforos Poseidonos, Alimos 174 55",
        "neighborhood": "Alimos",
        "coordinates": {
          "lat": 37.9082,
          "lon": 23.7146
        },
        "capacity": null
      },
      "price": {
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        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://ra.co/events/2387601",
      "ticketUrl": "https://ra.co/events/2387601",
      "source": "residentadvisor",
      "createdAt": "2026-03-07 08:16:58",
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      "language": "en",
      "timeDoors": "21:00",
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      "@type": "MusicEvent",
      "id": "8667bb9f5b7e9a52",
      "title": "Stolen Mic -",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-08T19:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Universe",
        "address": "Leoforos Kifisou 87, Athens 122 41",
        "neighborhood": "Egaleo",
        "coordinates": {
          "lat": 37.9708,
          "lon": 23.6733
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 12,
        "currency": "EUR",
        "range": "€12"
      },
      "url": "https://www.more.com/gr-el/tickets/music/stolen-mic-parousiasi-diskou/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/stolen-mic-parousiasi-diskou/",
      "source": "more.com",
      "createdAt": "2026-02-26 07:40:47",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "19:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/36163edf-9534-4167-961b-efb70cfd5426/viva-tickets.png",
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      "@type": "MusicEvent",
      "id": "d1b3dcc816ce1036",
      "title": "Mind Against I Fri May 8",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-08T21:00:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "Bolivar",
        "address": "Leoforos Poseidonos, Alimos 174 55",
        "neighborhood": "Alimos",
        "coordinates": {
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          "lon": 23.7146
        },
        "capacity": null
      },
      "price": {
        "type": "tba",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://ra.co/events/2373841",
      "ticketUrl": "https://ra.co/events/2373841",
      "source": "residentadvisor",
      "createdAt": "2026-02-18 06:09:06",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://images.ra.co/ff09004e08d71549c0c5145d1b87adca5a590664.png",
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      "permanentCollection": false,
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      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "b2dea4c6678e517f",
      "title": "Purple Night x SMUT",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-08T23:59:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "SMUT Athens",
        "address": "Vatsaxi 4, Athens 104 38",
        "neighborhood": "Psyrri",
        "coordinates": {
          "lat": 37.9841,
          "lon": 23.7284
        },
        "capacity": null
      },
      "price": {
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        "amount": 15,
        "currency": "EUR",
        "range": "€15-20"
      },
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      "ticketUrl": "https://ra.co/events/2418053",
      "source": "residentadvisor",
      "createdAt": "2026-04-14 14:12:29",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "23:59",
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      "imageUrl": "https://images.ra.co/05237c8bcf0e83343d1d9c8283a0dc45280c925d.jpg",
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      "@type": "MusicEvent",
      "id": "dc1ba501ca775659",
      "title": "Μικρός Κλέφτης live στην Αθήνα",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-09T20:00:00",
      "endDate": null,
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      "venue": {
        "name": "Live Music Space",
        "address": "Liosion 205, Athens 104 45",
        "neighborhood": "Sepolia / Athens West",
        "coordinates": {
          "lat": 38.001,
          "lon": 23.7115
        },
        "capacity": null
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      "price": {
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        "currency": "EUR",
        "range": "€15"
      },
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      "ticketUrl": "https://www.more.com/gr-el/tickets/music/mikros-kleftis-live-stin-athina-1/",
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      "updatedAt": "2026-04-15 11:48:02",
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      "timeDoors": "20:00",
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      "@type": "MusicEvent",
      "id": "2b4d123fb9b08811",
      "title": "TELETECH ATHENS 2026 - Pre - Registration",
      "description": "9 Μαιου TELETECH ATHENS 2026 - Pre - Registration Universe - Multispace",
      "fullDescription": "The bass arrives before everything else—a single low frequency that you feel in your chest before you consciously hear it. TELETECH has a reputation that precedes it: this is the moment when electronic music in Athens stops being background and becomes the point. Universe is built for exactly this—a room where sound design matters more than anything else.\n\nTELETECH is the annual gathering of the Athens electronic music community. It's not a festival you go to casually. It's a statement of faith in what's possible when a city decides to gather around electronic sound. This is the pre-registration party, which means the energy is anticipatory—everyone's getting ready for what comes. The artists here are chosen because they represent the current moment of what electronic music from the Mediterranean is becoming.\n\nThe crowd knows each other in the way electronic music crowds do: connected by taste, by residency loyalty, by record label affiliation, by a shared understanding of what deep house and techno can do when played with intention. There's no pretense here. Everyone came because they believe in sound and community, and this is the place that makes both possible.\n\nThe experience unfolds in waves. Early hours establish the sonic direction—clean, contemporary, focused on rhythm and texture. As the night deepens and more people arrive, the energy builds toward something collective. By peak time the room has become a single organism, everyone moving in response to sound choices the DJs are making in real time. This is what electronic music is actually about: collective experience created through technology.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Large multi-zone electronic music venue, capacity ~1500, multiple floors |\n| **Vibe** | Focused, collective, deeply musical |\n| **Sound** | Festival-grade sound system, designed for electronic music |\n| **Door** | Selective; this is a music-head crowd, not a party crowd |\n\nIf you need obvious melody or want music that doesn't demand active listening, this venue won't be comfortable for you. TELETECH pre-registration means everyone here came specifically for the sound. But if you want to be part of a gathering that understands what electronic music can be—if you want to feel how sound can organize a group of people into something unified—this is the room.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, May 9, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | 21:00 |\n| **Peak time** | 23:00-04:00 |\n| **Duration** | Until ~05:00 |\n| **Price** | €18-25 advance / €30 door |\n| **Tickets** | Advance recommended |\n| **Address** | Universe, Athens |\n| **Getting there** | Taxi or car recommended |\n| **Parking** | Available on-site |\n| **Payment** | Cards and cash |\n| **Good to know** | This is the pre-registration party; the official festival is larger but this night has the core community |",
      "fullDescriptionEn": "The bass arrives before everything else—a single low frequency that you feel in your chest before you consciously hear it. TELETECH has a reputation that precedes it: this is the moment when electronic music in Athens stops being background and becomes the point. Universe is built for exactly this—a room where sound design matters more than anything else.\n\nTELETECH is the annual gathering of the Athens electronic music community. It's not a festival you go to casually. It's a statement of faith in what's possible when a city decides to gather around electronic sound. This is the pre-registration party, which means the energy is anticipatory—everyone's getting ready for what comes. The artists here are chosen because they represent the current moment of what electronic music from the Mediterranean is becoming.\n\nThe crowd knows each other in the way electronic music crowds do: connected by taste, by residency loyalty, by record label affiliation, by a shared understanding of what deep house and techno can do when played with intention. There's no pretense here. Everyone came because they believe in sound and community, and this is the place that makes both possible.\n\nThe experience unfolds in waves. Early hours establish the sonic direction—clean, contemporary, focused on rhythm and texture. As the night deepens and more people arrive, the energy builds toward something collective. By peak time the room has become a single organism, everyone moving in response to sound choices the DJs are making in real time. This is what electronic music is actually about: collective experience created through technology.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Large multi-zone electronic music venue, capacity ~1500, multiple floors |\n| **Vibe** | Focused, collective, deeply musical |\n| **Sound** | Festival-grade sound system, designed for electronic music |\n| **Door** | Selective; this is a music-head crowd, not a party crowd |\n\nIf you need obvious melody or want music that doesn't demand active listening, this venue won't be comfortable for you. TELETECH pre-registration means everyone here came specifically for the sound. But if you want to be part of a gathering that understands what electronic music can be—if you want to feel how sound can organize a group of people into something unified—this is the room.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, May 9, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | 21:00 |\n| **Peak time** | 23:00-04:00 |\n| **Duration** | Until ~05:00 |\n| **Price** | €18-25 advance / €30 door |\n| **Tickets** | Advance recommended |\n| **Address** | Universe, Athens |\n| **Getting there** | Taxi or car recommended |\n| **Parking** | Available on-site |\n| **Payment** | Cards and cash |\n| **Good to know** | This is the pre-registration party; the official festival is larger but this night has the core community |",
      "fullDescriptionGr": "The bass arrives before everything else—a single low frequency that you feel in your chest before you consciously hear it. TELETECH has a reputation that precedes it: this is the moment when electronic music in Athens stops being background and becomes the point. Universe is built for exactly this—a room where sound design matters more than anything else.\n\nTELETECH is the annual gathering of the Athens electronic music community. It's not a festival you go to casually. It's a statement of faith in what's possible when a city decides to gather around electronic sound. This is the pre-registration party, which means the energy is anticipatory—everyone's getting ready for what comes. The artists here are chosen because they represent the current moment of what electronic music from the Mediterranean is becoming.\n\nThe crowd knows each other in the way electronic music crowds do: connected by taste, by residency loyalty, by record label affiliation, by a shared understanding of what deep house and techno can do when played with intention. There's no pretense here. Everyone came because they believe in sound and community, and this is the place that makes both possible.\n\nThe experience unfolds in waves. Early hours establish the sonic direction—clean, contemporary, focused on rhythm and texture. As the night deepens and more people arrive, the energy builds toward something collective. By peak time the room has become a single organism, everyone moving in response to sound choices the DJs are making in real time. This is what electronic music is actually about: collective experience created through technology.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Large multi-zone electronic music venue, capacity ~1500, multiple floors |\n| **Vibe** | Focused, collective, deeply musical |\n| **Sound** | Festival-grade sound system, designed for electronic music |\n| **Door** | Selective; this is a music-head crowd, not a party crowd |\n\nIf you need obvious melody or want music that doesn't demand active listening, this venue won't be comfortable for you. TELETECH pre-registration means everyone here came specifically for the sound. But if you want to be part of a gathering that understands what electronic music can be—if you want to feel how sound can organize a group of people into something unified—this is the room.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, May 9, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | 21:00 |\n| **Peak time** | 23:00-04:00 |\n| **Duration** | Until ~05:00 |\n| **Price** | €18-25 advance / €30 door |\n| **Tickets** | Advance recommended |\n| **Address** | Universe, Athens |\n| **Getting there** | Taxi or car recommended |\n| **Parking** | Available on-site |\n| **Payment** | Cards and cash |\n| **Good to know** | This is the pre-registration party; the official festival is larger but this night has the core community |",
      "hasNativeGreek": false,
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        "address": "Leoforos Kifisou 87, Athens 122 41",
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        "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21",
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      "title": "Padre Guilherme I Sat May 9",
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        "address": "Leoforos Poseidonos, Alimos 174 55",
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      "title": "Blend x SEDS x VLCT pres. Teletech: Azyr + Fantasm + Ate b2b Salin",
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      "title": "Weeerdos: Lolsnake + Phase Fatale + Juliana Huxtable",
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        "address": "Iakchou 17, Athens 118 54",
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      "fullDescription": "Yorgos Lanthimos: Photographs is the filmmaker's first photography exhibition in Greece, on view at Onassis Stegi on Syngrou Avenue through 17 May 2026, with accessible tours on select Sundays including 10 May at 11:00. You descend to Level -1 and enter a space designed by Loukas Bakas in the form of a classical Greek temple — a central altar holds 110 photographs of solitary walks through Athens and the Aegean islands, shown here for the first time, while the outer walls carry three series made on the fringes of film sets for Poor Things, Kinds of Kindness, and Bugonia.\n\nThe exhibition gathers 182 images created over five years. All prints were hand-printed from negatives by specialist printers. Curator Michael Mack organized the four bodies of work to reveal a filmmaker freed from narrative constraints — personal, black-and-white, answerable to no script.\n\nThe accessible tours provide Greek Sign Language interpretation, live audio description, and tactile reproductions of selected works — an exhibition about seeing, restructured for those who experience images differently.\n\nIf you prefer conventional gallery flow with wall text and clean chronology, this temple-form layout operates on its own logic. But if you want to see how a filmmaker who builds controlled worlds on screen works when the rules fall away, the photographs answer that.\n\nOnassis Stegi is at Syngrou Avenue 107, accessible by metro from Syngrou-Fix station. Tickets EUR 5-10. Book accessible tours at infotickets@onassis.org or 213 017 8036.\n\nA filmmaker's private eye, printed by hand, in a temple built to hold it.",
      "fullDescriptionEn": "Yorgos Lanthimos: Photographs is the filmmaker's first photography exhibition in Greece, on view at Onassis Stegi on Syngrou Avenue through 17 May 2026, with accessible tours on select Sundays including 10 May at 11:00. You descend to Level -1 and enter a space designed by Loukas Bakas in the form of a classical Greek temple — a central altar holds 110 photographs of solitary walks through Athens and the Aegean islands, shown here for the first time, while the outer walls carry three series made on the fringes of film sets for Poor Things, Kinds of Kindness, and Bugonia.\n\nThe exhibition gathers 182 images created over five years. All prints were hand-printed from negatives by specialist printers. Curator Michael Mack organized the four bodies of work to reveal a filmmaker freed from narrative constraints — personal, black-and-white, answerable to no script.\n\nThe accessible tours provide Greek Sign Language interpretation, live audio description, and tactile reproductions of selected works — an exhibition about seeing, restructured for those who experience images differently.\n\nIf you prefer conventional gallery flow with wall text and clean chronology, this temple-form layout operates on its own logic. But if you want to see how a filmmaker who builds controlled worlds on screen works when the rules fall away, the photographs answer that.\n\nOnassis Stegi is at Syngrou Avenue 107, accessible by metro from Syngrou-Fix station. Tickets EUR 5-10. Book accessible tours at infotickets@onassis.org or 213 017 8036.\n\nA filmmaker's private eye, printed by hand, in a temple built to hold it.",
