{ "filters": { "type": "show", "price": "with-ticket", "time": "all-events" }, "events": [ { "@context": "https://schema.org", "@type": "Event", "id": "54b9af638de62780", "title": "Slaughter to Prevail", "description": "", "fullDescription": "Slaughter to Prevail bring their summer European tour to Floyd in Gazi on 24 July 2026. The Russian deathcore outfit are touring behind GRIZZLY, released in July 2025 through Sumerian Records, with Crypta joining as support on selected dates.\n\nFloyd opened in October 2023 with a sold-out Blind Guardian show and has been booking the heavier end of the international touring circuit since — Epica, Franz Ferdinand, the tier of acts that used to skip Athens for Thessaloniki. The room holds two thousand, which puts a deathcore crowd close enough to the stage that the front rail does most of the work the band asks of it.\n\nIf you want melodic metal at a polite distance, this is not that. But if you want to stand inside a room built for volume and a band that delivers it without apology, the date is on the calendar.\n\nFloyd is at Pireos 117, Gazi, accessible by metro from Kerameikos. Doors 20:00. Tickets in the EUR 25–45 range typical for the venue. Driving and parking are difficult around Pireos on event nights — taxi or metro is the lower-friction option.", "fullDescriptionEn": "Slaughter to Prevail bring their summer European tour to Floyd in Gazi on 24 July 2026. The Russian deathcore outfit are touring behind GRIZZLY, released in July 2025 through Sumerian Records, with Crypta joining as support on selected dates.\n\nFloyd opened in October 2023 with a sold-out Blind Guardian show and has been booking the heavier end of the international touring circuit since — Epica, Franz Ferdinand, the tier of acts that used to skip Athens for Thessaloniki. The room holds two thousand, which puts a deathcore crowd close enough to the stage that the front rail does most of the work the band asks of it.\n\nIf you want melodic metal at a polite distance, this is not that. But if you want to stand inside a room built for volume and a band that delivers it without apology, the date is on the calendar.\n\nFloyd is at Pireos 117, Gazi, accessible by metro from Kerameikos. Doors 20:00. Tickets in the EUR 25–45 range typical for the venue. Driving and parking are difficult around Pireos on event nights — taxi or metro is the lower-friction option.", "fullDescriptionGr": "Slaughter to Prevail bring their summer European tour to Floyd in Gazi on 24 July 2026. The Russian deathcore outfit are touring behind GRIZZLY, released in July 2025 through Sumerian Records, with Crypta joining as support on selected dates.\n\nFloyd opened in October 2023 with a sold-out Blind Guardian show and has been booking the heavier end of the international touring circuit since — Epica, Franz Ferdinand, the tier of acts that used to skip Athens for Thessaloniki. The room holds two thousand, which puts a deathcore crowd close enough to the stage that the front rail does most of the work the band asks of it.\n\nIf you want melodic metal at a polite distance, this is not that. But if you want to stand inside a room built for volume and a band that delivers it without apology, the date is on the calendar.\n\nFloyd is at Pireos 117, Gazi, accessible by metro from Kerameikos. Doors 20:00. Tickets in the EUR 25–45 range typical for the venue. Driving and parking are difficult around Pireos on event nights — taxi or metro is the lower-friction option.", "hasNativeGreek": false, "startDate": "2026-07-24T20:00:00", "endDate": null, "type": "show", "genres": [], "tags": [ "Metal", "Live-band", "Gazi", "Standing-room", "Concert-format", "Mixed-international", "Metro-accessible" ], "venue": { "name": "Floyd", "address": "Pireos 117, Athens 118 54", "neighborhood": "Keramikos / Metaxourgeio", "coordinates": { "lat": 37.9795, "lon": 23.718 }, "capacity": null }, "price": { "type": "paid", "amount": 50, "currency": "EUR", "range": "€50" }, "url": "https://www.more.com/gr-el/tickets/music/slaughter-to-prevail/", "ticketUrl": "https://www.more.com/gr-el/tickets/music/slaughter-to-prevail/", "source": "more.com", "createdAt": "2026-03-14 09:36:28", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "20:00", "timeSource": "scraped_listing", "imageUrl": "https://www.more.com/getattachment/a98ea36b-db43-4241-863a-f836667856bc/viva-tickets.png", "imageSource": "backfill", "imageLocal": "/images/events/54b9af638de62780.