Overview
| Event | Venue | Date | Entry |
|---|---|---|---|
| Η ΚΟΥΖΙΝΑ σε σκηνοθεσία Γιώργου Κουτλή | Κιβωτός | Wednesday 15 April | €20 |
| Ολύμπια, Δημοτικό Μουσικό Θέατρο «Μαρία Κάλλας» | Θέατρο Ολύμπια | Wednesday 15 April | €15 |
| Αρχιμάστορας Σόλνες | Θέατρο Τέχνης | Thursday 16 April | €13 |
| O θάνατος ενός ηθοποιού | ΠΛΥΦΑ | Thursday 16 April | €14 |
| Κουκλίτσα | Εθνικό Θέατρο | Thursday 16 April | €5 |
| Ο κήπος των επίγειων απολαύσεων | Δημοτικό Θέατρο Πειραιά | Thursday 16 April | €15 |
| Τα κύματα | Θέατρο Nous | Thursday 16 April | €16 |
| Μόλις κοιμηθεί το κύμα | Θέατρο Φούρνος | Thursday 16 April | €17 |
| 170 τετραγωνικά / Moonwalk | Νέος Ακάδημος | Friday 17 April | €120 |
| Ο Μαγιακόφσκι στους αιώνες | Χώρος Τέχνης Ηχόδραση | Friday 17 April | €10 |
| Λεονάρντα | Δημοτικό Θέατρο Πειραιά | Friday 17 April | €5 |
| Blunted - Δήμητρες και Περσεφόνες | Κάμιρος | Friday 17 April | €16 |
| Ο Γλάρος | ΦΙΑΤ | Friday 17 April | €20 |
| ΒΡΙΚΟΛΑΚΕΣ | ΘΕΑΤΡΟ RADAR | Friday 17 April | €12 |
| ΕΚΕΙΝΟΣ ΠΟΥ ΕΚΛΕΨΕ ΤΗ ΜΕΡΑ & ΠΛΗΡΩΣΕ ΤΗ ΝΥΧΤΑ | Θέατρο Βασιλάκου | Friday 17 April | €15 |
| Εχθρός του λαού | Θέατρο Κνωσός | Friday 17 April | €10 |
| Η Πριγκίπισσα των Αγίων Σαράντα! | Coronet Theater | Friday 17 April | €15 |
| Οικογένεια Addams | Θέατρο Βέμπο | Friday 17 April | €20 |
| ASTORIA | Θέατρο Παλλάς | Friday 17 April | €15 |
| Συναίνεση | Σύγχρονο Θέατρο | Friday 17 April | €15 |
Τετάρτη 15 Απριλίου
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Πέμπτη 16 Απριλίου
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Παρασκευή 17 Απριλίου
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Σάββατο 18 Απριλίου
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Κυριακή 19 Απριλίου
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In Detail
170 τετραγωνικά / Moonwalk
The lights find two sisters in the house where they grew up. Their father is dead.
Blunted - Δήμητρες και Περσεφόνες
A mother and daughter meet in a house full of ghosts — a dead father, a racist brother, the phantom of a normal family. Sofianna Theofanou's BLUNTED filters Demeter and Persephone through a middle-class Greek living room where love and denial share the same chair. Theofanou trained at the Karolos Koun School of Drama and spent twelve years with the National Theatre.
Τικ και Τέλα: Ο βατραχάκος
Somewhere between a suitcase and a bedside table, a handmade frog has gone missing. Tela packed for her sleepover at Tik's house but forgot her beloved toy, and the small fear every toddler knows becomes the engine of the show. Paramythochora puppet theater brings Axel Scheffler's story to Theatre 104 with handmade puppets, original music, and a set built to hold attention spans measured in minutes.
ΑΜΛΕΤ (machine)
Shakespeare wrote Hamlet in 1600. Heiner Muller disassembled it in 1977.
ΣΤΑΥΡΟΣ ΞΑΡΧΑΚΟΣ 5 Λαϊκές Μορφές «Με Τρόπον Εντόνως Ερωτικόν»
Stavros Xarchakos sits at the center of a seven-piece orchestra inside Pallas Theatre on Voukourestiou. The program is 5 Laikes Morfes — five folk figures — spanning Markos Vamvakaris, Vassilis Tsitsanis, Manos Hadjidakis, Mikis Theodorakis, and Xarchakos himself.
MARCOS AYALA TANGO - The Golden Years
The bandoneon exhales its first note and the room transforms. You're no longer in Athens — you're in Buenos Aires, 1940-something, the air thick with smoke and longing and the particular tension that precedes the embrace.
ΤΖΕΝΗ ΤΖΕΝΗ
The 1966 film Tzeni Tzeni sold 587,323 tickets and made Jenny Karezi a household name. Nikos Karathanos brings the comedy to the Municipal Theatre of Piraeus as A Sunny Requiem — part homage, part reinvention, timed to the centenary of screenwriter Kostas Pretendelis. Karathanos directs and plays the father, Kosmas Skoutari.
CAVEMAN
A man in overalls walks to the center of the stage, draws a cave painting on an invisible wall, and starts explaining why his wife sends him to buy one thing at the supermarket and he comes back with seven wrong items. Rob Becker wrote Defending the Caveman in 1991 and it became the longest-running one-man show in Broadway history. Sotiris Kalyvatsis performs the Greek adaptation, directed by Giorgos Galitis, wearing the role with the timing of someone who has toured it across Greece. If you want nuanced relationship drama, this is ninety minutes of stand-up-meets-theater that trades in broad gender comedy.
Frequently Asked Questions
Can I see theater in English in Athens, Greece?
Most Athens theater is performed in Greek, but English-accessible options exist. The Onassis Stegi regularly programs international productions in English or with English surtitles. The Athens Epidaurus Festival (June–August) hosts international companies that perform in English or other languages. Ancient drama performances at Epidaurus have had Greek and English surtitles since the festival introduced the system. Several smaller venues and fringe festivals also program English-language performances — check individual listings for language details.
What is the Athens Epidaurus Festival and how do I get tickets?
The Athens Epidaurus Festival runs from June through August and is Greece’s most prestigious performing arts event — 93 productions, over 2,500 artists, across 85 days in 2024. Performances take place at the Odeon of Herodes Atticus at the foot of the Acropolis (4,680 seats) and the ancient theater of Epidaurus (a two-hour drive from Athens). Book early at aefestival.gr, especially for Epidaurus weekend performances and Herodes Atticus headline shows. Prices range from €15–80.
What makes Athens a distinctive city for theater?
Athens invented Western theater. When you see Sophocles performed at Epidaurus — the same theater where his plays premiered 2,400 years ago — the connection to the original material is direct and physical in a way no other city can offer. Beyond the ancient connection, the modern Athens theater scene runs 300+ productions per season across 100+ stages, making it one of the most theater-dense cities in Europe per capita. Independent companies in Metaxourgeio, Psyrri, and Exarchia produce experimental work alongside the national companies.
What time do theater performances start in Athens, and how do I get there?
Evening performances typically start at 20:30–21:00. The Onassis Stegi in Neos Kosmos is accessible via the Syngrou-Fix metro station. The National Theatre near Omonoia Square is served by the Omonoia metro stop. For Epidaurus, organized buses depart from central Athens (usually arranged through the festival or travel agencies). Arriving 20–30 minutes early is enough for most venues. Theater dress code in Athens is smart-casual — Athenians dress up for Megaron Mousikis and the Odeon of Herodes Atticus, but smaller venues are relaxed.