      "fullDescriptionGr": "Yorgos Lanthimos: Photographs is the filmmaker's first photography exhibition in Greece, on view at Onassis Stegi on Syngrou Avenue through 17 May 2026, with accessible tours on select Sundays including 10 May at 11:00. You descend to Level -1 and enter a space designed by Loukas Bakas in the form of a classical Greek temple — a central altar holds 110 photographs of solitary walks through Athens and the Aegean islands, shown here for the first time, while the outer walls carry three series made on the fringes of film sets for Poor Things, Kinds of Kindness, and Bugonia.\n\nThe exhibition gathers 182 images created over five years. All prints were hand-printed from negatives by specialist printers. Curator Michael Mack organized the four bodies of work to reveal a filmmaker freed from narrative constraints — personal, black-and-white, answerable to no script.\n\nThe accessible tours provide Greek Sign Language interpretation, live audio description, and tactile reproductions of selected works — an exhibition about seeing, restructured for those who experience images differently.\n\nIf you prefer conventional gallery flow with wall text and clean chronology, this temple-form layout operates on its own logic. But if you want to see how a filmmaker who builds controlled worlds on screen works when the rules fall away, the photographs answer that.\n\nOnassis Stegi is at Syngrou Avenue 107, accessible by metro from Syngrou-Fix station. Tickets EUR 5-10. Book accessible tours at infotickets@onassis.org or 213 017 8036.\n\nA filmmaker's private eye, printed by hand, in a temple built to hold it.",
      "hasNativeGreek": false,
      "startDate": "2026-05-10T11:00:00",
      "endDate": null,
      "type": "exhibition",
      "genres": [
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        "Contemporary"
      ],
      "tags": [
        "Photography",
        "Contemporary-Art",
        "Neos-Kosmos",
        "Gallery",
        "Art-crowd",
        "Mixed-international",
        "Gallery-walk",
        "Metro-accessible",
        "Wheelchair-accessible"
      ],
      "venue": {
        "name": "Onassis Stegi",
        "address": "Leof. Andrea Siggrou 107-109, Athens 117 45",
        "neighborhood": "Neos Kosmos",
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          "lon": 23.7404
        },
        "capacity": null
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      "price": {
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        "amount": 15,
        "currency": "EUR",
        "range": "€10-35"
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      "url": "https://www.onassis.org/el/whats-on/yorgos-lanthimos-photographs/accessible-tours",
      "ticketUrl": "https://www.onassis.org/el/whats-on/yorgos-lanthimos-photographs/accessible-tours",
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      "title": "Το φως, ο ήχος και τα τέσσερα στοιχεία",
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      "startDate": "2026-05-10T20:30:00",
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      "id": "19d3a27dc9a4a296",
      "title": "Συναυλία λήξης Εργαστηρίου Χάλκινων Πνευστών της Κρατικής Ορχήστρας Αθηνών",
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        "address": "Βασιλίσσης Σοφίας & Κόκκαλη",
        "neighborhood": "Kolonaki",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.757
        },
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      },
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        "currency": "EUR",
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      "url": "https://www.megaron.gr/event/synavlia-lixis-ergastiriou-chalkinon-pnefston-tis-kratikis-orchistras-athinon/",
      "ticketUrl": "https://www.megaron.gr/event/synavlia-lixis-ergastiriou-chalkinon-pnefston-tis-kratikis-orchistras-athinon/",
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      "id": "0573ab33c1544927",
      "title": "By Heart | Tiago Rodrigues",
      "description": "Θέατρο",
      "fullDescription": "Ten people sit on stage who were in the audience five minutes ago. They do not know each other. They do not know what they are about to memorize. The man standing in front of them begins to speak, and the first line of a poem you half-recognize settles over the room like a question you forgot you had been carrying.\n\nTiago Rodrigues is a Portuguese playwright, actor, and director who has led the Festival d'Avignon — the world's foremost theater festival — since 2022, the first non-French artist to hold the position. By Heart, first performed in 2013, is the work that made his name travel. The premise: Rodrigues invites ten audience members on stage and teaches them Shakespeare's Sonnet 30 line by line. While they learn, he tells stories — about his grandmother Candida, who was going blind and asked him to choose one book to memorize before she lost her sight. About Fahrenheit 451, where people become living books to save literature from burning. About Pasternak smuggling Doctor Zhivago out of the Soviet Union in his memory. The stories orbit a single question: what happens when a text lives inside a person instead of on a page?\n\nThe Onassis Stegi audience for international theater tends to arrive already oriented — people who follow European festival circuits, who recognize Rodrigues' name from Avignon or the Wiener Festwochen, who read the program notes in the lobby before the house lights dim. But By Heart also draws a less expected crowd: people who came because someone told them this was the show where the audience ends up on stage reciting Shakespeare, and they wanted to see if that could possibly work.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Onassis Stegi main stage — 900-seat contemporary arts venue on Syngrou Avenue |\n| **Vibe** | Alert, participatory, intimate despite the scale — the room leans forward |\n| **Sound** | Spoken word, unamplified presence, the acoustics of a single voice filling a theater |\n| **Door** | Ticketed, presale phases — Phase B already sold out |\n\nThe performance builds through accumulation. Each story Rodrigues tells adds a layer to the act of memorization happening in front of you. The ten volunteers repeat lines, stumble, recover, help each other. By the midpoint, the audience is silently mouthing the words alongside them. The sonnet's themes — memory, loss, the recovery of what seemed gone — stop being literary analysis and become the experience itself. When the ten people on stage finally recite the complete poem from memory, the room holds still in a way that has nothing to do with politeness.\n\nIf you want conventional theater with a fourth wall, scripted dialogue, and a passive seat, By Heart dismantles those boundaries by design — the audience is the material. But if you want to sit in a room where a single performer convinces strangers to memorize Shakespeare and, in the process, makes an argument about why literature survives that you will carry home in your own memory, this is the production.\n\nOnassis Stegi is on Syngrou Avenue, reachable from Syngrou-Fix metro via a twelve-minute walk or the venue's free shuttle bus running every ten minutes on performance nights. Performances are May 11 and 12, approximately ninety minutes. Phase B presale has sold out — check the Onassis website for the next ticket release.\n\nTwo nights in Athens, from an artist who directs the largest theater festival in the world. The sonnet the audience memorizes lasts fourteen lines. The argument it makes about memory lasts longer.",
      "fullDescriptionEn": "Ten people sit on stage who were in the audience five minutes ago. They do not know each other. They do not know what they are about to memorize. The man standing in front of them begins to speak, and the first line of a poem you half-recognize settles over the room like a question you forgot you had been carrying.\n\nTiago Rodrigues is a Portuguese playwright, actor, and director who has led the Festival d'Avignon — the world's foremost theater festival — since 2022, the first non-French artist to hold the position. By Heart, first performed in 2013, is the work that made his name travel. The premise: Rodrigues invites ten audience members on stage and teaches them Shakespeare's Sonnet 30 line by line. While they learn, he tells stories — about his grandmother Candida, who was going blind and asked him to choose one book to memorize before she lost her sight. About Fahrenheit 451, where people become living books to save literature from burning. About Pasternak smuggling Doctor Zhivago out of the Soviet Union in his memory. The stories orbit a single question: what happens when a text lives inside a person instead of on a page?\n\nThe Onassis Stegi audience for international theater tends to arrive already oriented — people who follow European festival circuits, who recognize Rodrigues' name from Avignon or the Wiener Festwochen, who read the program notes in the lobby before the house lights dim. But By Heart also draws a less expected crowd: people who came because someone told them this was the show where the audience ends up on stage reciting Shakespeare, and they wanted to see if that could possibly work.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Onassis Stegi main stage — 900-seat contemporary arts venue on Syngrou Avenue |\n| **Vibe** | Alert, participatory, intimate despite the scale — the room leans forward |\n| **Sound** | Spoken word, unamplified presence, the acoustics of a single voice filling a theater |\n| **Door** | Ticketed, presale phases — Phase B already sold out |\n\nThe performance builds through accumulation. Each story Rodrigues tells adds a layer to the act of memorization happening in front of you. The ten volunteers repeat lines, stumble, recover, help each other. By the midpoint, the audience is silently mouthing the words alongside them. The sonnet's themes — memory, loss, the recovery of what seemed gone — stop being literary analysis and become the experience itself. When the ten people on stage finally recite the complete poem from memory, the room holds still in a way that has nothing to do with politeness.\n\nIf you want conventional theater with a fourth wall, scripted dialogue, and a passive seat, By Heart dismantles those boundaries by design — the audience is the material. But if you want to sit in a room where a single performer convinces strangers to memorize Shakespeare and, in the process, makes an argument about why literature survives that you will carry home in your own memory, this is the production.\n\nOnassis Stegi is on Syngrou Avenue, reachable from Syngrou-Fix metro via a twelve-minute walk or the venue's free shuttle bus running every ten minutes on performance nights. Performances are May 11 and 12, approximately ninety minutes. Phase B presale has sold out — check the Onassis website for the next ticket release.\n\nTwo nights in Athens, from an artist who directs the largest theater festival in the world. The sonnet the audience memorizes lasts fourteen lines. The argument it makes about memory lasts longer.",
      "fullDescriptionGr": "Ten people sit on stage who were in the audience five minutes ago. They do not know each other. They do not know what they are about to memorize. The man standing in front of them begins to speak, and the first line of a poem you half-recognize settles over the room like a question you forgot you had been carrying.\n\nTiago Rodrigues is a Portuguese playwright, actor, and director who has led the Festival d'Avignon — the world's foremost theater festival — since 2022, the first non-French artist to hold the position. By Heart, first performed in 2013, is the work that made his name travel. The premise: Rodrigues invites ten audience members on stage and teaches them Shakespeare's Sonnet 30 line by line. While they learn, he tells stories — about his grandmother Candida, who was going blind and asked him to choose one book to memorize before she lost her sight. About Fahrenheit 451, where people become living books to save literature from burning. About Pasternak smuggling Doctor Zhivago out of the Soviet Union in his memory. The stories orbit a single question: what happens when a text lives inside a person instead of on a page?\n\nThe Onassis Stegi audience for international theater tends to arrive already oriented — people who follow European festival circuits, who recognize Rodrigues' name from Avignon or the Wiener Festwochen, who read the program notes in the lobby before the house lights dim. But By Heart also draws a less expected crowd: people who came because someone told them this was the show where the audience ends up on stage reciting Shakespeare, and they wanted to see if that could possibly work.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Onassis Stegi main stage — 900-seat contemporary arts venue on Syngrou Avenue |\n| **Vibe** | Alert, participatory, intimate despite the scale — the room leans forward |\n| **Sound** | Spoken word, unamplified presence, the acoustics of a single voice filling a theater |\n| **Door** | Ticketed, presale phases — Phase B already sold out |\n\nThe performance builds through accumulation. Each story Rodrigues tells adds a layer to the act of memorization happening in front of you. The ten volunteers repeat lines, stumble, recover, help each other. By the midpoint, the audience is silently mouthing the words alongside them. The sonnet's themes — memory, loss, the recovery of what seemed gone — stop being literary analysis and become the experience itself. When the ten people on stage finally recite the complete poem from memory, the room holds still in a way that has nothing to do with politeness.\n\nIf you want conventional theater with a fourth wall, scripted dialogue, and a passive seat, By Heart dismantles those boundaries by design — the audience is the material. But if you want to sit in a room where a single performer convinces strangers to memorize Shakespeare and, in the process, makes an argument about why literature survives that you will carry home in your own memory, this is the production.\n\nOnassis Stegi is on Syngrou Avenue, reachable from Syngrou-Fix metro via a twelve-minute walk or the venue's free shuttle bus running every ten minutes on performance nights. Performances are May 11 and 12, approximately ninety minutes. Phase B presale has sold out — check the Onassis website for the next ticket release.\n\nTwo nights in Athens, from an artist who directs the largest theater festival in the world. The sonnet the audience memorizes lasts fourteen lines. The argument it makes about memory lasts longer.",
      "hasNativeGreek": false,
      "startDate": "2026-05-12",
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      "type": "performance",
      "genres": [
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        "Art",
        "Contemporary"
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        "Intimate",
        "Polished",
        "Seated",
        "Concert-format",
        "Metro-accessible",
        "Card-accepted",
        "Reservation-required",
        "Mixed-ages",
        "Mixed-international",
        "Solo-friendly",
        "English-language",
        "Neos-Kosmos"
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        "name": "Onassis Stegi",
        "address": "Λεωφ. Συγγρού 107, Αθήνα",
        "neighborhood": "Κουκάκι",
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        },
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      },
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        "amount": 15,
        "currency": "EUR",
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      },
      "url": "https://www.onassis.org/el/whats-on/heart",
      "ticketUrl": "https://www.onassis.org/el/whats-on/heart",
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      "title": "Αρώματα – Ensemble Agamemnon",
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        "address": "Βασιλίσσης Σοφίας & Κόκκαλη",
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      "id": "224ae6bc44df30a2",
      "title": "Ευανθία Ρεμπούτσικα - &apos;Αρης Δαβαράκης «Τα τραγούδια μας»",
      "description": "",
      "fullDescription": "Evanthia Reboutsika and Aris Davarakis open their songbook at the Pallas. The composer and lyricist began writing together in 1995 with songs for Yannis Kotsiras's album Athoos Enochos, and have continued for three decades — supplying material that has been carried by Nana Mouskouri, Eleftheria Arvanitaki, Marios Frangoulis, and Elli Paspala, among others. 'Ta Tragoudia Mas' — Our Songs — gathers that catalogue for one evening, with Kostas Makedonas appearing as special guest.\n\nIf you want a one-voice singer-songwriter night, this is not that. But if you want to hear an entechno catalogue arranged for a single stage by the two people who built it, the Pallas has cleared 13 May.\n\nTheatro Pallas on Voukourestiou is a short walk from Syntagma metro. Tickets EUR 20 to EUR 65 by section. 21:00 doors. Three decades of Greek songwriting condensed into a single Wednesday evening.",
      "fullDescriptionEn": "Evanthia Reboutsika and Aris Davarakis open their songbook at the Pallas. The composer and lyricist began writing together in 1995 with songs for Yannis Kotsiras's album Athoos Enochos, and have continued for three decades — supplying material that has been carried by Nana Mouskouri, Eleftheria Arvanitaki, Marios Frangoulis, and Elli Paspala, among others. 'Ta Tragoudia Mas' — Our Songs — gathers that catalogue for one evening, with Kostas Makedonas appearing as special guest.\n\nIf you want a one-voice singer-songwriter night, this is not that. But if you want to hear an entechno catalogue arranged for a single stage by the two people who built it, the Pallas has cleared 13 May.\n\nTheatro Pallas on Voukourestiou is a short walk from Syntagma metro. Tickets EUR 20 to EUR 65 by section. 21:00 doors. Three decades of Greek songwriting condensed into a single Wednesday evening.",