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "Event", "id": "1dc9b2718e2de08b", "title": "Vaginahood", "description": "των Βάλιας Τσιριγώτη, Μαρίας Λούκα. Το μπαρ - θρύλος της αθηναϊκής διασκέδασης ξανανοίγει τις πόρτες του 12 χρόνια μετά με μια παράσταση για τους διαφορετικούς τόπους της γυναικείας...", "fullDescription": "The title hits you before the curtain opens. Vaginahood. Doors theater fills with the knowledge that you're about to encounter a performance that refuses polite distance from women's bodily reality. The play announces itself, your choice to enter now a statement.\n\nVaginahood presents female sexual autonomy and bodily knowledge as centerpiece rather than subtext. The performance ranges from comedic to confrontational, from tender to aggressive, refusing single-register treatment of its subject. The staging uses the body as primary visual element, refusing text-only approaches to material this physically rooted.\n\nDoors theater provides the appropriate setting for performances that demand edginess. The venue's reputation for pushing boundaries means audiences arrive prepared for discomfort as productive. The intimate capacity creates intensity that larger theaters dilute. The proximity becomes part of the work — you're not observing from safe distance but participating in the conversation.\n\nThe performance explores women's relationships to their own bodies — pleasure, pain, autonomy, naming, knowledge. The comedy that threads through will make the serious moments hit harder. The aggression that surfaces will clarify what's at stake. By performance's end, you'll have been reminded that embodiment remains political.\n\nThe crowd self-selects for willingness to engage with explicitly female-centered content. Women seeking mirror for their own experiences. Men willing to witness perspectives beyond their own. Theater enthusiasts seeking work that risks. The conversations afterward run deeper than pre-show small talk.\n\nIf you need distanced observation or performances that maintain polite boundaries around bodily reality, Vaginahood will exceed your comfort tolerance. This is unapologetically female-embodied work. But if you've been seeking theater willing to center women's perspectives and bodily knowledge — Doors holds this particular reclamation.\n\n| Info | Details |\n|------|---------| \n| **Date** | Tuesday, November 18, 2026 |\n| **Time** | Evening |\n| **Venue** | Doors |\n| **Title** | Vaginahood |\n| **Genre** | Drama / Performance Art |\n| **Content** | Explicit, feminist |\n| **Language** | Greek |\n| **Price** | Check venue |\n\nVaginahood — female embodiment as centerpiece.", "fullDescriptionEn": "The title hits you before the curtain opens. Vaginahood. Doors theater fills with the knowledge that you're about to encounter a performance that refuses polite distance from women's bodily reality. The play announces itself, your choice to enter now a statement.\n\nVaginahood presents female sexual autonomy and bodily knowledge as centerpiece rather than subtext. The performance ranges from comedic to confrontational, from tender to aggressive, refusing single-register treatment of its subject. The staging uses the body as primary visual element, refusing text-only approaches to material this physically rooted.\n\nDoors theater provides the appropriate setting for performances that demand edginess. The venue's reputation for pushing boundaries means audiences arrive prepared for discomfort as productive. The intimate capacity creates intensity that larger theaters dilute. The proximity becomes part of the work — you're not observing from safe distance but participating in the conversation.\n\nThe performance explores women's relationships to their own bodies — pleasure, pain, autonomy, naming, knowledge. The comedy that threads through will make the serious moments hit harder. The aggression that surfaces will clarify what's at stake. By performance's end, you'll have been reminded that embodiment remains political.\n\nThe crowd self-selects for willingness to engage with explicitly female-centered content. Women seeking mirror for their own experiences. Men willing to witness perspectives beyond their own. Theater enthusiasts seeking work that risks. The conversations afterward run deeper than pre-show small talk.