Κινηματογραφικές προβολές | Δεν ταξίδεψα ποτέ στην Αυστραλία

Περιγραφή στα Αγγλικά

The Skyline Matraville drive-in in suburban Sydney closed in 1984. Forty-two years later, Alexandros Voulgaris (working under his musician-director alias The Boy) rebuilds it indoors on the Μικρή Σκηνή at Onassis Stegi. For three days — June 5 through 7, 2026 — the small stage becomes a memorial drive-in cinema, screening twenty-one Australian New Wave features and shorts in their first Greek showings.

Voulgaris's parallel careers as director, composer, and frontman of his eponymous band circle the Onassis Foundation regularly; his most recent feature, *They Come Out of Margo*, lands in 2026. For this curation he steps out of the director's chair into the projectionist's, threading his own short *Night Fall in the Ti-Tree* through the program as a recurring marker between features.

The room draws cinephiles who track second-wave national cinemas — the people who know Peter Weir before *Witness* and Bruce Beresford before *Driving Miss Daisy*. Drive-in nostalgists who'd rather watch from a folding chair than a multiplex. Stegi regulars who follow Voulgaris-as-curator more closely than Voulgaris-as-director.

| Aspect | Detail | |--------|--------| | Setting | Μικρή Σκηνή reconfigured as indoor drive-in homage | | Vibe | Cinephile retrospective; long single-day sessions | | Sound | Theatrical projection sound system | | Door | 10–25 EUR daily, 30 EUR two-day combo; 15:00–02:00 |

Sessions stack from late afternoon to 02:00 — Peter Weir's *Picnic at Hanging Rock* alongside Bruce Beresford's *Breaker Morant*, Brian Trenchard-Smith's *Dead End Drive-In* (the literal namesake of the Sydney venue this series memorializes), and works by Tracey Moffatt. Twenty-one titles across three days means programming density rather than gala-screening pacing: you don't drop in for one film, you settle into a session. Voulgaris's *Night Fall in the Ti-Tree* returns between features as connective tissue, a curator's signature woven through borrowed material.

If you want a single-auteur retrospective or a black-tie gala, this is the wrong room. But if you'd queue for *Picnic at Hanging Rock* on a real screen in Athens — and *Dead End Drive-In* after midnight — three days clear your calendar.

Onassis Stegi sits on Syngrou Avenue, accessible by metro from Syngrou-Fix and walkable from Neos Kosmos. Day tickets run 10–25 EUR with 30 EUR combos pairing Friday or Saturday with Sunday. Booking through tickets.onassis.org; Friends of Stegi presale opened 11 May, general sale 18 May. The 15:00–02:00 window means food and water matter — Stegi's ground-floor café is the obvious staging point between blocks.

Twenty-one Australian New Wave films, first Greek screenings, packed into three converted drive-in days — when the Sunday block clears, the corridor closes.