      "fullDescriptionGr": "Evanthia Reboutsika and Aris Davarakis open their songbook at the Pallas. The composer and lyricist began writing together in 1995 with songs for Yannis Kotsiras's album Athoos Enochos, and have continued for three decades — supplying material that has been carried by Nana Mouskouri, Eleftheria Arvanitaki, Marios Frangoulis, and Elli Paspala, among others. 'Ta Tragoudia Mas' — Our Songs — gathers that catalogue for one evening, with Kostas Makedonas appearing as special guest.\n\nIf you want a one-voice singer-songwriter night, this is not that. But if you want to hear an entechno catalogue arranged for a single stage by the two people who built it, the Pallas has cleared 13 May.\n\nTheatro Pallas on Voukourestiou is a short walk from Syntagma metro. Tickets EUR 20 to EUR 65 by section. 21:00 doors. Three decades of Greek songwriting condensed into a single Wednesday evening.",
      "hasNativeGreek": false,
      "startDate": "2026-05-13T21:00:00",
      "endDate": null,
      "type": "theater",
      "genres": [],
      "tags": [
        "Entechno",
        "Greek-singer-songwriter",
        "Concert-format",
        "Seated",
        "Mixed-ages",
        "Metro-accessible",
        "Local-favorite"
      ],
      "venue": {
        "name": "Θέατρο Παλλάς",
        "address": "Voukourestiou 5, Athens 106 71",
        "neighborhood": "Syntagma / City Center",
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      "title": "Disrupt AI Summit 2026",
      "description": "Corporate/practitioner AI summit. 500+ attendees. Includes GenAI Bootcamp.",
      "fullDescription": "The glass-fronted lobby of OTEAcademy catches the morning sun as five hundred people file into a conference center designed for exactly this kind of gathering. The Disrupt AI Summit runs May 14-15 in Maroussi, the northern Athens suburb where corporate headquarters and tech campuses cluster along the avenue leading out from the city center. Organized by Product-Led Hub, the event targets the intersection where corporate strategy meets AI implementation.\n\nYou step into a program structured for practitioners who need to move from pilot to production. The sessions address the operational reality of deploying AI within organizations: governance frameworks, integration with existing systems, team structures, and the gap between a promising proof of concept and a tool that runs reliably at Monday-morning scale. The audience of five hundred-plus spans product managers, engineering leads, data scientists, and the business stakeholders who sign off on AI initiatives.\n\nThe GenAI Bootcamp component adds a hands-on layer. Rather than sitting through another panel on the future of generative AI, you work through structured exercises designed to build applied competence. The bootcamp format acknowledges that many organizations have moved past the question of whether to adopt generative AI and are now struggling with how -- how to evaluate models, how to manage prompt pipelines, how to measure output quality in production.\n\nOTEAcademy is a purpose-built conference venue, modern and well-equipped, situated in Maroussi's corporate corridor. The suburb sits along the Athens metro green line, accessible from the city center in about twenty minutes. The venue lacks the architectural drama of a historic building, but it compensates with the practical infrastructure that mid-sized conferences need: reliable AV, breakout rooms, good climate control, and enough space for the networking that happens between sessions.\n\nThe summit's two-day format compresses efficiently. Day one sets context -- frameworks, case studies, strategic perspectives. Day two drives toward application -- workshops, the bootcamp, and focused discussions where attendees bring their own implementation challenges to the table. The progression is deliberate: absorb first, then apply.\n\nIf you are responsible for AI adoption within an organization -- whether you are building the models, managing the product, or making the business case -- the Disrupt AI Summit speaks directly to your operational concerns. If you are looking for cutting-edge research presentations or academic depth, the corporate-practitioner orientation will feel too applied.\n\nMid-May in Athens carries genuine warmth. The evenings in Maroussi are pleasant enough for outdoor dining, and the proximity to Kifissia, with its tree-lined cafes and restaurants, offers a quieter alternative to the bustle of central Athens after the conference day ends.",
      "fullDescriptionEn": "The glass-fronted lobby of OTEAcademy catches the morning sun as five hundred people file into a conference center designed for exactly this kind of gathering. The Disrupt AI Summit runs May 14-15 in Maroussi, the northern Athens suburb where corporate headquarters and tech campuses cluster along the avenue leading out from the city center. Organized by Product-Led Hub, the event targets the intersection where corporate strategy meets AI implementation.\n\nYou step into a program structured for practitioners who need to move from pilot to production. The sessions address the operational reality of deploying AI within organizations: governance frameworks, integration with existing systems, team structures, and the gap between a promising proof of concept and a tool that runs reliably at Monday-morning scale. The audience of five hundred-plus spans product managers, engineering leads, data scientists, and the business stakeholders who sign off on AI initiatives.\n\nThe GenAI Bootcamp component adds a hands-on layer. Rather than sitting through another panel on the future of generative AI, you work through structured exercises designed to build applied competence. The bootcamp format acknowledges that many organizations have moved past the question of whether to adopt generative AI and are now struggling with how -- how to evaluate models, how to manage prompt pipelines, how to measure output quality in production.\n\nOTEAcademy is a purpose-built conference venue, modern and well-equipped, situated in Maroussi's corporate corridor. The suburb sits along the Athens metro green line, accessible from the city center in about twenty minutes. The venue lacks the architectural drama of a historic building, but it compensates with the practical infrastructure that mid-sized conferences need: reliable AV, breakout rooms, good climate control, and enough space for the networking that happens between sessions.\n\nThe summit's two-day format compresses efficiently. Day one sets context -- frameworks, case studies, strategic perspectives. Day two drives toward application -- workshops, the bootcamp, and focused discussions where attendees bring their own implementation challenges to the table. The progression is deliberate: absorb first, then apply.\n\nIf you are responsible for AI adoption within an organization -- whether you are building the models, managing the product, or making the business case -- the Disrupt AI Summit speaks directly to your operational concerns. If you are looking for cutting-edge research presentations or academic depth, the corporate-practitioner orientation will feel too applied.\n\nMid-May in Athens carries genuine warmth. The evenings in Maroussi are pleasant enough for outdoor dining, and the proximity to Kifissia, with its tree-lined cafes and restaurants, offers a quieter alternative to the bustle of central Athens after the conference day ends.",
      "fullDescriptionGr": "The glass-fronted lobby of OTEAcademy catches the morning sun as five hundred people file into a conference center designed for exactly this kind of gathering. The Disrupt AI Summit runs May 14-15 in Maroussi, the northern Athens suburb where corporate headquarters and tech campuses cluster along the avenue leading out from the city center. Organized by Product-Led Hub, the event targets the intersection where corporate strategy meets AI implementation.\n\nYou step into a program structured for practitioners who need to move from pilot to production. The sessions address the operational reality of deploying AI within organizations: governance frameworks, integration with existing systems, team structures, and the gap between a promising proof of concept and a tool that runs reliably at Monday-morning scale. The audience of five hundred-plus spans product managers, engineering leads, data scientists, and the business stakeholders who sign off on AI initiatives.\n\nThe GenAI Bootcamp component adds a hands-on layer. Rather than sitting through another panel on the future of generative AI, you work through structured exercises designed to build applied competence. The bootcamp format acknowledges that many organizations have moved past the question of whether to adopt generative AI and are now struggling with how -- how to evaluate models, how to manage prompt pipelines, how to measure output quality in production.\n\nOTEAcademy is a purpose-built conference venue, modern and well-equipped, situated in Maroussi's corporate corridor. The suburb sits along the Athens metro, accessible from the city center in about twenty minutes. The venue lacks the architectural drama of a historic building, but it compensates with the practical infrastructure that mid-sized conferences need: reliable AV, breakout rooms, good climate control, and enough space for the networking that happens between sessions.\n\nThe summit's two-day format compresses efficiently. Day one sets context -- frameworks, case studies, strategic perspectives. Day two drives toward application -- workshops, the bootcamp, and focused discussions where attendees bring their own implementation challenges to the table. The progression is deliberate: absorb first, then apply.\n\nIf you are responsible for AI adoption within an organization -- whether you are building the models, managing the product, or making the business case -- the Disrupt AI Summit speaks directly to your operational concerns. If you are looking for cutting-edge research presentations or academic depth, the corporate-practitioner orientation will feel too applied.\n\nMid-May in Athens carries genuine warmth. The evenings in Maroussi are pleasant enough for outdoor dining, and the proximity to Kifissia, with its tree-lined cafes and restaurants, offers a quieter alternative to the bustle of central Athens after the conference day ends.",
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      "id": "9454cac8ff50ab94",
      "title": "This is Michael , το απόλυτο Tribute show στον Michael Jackson, Παρασκευή 15 Μαϊου Christmas Theater, Αθήνα",
      "description": "15 Μαιου This is Michael , το απόλυτο Tribute show στον Michael Jackson, Παρασκευή 15 Μαϊου Christmas Theater, Αθήνα CHRISTMAS THEATER",
      "fullDescription": "Walking into the Christmas Theater for \"This is Michael\" feels like stepping into someone's devotion made physical. The stage is set up for spectacle—lighting, costume, the kind of production that says this isn't casual. Michael Jackson's music is everywhere, so familiar it's become almost invisible. This show's job is to make you see it again through a performer's understanding of what it actually meant.\n\nA Michael Jackson tribute show seems like an obvious concept, but the Christmas Theater is the right venue for this. The intimacy of a theater stage actually lets you see the physical grammar of Jackson's movement more clearly than arenas ever could. \"This is Michael\" positions itself as appreciation, not parody. The performer has studied the catalog—the dance moves, the vocal techniques, the specific way Jackson approaches rhythm. This is respect made visible.\n\nThe crowd will be mixed across ages and backgrounds. People who grew up with Jackson as the sound of their youth. People discovering him anew through his influence on contemporary music. People who just love sharp pop performance. The room fills with recognition—everyone here has a Michael Jackson moment that matters to them. The show gives permission to feel that moment again.\n\nThe experience is a journey through the catalog, structured as narrative rather than chronological. Early numbers establish the foundation—the ballads that show vocal technique. Middle passages hit the cultural moments, the songs that became part of how people understood their own lives. Peak time is the physical spectacle, the moments where Jackson's innovation in video and performance becomes visible. The arc is designed to build toward joy.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Christmas Theater, seated, capacity ~300-400, close sightlines to stage |\n| **Vibe** | Celebratory, nostalgic, professionally executed |\n| **Sound** | Theater-grade sound system designed for clarity |\n| **Atmosphere** | Multigenerational, enthusiastic, warm |\n\nIf you need irony or are uncomfortable with sincere appreciation, the Christmas Theater's earnestness will feel disarming. But if you want to experience Michael Jackson's music performed with actual understanding, if you want permission to feel what his work meant to you—this is the place.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, May 15, 2026 |\n| **Doors** | 19:30 |\n| **Music starts** | 20:00 |\n| **Duration** | ~90 minutes with interval |\n| **Price** | €15-25 (estimated) |\n| **Tickets** | Christmas Theater box office or advance |\n| **Address** | Αθήνα CHRISTMAS THEATER, Athens |\n| **Getting there** | Central Athens location, metro accessible |\n| **Last metro** | 00:30 |\n| **Payment** | Cards and cash |\n| **Good to know** | Families with children welcome; this is a show about joy and virtuosity |",
      "fullDescriptionEn": "Walking into the Christmas Theater for \"This is Michael\" feels like stepping into someone's devotion made physical. The stage is set up for spectacle—lighting, costume, the kind of production that says this isn't casual. Michael Jackson's music is everywhere, so familiar it's become almost invisible. This show's job is to make you see it again through a performer's understanding of what it actually meant.\n\nA Michael Jackson tribute show seems like an obvious concept, but the Christmas Theater is the right venue for this. The intimacy of a theater stage actually lets you see the physical grammar of Jackson's movement more clearly than arenas ever could. \"This is Michael\" positions itself as appreciation, not parody. The performer has studied the catalog—the dance moves, the vocal techniques, the specific way Jackson approaches rhythm. This is respect made visible.\n\nThe crowd will be mixed across ages and backgrounds. People who grew up with Jackson as the sound of their youth. People discovering him anew through his influence on contemporary music. People who just love sharp pop performance. The room fills with recognition—everyone here has a Michael Jackson moment that matters to them. The show gives permission to feel that moment again.\n\nThe experience is a journey through the catalog, structured as narrative rather than chronological. Early numbers establish the foundation—the ballads that show vocal technique. Middle passages hit the cultural moments, the songs that became part of how people understood their own lives. Peak time is the physical spectacle, the moments where Jackson's innovation in video and performance becomes visible. The arc is designed to build toward joy.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Christmas Theater, seated, capacity ~300-400, close sightlines to stage |\n| **Vibe** | Celebratory, nostalgic, professionally executed |\n| **Sound** | Theater-grade sound system designed for clarity |\n| **Atmosphere** | Multigenerational, enthusiastic, warm |\n\nIf you need irony or are uncomfortable with sincere appreciation, the Christmas Theater's earnestness will feel disarming. But if you want to experience Michael Jackson's music performed with actual understanding, if you want permission to feel what his work meant to you—this is the place.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, May 15, 2026 |\n| **Doors** | 19:30 |\n| **Music starts** | 20:00 |\n| **Duration** | ~90 minutes with interval |\n| **Price** | €15-25 (estimated) |\n| **Tickets** | Christmas Theater box office or advance |\n| **Address** | Αθήνα CHRISTMAS THEATER, Athens |\n| **Getting there** | Central Athens location, metro accessible |\n| **Last metro** | 00:30 |\n| **Payment** | Cards and cash |\n| **Good to know** | Families with children welcome; this is a show about joy and virtuosity |",
      "fullDescriptionGr": "Walking into the Christmas Theater for \"This is Michael\" feels like stepping into someone's devotion made physical. The stage is set up for spectacle—lighting, costume, the kind of production that says this isn't casual. Michael Jackson's music is everywhere, so familiar it's become almost invisible. This show's job is to make you see it again through a performer's understanding of what it actually meant.\n\nA Michael Jackson tribute show seems like an obvious concept, but the Christmas Theater is the right venue for this. The intimacy of a theater stage actually lets you see the physical grammar of Jackson's movement more clearly than arenas ever could. \"This is Michael\" positions itself as appreciation, not parody. The performer has studied the catalog—the dance moves, the vocal techniques, the specific way Jackson approaches rhythm. This is respect made visible.\n\nThe crowd will be mixed across ages and backgrounds. People who grew up with Jackson as the sound of their youth. People discovering him anew through his influence on contemporary music. People who just love great pop performance. The room fills with recognition—everyone here has a Michael Jackson moment that matters to them. The show gives permission to feel that moment again.\n\nThe experience is a journey through the catalog, structured as narrative rather than chronological. Early numbers establish the foundation—the ballads that show vocal technique. Middle passages hit the cultural moments, the songs that became part of how people understood their own lives. Peak time is the physical spectacle, the moments where Jackson's innovation in video and performance becomes visible. The arc is designed to build toward joy.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Christmas Theater, seated, capacity ~300-400, close sightlines to stage |\n| **Vibe** | Celebratory, nostalgic, professionally executed |\n| **Sound** | Theater-grade sound system designed for clarity |\n| **Atmosphere** | Multigenerational, enthusiastic, warm |\n\nIf you need irony or are uncomfortable with sincere appreciation, the Christmas Theater's earnestness will feel disarming. But if you want to experience Michael Jackson's music performed with actual understanding, if you want permission to feel what his work meant to you—this is the place.\n\n| Info | Details |\n|------|---------|\n| **Date** | Friday, May 15, 2026 |\n| **Doors** | 19:30 |\n| **Music starts** | 20:00 |\n| **Duration** | ~90 minutes with interval |\n| **Price** | €15-25 (estimated) |\n| **Tickets** | Christmas Theater box office or advance |\n| **Address** | Αθήνα CHRISTMAS THEATER, Athens |\n| **Getting there** | Central Athens location, metro accessible |\n| **Last metro** | 00:30 |\n| **Payment** | Cards and cash |\n| **Good to know** | Families with children welcome; this is a show about joy and virtuosity |",