\n\nIf you need distanced observation or performances that maintain polite boundaries around bodily reality, Vaginahood will exceed your comfort tolerance. This is unapologetically female-embodied work. But if you've been seeking theater willing to center women's perspectives and bodily knowledge — Doors holds this particular reclamation.\n\n| Info | Details |\n|------|---------| \n| **Date** | Tuesday, November 18, 2026 |\n| **Time** | Evening |\n| **Venue** | Doors |\n| **Title** | Vaginahood |\n| **Genre** | Drama / Performance Art |\n| **Content** | Explicit, feminist |\n| **Language** | Greek |\n| **Price** | Check venue |\n\nVaginahood — female embodiment as centerpiece.", "fullDescriptionGr": "The title hits you before the curtain opens. Vaginahood. Doors theater fills with the knowledge that you're about to encounter a performance that refuses polite distance from women's bodily reality. The play announces itself, your choice to enter now a statement.\n\nVaginahood presents female sexual autonomy and bodily knowledge as centerpiece rather than subtext. The performance likely ranges from comedic to confrontational, from tender to aggressive, refusing single-register treatment of its subject. The staging will probably use the body as primary visual element, refusing text-only approaches to material this physically rooted.\n\nDoors theater provides the appropriate setting for performances that demand edginess. The venue's reputation for pushing boundaries means audiences arrive prepared for discomfort as productive. The intimate capacity creates intensity that larger theaters dilute. The proximity becomes part of the work — you're not observing from safe distance but participating in the conversation.\n\nThe performance will likely explore women's relationships to their own bodies — pleasure, pain, autonomy, naming, knowledge. The comedy that threads through will make the serious moments hit harder. The aggression that surfaces will clarify what's at stake. By performance's end, you'll have been reminded that embodiment remains political.\n\nThe crowd self-selects for willingness to engage with explicitly female-centered content. Women seeking mirror for their own experiences. Men willing to witness perspectives beyond their own. Theater enthusiasts seeking work that risks. The conversations after the show will be more alive than pre-show small talk.\n\nIf you need distanced observation or performances that maintain polite boundaries around bodily reality, Vaginahood will exceed your comfort tolerance. This is unapologetically female-embodied work. But if you've been seeking theater willing to center women's perspectives and bodily knowledge — Doors holds this particular reclamation.\n\n| Info | Details |\n|------|---------| \n| **Date** | Tuesday, November 18, 2026 |\n| **Time** | Evening |\n| **Venue** | Doors |\n| **Title** | Vaginahood |\n| **Genre** | Drama / Performance Art |\n| **Content** | Explicit, feminist |\n| **Language** | Greek |\n| **Price** | Check venue |\n\nVaginahood — female embodiment as centerpiece.", "hasNativeGreek": false, "startDate": "2026-11-18T21:15:00+03:00", "endDate": null, "type": "show", "genres": [ "various" ], "tags": [], "venue": { "name": "Doors", "address": "Karneadou 25-29, Lemos Center, Athens 106 75", "neighborhood": "Kolonaki", "coordinates": { "lat": 37.976, "lon": 23.7425 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 15, "currency": "EUR", "range": "€12-20" }, "url": "https://www.athinorama.gr/theatre/performance/vaginahood-10087756/", "ticketUrl": "https://www.more.com/gr-el/music/", "source": "athinorama.gr", "createdAt": "2026-01-19T23:07:36.452Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeSource": "not_found", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/c2/c20931c9547444a6830a1802a206d74e.jpg?quality=81&404=default&v=4", "imageSource": "athinorama_body_fix", "imageLocal": "/images/events/1dc9b2718e2de08b.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "Event", "id": "53fd6789904b3cfb", "title": "Ένας καταπληκτικός καταθλιπτικός", "description": "του Αντώνη Καλομοιράκη. Ο Ευτύχης είναι ένας life coach που γράφει βιβλία αυτοβελτίωσης, δίνει συμβουλές ζωής μεγάλης αξίας και πιστεύει ότι όλα στη ζωή είναι θετικά. Είναι...", "fullDescription": "The title announces depression with exclamation mark. Ένας καταπληκτικός καταθλιπτικός (An Astonishing Depressive!) enters Art 63 like a paradox the moment demands examining. The performance promises comedy sourced from mental health, from the specific dark humor that people living with depression develop as survival tool.