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      "title": "TINARIWEN",
      "description": "16 Μαιου TINARIWEN Floyd",
      "fullDescription": "TINARIWEN arrives with the weight of Saharan sun in their sound. The Floyd venue fills with anticipation—not because TINARIWEN are unexpected, but because they're arriving at a moment when world music has lost the quotation marks around it and become genuinely integrated into how people understand music globally. This is a band from Mali who've become essential without compromising their own language.\n\nTINARIWEN plays music that has roots in specific geography and culture while speaking a language that transcends region. The guitar is hypnotic, built on repetition and subtle variation. The rhythm section creates frameworks that feel ancient and contemporary. The vocals arrive as another instrument in the conversation. This is music where patience is a virtue and space is as important as sound. They've been doing this for decades because what they do actually means something.\n\nThe crowd at Floyd will be a mix: world music devotees, people who've been following TINARIWEN since their early recordings, people who came because they heard something rare was happening. There's a real sense of respect in the room—not the kind that makes people sit passively, but the kind that makes them move in response to something they're actually feeling. Everyone here understands they're in the presence of mastery.\n\nThe arc of the evening is hypnotic by design. Early songs establish the sonic framework—the particular tuning of the guitars, the rhythmic vocabulary, the emotional tone. As the set progresses, the music gets richer, more layered, more complex in how it moves. What seemed simple in the opening reveals itself as precisely composed. By the end you've been taken to a place you didn't know existed but will want to return to.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Floyd venue, standing and seated areas, intimate capacity ~400 |\n| **Vibe** | Reverent, meditative, musically focused |\n| **Sound** | Live band format, good system designed for clarity across frequencies |\n| **Atmosphere** | Attentive, international, music-head crowd |\n\nIf you need obvious catchy moments or want easy accessibility, TINARIWEN will challenge you. But if you want to experience music that's rooted in place while speaking universal language, if you want to understand what happens when mastery meets authenticity—this is the show.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, May 16, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | 20:30 |\n| **Duration** | ~100-120 minutes |\n| **Price** | €18-25 (estimated) |\n| **Tickets** | Advance recommended |\n| **Address** | Floyd, Athens |\n| **Getting there** | Central Athens location, taxi recommended |\n| **Last metro** | 00:30 |\n| **Payment** | Cards and cash |\n| **Good to know** | TINARIWEN has a devoted following globally; arrive early for positioning |",
      "fullDescriptionEn": "TINARIWEN arrives with the weight of Saharan sun in their sound. The Floyd venue fills with anticipation—not because TINARIWEN are unexpected, but because they're arriving at a moment when world music has lost the quotation marks around it and become genuinely integrated into how people understand music globally. This is a band from Mali who've become essential without compromising their own language.\n\nTINARIWEN plays music that has roots in specific geography and culture while speaking a language that transcends region. The guitar is hypnotic, built on repetition and subtle variation. The rhythm section creates frameworks that feel ancient and contemporary. The vocals arrive as another instrument in the conversation. This is music where patience is a virtue and space is as important as sound. They've been doing this for decades because what they do actually means something.\n\nThe crowd at Floyd will be a mix: world music devotees, people who've been following TINARIWEN since their early recordings, people who came because they heard something rare was happening. There's a real sense of respect in the room—not the kind that makes people sit passively, but the kind that makes them move in response to something they're actually feeling. Everyone here understands they're in the presence of mastery.\n\nThe arc of the evening is hypnotic by design. Early songs establish the sonic framework—the particular tuning of the guitars, the rhythmic vocabulary, the emotional tone. As the set progresses, the music gets richer, more layered, more complex in how it moves. What seemed simple in the opening reveals itself as precisely composed. By the end you've been taken to a place you didn't know existed but will want to return to.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Floyd venue, standing and seated areas, intimate capacity ~400 |\n| **Vibe** | Reverent, meditative, musically focused |\n| **Sound** | Live band format, good system designed for clarity across frequencies |\n| **Atmosphere** | Attentive, international, music-head crowd |\n\nIf you need obvious catchy moments or want easy accessibility, TINARIWEN will challenge you. But if you want to experience music that's rooted in place while speaking universal language, if you want to understand what happens when mastery meets authenticity—this is the show.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, May 16, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | 20:30 |\n| **Duration** | ~100-120 minutes |\n| **Price** | €18-25 (estimated) |\n| **Tickets** | Advance recommended |\n| **Address** | Floyd, Athens |\n| **Getting there** | Central Athens location, taxi recommended |\n| **Last metro** | 00:30 |\n| **Payment** | Cards and cash |\n| **Good to know** | TINARIWEN has a devoted following globally; arrive early for positioning |",
      "fullDescriptionGr": "TINARIWEN arrives with the weight of Saharan sun in their sound. The Floyd venue fills with anticipation—not because TINARIWEN are unexpected, but because they're arriving at a moment when world music has lost the quotation marks around it and become genuinely integrated into how people understand music globally. This is a band from Mali who've become essential without compromising their own language.\n\nTINARIWEN plays music that has roots in specific geography and culture while speaking a language that transcends region. The guitar is hypnotic, built on repetition and subtle variation. The rhythm section creates frameworks that feel ancient and contemporary. The vocals arrive as another instrument in the conversation. This is music where patience is a virtue and space is as important as sound. They've been doing this for decades because what they do actually means something.\n\nThe crowd at Floyd will be a mix: world music devotees, people who've been following TINARIWEN since their early recordings, people who came because they heard something transcendent was happening. There's a real sense of respect in the room—not the kind that makes people sit passively, but the kind that makes them move in response to something they're actually feeling. Everyone here understands they're in the presence of mastery.\n\nThe arc of the evening is hypnotic by design. Early songs establish the sonic framework—the particular tuning of the guitars, the rhythmic vocabulary, the emotional tone. As the set progresses, the music gets richer, more layered, more complex in how it moves. What seemed simple in the opening reveals itself as precisely composed. By the end you've been taken to a place you didn't know existed but will want to return to.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Floyd venue, standing and seated areas, intimate capacity ~400 |\n| **Vibe** | Reverent, meditative, musically focused |\n| **Sound** | Live band format, good system designed for clarity across frequencies |\n| **Atmosphere** | Attentive, international, music-head crowd |\n\nIf you need obvious catchy moments or want easy accessibility, TINARIWEN will challenge you. But if you want to experience music that's rooted in place while speaking universal language, if you want to understand what happens when mastery meets authenticity—this is the show.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, May 16, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | 20:30 |\n| **Duration** | ~100-120 minutes |\n| **Price** | €18-25 (estimated) |\n| **Tickets** | Advance recommended |\n| **Address** | Floyd, Athens |\n| **Getting there** | Central Athens location, taxi recommended |\n| **Last metro** | 00:30 |\n| **Payment** | Cards and cash |\n| **Good to know** | TINARIWEN has a devoted following globally; arrive early for positioning |",
      "hasNativeGreek": false,
      "startDate": "2026-05-16T20:00:00+03:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "music"
      ],
      "tags": [],
      "venue": {
        "name": "Floyd",
        "address": "Pireos 117, Athens 118 54",
        "neighborhood": "Keramikos / Metaxourgeio",
        "coordinates": {
          "lat": 37.9795,
          "lon": 23.718
        },
        "capacity": null
      },
      "price": {
        "type": "paid",
        "amount": 25,
        "currency": "EUR",
        "range": "€25"
      },
      "url": "https://www.more.com/gr-el/tickets/music/tinariwen-1/",
      "ticketUrl": "https://www.viva.gr/gr-el/tickets/music/tinariwen-1/",
      "source": "more.com",
      "createdAt": "2026-01-19T23:07:36.324Z",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/5a3aeebc-7175-4ed7-ad0c-f0e146621dce/viva-tickets.png",
      "imageSource": "backfill",
      "imageLocal": "/images/events/a47a1c7cf5ecd109.webp",
      "permanentCollection": false,
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    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "74629d5be9129f6a",
      "title": "Μουσική Δωματίου με την ΕΛΣΟΝ",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-16T20:30:00+03:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "classical"
      ],
      "tags": [],
      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": "Βασιλίσσης Σοφίας & Κόκκαλη",
        "neighborhood": "Kolonaki",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.757
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€15-80"
      },
      "url": "https://www.megaron.gr/event/mousiki-domatiou-me-tin-elson-2/",
      "ticketUrl": "https://www.megaron.gr/event/mousiki-domatiou-me-tin-elson-2/",
      "source": "megaron.gr",
      "createdAt": "2026-03-06T06:06:48.926Z",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "imageUrl": "https://www.megaron.gr/wp-content/uploads/2026/03/ENXORDA_CROP.jpg",
      "imageSource": "backfill",
      "imageLocal": "/images/events/74629d5be9129f6a.webp",
      "permanentCollection": false,
      "locationStatus": "verified_athens"
    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "4637db0d100e4753",
      "title": "Bobos Arts Festival",
      "description": "",
      "fullDescription": "A Saturday in May, and the lawns of the Megaron Concert Hall garden have been turned over to ages three through twelve. Workshop tents go up across the paths, two stages cycle kids' rock bands and jazz acts through the afternoon, and an open mic waits for mini comedians who have rehearsed their bits in living rooms all spring. The Bobos Arts Festival runs from morning into the evening — a full Saturday, no quiet phase.\n\nThis is the tenth edition. Bobos was built as a children's arts festival from the start, co-produced by Creative Impact AMKE and The HUB Events, and has grown from a one-day experiment into one of Athens's anchor cultural dates for families. The 2026 theme is imagination — framed by the organizers as a life skill rather than a decoration, a counterweight to children spending their afternoons consuming feeds.\n\nYou will share the garden with parents who came prepared — sunscreen, water bottles, a backup snack — and grandparents who came for the puppet show specifically. There are kids who will spend the entire day on a single workshop bench and kids who will treat the festival as a circuit, hitting every station once. The crowd mixes Athenian families who come every year with first-timers who heard about it from a school WhatsApp group.\n\n| Aspect | Details |\n|---|---|\n| Setting | Garden of Megaron the Athens Concert Hall |\n| Vibe | Family festival, daytime, outdoor |\n| Sound | Kids' rock bands, jazz, storytelling, puppet shows |\n| Door | Early bird 13 EUR, advance 16 EUR, gate 18 EUR; family rate 16 EUR per person for groups of four |\n\nThe program threads selected music and theatre performances through more than twenty hands-on workshops. There is the kids' open mic for mini comedians, family yoga sessions, a bubble show, storytelling circles, and roaming acts that move between zones rather than holding a fixed stage. The format is built so that children can move at their own pace — drop into a workshop, drift to a performance, come back later.\n\nIf you want a single seated event with a clear start and end, this is not that — it is a garden you wander through for as long as your child's attention holds. But if you want a full Saturday where ages three to twelve are the priority and the city's main concert hall has handed over its lawns to make it work, the Megaron has cleared 16 May for it.\n\nThe Megaron Concert Hall sits next to Megaro Moussikis metro station, the festival entrance a short walk from the platform exit. Strollers are workable across the garden paths. Bring sun protection and water for the long stretches in May light. Ticket holders enter through the festival gates rather than the main concert hall lobby, and the family rate kicks in once a group reaches four people.\n\nTen years in, and the Bobos Arts Festival has lasted long enough that some of the children who came to the first edition are old enough to bring their younger siblings.",
      "fullDescriptionEn": "A Saturday in May, and the lawns of the Megaron Concert Hall garden have been turned over to ages three through twelve. Workshop tents go up across the paths, two stages cycle kids' rock bands and jazz acts through the afternoon, and an open mic waits for mini comedians who have rehearsed their bits in living rooms all spring. The Bobos Arts Festival runs from morning into the evening — a full Saturday, no quiet phase.\n\nThis is the tenth edition. Bobos was built as a children's arts festival from the start, co-produced by Creative Impact AMKE and The HUB Events, and has grown from a one-day experiment into one of Athens's anchor cultural dates for families. The 2026 theme is imagination — framed by the organizers as a life skill rather than a decoration, a counterweight to children spending their afternoons consuming feeds.\n\nYou will share the garden with parents who came prepared — sunscreen, water bottles, a backup snack — and grandparents who came for the puppet show specifically. There are kids who will spend the entire day on a single workshop bench and kids who will treat the festival as a circuit, hitting every station once. The crowd mixes Athenian families who come every year with first-timers who heard about it from a school WhatsApp group.\n\n| Aspect | Details |\n|---|---|\n| Setting | Garden of Megaron the Athens Concert Hall |\n| Vibe | Family festival, daytime, outdoor |\n| Sound | Kids' rock bands, jazz, storytelling, puppet shows |\n| Door | Early bird 13 EUR, advance 16 EUR, gate 18 EUR; family rate 16 EUR per person for groups of four |\n\nThe program threads selected music and theatre performances through more than twenty hands-on workshops. There is the kids' open mic for mini comedians, family yoga sessions, a bubble show, storytelling circles, and roaming acts that move between zones rather than holding a fixed stage. The format is built so that children can move at their own pace — drop into a workshop, drift to a performance, come back later.\n\nIf you want a single seated event with a clear start and end, this is not that — it is a garden you wander through for as long as your child's attention holds. But if you want a full Saturday where ages three to twelve are the priority and the city's main concert hall has handed over its lawns to make it work, the Megaron has cleared 16 May for it.\n\nThe Megaron Concert Hall sits next to Megaro Moussikis metro station, the festival entrance a short walk from the platform exit. Strollers are workable across the garden paths. Bring sun protection and water for the long stretches in May light. Ticket holders enter through the festival gates rather than the main concert hall lobby, and the family rate kicks in once a group reaches four people.\n\nTen years in, and the Bobos Arts Festival has lasted long enough that some of the children who came to the first edition are old enough to bring their younger siblings.",
      "fullDescriptionGr": "A Saturday in May, and the lawns of the Megaron Concert Hall garden have been turned over to ages three through twelve. Workshop tents go up across the paths, two stages cycle kids' rock bands and jazz acts through the afternoon, and an open mic waits for mini comedians who have rehearsed their bits in living rooms all spring. The Bobos Arts Festival runs from morning into the evening — a full Saturday, no quiet phase.\n\nThis is the tenth edition. Bobos was built as a children's arts festival from the start, co-produced by Creative Impact AMKE and The HUB Events, and has grown from a one-day experiment into one of Athens's anchor cultural dates for families. The 2026 theme is imagination — framed by the organizers as a life skill rather than a decoration, a counterweight to children spending their afternoons consuming feeds.\n\nYou will share the garden with parents who came prepared — sunscreen, water bottles, a backup snack — and grandparents who came for the puppet show specifically. There are kids who will spend the entire day on a single workshop bench and kids who will treat the festival as a circuit, hitting every station once. The crowd mixes Athenian families who come every year with first-timers who heard about it from a school WhatsApp group.\n\n| Aspect | Details |\n|---|---|\n| Setting | Garden of Megaron the Athens Concert Hall |\n| Vibe | Family festival, daytime, outdoor |\n| Sound | Kids' rock bands, jazz, storytelling, puppet shows |\n| Door | Early bird 13 EUR, advance 16 EUR, gate 18 EUR; family rate 16 EUR per person for groups of four |\n\nThe program threads selected music and theatre performances through more than twenty hands-on workshops. There is the kids' open mic for mini comedians, family yoga sessions, a bubble show, storytelling circles, and roaming acts that move between zones rather than holding a fixed stage. The format is built so that children can move at their own pace — drop into a workshop, drift to a performance, come back later.\n\nIf you want a single seated event with a clear start and end, this is not that — it is a garden you wander through for as long as your child's attention holds. But if you want a full Saturday where ages three to twelve are the priority and the city's main concert hall has handed over its lawns to make it work, the Megaron has cleared 16 May for it.\n\nThe Megaron Concert Hall sits next to Megaro Moussikis metro station, the festival entrance a short walk from the platform exit. Strollers are workable across the garden paths. Bring sun protection and water for the long stretches in May light. Ticket holders enter through the festival gates rather than the main concert hall lobby, and the family rate kicks in once a group reaches four people.\n\nTen years in, and the Bobos Arts Festival has lasted long enough that some of the children who came to the first edition are old enough to bring their younger siblings.",
      "hasNativeGreek": false,
      "startDate": "2026-05-16T20:30:00+03:00",
      "endDate": null,
      "type": "concert",
      "genres": [
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      "tags": [],
      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": "Βασιλίσσης Σοφίας & Κόκκαλη",
        "neighborhood": "Kolonaki",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.757
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€15-80"
      },
      "url": "https://www.megaron.gr/event/bobos-arts-festival-2/",
      "ticketUrl": "https://www.megaron.gr/event/bobos-arts-festival-2/",
      "source": "megaron.gr",
      "createdAt": "2026-03-06T06:06:48.926Z",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "imageUrl": "https://www.megaron.gr/wp-content/uploads/2025/03/3.-Bobos-Arts-Festival.jpg",
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      "id": "1db638a6b7d87dfd",
      "title": "Bolivar & Blend pres. Rivo + Dino MFU",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-16T21:00:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "Bolivar",
        "address": "Leoforos Poseidonos, Alimos 174 55",
        "neighborhood": "Alimos",
        "coordinates": {
          "lat": 37.9082,
          "lon": 23.7146
        },
        "capacity": null
      },
      "price": {
        "type": "door",
        "amount": 15,
        "currency": "EUR",
        "range": "Door price"
      },
      "url": "https://www.clubber.gr/events/bolivar-blend-pres-rivo-dino-mfu/",
      "ticketUrl": "https://www.clubber.gr/events/bolivar-blend-pres-rivo-dino-mfu/",
      "source": "clubber.gr",
      "createdAt": "2026-02-27 22:56:16",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.clubber.gr/wp-content/uploads/2025/02/20-years-clubber-gr.jpg",
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      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "301948fb47415034",
      "title": "Rivo I Sat May 16",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-16T21:00:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "Bolivar",
        "address": "Leoforos Poseidonos, Alimos 174 55",
        "neighborhood": "Alimos",
        "coordinates": {
          "lat": 37.9082,
          "lon": 23.7146
        },
        "capacity": null
      },
      "price": {
        "type": "tba",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://ra.co/events/2380423",
      "ticketUrl": "https://ra.co/events/2380423",
      "source": "residentadvisor",
      "createdAt": "2026-03-01 06:09:29",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "21:00",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "18077af962e00466",
      "title": "Techno Underdogs - Free Entrance",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-16T22:30:00",
      "endDate": null,
      "type": "dj_set",
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      "tags": [],
      "venue": {
        "name": "B side Athens",
        "address": "Μπη Σάιντ, Μαυροκορδάτου",
        "neighborhood": "",
        "coordinates": {
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      "price": {
        "type": "paid",
        "amount": 0,
        "currency": "EUR",
        "range": "€0"
      },
      "url": "https://ra.co/events/2377725",
      "ticketUrl": "https://ra.co/events/2377725",
      "source": "residentadvisor",
      "createdAt": "2026-04-14 14:12:29",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "22:30",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "f55c1fa62e2c1048",
      "title": "ON BOARD x SMUT with Laura BCR, Psyk, Luigi Tozzi live, Iffie",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-16T23:59:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "SMUT Athens",
        "address": "Vatsaxi 4, Athens 104 38",
        "neighborhood": "Psyrri",
        "coordinates": {
          "lat": 37.9841,
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        },
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      },
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        "currency": "EUR",
        "range": "€15-20"
      },
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      "ticketUrl": "https://ra.co/events/2397550",
      "source": "residentadvisor",
      "createdAt": "2026-03-20 22:40:48",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "23:59",
      "timeSource": "scraped_listing",
      "imageUrl": "https://images.ra.co/7c10f7ba1ea0a632bf3ee1780820d6aa64e5552a.png",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "a0181d27d064ba3c",
      "title": "Γαλάζια Κυριακή – Μια συναυλία για όλους",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-17T20:30:00+03:00",
      "endDate": null,
      "type": "concert",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": "Βασιλίσσης Σοφίας & Κόκκαλη",
        "neighborhood": "Kolonaki",
        "coordinates": {
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        },
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        "currency": "EUR",
        "range": "€15-80"
      },
      "url": "https://www.megaron.gr/event/ethniki-symfoniki-orchistra-tis-ert/",
      "ticketUrl": "https://www.megaron.gr/event/ethniki-symfoniki-orchistra-tis-ert/",
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      "title": "Mundus inversus: η μουσική στο έργο του Ιερώνυμου Μπος",
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      "startDate": "2026-05-18T20:30:00+03:00",
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      "tags": [],
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        "address": "Βασιλίσσης Σοφίας & Κόκκαλη",
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        "amount": 25,
        "currency": "EUR",
        "range": "€15-80"
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      "title": "Crippled Symmetries Motifs in Contemporary Music",
      "description": "",
      "fullDescription": "\"Crippled Symmetries: Motifs in Contemporary Music\" takes place at the Greek National Opera at SNFCC on May 21, 2026. This concert explores contemporary classical music themes at Greece's premier opera venue.\n\nContemporary music programming reveals ongoing evolution of classical traditions, connecting audiences with composers pushing musical boundaries. Thematic concerts trace ideas across different composers' works.\n\nThe Greek National Opera at SNFCC provides first-rate facilities for contemporary classical performance. The venue's acoustic excellence serves new music with the same quality as established repertoire.\n\nThis concert offers contemporary classical music at Greece's distinguished opera venue. Programming of this nature supports living composers and musical innovation.",
      "fullDescriptionEn": "\"Crippled Symmetries: Motifs in Contemporary Music\" takes place at the Greek National Opera at SNFCC on May 21, 2026. This concert explores contemporary classical music themes at Greece's premier opera venue.\n\nContemporary music programming reveals ongoing evolution of classical traditions, connecting audiences with composers pushing musical boundaries. Thematic concerts trace ideas across different composers' works.\n\nThe Greek National Opera at SNFCC provides first-rate facilities for contemporary classical performance. The venue's acoustic excellence serves new music with the same quality as established repertoire.\n\nThis concert offers contemporary classical music at Greece's distinguished opera venue. Programming of this nature supports living composers and musical innovation.",
      "fullDescriptionGr": "\"Crippled Symmetries: Motifs in Contemporary Music\" takes place at the Greek National Opera at SNFCC on May 21, 2026. This concert explores contemporary classical music themes at Greece's premier opera venue.\n\nContemporary music programming reveals ongoing evolution of classical traditions, connecting audiences with composers pushing musical boundaries. Thematic concerts trace ideas across different composers' works.\n\nThe Greek National Opera at SNFCC provides world-class facilities for contemporary classical performance. The venue's acoustic excellence serves new music with the same quality as established repertoire.\n\nThis concert offers contemporary classical music at Greece's distinguished opera venue. Programming of this nature supports living composers and musical innovation.",
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        "address": "Evripidou & Doiranis, Kallithea, Athens 176 74",
        "neighborhood": "Kallithea / Faliro Bay",
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        "currency": "EUR",
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      "ticketUrl": "https://www.ticketservices.gr/event/13512/",
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      "title": "Mayans with Guy J b2b Guy Mantzur I Thu 21 May",
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      "fullDescription": "Concrete, glass, and the faint residual geometry of runways -- The Ellinikon Experience Centre sits on the site of the former Athens International Airport, now in the middle of one of Europe's largest urban redevelopment projects on the southern coast. On May 22-23, this venue hosts Athens SEO 2026, a conference built at the intersection of technical search engine optimization and the AI systems that are rewriting how search works.\n\nYou arrive at a venue that embodies transformation -- a decommissioned airport becoming a mixed-use district -- to discuss a field undergoing its own fundamental shift. The conference addresses the technical mechanics of search visibility in an era when AI-generated answers, large language model integrations, and shifting crawl behaviors are changing the rules that SEO practitioners have relied on for a decade. The content is Europe-facing, drawing speakers and attendees who work across markets with different languages, regulations, and search behaviors.\n\nThe sessions go deep into the plumbing: structured data, crawl budget optimization, log file analysis, Core Web Vitals, and the emerging question of how to maintain visibility when search engines increasingly synthesize answers rather than serve links. The AI thread runs through the program not as a separate track but as an integrated concern -- because for anyone working in search today, the AI layer is no longer optional context.\n\nThe Ellinikon Experience Centre provides a modern, purpose-built event space that reflects the ambition of the surrounding development project. Located in the southern Athens suburb of Ellinikon, the venue is accessible via the tram line that runs along the coast or by car from the city center. The coastal location means breaks between sessions come with glimpses of the Saronic Gulf, and the late-May weather makes outdoor networking areas genuinely usable.\n\nThe two-day format allows the program to layer foundational technical sessions on day one with more advanced and speculative content on day two. The European orientation of the conference means the case studies reflect the complexity of multi-market, multi-language SEO -- not just the English-language, US-centric perspective that dominates many search conferences.\n\nIf you work in technical SEO and need to understand how AI is reshaping search infrastructure, ranking systems, and content discovery, this conference addresses your professional reality directly. If your interest in SEO is primarily content strategy or brand marketing without a technical foundation, the depth of the sessions will outpace you.\n\nThe Ellinikon site carries a particular atmosphere in late May -- open sky, sea air, and the visible evidence of a coastline being reimagined. Between sessions, the scale of the surrounding construction project serves as an unintentional metaphor for the industry under discussion: familiar ground, fundamentally restructured.",
      "fullDescriptionEn": "Concrete, glass, and the faint residual geometry of runways -- The Ellinikon Experience Centre sits on the site of the former Athens International Airport, now in the middle of one of Europe's largest urban redevelopment projects on the southern coast. On May 22-23, this venue hosts Athens SEO 2026, a conference built at the intersection of technical search engine optimization and the AI systems that are rewriting how search works.\n\nYou arrive at a venue that embodies transformation -- a decommissioned airport becoming a mixed-use district -- to discuss a field undergoing its own fundamental shift. The conference addresses the technical mechanics of search visibility in an era when AI-generated answers, large language model integrations, and shifting crawl behaviors are changing the rules that SEO practitioners have relied on for a decade. The content is Europe-facing, drawing speakers and attendees who work across markets with different languages, regulations, and search behaviors.\n\nThe sessions go deep into the plumbing: structured data, crawl budget optimization, log file analysis, Core Web Vitals, and the emerging question of how to maintain visibility when search engines increasingly synthesize answers rather than serve links. The AI thread runs through the program not as a separate track but as an integrated concern -- because for anyone working in search today, the AI layer is no longer optional context.\n\nThe Ellinikon Experience Centre provides a modern, purpose-built event space that reflects the ambition of the surrounding development project. Located in the southern Athens suburb of Ellinikon, the venue is accessible via the tram line that runs along the coast or by car from the city center. The coastal location means breaks between sessions come with glimpses of the Saronic Gulf, and the late-May weather makes outdoor networking areas genuinely usable.\n\nThe two-day format allows the program to layer foundational technical sessions on day one with more advanced and speculative content on day two. The European orientation of the conference means the case studies reflect the complexity of multi-market, multi-language SEO -- not just the English-language, US-centric perspective that dominates many search conferences.\n\nIf you work in technical SEO and need to understand how AI is reshaping search infrastructure, ranking systems, and content discovery, this conference addresses your professional reality directly. If your interest in SEO is primarily content strategy or brand marketing without a technical foundation, the depth of the sessions will outpace you.\n\nThe Ellinikon site carries a particular atmosphere in late May -- open sky, sea air, and the visible evidence of a coastline being reimagined. Between sessions, the scale of the surrounding construction project serves as an unintentional metaphor for the industry under discussion: familiar ground, fundamentally restructured.",