\n\nThe show explores how depression and creativity coexist, how mental illness can become asset in artistic hands, how naming darkness sometimes requires humor. The monologue format means one person carrying the whole emotional weight — the intensity of solo performance amplifying the intimacy of the subject.\n\nArt 63 provides the appropriate setting for performance that centers psychological difficulty. The venue's track record with intelligent programming means audiences arrive expecting sophistication. The intimate scale creates uncomfortable proximity — you can't hide from the performance's directness, and the performer can't hide from your recognition.\n\nThe performance moves between funny and devastating. The jokes will catch you laughing at moments you feel guilty laughing. The serious passages will hit harder because the context was just laughter. The performance refuses register consistency — it lets you feel the complexity of living with depression, the way pain and humor coexist in actually lived experience.\n\nThe crowd arrives predisposed to engagement with mental health content. People with direct experience seeking recognition. Theater enthusiasts respecting work that takes emotional risks. Those interested in how comedy can handle serious subjects. The conversations afterward extend longer than typical comedy setups.\n\nIf you need light entertainment or performances that maintain emotional distance, this show demands vulnerability. The show announces its subject, your entry a statement. But if you've been seeking performances that honor the complexity of living with mental illness — Art 63 holds this particular recognition.\n\n| Info | Details |\n|------|---------| \n| **Date** | Wednesday, December 2, 2026 |\n| **Time** | Evening |\n| **Venue** | Art 63 |\n| **Title** | Ένας καταπληκτικός καταθλιπτικός |\n| **Genre** | Comedy / Monologue |\n| **Content** | Mental health-focused |\n| **Language** | Greek |\n| **Price** | Check venue |\n\nΈνας καταπληκτικός καταθλιπτικός — comedy from the depths.", "fullDescriptionEn": "The title announces depression with exclamation mark. Ένας καταπληκτικός καταθλιπτικός (An Astonishing Depressive!) enters Art 63 like a paradox the moment demands examining. The performance promises comedy sourced from mental health, from the specific dark humor that people living with depression develop as survival tool.\n\nThe show explores how depression and creativity coexist, how mental illness can become asset in artistic hands, how naming darkness sometimes requires humor. The monologue format means one person carrying the whole emotional weight — the intensity of solo performance amplifying the intimacy of the subject.\n\nArt 63 provides the appropriate setting for performance that centers psychological difficulty. The venue's track record with intelligent programming means audiences arrive expecting sophistication. The intimate scale creates uncomfortable proximity — you can't hide from the performance's directness, and the performer can't hide from your recognition.\n\nThe performance moves between funny and devastating. The jokes will catch you laughing at moments you feel guilty laughing. The serious passages will hit harder because the context was just laughter. The performance refuses register consistency — it lets you feel the complexity of living with depression, the way pain and humor coexist in actually lived experience.\n\nThe crowd arrives predisposed to engagement with mental health content. People with direct experience seeking recognition. Theater enthusiasts respecting work that takes emotional risks. Those interested in how comedy can handle serious subjects. The conversations afterward extend longer than typical comedy setups.\n\nIf you need light entertainment or performances that maintain emotional distance, this show demands vulnerability. The show announces its subject, your entry a statement. But if you've been seeking performances that honor the complexity of living with mental illness — Art 63 holds this particular recognition.\n\n| Info | Details |\n|------|---------| \n| **Date** | Wednesday, December 2, 2026 |\n| **Time** | Evening |\n| **Venue** | Art 63 |\n| **Title** | Ένας καταπληκτικός καταθλιπτικός |\n| **Genre** | Comedy / Monologue |\n| **Content** | Mental health-focused |\n| **Language** | Greek |\n| **Price** | Check venue |\n\nΈνας καταπληκτικός καταθλιπτικός — comedy from the depths.", "fullDescriptionGr": "The title announces depression with exclamation mark. \"An Amazing Depressive!\" enters Art 63 like a paradox the moment demands examining. The performance promises comedy sourced from mental health, from the specific dark humor that people living with depression develop as survival tool.\n\nThe show likely explores how depression and creativity coexist, how mental illness can become asset in artistic hands, how naming darkness sometimes requires humor. The monologue format means one person carrying the whole emotional weight — the intensity of solo performance amplifying the intimacy of the subject.\n\nArt 63 provides the appropriate setting for performance that centers psychological difficulty. The venue's track record with intelligent programming means audiences arrive expecting sophistication. The intimate scale creates uncomfortable proximity — you can't hide from the performance's directness, and the performer can't hide from your recognition.\n\nThe show will likely move between funny and devastating. The jokes will catch you laughing at moments you feel guilty laughing. The serious passages will hit harder because the context was just laughter. The performance refuses register consistency — it lets you feel the complexity of living with depression, the way pain and humor coexist in actually lived experience.\n\nThe crowd arrives predisposed to engagement with mental health content. People with direct experience seeking recognition. Theater enthusiasts respecting work that takes emotional risks. Those interested in how comedy can handle serious subjects. The conversations after the show will extend longer than typical comedy setups.\n\nIf you need light entertainment or performances that maintain emotional distance, \"An Amazing Depressive!\" will demand vulnerability. The show announces its subject, your entry a statement. But if you've been seeking performances that honor the complexity of living with mental illness — Art 63 holds this particular recognition.\n\n| Info | Details |\n|------|---------| \n| **Date** | Wednesday, December 2, 2026 |\n| **Time** | Evening |\n| **Venue** | Art 63 |\n| **Title** | An Amazing Depressive! |\n| **Genre** | Comedy / Monologue |\n| **Content** | Mental health-focused |\n| **Language** | Greek |\n| **Price** | Check venue |\n\nAn Amazing Depressive — comedy from the depths.", "hasNativeGreek": false, "startDate": "2026-12-02T21:00:00+03:00", "endDate": null, "type": "show", "genres": [ "comedy" ], "tags": [], "venue": { "name": "Art 63", "address": "3is Septemvriou 63, Athens 104 33", "neighborhood": "Viktoria", "coordinates": { "lat": 37.991, "lon": 23.731 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 17, "currency": "EUR", "range": null }, "url": "https://www.athinorama.gr/theatre/performance/enas_katapliktikos_katathliptikos-10082932/", "ticketUrl": "https://www.athinorama.gr/theatre/performance/enas_katapliktikos_katathliptikos-10082932/", "source": "athinorama.gr", "createdAt": "2025-12-04T16:32:23.858Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeDoors": "21:00", "timeSource": "scraped_detail", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/34/342d53da0bd740f6979c4860da5cdeaf.jpg?quality=81&404=default&v=4", "imageSource": "athinorama_body_fix", "imageLocal": "/images/events/53fd6789904b3cfb.webp", "permanentCollection": false, "locationStatus": "verified_athens" }, { "@context": "https://schema.org", "@type": "Event", "id": "9f1343f46945b67c", "title": "Τρισεύγενη", "description": "της Κορίνας Βουγιούκα. Δύο εμβληματικές τραγικές γυναικείες μορφές της ελληνικής λογοτεχνίας, η Τρισεύγενη του Κωστή Παλαμά και η Ερωφίλη του Γεωργίου Χορτάτση, ανταμώνουν...", "fullDescription": "The Megaron fills differently when something experimental is happening. You can feel it—the energy is more concentrated, less ceremonial. Someone walks onstage with a cello. Someone else approaches the piano. The screen illuminates. And the room understands: we are not here for familiar things.