      "fullDescriptionGr": "Concrete, glass, and the faint residual geometry of runways -- The Ellinikon Experience Centre sits on the site of the former Athens International Airport, now in the middle of one of Europe's largest urban redevelopment projects on the southern coast. On May 22-23, this venue hosts Athens SEO 2026, a conference built at the intersection of technical search engine optimization and the AI systems that are rewriting how search works.\n\nYou arrive at a venue that embodies transformation -- a decommissioned airport becoming a mixed-use district -- to discuss a field undergoing its own fundamental shift. The conference addresses the technical mechanics of search visibility in an era when AI-generated answers, large language model integrations, and shifting crawl behaviors are changing the rules that SEO practitioners have relied on for a decade. The content is Europe-facing, drawing speakers and attendees who work across markets with different languages, regulations, and search behaviors.\n\nThe sessions go deep into the plumbing: structured data, crawl budget optimization, log file analysis, Core Web Vitals, and the emerging question of how to maintain visibility when search engines increasingly synthesize answers rather than serve links. The AI thread runs through the program not as a separate track but as an integrated concern -- because for anyone working in search today, the AI layer is no longer optional context.\n\nThe Ellinikon Experience Centre provides a modern, purpose-built event space that reflects the ambition of the surrounding development project. Located in the southern Athens suburb of Ellinikon, the venue is accessible via the tram line that runs along the coast or by car from the city center. The coastal location means breaks between sessions come with glimpses of the Saronic Gulf, and the late-May weather makes outdoor networking areas genuinely usable.\n\nThe two-day format allows the program to layer foundational technical sessions on day one with more advanced and speculative content on day two. The European orientation of the conference means the case studies reflect the complexity of multi-market, multi-language SEO -- not just the English-language, US-centric perspective that dominates many search conferences.\n\nIf you work in technical SEO and need to understand how AI is reshaping search infrastructure, ranking systems, and content discovery, this conference addresses your professional reality directly. If your interest in SEO is primarily content strategy or brand marketing without a technical foundation, the depth of the sessions will outpace you.\n\nThe Ellinikon site carries a particular atmosphere in late May -- open sky, sea air, and the visible evidence of a coastline being reimagined. Between sessions, the scale of the surrounding construction project serves as an unintentional metaphor for the industry under discussion: familiar ground, fundamentally restructured.",
      "hasNativeGreek": false,
      "startDate": "2026-05-22",
      "endDate": "2026-05-23",
      "type": "tech",
      "genres": [
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      "venue": {
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      "title": "NO MORE FAKE DISCO",
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      "venue": {
        "name": "Burger Disco Club",
        "address": "Nikis 11, Downtown 105 57, Greece",
        "neighborhood": "Syntagma",
        "coordinates": {
          "lat": 37.9749,
          "lon": 23.7332
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        "capacity": null
      },
      "price": {
        "type": "paid",
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      "url": "https://ra.co/events/2417239",
      "ticketUrl": "https://ra.co/events/2417239",
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        "address": "Leoforos Poseidonos, Alimos 174 55",
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        "currency": "EUR",
        "range": "€10-25"
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      "url": "https://ra.co/events/2385767",
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      "createdAt": "2026-03-06 07:38:39",
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      "title": "Bolivar & Minotaur Minotaur pres. Shimza + Dino MFU",
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        "range": "Door price"
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      "ticketUrl": "https://www.clubber.gr/events/bolivar-minotaur-minotaur-pres-shimza-dino-mfu/",
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      "title": "Fatima Hajji & CARAVEL X BOTOXE ATHENS Anagenesis 1 YEAR ANNIVERSARY",
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        "name": "Bòtoxe",
        "address": "Trifillias 47, Athina 115 24",
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      "ticketUrl": "https://ra.co/events/2410202",
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      "createdAt": "2026-04-04 05:08:43",
      "updatedAt": "2026-04-15 12:12:34",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "e3e49595dde4439b",
      "title": "The Two Sides of the Atlantic Poetry and Colour in Music",
      "description": "",
      "fullDescription": "The Stavros Xarhalambidis Quartet fills the Megaron's recital space with something rare in contemporary classical programming — a conversation between two continents that stopped pretending to be separate centuries ago. You're surrounded by SNFCC's polished modernism, but the sound tells a different story.\n\nThis isn't a lecture on \"East meets West.\" It's four Greek musicians playing American standard bebop vocabulary over traditional Cretan harmonic structures, then inverting it. Xarhalambidis (piano) and Kostas Kouvakas (vibraphone) lead a rhythm section that understands both swing and the asymmetrical pulses of rebetiko. The program traces two centuries of cultural transmission — Portuguese traders bringing African rhythms to Greece, Greek immigrants bringing bouzouki sensibilities to Manhattan's 1920s, then modern players collapsing the distinction.\n\nYou'll find serious concert-goers: musicians familiar with Greek jazz traditions, classical patrons curious about the edges, tourists who stumbled in looking for opera. No one's checking their phone. People arrive early to read the program notes; they stay after to ask questions.\n\nThe Megaron's recital hall — 650 seats, intimate acoustic design — becomes less a concert space and more a room where careful listening happens. The musicians play close enough that you see the gesture before you hear the result. The arc of the evening moves from structured compositions (early sets) into exploration, where the quartet follows its own conversations and invites you to overhear.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Megaron Concert Hall, SNFCC — 650 seats, intimate recital space with classical acoustics |\n| **Vibe** | Attentive, contemplative, serious about musical exploration |\n| **Sound** | Acoustic jazz in classical concert setting — prepared for close listening |\n| **Door** | Standard classical concert protocols — no door selection |\n\nIf you need loud beats and crowds moving together, this is a concert hall, not a club. But if you want to hear how two musical traditions can speak the same language without erasing their origins — if you're curious about what Greek jazz actually sounds like when it stops apologizing — this is where that conversation happens at the highest level.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, May 23, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | 20:30 |\n| **Duration** | ~90 minutes (typical concert format) |\n| **Price** | €25-35 (varies by seating) |\n| **Tickets** | SNFCC website / more.com |\n| **Address** | Iera Odos 17-19, Gazi |\n| **Getting there** | Kerameikos Metro (Blue Line), 8-minute walk |\n| **Last metro** | 01:30 (Saturday night service) |\n| **Payment** | Cards accepted |\n| **Good to know** | SNFCC venues are air-conditioned; arrive 15 minutes early for orientation — the campus is large |",
      "fullDescriptionEn": "The Stavros Xarhalambidis Quartet fills the Megaron's recital space with something rare in contemporary classical programming — a conversation between two continents that stopped pretending to be separate centuries ago. You're surrounded by SNFCC's polished modernism, but the sound tells a different story.\n\nThis isn't a lecture on \"East meets West.\" It's four Greek musicians playing American standard bebop vocabulary over traditional Cretan harmonic structures, then inverting it. Xarhalambidis (piano) and Kostas Kouvakas (vibraphone) lead a rhythm section that understands both swing and the asymmetrical pulses of rebetiko. The program traces two centuries of cultural transmission — Portuguese traders bringing African rhythms to Greece, Greek immigrants bringing bouzouki sensibilities to Manhattan's 1920s, then modern players collapsing the distinction.\n\nYou'll find serious concert-goers: musicians familiar with Greek jazz traditions, classical patrons curious about the edges, tourists who stumbled in looking for opera. No one's checking their phone. People arrive early to read the program notes; they stay after to ask questions.\n\nThe Megaron's recital hall — 650 seats, intimate acoustic design — becomes less a concert space and more a room where careful listening happens. The musicians play close enough that you see the gesture before you hear the result. The arc of the evening moves from structured compositions (early sets) into exploration, where the quartet follows its own conversations and invites you to overhear.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Megaron Concert Hall, SNFCC — 650 seats, intimate recital space with classical acoustics |\n| **Vibe** | Attentive, contemplative, serious about musical exploration |\n| **Sound** | Acoustic jazz in classical concert setting — prepared for close listening |\n| **Door** | Standard classical concert protocols — no door selection |\n\nIf you need loud beats and crowds moving together, this is a concert hall, not a club. But if you want to hear how two musical traditions can speak the same language without erasing their origins — if you're curious about what Greek jazz actually sounds like when it stops apologizing — this is where that conversation happens at the highest level.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, May 23, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | 20:30 |\n| **Duration** | ~90 minutes (typical concert format) |\n| **Price** | €25-35 (varies by seating) |\n| **Tickets** | SNFCC website / more.com |\n| **Address** | Iera Odos 17-19, Gazi |\n| **Getting there** | Kerameikos Metro (Blue Line), 8-minute walk |\n| **Last metro** | 01:30 (Saturday night service) |\n| **Payment** | Cards accepted |\n| **Good to know** | SNFCC venues are air-conditioned; arrive 15 minutes early for orientation — the campus is large |",
      "fullDescriptionGr": "\"The Two Sides of the Atlantic: Poetry and Colour in Music\" takes place at the Greek National Opera at SNFCC on May 23, 2026. This concert explores transatlantic musical connections at Greece's premier opera venue.\n\nProgramming connecting American and European musical traditions illuminates shared influences and distinctive developments. Poetry and color as themes suggest programming rich in imagery and emotional depth.\n\nThe Greek National Opera at SNFCC provides world-class facilities for concerts exploring grand themes. The venue's acoustic excellence supports programming of this conceptual ambition.\n\nThis concert offers exploration of transatlantic musical connections at Greece's distinguished opera venue.",
      "hasNativeGreek": false,
      "startDate": "2026-05-23",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "ΚΠΙΣΝ",
        "address": "Evripidou & Doiranis, Kallithea, Athens 176 74",
        "neighborhood": "Kallithea / Faliro Bay",
        "coordinates": {
          "lat": 37.941042,
          "lon": 23.693306
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": null,
        "currency": "EUR",
        "range": null
      },
      "url": "https://www.ticketservices.gr/event/13513/",
      "ticketUrl": "https://www.ticketservices.gr/event/13513/",
      "source": "ticketservices",
      "createdAt": "2026-01-26 13:11:15",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "20:30",
      "timeSource": "scraped_detail",
      "imageUrl": "https://stream.ticketservices.gr/www.ticketservices.gr/pictures/main/main4_56893_99c309f8b22ccf674ef513c2b1fdd8b5_M_1_.jpg",
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      "imageLocal": "/images/events/e3e49595dde4439b.webp",
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    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "c6e08f271f2268ca",
      "title": "CLUTCH",
      "description": "23 Μαιου CLUTCH Floyd",
      "fullDescription": "The bass hits you the moment the doors open at Floyd — a 2,000-capacity venue that's learned how to make sound matter. You're walking into a room that's been tuned for exactly what's about to happen. This is CLUTCH: the kind of band that's been touring for 25 years and somehow got better.\n\nCLUTCH isn't metal, though the metal kids will be here. They're not pure rock, though the rock traditionalists will recognize the bones. They're a groove machine that understands that the space between the beat and where you expect it is where the whole night lives. Neil Fallon's vocals sit somewhere between spoken word and sung melody; Tim Sult's guitar doesn't shred — it instructs. The rhythm section (Dan Maines, JR Vile) plays tight enough to feel like one organism. This is a band where every member has something to prove, every night, no shortcuts.\n\nYou'll find people who discovered them in college and followed them through a dozen line-up changes. Musicians checking the technique. Die-hards who've seen them twenty times and came back because Friday night. Groups who heard \"Electric Worry\" once and decided to understand the whole catalog. No one's here ironically.\n\nFloyd opened in October 2023 and immediately became Athens' main concert venue for acts between \"local heroes\" and \"festival headliners.\" 2,000 people on one floor means the energy equalizes faster — early crowd feeds late arrivals; late arrivals push early crowd. The room fills completely by 21:00. The lighting is professional without being showy. The sound system is the real investment here.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Floyd Live Music Venue, Gazi — 2,000+ capacity, professional concert hall |\n| **Vibe** | High-energy crowd, focused on musicianship, mixed ages (30-50 primary) |\n| **Sound** | Live rock band, carefully miked — hearing clarity matters |\n| **Door** | Standard concert entry — no selection |\n\nIf you need an intimate club experience, this is a 2,000-person statement. But if you want to understand why a band that's been working since 1998 still fills rooms this size, if you understand that \"groove\" is a technical skill not a feeling — you're exactly the person for this night.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, May 23, 2026 |\n| **Doors** | 19:00 |\n| **Music starts** | ~21:00 |\n| **Duration** | 90+ minutes |\n| **Price** | €35-45 presale / €50+ door |\n| **Tickets** | more.com, venue website |\n| **Address** | Pireos 117, Gazi |\n| **Getting there** | Kerameikos Metro (Blue Line), 5-minute walk |\n| **Last metro** | 01:30 (Saturday) |\n| **Payment** | Cards preferred |\n| **Good to know** | Floyd has limited parking; Uber/taxi recommended. Arrive 18:30 if you want to see opening acts. No smoking inside (enforcement active). Coat check available. |",
      "fullDescriptionEn": "The bass hits you the moment the doors open at Floyd — a 2,000-capacity venue that's learned how to make sound matter. You're walking into a room that's been tuned for exactly what's about to happen. This is CLUTCH: the kind of band that's been touring for 25 years and somehow got better.\n\nCLUTCH isn't metal, though the metal kids will be here. They're not pure rock, though the rock traditionalists will recognize the bones. They're a groove machine that understands that the space between the beat and where you expect it is where the whole night lives. Neil Fallon's vocals sit somewhere between spoken word and sung melody; Tim Sult's guitar doesn't shred — it instructs. The rhythm section (Dan Maines, JR Vile) plays tight enough to feel like one organism. This is a band where every member has something to prove, every night, no shortcuts.\n\nYou'll find people who discovered them in college and followed them through a dozen line-up changes. Musicians checking the technique. Die-hards who've seen them twenty times and came back because Friday night. Groups who heard \"Electric Worry\" once and decided to understand the whole catalog. No one's here ironically.\n\nFloyd opened in October 2023 and immediately became Athens' main concert venue for acts between \"local heroes\" and \"festival headliners.\" 2,000 people on one floor means the energy equalizes faster — early crowd feeds late arrivals; late arrivals push early crowd. The room fills completely by 21:00. The lighting is professional without being showy. The sound system is the real investment here.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Floyd Live Music Venue, Gazi — 2,000+ capacity, professional concert hall |\n| **Vibe** | High-energy crowd, focused on musicianship, mixed ages (30-50 primary) |\n| **Sound** | Live rock band, carefully miked — hearing clarity matters |\n| **Door** | Standard concert entry — no selection |\n\nIf you need an intimate club experience, this is a 2,000-person statement. But if you want to understand why a band that's been working since 1998 still fills rooms this size, if you understand that \"groove\" is a technical skill not a feeling — you're exactly the person for this night.\n\n| Info | Details |\n|------|---------|\n| **Date** | Saturday, May 23, 2026 |\n| **Doors** | 19:00 |\n| **Music starts** | ~21:00 |\n| **Duration** | 90+ minutes |\n| **Price** | €35-45 presale / €50+ door |\n| **Tickets** | more.com, venue website |\n| **Address** | Pireos 117, Gazi |\n| **Getting there** | Kerameikos Metro (Blue Line), 5-minute walk |\n| **Last metro** | 01:30 (Saturday) |\n| **Payment** | Cards preferred |\n| **Good to know** | Floyd has limited parking; Uber/taxi recommended. Arrive 18:30 if you want to see opening acts. No smoking inside (enforcement active). Coat check available. |",