\n\n\"Τρισεύγενη\" (the theatrical presentation) takes the same collaboration—Thodoris Athanasiou's composition, Sofia Exarchou's film—and stages it as performance art rather than concert. The distinction is crucial. In this version, the musicians are visible as bodies making choices. The film is no longer projection; it's a third performer occupying the same space as sound and flesh.\n\nThe Megaron's stage becomes permeable. Music bleeds into visual narrative. Image creates tension with the cello's intentions. Nothing resolves neatly. Everything asks for your interpretation.\n\nYou'll sit with the Megaron's regulars—people who've developed trust in the institution's experimental impulses—plus newcomers drawn by the contemporary art framing. The crowd is educated but not pretentious. Everyone came expecting to be unsettled. That shared expectation creates a specific generosity; no one's here to prove something.\n\nThe experience builds through three movements. Opening establishes the contradiction (what you hear doesn't match what you see). Middle deepens each element (cello becomes more abstract, film becomes more personal). Final movement doesn't resolve; it transforms. By the end, you're not sure what you witnessed, which is exactly where the piece wants you to be.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Megaron main stage, 1,960-seat venue, theatrical staging |\n| **Vibe** | Contemporary, vulnerable, intellectually engaged, visually alive |\n| **Format** | Theater-music performance, ~60 minutes |\n| **Doors** | Reserved seating, no standing |\n\nIf you need narrative clarity or emotional satisfaction, this will frustrate you. The ambiguity is intentional. But if you want to witness contemporary artists risking failure in a major institution—if you trust your own instinct to find meaning—this is precisely what you're looking for.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 20:00 |\n| **Performance starts** | 20:30 |\n| **Duration** | ~60 minutes |\n| **Price** | €25 advance / €28 door |\n| **Tickets** | Megaron.gr |\n| **Address** | 89 Vas. Sofias Avenue, Ilisia |\n| **Getting there** | Megaro Moussikis metro, 3-minute walk |\n| **Last metro** | 23:28 (show ends ~21:30) |\n| **Payment** | Cards and cash |\n| **Good to know** | Theater version differs from concert version; program booklet provides context |", "fullDescriptionEn": "The Megaron fills differently when something experimental is happening. You can feel it—the energy is more concentrated, less ceremonial. Someone walks onstage with a cello. Someone else approaches the piano. The screen illuminates. And the room understands: we are not here for familiar things.\n\n\"Τρισεύγενη\" (the theatrical presentation) takes the same collaboration—Thodoris Athanasiou's composition, Sofia Exarchou's film—and stages it as performance art rather than concert. The distinction is crucial. In this version, the musicians are visible as bodies making choices. The film is no longer projection; it's a third performer occupying the same space as sound and flesh.\n\nThe Megaron's stage becomes permeable. Music bleeds into visual narrative. Image creates tension with the cello's intentions. Nothing resolves neatly. Everything asks for your interpretation.\n\nYou'll sit with the Megaron's regulars—people who've developed trust in the institution's experimental impulses—plus newcomers drawn by the contemporary art framing. The crowd is educated but not pretentious. Everyone came expecting to be unsettled. That shared expectation creates a specific generosity; no one's here to prove something.\n\nThe experience builds through three movements. Opening establishes the contradiction (what you hear doesn't match what you see). Middle deepens each element (cello becomes more abstract, film becomes more personal). Final movement doesn't resolve; it transforms. By the end, you're not sure what you witnessed, which is exactly where the piece wants you to be.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Megaron main stage, 1,960-seat venue, theatrical staging |\n| **Vibe** | Contemporary, vulnerable, intellectually engaged, visually alive |\n| **Format** | Theater-music performance, ~60 minutes |\n| **Doors** | Reserved seating, no standing |\n\nIf you need narrative clarity or emotional satisfaction, this will frustrate you. The ambiguity is intentional. But if you want to witness contemporary artists risking failure in a major institution—if you trust your own instinct to find meaning—this is precisely what you're looking for.