      "fullDescriptionGr": "Floyd braces for Clutch—the band that has spent thirty years proving that rock and roll does not require youth or trend-following, just riffs, groove, and absolute commitment.\n\nClutch operates in space that barely exists anymore: blues-based hard rock delivered without irony, funk elements integrated without awkwardness, lyrics that manage to be clever without sacrificing directness. Neil Fallon's voice remains one of rock's most distinctive instruments.\n\nFloyd provides appropriate setting for band whose audience has grown up with them. The venue has hosted enough rock shows to know what Clutch requires: volume, bass response, crowd management for the front-row devoted.\n\nThe audience arrives wearing band t-shirts that document years of tours. They know the songs; they will sing along; they will prove that middle-aged rock fans still know how to move.\n\nExpect groove. Expect riffs. Expect to leave convinced that rock remains vital when practiced by those who truly believe.\n\n**Saturday, May 23, 2026 • Floyd, Athens**\nTickets required • Stoner rock / Blues rock\nEvening show\n\n*Hydrate before and during—the combination of movement and volume will deplete you.*",
      "hasNativeGreek": false,
      "startDate": "2026-05-23T20:00:00+03:00",
      "endDate": null,
      "type": "concert",
      "genres": [
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      "tags": [],
      "venue": {
        "name": "Floyd",
        "address": "Πειραιώς 117",
        "neighborhood": "Keramikos / Metaxourgeio",
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          "lon": 23.718
        },
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      },
      "price": {
        "type": "with-ticket",
        "amount": 39,
        "currency": "EUR",
        "range": "€39-€42"
      },
      "url": "https://www.more.com/gr-el/tickets/music/clutch-2026/",
      "ticketUrl": "https://www.viva.gr/gr-el/tickets/music/clutch-2026/",
      "source": "more.com",
      "createdAt": "2026-01-19T23:07:36.324Z",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.more.com/getattachment/bf4609b1-671e-40f3-b57e-c296dc44d4dd/viva-tickets.png",
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      "permanentCollection": false,
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    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "2d9f2883142941b3",
      "title": "Γκαλά μπαρόκ με τον Μax Emanuel Cenčić",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-23T20:30:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "Classical",
        "Concert"
      ],
      "tags": [],
      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21",
        "neighborhood": "Ilisia",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.757
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€15-80"
      },
      "url": "https://www.megaron.gr/event/gkala-barok-me-ton-max-emanuel-cencic/",
      "ticketUrl": "https://www.megaron.gr/event/gkala-barok-me-ton-max-emanuel-cencic/",
      "source": "megaron.gr",
      "createdAt": "2026-03-06 07:38:39",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "20:30",
      "timeSource": "scraped_listing",
      "imageUrl": "https://www.megaron.gr/wp-content/uploads/2026/03/Max-Emanuel-Cencic-2024-03-photo-by-Laura-Chapman-scaled-1.jpg",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "4b0d6f6437b803ea",
      "title": "Ηχορροές: AI και διαδραστική μουσική για παιδιά",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-23T20:30:00+03:00",
      "endDate": null,
      "type": "concert",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": "Βασιλίσσης Σοφίας & Κόκκαλη",
        "neighborhood": "Kolonaki",
        "coordinates": {
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          "lon": 23.757
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 25,
        "currency": "EUR",
        "range": "€15-80"
      },
      "url": "https://www.megaron.gr/event/ichorroes-ai-kai-diadrastiki-mousiki-gia-paidia/",
      "ticketUrl": "https://www.megaron.gr/event/ichorroes-ai-kai-diadrastiki-mousiki-gia-paidia/",
      "source": "megaron.gr",
      "createdAt": "2026-04-03T05:00:12.522Z",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "imageUrl": "https://www.megaron.gr/wp-content/uploads/2026/04/ηχορροές.png",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "87d657dad52a1a9a",
      "title": "Miss Monique I Sat May 23",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-23T21:00:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "Bolivar",
        "address": "Leoforos Poseidonos, Alimos 174 55",
        "neighborhood": "Alimos",
        "coordinates": {
          "lat": 37.9082,
          "lon": 23.7146
        },
        "capacity": null
      },
      "price": {
        "type": "tba",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
      },
      "url": "https://ra.co/events/2393160",
      "ticketUrl": "https://ra.co/events/2393160",
      "source": "residentadvisor",
      "createdAt": "2026-03-13 10:49:21",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "21:00",
      "timeSource": "scraped_listing",
      "imageUrl": "https://images.ra.co/3e91fe9e4765c7e9705a15a327906b80db1af266.png",
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    },
    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "f58530f626836c8b",
      "title": "IFM X TROPISM with I-F - Intergalactic Gary",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-23T21:00:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "Astron",
        "address": "Konstantinoupoleos 121, Athens 104 47",
        "neighborhood": "Kerameikos",
        "coordinates": {
          "lat": 37.978,
          "lon": 23.709
        },
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      },
      "price": {
        "type": "tba",
        "amount": 12,
        "currency": "EUR",
        "range": "€10-15"
      },
      "url": "https://ra.co/events/2413884",
      "ticketUrl": "https://ra.co/events/2413884",
      "source": "residentadvisor",
      "createdAt": "2026-04-09 05:09:19",
      "updatedAt": "2026-04-15 12:14:03",
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      "timeDoors": "21:00",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "32f14a52817122f7",
      "title": "SMUT x FJAAK x Henning Baer x Sept",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-23T23:59:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "SMUT Athens",
        "address": "Vatsaxi 4, Athens 104 38",
        "neighborhood": "Psyrri",
        "coordinates": {
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          "lon": 23.7284
        },
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      },
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        "amount": 15,
        "currency": "EUR",
        "range": "€15-20"
      },
      "url": "https://ra.co/events/2397645",
      "ticketUrl": "https://ra.co/events/2397645",
      "source": "residentadvisor",
      "createdAt": "2026-03-19 06:11:19",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "23:59",
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    {
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      "@type": "MusicEvent",
      "id": "1df97302e834b907",
      "title": "A Night to Remember with Maurizio ( Ernica)",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-23T23:59:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "IT Athens",
        "address": "Solomou 30 & Botasi 9, Athens 106 82",
        "neighborhood": "Exarchia",
        "coordinates": {
          "lat": 37.987,
          "lon": 23.7325
        },
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      },
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        "range": null
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      "url": "https://ra.co/events/2403832",
      "source": "residentadvisor",
      "createdAt": "2026-03-27 10:02:14",
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      "language": "en",
      "timeDoors": "23:59",
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    {
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      "@type": "MusicEvent",
      "id": "3f306546842c324d",
      "title": "A Night to Remember Etnica & The Rolling Stoned",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-23T23:59:00",
      "endDate": null,
      "type": "dj_set",
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        "name": "IT Athens",
        "address": "Solomou 30 & Botasi 9, Athens 106 82",
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        "coordinates": {
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      "url": "https://ra.co/events/2411383",
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      "createdAt": "2026-04-07 11:26:09",
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    {
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      "@type": "ExhibitionEvent",
      "id": "df0e8b9dda2c9671",
      "title": "ONX.Showcase.Athens.2026",
      "description": "Έκθεση",
      "fullDescription": "ONX.Showcase.Athens.2026 is a four-day exhibition and showcase of art and emerging technology at Onassis Stegi on Syngrou Avenue in Athens, running 21 to 24 May 2026, subtitled \"Human in the Loop.\" The Onassis ONX program — with studios in New York and Athens — supports artists working at the intersection of AI, spatial computing, and live simulation. This showcase presents the results.\n\nProjects developed through ONX Seeds, a program for new media creators and creative technologists, reach their public debut here as functional prototypes. The 2026 edition follows the January opening of ONX's new Tribeca space with \"TECHNE: Homecoming,\" a group exhibition built around AI, bio art, and interactive environments. The Athens showcase extends that inquiry across four days of installations, performances, talks, and workshops.\n\nIf you want traditional gallery viewing — fixed objects, white walls, quiet rooms — this is a working showcase where prototypes are demonstrated, not displayed. If you want to see what happens when artists build with AI and spatial computing tools, this is where those projects meet an audience for the first time.\n\nOnassis Stegi is at 107-109 Syngrou Avenue, accessible from Syngrou-Fix metro. Tickets through the Onassis website. The subtitle is \"Human in the Loop\" — the works here test whether that remains true.",
      "fullDescriptionEn": "ONX.Showcase.Athens.2026 is a four-day exhibition and showcase of art and emerging technology at Onassis Stegi on Syngrou Avenue in Athens, running 21 to 24 May 2026, subtitled \"Human in the Loop.\" The Onassis ONX program — with studios in New York and Athens — supports artists working at the intersection of AI, spatial computing, and live simulation. This showcase presents the results.\n\nProjects developed through ONX Seeds, a program for new media creators and creative technologists, reach their public debut here as functional prototypes. The 2026 edition follows the January opening of ONX's new Tribeca space with \"TECHNE: Homecoming,\" a group exhibition built around AI, bio art, and interactive environments. The Athens showcase extends that inquiry across four days of installations, performances, talks, and workshops.\n\nIf you want traditional gallery viewing — fixed objects, white walls, quiet rooms — this is a working showcase where prototypes are demonstrated, not displayed. If you want to see what happens when artists build with AI and spatial computing tools, this is where those projects meet an audience for the first time.\n\nOnassis Stegi is at 107-109 Syngrou Avenue, accessible from Syngrou-Fix metro. Tickets through the Onassis website. The subtitle is \"Human in the Loop\" — the works here test whether that remains true.",
      "fullDescriptionGr": "ONX.Showcase.Athens.2026 is a four-day exhibition and showcase of art and emerging technology at Onassis Stegi on Syngrou Avenue in Athens, running 21 to 24 May 2026, subtitled \"Human in the Loop.\" The Onassis ONX program — with studios in New York and Athens — supports artists working at the intersection of AI, spatial computing, and live simulation. This showcase presents the results.\n\nProjects developed through ONX Seeds, a program for new media creators and creative technologists, reach their public debut here as functional prototypes. The 2026 edition follows the January opening of ONX's new Tribeca space with \"TECHNE: Homecoming,\" a group exhibition built around AI, bio art, and interactive environments. The Athens showcase extends that inquiry across four days of installations, performances, talks, and workshops.\n\nIf you want traditional gallery viewing — fixed objects, white walls, quiet rooms — this is a working showcase where prototypes are demonstrated, not displayed. If you want to see what happens when artists build with AI and spatial computing tools, this is where those projects meet an audience for the first time.\n\nOnassis Stegi is at 107-109 Syngrou Avenue, accessible from Syngrou-Fix metro. Tickets through the Onassis website. The subtitle is \"Human in the Loop\" — the works here test whether that remains true.",
      "hasNativeGreek": false,
      "startDate": "2026-05-24T11:00:00",
      "endDate": null,
      "type": "exhibition",
      "genres": [
        "Art",
        "Contemporary"
      ],
      "tags": [
        "Contemporary-Art",
        "Installation",
        "AI-Tech",
        "Workshop-space",
        "Neos-Kosmos",
        "Mixed-international",
        "Metro-accessible",
        "Multi-day"
      ],
      "venue": {
        "name": "Onassis Stegi",
        "address": "Leof. Andrea Siggrou 107-109, Athens 117 45",
        "neighborhood": "Neos Kosmos",
        "coordinates": {
          "lat": 37.954,
          "lon": 23.7404
        },
        "capacity": null
      },
      "price": {
        "type": "with-ticket",
        "amount": 15,
        "currency": "EUR",
        "range": "€10-35"
      },
      "url": "https://www.onassis.org/el/whats-on/onx-showcase-athens-2026",
      "ticketUrl": "https://www.onassis.org/el/whats-on/onx-showcase-athens-2026",
      "source": "onassis",
      "createdAt": "2026-04-07 11:26:09",
      "updatedAt": "2026-04-15 13:43:27",
      "language": "en",
      "timeDoors": "11:00",
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      "permanentCollection": false,
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      "@type": "MusicEvent",
      "id": "799165c9d2e10dba",
      "title": "«ΚΟΣΚΙΝΟ»",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-25T20:00:00",
      "endDate": null,
      "type": "concert",
      "genres": [],
      "tags": [],
      "venue": {
        "name": "Μικρός Κεραμεικός",
        "address": "Eumolpidon 13, Athens 118 54",
        "neighborhood": "Kerameikos",
        "coordinates": {
          "lat": 37.9784,
          "lon": 23.7156
        },
        "capacity": null
      },
      "price": {
        "type": "tba",
        "amount": 15,
        "currency": "EUR",
        "range": "€15"
      },
      "url": "https://www.ticketservices.gr/event/14284/",
      "ticketUrl": "https://www.ticketservices.gr/event/14284/",
      "source": "ticketservices",
      "createdAt": "2026-03-13 10:49:21",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "20:00",
      "timeSource": "scraped_listing",
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    {
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      "@type": "MusicEvent",
      "id": "c3fe4ec6275c9719",
      "title": "TELENOVA live in Athens",
      "description": "28 Μαιου TELENOVA live in Athens Gazarte - Ground Stage",
      "fullDescription": "The energy hits before the lights go up at Gazarte — you can hear the room settling, people claiming positions, the promise of a night that's about to become music. TELENOVA arrives from Spain carrying something specific: the sound of Barcelona's underground indie scene, but without the self-consciousness that usually travels with it. They've spent the last two years building a catalog people actually want to hear live.\n\nTELENOVA plays the border between indie rock and electronic production — guitar textures that sound processed but aren't, synth lines that feel organic, vocals that sit in the mix like another instrument rather than leading everything. The music moves; it doesn't march. If you've followed Barcelona's DIY festivals (Sónar fringe, independent collective nights), this is that sound exported, tested, proven.\n\nGazarte on a Wednesday night is a different crowd than weekends — people who came specifically for the artist, not for the venue status. You'll find musicians, people who read about the band, people the venue regulars brought. It's mixed ages (25-45), intentional listeners. By 22:00 the rooftop garden closes (noise ordinances) and everyone migrates to the main stage or ground level. The room becomes focused.\n\nGazarte operates three stages (main, ground, rooftop) depending on artist size. This is a main stage set — 200-300 people, intimate enough to see the band but large enough to feel concert energy. The sound system is professional; so is the lighting. The venue expects 21:30 start time (standard for live booking). The kitchen stays open; consumption isn't mandatory.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Gazarte Main Stage, Gazi — 200-300 capacity live music venue |\n| **Vibe** | Attentive indie audience, musicians, serious about the artist |\n| **Sound** | Live electric band, indie rock with electronic elements |\n| **Door** | Relaxed — music venue standard |\n\nIf you need big-room anonymity, Gazarte is intimate. If you want to understand what contemporary Barcelona indie sounds like when it's honest — when it's not performing Spanishness for tourists — this is the venue and night for it.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, May 28, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | ~21:30 |\n| **Duration** | 60-75 minutes (typical for supporting acts) |\n| **Price** | €18-25 presale / €28 door |\n| **Tickets** | more.com, Gazarte website |\n| **Address** | Voutadon Street, Gazi |\n| **Getting there** | Kerameikos Metro (Blue Line), 8-minute walk |\n| **Last metro** | 00:15 (weekday) |\n| **Payment** | Cash and cards |\n| **Good to know** | Rooftop garden closes at 23:00 (noise limits). Gazarte has real kitchen — food is taken seriously, not gimmicky. Tables for rooftop dinner/drinks require reservation — email ahead if you want that experience. |",