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 20:00 |\n| **Performance starts** | 20:30 |\n| **Duration** | ~60 minutes |\n| **Price** | €25 advance / €28 door |\n| **Tickets** | Megaron.gr |\n| **Address** | 89 Vas. Sofias Avenue, Ilisia |\n| **Getting there** | Megaro Moussikis metro, 3-minute walk |\n| **Last metro** | 23:28 (show ends ~21:30) |\n| **Payment** | Cards and cash |\n| **Good to know** | Theater version differs from concert version; program booklet provides context |", "fullDescriptionGr": "The Megaron fills differently when something experimental is happening. You can feel it—the energy is more concentrated, less ceremonial. Someone walks onstage with a cello. Someone else approaches the piano. The screen illuminates. And the room understands: we are not here for familiar things.\n\n\"Τρισεύγενη\" (the theatrical presentation) takes the same collaboration—Thodoris Athanasiou's composition, Sofia Exarchou's film—and stages it as performance art rather than concert. The distinction is crucial. In this version, the musicians are visible as bodies making choices. The film is no longer projection; it's a third performer occupying the same space as sound and flesh.\n\nThe Megaron's stage becomes permeable. Music bleeds into visual narrative. Image creates tension with the cello's intentions. Nothing resolves neatly. Everything asks for your interpretation.\n\nYou'll sit with the Megaron's regulars—people who've developed trust in the institution's experimental impulses—plus newcomers drawn by the contemporary art framing. The crowd is educated but not pretentious. Everyone came expecting to be unsettled. That shared expectation creates a specific generosity; no one's here to prove something.\n\nThe experience builds through three movements. Opening establishes the contradiction (what you hear doesn't match what you see). Middle deepens each element (cello becomes more abstract, film becomes more personal). Final movement doesn't resolve; it transforms. By the end, you're not sure what you witnessed, which is exactly where the piece wants you to be.\n\n| Aspect | Details |\n|--------|---------|\n| **Setting** | Megaron main stage, 1,960-seat venue, theatrical staging |\n| **Vibe** | Contemporary, vulnerable, intellectually engaged, visually alive |\n| **Format** | Theater-music performance, ~60 minutes |\n| **Doors** | Reserved seating, no standing |\n\nIf you need narrative clarity or emotional satisfaction, this will frustrate you. The ambiguity is intentional. But if you want to witness contemporary artists risking failure in a major institution—if you trust your own instinct to find meaning—this is precisely what you're looking for.\n\n| Info | Details |\n|------|---------|\n| **Date** | Thursday, December 4, 2026 |\n| **Doors** | 20:00 |\n| **Performance starts** | 20:30 |\n| **Duration** | ~60 minutes |\n| **Price** | €25 advance / €28 door |\n| **Tickets** | Megaron.gr |\n| **Address** | 89 Vas. Sofias Avenue, Ilisia |\n| **Getting there** | Megaro Moussikis metro, 3-minute walk |\n| **Last metro** | 23:28 (show ends ~21:30) |\n| **Payment** | Cards and cash |\n| **Good to know** | Theater version differs from concert version; program booklet provides context |", "hasNativeGreek": false, "startDate": "2026-12-04T20:30:00+03:00", "endDate": null, "type": "show", "genres": [ "various", "music-film" ], "tags": [], "venue": { "name": "Μέγαρο Μουσικής Αθηνών", "address": "Vassilissis Sofias Avenue & Kokkali 1, Athens 115 21", "neighborhood": "Ilisia", "coordinates": { "lat": 37.975, "lon": 23.757 }, "capacity": null }, "price": { "type": "with-ticket", "amount": 25, "currency": "EUR", "range": "€15-80" }, "url": "https://www.athinorama.gr/theatre/performance/triseugeni-10088268/", "ticketUrl": "https://www.megaron.gr/calendar/", "source": "athinorama.gr", "createdAt": "2026-01-19T15:20:14.454Z", "updatedAt": "2026-04-15 12:14:03", "language": "en", "timeSource": "not_found", "imageUrl": "https://www.athinorama.gr/Content/ImagesDatabase/p/250x300/crop/both/64/6405d0a0047c4450922b85d10e633747.jpg?quality=81&404=default&v=4", "imageSource": "athinorama_body_fix", "imageLocal": "/images/events/9f1343f46945b67c.webp", "permanentCollection": false, "locationStatus": "verified_athens" } ], "meta": { "total": 4, "lastUpdate": "2026-04-15T16:28:51.113Z", "url": "https://agentathens.com/with-ticket-show" } }