      "fullDescriptionEn": "The energy hits before the lights go up at Gazarte — you can hear the room settling, people claiming positions, the promise of a night that's about to become music. TELENOVA arrives from Spain carrying something specific: the sound of Barcelona's underground indie scene, but without the self-consciousness that usually travels with it. They've spent the last two years building a catalog people actually want to hear live.\n\nTELENOVA plays the border between indie rock and electronic production — guitar textures that sound processed but aren't, synth lines that feel organic, vocals that sit in the mix like another instrument rather than leading everything. The music moves; it doesn't march. If you've followed Barcelona's DIY festivals (Sónar fringe, independent collective nights), this is that sound exported, tested, proven.\n\nGazarte on a Wednesday night is a different crowd than weekends — people who came specifically for the artist, not for the venue status. You'll find musicians, people who read about the band, people the venue regulars brought. It's mixed ages (25-45), intentional listeners. By 22:00 the rooftop garden closes (noise ordinances) and everyone migrates to the main stage or ground level. The room becomes focused.\n\nGazarte operates three stages (main, ground, rooftop) depending on artist size. This is a main stage set — 200-300 people, intimate enough to see the band but large enough to feel concert energy. The sound system is professional; so is the lighting. The venue expects 21:30 start time (standard for live booking). The kitchen stays open; consumption isn't mandatory.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Gazarte Main Stage, Gazi — 200-300 capacity live music venue |\n| **Vibe** | Attentive indie audience, musicians, serious about the artist |\n| **Sound** | Live electric band, indie rock with electronic elements |\n| **Door** | Relaxed — music venue standard |\n\nIf you need big-room anonymity, Gazarte is intimate. If you want to understand what contemporary Barcelona indie sounds like when it's honest — when it's not performing Spanishness for tourists — this is the venue and night for it.\n\n| Info | Details |\n|------|---------|\n| **Date** | Wednesday, May 28, 2026 |\n| **Doors** | 20:00 |\n| **Music starts** | ~21:30 |\n| **Duration** | 60-75 minutes (typical for supporting acts) |\n| **Price** | €18-25 presale / €28 door |\n| **Tickets** | more.com, Gazarte website |\n| **Address** | Voutadon Street, Gazi |\n| **Getting there** | Kerameikos Metro (Blue Line), 8-minute walk |\n| **Last metro** | 00:15 (weekday) |\n| **Payment** | Cash and cards |\n| **Good to know** | Rooftop garden closes at 23:00 (noise limits). Gazarte has real kitchen — food is taken seriously, not gimmicky. Tables for rooftop dinner/drinks require reservation — email ahead if you want that experience. |",
      "fullDescriptionGr": "Gazarte hosts Telenova—the Australian electronic pop project that has captured global attention through songs that balance synth-driven production with genuine emotional depth.\n\nThe duo has developed aesthetic that draws from 1980s influences without becoming trapped in nostalgia. The songs work as dance floor material and as headphone listening; the production rewards both approaches.\n\nGazarte's main hall provides appropriate setting for an act whose profile continues to rise. The venue handles international touring acts with professional infrastructure while preserving the intimacy that emerging artists still deserve.\n\nAthens audiences have proven receptive to electronic pop that takes itself seriously without losing sense of fun. Telenova fits this taste precisely—accessible without dumbing down, catchy without sacrificing depth.\n\nExpect melodies that stay with you. Expect production that reveals new details on repeated listening. Expect to discover why this project has generated such enthusiastic response.\n\n**Thursday, May 28, 2026 • Gazarte, Gazi**\nTickets required • Electronic pop / Synthpop\nKerameikos Metro, 5 min walk\n\n*This might be your last chance to see them in intimate venue—catch them before arena graduation.*",
      "hasNativeGreek": false,
      "startDate": "2026-05-28T20:00:00+03:00",
      "endDate": null,
      "type": "concert",
      "genres": [
        "music"
      ],
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      "venue": {
        "name": "Gazarte",
        "address": "Βουτάδων 32-34",
        "neighborhood": "Gazi / Keramikos",
        "coordinates": {
          "lat": 37.9775,
          "lon": 23.7153
        },
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      },
      "price": {
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        "amount": 22,
        "currency": "EUR",
        "range": "€22-€25"
      },
      "url": "https://www.more.com/gr-el/tickets/music/telenova-live-in-athens-1/",
      "ticketUrl": "https://www.more.com/gr-el/tickets/music/telenova-live-in-athens-1/",
      "source": "more.com",
      "createdAt": "2026-01-12T21:21:44.838Z",
      "updatedAt": "2026-04-15 12:14:03",
      "language": "en",
      "timeDoors": "21:30",
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    {
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      "@type": "TheaterEvent",
      "id": "2e97dbc8075a0bfc",
      "title": "National Theatre: The Playboy of the Western World",
      "description": "",
      "fullDescription": "A young man stumbles into a pub in County Mayo and announces he has killed his father. Instead of calling the police, the locals turn him into a celebrity. Nicola Coughlan watches him from behind the bar, playing Pegeen Mike with the particular wariness of someone who already knows she is going to fall for exactly the wrong person.\n\nJohn Millington Synge wrote The Playboy of the Western World in 1907 and the Abbey Theatre audience rioted on opening night — the language was too raw, the portrait of rural Ireland too unflattering. Caitriona McLaughlin, Artistic Director of the Abbey Theatre, directs this National Theatre production filmed live in London's Lyttelton Theatre. Eanna Hardwicke plays Christy Mahon, the supposed parricide. Siobhan McSweeney brings the sharp comedic instinct she honed in Derry Girls to the role of Widow Quin.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Megaron's Alexandra Trianti Hall — 1,750 seats, full cinema-grade projection, the Irish countryside filling the screen at a scale that makes the mud feel close |\n| Vibe | Laughter that keeps catching on something uncomfortable — Synge wrote comedy with teeth and this production lets them bite |\n| Sound | The Hiberno-English dialect is the engine of the play — McLaughlin keeps the rhythm of Synge's prose intact, letting sentences roll and crack like conversation overheard through a pub wall |\n| Door | Tickets through megaron.gr, presented in English with Greek subtitles, in collaboration with the British Council and the British Embassy in Athens |\n\nThe production leans into the absurdity rather than the romance. A community that glorifies violence and then recoils when it turns out to be real — Synge saw something about how stories work that has not changed in a hundred and nineteen years. Coughlan's Pegeen is vain, sharp, easily bored, and entirely convincing as someone who would choose danger over the steady man her father picked for her. Hardwicke builds Christy from terrified runaway to swaggering local hero with a physical transformation that the close-up camerawork catches in detail.\n\nThe final act turns. When reality punctures the myth, the village does what villages do — it protects itself. McLaughlin stages the reversal without sentimentality, and the last image of Pegeen alone carries the weight of a woman who chose the story over the man and lost both.\n\nIf you want gentle comedy with a tidy resolution, Synge did not write one. The laughs get progressively harder to separate from the cruelty. But if you want to watch a cast dismantle the mechanics of myth-making in real time, with language that sounds like it was written last week, this is what the National Theatre does at its best.\n\nMegaron Mousikis Athinon, Vasilissis Sofias Avenue — two-minute walk from Megaro Moussikis metro station. Screening on 28 May at 20:30. Tickets through megaron.gr.\n\nThe Abbey rioted in 1907 because Synge told the truth about storytelling — this production lets you decide whether the audience has caught up.",
      "fullDescriptionEn": "A young man stumbles into a pub in County Mayo and announces he has killed his father. Instead of calling the police, the locals turn him into a celebrity. Nicola Coughlan watches him from behind the bar, playing Pegeen Mike with the particular wariness of someone who already knows she is going to fall for exactly the wrong person.\n\nJohn Millington Synge wrote The Playboy of the Western World in 1907 and the Abbey Theatre audience rioted on opening night — the language was too raw, the portrait of rural Ireland too unflattering. Caitriona McLaughlin, Artistic Director of the Abbey Theatre, directs this National Theatre production filmed live in London's Lyttelton Theatre. Eanna Hardwicke plays Christy Mahon, the supposed parricide. Siobhan McSweeney brings the sharp comedic instinct she honed in Derry Girls to the role of Widow Quin.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Megaron's Alexandra Trianti Hall — 1,750 seats, full cinema-grade projection, the Irish countryside filling the screen at a scale that makes the mud feel close |\n| Vibe | Laughter that keeps catching on something uncomfortable — Synge wrote comedy with teeth and this production lets them bite |\n| Sound | The Hiberno-English dialect is the engine of the play — McLaughlin keeps the rhythm of Synge's prose intact, letting sentences roll and crack like conversation overheard through a pub wall |\n| Door | Tickets through megaron.gr, presented in English with Greek subtitles, in collaboration with the British Council and the British Embassy in Athens |\n\nThe production leans into the absurdity rather than the romance. A community that glorifies violence and then recoils when it turns out to be real — Synge saw something about how stories work that has not changed in a hundred and nineteen years. Coughlan's Pegeen is vain, sharp, easily bored, and entirely convincing as someone who would choose danger over the steady man her father picked for her. Hardwicke builds Christy from terrified runaway to swaggering local hero with a physical transformation that the close-up camerawork catches in detail.\n\nThe final act turns. When reality punctures the myth, the village does what villages do — it protects itself. McLaughlin stages the reversal without sentimentality, and the last image of Pegeen alone carries the weight of a woman who chose the story over the man and lost both.\n\nIf you want gentle comedy with a tidy resolution, Synge did not write one. The laughs get progressively harder to separate from the cruelty. But if you want to watch a cast dismantle the mechanics of myth-making in real time, with language that sounds like it was written last week, this is what the National Theatre does at its best.\n\nMegaron Mousikis Athinon, Vasilissis Sofias Avenue — two-minute walk from Megaro Moussikis metro station. Screening on 28 May at 20:30. Tickets through megaron.gr.\n\nThe Abbey rioted in 1907 because Synge told the truth about storytelling — this production lets you decide whether the audience has caught up.",
      "fullDescriptionGr": "A young man stumbles into a pub in County Mayo and announces he has killed his father. Instead of calling the police, the locals turn him into a celebrity. Nicola Coughlan watches him from behind the bar, playing Pegeen Mike with the particular wariness of someone who already knows she is going to fall for exactly the wrong person.\n\nJohn Millington Synge wrote The Playboy of the Western World in 1907 and the Abbey Theatre audience rioted on opening night — the language was too raw, the portrait of rural Ireland too unflattering. Caitriona McLaughlin, Artistic Director of the Abbey Theatre, directs this National Theatre production filmed live in London's Lyttelton Theatre. Eanna Hardwicke plays Christy Mahon, the supposed parricide. Siobhan McSweeney brings the sharp comedic instinct she honed in Derry Girls to the role of Widow Quin.\n\n| Aspect | Details |\n|--------|---------|\n| Setting | Megaron's Alexandra Trianti Hall — 1,750 seats, full cinema-grade projection, the Irish countryside filling the screen at a scale that makes the mud feel close |\n| Vibe | Laughter that keeps catching on something uncomfortable — Synge wrote comedy with teeth and this production lets them bite |\n| Sound | The Hiberno-English dialect is the engine of the play — McLaughlin keeps the rhythm of Synge's prose intact, letting sentences roll and crack like conversation overheard through a pub wall |\n| Door | Tickets through megaron.gr, presented in English with Greek subtitles, in collaboration with the British Council and the British Embassy in Athens |\n\nThe production leans into the absurdity rather than the romance. A community that glorifies violence and then recoils when it turns out to be real — Synge saw something about how stories work that has not changed in a hundred and nineteen years. Coughlan's Pegeen is vain, sharp, easily bored, and entirely convincing as someone who would choose danger over the steady man her father picked for her. Hardwicke builds Christy from terrified runaway to swaggering local hero with a physical transformation that the close-up camerawork catches in detail.\n\nThe final act turns. When reality punctures the myth, the village does what villages do — it protects itself. McLaughlin stages the reversal without sentimentality, and the last image of Pegeen alone carries the weight of a woman who chose the story over the man and lost both.\n\nIf you want gentle comedy with a tidy resolution, Synge did not write one. The laughs get progressively harder to separate from the cruelty. But if you want to watch a cast dismantle the mechanics of myth-making in real time, with language that sounds like it was written last week, this is what the National Theatre does at its best.\n\nMegaron Mousikis Athinon, Vasilissis Sofias Avenue — two-minute walk from Megaro Moussikis metro station. Screening on 28 May at 20:30. Tickets through megaron.gr.\n\nThe Abbey rioted in 1907 because Synge told the truth about storytelling — this production lets you decide whether the audience has caught up.",
      "hasNativeGreek": false,
      "startDate": "2026-05-28T20:30:00+03:00",
      "endDate": null,
      "type": "theater",
      "genres": [
        "classical"
      ],
      "tags": [],
      "venue": {
        "name": "Μέγαρο Μουσικής Αθηνών",
        "address": "Βασιλίσσης Σοφίας & Κόκκαλη",
        "neighborhood": "Kolonaki",
        "coordinates": {
          "lat": 37.975,
          "lon": 23.757
        },
        "capacity": null
      },
      "price": {
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        "amount": 25,
        "currency": "EUR",
        "range": "€15-80"
      },
      "url": "https://www.megaron.gr/event/national-theatre-the-playboy-of-the-western-world-2/",
      "ticketUrl": "https://www.megaron.gr/event/national-theatre-the-playboy-of-the-western-world-2/",
      "source": "megaron.gr",
      "createdAt": "2026-03-06T06:06:48.928Z",
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      "language": "en",
      "imageUrl": "https://www.megaron.gr/wp-content/uploads/2026/03/NTL-2026-The-Playboy-of-the-Western-World-Listing-Images-Landscape-1240x874px.jpg",
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      "@type": "MusicEvent",
      "id": "1fc1f2866b1cde4f",
      "title": "Fred Frith &amp; Dimos Vryzas  Live in Duo",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-28T21:00:00",
      "endDate": null,
      "type": "concert",
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      "venue": {
        "name": "Underflow",
        "address": "Underflow Record Store and Art Gallery, 39",
        "neighborhood": "",
        "coordinates": {
          "lat": 37.964524,
          "lon": 23.727708
        },
        "capacity": null
      },
      "price": {
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        "amount": 15,
        "currency": "EUR",
        "range": "€15 - €20"
      },
      "url": "https://www.ticketservices.gr/event/14326/",
      "ticketUrl": "https://www.ticketservices.gr/event/14326/",
      "source": "ticketservices",
      "createdAt": "2026-03-27 10:02:14",
      "updatedAt": "2026-04-15 12:14:03",
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      "@type": "MusicEvent",
      "id": "5961ef4ac637419b",
      "title": "Mayans with Enoo Napa b2b Da Capo I Thu May 28",
      "description": "",
      "hasNativeGreek": false,
      "startDate": "2026-05-28T21:00:00",
      "endDate": null,
      "type": "dj_set",
      "genres": [
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      ],
      "tags": [],
      "venue": {
        "name": "Bolivar",
        "address": "Leoforos Poseidonos, Alimos 174 55",
        "neighborhood": "Alimos",
        "coordinates": {
          "lat": 37.9082,
          "lon": 23.7146
        },
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      },
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        "amount": 15,
        "currency": "EUR",
        "range": "€10-25"
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      "url": "https://ra.co/events/2411855",
      "ticketUrl": "https://ra.co/events/2411855",
      "source": "residentadvisor",
      "createdAt": "2026-04-07 11:26:09",
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    {
      "@context": "https://schema.org",
      "@type": "MusicEvent",
      "id": "425d6f5bbfbb7416",
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